Oktava

Λαμπάτο πυκνωτικό μικρόφωνο με δύο μεγάλα επίχρυσα διαφράγματα ,σχεδιασμένο για επαγγελματικά στούντιο. Ηχογραφήσεις υψηλής ποιότητας για επαγγελματικά στούντιο Εξαρτήματα και σετς: Μεγάλου διαφράγματος κάψα 2 επίχρυσα διαφράγματα Η πολικότητα αλλάζει με ρυθμιστή στο τροφοδοτικό

Tube microphone.Flagship of the Oktava microphone family. Areas of application:  •    vocal microphone for recording studios   •    recording solo instruments    Options:  •    the microphones can be supplied as stereo pairs   The supply package contains: •    МКЛ-111 microphone with a power supply unit  •    АМ-65/27 shock mount  •    microphone cable (5 m)  •    mains cable to the power supply unit  •    aluminium case     Specifications: Polar patterns: Omnidirectional, cardioid, bidirectional and 8 switch-selectable intermediate patterns Frequency range, Hz: 20–20000 Sensitivity at 1000 Hz, mV/Pa: 18 Output impedance, Ohms: 300 Nominal load resistance, Ohms: 1000 Equivalent noise level, dBA: 22 Maximum SPL at nonlinear distortion coefficient of 0.5%, dBA: 124 Power supply: БП-103-01 , power supply unit Connector type: XLR-6 Dimensions, mm: 62х221 Weight, kg: 1,7

The MK-012 is a compact, high quality capacitor microphone with interchangeable capsules to provide a choice of cardioid, hypercardioid or omni-directional polar patterns. The wide, flat response ensures that all sounds are captured with a high degree of accuracy. A -10 dB pad is included for use in high SPL environments, a low-cut pad is optionally available. The capsules, which screw onto the microphone body, utilise a precision, integral connection system to ensure reliable electrical contact. The MK-012 is suitable for use in any situation where an accurate sound is required, the small size of the system makes it ideal for use in broadcast, sound for picture, installation, sound reinforcement and theatre situations as well as the recording studio. In pairs, the MK-012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead useage in live and studio situations. Specifications: Mic type: Small diaphragm condenser Polar Pattern: Cardioid, Hypercardioid, Omnidirectional Freq. Response: 20-20000Hz Phantom voltage required: 48 +- 2V Full impedance, module: less than 300 ohms Weighted SPL (ref. DIN 45412): 18 dBA Maximum SPL in 250-8000Hz range, (less than 0.5% THD): 130 db Free field sensitivity at 1KHz:

The MK-012 is a compact, high quality capacitor microphone with interchangeable capsules to provide a choice of cardioid, hypercardioid or omni-directional polar patterns. The wide, flat response ensures that all sounds are captured with a high degree of accuracy. A -10 dB pad is included for use in high SPL environments, a low-cut pad is optionally available. The capsules, which screw onto the microphone body, utilise a precision, integral connection system to ensure reliable electrical contact. The MK-012 is suitable for use in any situation where an accurate sound is required, the small size of the system makes it ideal for use in broadcast, sound for picture, installation, sound reinforcement and theatre situations as well as the recording studio. In pairs, the MK-012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead useage in live and studio situations. Specifications: Mic type: Small diaphragm condenser Polar Pattern: Cardioid, Hypercardioid, Omnidirectional Freq. Response: 20-20000Hz Phantom voltage required: 48 +- 2V Full impedance, module: less than 300 ohms Weighted SPL (ref. DIN 45412): 18 dBA Maximum SPL in 250-8000Hz range, (less than 0.5% THD): 130 db Free field sensitivity at 1KHz:

