Audix

The MicroD is primarily a drum and percussion instrument microphone for professional stage and studio applications. The MicroD has a uniformly controlled hypercardioid polar pattern and a smooth, accurate response in its frequency range.This microphone is lightweight, compact and simple to use. The MicroD is housed in an aluminum ring and isolated by means of a rubber shock mount system. The MicroD hypercardioid microphone attaches easily and firmly to a standard drum rim utlizing the patented DVICE rim mount system.Applications:DrumsCymbals, percussion toys  (using the Dflex Micro clip)Specifications:Type: Pre-polarized CondenserPolar Pattern: HypercardioidFrequency Response: 40 Hz - 20 kHzImpedance: 250 OhmsSensitivity: 5.6 mV/Pa @1k

Reproduction of piano sound is extremely challenging, particularly during live performances when other instruments are present. Ambient sounds near the piano often bleed into the piano microphones. To circumvent sound leakage, the piano is often played in the short stick or closed lid positions. The SCX25A large diaphragm studio condenser microphone produces a highly transparent and remarkably accurate sound. This attribute combined with the SCX25A’s low profile and phase coherent reproduction, makes the SCX25A the optimum piano microphone for live sound or broadcast environments.To further enhance the ease of placement, two DFLEX mounting clips accompany the SCX25A and can be easily attached directly to the piano rail, enabling the SCX25A to be securely placed anywhere on the sound board.The SCX25A studio condenser microphone is undeniably the most compact, large diaphragm microphone on the market. It boasts an innovative design and patented capsule system. This pack includes two high quality, quad conductor microphone cables with braided shielding which helps reduce noise induction from external sources.Specifications:2 x SCX25A Piano Condenser Microphones2 x DFLEX Microphone Clips2 x 20 ft High Quality Microphone CablesAluminum Road Case

The ADX51 is a professional pre-polarized condenser microphone used for stage, studio and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.Characterized with a uniformly controlled cardioid polar pattern, the ADX51 condenser microphone is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. With a wide frequency range of 40 Hz - 18 kHz, the ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter at 150 Hz.The ADX51 cardioid studio condenser microphone is very easy to position, durable and manufactured to high standards and tight tolerances. The ADX51 has a precision machined brass body, durable black E-coat finish, steel mesh grill, and gold plated XLR connector.Applications:Drumoverheads, hi-hat, acoustic instrumentsCymbalsPercussion table Group vocal, spoken word Ambient room miking Audience mics for in-ear monitorSpecifications:Type: Pre-polarized CondenserPolar Pattern: CardioidFrequency Response: 40 Hz - 18 kHzImpedance: 100 OhmsSensitivity: 17 mV/Pa @ 1kHz

The DPQUAD pack consists of four drum microphones grouped together to microphone a full drum kit. This arrangement employs a left overhead microphone to cover hi-hat, cymbals and rack toms, and a right overhead microphone to capture the floor tom and ride cymbal. Individual snare and kick microphones complete the essential punch needed for a good drum mix. All microphones, clips and accessories are packed in a durable aluminum carrying case.Features:Professional set of 4 drum microphones for stage or studioDesigned to capture the essence of a full kit with the least number of microphonesCombines close miking technique for kick and snare with overhead ambient microphone placement.Specifications:2 x ADX51 Overhead Mics1 x i5 Snare Mic1 x D6 Kick Drum Mic3 x MC1 Mic Clips 1 x DVICE Rim Mount2 x WS81C WindscreensAluminum Road Case   

Audix revolutionized drum and percussion miking by designing instrument specific microphones. With the introduction of the Fusion Series, Audix created two attractively priced packages for todays up and coming professionals.The FP7 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones and the f9 condenser for overheads. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 dynamic microphone is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments.The f6, with its extended bass response, is designed for kick drum, bass cabinets, cajon and other low frequency instruments. The f9 condenser microphone is intended for cymbals and hi-hat.   Built to withstand the rigors of live stage applications, the Fusion Series microphones are also excellent for rehearsal, school, House of Worship and a wide variety of home recording applications.Specifications:1 x f5 Snare Microphone3 x f2 Rack and Floor Tom Microphones 1 x f6 Kick Drum Microphone2 x f9 Overheads Microphones6 x DCLIP Microphone Clips4 x DFLEX Microphone Clips1 x MC1 Microphone ClipAluminum Road Case  

The ADX20iP miniature condenser microphone is applicable for professional stage and studio applications. This microphone is primarily used for miking most reed and brass instruments.The ADX20iP has a uniformly controlled cardioid polar pattern, which provides excellent isolation and feedback control on stage with natural sound reproduction at very close distances.The ADX20iP condenser instrument microphone is lightweight, compact and simple to use. Included with the ADX20iP is a gooseneck clip with spring tension for easy mounting to the bell of an instrument.Εφαρμογές:SaxophoneTrombone, trumpetRoom ambience, recordingAccordionΧαρακτηριστικά:Transducer Type: Pre-Polarized CondenserFrequency Response: 40 Hz - 20 kHzPolar Pattern: CardioidOutput Impedance: 250 ohmsSensitivity Cardioid: - 6 mV / Pa @ 1kHypercardioid: - 5.6 mV / Pa @1kEquivalent Noise Level:

The FireBall V, with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ diaphragm for natural sound reproduction with exceptional transient response.Designed for harmonicas (both diatonic and chromatic) and beatbox, the FireBall V has the added feature of a volume control knob. The Fireball V has a wide frequency response of 50 Hz - 16 kHz and is lightweight, compact and comfortable to hold.Because the FireBall V is a low impedance microphone, a quality, low-high impedance transformer (T50k) is required when using with a guitar amplifier.Applications:Live Stage, studioHarmonicaVocalsBeatboxPercussionSaxophone, trumpet, tromboneFluteAccordianSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 HzImpedance: 280 ohmsSensitivity: 1.5 mV/Pa @1k

Audix revolutionized drum and percussion miking by designing instrument specific microphones. With the introduction of the Fusion Series, Audix created two attractively priced packages for todays up and coming professionals.The FP5 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments. The f6 dynamic microphone, with its extended bass response, is designed for kick drum, bass cabinets, cajon and other low frequency instruments.Built to withstand the rigors of live stage applications, the Fusion Series mics are also excellent for rehearsal, school, House of Worship and a wide variety of home recording applications.Specifications:3 x f2 rack and floor tom mics1 x f5 snare mic1 x f6 kick drum micAluminum road case 

The Audix Club-Kit a Limited Edition of a Drum microphone set. Specifications:1 x D6 limited Anniversary dynamic large diaphragm microphone particularly suitable for the removal of bass drum1 x i5 dynamic microphone for snare drum or guitar amplifiers1 x OM2 dynamic vocal microphoneIncludes Aluminium Roadcase, D6 Cup and Audix T-Shirt​

The OM5 vocal dynamic microphone is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio.Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion.The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors.Applications:Lead or backing vocalsLive recordingBroadscastSax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 48 Hz - 19 kHzImpedance: 200 ohmsSensitivity: 2 mV / Pa @ 1k 

The FireBall™ dynamic instrument microphone is designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.The FireBall™ microphone has a smooth, uniform frequency response of 50 Hz - 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish.Because the FireBall™ cardioid instrument microphone is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k)  is required. Designed, machined, assembled and test by Audix in the USAApplications:Live Stage, studioHarmonicaVocalsBeatboxPercussionSaxophone, trumpet, tromboneFluteAccordianSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 kHzImpedance: 280 ohmsSensitivity: 1.5 mV/Pa @1k 

The OM3S is a vocal dynamic microphone used for a wide variety of live, home and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion.The OM3 dynamic vocal microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a wide frequency range of 50 Hz - 18 kHz, the OM3S employs a VLMTM diaphragm for a clear, precise sound with exceptional voice response.Designed with a slight bass proximity and a tailored mid-range, the OM3S hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.Applications:Live stageSmall venues and outdoor concertsBroadscastVocals, sax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 50Hz–18kHzImpedance: 250 ohmsSensitivity 1.7mV/Pa @ 1kOn/Off Switch 

Designed, machined, assembled and tested by Audix in the USA, the OM11 vocal dynamic microphone was first issued in 1985 as the OM1. This microphone is a dynamic vocal microphone used for a wide variety of live, studio and broadcast applications. Its sharp, crisp vocal sound, resistance to feedback and ability to handle high SPLs without distortion are trademarks of the OM11.The OM11 dynamic vocal microphone is designed with a tight, uniformly controlled hypercardioid polar pattern which helps isolate the vocals on stage. The response of the OM11 is tailored to cut through the mix, providing extra presence and articulation to the vocals even at very high stage volumes. In addition to having extremely low handling noise, the OM11 hypercardioid microphone is well balanced, comfortable to hold and durable.Applications:Live Stage, live recordingLead and backing vocals - all venuesBroadcastHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 50 Hz - 18 kHzImpedance: 200 ohmsSensitivity: @1k 1.9 mV/Pa 

The OM2S is a dynamic vocal microphone used for a wide variety of live, home and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion.The OM2S vocal dynamic microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a wide frequency range of 50 Hz - 16 kHz, the OM2 employs a VLM™ diaphragm for a clear, precise sound with exceptional voice response.Designed with a slight bass proximity and a tailored mid-range, the OM2 hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.Applications:Live stageSmall venues and outdoor concertsBroadscastVocals, sax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 50Hz - 16kHzImpedance: 250 ohmsSensitivity: 1.6 mV / Pa @ 1k 

The F50 multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch (f50S).Its warm, natural sound reproduction, resistance to feedback and ability to handle high SPLs without distortion allows the f50 dynamic vocal microphone to be utilized in a variety of live and studio applications. The F50 cardioid microphone is an entry level, all purpose vocal microphone for small to midsize PA systems. Applications:Multi-purpose vocalsDrums, Guitar cabinetsAcoustic instrumentsHome studio recordingSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 kHzImpedance: 250 ohmsSensitivity: @1k 1.8 mV/Pa 

The F50S multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch (f50S).Its warm, natural sound reproduction, resistance to feedback and ability to handle high SPLs without distortion allows the f50 dynamic vocal microphone to be utilized in a variety of live and studio applications. The F50S cardioid microphone is an entry level, all purpose vocal microphone for small to midsize PA systems. Applications:Multi-purpose vocalsDrums, Guitar cabinetsAcoustic instrumentsHome studio recordingSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 kHzImpedance: 250 ohmsSensitivity: @1k 1.8 mV/Pa 

The ADX10FLP is characterized with a uniformly controlled cardioid polar pattern, helping to isolate the area or section being miked from other instruments or vocals on stage. With a smooth and accurate frequency range of 50 Hz - 18 kHz, the ADX10FLP is lightweight, low profile and will provide natural sound with exceptional transient response.The ADX10FLP cardioid condenser microphone works with the Audix wireless systems specifically for use with a flute, includes a clip that attaches to the headstock of a flute, an 8' cable terminating to a miniXLRf connector. Requires a phantom power adapter (APS911).Manufactured to high standards and tight tolerances, the ADX10FLP miniaturized condenser flute microphone features a modular threaded capsule, machined brass body with matte black finish, high quality shielded microphone cable and a variety of optional accessories.Specifications:Type: Pre-polarized CondenserPolar Pattern: CardioidFrequency Response: 50 Hz - 18 kHzImpedance: 250 OhmsSensitivity: 4.5 mV/Pa @1k

The DP7 professional drum microphone pack represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio.Included in the DP7 drum microphone package is the D6, Audix's flagship kick drum microphone, two – D2 dynamic drum microphones for rack toms, one D4 for floor tom, the i5 for snare and a pair of ADX51 studio condenser microphones for overhead miking. Also included are four D-Vice rim mount clips for the snare and tom microphones, and three heavy duty tension fit microphone clips for the other three microphones. Everything is conveniently packaged in a foam-lined aluminum road case for safe keeping when the microphones are not in use.Specifications:1 x D6 Kick Drum Microphone1 x i5 Snare Drum Microphone2 x D2 Rack Tom Microphones1 x D4 Floor Tom Microphone 2 x ADX51 Overhead Microphones4 x DVICE Rim Mounts3 x DCLIP Microphone Clips1 x MC1 Microphone Clip2 x WS81C Windscreens 

Designed with a cardioid pickup pattern for isolation and feedback control, the i5 all-purpose dynamic instrument microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The i5 is used for stage, studio and broadcast applications and is able to handle SPLs in excess of 140 dB without distortion.The i5 cardioid microphone can be used to microphone a wide variety of musical instruments, guitars and bass cabinets as well as vocals and speech. The i5 instrument microphone is sturdy, compact and easy to position. With a wide frequency response of 50 Hz - 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ. Designed, assembled and tested by Audix in the USA. Applications:Live stage, studioSnare, toms, percussionGuitar cabinets, electric instrumentsBass cabinetsBrass, flute, woodwindsAcoustic instrumentsVocals, speechSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 kHzImpedance: 280 ohmsSensitivity: 1.6 mV/Pa @1k​​

With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.The D4 is lightweight, compact and easy to position. Used for stage, studio and broadcast applications, the D4 dynamic instrument microphone is designed with a hypercardioid pickup pattern for isolation and feedback control. The D4 hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction.Applications:Live stage or recording Large rack tom, floor tom, small kick drumCajon, djembe, tympani, leslie bottomBass flute, sax and baritone sax, tromboneAcoustic bass, bass cabsSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 40Hz - 18kHzImpedance: 280 ohmsSensitivity: 1.4 mV/Pa @1k

The D2 dynamic instrument microphone is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.Applications:Rack toms, congas, floor tomsGuitar and bass cabinetsSaxophone, brassSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 68Hz - 18kHzImpedance: 280 ohmsSensitivity: @1k 1.2 mV/Pa​​

The D2 dynamic instrument microphone is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.Applications:Rack toms, congas, floor tomsGuitar and bass cabinetsSaxophone, brassSpecifications:Set of 3 piecesType: DynamicPolar Pattern: HypercardioidFrequency Response: 68Hz - 18kHzImpedance: 280 ohmsSensitivity: @1k 1.2 mV/Pa​​

The DP5A professional drum microphone pack contains five microphones required to mic a standard rock kit: kick, snare, rack toms and floor tom. Perfect for stage or studio, this selection of dynamic drum microphones features exclusive Audix VLMTM capsule technology offering accurate sound reproduction in very high SPL applications. Microphone clips, mounts and rugged aluminum carrying case are included.Features:Professional set of 5 drum microphones for stage or studioMicrophones work in tandem to replicate each drum accurately and independently Easy to set up and positionSpecifications:Aluminum Road Case1 x i5 Snare Mic2 x D2 Rack Tom Mics1 x D4 Floor Tom Mic1 x D6 Kick Mic4 x DVICE Rim Mounts1 x MC1 Mic Clip1 x DCLIP Mic Clip 

The ADX40 is a miniaturized condenser microphone designed to hang from an overhead position for applications such as group vocals, choir, theatrical production and room ambience. Having a uniformly controlled cardioid polar pattern, the ADX40 helps isolate the area or section being miked from other vocals or instruments on stage. The ADX40 is also available in a hypercardioid polar pattern for tighter pick-up control. With a wide frequency range of 40 Hz - 20 kHz, the ADX40 provides natural sound with exceptional sound response.The ADX40 miniature hanging condenser microphone is supplied with an attached 30' shielded cable, external windscreen, wire hanger for positioning and phantom power adapter. 9 -52 V phantom required.Applications:Overhead mic for choir, group vocalOrchestra mikingAmbient room mikingSymphonic area mikingSchool plays, theatrical productionsSpecifications:Type: CondenserPolar Pattern: CardioidFrequency Response: 40 Hz - 20 kHzImpedance: 250 OhmsSensitivity: @1k 5 mV/Pa (C), 4.6 mV/Pa (HC)  

Designed, assembled, and tested by Audix in the USA, The Audix D Series and i5 represent the finest dynamic instrument microphones available today. Combined with the SCX25A and the SCX1HC, Audix offers the Studio Elite 8 (STE8) - a compelling array of eight drum microphones that will suit a wide variety of needs for critical recording applications.This collection of microphones enables artists and engineers to capture the sound at the source, regardless of the type of instrument or genre of music.Specifications:1 x D6 Kick Drum Microphone1 x i5 Snare Drum Microphone2 x D2  Rack Tom Microphones 1 x D4 Floor Tom Microphone1 x SCX1HC Hi-Hat Microphone2 x SCX25A Instrument Microphones4 x DVICE Rim Mounts4 x DCLIP Microphone Clips1 x MC1 Microphone Clip1 x MW81C Windscreen2 x SMT25 Shockmounts for SCX25A Aluminum Road Case 

The D6 dynamic instrument microphone is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.Lightweight, compact and easy to position, the D6 cardioid microphone is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6's transformer less design, low impedance and balanced output allow for interference-free performance. Designed, assembled, and tested by Audix in the USA.Applications:Live stage, recordingKick drumFloor tomBass cabinetsLeslie bottomSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 30Hz - 15kHzImpedance: 280 ohmsSensitivity: .8 mV/Pa @ 80Hz​​

The OM3 is a vocal dynamic microphone used for a wide variety of live, home and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion.The OM3 dynamic vocal microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a wide frequency range of 50 Hz - 18 kHz, the OM3 employs a VLMTM diaphragm for a clear, precise sound with exceptional voice response.Designed with a slight bass proximity and a tailored mid-range, the OM3 hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.Applications:Live stageSmall venues and outdoor concertsBroadscastVocals, sax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 50 Hz - 18 kHzImpedance: 290Sensitivity: 1.6 mV / Pa @ 1k 

The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to “cup” the microphone with both hands.In order to achieve these extraordinary performance benefits, the OM7 dynamic vocal microphone is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 hypercardioid microphone is best suited for use with high quality mixing consoles which have plenty of head room to compensate for the low gain.Applications:Lead or backing vocalsLive recordingBroadscastSax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 48 Hz - 19 kHzImpedance: 50 ohmsSensitivity: 0.8 mV/Pa @1k 

The OM2 is a dynamic vocal microphone used for a wide variety of live, home and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion.The OM2 vocal dynamic microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a wide frequency range of 50 Hz - 16 kHz, the OM2 employs a VLM™ diaphragm for a clear, precise sound with exceptional voice response.Designed with a slight bass proximity and a tailored mid-range, the OM2 hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.Applications:Live stageSmall venues and outdoor concertsBroadscastVocals, sax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 50Hz - 16kHzImpedance: 290 ohmsSensitivity: 1.6 mV / Pa @ 1k 

The VX10 condenser vocal microphone was designed to set new performance standards for live sound and broadcast applications. With a uniformly controlled frequency response from 40 Hz - 20 kHz, the VX10 is highly sensitive to transient response and will reproduce vocals and speech with exceptional detail and realism.The VX10 has a cardioid polar pattern which helps isolate vocals. This mic includes a 21 mm gold vapor capsule and a multi-stage internal pop filter. It is also available in a low output model (VX10LO) for greater control with loud stage volumes or extremely powerful vocalists.Aside from vocals, the VX10 cardioid condenser microphone will capture acoustic instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats and pianos.Applications:Live and studioLead and backing vocalsSpeechAcoustic instrumentsOn air announce micLive broadcastsSpecifications:Type: CondenserPolar Pattern: CardioidFrequency Response: 40 Hz - 20 kHzImpedance: 250 OhmsSensitivity: @1k = 24mv / Pa; (VX10Lo) = 4mV / Pa 

The OM6 is a dynamic vocal microphone used for live performances, studio and broadcast applications. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high SPLs in excess of 144 dB without distortion. The OM6 vocal microphone has a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals. Designed with condenser-like qualities, the OM6 has a smooth, rising response between 2 kHz -10 kHz along with a flat, fully extended bass response from 60 Hz - 1 kHz. This, in conjunction with an extremely tailored mid-range, makes the OM6 hypercardioid dynamic vocal microphone an excellent choice for broadcast and live recording. Designed, assembled and tested by Audix in the USA.Specifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 40 Hz - 19 kHzImpedance: 290 ohmsSensitivity: 1.5 mV/Pa @ 1kHome studioLive Stage, live recordingLead and backing vocals - all venuesBroadcast Sax, brass, guitar, dobro, flute, percussion, drums​​

The VX5 is a multi purpose, professional vocal condenser microphone designed for live, studio and broadcast applications. With an ability to duplicate studio quality sound on stage, the VX5 has a smooth and accurate frequency response, resistance to feedback and handles very high SPLs without distortion.Designed with a tight and uniformly controlled supercardioid polar pattern, the VX5 condenser vocal microphone helps isolate vocals from the rest of the stage. Other features are a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grill with a multi-stage pop filter, and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages.In addition to vocal applications, the VX5 supercardioid microphone is designed to capture instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats and pianos.Specifications:Transducer: Type Pre-Polarized CondenserFrequency Response: 40 Hz - 16.5 kHzPolar Pattern: SupercardioidOutput Impedance: 150 ohmsSensitivity 5 mV / Pa @ 1kEquivalent Noise Level 26 dB (A-weighted)Signal to Noise Ratio 68 dBOff Axis Rejection >20 dBMaximum SPL ≥140 dB (w/ -10 pad)Power Requirements: 9-52 VConnector: 3-pin XLRmPolarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of outputXLR connectorMaterials: Finish Zinc Alloy & Machined Brass /Black: FinishWeight: 277 g / 8 ozLength: 181 mm / 7.1 in