Dangerous Music

Full Surround Capability for your MONITOR ST SystemThe Dangerous Music Monitor SR from Sweetwater provides surround expansion for your Monitor ST system. As former world-class studio owners and makers of custom mastering equipment, Dangerous Music has always built no-compromise, problem-solving gear. Re-creating a console's master section, the Dangerous Monitor ST is a stereo remote-controllable input source and speaker switcher, cue/talkback system, and headphone amplifier all in a 1U package. Expanding the possibilities of your setup, now you can upgrade your Monitor ST to full 5.1 surround on every input with the Monitor SR. What's more, you can employ additional Monitor SR modules to equip your studio for Dolby Atmos and other immersive formats.Note: The Dangerous Music Monitor SR is a surround expansion for the Monitor ST monitor controller; it's not a standalone unit. For more information, call your Sweetwater Sales Engineer.Dangerous Music Monitor SR Features:Gives Monitor ST system full 5.1 surround capability on all inputsCan switch between surround setupsAdditional units can be deployed for Dolby Atmos and other immersive formats (requires special configuration; ask your Sweetwater Sales Engineer for details)

The Dangerous Monitor ST is a remote-control accessed input source switcher/speaker switcher/cue system/talkback system /headphone amplifier all in a one rack space package.        FEATURESAnalog stepped-attenuator volume control 4 input sources3 speaker outputsProgrammable input gain offsetsInput level compensation for –10dBV and +4dBu sourcesInput 4 has continuously variable level offsetProgrammable output level offsets Assignable subwoofer outputProgrammable subwoofer level offsetSelectable subwoofer filteringComprehensive speaker Mute and SoloFlexible stereo cue system with main and auxiliary inputsOnboard cue power ampTalkback system with dual control and dedicated slate output SR unit has selected source output 

Economical Active Analog SummingThe Dangerous Music 2-BUS-XT is an economical 16-channel active analog summing mixer with a circuit devised by renowned designer Chris Muth. This unit really delivers the goods, nailing kicks and vocals to the center of your mix, while yielding a super-wide soundstage, near-zero channel crosstalk, and expansive headroom. With the 2-BUS-XT, your mixes will be glued together in an organic way. You'll mix faster, better, and with fewer plug-ins. This summing box includes two onboard audio processors for adding tone and color to your mixes, and it's fully expandible with additional 2-BUS-XTs, as well as Dangerous Music's other summing offerings. If you're searching for a way to elevate your mixes into the big leagues, then the 2-BUS-XT just might be the secret weapon you've been waiting for.A duo of custom audio processorsIn sync with Dangerous Music's doctrine of tonal coloration as a per-project artistic choice, the 2-BUS-XT features two custom audio processors that selectively add tone and color to your mixes. X-Former kicks in transformers for an ear-grabbing taste of second-order harmonics, yielding girthy low-mid warmth while preserving top-end clarity. Coherence increases your mix's harmonic content progressively by bringing up the detail as levels are reduced, then enables you to blend the effected signal with your source mix, parallel-compression-style. At Sweetwater, we've applied both of these effects with excellent results.Outstanding flexibilityDangerous Music knows that each engineer — and session — is unique, so they designed the 2-BUS-XT for outstanding professional flexibility. Channels 1/2 and 9/10 can be set to mono to rout; for instance, vocals/bass and kick/snare each to its own mono input. They also gave the 2-BUS-XT XLR connections for both the main and monitor outputs.Gang 'em for high channel countsNeed a full-on analog "console" summing experience? Gang together multiple 2-BUS-XT units via the stereo expansion inputs XLR to create a customized channel count. You can also team the 2-BUS-XT with a Dangerous 2-BUS+, for three different color circuits, or the D-BOX+ for comprehensive monitor control.2-BUS+ sold separately.Dangerous Music 2-BUS-XT Analog Summing Mixer Features:Stunning 16-channel active analog summing mixer injects your mixes with exceptional headroom and dimensionalityCreates a super-wide soundstage with near-zero channel crosstalkDelivers expansive headroom — more than enough for any DACFully expandible with additional 2-BUS-XTs, as well as Dangerous Music's other summing offerings2 analog options (X-Former and Coherence) for adding tonal coloration to your mixChannels 1/2 and 9/10 can be set to monoIncludes XLR connections for both the main and monitor outputsHigh-quality components ensure audiophile-grade sound

Expressive EQ with Vintage Smoothness! The magic behind the BAX EQ is decades in the making. Inspired by the classic Baxandall shelving curves — renowned by mastering engineers in the 60s and 70s for smooth, musical sloping and a unique sonic signature — the Dangerous Music team went to work creating the modern BAX EQ.This unique stereo equalizer features stepped controls for repeatability and identical stereo operation. When what you want is an expressive equalizer — backed up with audiophile accuracy — you've found it. Treat your mixes to the Dangerous Music BAX EQ.Dangerous Music BAX EQ Stereo Mastering and Mix Bus Shelving Equalizer Features:Inspired by the Classic P. J. Baxandall Shelving CurvesStepped controls throughout for repeatability and identical stereo operationBroad Q Shelving7-position High Pass and Low Pass Filters — 2-pole Butterworth configuration (12 dB/oct)8-position High and Low Frequency Select+/- 5dB Cut and Boost controls in 1/2dB steps

To survive and remain competitive, today’s modern studio must be a flexible and agile facility that can immediately adapt to different workflows.  Tracking, mixing and mastering services may all be performed in-house, sharing the same outboard gear.The Dangerous Liaison makes this possible by allowing unprecedented access to your outboard equipment.  Plug in your gear and start creating different patches.  Instantly audition changes and store these custom arrangements as presets to use again, instantly, anytime. True hard-wire bypass relays remove gear entirely from the signal path, including outboard that does not have a built-in bypass.  Mastering grade components switch instantly and silently, allowing for true A/B comparisons without coloration or latency.  Pre- and post-processing monitor outputs make it easy to instantly audition and evaluate options.Unlock the potential of all your outboard on every session, every time, in precise, repeatable combinations.6 Stereo Insert Loops, Assignable to 2 Stereo Busses Flexible and Potent Parallel Processing LoopRoute, Switch, Matrix, Flip & Audition InstantlyRecall any Tracking, Mixing or Mastering ConfigurationSeamlessly Integrates with Dangerous MasterFrequency Response (Passive Section)  +0, -0.1dB from 10Hz to 100kHzFrequency Response (Active Section) +0, -0.1dB 10Hz-100kHzMaximum level > +28dBuNoise floor < -94.5dBu 22Hz-22kHz bandwidthTHD+N < 0.002%IMD < 0.003%Crosstalk rejection (Passive Section) > 124dBCrosstalk rejection (Active Section) > 113dBInput Impedance: 20K OhmsOutput Impedance: 20 Ohms

The Dangerous D-BOX+ is a ground-up dramatic redesign of the award-winning controller and summing mixer that provided countless studios the superior sound and versatile control of an analog mixer, all in just one rack space. The newly designed 8-channel summing mixer and D-A stereo converter provide Dangerous Music’s bold and clear sound, while newly added features like Bluetooth connectivity and an app for remote control of all major functions unleash a cutting edge feature set that puts the D-BOX+ far ahead of the competition. As with all Dangerous Music products, the D-BOX+ is proudly made to exacting audiophile standards in the USA. TOTAL CONTROL Like a large console’s center section, the D-BOX+ provides elaborate routing and switching of your studio’s inputs and outputs, both analog and digital. At the push of a button, you can select from five input sources: analog stereo, the onboard analog summing mixer, USB, AES/SPDIF and—brand new for the D-BOX+—a wireless Bluetooth stream from any Bluetooth-enabled device. Outputs include three stereo speaker ports, and these can be programmed to be mono and/or to include a subwoofer. Further, you can use output 3 as source for an independent sub with individual level and mute control. VERSATILE MONITORING OF MULTIPLE SOURCES Any studio situation, but especially tracking sessions, call for independent monitor routing for artist and engineer. With the D-BOX+ you have two totally independent monitoring sections: Control Room and Headphones. With the simple push of a button, you can assign any of the five input sources to either of these monitoring paths, making what would otherwise be elaborate patches into instant choices. Want to check on your monitors what your artist is hearing in their headphones? Seamless source switching is simple. REMOTE CONTROL VIA BLUETOOTH AND THE D-BOX+ APP Using the new D-BOX+ Bluetooth app, on any current phone, tablet, or computer, you are no longer bound to your chair when you need control your studio. All major functions of the D-BOX+ show up in the highly intuitive and rock solid program, providing limitless new solutions to age-old studio problems. Want to listen to an artist’s instrument in the live room while switching monitoring sources in their headphones? No problem. Want to give a couch-bound producer control over the talkback mic through their phone? Simple. Want to listen to your mixes from the hallway while still swapping monitors or switching a sub in and out? You got it. If you can dream it up, the D-BOX+ app will deliver. THREE MASTERING GRADE DIGITAL-TO-ANALOG STEREO CONVERTERS Our D-A converters have been at the heart of award winning tracking, mixing, and mastering studios for decades. Advanced clock stabilization, top-of-class chip sets, and our uncompromising analog signal path add up to a D-A that’s as powerful as it is nuanced. Clarity and musicality of your digital sources are no longer trade-offs, but will come together for the best possible monitoring available in any price category and the D-BOX+ is loaded with three: USB, AES/SPDIF and Bluetooth. TWO POTENT HEADPHONE AMPS A great session requires a great headphone mix, and a great headphone mix requires a great headphone amp. With the D-BOX+ you get two of them. These potent amps are so clean, powerful, and accurate that many engineers use them exclusively for fine-grained quality control listening right before delivering a record to market. With the easy yet elaborate routing capabilities of the D-BOX+, you’ll be able to send any source to either headphone amp from either the front panel or remotely from within the D-BOX+ app. TALKBACK FROM ANYWHERE DAWs are incredible tools, but they don’t offer all the tools you need to make your studio sessions run like clockwork. The onboard talkback mic of the D-BOX+ offers a simple, time-honored solution to one of a studio’s most basic needs. Now that you can control that talkback mic from anywhere via the D-BOX+ app, you’ll find yourself waving your arms far less and communicating more effectively with your collaborators. ROCK SOLID USB CONNECTIVITY FOR WINDOWS AND MAC USB audio connectivity has come a long way over the past decade, and Dangerous has been at the forefront of its development the entire time. With the D-BOX+ you not only get an ultra-fast, low-latency USB port, you also get the latest driverless connectivity on macOS and flawless driver support on current Windows computers. Say goodbye to fussing around with software just to get up and running, and say hello to plug-and-play connectivity. AN UPGRADED EIGHT-CHANNEL SUMMING MIXER Anyone who has heard what a Dangerous summing mixer can do to improve the sonic impact, panning, depth, and width of a mix knows that there’s no substitute for analog summing when its done right. We’ve heard stellar results from traditional routing of subgroups to separate analog channels all the way to routing multiple effects returns to their own analog paths for unrivaled dimensionality. Mixing is an art form, and our analog summing mixer will help you create masterpieces. FEATURES Newly upgraded 8-channel analog summing mixer delivers enormous soundstage and superior sonic impact Five analog and digital inputs at your fingertips (analog stereo, analog sum, USB, AES/SPDIF, Bluetooth) Bluetooth wireless audio streaming Free D-BOX+ app offers remote control of all major functions (volume, dim, talkback, I/O select, and more) Dedicated app runs on current macOS, Windows, IOS and Android devices and computers Driverless USB connectivity for macOS; simple USB driver installation for Windows On-board talkback mic with push-button activation (on front panel or remotely from app) Dual best-in-class headphone amplifiers with independent source selection and level control (front panel or app) Three independent speaker outputs (selected from front panel or from app) Programmable speaker selector allows for dedicated mono and/or sub inclusion on all outputs

Το Dangerous 2-Bus παρουσιάστηκε το 1999 και δημιούργησε μόνο του μια νέα κατηγορία αυτή των summing mixers που βοηθούν τον ήχο των DAW  να αποκτήσουν κάτι απο την μαγεία της μίξης σε  αναλογική κονσόλα.Με ανασχεδιασμένο κύκλωμα το νέο  2-BUS+  προσφέρει αξεπέραστη στερεοφωνική εικόνα, σφικτό  ήχο και μεγάλη δυναμική περιοχή.Ταυτόχρονα στη νέα σχεδίαση περιλαμβάνονται 3 κυκλώματα με 3 διαφορετικούς ήχους που μπορεί κάποιος  να προσθέσει στο σήμα και να έχει έτσι μια παλλέτα με διαφορετικές αρμονικές, ανάλογα το κομμάτι και το στύλ μουσικής.Το Paralimit είναι ένα FET-style limiter και  το X-Former είναι ένα ζευγάρι απο  Cinemag output transformers που οδηγούνται απο ένα ειδικά σχεδιασμένο κύκλωμα. Εύκολο στη χρήση και με δυνατότητα σχεδόν απεριόριστων συνδιασμων ήχου, σχεδιασμένο απο τον θρυλικό  Chris Muth το 2-BUS+  είναι άλλο ένα προιόν Dangerous που απευθύνεται σε όσους αναζητούν πάντα τον καλύτερο ήχο για τις παραγωγές τους.Επίσης είναι σημαντικό να ξέρουμε πως μπορεί να έχουμε πολλά πετυχημένα emulation για επεξεργαστές ήχου σε ψηφιακό domain αλλά το analog summing παραμένει αδύνατο να γίνει emulation ψηφιακά.Χαρακτηριστικά:16 channels of the world’s best active analog summing, that even surpasses the original.Three distinctive analog color options: Harmonics, Paralimit and X-Former.Effortless routing and blending of analog color circuits via elegant user interface.Switchable stereo analog insert for easy outboard gear integration.Massive sounds, sacrificing no detail.Crystal clear sonic imaging and three-dimensionality.Endless headroom for modern digital signal levels.Stepped output gain control for exact recalls.Both XLR and D-Sub input connectivity.Audiophile-grade components throughout.

Dangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor’s onboard digital-to-analog converter (DAC) swiftly became the industry reference. We’ve been asked over the years to build a stand alone DAC, and they’re finally here in the Convert series. Eager to embrace the opportunity to develop a new and better DAC, we designed the Convert series converters from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. Loaded with innovative and useful features accessed from an intuitive front panel, the Convert-2 tops an elite class of dedicated stereo digital-to-analog converters in both sound and ease of use. The Convert-2 goes beyond transparency – you won't just hear everything, you’ll hear it beautifully.Specifications:Signal to Noise Ratio A-weighted, 20Hz to 20KHz: < 114dBSignal to Noise Ratio unweighted, 20Hz to 20KHz: < 113dBDynamic Range A-weighted, 20Hz to 20KHz: < 114dBDynamic Range unweighted, 20Hz to 20KHz: < 113dBJitter: 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)Crosstalk rejection: > 114dBu  1kHzReplacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240VTHD+N:THD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: < 94.5dB (0.00188%)THD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: < 106.5dB (0.00048%)Frequency Response  96KHz sample rate:DC to 20KHz: +0, -0.25dBDC to 30KHz: +0, -0.5dBDC to 40KHz: +0, -1.0dB

Simple:Hit your choice of buttons and twist the threshold for radio-ready results Smart Dyn Dual Slope Detection: Automatically limits peaks while stealthily compressing the average.Auto Attack/Release: Replace "guess" with "yes" for rapid-fire results. Transparent:Performs like an automated fader: No more drawing vocal rides.True Stereo Dual Detector: Traditional linking shares one detector, often resulting in a narrower stereo image.Immaculate VCA: Virtually no distortion, even with 20dB of gain reduction. Powerful:Internal sidechain circuitry houses the audiophile soul of the compressor:Bass Cut: Tightens the track without sacrificing the low end.Sibilance Boost: Shave sibilance and shrill histrionics with zero post-compression hangover.

If you thought analog-to-digital converter innovation had taken a snooze, Dangerous Music is about to wake you up with five game-changing innovations. Packed into a single rack space with our next-generation conversion for the ultimate in musicality and transparency, the CONVERT-AD+ is the most advanced stereo analog-to-digital converter on the market. The CONVERT-AD+ has no fewer than five—five!—features previously never seen on an analog-to-digital converter before. Smart, useful, well-executed innovations put Dangerous Music on the map, and we continue that tradition into the 21st century with the CONVERT-AD+.Simple, elegant, intelligent. With the push of a button, you can switch between any two balanced line input sources. With zero fuss, you can instantly compare different mastering chains, test your mix against a reference, or to switch between recording and mixing mode—or use the inputs in any configuration you dream up. From the largest mix rooms, to elite mastering suites, to your home studio, the switchable inputs on the CONVERT-AD+ is about to make everyone’s life a lot easier.Do you dig pushing the A/D beyond 0 dBFS, into clipping, for specific sonics? Clip Guard will turn off the red light LED at your destination (i.e. DAW). Red indicates clipping on most meters, in actuality, the over indicator in the AD+ turns from green to yellow. Now “Mastered for iTunes” or the CD pressing plant will not reject your opus, since these red light overs will not appear. This is not a limiter. If you can hear clipping and engage clip guard, it will sound identical. It simply disables the clip LED in your DAW or destination device, but you will still be audibly clipping.Previously an oxymoron, musical transparency makes perfect sense now that Dangerous Music has pushed its products to the bleeding edge of today’s technology. We deliver an open, full-bodied sound free of unwanted artifacts (transparency) with a bold and big three-dimensional sound (musicality). The result is sound that you can trust and love.Among those who truly understand this hotly debated area of audio technology, the mantra with digital is implementation, implementation, implementation. How components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan, is what sets a converter apart – for better or worse. The Dangerous Music CONVERT-AD+ has been developed by a team of experts with deep, up-to-the-minute knowledge of the best digital and analog converter technology available today. Our implementation has even managed to get the clock working better than it’s stated specs.JET is a patented clocking technology that Dangerous Music employs in order to reduce jitter to the point where it simply isn’t a factor impacting the sound of our converters. Whenever zeros and ones are flying by at incredible speeds, a solid clock and balanced data stream management system is of the utmost importance to articulate, musical, 3D impact. Do not shy away from using the CONVERT-AD+ as your studio’s master clock, a choice more and more engineers are making since becoming “converts.”Features:Selectable Calibration Level cycles through three calibration levels for compatibility with other devicesToggle between two discrete, selectable stereo inputs with two switchable stereo input pathsClip Guard will turn off the red light LED at your destination (i.e. DAW)Premium custom crafted digital meter with Normal and Peak Hold modes provides precise visual feedbackZoom view lets you view only the top 10dB of your signal level, for a finer, magnified resolutionWord Clock with three Modes: Internal, External and MasterX-FORMER insert button engages some of Chris Muth’s sonic wizardry via a pair of customized HAMMOND™ transformersEMPHASIS shelving EQ/Compressor induces 2nd order harmonic distortion to blend in a bit of mid warmth and sparkleUSB connection for Mac/PC 

For years the top mastering engineers and the hottest mastering facilities have been using custom-designed tools that were not available to the rest of us. Until now. We have distilled the essence of those tools to create the Dangerous Master. The Dangerous Master will provide you with the insert loops, sum & difference processing, level offset, and stereo image width control that will turn your high-quality outboard equalizers and compressors into a truly professional mastering rig.Hand built with top-of-the-line componentsStepped controls throughoutIncredibly clean and quietBuilt by the very same Chris Muth who designed the mastering equipment for many of New York’s top mastering engineers and studios, the Dangerous Master forms the centerpiece of a fantastic mastering system. It will tie together your choice equalizers, compressors and de-essors by providing accurate level control, easy monitoring facility, matrix processing and stereo image control, all in a compact 2 RU package.The integrated Input Monitor Offset allows you to focus on the sound of your master without being fooled by the pre- and post-process level differences.The S&M matrix is an analog sum and difference processor affording unprecedented control of stereo signals. Mastering engineers will enjoy the fact that S&M allows them to save seemingly unsalvageable tracks by altering vocal levels without touching the mix, by fixing overly wide or narrow stereo fields, or by de-essing aggressive cymbal hits while leaving the center lead untouched.Dangerous Master, combined with the Dangerous Monitor and your favorite processing gear, will provide you with what you need to turn any mix into a professional master.As with all Dangerous Music equipment, the Dangerous Master is designed by engineers, for engineers, and built by hand using the highest quality components.

Dangerous Music's Source is the all-in-one portable monitoring system project studio engineers have been waiting for! The Dangerous Source gives you access to a complete set of audio sources, including USB and AES digital audio, as well as a balanced XLR and an 1/8" stereo input (perfect for your iPod!).Separate source selections for your headphones and monitors will certainly also come in handy when collaborating with artists. If the complexity of your monitoring setup has you tied in knots, check out the Dangerous Source.Portable, studio-grade monitor controllerThe Dangerous Source pops into your backpack and fits right under your laptop. If you're a producer, engineer, DJ, or video editor who's always on-the-go, it's great to have access to studio-quality monitoring on the road. Dangerous Music's studio monitoring products are well regarded amongst audio pros, and you know when they set out to design a portable monitor controller, it's going to have the right stuff.Flexibility - it's a beautiful thingThe Dangerous Source lets you listen to any combination of four input sources; you get two speaker outputs and two headphone outputs. You can let the singer hear her own personal headphone mix, for instance, from the Analog 2 input - while you monitor the real mix, coming in from your computer via the USB input (which can run up to 24-bit/192kHz). The Dangerous Source gives you the monitoring flexibility to handle virtually any monitoring situation that might crop up.Dangerous qualityDangerous Music is renowned for their no-compromise designs and build-quality, and the Dangerous Source lives up to this reputation. The company's products have earned the fierce loyalty of legions of audio pros the world over. When you add the Dangerous Source to your audio rig, you know that you're making an investment in great sound that will give you many years of use.Dangerous Music Source monitoring system Features:Hear everything, anywhere, so you can mix it right the first time.Portable monitor control for both speakers and headphones.Monitor Digital, (2) Analog and USB sources separately or simultaneouslyFits beneath a 13" laptop or rack installable (kit optional)Two speaker outputs can be engaged simultaneously, or use one as a dedicated subwoofer out.Headphones and speakers can monitor single or multiple sources - different choices for the producer and artist.Two analog inputs: 1/8" mini stereo & XLR/TRS combo jack.Two digital inputs: AES/SPDIF and USBUSB IN, up to 24-bit/192kHz for Windows and Mac (plug and play in OX X 10.7)Third stereo output to send to Front of House or final mixdown

The SR is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!Configure and control your entire system from the comfort of your sweet spot.

The Dangerous Monitor ST is a remote-control accessed input source switcher/speaker switcher/cue system/talkback system /headphone amplifier all in a one rack space package.        FEATURESAnalog stepped-attenuator volume control 4 input sources3 speaker outputsProgrammable input gain offsetsInput level compensation for –10dBV and +4dBu sourcesInput 4 has continuously variable level offsetProgrammable output level offsets Assignable subwoofer outputProgrammable subwoofer level offsetSelectable subwoofer filteringComprehensive speaker Mute and SoloFlexible stereo cue system with main and auxiliary inputsOnboard cue power ampTalkback system with dual control and dedicated slate output SR unit has selected source output 

Whether you’re tracking, mixing or mastering, the Convert-8 will deliver powerful low-end, articulate mids and transcendent highs to every channel in your analog rig. Patched into one of our award-winning analog summing units like the 2-BUS+ or the D-BOX – or to your favorite analog console – the Convert-8 will empower you to create the spacious, three-dimensional soundscapes that only real analog summing can deliver.Compatible with all of today’s digital signals (including the ubiquitous ADAT format) the Convert-8 is ready to take on any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don’t need more analog inputs, the Convert-8 brings today’s very best digital-to-analog conversion within reach of any studio.Our design philosophy includes a strict demand that our equipment be elegant and easy to use, and the Convert-8 exemplifies that philosophy. No menus, no cryptic multi-finger combinations to remember – just clearly labeled single-function buttons.With industry-standard reference levels of -14, -16 and -18dBFS, you can recalibrate the Convert-8 with the push of a button. While many professional converters are only aligned at the factory, the Convert lets you move flexibly between different reference levels on the fly. Anyone who’s ever fumbled around behind a rack with a “tweeker tool” while a second person watches an external meter knows the special value of our front-panel calibration buttons, especially when there’s eight channels or more!Specifications:Signal to Noise Ratio A-weighted, 20Hz to 20KHz: < 114dBSignal to Noise Ratio unweighted, 20Hz to 20KHz: < 113dBDynamic Range A-weighted, 20Hz to 20KHz: < 114dBDynamic Range unweighted, 20Hz to 20KHz: < 113dBJitter: 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)Crosstalk rejection: > 114dBu  1kHzReplacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240VTHD+N:THD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: < 94.5dB (0.00188%)THD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: < 106.5dB (0.00048%)Frequency Response  96KHz sample rate:DC to 20KHz: +0, -0.25dBDC to 30KHz: +0, -0.5dBDC to 40KHz: +0, -1.0dB