Neumann

An icon of that era, the U 47 fet with its unmistakable sound, is now available again. For the new "Collectors Edition U 47 fet", Neumann has resumed production of this classic mic, according to the original production documents and schematics. This relaunch offers the opportunity of combining history-making technologies side by side to create new realms of sound: Just as a smartphone provides almost unlimited possibilities, digital audio technology can offer endless creative options – with theU47fet conferring its own signature sound.Capture clear, detailed, "radio-ready" sound with this legendary microphoneFast transient response is perfect for drums and other percussionWide frequency response captures bass instruments with outstanding power, punch, and focusCreated using original U47 FET schematics and production notes to bring you the real dealHigh-quality Collector's Edition wood box and Certificate of Authenticity included

The Beginning of Something Big The M 49 is a great microphone in every respect. For as impressive as its physical appearance is its incomparable sound. With its revolutionary technology, the M 49 has set new standards altogether. The M 49 is a true Neumann legend. Everything and More      The objective itself was grand: in the early 1950s, a reference microphone was developed in cooperation with the Nordwestdeutscher Rundfunk (Northwest German Broadcasting) that was to replace all previous ones. Instead of having to replace the capsule in order to change the directional characteristic, the M 49 allowed remote controlling the polar pattern from the power supply – continuously. With its balanced frequency response in all directional patterns from omnidirectional to cardioid to figure-8, including intermediate settings, the M 49 is a truly universal microphone: be it orchestra, piano, trumpet, or vocals, the M 49 is suitable for recordings of all kinds to the highest standard. As a result, the M 49 was, and still is, in great demand. No other Neumann microphone of the tube age was manufactured for a longer period: from 1951 to 1971. Countless legendary recordings from cool jazz to present day pop bear its elegant sound signature. The M 49 is an inseparable part of the Neumann DNA. The Best of the Best At last, the legend is available again! The M 49 V is a reissue of the last revision c. Over the years, the M 49 was continuously improved: the originally installed Hiller tube MSC2 was replaced by the Telefunken tube AC701and then the AC701k. This and other circuit changes improved the signal-to-noise ratio, dynamic range, and immunity to interference. In parallel, a broadcast version, the M 249, was issued with an RF-proof connector. The M 49 V uses the same circuit as the M 49 c, but with an even lower noise subminiature tube. Since high-frequency interference has increased dramatically due to mobile phone networks and WiFi, the RF-proof connector has been adopted from tche M 249. The included NM V pattern control unit is designed to automatically provide the optimal heater voltage for both the M 49 V and any historical M 49; it also automatically adapts to the local mains voltage. Additionally, the M 49 V set includes the iconic yoke mount, whose flexible positioning has contributed to the M 49’s enormous popularity. The M 49 V set is delivered in a high-quality case, which, like the entire microphone, is handmade in Germany.

The MT 48 is a no-compromise sound card. With its huge dynamic range, superior converters, preamps and headphone amplifiers, it sets new standards in sound quality. Internal DSP power enables monitor mixes with sophisticated EQ and dynamic processing - all controlled via the touchscreen.Class-leading AD/DA converters with enormous dynamic range2 premium-quality mic/line preamps, 2 pristine line/instrument inputs4 line/monitor outputs, 2 high-performance headphone outputsUSB, ADAT and AES67 connectivity, integrated MIDI interfaceIntuitive touchscreen user interfaceDSP processing (EQ, dynamics, reverb), 4 independent mixersTwo driver outputs per input channel for pre-FX and/or post-FX recordingThe Perfect LinkThe MT 48 brings Neumann quality to the digital workflow. It is the first audio interface in its class that is able to capture the full dynamic range of Neumann microphones and is optimally matched to the KH-Line of studio monitors and Neumann headphones. The result is an ideal signal chain without any bottlenecks: uncompromising sound quality from the microphone diaphragm to your ear.Next Generation Audio InterfaceSwiss Precision InsideThe MT 48 was developed in close collaboration with Swiss manufacturer Merging Technologies, whose high dynamic precision AD converters offer an astonishing 136dB range. This gives the MT 48 four times the resolution of comparable sound cards.Fully equipped for Reference-Class Personal StudioThe MT 48 was developed in close cooperation with the Swiss manufacturer Merging Technologies, whose high-precision AD converters offer a staggering dynamic range of 136 dB. This gives the MT 48 four times the resolution of comparable audio interfaces.Intuitive Touchscreen ControlFour separate monitor mixes can be controlled directly on the unit via touchscreen. On-board processing includes a fully parametric 4-band EQ and a 3-way dynamics processor (gate/compressor/limiter) per channel as well as a high-quality reverb. So musicians get inspiring sound for top performancesDual Output TechnologyYou can use the MT 48’s DSP processing for monitoring only, or you can print effects while recording. Or both at the same time! Thanks to the unique Dual Output Technology, wet and dry signals can be recorded simultaneously via separate driver channels. So, if necessary, you can fall back on an unprocessed backup.Included:MT 48 Audio InterfaceSoftcaseEU Power Supply incl. USB-C connection cableUSB-A data cableUSB-C data cableQuick GuideSafety Guide

DescriptionReference class open-back studio headphones for editing, mixing, and mastering.

ΠεριγραφήΔυναμικά ακουστικά κλειστού τύπου, για εφαρμογές monitoring με σπιράλ και ίσιο καλώδιο που προσαρμόζεται στη μία πλευρά των ακουστικών. Δυνατότητα αναδίπλωσης για αποθήκευση και μεταφορά. 

Linear απόκριση συχνότητας και φάσης Deep low end μέχρι 39 Hz και υψηλή ικανότητα SPL DSP engine για βελτιωμένη απόδοση και αυτόματo room alignment Εξαιρετικά ακριβές imaging λόγω των εξαιρετικά χαμηλών ανοχών του (± 0,8 dB) Αναλογικές (XLR) και ψηφιακές (RCA) είσοδοι, προαιρετικά: συνδεσιμότητα AES67 Μπορεί να συνδυαστεί με άλλα ηχεία της σειράς KH σε immersive/surround ρυθμίσεις . Tεχνικά χαρακτηριστικά : Απόκριση συχνότητας ελεύθερου πεδίου ±3 dB : 39 Hz ... 20.4 kHz Θόρυβος που δημιουργείται μόνος του στα 10 cm(with input gain set to 100 dB SPL for 0 dBu) " :

NEUMANN ACCURACY, SERIOUS BASS AND POWER TO SPAREThe KH 150 is a powerful bi-amplified studio monitor with reference-class performance. Its 6.5” woofer in a bass reflex cabinet provides stunning low end and high SPL capability with undiminished clarity. DSP controlled electronics ensure linear phase response and allow for room-adaptive calibration via Neumann’s revolutionary MA 1 Automatic Monitor Alignment.

Linear απόκριση συχνότητας και φάσης Deep low end μέχρι 39 Hz και υψηλή ικανότητα SPL DSP engine για βελτιωμένη απόδοση και αυτόματo room alignment Εξαιρετικά ακριβές imaging λόγω των εξαιρετικά χαμηλών ανοχών του (± 0,8 dB) Αναλογικές (XLR) και ψηφιακές (RCA) είσοδοι, προαιρετικά: συνδεσιμότητα AES67 Μπορεί να συνδυαστεί με άλλα ηχεία της σειράς KH σε immersive/surround ρυθμίσεις . Tεχνικά χαρακτηριστικά : Απόκριση συχνότητας ελεύθερου πεδίου ±3 dB : 39 Hz ... 20.4 kHz Θόρυβος που δημιουργείται μόνος του στα 10 cm(with input gain set to 100 dB SPL for 0 dBu) " :

Linear απόκριση συχνότητας και φάσης Deep low end μέχρι 39 Hz και υψηλή ικανότητα SPL DSP engine για βελτιωμένη απόδοση και αυτόματo room alignment Εξαιρετικά ακριβές imaging λόγω των εξαιρετικά χαμηλών ανοχών του (± 0,8 dB) Αναλογικές (XLR) και ψηφιακές (RCA) είσοδοι, προαιρετικά: συνδεσιμότητα AES67 Μπορεί να συνδυαστεί με άλλα ηχεία της σειράς KH σε immersive/surround ρυθμίσεις . Tεχνικά χαρακτηριστικά : Απόκριση συχνότητας ελεύθερου πεδίου ±3 dB : 39 Hz ... 20.4 kHz Θόρυβος που δημιουργείται μόνος του στα 10 cm(with input gain set to 100 dB SPL for 0 dBu) " :

Πρόκειται για ένα υπέροχο σύνολο που χαρακτηρίζεται από τις πιο καινούργιες τεχνολογίες σε ηλεκτρονικό και κατασκευαστικό επίπεδο. Ιδανικό για χρήσεις studio, (mastering, mixing, broadcast) καθώς καταφέρνει να παράγει εξαιρετικό, διαυγή ήχο. Διαθέτει woofer 10’’, midrange 3" και tweeter 1’’. Equalizer τριών περιοχών ενώ για τη συνδεσμολογία του, δέχεται κωλώδια τύπου XLR.  Το ηχείο είναι ξύλινο βαμμένο σε χρώμα άνθρακα, εσωτερικό όγκο 93 λίτρα και βάρος 35 κιλά.  

The TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio. The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range. The polar response is very linear over a wide incidence angle. Thus, even signals coming from the side are reproduced faithfully and without coloration. The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount.Acoustical operating principle: Pressure gradient transducerDirectional pattern: CardioidFrequency range: 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohms: 18 mV/PaRated impedance: 50 ohmsRated load impedance: 1 kohmsEquivalent noise level, CCIR: 21 dBEquivalent noise level, A-weighted: 10 dB-ASignal-to-noise ratio, CCIR (rel. 94 dB SPL): 73 dBSignal-to-noise ratio, A-weighted (rel. 94 dB SPL): 84 dBMaximum SPL for THD 0.5%: 140 dBMaximum output voltage: 13 dBuSupply voltage (P48, IEC 61938) 48 V ± 4 VCurrent consumption (P48, IEC 61938): 3 mAMatching connectors: XLR3FWeight: 480 gDiameter: 49 mmLength: 175 mm

The EA 89 A has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.

A Modern Classic The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise. The New Standard Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments. Technical Excellence  The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels. Applications The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass. Large diaphragm capsule derived from the classic U 87 microphone Balanced sound with enhanced presence Cardioid pattern Transformerless circuitry with high SPL capability Extremely low self-noise: only 7 dB-A

A Modern Classic The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise. The New Standard Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments. Technical Excellence  The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels. Applications The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass. Large diaphragm capsule derived from the classic U 87 microphone Balanced sound with enhanced presence Cardioid pattern Transformerless circuitry with high SPL capability Extremely low self-noise: only 7 dB-A

A Modern Classic The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise. The New Standard Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments. Technical Excellence  The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels. Applications The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass. Large diaphragm capsule derived from the classic U 87 microphone Balanced sound with enhanced presence Cardioid pattern Transformerless circuitry with high SPL capability Extremely low self-noise: only 7 dB-A

Neumann KM184 MT stereo set - 2 KM184 condenser microphones (black), cardioid pattern, 2 x WNS 100 wind shields, 2x SG 21/17 stand adapters.

The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. Specifications: Acoustical operating principle : Pressure gradient transducer Directional pattern : Cardioid Frequency range : 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm : 23 mV/Pa Rated impedance : 50 ohms Rated load impedance : 1000 ohms Equivalent SPL CCIR 468-3 : 17.5 dB Equivalent SPL DIN/IEC 651 : 7 dB-A S/N ratio CCIR 468-3 : 76.5 dB S/N ratio DIN/IEC 651 : 87 dB Maximum SPL for THD 0.5% : 138 dB Maximum output voltage : 13 dBu Dyn. range of the mic. amplifier DIN/IEC 651 : 131 dB Supply voltage : 48 V ± 4 V Current consumption : 3 mA Matching connector : XLR 3F Weight approx : 500 g Diameter : 60 mm Length : 132 mm

Set of 2 elastic bands in dark grey color for the black shock mounts  EA2mt, EA30Amt, EA30Bmt, EA82mt, EA87mt, EA89(A)mt, EA103mt, EA170mt, EA193. Replaces p/n 065419.

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. Delivery includes the EA 1 'spider' mount.

Classic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.

Classic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.

With the TLM 102, the Berlin microphone manufacturer Neumann is defining a new generation of studio microphones. This applies not only to the design of the microphone but also to the price. The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB which permits the recording of percussion, drums, amps and other very loud sound sources, for example. However the most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix.​

Studio microphone with Retro look. Warm sound, optimized for vocal recordings. Uses the capsule of the legendary M 49 and U 47. Cardioid polar pattern. Set includes elastic suspension. The TLM 49* is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The “sound design” is also oriented toward that of the M 49 and the U 47. By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.

The KMR 81 and KMR 82 are shotgun microphones with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.Specifications:Type: Condenser Pick Up Pattern: Supercardioid/lobe Frequency response: 20 Hz-20 kHz Sensitivity: 21 mV/Pa Ιmpedance: 150 ohms Τotal harmonic distortion: 128 dB Dimensions: Diameter:21 mm, Length: 395 mm Weight: 250 gr

The KMR 81 and KMR 82 are shotgun microphones with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.Specifications:Type: Condenser Pick Up Pattern: Supercardioid/lobe Frequency response: 20 Hz-20 kHz Sensitivity: 18 mV/Pa Ιmpedance: 150 ohms Τotal harmonic distortion: 128 dBDimensions: Diameter:21 mm, Length:226 mm Weight: 145 gr

With the TLM 102, the Berlin microphone manufacturer Neumann is defining a new generation of studio microphones. This applies not only to the design of the microphone but also to the price.The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB which permits the recording of percussion, drums, amps and other very loud sound sources, for example. However the most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix.Specifications:Type: Condenser Pick Up Pattern: Cardioid Frequency response: 20 Hz-20 kHz Sensitivity: 11 mV/Pa Ιmpedance: 50 ohms Τotal harmonic distortion: 144 dB Dimensions: Diameter: 52 mm, Length:116 mm Weight: 210 gr

A contemporary development of the legendary U 67. K 67 capsule, new circuit design, which closely reproduces the U 67 sound characteristics, three directional pattern, pre-attenuation and high-pass filter. Novel Neumann dual-color design. In the world of studio microphones, the numbers “47”, “67” and “87” have associations that inspire enthusiasm among professionals in the field. It is of course no coincidence that the name of the new TLM 67* contains the number “67”. In many respects, the TLM 67 is based on the “workhorse” of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.The TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation.

Το πιο δημοφιλές μικρόφωνο στην ιστορία των ηχογραφήσεων bundle μαζί με την αράχνη του. To U87 είναι ενα πυκνωτικό μικρόφωνο μεγάλου διαφράγματος για ηχογραφήσεις φωνής και οργάνων. ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ:Acoustical operating principle Pressure gradient transducerDirectional pattern Omnidirectional, cardioid, figure-8 plusFrequency range 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa*Rated impedance 200 ohmsRated load impedance 1000 ohmsEquivalent SPL CCIR 468-3 26/23/25 dB*Equivalent SPL DIN/IEC 651 15/12/14 dB-A*S/N ratio CCIR 468-3 68/71/69 dB*S/N ratio DIN/IEC 651 79/82/80 dB*Maximum SPL for THD 0.5% 117 dB (cardioid)Maximum SPL for THD 0.5% with preattenuation 127 dBMaximum output voltage 390 mVDynamic range of the microphone amplifier cardioid DIN/IEC 651 105 dBSupply voltage 48 V ± 4 VCurrent consumption 0.8 mAMatching connectors XLR 3FWeight 500 gDiameter 56 mmLength 200 mm 

The first Neumann microphone with a dynamic capsule. Functionally optimized design specifically for the broadcast field, featuring integrated pop protection, suppression of structure-borne noise and a hypercardioid directional characteristic. Emotion conveyed with technical perfection. This is the ideal which the Neumann microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the requirements of professional broadcast studios and the individual, functionally optimized design* ensure that these are microphones of character.The BCM 705 is Neumann’s first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid directional characteristic, specifically designed for speech reproduction at close range. Multi-level isolation from structure-borne noise ensures operation free of interference, even in a lively studio environment.                                 

The Neumann TLM 102 Nickel is impressive in terms of sound. The interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources Instruments that are not especially loud also benefit from the very fast transient response of the Neumann TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. the Neumann TLM 102 Nickel is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority. The Neumann TLM 102 Nickel Main Features Include: Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact, characteristic but smaller-scale Neumann design Very high maximum sound pressure level Slight presence boost above 6 kHz Transformerless circuitry Acoustical operating principle: Pressure gradient transducer Directional pattern: Cardioid Frequency range: 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kohm: 11 mV/Pa Rated impedance: 50 ohms Rated load impedance: 1 kohms Maximum output voltage: 13 dBu Supply voltage: 48 V Matching connector: XLR3F Weight: approx. 260 g Diameter: 52 mm Length: 116 mm

Neumann EA 87 shockmount for U87 - weight: 500g. Colour: Nickel.

Neumann KM184 MT stereo set - 2 KM184 condenser microphones (black), cardioid pattern, 2 x WNS 100 wind shields, 2x SG 21/17 stand adapters.

Broadcast microphone with a condenser capsule and a functionally optimized design, featuring integrated pop protection, suppression of structure-borne noise and a cardioid directional characteristic.         FEATURESAcoustical operating principle : Pressure gradient transducerDirectional pattern : CardioidFrequency range : 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm : 22 mV/Pa-14 dB attenuation : 4.4 mV/PaRated impedance : 50 OhmsRated load impedance : 1000 OhmsEquivalent SPL CCIR 468-3 : 18 dBEquivalent SPL DIN/IEC 651 : 7 dB-AMaximum SPL for THD 0.5% : 138 dBMaximum SPL for THD 0.5% : with preattenuation 152 dBS/N ratio CCIR 468-3 : 76 dBS/N ratio DIN/IEC 651 : 87 dBMaximum output voltage : 10 dBuDyn. range of the mic. amplifier DIN/IEC 651 : 131 dBSupply voltage : 48 V ± 4 VCurrent consumption : 3.2 mAMatching connector : XLR 3FWeight : 500 gDiameter : 64 mmLength : 85 mm

The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for economy-minded production and home recording studios.  The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All 'Series 180' microphones are available with either matte black or nickel finish. They come in a folding box with a windshield and two stand mounts that permit connection to the microphone body, or the XLR-connector.

The M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule — well-known from the legendary U 47 and M 49 microphones — is followed by a tube functioning as an impedance converter. In contrast to earlier concepts — utilizing a transformer — the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration. Two slide switches are located below the large, acoustically very open headgrille. The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the cut-off. 

The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter.  The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish.  The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets. Our modern manufacturing methods makes it possible to offer this complete set at a very attractive price.

The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. FEATURESAcoustical operating principle : Pressure gradient transducerDirectional pattern : CardioidFrequency range : 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm : 23 mV/PaRated impedance : 50 ohmsRated load impedance : 1000 ohmsEquivalent SPL CCIR 468-3 : 17.5 dBEquivalent SPL DIN/IEC 651 : 7 dB-AS/N ratio CCIR 468-3 : 76.5 dBS/N ratio DIN/IEC 651 : 87 dBMaximum SPL for THD 0.5% : 138 dBMaximum output voltage : 13 dBuDyn. range of the mic. amplifier DIN/IEC 651 : 131 dBSupply voltage : 48 V ± 4 VCurrent consumption : 3 mAMatching connector : XLR 3FWeight approx : 500 gDiameter : 60 mmLength : 132 mm

The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.  Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked 'R', the directional patterns can be controlled remotely with the N 48 R-2 power supply.  There is no special cable necessary for this purpose. The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.  Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked 'R', the directional patterns can be controlled remotely with the N 48 R-2 power supply. There is no special cable necessary for this purpose.  The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

When compared to other handheld vocal microphones, the KMS 105 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated. No foam is used in the basket, thus eliminating any clouding or muffling of the sound. Also, by using a DC-polarized studio condenser capsule, all the nuances of the voice come through with subtlety, power and focus.The K 105 capsule was developed from the K 50, found in the KMS 150, KM 150 and KM 185 microphones. The K 105 features a supercardioid pattern, achieved by specially modifying the response of the K 50 pressure gradient transducer. The frequency response characteristic is developed in the acoustic realm, allowing for accurate representation of transient details found in music and speech, and thus transmitting a very open and detailed capture of the human voice. Due to the tight supercardioid polar pattern and the coloration-free off axis response, a very high level of gain before feedback is achieved. This polar pattern offers the highest degree of isolation while still allowing for a generous sweet spot in front of the microphone. The dynamic range of the KMS 105 is 132 dB, allowing reproduction of the artists full expression, without restraint. The maximum SPL is 150 dB and with a low self noise of 18 dB-A, a greater gain can be used without risk of adding noise to the mix. This way, the artist is able to use the microphone at a greater distance therefore maintaining a wide range of creative freedom during the performance. Because of the superior resolution and linear high frequency response, it is very easy for the artist using in-ear monitors to identify whether or not he or she is on mic with the KMS 105. And by employing a transformerless output circuit, this microphone can incorporate long cable runs with no loss of signal quality or high-frequency response. Most of the available vocalist microphones rely on the attenuating effects of foam layers inside the basket. Although this is certainly a cost-effective procedure, the detrimental effects of this foam layer can be shown quite easily. Treble frequencies are attenuated, and furthermore the polar pattern can be deformed. These drawbacks can be eliminated by selecting open mesh constructions. With careful dimensioning and selection of different mesh sizes, excellent pop and wind attenuation can be delivered. In the KMS 105 a combination of four wire meshes with different mesh sizes is used. The chosen combination yields a very constant polar pattern, while maintaining the capsules acoustic frontal frequency response. Naturally, the outer microphone basket is hardened steel, due to the required ruggedness for on-stage use.Features:Neumann sound on stageExcellent transparency for vocals/ speech and as an AnnouncerΆs mic for broadcasting/dubbingHigh SPL capability at 150 dB and a low self noise of 18 dB-AWithout off-axis colorationTransformerless outputEspecially suited for in-ear-monitoringSupercardioid polar pattern with excellent feedback rejectionEffective pop shielding without any side effectsSet includes SG 105 Stand clamp and Padded nylon bagSpecifications:Acoustical operating principle: Pressure gradient transducerDirectional pattern: supercardioidFrequency range: 20 Hz - 20 kHzSensitivity at 1 kHz into 1 kohm: 4.5 mV/PaRated impedance: 50 ohmsRated load impedance: 1000 ohmsEquivalent SPL CCIR 468-3: 28 dBEquivalent SPL DIN/IEC 651: 18 dB-AS/N ratio CCIR 468-3: 66 dBS/N ratio DIN/IEC 651: 76 dBMaximum SPL for THD 0.5%: 150 dBMaximum output voltage: 12 dBuDyn. range of the mic. amplifier DIN/IEC 651: 132 dBSupply voltage: 48 V ± 4 VCurrent consumption: 3.5 mAMatching connector: XLR 3FWeight: approx. 300 gDiameter: 48 mmLength: 180 mm

Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self noise and uncolored off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique 4-layer acoustic filter, the KMS 105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear frequency response, it is very easy for the artist using the KMS 105 to identify whether he or she is 'on mic'.

The KH 80 DSP two-way active bi-amplified monitor features a DSP engine with network control, a Mathematically Modeled Dispersion™ Waveguide (MMD™), an analogue input and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 80 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. The KH 80 DSP is designed for use as a near-field monitor, as a front loudspeaker in small multi-channel systems, or as a rear loudspeaker in a compact multi-channel systems. It can be used in project and music studios, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering. It is also well suited for use in domestic environments.Specifications:Type: 2 way, ActiveWoofer: 4’’Tweeter: 1’’Amplifiers Power: LF 90 W, 120 W και HF 50 W, 70 W (THD+N, 0.1%, 10%)Frequency Response: -6 dB free field frequency response 53 Hz … 22 kHz, ± 6 dBDimensions (W x H x D): 233 x 154 x 194 mmWeight: 3.4 kg

The KH 310 three-way active tri-amplified monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 310 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. The KH 310 is designed for use as a near-field monitor, as a front loudspeaker in mid-sized multi-channel systems, or as a rear loudspeaker in a larger multi-channel system. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering. Specifications: Type Studio monitor Woofer 8 1/4' Midrange 3' Tweeter 1'' Amplifiers Power 300 W Input/Output Plugs XLR Frequency Response 34 Hz - 21 kHz, ± 3 dB ΕqualizerYes, 3 Band Dimensions (W x H x D) 383mm x 253mm x 292 mm Weight 13.0 kg

The KH 310 three-way active tri-amplified monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 310 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. The KH 310 is designed for use as a near-field monitor, as a front loudspeaker in mid-sized multi-channel systems, or as a rear loudspeaker in a larger multi-channel system. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering. Specifications: Type Studio monitor Woofer 8 1/4' Midrange 3' Tweeter 1'' Amplifiers Power 300 W Input/Output Plugs XLR Frequency Response 34 Hz - 21 kHz, ± 3 dB ΕqualizerYes, 3 Band Dimensions (W x H x D) 383mm x 253mm x 292 mm Weight 13.0 kg