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Κατασκευασμένο στην Γαλλία, το Trio6 είναι ένα τριών δρόμων studio monitor που προσφέρει αλάνθαστη ευκρίνεια, ακρίβεια και εξαιρετικές δυναμικές. Χάρη στο διπλό Focus mode – ενός ή δύο δρόμων – το Trio6 είναι τρία monitors σε ένα!Είναι εξοπλισμένο με ένα tweeter αντεστραμμένου θόλου από βηρύλλιο, του οποίου η απόκριση συχνότητας φτάνει ως τα 40kHz. Επιπλέον έχει ένα 5" midrange woofer και ένα 8” subwoofer, κατασκευασμένο με σύνθετο κώνο “W” και 35Hz συχνότητας αποκοπής. Όπως το Solo6 και το Twin6, το Trio6 επωφελείται από τις αποκλειστικές τεχνολογίες αιχμής της Focal, όπως TMD suspension, laminar venting, reinforced cabinetry, IAL και άλλες. Άλλα στοιχεία που ολοκληρώνουν τα χαρακτηριστικά του ηχείου είναι, το high-pass crossover, το disengageable automatic standby mode, το 160 Hz LMF crossover for console reflections, καθιστώντας το Trio6 πραγματικά ηχείο αναφοράς!

Κατασκευασμένο στη Γαλλία, το νέο Solo6 είναι ένα monitor δύο δρόμων που προσφέρει ασυναγώνιστη διαφάνεια, έλεγχο, ευκρίνεια, δυναμικές και ακρίβεια στερεοφωνικής εικίνας. Χάρη στη λειτουργία Focus, το Solo6 προσφέρει δύο monitor σε ένα, διατηρώντας το sweet spot κατά τη διάρκεια της μίξης, εξοικονομώντας χώρο, και απλοποιώντας την σύγκριση ενός πλήρους και ενός πολύ μικρότερου monitor με το πάτημα ενός ποδοδιακόπτη.

Το UTOPIA MAIN 112 είναι ένα ηχείο στούντιο που θέτει ένα αξεπέραστο πρότυπο για ηχογράφηση, μίξη και mastering. Καινοτόμοι οδηγοί, κατοχυρωμένες τεχνολογίες της Focal, ισχύς, ακρίβεια και δυνατότητα ακριβούς ρύθμισης επί τόπου· αυτό το monitor αναδιαμορφώνει το τοπίο της κύριας παρακολούθησης ήχου.

Το Utopia Main 212 είναι το απόλυτο studio monitor. Διαθέτοντας δύο ολοκαίνουργια 5'' midrange ηχεία, έναν ολοκαίνουργιο tweeter από Βηρύλλιο και κατοχυρωμένο με δίπλωμα ευρεσιτεχνίας απομακρυσμένο ενισχυτή, αποτελεί ό,τι καλύτερο προσφέρει η επαγγελματική σειρά της Focal. Με καινοτόμους οδηγούς, κορυφαίας ποιότητας σχεδίαση καμπίνας, ισχύ και εξαιρετική ακρίβεια, το UM 212 προσφέρει μια ασύγκριτη εμπειρία ακρόασης για ηχογράφηση αναφοράς, μίξη και mastering.

The PreSonus Eris Pro 4 powered monitor represents the company's highest standard in home-scale and small-studio monitoring. These professional monitors come with the same acoustic tuning controls as the other Eris Studio series monitors. They easily connect to the rest of your gear with a full complement of balanced and unbalanced inputs. Plus, enhanced circuitry and an improved single point-source coaxial design refine the Eris Pro 4’s sweet spot tenfold, touting better phase alignment and a clearer sound overall. Benefit from 99dB of peak output via 80-watt, Class AB bi-amplification. You also get solid protection against RF interference, extreme output current, and excessive heat. There's also a handy Power Saver mode for more cost-effective use. Sweetwater recommends the PreSonus Eris Pro 4 for professional-level monitoring at a steal.

The PreSonus Eris Pro 8 represents the company's highest standard in home-scale and small-studio monitoring. This professional monitor comes with the same acoustic tuning controls as the other Eris Studio series monitors. It easily connects to the rest of your gear with a full complement of balanced and unbalanced inputs. Plus, enhanced circuitry and an improved single point-source coaxial design refine the Eris Pro 8's sweet spot tenfold, touting better phase alignment and a clearer sound overall. Benefit from 108dB of peak output via 140-watt, Class AB bi-amplification. You also get solid protection against RF interference, extreme output current, and excessive heat. There's also a handy Power Saver mode for more cost-effective use. Sweetwater recommends the PreSonus Eris Pro 8 for professional-level monitoring at a steal.

The PreSonus Eris Pro 6 represents the company's highest standard in home-scale and small-studio monitoring. This professional monitor comes with the same acoustic tuning controls as the other Eris Studio series monitors. It easily connects to the rest of your gear with a full complement of balanced and unbalanced inputs. Plus, enhanced circuitry and an improved single point-source coaxial design refine the Eris Pro 6's sweet spot tenfold, touting better phase alignment and a clearer sound overall. Benefit from 106dB of peak output via 140-watt, Class AB bi-amplification. You also get solid protection against RF interference, extreme output current, and excessive heat. There's also a handy Power Saver mode for more cost-effective use. Sweetwater recommends the PreSonus Eris Pro 6 for professional-level monitoring at a steal.

The puristic summing mixer with Class A technology.As an analog 16-in-2 Class A summing device, MixDream XP Mk2 offers impressive sound quality and brings together single tracks in a musical way. The spatial depth of the stereo stage and the harmonic coherency of the summed signals make mixing through an analog summing device a very special experience. The Mk2 generation of the MixDream XP offers the same outstanding audio quality as its predecessor thanks to the internal audio operating voltage of +/-30 V. In addition to the new design and an even better feel, the MixDream XP Mk2 offers another new feature: the individually switchable -18 dB level attenuation for the last four stereo channels. This is how the analog summing gets the best out of every mix!Analog SummingAnalog summing with the MixDream XP Mk2 brings intense depth, precise localisation and impressive spatiality. Individual instruments mix with smooth transitions. For the analog summing, individual tracks from the computer are sent via D/A converters into the MixDream XP Mk2. These are summed in the MixDream XP Mk2 and then recorded again as a stereo signal via an A/D converter in the DAW software. The MixDream XP Mk2 is designed for stereo summing of up to 16 audio tracks in the analog domain. In combination with digital production systems, the advantages of analog and digital techniques can thus be ideally combined: digital convenience is complemented by the sound quality that until now only the best analog consoles have been able to deliver. Conceptually, the reduction to high-quality analog summing without panorama controls and faders offers the great advantage of being able to retain the entire scope of computer automation. So when using the MixDream XP Mk2, the usual workflow with the DAW does not have to be changed, all techniques and options of a DAW can still be used without any restrictions.MonoThe first four channel pairs of the MixDream XP Mk2 (1/2 to 7/8) can be switched from stereo to mono via the Mono switch (red status LED lights up). This is important for mono signals that should be positioned exactly in the center of the mix (kick, snare, lead vocal, bass, …). In stereo mode, the two channels are generally panned hard left/ right. This basic setting is useful for all stereo signals. Panorama settings and automation of the DAW remain perfectly unchanged.-18 dBThe level of the last four channel pairs of the MixDream XP Mk2 (9/10 to 15/16) can be attenuated by 18 dB via the -18 dB switch (blue status LED lights up). Low level signals in the mix can thus be played back and get converted with a higher level, therefore with a higher digital resolution, from the DAW. This preserves more details and sonic characteristics. Tip: This can work wonders for digital reverbs (especially plug-ins)!OutputThe Output control adjusts the output level of the MixDream XP Mk2. The control range can be set from -10 dB to +5 dB. With the output control a perfect control for following AD-converters can be performed. Since the main and monitor outputs are configured in parallel, the output control always affects both output pairs.Variable OutputThe output control is switched on or off with the Variable Output switch. When the Variable Output switch is deactivated, the input level is maintained at 1:1 (Unity Gain).

With a smooth, accurate frequency response; powerful amplification with tons of headroom; and Acoustic Tuning functions that ensure you get the best sound, it's no wonder that Eris®-series studio monitors have been a runaway hit since their introduction. Building on the reputation of its award-winning predecessors, the Eris Studio 8 is a substantial update that delivers richer low-end and more controlled high-frequency response, reproducing every detail in your recordings with a natural sound unparalleled in its class.

Intended for serious personal studios and professional music-production environments, the Eris® Pro Sub 10 helps you take charge of the low-frequency foundation of your mix. An ideal companion to Eris Pro- and Eris Studio-series reference monitors, the Eris Pro Sub 10 complements full-range monitors without overshadowing them and extends the reach of your full-range system's low end with a natural sound.

Building on the reputation of its award-winning predecessors, the Eris® Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The Eris® Studio 4 sets a new standard for compact studio monitors. With its surprising amount of low-end and a wide, well-controlled sweet spot, you can enjoy premium, accurate monitoring in even the smallest of mixing spaces. Designed for superior performance in both home studios and small professional mix rooms, the Eris Studio 4 combines flexible connectivity with sonic accuracy that puts it a class all its own.

There's standard bass-frequency monitoring, and then there's the Eris Sub 8BT Powered Bluetooth Studio Subwoofer from PreSonus. Touting versatile user setup options and control parameters, this 100-watt monster is a solid solution for small-scenario studio monitoring and hi-fi audio playback. Its 8-inch low-frequency driver supplies more than enough oomph to keep track of your low end. Though it's an ideal companion for Eris Pro and Eris Studio series studio monitors, the Eris Sub 8BT is an excellent addition to most any monitoring setup, providing clear-cut performance wherever it's required. Order yours from Sweetwater today.

At 100 watts, PreSonus' Eris 5BT studio monitors are a prime option for producers, gamers, and audiophiles working in condensed spaces. Each speaker is fit with a 5.25-inch transducer and 1-inch silk-dome tweeter, generating crystal-clear, adjustable playback on all ends. Additionally, versatile connectivity options and an ergonomic form factor allow Eris 5BT studio monitors to fit into nearly any pre-existing setup with little to no intrusion. Onboard Bluetooth connectivity facilitates seamless mobile device and computer connections, making these speakers a great option for beginner playback setups. Topped off with a sturdy, compact form factor, Eris 5BT studio monitors are equipped to outfit your studio space with years of unparalleled audio performance.

At 50 watts, PreSonus' Eris 4.5BT studio monitors are a prime option for producers, gamers, and audiophiles working in condensed spaces. Each speaker is fit with a 4.5-inch transducer and 1-inch silk-dome tweeter, generating crystal-clear, adjustable playback on all ends. Additionally, versatile connectivity options and an ergonomic form factor allow Eris 4.5BT studio monitors to fit into nearly any pre-existing setup with little to no intrusion. Onboard Bluetooth connectivity facilitates seamless mobile device and computer connections, making these speakers a great option for beginner playback setups. Topped off with a vinyl-laminated, medium-density fiberboard construction, Eris 4.5BT studio monitors are equipped to outfit your studio space with years of unparalleled audio performance.

Στα 50 watt, τα Eris 3.5 studio monitors της Presonus είναι μία εξαιρετική επιλογή για παραγωγούς, gamers και φιλόμουσους που δουλεύουν και ακούν σε περιορισμένους χώρους. Κάθε ηχείο είναι εξοπλισμένο με ένα woofer  3.5’ και ένα μεταξωτό twitter θόλου 1’, αποδίνοντας πεντακάθαρη και ελεγχόμενη αναπαραγωγή των κομματιών σας! Επιπλέον, οι πολλαπλοί τρόποι σύνδεσης και ο εργονομικός σχεδιασμός επιτρέπουν στα Eris 3.5 studio monitors να συμπεριληφθούν σε οποιοδήποτε υπάρχον σύστημα χωρίς κανένα πρόβλημα. Τέλος χάρη στη vinyl-laminated κατασκευή από ισοσανίδες, τα Eris 3.5 είναι κατασευασμένα για να σας προσφέρουν χρόνια ασύγκριτης ηχητικής απόδοσης! 

Στα 50 watt, τα Eris 3.5 studio monitors της Presonus είναι μία εξαιρετική επιλογή για παραγωγούς, gamers και φιλόμουσους που δουλεύουν και ακούν σε περιορισμένους χώρους. Κάθε ηχείο είναι εξοπλισμένο με ένα woofer  3.5’ και ένα μεταξωτό twitter θόλου 1’, αποδίνοντας πεντακάθαρη και ελεγχόμενη αναπαραγωγή των κομματιών σας! Επιπλέον, οι πολλαπλοί τρόποι σύνδεσης και ο εργονομικός σχεδιασμός επιτρέπουν στα Eris 3.5 studio monitors να συμπεριληφθούν σε οποιοδήποτε υπάρχον σύστημα χωρίς κανένα πρόβλημα. Τέλος χάρη στη vinyl-laminated κατασκευή από ισοσανίδες, τα Eris 3.5 είναι κατασευασμένα για να σας προσφέρουν χρόνια ασύγκριτης ηχητικής απόδοσης! 

Κατασκευασμένο στη Γαλλία, το νέο Solo6 είναι ένα monitor δύο δρόμων που προσφέρει ασυναγώνιστη διαφάνεια, έλεγχο, ευκρίνεια, δυναμικές και ακρίβεια στερεοφωνικής εικίνας. Χάρη στη λειτουργία Focus, το Solo6 προσφέρει δύο monitor σε ένα, διατηρώντας το sweet spot κατά τη διάρκεια της μίξης, εξοικονομώντας χώρο, και απλοποιώντας την σύγκριση ενός πλήρους και ενός πολύ μικρότερου monitor με το πάτημα ενός ποδοδιακόπτη.

Κατασκευασμένο στη Γαλλία, το νέο Twin 6 είναι ένα monitor δύο δρόμων που προσφέρει ασυναγώνιστη διαφάνεια, έλεγχο, ευκρίνεια, δυναμικές και ακρίβεια στερεοφωνικής εικόνας. Χάρη στη λειτουργία Focus, το Twin 6 προσφέρει δύο monitor σε ένα, διατηρώντας το sweet spot κατά τη διάρκεια της μίξης, εξοικονομώντας χώρο, και απλοποιώντας την σύγκριση ενός πλήρους και ενός πολύ μικρότερου monitor με το πάτημα ενός ποδοδιακόπτη.

Kali's IN-8 2nd Wave is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3D design with a surreal display of a coaxial mid-range and Tweeter, it offers more transparency, lower distortion and a soundstage that must be heard to be believed.Power. Detail. Soundstage.The IN-8 2nd Wave Studio Monitor is a speaker like no other. Using the same Woofer and Tweeter from Kali's famous LP-8, the IN-8 2nd Wave adds a mid-range driver that surrounds the Tweeter and acts as its waveguide.That way, both Tweeter and Woofer are stocked. with less workload, are able to play cleaner and with less distortion.The coaxial nature of the medium and the Tweeter makes the IN-8 2nd Wave audio point source. This eliminates the deviation from the pod axis, resulting in a stereo sound stage that presents the listener with a super-realistic level of detail.All of this means that the IN-8 2nd Wave is extremely accurate and easy to mix, and that the blends made in the IN-8 will be wonderfully transferred to other systems.ImagingWe continue to talk about the "surreal" depiction of the IN-8 2nd Wave. What does this mean?When you listen to a stereo speaker set, you hear information about where the instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate the physical locations of the elements in the mix, and you will hear them in a stereo recording.Not only does this allow producers to create interesting spatial effects, but it also means that you can work faster and with more confidence. An accurate audio track lets you see every element of the mix in front of you, so you can hear exactly what happens when you make changes.2-way systems with good waveguides, such as Kali's LP-6 and LP-8, do a good job of transmitting this spatial information. However, because the tweeters and woofers on these speakers (and most studio monitors!) Are separate, this information is lost in the space just above and below the speaker. This means that in the listening position, you do not hear the full stereo image.IN-8 solves this problem. The tweeter and the middle section share an audio center and the Woofer traverses 330 Hz, so the distance between the Woofer and the medium size is much less than a quarter of the wavelength at the junction. This means that the IN-8 is an acoustic point source. Therefore, it has the same excellent directionality that the LP-6 and LP-8 have on their sides at a full 360 degrees around the speaker. You listen to all the space information in the listening position, so the sound scene you hear will have every detail in the mix.ClarityThe total harmonic distortion of the IN-8 is less than 1.4%, which is excellent. This is the result of both Woofer and Tweeter unloading, so they both do less work. The Woofer is clocked at 330 Hz, 2.5 octaves lower than the LP-8.Tweeter traverses at 3000 Hz, almost an octave higher than the LP-8. Take up space between the hero of the IN-8 system: the 4-inch, optimized mid-profile driver profile. This guide has a lot of work to do. In addition to playing the midrange, it also acts as a waveguide for Tweeter. This means that the shape must be precisely constructed to provide an ideal dispersion characteristic of Tweeter.It also means that the medium intervals must remain stationary. In many other coaxial or concentric systems, the large deviation from the larger guide causes a distortion of the body and degrades the accuracy of the system. The midline in the IN-8 2nd Wave is limited to a top deflection of less than 1 millimeter, making the headset stagnant while still providing mid-range to keep up with the powerful woofer and Tweeter.Easy useMarginal EQ controlThe given speaker position in a room can drastically change the frequency response. A speaker mounted against a wall or desk will sound very different from a speaker mounted on a stand, even in a well-crafted space. Hard surfaces such as walls, desktops, and recording consoles can alter the screen's low-frequency response and degrade overall sound clarity.Fortunately, most of the common positions are quite predictable and easily corrected.Kali's team did the Boundary EQ tuning at The Village Studios in Los Angeles and found EQ settings for offsetting to help you get the perfect sound for where to place your speakers.Combined with the LF and HF fins, this will ensure that the speakers sound better, regardless of the room in which you mix or where the speakers are placed.

Kali's IN-8 2nd Wave is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3D design with a surreal display of a coaxial mid-range and Tweeter, it offers more transparency, lower distortion and a soundstage that must be heard to be believed.Power. Detail. Soundstage.The IN-8 2nd Wave Studio Monitor is a speaker like no other. Using the same Woofer and Tweeter from Kali's famous LP-8, the IN-8 2nd Wave adds a mid-range driver that surrounds the Tweeter and acts as its waveguide.That way, both Tweeter and Woofer are stocked. with less workload, are able to play cleaner and with less distortion.The coaxial nature of the medium and the Tweeter makes the IN-8 2nd Wave audio point source. This eliminates the deviation from the pod axis, resulting in a stereo sound stage that presents the listener with a super-realistic level of detail.All of this means that the IN-8 2nd Wave is extremely accurate and easy to mix, and that the blends made in the IN-8 will be wonderfully transferred to other systems.ImagingWe continue to talk about the "surreal" depiction of the IN-8 2nd Wave. What does this mean?When you listen to a stereo speaker set, you hear information about where the instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate the physical locations of the elements in the mix, and you will hear them in a stereo recording.Not only does this allow producers to create interesting spatial effects, but it also means that you can work faster and with more confidence. An accurate audio track lets you see every element of the mix in front of you, so you can hear exactly what happens when you make changes.2-way systems with good waveguides, such as Kali's LP-6 and LP-8, do a good job of transmitting this spatial information. However, because the tweeters and woofers on these speakers (and most studio monitors!) Are separate, this information is lost in the space just above and below the speaker. This means that in the listening position, you do not hear the full stereo image.IN-8 solves this problem. The tweeter and the middle section share an audio center and the Woofer traverses 330 Hz, so the distance between the Woofer and the medium size is much less than a quarter of the wavelength at the junction. This means that the IN-8 is an acoustic point source. Therefore, it has the same excellent directionality that the LP-6 and LP-8 have on their sides at a full 360 degrees around the speaker. You listen to all the space information in the listening position, so the sound scene you hear will have every detail in the mix.ClarityThe total harmonic distortion of the IN-8 is less than 1.4%, which is excellent. This is the result of both Woofer and Tweeter unloading, so they both do less work. The Woofer is clocked at 330 Hz, 2.5 octaves lower than the LP-8.Tweeter traverses at 3000 Hz, almost an octave higher than the LP-8. Take up space between the hero of the IN-8 system: the 4-inch, optimized mid-profile driver profile. This guide has a lot of work to do. In addition to playing the midrange, it also acts as a waveguide for Tweeter. This means that the shape must be precisely constructed to provide an ideal dispersion characteristic of Tweeter.It also means that the medium intervals must remain stationary. In many other coaxial or concentric systems, the large deviation from the larger guide causes a distortion of the body and degrades the accuracy of the system. The midline in the IN-8 2nd Wave is limited to a top deflection of less than 1 millimeter, making the headset stagnant while still providing mid-range to keep up with the powerful woofer and Tweeter.Easy useMarginal EQ controlThe given speaker position in a room can drastically change the frequency response. A speaker mounted against a wall or desk will sound very different from a speaker mounted on a stand, even in a well-crafted space. Hard surfaces such as walls, desktops, and recording consoles can alter the screen's low-frequency response and degrade overall sound clarity.Fortunately, most of the common positions are quite predictable and easily corrected.Kali's team did the Boundary EQ tuning at The Village Studios in Los Angeles and found EQ settings for offsetting to help you get the perfect sound for where to place your speakers.Combined with the LF and HF fins, this will ensure that the speakers sound better, regardless of the room in which you mix or where the speakers are placed.

Το Focal Sub One αξιοποιεί σύγχρονα υλικά και σχεδιασμό για να προωθήσει την τελευταία λέξη της τεχνολογίας στο στούντιο σας. Αυτό το συμπαγές ενεργό υπογούφερ χρησιμοποιεί διπλά γούφερ 8 ιντσών με κώνους Slatefiber που αναπτύχθηκαν και κατασκευάστηκαν χειροποίητα στις εγκαταστάσεις της Focal, στη Γαλλία. Με ισχύ 200 watt βελτιστοποιημένης διπλής ενίσχυσης κατηγορίας D και σχεδιασμένο για να παρέχει τονική ισορροπία και εξαιρετικό δυναμικό εύρος, το Sub One είναι ένα ευέλικτο, στιβαρό υπογούφερ που θα συμπληρώσει το σύγχρονο περιβάλλον παραγωγής σας και θα παρέχει την βέλτιστη και πλήρη εικόνα που χρειάζεστε για να μπορείτε να παράγετε αποτελέσματα παγκόσμιας κλάσης.

Κατασκευασμένο στα εργαστήρια της Focal στην Γαλλία, το νέο Sub12 φέρνει ακρίβεια, σώμα και βάθος στις χαμηλές συχνότητες που όμοιό του δεν έχουμε ξαναδεί. Το Focal Sub12 είναι ένα Subwoofer υψηλών προδιαγραφών που προσφέρει εξαιρετική ευκρίνεια και βαθύ μπάσο που το κάνουν ασυναγώνιστο στην κατηγορία τιμής του. Χάρη στην μεγάλη και γρήγορη διαδρομή του Woofer και στην μεγάλη του ισχύ 1000W, η απόδοση του είναι πιο δυναμική και αληθινή από ποτέ.