Behringer

True Analog 6-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer and Tablet Remote ControlDEEPMIND 6With the creation of DEEPMIND 6, the ultimate true analog, 6-voice polyphonic synthesizer is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB or MIDI – for a custom-tailored workflow that lets your creative spirit soar to new heights.Classic Polyphonic SynthesizerThe inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right.The FX RacksWe also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing.

Description48-Channel, 28-Bus Full Stereo Digital Mixing Console with 24-Fader Control Surface and 10\ Touch Screen”.The Personal Mixing ConsoleThe WING control surface utilizes a large capacitive touchscreen interface with touch-sensitive rotary controls for a new ease of operation. Three separate fader sections and a Custom Controls section can be tailored easily and intuitively to meet your personal requirements. No matter if you need a specific bus send fader next to the corresponding channel fader, or a dedicated “money” channel always at your fingertip, or even sharing the surface with two engineers - WING can be configured to elevate your production to a new level. You can even replace and customize the massive wooden armrest with something funkier if you like. The technical drawing can be found in the Downloads section of the product page.Why Sources?What is the purpose of mixing in the first place? While considering the signal path of audio production for live or studio applications, we were stunned to find that much of the terminology is still driven by historical technical implementation, rather than its actual purpose. Normally, consoles focus on input numbers assigned to channels and auxes. WING is offering a substantially different perspective by focusing on the Source as the reason for any mixing, say a bass drum signal or the lead vocal. Inputs are therefore given more properties than just a number. Sources can be in mono, stereo or mid-side mode, own headamp parameters like gain and phantom power, with specific source mute and metering. They can also be given a color, icon, name and several tags for grouping and filtering purposes. All of this describes the actual Source first, before channels are used for processing or mixing.The beauty of this is that you can label Sources using our WING Co-Pilot app while patching on stage and no matter if the signal is patched to a channel, to SD recording or to any other output, you will always see and refer to that Source.Mono/StereoAll 48 input channels and 28 bus mixes can be used for mono, stereo or mid-side sources. Assigning a stereo source to any channel automatically renders the channel stereo, and its stereo imager stage provides control over width from 150% stereo down to mono. The console does not need a reboot to apply any mode changes. Their channel, bus and subgroup configuration can be changed any time on the fly. See why it is a WING?Legacy Built In Every ChannelAlternatively to the excellent WING EQs and dynamics, all channels and buses feature plug-ins for gates, compressors and equalizers, including high-end simulations modeled after the most famous hardware such as Pultec EQ, SSL Bus Compressor and Gate/Expander, SPL Transient Designer, Neve EQ, Compressor and Gate, Focusrite ISA and D3, DBX160, LA-2A, 1176, Elysia mPressor, and Empirical Labs Distressor.*EvidentWING's innovative channel editing section is designed from the ground-up for immediate channel status overview and flow of operation. It allows working on the selected channel processing even when the main display is used for something completely unrelated. Touch-sensitive rotary controls allow the most relevant information to be displayed at your fingertips.Even More Custom ControlsA central section offers user-assignable controls, i.e. 4 rotary encoders and 20 buttons with 2 LCDs. You decide whatever functions you'd like to have within your reach, always. A big rotary wheel offers fine-adjustments of up to 8 user parameters or can be used for DAW remote control via USB MIDI. The control configuration also includes pre-defined functionality for USB and SD card recorder transport, show control and mute groups.Perfect Balance and Ultimate Tone ShapingWING Input channels feature lo-cut and hi-cut filters, tilt-EQ, all-pass or Sound Maxer, in addition to the 6-band parametric EQ. All buses, matrices and mains even feature an 8-band parametric EQ. Alternatively, WING offers 8 meticulous emulations of famous hardware equalizers for use in each and every channel, whenever you need that special vibe on your signals.Premium EffectsThe WING Premium FX rack boasts 8 true-stereo processors including spectacular emulations of some of the industry's most revered reverbs, original TC VSS3 algorithms, along with Lexicon, Quantec and EMT emulations. Fantastic delays, voice doubling, chromatic pitch correction, tape saturation and there is way more to it…Effects UnleashedAnother set of 8 true-stereo processors provides a wide array of modulation, equalization, dynamics and non-linear effects, and even four iconic guitar amplifiers with cabinet simulations. If push comes to shove, a guitarist can just DI his guitar or pedals straight into the stage box, which is especially useful on quiet stages and house of worship applications.ConnectedWith 374 inputs and 374 outputs, a lot of digital connectivity is required. WING provides 3 AES50 SuperMAC audio networking ports for connecting digital stageboxes or sharing up to 144 input and 144 output streams with other mixing consoles. There are 48x48 channels of USB audio and another 64x64 channels of Audio over IP (AoIP module optional), plus AES/EBU stereo I/O. The WING expansion card slot, featuring the LIVE SD recording card or accommodating option cards for various standards, such as ADAT, MADI, DANTE, and WSG, offers another 64x64 channels of audio in/out.The brand new Klark Teknik StageConnect interface allows transmission of 32 channels 24-bit audio with sub-millisecond latency, together with control data and 18 W of power over a single standard XLR cable. Given its flexibility and ease of use, this may well become the future of XLR. For optimum performance and long cable runs 110 Ohm DMX-Cable is required.Pristine SpringsWhile we have limited the number of local analog I/O, we have not allowed for any compromise on their quality. Behringer is proud to incorporate 8 original Midas PRO-Series microphone pre amps and 8 XLR outputs with towering audio quality for both live and studio environments. Find out more about Midas’ amazing legacy by visiting their extensive website. 8x8 TRS line auxiliary ins and outs help bring in signals from media players or computers. If that's not enough local analog I/O, the new StageConnect interface allows connection of breakout boxes with up to 32 channels of input and output, e.g. connecting the console to the side rack via a single XLR or DMX cable.Auto PilotAutomixing with 2 groups of gain sharing is available on any 16 input channels. The dependable and fast algorithm automatically tracks which microphone is receiving the highest levels, increases its channel gain, while reducing the sum of gain for all other channels in the same group. The ambient noise level will remain constantly low, while intelligibility and gain before feedback are increased considerably. It is the ideal tool for corporate events, panel discussions, house of worship or broadcast applications with several speakers.TriggerMIDI In/Out plus additional 2x2 GPIO provide an interface for console event triggers and external show control.Accurate40-bit floating point processing at 48 or 44.1 kHz, with 1 ms round-trip latency.Double SoloDual solo/monitor buses per channel for monitoring over phones/IEM and/or floor wedges and studio monitor speakers.RC and OSCNetworked remote control supports binary and OSC communication and allows console control from a distance. This is open to 3rd party application development in addition to Behringer's cross-platform app, WING CO-PILOT.

DescriptionMake sure every cable in your arsenal is in good working order with the invaluable CT200 Cable Tester. This incredibly portable audio solution is a must-have for sound engineers and musicians alike.Test with the BestThe CT200 accepts every type of cable you might use in a recording or live performance situation: XLR, Speakon*, TRS (¼", 1⁄8"), RCA, RJ45, MIDI and USB. Choose from 3 diagnostic modes: Cable Test, installed Cable Tester or Tone. The CT200 can check for continuity, intermittent or shorted connections, the presence of phantom power and grounded shields. Because this handy tool runs on two AA batteries, you can carry it in your pocket and be ready to troubleshoot at a moment’s notice.Small SolutionThe CT200 Cable Tester is the smart, portable and unbelievably affordable way to ensure your next show or recording session runs smoothly. With the trustworthy CT200 in your kit – a faulty cable will never come between you and your audience!

The CX2310 stereo 2-way/mono 3-way crossover provides amazing-accurate audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. Additionally, the CX2310 features an independently-adjustable Subwoofer Output, effectively providing an extra low-frequency band a control range from 10 - 235 Hz. By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX2310 is able to guarantee surgically-precise frequency selection with incredibly-low thermal noise. Put simply, the easy-to-use SUPER-X PRO CX2310 is one of the best-sounding crossovers in its class! Sound Quality When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossover’s accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection – plus Mute and Phase Invert switches, making troubleshooting even a large system – virtually effortless! What’s a Crossover? Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!) That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers. Divide and Conquer The CX2310 provides two modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way mono, for Lows, Mids and Highs. In either mode, there is an additional output provided for a mono Subwoofer, with its own Frequency and Level controls. This extra feature effectively turns the CX2310 into a stereo 2-way + mono 1-way, or a mono 4-way frequency crossover. The Subwoofer Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional. For your convenience, the CX2310’s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected – and which controls are currently active.

Model D- Legendary Analog Synthesizer with 3 VCOs, Ladder Filters, LFO and Eurorack Format.Features:Legendary analog synthesizer with triple VCO design allows for insanely fat music creationAuthentic reproduction of original “D Type” circuitry with matched transistors and JFETsUltra-high precision 0.1% Thin Film resistors and Polyphenylene Sulphide capacitorsPure analog signal path based on authentic VCO, VCF and VCA designs5 variable oscillator shapes with variable pulse widths for ultimate soundsClassic 24 dB ladder filter with resonance for legendary sound performanceSwitchable low/high pass filter mode for enhanced sound creationDedicated and fully analog triangle/square wave LFO16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphonySemi-modular design requires no patching for immediate performanceOverdrive circuit adds insane spice and edge to your soundsNoise generator dramatically expands waveform generationComplete Eurorack solution – main module can be transferred to a standard Eurorack case48 controls give you direct and real-time access to all important parametersExternal audio input for processing external sound sourcesLow and high level outputs featuring highest signal integrity signal stagesComprehensive MIDI implementation with MIDI channel and Voice Priority selection3-Year Warranty Program*Designed and engineered in the U.K​​

Audiophile Vacuum Tube Preamplifier with Preamp Modeling Technology and USB/Audio Interface. Tubes can really warm up a signal fast, giving it depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound. The TUBE ULTRAGAIN MIC500USB’s handselected 12AX7 vacuum tube gives everything from microphones to acoustic or bass guitars that vintage tube vibe – in a dependable and ultra-affordable package.  The MIC500USB is perfect for studio and live applications. The balanced XLR and ¼ " TRS inputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube with UTC technology for superior tube character and low-noise operation. The MIC500USB is ideally suited for use with standard digital recorders and sound cards, imbuing signals with the warmth, presence and classic tubecompression that will bring your digital tracks to life.The incredible MIC500USB’s controls consist of: switches for +48 V phantom power, 20 dB pad, Phase Reverse and Limiter; plus vintage-style Gain and Output knobs. An 8-segment LED meter provides accurate monitoring of output levels. And when used as a high-end DI (Direct Injection) box in the studio or on the stage, the MIC500USB delivers flawless performance and outstanding signal integrity.Features:Ultra-flexible Preamp Modeling allows you to optimize your recordingsChoose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and moreBuilt-in USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.comPowerful Phones output with Level control and Direct Monitor selectHand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noiseEnsures outstanding signal transparency when used as a high-end DI-boxSophisticated output limiter prevents the output signal from clippingDedicated low cut filter eliminates unwanted noise, e.g. floor rumble+48 V phantom power, Phase Reverse switch and 20 dB Pad for utmost flexibilityHighly accurate 8-segment LED level meterBalanced inputs and outputs on ¼" TRS and XLR connectors3-Year Warranty Program*Designed and engineered in Germany​ 

The HD400 is the ultra-affordable way to quickly and easily clean up your act! Whether you’re recording or performing, it’s important to keep AC hum out of the mix. No matter the quality of the venue’s wiring, the MICROHD HD400 Hum Destroyer eliminates AC hum quickly and reliably.

The POWERPLAY P1 Personal In-Ear Monitor (IEM) Amplifier puts control where it’s most useful – right at the artist’s fingertips. Whether on stage or in the studio, the P1 provides performers and recording artists with a dependable and affordable personal monitoring solution.Features:In-ear monitor amplifier for personal monitor applicationsHigh power and "drummer proof" headphones outputDual XLR inputs allow for 2-channel mono or stereo operationSwitchable stereo/mono operation with mix functionLevel and Balance/Mix controlsRuns up to 12 hours on a 9 V battery (not included)Battery control with dual LED indicatorsOperates on BEHRINGER PSU-SB DC power supply (not included)Integrated current limit protects your ears and headphoneConvenient belt-pack clip includedMounts easily on a standard mic stand with 5/8” and 3/8” thread"Built-like-a-tank", impact-resistant metal chassisDesigned and engineered in Germany​ 

Whether you’re a keyboardist, drummer, or any other musician whose performance keeps them anchored in one spot, the PM1 was designed specifically for you. A convenient hardwired personal in-ear control center, the PM1’s belt pack puts monitor control right at your fingertips, plus it’s lightweight, ultra-easy to use – and it doesn’t require a power source!Features:In-ear monitor belt-pack for personal monitor applicationsHigh quality volume controlXLR input with locking mechanism3.5 mm mini jack headphones connectorConvenient belt-pack clip included"Built-like-a-tank", impact-resistant metal chassiDesigned and engineered in Germany

The ultra-convenient P16-MB mounting bracket is the perfect way to place the P16-M Digital Personal Mixer where the musicians need it – on any standard microphone, music or drum stand. Special attention was paid to the P16-MB‘s design and materials, making it exceptionally easy to use – and ready for use on the stage, or in the studio. 

The amazing PMP2000D Powered Mixer packs 2,000 Watts of high-efficiency Class-D output power, while maintaining an incredible power-to-weight ratio. With 14 available input channels, the PMP2000D features 9 of our premium-grade “Invisible” IMP mic preamps with switchable +48 V phantom power, 4 stereo channels, an ultra-high quality. KLARK TEKNIK FX processor with 25 presets including studio-class reverbs, delays, pitch shifter and various multi-effects – and dual 9-band stereo graphic EQs. Top it all off with “Wireless-ready” operation, thanks to our high-quality ULM digital wireless microphones (sold separately), and the PMP2000D is the ideal, easy to use, and ready for anything live sound solution! Features: Ultra-compact 2 x 1000-Watt stereo powered mixerRevolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight9 “Invisible” IMP mic preamps with switchable +48 V phantom power for condenser microphonesUltra-high quality KLARK TEKNIK FX processor with 25 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects"Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)14-channel mixer section features 6 mono and 4 stereo channelsEffective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channelsDual 9-band graphic EQs allow precise frequency correction of monitor and main outputsSelectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation modeAdjustable stereo Aux input for connecting external signal sourcesInternal switch-mode power supply, noise-free audio, superior transient response and very low power consumption3-Year Warranty Program*Designed and engineered in Germany

The amazing PMP500 Powered Mixer packs tremendous power (2 x 250 Watts, selectable as stereo or dual mono), while maintaining an incredible power-to-weight ratio. These mixers employ high-efficiency Class-D technology and a state-of-the-art switch-mode power supply, which significantly reduces weight and heat.  The 12-channel PMP500 features 6 high-quality mic preamps (2 of which also accept our ULM Digital Wireless Microphones, available separately), our “one-knob” compressors, 4 stereo channels, plus 2 additional stereo inputs and 1⁄8" Aux Input for the maximum in versatility. To round out this phenomenal feature set, we added a KLARK TEKNIK 24-bit Multi-FX processor with 32 awesome presets, including studio-class reverbs, delays, pitch shifter and various multi-effects with dual-addressable parameters, Tap function and storable user parameter settings – and a 7-band stereo graphic EQ with our proprietary FBQ Feedback Detection System – for the ultimate in feedback-free performance. Features: Ultra-compact 2 x 250-Watt stereo powered mixerRevolutionary Class-D amplifier technology: enormous power, incredible sonic  performance  and super-light weightUltra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settingsStudio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental soundRevolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal"Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)12-channel mixer section features 4 mono and 4 stereo channels, 2 additional stereo inputs plus separate Aux input6 high-quality mic preamps with switchable +48 V phantom power for condenser microphonesEffective, extremely musical 3-band EQ, switchable Low cut filter and Clip LEDs on all mono channelsStereo 7-band graphic EQ allows precise frequency correction of monitor or main outputsSelectable stereo (main L/R), double mono (main/monitor) amplifier operationAdjustable Aux input for connecting external signal sourcesStandby switch mutes all mic channels during breaks while background music is provided via Aux inputInternal switch-mode power supply, noise-free audio, superior transient response and very low power consumption3-Year Warranty Program*Designed and engineered in Germany

Lay your hands on your music with the X-TOUCH Universal Control Surface. This brilliant controller has everything you need for your home studio or live setup, yet can grow as your needs expand.From the 9 touch-sensitive, motorized faders and the 8 dynamic LCD scribble strips, to the 8 rotary encoders, 92 illuminated buttons, 8-segment LED meters per channel and dedicated transport controls, the X-TOUCH transforms what’s on your DAW’s screen into one ultra-compatible, feature-packed surface for precision control and a bird’s eye view of critical mix parameters. Connectivity is flexible with both traditional USB and MIDI connections, and it also has an Ethernet port for connection via wired or wireless network.When it comes to integration, the X-TOUCH has you covered with the most widely used protocols in the industry. With included support for HUI* and Mackie Control*, you can be sure it will work seamlessly with all compatible music production software,...Features:Universal DAW Remote Control for Studio and Live applicationsSupports HUI* and Mackie Control* protocols for seamless integration with every compatible music production software9 fully automated and touch-sensitive 100 mm motorized faders8 dynamic LCD Scribble Strips for instant overview of track names and parametersEthernet interface for RTP (Real-Time Protocol) MIDI and future BEHRINGER X32 remote control8 rotary controls with LED-collars for on-the-fly adjustments of your favorite parameters92 dedicated illuminated buttons for direct access of key functions8-segment LED meters per channel for precise level controlLarge jog/shuttle wheel and tape-style transport controls for intuitive operationBuilt-in 2x2 USB MIDI interface for direct connection to Mac* or PC computers and one external MIDI device2 dedicated footswitch connectors and one foot controller input for external remote control2-port powered multi-TT USB hub for connecting additional controllers"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~) and low power consumption for energy saving3-Year Warranty Program*Designed and engineered in Germany

The X-TOUCH COMPACT Universal USB/ MIDI Controller gives you precise control over your favorite DAW, instruments, effects and lighting systems with the fluidity of 9 touch-sensitive and fully-automated motorized faders, 16 rotary encoders with LED collars – and 39 illuminated buttons. Free yourself from the mouse-click paradigm with X-TOUCH's preconfigured presets – or customize your own configurations to master the art of on-the-fly adjustments as ever before!Features:Universal Remote Control for DAWs, Instruments, Effects and Lighting applicationsFeatures Mackie Control* emulation mode for seamless integration with every compatible music production software9 fully automated and touch-sensitive 100 mm motorized fadersDual-Layer mode for quick change between DAW and instrument controlPre-configured control elements for instant operation out of the boxUser-friendly editor application for in-depth configuration downloadable free of charge from www.behringer.com16 rotary controls with LED-collars for on-the-fly adjustments of your favorite parameters39 dedicated illuminated buttons (including transport control) for direct access of key functionsBuilt-in USB MIDI interface for direct connection to Mac* or PC computers - no drivers requiredStandard MIDI I/O ports for controlling external hardware without the need of a computerDedicated footswitch and foot controller input for external remote control2-port powered multi-TT USB hub for connecting additional controllers"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~) and low power consumption for energy saving3-Year Warranty Program*Designed and engineered in Germany​

Get the decks spinning with Behringer's DJ Controller CMD MICRO 2-deck control module. This compact deck controller is loaded with dual touch-sensitive platters, pitch controls, transport controls, and cue functions. You can control up to two independent decks from a single MICRO. The touch-sensitive platter gives you the familiar control and functionality of an authentic turntable. The MICRO's small size makes it perfect for throwing into a gig bag or backpack. And you can combine it with other CMD controllers to create a larger control surface. Take control of your DJ software with the Behringer DJ Controller CMD MICRO.Behringer DJ Controller CMD MICRO at a Glance:A versatile 2-deck controller for your DJ needsUltra portable for studio and live workUsing multiple units together for more controlA versatile 2-deck controller for your DJ needsBehringer's DJ Controller CMD MICRO 2-deck control module gives you the control you need to spin music your way. Touch-sensitive platters reacts just like a turntable. Touch it on the top and the music stops. Nudge the side of the wheel and you get a change in playback speed. You get all the functionality you've come to know and use with a turntable. Dual 45mm fader gives you detailed pitch and volume control. Cue controls let you set up two cue points on the fly. The Behringer DJ Controller CMD MICRO can control up to two decks. If you want dedicated platters for each deck, then just add more modules.Ultra portable for studio and live workThe small footprint of the Behringer DJ Controller CMD MICRO makes it perfect for throwing in your backpack or gig bag between gigs. Even though it has a micro size, the CMD MICRO has the functionality and control you need to keep the show going. The CMD family of controllers are class-compliant so you won't need to worry about installing drivers. Take your entire DJ rig on the road with the ultra-portable Behringer DJ Controller CMD MICRO.Using multiple units together for more controlYou can combine other CMD controllers with the Behringer DJ Controller CMD MICRO platter module to create a larger, expandable control surface. From control decks to mixers to MIDI controllers and trigger modules, Behringer's CMD family of controllers has you covered. The CMD MICRO also comes with a voucher for a copy of the Deckadance LE DJ software.Features:USB MIDI 2-deck controller module for use with your favorite DJ and DAW softwaresDual touch-sensitive platter controls with 45mm faders for in-depth control of your musicEach channel has its own cue and pitch controlsBacklit controls are easy to see in the darkBus-powered, class-compliant module is easy to take on the goCompatible with most popular DJ programsSpecifications:Controller Style: Mixer/DecksMixer Section: 2-channel, 4-channelPlatters/Type: 2 x Touch-sensitive plattersFaders: 5 x 45mmCrossfader: 45mmInputs: 1 x USBWidth: 15"Depth: 4"Height: 2.1"Weight: 1.8 lbs.

The CX3400 3-way stereo/4-way mono crossover features absolute precision, state-of-the-art circuitry, with superior-grade components, ultra low-noise op amps and balanced inputs and outputs. The CX3400 also includes a switchable pre-EQ circuit, providing enhanced performance of systems with constant-directivity horns. A user-adjustable multi-band limiter is included for the ultimate protection of individual loudspeaker system components. The CX3400 provides two modes of operation: 3-way stereo, for left and right Lows (woofers), Mids and Highs (tweeters); and 4-way mono, for Lows, Low-Mids, High-Mids and Highs. In either mode, you have the option of normal (left and right), or summed-mono low-frequency output. Adjustable time delays (up to two milliseconds) are also provided, so that the sound coming from the various transducers arrives at the listener in-phase and at the same time.By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX3400 is able to guarantee surgically precise frequency selection with incredibly low thermal noise. State-of-the-art, ultra low-noise op amps ensure super-quiet operation. CX3400’s elegant LED matrix shows at a glance which operation mode is selected and which controls are active. All of the inputs and outputs accept balanced and unbalanced XLR connections. The inputs feature 25 Hz Low Cut filters for low-frequency driver protection. Mute and phase invert switches are provided for each frequency range, making troubleshooting an entire loudspeaker system a breeze.

The DI4000 gives you four first-class DI channels in one rack space. With two inputs (XLR and 1 /4 " TRS), a balanced output (XLR) and a 1 /4 " link output per channel, up to 40 dB of switchable input attenuation and up to 20 dB of gain, the DI4000 is equipped to deal with virtually any input signal, while our OT-1 output transformers ensure clean, powerful output.

The ULTRA-DI DI20 is a one-of-a-kind DI (direct injection) box that can convert up to two separate unbalanced 1/4" TRS lines into two balanced XLR outputs, or function as a signal splitter. Electric guitarists, keyboardists and bassists will love the flexibility this incredible box provides.By flipping a switch, you can use the DI20 as a launching pad for two separate mono signals, a stereo signal, or a split-signal feeding two separate amps. The DI20 also features a ground lift switch and the 3-position input attenuator can accommodate input levels of up to +48 dBu. This handy built-in attenuator allows you to connect to your amplifier’s speaker outputs, even amps rated as high as 3,000 Watts. You can power the DI20 with either a 9 V battery or your mixer’s phantom power supply (+18 to +48 V DC). The whole package is wrapped in an ultra compact, road-suitable and rugged metal housing.

The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. The HELL-BABE will add new dimension and depth to your artistic expression.You can even dial in a powerful volume BOOST (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.Unlike anything else on the market, the HELL-BABE uses no mechanical pots or switches, which significantly reduces on wear and tear. But that's not all that separates this pedal from the pack; it also features a spring-back pedal mechanism with resistance adjustment. And thanks to our ultra-bright LED indicators you’ll always know when it's on and when the volume boost is activated. You can power this bad boy with a 9V battery or our PSU-SB DC power supply (not included).

The MULTICOM PRO-XL MDX4600 gives you four channels of first-class dynamic control in a single rack space. With a multitude of new features like the advanced program-adaptive expander gate, extensive metering plus a variety of configuration options, the MULTICOM PRO-XL puts a lot of dynamic processing power in your rack.

Whether you’re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600 gives you total dynamic control. It includes all of the features you would expect from a reference class compressor—plus a voice-adaptive de-esser, a new dynamic enhancer, authentic tube emulation and much more. These are some of the indispensable tools for producing clean, consistent audio with virtually no loss in signal quality.

The new BEHRINGER ULTRAGAIN DIGITAL ADA8200 is sublimely easy to operate, fits neatly into a single rack space, and thanks to its MIDAS-designed Mic Preamps and integrated A/D and D/A converters you’ll get optimal signal conversion—without the slightest hint of distortion or signal deterioration! The ULTRAGAIN ADA8200 is the professional’s edge.The ADA8200 builds on the proud legacy of our ADA8000, which is one of our all-time, best-selling products. Now, you’re probably thinking, “If they sell so many ADA8000s, then why are they changing them?” The short answer – we improved it, by upgrading to reference-class Cirrus Logic converters and MIDAS-designed Mic Preamps, making the ADA8200 the natural choice for musicians and audio engineers alike.Signal conversion in the ADA8200 takes place at either 44.1 or 48 kHz with 24-bit resolution. The ADAT inputs and outputs can be operated independently, as long as there is an identical wordclock signal. Frequency range is an ultra-wide 10 Hz - 24 kHz at a 48 kHz sampling rate. Connections are provided for balanced XLR and ¼" TRS, as well as unbalanced ¼" TS inputs. XLR line out connectors located on the rear panel provide either balanced or unbalanced connectivity. Digital I/O is handled via ADAT format TOSLINK optical sockets, which support up to 8 channels of data.

The MIC2200 is perfect for studio and live applications. The balanced 1/4" TRS and XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 for superior sonic character and low noise operation. The MIC2200 is great for adding a bit of “spice” to the sound of standard digital recorders and computer soundcards. And thanks to onboard +48 V phantom power, it can also add warmth to condenser mics.For further tone conditioning, the MIC2200 features a fully parametric EQ with adjustable center frequency, bandwidth and level per channel. Channels also feature a phase reverse switch. Tubes can really warm up a signal fast, giving it depth and character. The two-channel BEHRINGER PRO MIC2200 injects your sound with this timeless tone in preamp, line driver and DI box applications.

The XR4400 gives you four frequency-selective UTR expanders/noise gates in a single rack space without compromising on functionality. The side chains’ parametric filters allow you to fine-tune control signals so that the gate reacts only when you want it to. Separate hold and release controls and our unique FlexLink system offer additional flexibility.

The MA400 features XLR Thru jacks and provides superb noise-free operation. Just connect your mic to the Mic Input and send a line from the Mic Thru to your main mixer. You can even use studio-grade condenser mics, as the MA400 will pass +48 V phantom power, if your mixer is so equipped. The Phones jacks accept both 1/4" and 1/8" headphone and earbud connections, making the MA400 ideal for hardwired IEM (in-ear-monitor) applications, such as singing drummers and keyboardists. The MA400 comes with a dedicated 12 V DC power supply and an LED to indicate when it is powered up.Capable of stereo or mono operation, the MA400 is a powerful little mixer that allows you to control two independent sources, a microphone and the monitor feed from your main mixer. Simply adjust the Mon Level control to a comfortable setting and then dial in all the “me” you want with the Mic Level control.

The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection. The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs. The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, it’s easier than ever to lend exceptional sound quality to all kinds of public performances. The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you’re pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off . Of course, if you have treasured outboard gear you’ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.

Whether you’re just getting your DJ rig together, or you’re looking for an extremely easy to operate mixer,the BEHRINGER NOX101 DJ Mixer was designed specifically for you. Make no mistake about it, the NOX101 is anything but a “bare bones” mixer. Professional features include a balanced mic input with our state-of-the-art XENYX mic preamp; super-smooth Ultraglide VCA Crossfader and channel faders, premium-grade phono preamps and massive I/O connectivity. The BEHRINGER NOX101 packs all this and more into a rugged, “built-like-a-tank” chassis designed for years of flawless performance. Designed with both the professionaland entry-level DJ in mind, the NOX101 provides RCA inputs for turntables, tapedecks and CD players, plus professionalgradefeatures such as a balanced TRS micinput with our legendary XENYX preamp,and balanced (as well as unbalanced)outputs for connecting to power amps oractive loudspeaker systems. If the NOX101 had a middle name itwould be “easy.” The intuitive layout makesit easy to operate right out of the box.Beneath its elegant exterior lies the heartof a 2-channel DJ battle mixer completewith 3-band channel EQ, making theNOX101 the “go-to” mixer for the beginnerDJ seeking versatility, ease of useand affordability.

The CMD Studio 4A provides all the tools needed to learn the basics of DJing – or to work the dance floor into a virtual frenzy. This is no crippled budget controller; Studio 4A has the very same features you’ll find on the bigger, more expensive controllers. And the Studio 4A not only includes those features – it actually improves on them. Find yourself disappointed when you get in front of a DJ controller and see those tiny little faders? We feel the same way. Tiny pitch faders just feel wrong, so we broke out 100 mm faders for Studio 4A's pitch controls. 60 mm channel faders translate into smoother mixes, so we added those as well. Those sizes are an industry standard for a reason, right? Another area where most controllers fall short is platter size. The trend is smaller and smaller platters, in an effort to knock the overall size of the controller down. We say bigger is better, so the Studio 4A packs 6" touch sensitive platters that work the way you've come to expect coming from industry standard equipment. After the faders, the platter is your main contact point on a controller – shrinking that down to a tiny little rubber disc just isn’t satisfying.So you buy a controller and get it home, only to find out that you have to go right back out and buy a soundcard? We built a 4-out USB sound card into the Studio 4A, so you're ready to go right-out-of-the-box. This high-quality audio interface has 24-bit converters and provides ultra-low latency operation in either Windows or OS X. No one wants to look up at the DJ and see him looking at his computer screen like he’s updating his Facebook page. And as a DJ, you don’t want to be forced to constantly look at the computer instead of reading your crowd. The CMD Studio 4A addresses this by incorporating plenty of MIDI feedback. That means that if a button is lit in your software, it’s also lit up on the Studio 4A. It’s easy to get the big stuff right, but it’s the little things that usually slip through the cracks. Modern DJ software typically has between 5 and 8 hotcues, yet many controllers in the market only have 3. The Studio 4A has 8 hotcue buttons. Most DJ software is capable of running 4 or more virtual decks, so the Studio 4A can control up to 4 virtual decks. The same goes for other features, like library navigation, looping controls, EQ kills, keylock, and much more.The CMD Studio 4A gives you full control of your software and doesn’t leave off those ”little” features like our competitors often do. And we manage to pull this off while offering the CMD Studio 4A at a price that’s much lower than the other guys.

The EP2000 and EP4000 represent everything musicians love about our popular EP1500 and EP2500—excellent sound quality, road-worthy toughness and reliability, low-noise operation and incredible power. With 2,000 and 4,000-Watts respectively, the EP2000 and EP4000 amplifiers are perfect amplifiers for medium-sized club gigs, mobile PA systems, church services or public spaces. The über-simple front panel controls of these amps give you all of your sound’s vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Both channels have independent gain dials as well as Clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also Signal LEDs that light up when a signal is present at the input. A panel of switches found on the back panel offers an array of cool options to apply to both channels of the EP2000 and EP4000. The Clip Limiter lets you get even more out of the amplifier without overdriving either it or your speaker system. Built-in circuitry automatically senses when the EP2000 or EP4000 is being overdriven into “clipping” and then momentarily reduces the input level to avoid clipping distortion. Since this all happens in just a few thousandths of a second, it’s the ideal way to avoid audible clipping distortion. Rickety stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics. While technically inaudible, they can cause a huge drain on amp power, potential damage to your speakers and a sludgy sound in the audible bass ranges. Both EP models feature a defeatable Low Cut Filter that chops off unwanted frequencies below 50 Hz or 30 Hz (depending on your PA system’s capabilities). The same panel contains the switches that put these amps to work in either Stereo or Bridge (mono) mode. Both the EP2000 and EP4000 can be linked to additional power amps by switching into Parallel mode.There are plenty of awesome features on the outside of the EP2000 and EP4000, but there’s also a team of cool components on the inside helping it work its magic. They come loaded with famously reliable Toshiba/Fairchild power transistors, as well as a high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers.The EP2000 and EP4000 have both XLR and 1/4" TRS Inputs, plus Speakon-compatible Outputs and 5-way binding posts. Whether you’re dealing with bare wire or boutique audiophile cabling, the EP2000 and EP4000 are right at home.  The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps these amps working in the mild temperatures they love, even through periods of extended use. Finally, an impact-resistant, all-steel 2U rack-mount chassis helps these workhorses stand up to all the rigors of the road.

The EP2000 and EP4000 represent everything musicians love about our popular EP1500 and EP2500—excellent sound quality, road-worthy toughness and reliability, low-noise operation and incredible power. With 2,000 and 4,000-Watts respectively, the EP2000 and EP4000 amplifiers are perfect amplifiers for medium-sized club gigs, mobile PA systems, church services or public spaces. The über-simple front panel controls of these amps give you all of your sound’s vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Both channels have independent gain dials as well as Clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also Signal LEDs that light up when a signal is present at the input. A panel of switches found on the back panel offers an array of cool options to apply to both channels of the EP2000 and EP4000. The Clip Limiter lets you get even more out of the amplifier without overdriving either it or your speaker system. Built-in circuitry automatically senses when the EP2000 or EP4000 is being overdriven into “clipping” and then momentarily reduces the input level to avoid clipping distortion. Since this all happens in just a few thousandths of a second, it’s the ideal way to avoid audible clipping distortion. Rickety stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics. While technically inaudible, they can cause a huge drain on amp power, potential damage to your speakers and a sludgy sound in the audible bass ranges. Both EP models feature a defeatable Low Cut Filter that chops off unwanted frequencies below 50 Hz or 30 Hz (depending on your PA system’s capabilities). The same panel contains the switches that put these amps to work in either Stereo or Bridge (mono) mode. Both the EP2000 and EP4000 can be linked to additional power amps by switching into Parallel mode.There are plenty of awesome features on the outside of the EP2000 and EP4000, but there’s also a team of cool components on the inside helping it work its magic. They come loaded with famously reliable Toshiba/Fairchild power transistors, as well as a high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers.The EP2000 and EP4000 have both XLR and 1/4" TRS Inputs, plus Speakon-compatible Outputs and 5-way binding posts. Whether you’re dealing with bare wire or boutique audiophile cabling, the EP2000 and EP4000 are right at home.  The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps these amps working in the mild temperatures they love, even through periods of extended use. Finally, an impact-resistant, all-steel 2U rack-mount chassis helps these workhorses stand up to all the rigors of the road.

DJs are just like any other professional who relies on their ears for a living. Above all else, they need clean, accurate audio reproduction. BEHRINGER HPX6000 Professional DJ Headphones deliver on this with massive 50 mm neodymium drivers. That means when you wear these headphones, you not only get loud, clean sound – you also get deep, powerful bass. So, no matter what kind of music you listen to, you’ll hear everything from the gut-shaking lows to the lip-smacking highs. Having great sound is one thing, but being a DJ is also about style. You don’t just have to sound good—you have to look good, too. The HPX6000 takes style and comfort to a whole new level! On top of their rugged construction, we made sure to choose the right materials to give these headphones a classic look and feel. From the soft touch rubberized coating to the leather ear cushions and headband pad, these phones feel fantastic on your head or in your hands. And we include a carrying bag in the package to make sure they stay that way.So even though they look and sound amazing, if they aren’t comfortable that’s a deal breaker. We know you wear your headphones all night long, so we made sure you could adjust everything about the HPX6000s. The headband and ear cups are fully articulated and adjustable, and can be worn on the head or around the neck single cup style. They are also foldable, allowing for easy carrying and storage. To top it all off, the detachable cable makes it even easier to store them away. Specifications:Superior sound quality with wide frequency response and enhanced bassUltra-high dynamic range50mm high output neodymium driversSingle sided removable cable with 1/8” jack and 1/4” gold plated adapterAdjustable headband with foldable, swiveling earcupsHigh-quality components and exceptionally rugged construction ensure long life

The HPM1000 provides everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. It has a single-sided cord to avoid tangling, a comfortable headband, and a 1/4" adapter for the 1/8" connector, making it compatible with everything from your MP3 player to your mixing console. With the HPM1000 headphones, you get truly exceptional sound reproduction at a price that will leave money in your pocket for more tunes! Check out a pair at your nearest BEHRINGER dealer. Features:Ultra-wide frequency responseHigh dynamic rangeHigh-resolution capsuleSingle-sided cordOval-shaped ear cupsComfortable headband Technical data:Frequency response: 20 Hz - 20 kHzMax. power handling: 100 mWImpedance: 32 OhmSensitivity: 105 dB  1 kHzCord length: 2.0 mConnector: ?" TRS stereo jack

Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V DC) for operation. You can power them from any phantom power equipped BEHRINGER XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps. The C-3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the C-3 is very neutral-sounding and truly delivers on the promise of noise-free transmission.  The C-3 is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. We also included a swivel stand mount so it can be affixed to your studio's mic stands.This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials. Check out the incredible C-3 at a BEHRINGER dealer near you.

Universal phantom power supply for any condenser microphone. Selectable +12 / +48 V power supply. Ultra-low noise audio performance. DC 12 V adapter included.

8 XLR outputs plus 6 additional line in/outputs, a phones connector and a talkback section with XLR mic input. 32 x 32 channel USB 2.0 audio interface, with DAW remote control emulating HUI and Mackie Control. iPad* and iPhone apps for professional remote operation available free of charge—no host PC required. 40-input channel, 25-bus rack-mountable digital mixing console for Studio and Live application. 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality. 17 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control. High-resolution 5" day-viewable Color TFT for easy viewing of workflow components and parameters. Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA groups and 6 mute groups. Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250 and Quantec QRS etc.

1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection SystemUltra-compact 2 x 800-Watt stereo powered mixer (1600 Watt bridged mode)Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weightUltra-compact design at nearly half the weight of conventional powered mixers20-channel mixer section features 12 mono and 4 stereo channels plus separate CD/Tape input/output2 studio-grade 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effectsRevolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal12 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphonesEffective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channelsStereo 7-band graphic EQ allows precise frequency correction of monitor or main outputsVoice Canceller function removes singer’s voice from recordings for karaoke applicationsSelectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation modeSpeaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.Standby switch mutes all mic input channels during breaks while background music is provided via CD/Tape inputBreathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo imageAdjustable stereo 2-Track input for connecting external line sourcesMulti-functional stereo Preamp outputs for added flexibilityInternal switch-mode power supply, noise-free audio, superior transient response and very low power consumptionHigh-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany 

1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection SystemUltra-compact 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode)Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weightUltra-compact design at nearly half the weight of conventional powered mixers16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/outputStudio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effectsRevolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal8 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphonesEffective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channelsStereo 7-band graphic EQ allows precise frequency correction of monitor or main outputsVoice Canceller function removes singer’s voice from recordings for karaoke applicationsSelectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation modeBreathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo imageAdjustable stereo CD/Tape input for connecting external signal sourcesMulti-functional stereo Preamp outputs for added flexibilityInternal switch-mode power supply, noise-free audio, superior transient response and very low power consumptionHigh-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany 

The Behringer U-CONTROL UMX610 is a controller keyboard with a control section for a wide range of applications. The UMX gives you independent control of hardware synthesisers, sound module and effects devices. You can just use the UMX to operate sequencing software or computer plug-ins from a convenient remote location.The UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realise your ideas intuitively with 61 full size, velocity-sensitive keys, 10 programmable MIDI controllers plus 8 user-set buttons. Plug and play your software instruments or MP3 tracks and run them straight into your sound system with the included USB/audio interface. Or simply record your stereo tracks on your Windows or Mac PC. Compose and record with XT Softwares's energyXT Compact BEHRINGER Edition. This amazing DAW (Digital Audio Workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings.Behringer U-CONTROL UMX610 Main Features Include:Unleash your creativity with 100 virtual instruments and 50 VST effectsVelocity-sensitive USB/MIDI keyboard featuring 61 high-quality full-size keys and unbeatable programming versatility, real-time control and playabilityUSB/Audio interface included for recording and playback of any digital music file. Works with your PC or Mac computer—no setup or drivers requiredRevolutionary energyXT2.5 Compact BEHRINGER Edition music production software includedIntuitive sound module NI KorePlayer with production-ready 300 MB sound libraryPlug and play with Mac OS X and Windows XP/Vista8 real-time rotary controls plus 10 assignable switchesFreely assign MIDI control changes to the modulation wheel, volume fader and pedal port for ultimate flexibilityFull 128 tone range via the octave shift function with multi-purpose LED status indicationSeparate MIDI Out allows controlling external samplers, synths and other equipmentRuns via USB bus, batteries or a power adapter (not included)High-quality components and exceptionally rugged construction ensure long lifeConceived and designed by BEHRINGER Germany

The Behringer C-1U USB Studio Condenser Microphone is a digital home recording or podcasting enthusiast's dream come true. This professional quality condenser microphone is identical to the acclaimed BEHRINGER C-1 mic with one awesome difference: it has a built-in USB interface so you can be ready to record faster than ever, and with minimal preparation and equipment. Just plug it into your computer and start recording!The C-1U has a built-in USB interface that derives the needed power directly from you computer's USB input and requires no special drivers. Just plug in and start recording your masterpiece!Comes with Audacity audio editor, Kristal audio engine, Podifier uploading software, and Juice and Podnova downloading software.Unlike most other USB microphones, you won't need to download any additional drivers to begin using the C-1U right out of the box—it even works with Vista!The Behringer C-1U USB Studio Condenser Microphone main features include:Maximum SPL (sound pressure level) of 136 dBIdeal as main and support microphone for studio and live applicationsExceptionally flat frequency response and ultra-high sound resolutionCardioid pickup pattern for outstanding sound source separation and feedback rejectionUltra low-noise transformerless FET input circuitryLED indicates phantom power operationUltra-rugged construction with die-cast bodyUSB connector and swivel stand mount includedProfessional large-diaphragm condenser microphone with built-in 48 kHz USB interface for unsurpassed audio qualityGets phantom power directly from PC USB outputYou don't have to download any new drivers, and it's perfectly compatible with Windows XP/Vista and MAC

BEHRINGER's ULTRA-DI DI100 is your ultimate friend and helper on stage and in the studio. With this active DI box, hum and impedance problems are a thing of the past. Every conceivable sound source? Electric guitar, bass, keyboards or what have you ? Can be "tamed", sending it balanced and noisefree into your console. You can even connect a guitar amp's speaker output with up to 3,000 Watts.The ULTRA-DI can be powered by your console's phantom power or an internal 9-V battery ? the DI100 automatically switches between the two. The massive metal encasing and four rugged, oversized rubber corners keep it safe and reliable even under the toughest touring conditions. The rubber corners also allow you to stack several DI100's or place them on top of other gear without running the risk of ground loops. Professional, multi-functional active DI box for all studio and stage applications BEHRINGER OT-1 transformer for ultra-linear frequency response Super-rugged metal encasing with sturdy oversized rubber corners for increased reliability Internal battery automatically shut off when phantom power is connected Ultra-low noise operational amplifier for outstanding audio quality Gold-plated XLR and 1/4" input/output jacks (XLR balanced) Direct connection of amplifier outputs with up to 3,000 Watts Switchable input attenuation allows input levels of up to +50 dBu GROUND LIFT switch isolates grounding circuit for hum elimination Manufactured under ISO9000 certified management system

BEHRINGER's ULTRA-DI DI100 is your ultimate friend and helper on stage and in the studio. With this active DI box, hum and impedance problems are a thing of the past. Every conceivable sound source? Electric guitar, bass, keyboards or what have you ? Can be "tamed", sending it balanced and noisefree into your console. You can even connect a guitar amp's speaker output with up to 3,000 Watts.The ULTRA-DI can be powered by your console's phantom power or an internal 9-V battery ? the DI100 automatically switches between the two. The massive metal encasing and four rugged, oversized rubber corners keep it safe and reliable even under the toughest touring conditions. The rubber corners also allow you to stack several DI100's or place them on top of other gear without running the risk of ground loops.Professional, multi-functional active DI box for all studio and stage applicationsBEHRINGER OT-1 transformer for ultra-linear frequency responseSuper-rugged metal encasing with sturdy oversized rubber corners for increased reliabilityInternal battery automatically shut off when phantom power is connectedUltra-low noise operational amplifier for outstanding audio qualityGold-plated XLR and 1/4" input/output jacks (XLR balanced)Direct connection of amplifier outputs with up to 3,000 WattsSwitchable input attenuation allows input levels of up to +50 dBuGROUND LIFT switch isolates grounding circuit for hum eliminationManufactured under ISO9000 certified management system

The B-2 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its pressure gradient transducer and shock-mounted 1.0" gold-sputtered dual-diaphragm capsule, the B-2 delivers an open, transparent sound with excellent transient response. It boasts a frequency response from 20 Hz to 20 kHz with just a slight boost in the presence range. It has two selectable pickup patterns: omni for capturing sound in all directions; and cardioid for picking up your source signal while rejecting off-axis sound. With its excellent transducer and gold-plated XLR output, the B-2 is very neutral sounding and truly delivers on the promise of noise-free transmission.The B-2 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence. Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48 V DC) for operation. You can power them from any phantom power equipped BEHRINGER XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.* Professional 1" dual-diaphragm condenser microphone for unsurpassed audio qualityIdeal as main and support microphone for studio and live applications * Pressure-gradient transducer with shock-mounted gold-sputtered dual-diaphragm capsule >< Exceptionally flat frequency response and incredible musicalitySelectable cardioid, omnidirectional or figure eight pickup patternSwitchable low-frequency roll-offSwitchable input attenuation of -10 dB Ultra low-noise transformerless FET input circuitry* Gold-plated 3-pin XLR output connector * Rugged construction with satin nickel-plated brass bodyHeavy-duty suspension mount, windscreen and aluminum transport case included

The B-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its 1.0" capsule, it captures sound with incredible realism and sensitivity. It boasts a wide frequency response from 20 Hz to 20 kHz, enhanced by a pronounced presence boost. With its excellent transducer and gold-plated XLR output, the B-1 truly delivers on the promise of noise-free transmission.  The B-1 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The C-1 is a cardioid condenser microphone designed to capture your sounds with incredible realism, sensitivity and accuracy.

As a DJ, you want your headphones to deliver a wide frequency response and high dynamic range. The HPX4000 headphones give you incredible performance for a price well within any budget.Audio Quality / ClarityLet Them Blow Your MindThe HPX4000 provides everything you need for comfortable listening. The two rotating, reversible ear cups contain high-resolution cobalt capsules that deliver every nuance of your sound. Because of the demands of your active lifestyle, we've engineered the one-sided cable from the finest oxygen-free copper wire that resists tangling and provides maximum durability. The HPX4000 also comes with a 1/4" adapter for the 1/8" connector, making it compatible with everything from your MP3 player to your mixing console * High-definition bass and super-transparent highs * Ultra-high dynamic range * High-efficiency cobalt capsule * Single-sided coiled cord with oxygen-free copper wires * Round swiveling ear cups * Ultra-rugged headband construction * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany