Musical Fidelity

Musical Fidelity is one of the best companies in quality hi-fi. With over thirty years of experience in sound, it designs and manufactures products that offer exceptional sound, high performance, excellent value for money, and superb build quality.

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Musical Fidelity A1

In Hi-Fi, the Musical Fidelity A1 has become one of the most classic designs – inside and out. First released back in 1985, it quickly made waves for being an absolute beast when it came down to driving some of the most difficult speakers of that time, even though it was actually a rather low powered integrated amplifier. But: it was all done in pure Class A with excellent and expertly laid out discrete symmetrical circuitry topology and using only highest quality components. The A1 showed people that there was more to amplifiers than just high power.Based on its huge success, the A1 has gone through multiple reissues and new versions over the years.Now for 2023, for the first time since its initial release we have actually kept all specifications, the appearance and circuits of the 1985 rendition for those who missed out the first time. With an updated transformer, power supplies and modern low noise components we’ve revitalized the formula and are proud to reintroduce the fresh original – three decades later.Technical TalkThe A1 is built around a completely discrete and symmetrical Class A topology. It‘s able to output 25W of pure Class A power @ 8 ohms load with 25A of maximum output. While the numbers here might seem rather low, the ability for the output stage to drive difficult speakers is a small miracle in itself. The amp design being dynamic class A, and if Class A standing current is exceeded, it will automatically allow more. It therefore “slides” (NOT “switches”) smoothly into class B style operation, temporarily allowing the further current draw needed.Power SupplyThe new A1 has received an updated transformer from shared (1985 original) to more efficient “dual mono split rail” windings. The amp stages are supplied by fully independent left and right power supplies for better power handling and stereo imaging and each power amplifier now has double supply capacity resulting in reduced ripple and noise.The transformer‘s noise and heat dissipation are reduced due to better efficiency and updated components. The main supplies are filtered for better regulation and reduced switch on surge.PreamplifierThe low noise preamplifier circuitry is the same as the original 1985 design and, as we have highlighted above, greatly benefits from the improved, fully smoothed and regulated power supplies.Among the discernible alterations, one that immediately catches the eye is the addition of a new „direct“ switch at the preamp stage. With this switch you can totally bypass the gain block before the volume control, resulting in roughly 10dB less gain. This feature proves particularly advantageous when working with modern or high-output digital sources, enabling fine tuning the range of your volume potentiometer and accommodating sensitive loudspeakers.Furthermore, a notable upgrade has been made to the volume potentiometer itself, now replaced by a premium ALPS RK series potentiometer. This high-quality component ensures superior performance and enhanced precision. Additionally, the potentiometer is now motorized, granting you the convenience of adjusting the volume from the comfort of your couch, courtesy of the new included remote control.Phono StageThe A1 employs a discrete current-mode input stage for lowest noise amplification of MC and MM cartridges. A low noise current to voltage conversion stage is used for further amplification and RIAA equalization. Automatic input impedance matching for the selected MC input, along with increased gain increases the versatility of the A1‘s phono stage.The return of a true Hi-Fi classicThe A1 has one secret. This secret is simple: it makes music. It sounds sweet and fluid and creates a beautiful atmosphere around natural instruments. Especially in small to mid-sized rooms, carefully set up with a pair of great two-way speakers. It is not a powerhouse, but music lovers will cherish its abilities.It‘s also not a product that you‘ll want to hide. A perfect example of form follows function. The oversized heatsinks define the A1‘s look, but they are essential for its operation. Truly unique, from the outside and inside.The A1 has a sweet, warm, full and exciting sound. No harshness. No grain. Just pure music. It doesn‘t get muddy, and despite its lower power, drives difficult speakers with ease. It remains clean right up to its power limit. To hear what the A1 does is to hear what Hi-Fi is supposed to do: it makes music, pure and simple.The A1 through time - Improvements to the originalUpdated transformer to more efficient “dual mono split rail” windingsHigh quality and updated ALPS RK series potentiometer as volume controlIR remote control added for volumeGain block before volume control totally by passable using “direct” switch (-10dB)All transistors including output devices are carefully selected modern equivalentsAll capacitors in signal path are polypropylene (PP) typeResistors are modern low noise metal film typesCare and attention made to not change any component specification from original but to update them to modern equivalent with long lifespanLayout faithfully follows original within circuit sections on circuit boardCircuit sections better laid out, in particular the separate supplies and power amplifiersPhono stage and preamplifier improved for less noise and humThe A1 in Brief25W Pure Class A power @ 8 OhmDiscrete symmetrical topologyPlanar Audio transistors with 25A maximum outputDynamic class A, slides (NOT switches) smoothly into Class B, allowing more current as neededTherefore drives difficult speakers with no problemsUpdated transformer to “dual mono split rail” windingsFully independent left and right power suppliesEach power amplifier now has double supply capacityTransformer noise and heat dissipation reducedFiltered main suppliesGain block before volume control totally bypassable using “direct” switchHigh quality and updated ALPS RK series potentiometerLow noise TL071 JFET preamplifier circuitryDiscrete current-mode MM/MC phono input stageLow noise current to voltage converter for further amplification and RIAA equalisationAutomatic input impedance matching (1K nominal) for MC along with increased gainOriginal (1985) A1 appearance and circuits with modern improvementsRemote control added for volumeModern updated low noise components

1.650 €

Musical Fidelity M5SI Silver

The M5si is a real high end amplifier. At 150wpc, with high current delivery, it will drive virtually any loudspeaker easily. Internally the M5si is configured as two independent monoblocs with a separate preamp, but all mounted on one pcb. Its technical performance is about equal to the M6si. The M5si has very low distortion, outstanding noise ratio and an extremely flat frequency response. Inputs; phono (mm), 4 line, and USB ’B’ up to 24bit 96kHz. The M5si produces an extraordinary sweet clear lucid sound. Significantly it was developed after our amazing legendary Nu-Vista 800. Consequently some of the Nu-Vista 800’s subtle pcb layout solutions have found their way into the M5si. When you hear it we are sure you will understand the relationship between the two. The M5si projects a deep and wide stereo image with very extended bass and a crystalline top end without a trace of harshness.

2.070 €

Musical Fidelity LS3/5A (Pair)

Not only for professional useOver the years, the LS3/5A became an industry standard for music studios, especially for classical recordings. It also quickly gained interest in the audiophile sector. Due to the small size, the LS3/5A is the perfect fit for small living rooms. Do not get fooled by the size: The speaker surprises with a lot of low end information. Due to the closed type design, the bass is quick and perfectly defined, compared to a bass reflex speaker.The LS3/5A was produced by several speaker manufacturers over many decades already. The Musical Fidelity A1 was always the perfect partner with its Class A amplification. The result was an astonishing clear, detailed and warm sound stage.

2.590 €

Musical Fidelity M3x Vinyl Black

The M3x ViNYL is a phono stage, designed to be without any practical limits. Connectivity is straight forward. You have an input and an output. Neither of them can be overloaded at the input or limited in the output driving capacity. It can be set for either MM or MC and exact loading. It offers state-of-the art technical and sonic performance just like the M6x ViNYL, but at a cheaper entry level to the epitome of the true spirit of high-end audio. Design Philosophy The M3x ViNYL has been switched, just like in its bigger brother the M6x ViNYL, to an entirely discrete circuitry, which results in better technical measurements and better sound. It is equipped with one single-ended input and output. But the important question is: what is so special about discrete circuits? Although it is Musical Fidelity’s lowest price amplifier, it embodies our hallmark values of uncoloured, stress-free sound, outstanding technical performance and great value for money. The Advantage of Discrete Circuits A discrete circuit is composed of electronic components which are disparate, individual devices, also called discrete components. These can be “passive” components, like resistors, capacitors and inductors, as well as “active” components, which in our case are transistors. The opposite to this would be an integrated circuit, which uses operational amplifiers (Op-Amps) in the signal chain. In our industry we employ specialised Op-Amps built for audio applications, which allow us to produce very small and efficient electronics, as well as saving the time of design engineers. However, countless hours of listening tests and years of experience have shown us that even the very best Op-Amps do not tend to be so neutral, natural, dynamic or vivid – all of which are characteristics of the Musical Fidelity “sound”. For that reason, we’re rediscovering our passion for traditional, discrete designs. Where standard phono pre-amplifiers with integrated circuits have a few tens or hundreds of components, discrete designs will employ hundreds or thousands of components by comparison. That makes for an extended design process, but in our opinion results in the best sound for your money. Toroidal Power Transformer The special audio transformer with low core saturation decreases the level of electromagnetic radiation, which is essential because otherwise any phono amplifier will never be able to work correctly. Together with the distance between transformer and amplification section and the electromagnetic shielding, we are creating an incredibly high signal to noise ratio. If we are working with the few hundreds of microvolts from a phono cartridge, everything is playing its role; every decibel of signal to noise ratio is crucially important. For the first time, we have implemented our new proprietary power supply solution that has zero standby power consumption. Absolutely zero! It is a super green product and we are sure, there isn’t any other product in existence with an ecological standby function like this. Split Passive EQ Many other phono stages are using a single equalization network in a global feedback loop. By means of an EQ network, the amplified signal from the output of the phono preamp is brought back to the input of the phono preamp. This is the before mentioned feedback loop, and the results, as you can imagine, are not in accordance with the high standards in Musical Fidelity design philosophy. The M3x ViNYL uses split passive equalization in separate amplification stages without global negative feedback loops for its RIAA curve. This is more costly to design and implement but ensures the most accurate representation of the ideal EQ curve. Split passive equalization allows for better impedance matching and lower deviation from the ideal RIAA curve. High-Tech Mechanical and Electrical Engineering - Hand Made in the EU M3x ViNYL has a steel chassis and a thick, heavy aluminium frontplate, which brings outstanding rigidity to the entire system and at the same time splendid isolation against outside interference. Key factor in keeping signal to noise ratios on the highest possible leveld is the huge distance between power transformer and amplifier section. The quality of the outside chassis finish, which is beyond beautiful, as well as the electronics inside - all wired by hand - is maintained by the highest manufacturing standards which we now achieve by fully switching the production to be entirely Made in the EU! M3si In Brief MM and MC input Exact loading options for any cartridge Fully discrete circuit board design Special low core saturation toroidal transformer custom designed for phono stage requirements Environmental friendly - absolutely zero standby power consumption Split Passive RIAA and DECCA EQ Heavy aluminium frontplate with steel chassis Minimal electromagnetic interference from power supply to phono preamp Big chassis design enables huge distance between power transformer and amplifier section Made in the EU

1.450 €

Musical Fidelity M3SCD Silver

The M3scd has been designed to give outstanding CD reproduction and to be a digital hub.In addition to CD it has 3 digital inputs: coax, optical and asynchronous USB. This makes it particularly useful for set top boxes and/or TV sound improvement. The technical performance is excellent; it has very low distortion, extremely low jitter, excellent signal-to-noise ratio, extremely flat frequency response, exemplary linearity and excellent channel separation.All in all the M3scd gives excellent CD replay and can act as a versatile digital hub at the same time.Features:CD player and digital hubExcellent technical performanceVery good CD readabilityMultiple digital inputs - coax, optical and asynchronous USBVery low jitterSpecifications:Jitter: 117dBTHD(+ noise):

1.450 €

Musical Fidelity MX-HPA

Years of experience in making high quality headphone amps have been distilled into the design of the MX-HPA. As a result, this fully-balanced headphone amp offers an awe-inspiring listening experience.The MX-HPA’s technical performance is stunning. Typically, distortion from 20 Hz to 40 kHz is less than 0.005%. Signal-to-noise ratio is better than 120dB (‘A’ weighted). Frequency response is ruler flat from 10 Hz to 20 kHz (-0.1dB).The MX-HPA is capable of a short-term peak of 10 watts (for one cycle) and has two gain positions: 18dB (8X) and 24dB (15X). Inputs are either balanced or single-ended. The MX-HPA will automatically convert single-ended inputs to balanced. The MX-HPA is genuinely fully balanced from beginning to end.Specifications:OutputPower 1.8 Watts per channel into 8 Ohms (27dBW)Maximum output voltage 19 Volts RMS, 20Hz to 20 kHzOnset of clipping (54 Volts peak-to-peak) balancedLine inputTHD+N >0.005% typical, 20Hz to 20 kHzSignal / noise ratio >120dB ‘A’-weightedInput impedance 50k OhmsFrequency response +0, –0.1dB, 10Hz to 20 kHzGain, LO position (volume max) 18db (8x)Gain, HI position (volume max) 24dB (15x)ConnectionsLine level inputs1 pair line level XLR (balanced) connectors1 pairs line level RCA connectorsHeadphone outputs1 pair 3-pin XLR/¼” stereo Jack combined socketsPower requirementMains voltages 90-250VAC 50-60Hz universal worldwide supplyConsumption >0.25 Watts standby (Orange LED lit)15 Watts maximum (Blue LED lit, full power output)GeneralDimensions - WxHxD (mm): 220 (82/3”) x 53 (2”) x 240 mm (9½”)Weight (unpacked / packed): 2.2 kg (5 lbs) / 3.7 kg (8¼ lbs)

840 €

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Musical Fidelity LS5/9 (Pair)

The Musical Fidelity LS5/9 is a two-way bass reflex speaker which was designed to reproduce sound at high levels to fulfil the complete range of music genres from classical to pop music. As the speaker was originally designed for recording studio applications, a low level of coloration was the goal to keep the musicitself untouched.The bass reflex principle allows the speaker to reach a higher sound pressure. The LS5/9 is truly honest and brings the music to you exactly like the mixing engineer wanted it to sound. The speaker also gives you the possibility to adjust the high-frequency level by resistor jumps to fit your listening preferences.Built to suit every musical genreThe LS5/9 became an industry standard for music studios, because it was the go-to solution for every genre. That is also the reason it gained more and more popularity also in living rooms. It is able to deliver high sound pressure levels with low colouration and powerful bass. The music stays controlled all the time and the LS5/9 never seems to be over strained. Especially, the stereo center is well-defined and vocals stay natural. Also, the stereo information of instruments is clear, and the sound stage does not feel synthetic at any time.The LS5/9 was produced by several speaker manufacturers over many decades already, and we are happy to include this special speaker in our Musical Fidelity range.The Musical Fidelity LS5/9 was manufactured according to the BBC R&D design 1983/10.The LS5/9 In BriefTwo way, bass reflex typeNominal Impedance: 8 OhmsSensitivity: 89dB/W/MManufactured according to the BBC R&D design 1983/10For mid/farfield listening distancesDesigned for low level of colouration that keeps the music untouchedBass reflex allows the speaker to reach higher sound pressure levelsHigh sound pressure levels with low colouration and powerful bassExtremely controlled music reproduction, the LS5/9 never seems to be over strainedTruly extraordinary sound stage and imaging with a well defined and articulate center imagePerfect combination with bigger Musical Fidelity amplifiers like the M5si, M6si, M6si500Astonishingly clear, detailed, honest and warm sound stage

4.650 €

36 Instalments 160,53€ / month

Upon Order

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Musical Fidelity LS3/5A (Pair)

2.590 €

36 Instalments 89,42€ / month

In Stock

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