The MK-012 is a compact, high quality capacitor microphone with interchangeable capsules to provide a choice of cardioid, hypercardioid or omni-directional polar patterns. The wide, flat response ensures that all sounds are captured with a high degree of accuracy. A -10 dB pad is included for use in high SPL environments, a low-cut pad is optionally available. The capsules, which screw onto the microphone body, utilise a precision, integral connection system to ensure reliable electrical contact. The MK-012 is suitable for use in any situation where an accurate sound is required, the small size of the system makes it ideal for use in broadcast, sound for picture, installation, sound reinforcement and theatre situations as well as the recording studio. In pairs, the MK-012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead useage in live and studio situations. Specifications: Mic type: Small diaphragm condenser Polar Pattern: Cardioid, Hypercardioid, Omnidirectional Freq. Response: 20-20000Hz Phantom voltage required: 48 +- 2V Full impedance, module: less than 300 ohms Weighted SPL (ref. DIN 45412): 18 dBA Maximum SPL in 250-8000Hz range, (less than 0.5% THD): 130 db Free field sensitivity at 1KHz:

The MK-102 features a small physical profile and flat, extended frequency response – qualities not typically found together in large diaphragm mics. The Capsule The MK-102 features a large 27.5 mm condenser capsule using all-brass backplate construction, precision-drilled pattern control holes and optimal 5 micron diaphragm for classic LDC microphone presence on vocals or instruments. Capsule Housing & Body A close-fitting housing surrounds the capsule and allows the front diaphragm to function in free-air without internal headbasket reflections. In addition, the MK-102’s unique capsule and body orientation reduces reflections between the microphone and the sound source. The MK-102 body disappears completely behind the capsule head when the mic is aimed at the sound source. This leaves only the capsule diaphragm exposed to the sound source for minimal reflections and clear-sounding recordings. The Circuit The MK-102 uses the same transformerless circuit found in the renowned MK-012 (over 90,000 in use worldwide) to deliver the alluring sound of direct phantom power applied to a large diaphragm capsule. The Sound On-axis - The MK-102 offers a smooth and extended frequency response with clean and accurate top end free from the harsh, excessively bright sound found in many modern microphones. Off-axis - Frequency response from 90 through 180 degrees closely resembles the on-axis sound and the attenuation of sound over this angular range is exceptionally smooth. The MK-102 excels where the recordist desires a large diaphragm cardioid condenser mic with a flat frequency response that is maintained from 0 to 180 degrees to achieve a natural room sound spectral balance. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 120 Self Noise (DIN), dBa: 1 x microphon body (preamp) 1 x MK-102 capsule 1 x -10dB pad 1 x mic holder 1 x wooden box

The MK-105 retains the authorative lower midrange power Oktava is known for but adds some top end sparkle. The combination of the new capsule, headbasket and transformerless circuit produces a more transparent or hi-fi sound when compared to the classic transformer output coloration and soft top end of the MK-219/319. The Capsule The large 27.5 mm capsule with precision-drilled backplate holes in conjunction with the headbasket design produces a gentle +4dB rise from 4 kHz to 12 kHz to lend a touch of presence and air to vocal or instrument sources. The Headbasket Inside the headbasket, the capsule is mounted on a conical diffuser designed to reduce standing waves and smooth the capsule / headbasket system frequency response. The Circuit The MK-105 employs the highly regarded transformerless circuit found in one of the most widely used mics in existence – the MK-102 (over 90,000 in use worldwide) to deliver the alluring sound of direct phantom power applied to a large diaphragm capsule. The Sound On-axis - A carefully crafted “double peak” high frequency response provides subtle emphasis of both presence and “air” frequencies while suppressing the sibilance range. This results in a more modern or “Hi-Fi” sound when compared to the classic midrange-rich 219/319 sound but without the harsh sibilance found in many modern mics. Off-axis - Frequency response at 90 degrees resembles 0 degree response but attenuated a nominal l0dB. 180 degree rejection increases to 16dB below 2kHz but the top end over 4kHz stays just 8-10 dB or so below the on-axis response. This means the MK-105 has a very natural off-axis response out to 90 degrees with a pleasingly bright room ambience. The MK-105 excels where the recordist wants a large diaphragm cardioid mic with a musically useful proximity effect, a sparkling top end free from sibilance and a bright room ambience sound. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 120 Self Noise (DIN), dBa:

The MK-101 is large diaphragm condenser microphone with interchangable capsule. Introduced as a transition from earlier Oktava models, it retains some of the vintage character of the popular MK-219/319 capsule but offers transformerless output clarity. The Capsule The Oktava MK-101 uses the successful 26mm 219/319 capsule much loved for its classic midrange presence and sibilance-free top end. The Headbasket & Body The MK-101 headbasket features a large open area “forehead” for excellent off-axis response in the vertical as well as horizontal planes. Vertical asymmetry of the headbasket allows the recordist to explore different polar responses when using the mic upright or inverted. The small headbasket and body size make for easy placement and minimal reflection between sound source and microphone body. The Circuit Building on the marketplace success of the legendary MK-012, the MK-101 uses the same impedance converter / output circuit and body design made famous by the MK-012. The Sound On Axis – The MK-101 offers a powerful midrange presence and natural top end response with excellent rejection of sibilance. Off-Axis - The MK-101 has moderate attenuation at 90 degrees giving the mic a wide cardioid pick up pattern. 180 degree response has a warm spectral balance with strongest output below 200Hz, smooth amplitude reduction to 3 kHz followed by a moderate high frequency ambient sound presence peak. The MK-101 excels on vocals or guitar cabinets where the recordist wants classic midrange presence, sibilant-free top end and a warm room sound with just a touch of top end room presence. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 122 Self Noise (DIN), dBa: Included in delivery: 1 x microphon body (preamp) 1 x MK-101 capsule 1 x -10dB pad 1 x mic holder 1 x plastic box

The MK-519 features a large 27.5 mm condenser capsule with cardioid pattern using an all-brass backplate construction, precision-drilled pattern control holes and optimal 5 micron gold-plated diaphragm. An isolation mount / diffuser is installed at the base of the capsule mount to reduce “boink” and tame sound reflections that smear detail. The microphone features a new no-feedback amplifier capable to work properly on 600 Ohm load. The MK-519 provides a very high sensitivity and extremely low self-noise level, provided by a high polarizing voltage (about 100 V). The single layer headbasket is used to reduce internal sound reflections between the grille and the capsule that smear midrange and high frequency detail - the result is a clear and natural mid and high frequency response. However, it entrusts additional requirements to the careful handling: it is highly recommended to use a pop filter to protect the capsule from dust spittle. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa 21 Max SPL, dB for 0,5% THD: 124 Self Noise (DIN), dBa: 600 Ohm Phantom power required: 48V Weight, g: 350 Length /  Max diameter, mm: 150 / 56 Included in delivery: 1 x microphon 1 x mic holder (shock mount is not included) 1 x wood

A bottle style tube multi-pattern large diaphragm studio microphone MKL5000 is the hi-end addition to the range of high quality condenser mics from the Oktava factory. Utilising a 6Ж1П tube in the discreet preamplifier circuitry creates just the right amount of third harmonic distortion, adding a subtle warmth but maintaining the clarity of the newly designed 1 inch 5 micron thick gold sputtered dual diaphragms. The tube is powered by a british designed and built class 'A' power supply and the mic comes with a highly effective shockmount and durable flight case. On the body of the MKL5000 is a switch to select from the choice of Cardiod, Omni-directional and Figure-of-eight polar patterns making this a versatile single mic which is also useful in XY or AB stereo situations when bought in pairs.  Designed to work with numerous sound sources to maximum effect, the MKL5000 excels on vocals, grand pianos, guitars and percussion amongst many other sources, and gives presence and warmth to lead parts in the mix. The frequency response of the MKL5000 is expansive, ranging from 20 Hz to 20 kHz and smooth throughout all of its polar patterns. Despite its sensitivity it has a very high SPL handling capability and very low noise floor, allowing straight to digital recording and thus leaving the pure warm sound unadulterated.  For close miking vocals a pop shield is recommended.  Specifications: Polar Pattern:  Omni-directional / Cardoid / Figure-of-eight  Frequency Response:  20hz to 20kHz  Sensitivity:  12 mV/Pa Power:  Power supply unit supplied  Output Impedance: 350 Ohm nominal Minimum load impedance: 1 k Ohm Max SPL @ 1kHz:  > 125dB  Dimesions:  Ø64х255 mm  Weight:  1,1kg

The MK-102 features a small physical profile and flat, extended frequency response – qualities not typically found together in large diaphragm mics. The Capsule The MK-102 features a large 27.5 mm condenser capsule using all-brass backplate construction, precision-drilled pattern control holes and optimal 5 micron diaphragm for classic LDC microphone presence on vocals or instruments. Capsule Housing & Body A close-fitting housing surrounds the capsule and allows the front diaphragm to function in free-air without internal headbasket reflections. In addition, the MK-102’s unique capsule and body orientation reduces reflections between the microphone and the sound source. The MK-102 body disappears completely behind the capsule head when the mic is aimed at the sound source. This leaves only the capsule diaphragm exposed to the sound source for minimal reflections and clear-sounding recordings. The Circuit The MK-102 uses the same transformerless circuit found in the renowned MK-012 (over 90,000 in use worldwide) to deliver the alluring sound of direct phantom power applied to a large diaphragm capsule. The Sound On-axis - The MK-102 offers a smooth and extended frequency response with clean and accurate top end free from the harsh, excessively bright sound found in many modern microphones. Off-axis - Frequency response from 90 through 180 degrees closely resembles the on-axis sound and the attenuation of sound over this angular range is exceptionally smooth. The MK-102 excels where the recordist desires a large diaphragm cardioid condenser mic with a flat frequency response that is maintained from 0 to 180 degrees to achieve a natural room sound spectral balance. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 120 Self Noise (DIN), dBa: 1 x microphon body (preamp) 1 x MK-102 capsule 1 x -10dB pad 1 x mic holder 1 x wooden box

The MK-105 retains the authorative lower midrange power Oktava is known for but adds some top end sparkle. The combination of the new capsule, headbasket and transformerless circuit produces a more transparent or hi-fi sound when compared to the classic transformer output coloration and soft top end of the MK-219/319. The Capsule The large 27.5 mm capsule with precision-drilled backplate holes in conjunction with the headbasket design produces a gentle +4dB rise from 4 kHz to 12 kHz to lend a touch of presence and air to vocal or instrument sources. The Headbasket Inside the headbasket, the capsule is mounted on a conical diffuser designed to reduce standing waves and smooth the capsule / headbasket system frequency response. The Circuit The MK-105 employs the highly regarded transformerless circuit found in one of the most widely used mics in existence – the MK-102 (over 90,000 in use worldwide) to deliver the alluring sound of direct phantom power applied to a large diaphragm capsule. The Sound On-axis - A carefully crafted “double peak” high frequency response provides subtle emphasis of both presence and “air” frequencies while suppressing the sibilance range. This results in a more modern or “Hi-Fi” sound when compared to the classic midrange-rich 219/319 sound but without the harsh sibilance found in many modern mics. Off-axis - Frequency response at 90 degrees resembles 0 degree response but attenuated a nominal l0dB. 180 degree rejection increases to 16dB below 2kHz but the top end over 4kHz stays just 8-10 dB or so below the on-axis response. This means the MK-105 has a very natural off-axis response out to 90 degrees with a pleasingly bright room ambience. The MK-105 excels where the recordist wants a large diaphragm cardioid mic with a musically useful proximity effect, a sparkling top end free from sibilance and a bright room ambience sound. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 120 Self Noise (DIN), dBa:

The MK-101 is large diaphragm condenser microphone with interchangable capsule. Introduced as a transition from earlier Oktava models, it retains some of the vintage character of the popular MK-219/319 capsule but offers transformerless output clarity. The Capsule The Oktava MK-101 uses the successful 26mm 219/319 capsule much loved for its classic midrange presence and sibilance-free top end. The Headbasket & Body The MK-101 headbasket features a large open area “forehead” for excellent off-axis response in the vertical as well as horizontal planes. Vertical asymmetry of the headbasket allows the recordist to explore different polar responses when using the mic upright or inverted. The small headbasket and body size make for easy placement and minimal reflection between sound source and microphone body. The Circuit Building on the marketplace success of the legendary MK-012, the MK-101 uses the same impedance converter / output circuit and body design made famous by the MK-012. The Sound On Axis – The MK-101 offers a powerful midrange presence and natural top end response with excellent rejection of sibilance. Off-Axis - The MK-101 has moderate attenuation at 90 degrees giving the mic a wide cardioid pick up pattern. 180 degree response has a warm spectral balance with strongest output below 200Hz, smooth amplitude reduction to 3 kHz followed by a moderate high frequency ambient sound presence peak. The MK-101 excels on vocals or guitar cabinets where the recordist wants classic midrange presence, sibilant-free top end and a warm room sound with just a touch of top end room presence. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 122 Self Noise (DIN), dBa: Included in delivery: 1 x microphon body (preamp) 1 x MK-101 capsule 1 x -10dB pad 1 x mic holder 1 x plastic box

The MK 319 is the successor to the MK219, providing the same relentless attention to detail and legendary performance in an improved form. The MK319 is housed in a new casing which has been acoustically designed to cut down the sound refractions inside the grill, allowing a smoother and more open sound, as well as being more rugged and shock resistant. The Switches are also improved and whilst still using magnetic reed switches the mechanism has been redesigned for extra durability and easier operation. A switch located at the left (High-Pass Filter) allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).   The second switch attenuates the sensitivity by 10 dB. This option should be used in high SPL environments or by recording of loud instruments (for example saxophone).   The Mic is a fixed-pattern, cardioid, large diaphragm mic intended for studio and broadcast usage. featuring a classic design gold spattered teflon capsule teamed with low noise discreet preamplifier circuitry, resulting in a smooth frequency response from 40 hz to 16khz, with a gentle presence rise giving especial warmth and clarity to the human voice. This microphone is also ideally suited to guitars, overheads and any other application where a warm clear sound is required. The design of the mic is specifically tuned to bringing the sound that it is used with up front in a sympathetic and flattering manner. Specifications: Freq. Response, Hz: 20-18000 Output sensitivity, mV/Pa: 13 Max SPL, dB for 0,5% THD: 122 Self Noise (DIN), dBa: Included in delivery: 1 x microphon 1 x mic holder (shock mount is not included)

The MK-012 is a compact, high quality capacitor microphone with interchangeable capsules to provide a choice of cardioid, hypercardioid or omni-directional polar patterns. The wide, flat response ensures that all sounds are captured with a high degree of accuracy. A -10 dB pad is included for use in high SPL environments, a low-cut pad is optionally available. The capsules, which screw onto the microphone body, utilise a precision, integral connection system to ensure reliable electrical contact. The MK-012 is suitable for use in any situation where an accurate sound is required, the small size of the system makes it ideal for use in broadcast, sound for picture, installation, sound reinforcement and theatre situations as well as the recording studio. In pairs, the MK-012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead useage in live and studio situations. Specifications: Mic type Small: diaphragm condenser Polar Pattern: Cardioid, Hypercardioid, Omnidirectional Freq. Response:  20-20000Hz Phantom voltage required:  48 +- 2V Full impedance, module:  less than 300 ohms Weighted SPL (ref. DIN 45412):  18 dBA Maximum SPL in 250-8000Hz range, (less than 0.5% THD):  130 db Free field sensitivity at 1KHz:  2 x microphon bodys (preamps) 2 x matched cardioid capsules 2 x matched hypercardioid capsules 2 x matched omni-directional capsules 2 x -10dB pad 2 x mic holder 1 x wooden box

The MK-012 is a compact, high quality capacitor microphone with interchangeable capsules to provide a choice of cardioid, hypercardioid or omni-directional polar patterns. The wide, flat response ensures that all sounds are captured with a high degree of accuracy. A -10 dB pad is included for use in high SPL environments, a low-cut pad is optionally available. The capsules, which screw onto the microphone body, utilise a precision, integral connection system to ensure reliable electrical contact. The MK-012 is suitable for use in any situation where an accurate sound is required, the small size of the system makes it ideal for use in broadcast, sound for picture, installation, sound reinforcement and theatre situations as well as the recording studio. In pairs, the MK-012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead useage in live and studio situations. Specifications: Mic type: Small diaphragm condenser Polar Pattern: Cardioid, Hypercardioid, Omnidirectional Freq. Response: 20-20000Hz Phantom voltage required: 48 +- 2V Full impedance, module: less than 300 ohms Weighted SPL (ref. DIN 45412): 18 dBA Maximum SPL in 250-8000Hz range, (less than 0.5% THD): 130 db Free field sensitivity at 1KHz: