DPA

CORE 4488 Directional Μικρόφωνο κεφαλής Subminiature παντοκατευθυντικό πολύ μικρού μεγέθους 5mm σε μπεζ χρώμαΣχεδιασμένο για χρήση με ασύρματα συστήματα στο θέατρο, την τηλεόρασηΜε εξαιρετικά διακριτική κάψα, η οποία είναι οπτικά μικρότερη από μια γόμα μολυβιού

Replacement Clip for Piano

The 2012 Compact Cardioid Mic is the best all-around, generalist mic that you can find to cover a wide range of close-miking needs on the live stage. It is a robust and reliable condenser mic, best for single instrument pickup. Its specifically powerful characteristics make it an extremely flexible mic that will shine on many instruments, particularly those in the high-frequency range. Durable, reinforced constructionThe 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.Unmatched transient responseThe 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy. Uniform cardioid directionalityThe 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way.  Outstanding SPL handlingThe 2012 can cope with both extremely high SPLs as well as capture very delicate sounds. With a max SPL, peak before clipping of 156 dB, the 2012, works well on many different instruments and can handle the loudest drums, guitars, horns and more.Natural and precise sound reproductionLike all other DPA microphones, the 2012 delivers pure, transparent sound quality.  

Earhook for d:fine Headset. Available in black, beige, brown and lime, the earhook for the DPA d:fine headset microphone will adjust to fit any ear size and head shape while mounting on either the left or right side of the head.

One ear omni mic with the famous 4066, which provides accurate and natural speech clarity with very high levels of SPL, where users can talk and sing without a trace of distortion. The d: fine ergonomic design to fit easily and smoothly to any size and shape ear. By the rotation of the microphone arm can be moved from left to right. Available in black, beige, brown, green and white color.

Guitar Clip for DPA 4099 microphonesColour: Black

The d:screet™ 4061 Omnidirectional Microphone, Lo-Sens offers a very clean, detailed and natural sound quality.Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the d:screet™ 4061 Miniature Omnidirectional Microphone, Lo-Sens is highly unobtrusive. Because of its small size, it exhibits an exceedingly accurate omnidirectional pattern and therefore does not need to be aimed directly at the sound source to achieve quality pickup.This microphone is acoustically identical to the d:screet™ 4060 Miniature Omnidirectional Microphone, Hi-Sens, but the sensitivity is adjusted to match some of the more sensitive transmitters on the market.It is up to the user to decide on the correct placement to achieve the desired timbre. The mic can handle 144 dB peak before clipping, allowing the microphone to be used even for snare drums, guitar/bass speaker cabinets or other high SPL sound sources.Flexible adapter systemThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a whole new microphone. And when you make the switch, you won't hear any loss or change in sound quality.The d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.Specifications:Directional characteristics: OmnidirectionalPrinciple of operation: PressureCartridge type: Pre-polarized condenser element with vertical diaphragmFrequency range, ± 2 dB: Soft boost grid: 20 Hz – 20 kHz, 3 dB soft boost at 8 – 20 kHz. High boost grid: 20 Hz – 20 kHz, 10 dB boost at 12 kHz.Sensitivity, nominal, ±3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/PaEquivalent noise level A-weighted: Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))Equiv. noise level ITU-R BS.468-4: Typ. 38 dB (max. 40 dB)S/N ratio, re. 1 kHz at 1 Pa (94 dB SPL): 68 dB(A)Total harmonic distortion (THD): < 1 % THD up to 123 dB SPL peak; < 1 % THD up to 120 dB SPL RMS sineDynamic range: Typ. 97 dBMax. SPL, peak before clipping: 144 dBOutput impedance: 30 – 40 ohmCable drive capability: Up to 300 m (984 ft)Power supply: For wireless systems: Min. 5 V – max. 50 V through DPA adapter. With DAD6001-BC/DAD6024/DAD4099: 48 V phantom power ±4 V for full performance.Connector: MicroDot

Clip for Drums and more.

The windscreen is made of foam. The size and construction of the foam ensures that the windscreen does not attenuate the higher frequencies more than the tolerance field of the microphone frequency response and simultaneously it provides excellent protection from wind and pop-noises. The size of the windscreen makes it discreet in all applications.

Earhook for d:fine Headset. Available in black, beige, brown and lime, the earhook for the DPA d:fine headset microphone will adjust to fit any ear size and head shape while mounting on either the left or right side of the head.

Adapter for DPA Miniature Microphones with low DC, Type 4063 and 4067. MicroDot to Mini-Jack.

Lectrosonics LM, SM and UM series (for low DC microphones).

Expand your horizon with a wider patternIf you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The DPA 4015C wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance.Limitless applicationsRecording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices.Completely linear, even off-axisThe off-axis characteristics of the 4015C are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated.Small, yet wideVisually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, the Compact Wide Cardioids will certainly exceed expectations when used on choirs, percussion setups, grand pianos, wind instruments, and much more.

Specially designed and easy to use double-sided tape pads for the DPA Miniature Concealers. Store tape away from excessive heat and light.

Adaptor for d:Facto II capsules to Sennheiser wireless systems: (Sennheiser 2000/evolution wireless).

Adaptor for d:Facto II capsules to Shure wireless systems: ( LX2, PGX2, SLX2, T2, U2, UC2, ULX2, UR2, UT2), Sony ( DWM-02, ZTX-M01), Lectrosonics (V1).

Handle for the new d:facto II Vocal Microphone.

excellent for percussionnatural and open soundhandles high sound pressure levels with ease  The DPA 4091 is a high quality omnidirectional condenser microphone. Due to its uniquely natural and open sound, the 4091 is suitable for instrument miking applications in the studio or on the stage.The 144 dB SPL handling means it can meet just about any challenge including miking an electric guitar amp. An excellent microphone for percussion instruments, the 4091 is also an ideal choice for wind and string instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning.The rugged and compact design features a 5.4 mm diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.76 in).

Adapter for powering Miniature Microphones via standard P48 phantom power.The DAD6001 is designed for use with Miniature Microphones from DPA only. Belt clip included.The DAD6001 is active signal balanced which improves suppression of induced electromagnetic noise.Common Mode Rejection Ratio (CMRR) is better than 60 dB from 50 Hz to 15 kHz.The adapter is functional at 12 V phantom power but needs 48 V ± 4 V to reach full specifications – see diagram.

MicroDot to XLR Connector with Belt Clip and Low-Cut Filter. The DAD4099 is designed for use with Miniature Microphones from DPA only. Belt clip included.The DAD4099 is active signal balanced which improves suppression of induced electromagnetic noise. Common Mode Rejection Ratio (CMRR) is better than 60 dB from 50 Hz to 15 kHz.

PA DAD 6017 Adaptor - 3-pin mini XLR, for AKG PT40/60/80/81 and Samson UT1L/VT2L/4060 mini microphone

Adapter: Sennheiser Evolution / G2 / G3

DPA DAD 6010 TQG Adaptor - for Shure U1, UT1,SC1, TOA WM4300 to 4060 mini microphone, compartible with Line thomann 6 Relay G50/G90 und XDS-V75TR

DPA 4061 is acoustically identical with the 4060, but the sensitivity is adjusted to match some of the more sensitive transmitters on the market

DPA 2006A, modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, dynamic range 114 dB, 48 V Phantom thomann Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA 4006

DPA 2006C, compact modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, dynamic range 114 dB, 48 V thomann Phantom Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA 4006, dimensions 19 x thomann 58 mm, weight 60g

DPA 2011A, modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, cardioid, 20 - 20.000 Hz, dynamic range 117 dB, 48 V Phantom thomann Power, Sensitivity, nominal, 10 mV/Pa; -40 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. Typ. 20 dB(A) re. 20 µPa (max. 23 dB(A)), black housing, new model of the DPA 4011, dimensions 19 x 198 mm, weight 164 g

DPA 4006 A, Reference Standard Microphone containing capsule MMC4006 and power adapter MMP-A, condenser capsule, omni-directional, frequencyrange 10 thomann - 20.000 Hz, 147 dB SPL max, 48 Volt Phantom, switchable Lowcut and High-Boost, dimensions 170 mm length, 16-19 mm diameter, weight 163 g, handmade in Denmark

DPA 4017 B, condenser shotgun microphone, supercardioid, 70Hz - 20kHz +/- 2dB, Max. SPL: 132dB, 48 Volt Phantom, thomann switchable High Boost with +4dB bei 8 kHz, switchabke Bass Roll-Off 50 Hz, length 210 mm, weight 71 Gramm

DPA ST2006A, stereo microphone set containing 2x modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, dynamic range thomann 114 dB, 48 V Phantom Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA 4006, incl. case

DPA ST 2006C, stereo microphone set containing 2x compact modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, thomann dynamic range 114 dB, 48 V Phantom Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA thomann 4006, dimensions 19 x 58 mm, weight 60g

All-round workhorse – blends clarity, richness and dynamicsTwin-Diaphragm capsule and interference tube technologiesSuperb stage separation and level controlModular flexibility   All-round workhorseThe new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities.2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology.While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control.

ST4006A Stereo Pair with 4006A Omniscarefully matched microphoneshigh sensitivity, low noise-floor and extremely linear frequencyPeliTM case transportation and protectionThe DPA ST4006A is a complete DPA 4006A Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°.The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes the ST4006A the perfect choice for all AB Stereo recordings. The design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory foam inlays.Included in this kitTwo carefully matched 4006A omni microphones, sturdy PeliTM case, holders, grids and windscreens.

Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the highly unobtrusive 4060 capsule is visually smaller than a pencil eraser.Because of their small size, these tiny condensers exhibit an exceedingly accurate omnidirectional pattern and therefore do not need to be aimed directly at the sound source to achieve quality pickup.The 4060 is available in four colors: black, brown, beige and white.

Small diaphragm condenser microphone of the Reference Standard Series, Omni, 20 - 20.000 Hz, 48 Volt Phantom power, 200 Ohms, 152 db. SPL max., XLR-Connector, changeable capsule.

Matched pair of two 4011C cardioid condenser microphones. Hard carry case and boom holders included.

Condenser microphone, cardioid, 20 - 20.000 Hz, 48 Volt phantom power, 200 Ohms, 158 db. SPL max., Pad-switch - 20 dB, XLR-plug, especially for acc-guitar and overhead.

MHS6005 is a pack of 5 pcs of soft rubber providing attachment of a DPA Miniature microphone on violin, viola, cello or double bass. The holders are to be mounted between the tailpiece and the bridge and can be turned upwards or downwards so that the microphone will be placed either over or under the strings after desired sound colour taste or sound level. The miniature microphone is secured by its cable in a little clip, while the holder itself has a firm grip on two strings of the instrument with small hooks.

Clip for Bass and more

The d:vote™ CORE 4099 for Loud SPL is perfect for the entire saxophone family: soprano, alto, tenor or baritone. It also sounds great on the bass clarinet. It comes with a very versatile clip that can be used on all types of sax and brass instruments. The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.  

The mounting mechanism makes it easy to move the mic between instruments. The d:vote™ CORE 4099D Instrument Microphone for Drum includes a revolutionary ‘90° ’ system which provides a wide range of mounting options. By detaching the clip from the gooseneck and re-mounting it turned 90°, the number of mic positions is doubled. This mic can easily be combined with a wide variety of accessories. For the bass drum, the d:vote™ VC4099 Clip fits perfect on the rim.Choose a d:vote™ CORE 4099D Instrument Microphone for Drum (4099-DC-2-201-D) for your drum kit and add a VC4099 clip for your bass drum.  The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness.From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.Features:CORE by DPA technology insideSupercardioid condenser microphoneHandles high SPLsSuperior gain-before-feedbackFlexible and easy mountingGentle and easy to mount on the instrumentDetachable cable and a versatile gooseneck extender 

The d:vote™ CORE 4099 for Loud SPL is the perfect mic solution for PA amplification and live recording of acoustic upright bass. It offers a sound that is considerably more natural than an internal microphone or pickup. There are several excellent placement possibilities on the instrument.The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio reinforcement is achieved when performing live. The mic clip attaches to the E- and G-string below the bridge. This ensures mic placement in the sweet spot between the bridge and fingerboard.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness.From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.Features:CORE by DPA technology insideSupercardioid condenser microphoneHandles high SPLsSuperior gain-before-feedbackFlexible and easy mountingGentle and easy to mount on the instrumentDetachable cable and a versatile gooseneck extender 

For perfect PA amplification and live recording of a cello choose the d:vote™ CORE 4099 for Loud SPL, which includes a mounting clip meticulously designed and optimized for the violoncello. It offers a sound that is considerably more natural than an internal microphone or pickup.The clip attaches to the C and A string below the bridge. This places the microphone capsule in the sweet spot between the bridge and fingerboard, offering a unique combination of natural string sound and high audio separation on stage.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness.From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.Features:CORE by DPA technology insideSupercardioid condenser microphoneHandles high SPLsSuperior gain-before-feedbackFlexible and easy mountingGentle and easy to mount on the instrumentDetachable cable and a versatile gooseneck extender 

The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.Features:CORE by DPA technology insideSupercardioid condenser microphoneHandles high SPLsSuperior gain-before-feedbackFlexible and easy mountingGentle and easy to mount on the instrumentDetachable cable and a versatile gooseneck extende r 

The d:vote™ CORE 4099 for Loud SPL is perfect for PA amplification and live recording of acoustic guitar, mandolin, ukulele and dobro. It offers practically unlimited placement possibilities. The sound it provides is considerably more natural than an internal microphone or pick-up.The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.