Lyra

Lyra again turns the analog world on its ear with the introduction of the Etna λ Lambda SL phono cartridge. Sharing its name with Sicily’s majestic Mount Etna, Etna λ Lambda SL the cartridge is an impressive monument in its own right, one that melds tried and true Lyra design tenets with designer Jonathan Carr’s very latest thinking on phono cartridges.Etna λ Lambda SL was designed with a strong emphasis on engineering efficiency, so that its performance would be as far beyond the sum of its parts as possible. For this reason, although it shares some of its design philosophy with Atlas λ Lambda SL, the concepts are executed rather differently.Etna λ Lambda SL employs a solid titanium core structure machined with non-parallel surfaces to inhibit internal reflections whenever possible, but unlike Atlas (and Titan i before it), this is mated to a slightly undersized, asymmetric, mirror-black anodized duralumin outer body that locks over the core like a very tightly-fitting jigsaw puzzle. The core and body are augmented with bronze and stainless-steel resonance control rods, then pressure-fit together into a pre-stressed, solid, void-free structure which is comprised of multiple materials and complex internal shapes. The constrained-layer nature of this construction dramatically reduces the resonant signature of each material and creates a far more neutral-sounding body structure than otherwise possible, while the high body stiffness benefits transients, dynamics and resolution.Etna λ Lambda SL uses a yokeless dual magnet system, diamond-coated boron rod cantilever and Lyra-designed variable-radius line-contact stylus. Lyra remains the only cartridge manufacturer to mount the cantilever directly into the cartridge body to create a rigid, seamless connection between the cantilever assembly and tonearm headshell. Why? Linear transducers such as phono cartridges are inherently inefficient devices, on the order of 5-10%. In other words, of the vibrational energy that enters a cartridge from the LP groove, only 5-10% will be converted into electrical signal. The cartridge’s internal damping system will dissipate some of the remaining 90 to 95%, but much of the excess vibrational energy will reflect inside the cartridge, creating internal echoes and a general diminishing of fidelity. It is quite easy to hear this with many cartridges- play a highly modulated LP with the power amp turned off, and bring your ear close to the cartridge. The “needle talk” that you hear is excess vibrational energy which isn’t being controlled properly. Etna λ Lambda SL’s direct-mounted cantilever helps conduct this excess vibrational energy into the headshell, where it is safely dissipated within the greater mass of the tonearm and turntable plinth. Etna λ Lambda SL utilizes the asymmetric design concept first seen in the flagship Atlas, but moves the screw/screwhole all the way to the front of the cartridge and interposes a bronze damping barrier between it and the mechanical path linking the cantilever assembly to the tonearm headshell. Freed of all obstructions and voids, the rigid, direct path established between cantilever and headshell is highly effective at draining away vibrations once they have been converted into electrical signals, effectively suppressing induced resonances and internal reflections that would otherwise manifest as sonic colorations. A narrowed mounting area couples Etna λ Lambda SL more tightly to the headshell and facilitates the transfer of vibrational energy into the tonearm, giving even better control over spurious resonances.Another design strength is Etna λ Lambda SL high-efficiency X-shaped signal coils, another attribute it shares with the flagship Atlas. Compared to traditional square coil formers the X-shape allows each channel to operate with greater independence from one another, giving better tracking, tighter channel matching, improved separation, and lower crosstalk-induced distortion. Although there are and have been other X-coil cartridges, their benefits have been accompanied by poor efficiency (in converting mechanical work into electrical output), either requiring high internal impedance (the larger coils add considerable moving mass and increase noise) and/or having low output voltage (which stresses the phono stage). To overcome this weakness, Lyra conducted a careful investigation of X-core coils, using a combination of mathematical analysis and hands-on experimentation. The outcome of the analysis program was a very specific X-core shape and dimensions that not only had higher efficiency than any previous X-core cartridge, but also surpassed the efficiency of Lyra’s earlier square-coil cartridge designs.Lyra’s New Angle technology mechanically pre-biases the signal coils so they are perfectly aligned to the front and rear magnets during LP playback, which allows the coils to move optimally in all directions for superior, distortion-free playback.A seldom-mentioned yet key factor in defining the performance and sound of a phono cartridge is the suspension and damper system. A cantilever’s materials, dimensions and constructions all affect the sound in unique ways, and unless the dampers and suspension are engineered to be a suitable match to the cantilever chosen, the sound and performance will not be optimal.For Lyra’s post-2008 New Angle models (Delos, Kleos, Etna, Atlas) we developed tapered dampers to pre-load the cantilever downwards when it is in the rest position, so that the application of vertical tracking force (VTF) will bring the coil angle into alignment with the magnets when the cartridge is in the playing position. Our continued research into dampers and suspension systems has now led to the next level up - Lambda. Lambda separates the tapered dampers of the New Angle cartridges into flat elastomer discs (for damping) and an additional support “pillow” to serve as the cantilever pre-loading element. This division allows the use of more specialized materials that are better suited to their individual tasks.The Lambda Atlas and Etna thereby continue the New Angle benefits (coil and magnet angles become aligned when the cartridge is in the playing position), but stability and sonic performance are significantly improved.The Lambda improvements apply to both the single coil layer models (Atlas SL, Etna SL) and the standard double coil layer models (Atlas, Etna). Likewise for the Atlas Mono and Etna Mono models.While Etna λ Lambda SL is second from the top in Lyra’s line, one listen will demonstrate that this cartridge’s performance would define the very top of any other cartridge line. Atlas has a very refined, elegant and voluptuous sound while Etna λ Lambda SL personality is more outgoing. We truly believe that choosing between these two exceptional performers will come down to one’s tastes and the system in which it will live. For many customers Etna λ Lambda will be ideal and become their preferred Lyra.

Lyra again turns the analog world on its ear with the introduction of the Etna λ Lambda SL phono cartridge. Sharing its name with Sicily’s majestic Mount Etna, Etna λ Lambda SL the cartridge is an impressive monument in its own right, one that melds tried and true Lyra design tenets with designer Jonathan Carr’s very latest thinking on phono cartridges.Etna λ Lambda SL was designed with a strong emphasis on engineering efficiency, so that its performance would be as far beyond the sum of its parts as possible. For this reason, although it shares some of its design philosophy with Atlas λ Lambda SL, the concepts are executed rather differently.Etna λ Lambda SL employs a solid titanium core structure machined with non-parallel surfaces to inhibit internal reflections whenever possible, but unlike Atlas (and Titan i before it), this is mated to a slightly undersized, asymmetric, mirror-black anodized duralumin outer body that locks over the core like a very tightly-fitting jigsaw puzzle. The core and body are augmented with bronze and stainless-steel resonance control rods, then pressure-fit together into a pre-stressed, solid, void-free structure which is comprised of multiple materials and complex internal shapes. The constrained-layer nature of this construction dramatically reduces the resonant signature of each material and creates a far more neutral-sounding body structure than otherwise possible, while the high body stiffness benefits transients, dynamics and resolution.Etna λ Lambda SL uses a yokeless dual magnet system, diamond-coated boron rod cantilever and Lyra-designed variable-radius line-contact stylus. Lyra remains the only cartridge manufacturer to mount the cantilever directly into the cartridge body to create a rigid, seamless connection between the cantilever assembly and tonearm headshell. Why? Linear transducers such as phono cartridges are inherently inefficient devices, on the order of 5-10%. In other words, of the vibrational energy that enters a cartridge from the LP groove, only 5-10% will be converted into electrical signal. The cartridge’s internal damping system will dissipate some of the remaining 90 to 95%, but much of the excess vibrational energy will reflect inside the cartridge, creating internal echoes and a general diminishing of fidelity. It is quite easy to hear this with many cartridges- play a highly modulated LP with the power amp turned off, and bring your ear close to the cartridge. The “needle talk” that you hear is excess vibrational energy which isn’t being controlled properly. Etna λ Lambda SL’s direct-mounted cantilever helps conduct this excess vibrational energy into the headshell, where it is safely dissipated within the greater mass of the tonearm and turntable plinth. Etna λ Lambda SL utilizes the asymmetric design concept first seen in the flagship Atlas, but moves the screw/screwhole all the way to the front of the cartridge and interposes a bronze damping barrier between it and the mechanical path linking the cantilever assembly to the tonearm headshell. Freed of all obstructions and voids, the rigid, direct path established between cantilever and headshell is highly effective at draining away vibrations once they have been converted into electrical signals, effectively suppressing induced resonances and internal reflections that would otherwise manifest as sonic colorations. A narrowed mounting area couples Etna λ Lambda SL more tightly to the headshell and facilitates the transfer of vibrational energy into the tonearm, giving even better control over spurious resonances.Another design strength is Etna λ Lambda SL high-efficiency X-shaped signal coils, another attribute it shares with the flagship Atlas. Compared to traditional square coil formers the X-shape allows each channel to operate with greater independence from one another, giving better tracking, tighter channel matching, improved separation, and lower crosstalk-induced distortion. Although there are and have been other X-coil cartridges, their benefits have been accompanied by poor efficiency (in converting mechanical work into electrical output), either requiring high internal impedance (the larger coils add considerable moving mass and increase noise) and/or having low output voltage (which stresses the phono stage). To overcome this weakness, Lyra conducted a careful investigation of X-core coils, using a combination of mathematical analysis and hands-on experimentation. The outcome of the analysis program was a very specific X-core shape and dimensions that not only had higher efficiency than any previous X-core cartridge, but also surpassed the efficiency of Lyra’s earlier square-coil cartridge designs.Lyra’s New Angle technology mechanically pre-biases the signal coils so they are perfectly aligned to the front and rear magnets during LP playback, which allows the coils to move optimally in all directions for superior, distortion-free playback.A seldom-mentioned yet key factor in defining the performance and sound of a phono cartridge is the suspension and damper system. A cantilever’s materials, dimensions and constructions all affect the sound in unique ways, and unless the dampers and suspension are engineered to be a suitable match to the cantilever chosen, the sound and performance will not be optimal.For Lyra’s post-2008 New Angle models (Delos, Kleos, Etna, Atlas) we developed tapered dampers to pre-load the cantilever downwards when it is in the rest position, so that the application of vertical tracking force (VTF) will bring the coil angle into alignment with the magnets when the cartridge is in the playing position. Our continued research into dampers and suspension systems has now led to the next level up - Lambda. Lambda separates the tapered dampers of the New Angle cartridges into flat elastomer discs (for damping) and an additional support “pillow” to serve as the cantilever pre-loading element. This division allows the use of more specialized materials that are better suited to their individual tasks.The Lambda Atlas and Etna thereby continue the New Angle benefits (coil and magnet angles become aligned when the cartridge is in the playing position), but stability and sonic performance are significantly improved.The Lambda improvements apply to both the single coil layer models (Atlas SL, Etna SL) and the standard double coil layer models (Atlas, Etna). Likewise for the Atlas Mono and Etna Mono models.While Etna λ Lambda SL is second from the top in Lyra’s line, one listen will demonstrate that this cartridge’s performance would define the very top of any other cartridge line. Atlas has a very refined, elegant and voluptuous sound while Etna λ Lambda SL personality is more outgoing. We truly believe that choosing between these two exceptional performers will come down to one’s tastes and the system in which it will live. For many customers Etna λ Lambda will be ideal and become their preferred Lyra.

The Kleos is the lowest cost Lyra cartridge to feature the full fledged Ogura manufactured boron cantilever and coil system with Lyra original line-contact (3 x 70μm) stylus. This is similar to what is employed on even the most expensive Lyra models.Nevertheless, the most important element of the new Kleos is it’s sound. We firmly believe that the Kleos is capable of extracting more information from the vinyl grooves than it’s predecessors, and that the reproduction of music is both more dynamic, more detailed, and more natural than the models preceding it. We also are of the opinion that the Kleos will set a new standard for sonic performance at it’s price point.Today there are only a small handful of master cartridge builders in the world, and Lyra’s Yoshinori Mishima belongs to this elite group of individuals that are capable of crafting the highest level MC transducers on the planet. His assistant Akiko Ishiyama, who has undergone several years of apprenticeship, is also involved in the building process leading to each Kleos. The Kleos is not only hand made, but each cartridge is listened to extensively and “voiced” by the master cartridge builder, like the finest musical instruments.Lyra offers a unique combination of capable, advanced cartridge design by Jonathan Carr and complete handmade execution by the above mentioned individuals. Investing in a Lyra Kleos through an authorized retailer will offer you an unparallelled analog experience from your stereo microgroove vinyl records.

The Kleos is the lowest cost Lyra cartridge to feature the full fledged Ogura manufactured boron cantilever and coil system with Lyra original line-contact (3 x 70μm) stylus. This is similar to what is employed on even the most expensive Lyra models.Nevertheless, the most important element of the new Kleos is it’s sound. We firmly believe that the Kleos is capable of extracting more information from the vinyl grooves than it’s predecessors, and that the reproduction of music is both more dynamic, more detailed, and more natural than the models preceding it. We also are of the opinion that the Kleos will set a new standard for sonic performance at it’s price point.Today there are only a small handful of master cartridge builders in the world, and Lyra’s Yoshinori Mishima belongs to this elite group of individuals that are capable of crafting the highest level MC transducers on the planet. His assistant Akiko Ishiyama, who has undergone several years of apprenticeship, is also involved in the building process leading to each Kleos. The Kleos is not only hand made, but each cartridge is listened to extensively and “voiced” by the master cartridge builder, like the finest musical instruments.Lyra offers a unique combination of capable, advanced cartridge design by Jonathan Carr and complete handmade execution by the above mentioned individuals. Investing in a Lyra Kleos through an authorized retailer will offer you an unparallelled analog experience from your stereo microgroove vinyl records.

While vinyl records played back with an MC cartridge can sound exceptionally good, it is a surprising fact that the design of conventional MCs restricts the sound quality that can be achieved from LPs. An essential factor for proper operation of an MC cartridge is the angle between the magnetic circuit, signal coils and core. Performance is optimal when the angles are all aligned, but any significant difference in the angles will cause the formation of a strong and directional flux that will flow constantly from the magnetic circuit into the signal core. This directional magnetic flux will orient the core toward a specific direction and make it impossible for the core to move with equal ease in all directions, which is necessary for proper cartridge performance. Unfortunately, conventional MC cartridges have been designed so that the angles between magnetic circuit, signal coils and core become aligned only when tracking force is not applied. The result is that during playback, the required tracking force causes the angle between magnetic circuit, signal coils and core to become misaligned. This limits the cartridge’s resolution, tracking ability and dynamic range.The new Lyra Delos is designed to conquer this problem. Compared to conventional cartridges, the Delos has a new body structure with an unusually shallow angle, and this has been paired with a unique asymmetrical damping system. When no tracking force is applied, the shape of the asymmetrical dampers forces the signal coils and core into a more upright angle than the magnetic circuit.However, no tracking force applied means that the cartridge is not operating, and therefore any angular discrepancies between magnetic circuit, signal coils and core will have no effect on performance. When tracking force is applied, however, the force of the stylus pushing on the LP causes the asymmetrical dampers to be deformed into a symmetrical shape, and when this happens the angular discrepancies between magnetic circuit, signal coils and core all disappear. Since tracking force applied means that the cartridge is now operating, it should be clear that the design of the Delos is able to keep the angles between the magnetic circuit, signal coils and core aligned during playback.Keeping the proper angular alignment prevents the formation of any strong and directional flux that could otherwise flow constantly from the magnetic circuit into the signal core, and enables the Delos’ core to move with equal ease in all directions, for optimal performance.The Delos also has a microridge stylus on a boron cantilever for outstanding tracking, a non-parallel solid machined metal body for low resonances, and 6-N high-purity copper coils and nude construction for greater clarity. The result is clearly improved sound quality, particularly resolution, tracking ability, dynamic range, transient impact and immediacy.Feel free to audition the Lyra Delos, and hear how good a New Angle can make your LPs sound.