500 Series EQ

Sculpt instruments, enhance busses and fine-tune mastersULTRAVIOLET Stereo Equaliser (UV EQ) takes the acclaimed minimum phase-shift Violet stereo EQ section from Fusion and puts it into 500-series format, whilst adding two fully parametric SSL mid-band EQ's featuring precision 'Focus' mode for the ultimate in 500 Series EQ flexibility and tonal control. UV EQ is the perfect partner for the SSL G-COMP Stereo Bus Compressor module, offering advanced SSL processing all from 500 Series modules. Features4-band Stereo EQHigh and low shelving bandsMinimum-phase design inherited from FusionDual fully parametric mid-bandsPrecision 'Focus' mode High-Pass Filter at key fixed frequenciesDedicated output TrimSurgical precision to creative colour  Beyond Violet is ULTRAVIOLET Over and above Fusion's Violet EQ, UV EQ takes features further, adding two dedicated mid-bands, with precision Focus mode. They're classic SSL parametric mid-bands capable of the traditional SSL processing techniques but also go far beyond, offering absolute surgical precision all the way to creative 'notch' style filtering and resonant screaming. Focus modeFocus mode allows users to ‘hone in’ on problem frequencies or specific frequencies they want to accentuate or attenuate. Pressing the ‘Focus’ switch in, automatically narrows the chosen Q setting further and increases the range of gain available beyond the normal +/-9 dB operation, to a huge +/-18 dB. In true flexible SSL workflow fashion, it transforms this sweet sounding, musical SSL EQ into a more surgical tool.HPF & TrimRemove rumble and tighten up low frequencies, the HPF found on UV EQ brings a world of flexibility when processing low end. The interaction with LF shelving band offers unique ways to sculpt signals and yes, UV EQ is capable of the sought after boost + cut effect. Dedicated Trim control means you can hit convertors with plenty of headroom or smash into them the perfect amount when clipping is desired.

Loved by Generations of Professional ProducersThe E-Series EQ 500 series module reproduces the legendary sonic signature of an early 80's classic, the equaliser section of the Solid State Logic SL 4000 E console channel strip, which has featured on countless classic recordings from the 1980's to the present and shows no sign of stopping. The 611 design E-Series EQ also feature on Solid State Logic's latest audio production console, ORIGIN. FeaturesImmortal SSL 4000 E Series circuitry"Black-242" and "Brown-02" twin EQ designVersatile 4 band channel EQBell curve option on HF and LFFully parametric LMF and HMF with QBased on classic 611E console channel stripUnique response & tonal characterThe E-Series EQ Module features two different EQ's found on editions of the console produced between 1981 and 1989. Each EQ has unique response curves and tonal character. Historically the type of EQ fitted in an individual console was distinguished by the colours used on the LF knob caps so the two flavours have become known as the 'Brown' and 'Black' EQ's. On the E Series EQ Module you can switch between these two different flavours of EQ that have been loved by generations of professional producers. 

Deceptively simply, extremely effective SiX Channel Strip (SiX CH) is a single-width 500 Series channel strip using the SuperAnalogueTM channel processing features from SSL’s SiX console including the Mic-pre, low and high frequency EQ, as well as the single knob compressor.FeaturesSSL SuperAnalogueTM  mic pre+48V phantom powerPhase invert switch5 segment LED meter in dBuSwitched 12 dB/oct, 75 Hz High Pass Filter (HPF)Classic SSL HF and LF EQSwitch from shelf to bell curveSingle knob Channel Compressor with variable Threshold.Front Panel TRS Line Input with 1MΩ Hi-Z switch.SuperAnalogue Using the same technology as SiX and large-format SSL consoles, SiX CH features a SuperAnalogueTM mic pre, offering wide gain range and ultra-low noise. It’s clean, fast and punchy - the perfect preamplifier for any source material.SSL HF and LF EQSiX CH EQ is a classic SSL style gentle, broad stroke two-band design with high and low shelving filters at 3.5 kHz and 60 Hz, +/-15 dB gain range. Each band can be independently switched between shelving and bell curves. The bell curves change centre frequency to operate at 5 kHz and 200 Hz giving greater versatility from the two controls.Channel compressor A ‘one knob’ channel compressor with features that give powerful and versatile performance from its deceptively simple controls. Using the tried and tested SSL feed-forward circuit design, program-dependant attack time and automatic make-up gain to maintain signal level.TRS Line Input The front facing TRS line input offers a convenient way to add instruments on the fly or use SiX CH as a feature packed summing module. 10 kΩ nominal Line Input impedance can be changed to 1 MΩ via the Hi-Z switch. The 1MΩ impedance makes this input suitable for very high impedance sources such as passive guitar pickups without the need for an external DI box.

Chandler Limited's Little Devil Equalizer fits into any 500-series module, putting Chandler's all-discrete circuitry, transformer-balanced designs, and premier hand-made quality into the popular modern format. The Little Devil Equalizer is an English-style console EQ, which uses concepts from famous 1081 and 33115 vintage units. Its features a treble and bass shelf with +/- 18dB, with treble set to 12k and bass selectable between 50 and 110Hz. Hi-mid and lo-mid offer +/-18dB, with 7-selection "Q" switching on each band. There's also a 3-position filter and hardwire bypass onboard the Chandler Limited Little Devil Equalizer.Chandler Limited Little Devil Equalizer Module at a Glance:If you like fat and punchy sounds, you'll love the Little Devil EQYour sonic obsession: Chandler's missionVintage EQ for your 500 Series rackIf you like fat and punchy sounds, you'll love the Little Devil EQChandler Limited's Little Devil 500 Series Equalizer is an ideal go-to EQ for in-your-face snares and fat, punchy kick drums. In fact, it sounds great on everything. It delivers rich-sounding and distinctively vintage-flavored EQ, while giving you the modern control you need to sculpt your sound precisely. Designer Wade Goeke's number one rule is that he would not make anything he wouldn't put in his own rack. We'd add that the Little Devil EQ is definitely a piece you want in your rack.Your sonic obsession: Chandler's missionRecording engineers are always looking for fresh tonal colors and approaches when tracking - it's an obsession. Chandler feeds this addiction with their innovative take on the technologies of the past. They start with painstaking component selection. The Little Devil EQ's parts list reads like a 40-year-old document. Seriously - they just don't build 'em this way anymore. Hand-wired and assembled in the USA, the Little Devil EQ utilizes 100% discrete transistor circuitry and specially wound transformers. Aside from the fact that you'll have this puppy forever, the weapons-grade build quality is a means to an end - the sound. Glorious, fat, supremely musical sound, with amazing headroom. Stock your arsenal with the Chandler Limited Little Devil 500 Series Equalizer.Vintage EQ for your 500 Series rackChandler Limited's collection of EQs, compressors/limiters, and preamplifiers are among the best in the industry. Indeed, Chandler Limited's innovative Germanium Series uses classic, smooth-sounding germanium transistors - like those found on the earliest Neve, EMI, Telefunken, and Fairchild units - to effectively revive that warm vintage sound palette. What's more, in addition to fantastic outboard gear, Chandler offers up classic sounds in plug-in form with their spot-on emulations of the legendary Abbey Road console. When you want a vintage touch brought to your modern recordings, trust Chandler Limited.Chandler Limited Little Devil Equalizer Module Features:English-style console Equalizer moduleTreble and bass shelf +/- 18dBTreble set to 12k, bass selectable between 50Hz and 110HzHi- and Lo-mid +/-18dB, with 7-selection "Q" switchingHi-mid - 8k2, 6k8, 5k6, 5k7, 3k3, 2k7, 1k2Lo-mid - 820, 560, 470, 390, 330, 270, 2203-position filter - 47, 82, and 150HzHardwire bypassRuns on any 500 series rack and Power Supply Unit

Chandler Limited is the only company in the world authorized to develop, manufacture and market the “Official Equipment” of EMI/Abbey Road Studios. So if you want the rich, warm, punchy sound of the "Curve Bender" EQ used on the Beatles' legendary Abbey Road album and Pink Floyd's Dark Side of The Moon in the convenient 500 Series format, the Chandler Limited TG12345 MKIV equalizer is the way to go. This handmade, fully discrete, single-width module draws its heritage from the channel EQs found on historic EMI TG12345 recording consoles of the late 1960s and early ‘70s. Featuring presence and bass bands with continuous boost/cut and true bypass, the Chandler Limited TG12345 MKIV puts the sweet sound of a legend in your 500 Series rack.Sweet broadband sound shapingAs a 2-band equalizer, the Chandler Limited TG12345 MKIV is not designed for surgical sound sculpting. For broadband sound shaping, however, Sweetwater considers it in a class by itself. Its control set may seem minimalist, yet it offers a reasonable amount of flexibility. The presence band is switchable between eight frequencies and an Out position. The first seven frequencies, from 500Hz to 6.5kHz, are bell curves; the eighth is a shelf at 10kHz. The bass band is shelving, with two frequency options: 90 and 150Hz.The sound of a legendThe groundbreaking sound quality of the EMI TG12345 recording console, dramatically richer and more highly detailed than the tube consoles it replaced, left its mark on legendary albums by the rock royalty of the era, including the Beatles and Pink Floyd, as well as solo outings by John Lennon, Paul McCartney, and George Harrison. Never commercially available, the TG12345 desks were retired from service in 1983. But the legend lives on — in the Chandler Limited TG12345 MKIV.Chandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD and RS and their associated logos are trademarks of EMI (IP) Limited.Chandler Limited TG12345 MKIV 500 Series EQ Features:Inspired by the channel EQs from historic EMI TG12345 consoles of the late '60s and early ‘70s2-band equalizer with presence and bass bands with continuous boost/cutPresence band switchable between eight frequencies and OutPresence bands are bell curves, except the highest (10kHz), which is shelvingBass band is shelving, with two frequency options: 90 and 150HzTrue bypass

Rupert Neve Designs 551 Inductor EQ; 3-band inductor eq (500 series); low eq: +/- 15db shelf or peak, selectable for 35hz, 60hz, 100hz or 220hz; mid eq: +/- 15db with 6 center frequencies: 200hz, 350hz, 700hz, 1.5khz, 3khz and 6khz; with high; peak switches to amplify the q factor; hishelf: +/- 15db shelf or peak, selectable for 8khz and 16khz; locut: 12db / octave at 80hz; rupert neve custom transformer; Format: API Series 500 Rack

Το Heritage Audio 1084 έχει σχεδιαστεί για να χρησιμοποιηθεί στη διαδικασία αποκατάστασης των κονσολών μίξης ήχου vintage 80 Series. Επίσης μπορεί να τοποθετηθεί στα κουτιά Heritage Audio Frame 8 και Rack 2. Ιδιαίτερη προσοχή έχει δοθεί στην προμήθεια των σωστών εξαρτημάτων που εξασφαλίζουν ότι η απόδοση θα είναι όσο το δυνατόν πιο κοντά σε μια μονάδα 1070s (όσο είναι σήμερα δυνατό). Οι προσαρμοσμένοι πυκνωτές πολυστυρενίου και πολυπροπυλενίου έχουν αναπτυχθεί για να ταιριάζουν με τους τύπους Siemens Styroflex και Mullard Mustard από τα τέλη της δεκαετίας του '60 και τις αρχές της δεκαετίας του '70. Οι προσαρμοσμένοι μετασχηματιστές εισόδου έχουν επίσης σχεδιαστεί σε συνεργασία με το εργοστάσιο της Carnhill Transformers, ώστε να εξασφαλίζουν τις ιδιαίτερες απαιτήσεις της Heritage Audio. Το Heritage Audio 1084 είναι χειροποίητο και κατασκευάζεται αποκλειστικά στις εγκαταστάσεις της Heritage Audio στην Ισπανία, χρησιμοποιώντας τις ίδιες παλιομοδίτικες τεχνικές καλωδίωσης και συγκόλλησης της δεκαετίας του '70. Η κατασκευή μιας μόνο μονάδας διαρκεί αρκετές μέρες από έναν από τους κύριους κατασκευαστές μας. Όλα τα κυκλώματά βρίσκονται σε πέντε κάρτες plug-in. Χαρακτηριστικά: Διακόπτης Hi Q για τη μεσσαία περιοχή. Αντίσταση εισόδου μικροφώνου: HI, ελάχιστο 1200 Ohm, LO, ελάχιστο 300 Ohm. Οι υψηλότερες θέσεις στάθμης σταδιακά έχουν μεγαλύτερες αντιστάσεις, είναι βέλτιστες για τη χρήση μικροφώνων ribbon. Στην είσοδο υπάρχει ο μετασχηματιστής Carnhill (balanced και floating). Αντίσταση εισόδου γραμμής: γεφύρωση 10K Ohms, μετασχηματιστής Carnhill (balanced και floating). Αντίσταση εξόδου: Λιγότερο από 75 Ohms, με το μετασχηματιστή Carnhill (balanced και floating), για να οδηγήσει φορτίο 600 ohms (εργοστασιακά τερματισμένο). Μέγιστη έξοδος: Περισσότερο από + 26 dBm σε 600 ohm. Αρμονική Παραμόρφωση (THD): Λιγότερο από 0,025% σε 1 Khz, λιγότερο από 0,05% στα 100Hz. Απόκριση συχνότητας: 20Hz (+ 0.3dB) έως 20Khz (-0.2dB). Μέγιστο κέρδος: Ελαφρώς μεγαλύτερο από 80dB. Θόρυβος: Λιγότερο από -100dBm.

Το API 550 EQ έπαιξε σημαντικό ρόλο στην ιστορία της μουσικής ηχογράφησης στις ΗΠΑ κατά τη διάρκεια της δεκαετίας του '60 και του '70. Αρχικά δημιουργήθηκε για χρήση στις API κονσόλες, η πιο πρόσφατη έκδοση του 550, το «Β», είναι η εξέλιξη του αρχικού μοντελου 550 του 1967, μέσω του 550A, με πρόσθετο filter band και διάφορες νέες συχνότητες. Ενσωματώνει την αποκλειστική διάταξη κυκλωμάτων και τα εξαρτήματα του API (όπως του θρυλικού API 2520 op-amp), το 550B συνδυάζει επιδέξια το παρελθόν με το παρόν. Πολλές επιτυχίες στηρίζονται ακόμα στο μοναδικό 550 ήχο. Πολλά EQ προσφέρουν σήμερα μια τεράστια ποικιλία  περίπλοκων χαρακτηριστικών γνωρισμάτων, αλλά το API 550B παρέχει ακριβώς το σωστό αριθμό ρυθμίσεων στον επαγγελματία ηχολήπτη. Το 550B θα είναι ένα ανεκτίμητο εργαλείο που θα χρησιμοποιήσετε επανειλημμένως. Χαρακτηριστικά:4 bands of our famous sounding equalizationEach band offers 7 API selected frequency centersReciprocal and repeatable filtering12 dB of boost/cut per bandEQ Band 1 and 4 offer shelf/peak switching"Proportional Q" narrows filter Q at extremesTraditional API fully discrete circuit designHigh headroom +30 dB clip levelRe-issue of 1967 API 550 EQ with an extra band

Λίγοι ισοσταθμιστες απολαμβάνουν το σεβασμό και το θαυμασμό του API 550A. Σχεδιασμένο από τον πλέον θρυλικό Saul Walker στο τέλος της δεκαετίας του '60, το 550A αρχικά χρησιμοποιήθηκε ως modular ισοσταθμιστείς OEM. Καθώς η βιομηχανία ασπάστηκε γρήγορα την sonic ποιότητα του 550A, βρέθηκε πολύ γρήγορα σε πολλά  custom μοντέλα κονσόλων του Frank DeMedio και άλλων κορυφαίων δημιουργών. Πολλές από αυτές τις κονσόλες είναι ακόμα και σήμερα σε λειτουργία. Σαράντα χρόνια αργότερα το 550A παραμένει το πρότυπο με βάση του οποίου όλα  τα αλλά EQ κρίνονται, και έχει παίξει πολύ σημαντικό ρόλο στη βιομηχανία της ηχογράφησης για δεκαετίες.        ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ 3 bands of classic API equalizationEach band offers 5 API selected frequency centersReciprocal and repeatable filteringmaximum 12 dB of boost/cut per bandEQ Band 1 and 3 offer shelf/peak switching"Proportional Q" narrows filter Q at extremesTraditional API fully discrete circuit designHigh headroom +30 dB clip level