Προενισχυτές

RC-1572MKIIAffordable high-end begins with Rotel’s RC-1572MKII Preamplifier processing your favorite analog and digital sources in stunning clarity with a natural and enveloping sound stage.As an essential component in a Hi-Fi audio stack the RC-1572MKII’s precision engineering begins with Rotel’s ultra-low noise power supply including a large, in-house manufactured toroidal transformer. The transformer design reduces stray radiated emissions and feeds a bank of slit-foil, low ESR capacitors delivering stable current to all sensitive circuits reducing noise and distortion with an ultra-quiet noise floor.A premium Texas Instruments 32-bit Digital to Analog converter (DAC) renders the digital sources supported by custom tuned, proprietary external output filters ensuring the audio is effortlessly presented with exceptional dynamic detail and musical expression.  Analog, Digital, XLR, aptXTM and AAC Wireless Bluetooth and Moving Magnet Phono Stage inputs ensure connection to your favorite music sources. Digital media files are supported via a 32-bit/384kHz PC-USB connection supporting MQA and is fully certified Roon Tested for graceful access to the near limitless catalog of online music.The RC-1572MKII is easy to operate using the included remote control and front panel display. Automatic power controls, signal sensing, fixed volume settings and tone adjustments optimize customization settings.RCA, XLR and subwoofer outputs are provided for installation flexibility. Ethernet and RS232 ensure simple integration with control systems and software updates.Bring your CD’s, Digital Files and Vinyl allowing the RC-1572MKII to bridge generations of music and music lovers.

RC-1572MKIIAffordable high-end begins with Rotel’s RC-1572MKII Preamplifier processing your favorite analog and digital sources in stunning clarity with a natural and enveloping sound stage.As an essential component in a Hi-Fi audio stack the RC-1572MKII’s precision engineering begins with Rotel’s ultra-low noise power supply including a large, in-house manufactured toroidal transformer. The transformer design reduces stray radiated emissions and feeds a bank of slit-foil, low ESR capacitors delivering stable current to all sensitive circuits reducing noise and distortion with an ultra-quiet noise floor.A premium Texas Instruments 32-bit Digital to Analog converter (DAC) renders the digital sources supported by custom tuned, proprietary external output filters ensuring the audio is effortlessly presented with exceptional dynamic detail and musical expression.  Analog, Digital, XLR, aptXTM and AAC Wireless Bluetooth and Moving Magnet Phono Stage inputs ensure connection to your favorite music sources. Digital media files are supported via a 32-bit/384kHz PC-USB connection supporting MQA and is fully certified Roon Tested for graceful access to the near limitless catalog of online music.The RC-1572MKII is easy to operate using the included remote control and front panel display. Automatic power controls, signal sensing, fixed volume settings and tone adjustments optimize customization settings.RCA, XLR and subwoofer outputs are provided for installation flexibility. Ethernet and RS232 ensure simple integration with control systems and software updates.Bring your CD’s, Digital Files and Vinyl allowing the RC-1572MKII to bridge generations of music and music lovers.

Η ΝAD ανακοίνωσε τον δικτυακό προενισχυτή Masters M66 που είναι εξοπλισμένος με BluOS, με phono stage MM/MC, τέσσερις εξόδους για subwoofer και HDMI eARC.Επιπλέον, o προενισχυτής διαθέτει ξεχωριστές διαδρομές ψηφιακού και αναλογικού σήματος, διακριτό εξασθενητή έντασης για αναλογικά και ψηφιακά σήματα, και έναν ανεξάρτητο ενισχυτή ακουστικών.Διαθέτει επίσης τέσσερις ανεξάρτητες εξόδους υπογούφερ και περιλαμβάνει άδειες χρήσης Dirac Live Room Correction και τα εργαλεία διαχείρισης Dirac Live Bass Control.O M66 εισάγει επίσης μια νέα τεχνολογία, την Dynamic Digital Headroom (DDH), που εξαλείφει την αποκοπή μεταξύ των δειγμάτων του ψηφιακού σήματος, ενώ το DAC του βασίζεται σε ευρέως αναγνωρισμένο τσιπ ESS Sabre DAC.Εκτός από την δυνατότητα multi-room υψηλής ανάλυσης BluOS, ο Masters M66 έχει AirPlay 2, Bluetooth aptX HD δύο δρόμων (αποστολή και λήψη) και μια σειρά από άλλες εισόδους και εξόδους.Ο NAD Masters M66 διαθέτει δικτύωση Ethernet και Wi-Fi καθώς και Spotify Connect όπως και Tidal Connect. Η μονάδα μπορεί επίσης να ενσωματωθεί απρόσκοπτα με έξυπνα συστήματα ελέγχου όπως Crestron, Control4, ELAN, RTI, URC και άλλα.Κατά τα άλλα διαθέτει τέσσερις ανεξάρτητες εξόδους υπογούφερ σε RCA και balanced XLR. To phono stage προσφέρει ακριβή ισοστάθμιση RIAA, υψηλά περιθώρια ρυθμίσεων, φίλτρο υπερήχων και έχει ξεχωριστές εισόδους για MM και MC κεφαλές.Ως ψηφιακές εισόδους προσφέρει μια θύρα HDMI eARC για την σύνεση τηλεόρασης, δύο οπτικές και δύο ομοαξονικές εισόδους και μία ψηφιακή είσοδο AES/EBU.Αναλογικά ο προενισχυτής δέχεται σήμα μέσω δύο εισόδων σε επίπεδο γραμμής RCA και ενός ζεύγους balanced XLR. Το σήμα το παραδίδει στην έξοδο σε RCA και XLR.Έχετε την επιλογή να απενεργοποιήσετε το Wi-Fi και το Bluetooth για να ελαχιστοποιήσετε τις παρεμβολές RF. Επίσης έχει δυνατότητα Analogue Bypass, είναι MQA κ.ά. Yπάρχει και USB για την αναπαραγωγή αρχείων.Στο μπροστινό μέρος ξεχωρίζει η έγχρωμη οθόνη αφής των 7 ιντσών αλλά και το κομψό περίβλημα από αλουμίνιο της συσκευής. Ο Μ66 διαθέτει επίσης δύο υποδοχές επέκτασης MDC2 για προσθήκη μελλοντικών δυνατοτήτων, ενώ έρχεται και με τηλεχειριστήριο.

The quality of a hi-fi system depends on its sound source. Compatible with file formats used by top streaming devices and services, NSS 333 is a high-resolution streaming solution that delivers on its promise. The built-in DAC converter improves the performance of other devices in your system. Compatible with the entire Naim range, NSS 333 allows you to control your system easily from the Focal & Naim app. With NSS 333, you can find the most recent streaming platforms (Spotify connect, Apple Music, TIDAL, TIDAL Connect and Qobuz) and listen to your favourite radio stations. Thanks to the integrated AirPlay2, Chromecast, UPnP™, Roon Ready and Bluetooth® AptX technologies, streaming your content from your smartphone or tablet is easy and high quality. For total listening pleasure at home, this streamer is multi-room compatible with many connected Naim products.

Το NAC 332 είναι η «αναλογική καρδιά» του συστήματός σας, προσφέροντας βέλτιστη απόδοση στον ενισχυτή και στα ηχεία σας. Ως ο πιο ευέλικτος προ-ενισχυτής της Naim μέχρι σήμερα, μπορείτε να συνδέσετε ακουστικά όπως και το NVC TT phono προ-ενισχυτή για να απολαμβάνετε βινύλια. Χρησιμοποιήστε το συμπεριλαμβανόμενο τηλεχειριστήριο για να ελέγχετε την ένταση και τις εισόδους σε ένα μόνο κλικ. Έχοντας πάρει στοιχεία από το Statement S1 προ-ενισχυτή, o NAC 332 συνδυάζει αποδοτικότητα και ευελιξία χάρει στις πολλές του λειτουργίες. Σας επιτρέπει να συνδέετε διάφορες πηγές, από έναν ενισχυτή, ακουστικά, όπως και πικάπ η CD player. Τα βελτιστοποιημένα κυκλώματα της Naim ευθύνονται για την άριστη μουσική απόδοση από όλες τις πηγές σας, ελαχιστοποιώντας τον ενδογενή θόρυβο για ασυμβίβαστη ποιότητα ήχου.

NSC 222 is an easy-to-use streaming preamplifier with multiple functions, offering uncompromising sound quality. With its high-precision engineering and exclusive British design from Naim, this product brings you a world of streamed music and radio, handling vinyl and audio headphones, as well as creating a high-performance analog preamplifier. Combine it with the NAP 250 power amplifier for an exceptional assembly: just add loudspeakers

Cary Audio’s finest preamplifier has been the recipient of many awards and glowing reviews. It consists of one enclosure housing the preamplifier itself, and a second separate power supply to keep noise out of the musical signal path and provide a more stable electrical foundation. Like most Cary Audio products it is fully differential-balanced in construction to further reduce electronic noise, and uses no global feedback for faster response. The SLP-05 features three pairs of RCA inputs plus a tape loop, as well as two pairs of XLR balanced inputs, and includes a Cinema Bypass mode so you can share sources between the music system and a home theater processor without worrying about degrading the signal path or having to readjust volume.A set of hand-matched tubes is provided with your SLP-05, as well as a matched pair that simply power a built-in headphone amplifier. All of this technology simply means that you will be listening to music that is lifelike in its richness and clarity, and full of the tiny details that raise the SLP-05 from simply good to world-class. Cary Audio’s attention to detail in circuit design, parts quality, and a superb finish, makes this truly an investment in musical enjoyment and pride of ownership.

ΠΕΡΙΓΡΑΦΗΟ EC 4.8 MKII Reference της εταιρείας Electrocompaniet ανήκει στην οικογένεια των solid στερεοφωνικών προενισχυτών. Ο προενισχυτής είναι μια συσκευή η οποία "ομαλοποιεί" το σήμα της εκάστοτε πηγής (cd/dvd player, πικάπ, ραδιόφωνο, κλπ.), ώστε να μπορεί να το δεχτεί ο τελικός ή ολοκληρωμένος ενισχυτής και να αναπαραχθεί από τα ηχεία. Στην προκειμένη περίπτωση λειτουργεί με τρανζίστορ ή αλλιώς solid state.

DescriptionThe PreAmp II is a new generation pre-amplifier and a natural addition to Tangent’s stylish and popular range of compact, convenient sized electronics products. Wired or wirelessAs a perfect partner, the PreAmp II provides power amplifiers with multiple sources or simply adds a wireless connection to your active speakers. This versatile pre-amplifier offers two wired input connections via both digital optical and analog AUX inputs, as well as a Bluetooth wireless option enabling you to stream music from your smartphone, tablet or computer.Ideal for turntablesTo cater for the revival and growth in vinyl collections, for this new second generation PreAmpster model, Tangent has included an integrated RIAA / Phono module feature, so it’s now possible to use this PreAmp II pre-amplifier with a turntable.Balanced XLRA new addition to the PreAmp II is the possibility to use a balanced connection (XLR) to power amplifier such as Tangent’s PowerAmpster II. Headphone Tangent PreAmp II also caters for those who wish to bring quality sound to a pair of audiophile headphones via built-in headphone amplifier. The headphone connection is conveniently placed in the front of the preamplifier. Subwoofer or active speakersThe PreAmp II also offers several output options, including an analogue line-out and a XLR balanced connection for connecting an amplifier, or active speakers. Additionally, there is a sub-output for connecting a subwoofer to enhance the bass frequencies of your system.Take controlA comprehensive, fully functional remote control is also included and for added convenience, the PreAmp II can automatically wake up from standby in either the Bluetooth or AUX source used previously… so it’ll turn on as soon as you start playing music from your connected device.

DescriptionOur flagship preamp, ULTIMA, neither adds to or takes away from, the precious incoming signal.Designed to be entirely uncompromising, the ULTIMA preamp is a world-class amplifier with advanced proprietary Chord Electronics technology. A product of three decades of research, design and engineering here in the UK, it benefits from true dual-mono construction with separate ultra-high-frequency power supplies for each channel, giving the best possible separation. With the addition of valuable low-noise circuitry, the noise floor performance is exceptional, at beyond -117dB.Featuring impressive double-height dimensions, the ULTIMA preamp has been created to perfectly complement the flagship ULTIMA mono power amplifier, also the most advanced in the company’s 30-year history. With wide-ranging inputs and outputs, including balanced connectivity, ULTIMA offers complete flexibility for high-performance partnering equipment, enhanced further by the fascia-mounted separate frequency EQ adjust controls for the left and right channels. Headphone outputs offer further flexibility for late-night and personal listening in style.Each ULTIMA preamp is hand-made in the Kent factory, with the various stages of build and production carefully overseen by one highly skilled technician. Sensitive internal circuit features are protected by solid milled aluminium shielding to prevent RF interference and Chord Electronics’ legendary UK-produced aircraft-grade aluminium provides a solid and resonance-eliminating enclosure for the electronics within, complemented by the famous Integra Leg System.ULTIMA is the ultimate expression of the finest high-performance, ultra-fast, ultra-high-power amplifier technology available today.

DescriptionOur flagship preamp, ULTIMA, neither adds to or takes away from, the precious incoming signal.Designed to be entirely uncompromising, the ULTIMA preamp is a world-class amplifier with advanced proprietary Chord Electronics technology. A product of three decades of research, design and engineering here in the UK, it benefits from true dual-mono construction with separate ultra-high-frequency power supplies for each channel, giving the best possible separation. With the addition of valuable low-noise circuitry, the noise floor performance is exceptional, at beyond -117dB.Featuring impressive double-height dimensions, the ULTIMA preamp has been created to perfectly complement the flagship ULTIMA mono power amplifier, also the most advanced in the company’s 30-year history. With wide-ranging inputs and outputs, including balanced connectivity, ULTIMA offers complete flexibility for high-performance partnering equipment, enhanced further by the fascia-mounted separate frequency EQ adjust controls for the left and right channels. Headphone outputs offer further flexibility for late-night and personal listening in style.Each ULTIMA preamp is hand-made in the Kent factory, with the various stages of build and production carefully overseen by one highly skilled technician. Sensitive internal circuit features are protected by solid milled aluminium shielding to prevent RF interference and Chord Electronics’ legendary UK-produced aircraft-grade aluminium provides a solid and resonance-eliminating enclosure for the electronics within, complemented by the famous Integra Leg System.ULTIMA is the ultimate expression of the finest high-performance, ultra-fast, ultra-high-power amplifier technology available today.

Description The ULTIMA PRE 3 is an all-new ground-up-design preamplifier containing the very latest proprietary power supply technology and the latest circuit design. Built from the ground up, the UTLIMA PRE 3 takes advantage of the very latest developments in advanced low-distortion power supplies. These advanced devices offer exceptionally low noise and outstanding amplifier operation. Coupled with our latest design developments, the PRE 3 offers new levels of preamplifier performance.The UTLIMA PRE 3 is equipped with five analogue inputs (two balanced and three unbalanced) all of which benefit from individual buffering and are selectively filtered against potential ingress from radio frequency interference.Externally, the PRE 3 benefits from a completely redesigned aesthetic with a central circular power sphere flanked by a new volume control and balance/AV bypass selector, both of which benefit from a new ergonomic knob design.Additional features include an AV bypass, plus a 5 V charging USB Type-A port.

Description The ULTIMA PRE 3 is an all-new ground-up-design preamplifier containing the very latest proprietary power supply technology and the latest circuit design. Built from the ground up, the UTLIMA PRE 3 takes advantage of the very latest developments in advanced low-distortion power supplies. These advanced devices offer exceptionally low noise and outstanding amplifier operation. Coupled with our latest design developments, the PRE 3 offers new levels of preamplifier performance.The UTLIMA PRE 3 is equipped with five analogue inputs (two balanced and three unbalanced) all of which benefit from individual buffering and are selectively filtered against potential ingress from radio frequency interference.Externally, the PRE 3 benefits from a completely redesigned aesthetic with a central circular power sphere flanked by a new volume control and balance/AV bypass selector, both of which benefit from a new ergonomic knob design.Additional features include an AV bypass, plus a 5 V charging USB Type-A port.

Description Featuring unrivalled connectivity and minimal colouration, the ULTIMA PRE 2 can be the hub of your Hi-Fi system without taking anything away from the incoming signal.The fully modernised ULTIMA PRE 2 is built to complement stereo systems of the highest order and represents the finest Chord Electronics engineering inside and out.Just as a preamplifier should, the ULTIMA PRE 2 adds nothing to the original waveform and instead preserves it with zero colouration. This is thanks to our latest advances in switch-mode power supply design, developed from aerospace technologies, and our ultra-low-noise proprietary solid-state circuitry which is both carefully shielded and equipped with premium system components. As a result, the ULTIMA PRE 2 is able to achieve unprecedented noise floor performance of -130dB, meaning your source will always sound like your source and nothing else.Where connectivity is concerned, the ULTIMA PRE 2 has hi-fi systems (and more!) covered. Featuring eight inputs, four stereo pairs of XLRs for balanced connections and another four RCA for unbalanced connections, each of these can be gain-matched and individually selected. For outputs, a single stereo pair is available via XLR or RCA, to accommodate a single stereo amplifier such as the ULTIMA 5 or a pair of mono blocks such as the ULTIMA 3s. Naturally, headphone users are catered for, too, for personal and late-night listening with the addition of a high-resolution 6.35mm output on the front fascia.Where system-triggering is important, (allowing the simultaneous start-up of connected equipment from a single button-press), the ULTIMA PRE 2 is equipped with three outputs which should be more than enough for most systems.

Description Featuring unrivalled connectivity and minimal colouration, the ULTIMA PRE 2 can be the hub of your Hi-Fi system without taking anything away from the incoming signal.The fully modernised ULTIMA PRE 2 is built to complement stereo systems of the highest order and represents the finest Chord Electronics engineering inside and out.Just as a preamplifier should, the ULTIMA PRE 2 adds nothing to the original waveform and instead preserves it with zero colouration. This is thanks to our latest advances in switch-mode power supply design, developed from aerospace technologies, and our ultra-low-noise proprietary solid-state circuitry which is both carefully shielded and equipped with premium system components. As a result, the ULTIMA PRE 2 is able to achieve unprecedented noise floor performance of -130dB, meaning your source will always sound like your source and nothing else.Where connectivity is concerned, the ULTIMA PRE 2 has hi-fi systems (and more!) covered. Featuring eight inputs, four stereo pairs of XLRs for balanced connections and another four RCA for unbalanced connections, each of these can be gain-matched and individually selected. For outputs, a single stereo pair is available via XLR or RCA, to accommodate a single stereo amplifier such as the ULTIMA 5 or a pair of mono blocks such as the ULTIMA 3s. Naturally, headphone users are catered for, too, for personal and late-night listening with the addition of a high-resolution 6.35mm output on the front fascia.Where system-triggering is important, (allowing the simultaneous start-up of connected equipment from a single button-press), the ULTIMA PRE 2 is equipped with three outputs which should be more than enough for most systems.

Description Our Prima preamp forms part of the stylish and compact Choral range and has been designed to complement our Etude power amps. Despite its compact dimensions and space-saving footprint, the Prima is every bit a pedigree Chord Electronics amplifier.Precision-machined from solid aircraft-grade aluminium billet, the Prima offers both remote control and front panel operation. Prima’s fascia offers volume and balance controls while its push-button controls atop the unit, offer input selection and tape line selection, the latter enabling its tape outputs to be selected for recording from source components. Further design features include a top panel display, offering input choice and volume information, plus a clever porthole which enables the internal circuit board to be seen.The Prima also benefits from a custom Ultra-High-Frequency power supply, which delivers efficient and fast energy charge/discharge for delivering power to capacitors when required. Prima offers fully balanced circuitry throughout and useful flexibility with five inputs, four unbalanced RCA and one balanced XLR, plus a balanced XLR output and a tape output. For added versatility, Prima’s audio circuit offers six independent input gain adjustments for the five inputs and low impedance outputs.

Description Our Prima preamp forms part of the stylish and compact Choral range and has been designed to complement our Etude power amps. Despite its compact dimensions and space-saving footprint, the Prima is every bit a pedigree Chord Electronics amplifier.Precision-machined from solid aircraft-grade aluminium billet, the Prima offers both remote control and front panel operation. Prima’s fascia offers volume and balance controls while its push-button controls atop the unit, offer input selection and tape line selection, the latter enabling its tape outputs to be selected for recording from source components. Further design features include a top panel display, offering input choice and volume information, plus a clever porthole which enables the internal circuit board to be seen.The Prima also benefits from a custom Ultra-High-Frequency power supply, which delivers efficient and fast energy charge/discharge for delivering power to capacitors when required. Prima offers fully balanced circuitry throughout and useful flexibility with five inputs, four unbalanced RCA and one balanced XLR, plus a balanced XLR output and a tape output. For added versatility, Prima’s audio circuit offers six independent input gain adjustments for the five inputs and low impedance outputs.

Push the Power of Audio Control.The revolutionary STR Preamplifier is a new type of audio component that gives you more control and more refinements, including more connection options and more advanced technology, in a single, easy-to-use component.Designed, engineered, and Crafted in Canada, the STR Preamplifier combines the benefits of an advanced preamp with the power of a processor, as well as functions like leading-edge DAC, onboard Anthem Room Correction (ARC®®), customizable bass manager for mono or stereo sub outs, MM and MC phono inputs—far more than the average preamplifier.And it includes new generations of many of Anthem’s award-winning, audiophile-loving, review-praised digital signal processing innovations, delivering a noticeably higher level of audio performance realism.The new STR Preamplifier drives all of your entertainment options today, and tomorrow.Conversion from Digital to AnalogSTR Preamplifier includes a high-resolution preamplifier and a digital section, with support for asynchronous USB up to 32-bit/384 kHz PCM and DSD 2.8/5.6 MHz sources. This high-quality USB audio input transforms digitally stored audio from your Windows or Mac computer into warm, natural analog sound.Two-Channel Nirvana.STR Preamplifier pictured with STR Power Amplifier (sold separately). Both models available in black or silver finishes.Anthem Exclusive InnovationsThe STR Preamplifier includes the newest and most powerful generation of Anthem Room Correction (ARC®), with 50% more processing power than any other version of ARC®. This proprietary calibration tool, with its easy-to-use interface, automatically shapes the acoustic signature of your speakers for the best possible sound quality in your unique listening space.This is especially important for the lower frequencies.Other innovations include a high- resolution preamplifier and digital section, which supports asynchronous USB up to 32-bit/384 kHz PCM and DSD 2.8/5.6 MHz sources, and uses signal processing that employs 64-bit accumulation and feedback to preserve the finest detail in the music and to avoid degradation. The digital to analog conversion section was designed to faithfully duplicate all the sounds in the original source.To help achieve that effect for all input resolutions, a dedicated asynchronous 32-bit / 192 kHz sample rate conversion is used. This way, the DAC stage’s anti- imaging filter is optimized for this sampling rate alone, resulting in an audio frequency range that’s unmatched in purity, regardless of input format. In the process, the data gets reclocked, providing immunity from performance-marring source jitter.Through the rest of the DAC circuitry, thin film high precision resistors and super low noise op-amps are used for lowest distortion, lowest noise, and most transparent sound. Other DAC units may boast about the performance of the DAC chip all by itself, but we view DAC stage design as a whole — there are no crippling bottlenecks anywhere in the DAC stage of the STR Preamplifier.Aside from its cutting-edge technology, one look tells you that the STR Preamplifier is a different animal altogether. The display on the front panel gives you surprisingly easy control through an easy to navigate setup menu, and the luxurious and elegant new contemporary design is available in two beautiful finishes, Black or Silver.More Subwoofer OptionsThe STR Preamplifier gives you more options for subwoofer configuration. Use one subwoofer or two for both channels, or two independent right-and-left channel-specific subwoofers. The bass management in conjunction with ARC® is uniquely engineered for seamless subwoofer blending, achieving incredibly accurate and lifelike performance.Moving Coil and Moving Magnet PhonoAnthem has also taken into consideration the resurgent popularity of vinyl records, and has included separate inputs for moving magnet and moving coil cartridges, with the phono section completely shielded to maintain a clean signal. The transparency and refinement of the STR Preamplifier reveals the hidden magic of classic media.In addition, the phono curve is continuously adjustable for proper playback of any record that predates the RIAA equalization standard.STR Preamplifier - Rear ViewHome Theater BypassThe concept of combining a stereo preamplifier with a home theater system is taken to a whole new level. The STR Preamplifier supports two subwoofer channels in addition to the two fronts. XLR as well as RCA connection is provided for all channels, and HT Bypass mode engages while the preamp is on standby. This way, you don’t have to turn it on when watching movies. To allow the purest signal path, relays are employed to hard-wire the input jacks to the outputs — the STR Preamplifier essentially becomes a straight wire.Premium ComponentsClarity is maintained using carefully selected components, many of them engineered exclusively in-house at Anthem. We believe that two-channel listening demands attention to detail, with flawless signal integrity being the benchmark of stereo performance. To that ultimate end, the Anthem STR Preamplifier is designed with the shortest possible signal paths, and differential analog to digital circuitry to cancel artifacts and keep noise to a minimum.The Crafted in Canada DifferenceThe STR Preamplifier is designed, engineered and manufactured in Canada and is part of premium STR Series by Anthem, the leader in audio power and control.

Push the Power of Audio Control.The revolutionary STR Preamplifier is a new type of audio component that gives you more control and more refinements, including more connection options and more advanced technology, in a single, easy-to-use component.Designed, engineered, and Crafted in Canada, the STR Preamplifier combines the benefits of an advanced preamp with the power of a processor, as well as functions like leading-edge DAC, onboard Anthem Room Correction (ARC®®), customizable bass manager for mono or stereo sub outs, MM and MC phono inputs—far more than the average preamplifier.And it includes new generations of many of Anthem’s award-winning, audiophile-loving, review-praised digital signal processing innovations, delivering a noticeably higher level of audio performance realism.The new STR Preamplifier drives all of your entertainment options today, and tomorrow.Conversion from Digital to AnalogSTR Preamplifier includes a high-resolution preamplifier and a digital section, with support for asynchronous USB up to 32-bit/384 kHz PCM and DSD 2.8/5.6 MHz sources. This high-quality USB audio input transforms digitally stored audio from your Windows or Mac computer into warm, natural analog sound.Two-Channel Nirvana.STR Preamplifier pictured with STR Power Amplifier (sold separately). Both models available in black or silver finishes.Anthem Exclusive InnovationsThe STR Preamplifier includes the newest and most powerful generation of Anthem Room Correction (ARC®), with 50% more processing power than any other version of ARC®. This proprietary calibration tool, with its easy-to-use interface, automatically shapes the acoustic signature of your speakers for the best possible sound quality in your unique listening space.This is especially important for the lower frequencies.Other innovations include a high- resolution preamplifier and digital section, which supports asynchronous USB up to 32-bit/384 kHz PCM and DSD 2.8/5.6 MHz sources, and uses signal processing that employs 64-bit accumulation and feedback to preserve the finest detail in the music and to avoid degradation. The digital to analog conversion section was designed to faithfully duplicate all the sounds in the original source.To help achieve that effect for all input resolutions, a dedicated asynchronous 32-bit / 192 kHz sample rate conversion is used. This way, the DAC stage’s anti- imaging filter is optimized for this sampling rate alone, resulting in an audio frequency range that’s unmatched in purity, regardless of input format. In the process, the data gets reclocked, providing immunity from performance-marring source jitter.Through the rest of the DAC circuitry, thin film high precision resistors and super low noise op-amps are used for lowest distortion, lowest noise, and most transparent sound. Other DAC units may boast about the performance of the DAC chip all by itself, but we view DAC stage design as a whole — there are no crippling bottlenecks anywhere in the DAC stage of the STR Preamplifier.Aside from its cutting-edge technology, one look tells you that the STR Preamplifier is a different animal altogether. The display on the front panel gives you surprisingly easy control through an easy to navigate setup menu, and the luxurious and elegant new contemporary design is available in two beautiful finishes, Black or Silver.More Subwoofer OptionsThe STR Preamplifier gives you more options for subwoofer configuration. Use one subwoofer or two for both channels, or two independent right-and-left channel-specific subwoofers. The bass management in conjunction with ARC® is uniquely engineered for seamless subwoofer blending, achieving incredibly accurate and lifelike performance.Moving Coil and Moving Magnet PhonoAnthem has also taken into consideration the resurgent popularity of vinyl records, and has included separate inputs for moving magnet and moving coil cartridges, with the phono section completely shielded to maintain a clean signal. The transparency and refinement of the STR Preamplifier reveals the hidden magic of classic media.In addition, the phono curve is continuously adjustable for proper playback of any record that predates the RIAA equalization standard.STR Preamplifier - Rear ViewHome Theater BypassThe concept of combining a stereo preamplifier with a home theater system is taken to a whole new level. The STR Preamplifier supports two subwoofer channels in addition to the two fronts. XLR as well as RCA connection is provided for all channels, and HT Bypass mode engages while the preamp is on standby. This way, you don’t have to turn it on when watching movies. To allow the purest signal path, relays are employed to hard-wire the input jacks to the outputs — the STR Preamplifier essentially becomes a straight wire.Premium ComponentsClarity is maintained using carefully selected components, many of them engineered exclusively in-house at Anthem. We believe that two-channel listening demands attention to detail, with flawless signal integrity being the benchmark of stereo performance. To that ultimate end, the Anthem STR Preamplifier is designed with the shortest possible signal paths, and differential analog to digital circuitry to cancel artifacts and keep noise to a minimum.The Crafted in Canada DifferenceThe STR Preamplifier is designed, engineered and manufactured in Canada and is part of premium STR Series by Anthem, the leader in audio power and control.

P1 is a top of the range preamplifier. An audiophile model capable of sublimating all your music while maintaining an optimal signal-to-noise ratio and a distortion reduced to the strict minimum. The product is not fixed in time, its optional input cards and its modularity allow it to easily follow the market's evolutions. The MPH II and MDAC I modules are provided in the P1 FULL version. Equipped with line inputs in its original configuration, it can in fact be completed by optional slot cards: one for the Phono RIAA MM/MC stages, as well as another module offering three digital inputs with a resolution of up to 32 bits sampled at 384 kHz. This modularity, for both the analogue and digital parts, is supported by internal software that can be upgraded by the user via an easily accessible USB socket. Elipson P1 is thus a device of the present turned towards the future. Elegant and sober at the same time, the P1 is totally transparent thanks to the care taken with its circuits, allowing extremely low noise and distortion. Complete with multiple possibilities, its interface via the front screen offers you a perfect comfort of use, completed by its personalized and elegant remote control. The result is a reproduction of the smallest details, an airy spatialization and a perfect respect of silences. Our range is entirely manufactured in France in our Burgundy factory.

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Crafted for pure musical performance, Statement is the pinnacle of Naim Audio engineering knowledge and artistry. The series comprises the NAC S1 preamplifier and NAP S1 mono power amplifiers.  Origins The idea for an entirely new kind of amplifier was first conceived by our engineers over a decade ago and development began in earnest in 2011. The objective was to set a new reference standard in high-end audio and music reproduction. The result is Statement. Three years of relentless questioning, iterative design and a point blank refusal to accept no as an answer. Performance First Engineering Product engineers often begin with what exists already. They might ask how something can work better, or where improvements can be made. With Statement, we started with a blank sheet of paper and a vision: to create the ultimate amplifier. After the initial concept stage the engineering team set aside practical considerations and began to map out the product in free space. This creative freedom was then backed up by 3D computer models which confirmed the optimum position for each component. To accommodate this new layout Statement pioneers a new vertical structure. It was the best way to minimise electromagnetic and mechanical interference and maximise thermal performance. Duality In Design Statement's radically different aesthetic may seem like a departure from Naim Audio tradition but it's the ultimate expression of everything we represent. The imposing monolithic structure with its stark silhouette is offset by the organic sculptural flow of the heat sink and the beautifully lit volume control and central divide. This duality in the design reflects how our pursuit of technical brilliance is always grounded in the abstract human experience of music. If it's the best amplifier in the world in lab tests we’ve only done half a job - it's in the listening room where it really counts. Technology Everything about Statement is a leap forward in technology and design. It's been engineered from the ground up for pure performance. Isolation Statement perfectly represents our philosophy of providing the highest quality power supply, while isolating individual sections to avoid unwanted interference. The NAC S1 and NAP S1 share the same fundamental layout. The noisy power supply is housed in the base and sensitive electronics are nestled above. Each section is divided by an acrylic centre-piece that blocks interaction. Top section electronics are separated further still, with internal chambers isolating individual stages. Dual Power The Statement NAP S1 features a new bridged dual design with zero global feedback. The two stages are physically separated to optimise the amplifier circuit with the delicate voltage stage at the very top of the power amplifier, away from the current stage at the bottom. Each mono power amplifier uses a huge 4000VA transformer to power speakers with precisely 746W (into 8 ohms). Precision engineering also makes sure every single watt is delivered right to where it's needed, when it's needed. After all, power is nothing without purpose. Craft Every component, curve and connection in Statement demanded new levels of engineering and tolerance. Metallurgy The distinctive ‘wave’ heat sinks begin life as a solid billet of untreated aluminium, which is cut to size and machined to achieve the curved profile. The fins are then cut using a five-axis, temperature-controlled, CNC machine. It takes three hours for the finished shape to emerge. Once each piece is individually machined, it is painstakingly hand-polished and quality inspected. Finishing After the inspection process, the metalwork is submerged in baths of cleansing acid and then into a bath of electrolyte fluid containing black ink. A current is passed through it, bonding the ink to the metalwork and creating Naim Audio's signature black finish. It took several months of collaboration between our engineers and suppliers to achieve the finish Statement demanded. Hand-Crafting Statement has been designed and developed using cutting-edge manufacturing technology. But it takes a human touch to get things just right. For example, every sound-critical component is positioned and soldered by hand by our skilled technicians. As with all Naim Audio products final assembly is carried out by hand in Wiltshire, England. NAC S1 Audio Inputs: Analogue Input: 3 X DIN, 3 X RCA, 2 X Balanced Audio Outputs:  Audio Outputs: 1 X Balanced, 2 X Unbalanced (4 pin DIN sockets) Physical: Weight: 61.5kg Dimensions (HxWxD): 940 x 270 x 412mm (width includes stabiliser)

Upgrade your loudspeakers to active specification with our SNAXO 242 crossover. Suitable for use in biamplified systems, the SNAXO 242 will make the most of your amplifier’s output. Every model we sell is optimised before delivery to suit the specific requirements of your speakers. Features: Suitable for use with two stereo, or four mono amplifiers Powered by FlatCap XS, HiCap or SuperCap power supply Technology & Craft The SNAXO 242 can be used in bi-amplified systems with two stereo amplifiers, or in a four-pack system using four mono amplifiers. Power to the unit is supplied by a FlatCap XS, HiCap or SuperCap audio power supply. When ordering a SNAXO, you should specify which loudspeaker model this will be used with, as we tailor the components within each SNAXO for use with specific loudspeakers. For more information contact your local Naim Audio retailer. Audio Outputs: Line  Outputs Fixed (level): 775mV Analogue: 4 x 4-pin DIN Minimum Load Impedance: 10kΩ Finish: Case: Black powder coated Front: Bead blasted and black anodised Physical: Shipping Dimensions: 210 x 280 x 410 mm Dimensions (HxWxD): 87 x 207 x 314 mm Power: Power Supply Options: FlatCap XS, HiCap, SuperCap Supply Voltage: 24V Supplied with: Supplied with: SNAIC

Our SNAXO 362 crossover suits three-way loudspeakers, and can be used in tri-amped configurations with three stereo power amplifiers. As with its SNAXO 242 sibling, it can be optimised to suit your needs, even allowing for the output level to each loudspeaker drive unit to be adjusted. Features: Suitable for use with three stereo, or six mono amplifiers Powered by FlatCap XS, HiCap or SuperCap power supply Technology & Craft The SNAXO 362 is our three-way, 18dB/octave fixed-frequency crossover. It can be used in tri-amped and six-pack systems, with either three stereo or six mono power amplifiers. The output level to each loudspeaker drive unit can be adjusted by means of the cermet potentiometers mounted inside the unit. As with the 2-way SNAXO 242, power is supplied by a FlatCap XS, HiCap or SuperCap power supply. When ordering a SNAXO, you should specify which loudspeaker model this will be used with, as we tailor the components within each SNAXO for use with specific loudspeakers. For more information contact your local Naim Audio retailer. Audio Outputs: Line Outputs Fixed (level): 775mV Analogue: 6 x 4-pin DIN Minimum Load Impedance: 10kΩ Finish: Case: Black powder coated Front: Bead blasted and black anodised Physical: Shipping Dimensions: 210 x 280 x 410 mm Dimensions (HxWxD): 87 x 207 x 314 mm Power: Power Supply Options: FlatCap XS, HiCap, SuperCap Supply Voltage: 24V Supplied with: Supplied with: SNAIC

Με το νέο υβριδικό ενισχυτή VR-400 της Dynavox, είστε καλά εξοπλισμένοι για υψηλής ποιότητας hi-fi απόλαυση σε χαμηλή τιμή. Εκτός από 2 εισόδους RCA, όπως για δέκτη, CD ή DVD, το VR-400 διαθέτει έξοδο για επιπλέον υπογούφερ (ή ενισχυτή ισχύος) ή ακουστικά. Η λήψη των σημάτων BT και η ενσωματωμένη συσκευή αναπαραγωγής ήχου USB (υποστηρίζει MP3, WAV, APE, FLAC) ολοκληρώνουν τη λειτουργίες του ενισχυτή. Δύο λαμπες, επεξεργάζονται την είσοδο του σήματος και δίνουν ένα ζεστό ηχόχρωμα σε ένα κομψό περίβλημα από αλουμίνιο. Χαρακτηριστικά: Ισχύς: 2 x 25 W RMS (4 Ω) Απόκριση συχνότητας: 20 Ηζ - 20 kHz Αντίσταση εισόδου: 47 kOhm Ευαισθησία εισόδου: 150 mV Λόγος σήματος προς θόρυβο: > 90dB Λειτουργία τάσης: 230 V / 50 Hz Τύπος σωλήνα: 6F2 Έκδοση BT: 4.2 Διαστάσεις (LxWxH) περίπου: 235 x 155 x 100 mm Βάρος: 2 kg

The M8 is a pre-amplifier without limits. From its performance to its connectivity, via quality fit and finish, the M8 makes a superlative centrepiece for almost any system. The M8 has a wide array of inputs including a low noise MM/MC phono stage, 2 balanced inputs (1 with home theatre bypass option), 3 line inputs (one with home theatre bypass option) and a fully configured tape in/out loop.The M8 Pre-amp has very high input overload margins. This means that it has a completely stress free sound. The outputs are very low impedance and high current so that it can drive virtually any power amp in existence through any length cable (balanced or single ended).Technical measurements are testament to the M8’s exceptional engineering: from ultra-low distortion to virtually perfect frequency response, and ultra low noise. The M8’s will drive any power amplifier over any length of cable. Although, obviously, it’s perfect partner is a pair of M8-700m monobloc amplifiers.Listening to the M8 Pre with the M8-700m monobloc is quite an experience. The music is reproduced with no stress, no colouration and sense of relaxation and transparency that are music to the ears and balm to the soul.Προδιαγραφές:Genuinely fully balanced preampEight versatile inputs – 1 XLR Balanced, switchable MM/MC Phono, CD, Tuner, Aux 1, Aux 2, TapeSingle ended and balanced outputs as well as a fixed output for tape recordHome theatre bypass available in both single ended and balanced inputsOutstanding cutting edge performanceAmazing load driving ability, will easily drive any power amplifier with any cable of almost any lengthExcellent design, he-man build qualityXαρακτηριστικά:THD(+ noise) - single ended:

The M8 is a pre-amplifier without limits. From its performance to its connectivity, via quality fit and finish, the M8 makes a superlative centrepiece for almost any system. The M8 has a wide array of inputs including a low noise MM/MC phono stage, 2 balanced inputs (1 with home theatre bypass option), 3 line inputs (one with home theatre bypass option) and a fully configured tape in/out loop.The M8 Pre-amp has very high input overload margins. This means that it has a completely stress free sound. The outputs are very low impedance and high current so that it can drive virtually any power amp in existence through any length cable (balanced or single ended).Technical measurements are testament to the M8’s exceptional engineering: from ultra-low distortion to virtually perfect frequency response, and ultra low noise. The M8’s will drive any power amplifier over any length of cable. Although, obviously, it’s perfect partner is a pair of M8-700m monobloc amplifiers.Listening to the M8 Pre with the M8-700m monobloc is quite an experience. The music is reproduced with no stress, no colouration and sense of relaxation and transparency that are music to the ears and balm to the soul.Προδιαγραφές:Genuinely fully balanced preampEight versatile inputs – 1 XLR Balanced, switchable MM/MC Phono, CD, Tuner, Aux 1, Aux 2, TapeSingle ended and balanced outputs as well as a fixed output for tape recordHome theatre bypass available in both single ended and balanced inputsOutstanding cutting edge performanceAmazing load driving ability, will easily drive any power amplifier with any cable of almost any lengthExcellent design, he-man build qualityXαρακτηριστικά:THD(+ noise) - single ended:

With the knowledge in hand to design minimally invasive electronics without needing to be minimalist, we decided that our preamp should be complete. Very complete. The basic Makua is an extremely transparent gain stage and a programmable routing matrix. The chassis has ample room to fit optional extras, most notably a DAC and a phono stage. The 6 preset buttons are programmable via USB or Bluetooth to access any combination of channel, processing and routing. In a system with mainly digital sources, the preset buttons would be programmed to select between them. Vinl lovers on the other hand might want to use several buttons to select the same turntable but with different EQ settings to suit their large collection of historic LP's. All five inputs are switchable between XLR and floating RCA connections, and all can be assigned as either phono or line. All stages in the Makua use discrete amplifier modules in a little known topology called “single-ended driven differential”. Compared to doubly executed signal paths, this structure prevents noise from propagating all the way through.  The Makua is amazingly immune to influences like mains quality and choice of interlinks. The relay-based volume control directly controls the gain of the output stage. Dynamic range and linearity of this arrangement is much greater than those of stepped attenuators. Operation is smooth and entirely glitch free.I/O* 5 balanced and 5 unbalanced inputs, all routable through optional processor boards like the phono stage.* 2 parallel outputs for bi-amping.* 4 programmable trigger outputs.Processing* Balance and input gain offset.* Phase invert and mono sum.* Full software control of routing and processingPerformance* Maximum input/output level: 20 dBu (7.75 Vrms)* Unweighted noise voltage at unity gain: 1.9 uV* Input impedance: 100 kohm* Output impedance: 44 ohm* Distortion at maximum signal level (THD, IMD): not measurable, estimated around -150dB.* Bandwidth >200 kHz* Gain range: -70 dB to +15 dB.* Gain resolution:

Yes the Shrimp is entirely a single-ended design. The circuitry uses single-ended topology. In order to be able to provide balanced inputs or outputs we would have to convert the signal to balanced using something like some IC's or transformers. Both these options would add more "stuff" to the signal and be certainly audible detracting from the pure sound the Shrimp provides.If you are dealing with balanced source outputs or driving a balanced amplifier with the Shrimp, check to see if you also have unbalanced connections on that gear, change your cables and go with that. You might be pleasantly surprised that they too added extra audible "stuff" in order to provide balanced XLRs and the RCAs that don't have that extra "stuff" in the signal path actually sound better. (Depends on a given unit's specific design.) Or use some RCA to XLR adaptors. Most balanced gear has no problem being driven single ended but check with the manufacturer if they are going to want the negative pin 3 of the XLR grounded or floating. Transformer-coupled XLR jacks always can be driven single-ended by running HOT into Pin 2 and grounding pin 3 to pin 1. Some IC coupled XLR inputs will want pin 3 floating, others will require it to be grounded when running single-ended into it. Check with the manufacturer of your gear to see how to hook it up single-ended. Χαρακτηριστικά:ALL-TUBE: Vacuum Tube all-triode designInput Tubes: 2 x 12AT7EH large plate Electro-Harmonix RussianInterstage Follower Tubes: 2 x 5670 GE USA dual triodesOutput Tubes: 2 x 7044 or 5687 GE JAN NOSFive Line Level Inputs: unbalanced RCAMUTE switch and Warm-Up muting delayALPS motorised volume control: Accurate tracking usually within 0.5dB. Smooth operation. (no detents)ALPS balance control: Center detentedRecord Output: (AKA "TAPE OUT") Unbalanced RCA jacks, unbuffered, passive (always ON)Main Outputs: Two sets of unbalanced RCA main outs for bi-amping or driving a powered subwooferGain: 12dBInput Impedance: 250 kOhmInput Sensitivity:Volume Control at MAX: 200mV in yields 0.8V out (12dB GAIN)Volume Control at 3 o'clock: 200mV in yields 0.380V out (5.6dB GAIN)Volume Control at 12 o'clock: 200mV in yields 0.115V out (-4.8dB GAIN)Maximum Input Level: 5V in produces 1.5% THD at outputFrequency Response: 10 Hz - 80 KHz; 20 Hz - 20KHz, -0.3dBNoise Floor: Typically -83 dB 20-20K with volume control fully openNoise Floor: Typically -95 dB A WGT 20-20K with volume control fully openNoise Floor (shorted input): Typically -94 dB 20-20K with volume control fully closedNoise Floor (shorted input): Typically -106 dB A WGT 20-20K with volume control fully closedS/N Ratio: typically 95 dB A WGT 20-20KTHD: 0.02% at 1V rms outputOutput Impedance: 50 OhmsMaximum Output: +23dBu  1.5% THD into 100K load (10.9V rms)Maximum Output: +20dBm  1.5% THD into 600 Ohm loadBadge Lamp: LED illuminationRF Remote Control: commands volume control UP/DOWN; uses 9V batteryPower Consumption: 55 Watts (485mA  120VAC)Operating Mains Voltage: Units are purpose built for original destination country's mains voltage: 100V, 120V, or 220-240VAC as indicated on the serial number badge. Power transformer must be replaced in order to change mains operating voltage. 120VAC units may NOT be rewired to put the primaries of the power transformer in series for 220-240V operation or a large radiated field of hum will develop. If changing locations/voltages, the power transformer must be replaced with the dedicated one for the voltage at which it will operate.Mains Voltage Frequency:Dimensions: W=19", L=11", H=3 1/2"Shipping Weight: 15 Lbs.

Our most esoteric product is THE 300B PREAMPLlFIER. This is the first and only preamp to feature these classic tubes. We had been designing the 300B into small power amps for many years and have always had great respect for the smooth natural sound of this tube. However, a single 300B provides truly appropriate power and voltage swing for headphones and makes a remarkable line driver. Here is where the impedances are not too low and the power requirements are not too high: ideal for this kind of tube in a single-ended configuration. This was the genesis of a new preamp. Χαρακτηριστικά:Inputs: 5 stereo pair unbalanced RCA jacksOutputs: 2 stereo pairs MAIN out same as SUB out unbalanced RCA jacksRECORD output: 1 stereo pair pre-volume control unbalanced RCA jacksHEADPHONE Outs: 2 front panel 1/4" headphone jacksOptimized headphone impedance switching: 30-400 Ohms to 300-4000 OhmsMUTE: Selecting HEADPHONE operation mutes LlNE outputsOutput Vacuum Tubes: 2 x 300B Electro-HarmonixInput Tubes: 2 x 6SL7GT Russian (Electro-Harmonix or SOVTEK)Rectifier Tubes: 2 x 5U4GBEH Electro-Harmonix or 5AR4C by RubyRegulator Tubes: 2 x OD3 NOS JAN USAGain: factory set at 12 dB at max VolumeInternal Variable Feedback: 8.5 dB of global NFB is used 12 dB of gain, adjustable trim -1.7dB to +1dBNoise Floor: typically -70 dB (1 Hz - 100 KHz)S/N Ratio: typically 105 dB (A WGT, 20 Hz - 20 KHz)Frequency Response: 5 Hz to 50 KHz 1dBChannel-to-Channel Separation (L to R): 1KHz 48 dB - 10KHz 35 dB - 20KHz 34 dBChannel-to-Channel Separation (R to L): 1KHz 50 dB - 10KHz 40 dB - 20KHz 37 dBTHD: 0.08 % 1KHz at 1V rms outDistortion THD+N: -80 dB (.01 %) zero "crossover" distortion, mostly 2nd harmonicInput Sensitivity: 250mV (-9.8dBu) yields 1V outInput Impedance: 100 kOhm Noble volume controlMaximum Input Level: 5.5dBu or 1.459 Vrms 1KHz, volume control at maximumOutput Impedance (LINE STAGE): 100 OhmsMaximum Output Level: 17.2dBu or 5.636 Vrms 1KHz, volume control at maximumOutput Power (100 Ohm Headphones): 1W (10 V RMS) (28 V P-P)Output Power (600 Ohm Headphones): 1W( 25 V RMS) (70 V P-P)Power Consumption: 170 Watts (1.4 A 120VAC)Operating Mains Voltage: Factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage: changeable with power transformer re-wiring and fuse value change.Mains Voltage Frequency: 50~ 60HzDimensions: W=19" x L=13"Top Deck Height: 4"Transformer Height: 3 1/2"Suggested shelf height minimum: 10" (depending on height of 300B tube)Shipping Weight: 28 Ibs.

The SCA2 is ATC’s highest performance preamplifier and has been in continuous production since 1996, testament to its exceptional performance and timeless styling.  It is the ideal partner to ATC’s high-end active loudspeakers and also power amplifiers, such as the ATC P2.  Balanced and unbalanced inputs and outputs provide flexible connectivity to a very wide range of partnering equipment. The optional phono stage is fully configurable for both gain, resistive and capacitive loading and its low-noise design makes it well suited to even the lowest output moving coil cartridges. Features:Discrete class-A low-noise circuitry throughout. High-current output stages ensure exceptionally low distortion into any load & when driving long cables. 500kHz bandwidth eliminates phase shift and contributes to the outstanding reproduction of fine musical detail.  Optional SPH2 MC/MM RIAA precision phono stage with extensive gain/loading options. 2 x stereo balanced XLR line inputs & 6 x stereo RCA/Phono line inputs. 1 x stereo balanced XLR & 1 x stereo single-ended RCA/Phono preamp output. Billet Aluminium IR Remote Control. Hand built in the UK & covered by a 6-year warranty. 

Classic Naim Audio control and clarity.  The NAC 202 is the next step up from our entry-level NAC 152 XS, adding star-earthed circuit boards for superior transparency and an even lower resonance circuit layout. It provides for a wide range of expansion and upgrade options, including connection to a StageLine phonostage and an AV bypass connection to an external AV amplifier.   Features: Support for both DIN and RCA inputs to ease connection into a wider range of systems User configurable unity-gain AV input Powered input for use with StageLine or Prefix phono stage RC5 input and Smart IR system for remote control integration of Naim Audio products Optional RS232 input/output for use in full home automation systems Can be powered from the preamp inputs of the NAP 155 XS or NAP 200 power amplifier or external power supply (see Upgrade Path) Technology & Craft The NAC 202 introduced a new level of technical and musical performance to our range of preamplifiers, along with elegant new styling. Low-resonance circuit boards and anti-vibration, resonance controlling feet minimise the effect of microphonic vibration on the highly sensitive electronic components while carefully matched precision rotary potentiometers with precious metal wipers are used to preserve musical integrity and ensure long-term stability. The intelligent balance control combines a high quality motorised potentiometer for the best performance with intelligent circuitry to indicate the centre position. The NAC 202 also features a silent microprocessor that sleeps during listening and controls all aspects of the amplifier including: protection circuits that continuously monitor the power supplies ensuring safe shut down in the event of a power cut; user-configurable RC5 input and Smart IR system for remote control integration of Naim Audio products. Audio Inputs: Other Inputs: AV input configurable for unity gain Input Impedance: 47kΩ Analogue Input: 4 x DIN, 2 x RCA Input Sensitivity: 75mV Audio Outputs: Line Outputs Variable (level): 775mV Line Outputs Fixed (level): 75mV, 600Ω Load Impedance: 10kΩ (min.) Output Impedance: 

Προενισχυτής λυχνίας με είσοδο phono MM/MC.Ξεχωριστό τροφοδοτικό.

Προενισχυτής λυχνίας με είσοδο phono MM/MC και 4 εισόδους line.

Προενισχυτής λυχνίας με 3x6N3 Προδιαγραφές:Απόκριση συχνότητας: 10Hz-50kHzΕισόδοι line: 4Rec outΔιαστάσεις: 300x220x150mmΒάρος: 7kg 

Υψηλής κλάσης προενισχυτής με διακριτά εξαρτήματα σε τάξη Α. Ο Μ6 PRE είναι πλήρως διαφορική σχεδίαση (fully balanced) και περιλαμβάνει και υψηλής ποιότητας προενισχυτή phono που υποστηρίζει κεφαλές κινητού μαγνήτη και κινητού πηνίου. Επίσης, διαθέτει ενσωματωμένο DAC και θύρα USB, ώστε να μπορεί να συνδεθεί στον υπολογιστή σας.Επίσης υπάρχει και home theater bypass λειτουργία για την ενσωμάτωση του σε υψηλού επιπέδου home cinema συστήματα. ΠΡΟΔΙΑΓΡΑΦΕΣ:Pre-Amplifier:THD(+ noise) - single ended:

The NAC 552 is by some distance the most advanced Naim preamplifier ever and has some claim, therefore, to being the best preamplifier, period. The introduction of the NAP 500 in 2000 brought with it a new level of technical and musical performance. A Naim design project group began reviewing the existing preamplifier designs exploring possibilities for major design improvement over the then existing reference preamplifier: the Naim NAC 52. Χαρακτηριστικά:Audio InputsAnalogue Inputs: 7 x DIN, 2 x RCAInput Sensitivity: 75mVInput Impedance: 47kΩOther Inputs: Two inputs configurable for unity gainAudio OutputsAnalogue Outputs: 1 x variable, 3 x fixed (DIN)Line Outputs Fixed (level): 75mV, 600ΩLine Outputs Variable (level): 775mVOutput Impedance:

Controlled performance.  Step up from the NAC 202 and you arrive at the outstanding NAC 282, which includes the NAPSC power supply unit optionally available on its sibling. The NAPSC independently powers the NAC 282’s digital and control circuits, leaving its audio circuits to either the power supply of a NAC 155 XS or NAP 200 power amplifier, or to one of our standalone FlatCap XS, HiCap or SuperCap power supplies. The result is even greater transparency and superior musicality plus, of course, all the flexibility you’d expect from one of our preamplifiers. Features: Support for both DIN and RCA inputs to facilitate connection into a wider range of systems Silent microprocessor control that sleeps during listening Precision rotary potentiometers with precious metal wipers AV bypass mode for simple connection to an existing AV system Powered input for use with StageLine or SuperLine phono stages Performance upgradable with FlatCap XS, HiCap or SuperCap power supply; can also be powered from the preamp inputs of the NAP 155 XS or NAP 200 power amplifier Technology & Craft Low resonance circuit boards and anti-vibration, resonance control feet maximise isolation, hence minimizing the effects of microphonic vibration on the highly sensitive electronic components. The NAC 282 features a silent microprocessor that sleeps during listening and controls all aspects of the amplifier. Optical protection circuits continuously monitor the power supplies ensuring safe shut-down in the event of a power cut. A user configurable 'Smart IR' system remote control is supplied. Two of the six inputs on the Naim Audio NAC 282 can be configured either as the usual DIN inputs, preferred for their superior earthing and impedance matching, or for use with the more common RCA phono connectors, allowing a wide range of non-Naim Audio cables and components to be used. A dedicated unity-gain input is provided for use with the Naim Audio AV2 processor or similar. Audio Inputs: Other Inputs: AV input configurable for unity gain Input Impedance: 47kΩ Analogue Input: 4 x DIN, 2 x DIN, RCA Input Sensitivity: 75mV Audio Outputs: Audio Outputs: 2 x variable (DIN), 3 x fixed (DIN) Other Outputs: 

Classic Naim Audio control and clarity. Like many of our products, the NAC 252 stems from good stock: it descends directly from the NAC 52, still one of the finest preamplifiers ever made. Capable of exceptional clarity, its power supply components reside in a separate enclosure: the SuperCap power supply unit. This ensures optimum isolation from electromagnetic interference and provides each of the ten audio circuits with an independent, fully regulated supply voltage. Additionally, separate power supplies for the digital control and switching circuitry further isolate the audio circuitry from noise. It’s this attention to detail that makes the NAC 252 so special – that, and our determination to let nothing stand in the way of your musical enjoyment. Features: Support for both DIN and RCA inputs to facilitate connection into a wider range of systems SuperCap power supply (with fourteen independently regulated voltages) required Totally separate regulated supplies for digital control and switching circuitry Precision rotary potentiometers with precious metal wipers AV bypass mode for simple connection to an existing AV system Powered input for use with StageLine or SuperLine phono stages Technology & Craft Many designs were explored for the NAC 252 and a complete review of the circuit topology and components took place in accordance with the developments pioneered in preamplifiers such as the NAC52. Hundreds of hours were spent listening to various designs, ensuring that the harmony between music and technology was always maintained. Ten independently regulated power supplies are fed from the matching SuperCap power supply. Totally separate regulated supplies for the digital control and switching ensure no noise is generated in the audio circuits. Audio Inputs: Other Inputs: AV input configurable for unity gain Input Impedance: 47kΩ Analogue Input: 4 x DIN, 2 x DIN, RCA Input Sensitivity: 75mV Audio Outputs: Line Outputs Variable (level): 775mV Line Outputs Fixed (level): 75mV, 600Ω Load Impedance: 10kΩ (min.) Output Impedance: