SPL

Eight-channel mic preamp with discrete transistors, analog gain, 48V phantom power, PAD, phase inversion, high-pass filter, ADAT optional, 192kHz, robust and sleek designThe SPL P8 is a high-end, eight-channel microphone preamplifier designed to offer pristine audio quality for multi-channel recording. Each of the eight preamps is built with discrete technology, ensuring a signal path free from integrated circuits (ICs). This design, utilizing individual transistors, is tailored for audiophiles and professionals who prioritize sound purity, contributing to the unit's open and transparent sonic characteristics. The preamplifiers provide a flexible gain range from +8 dB to +62 dB, making the P8 suitable for a wide range of microphones, including those requiring higher gain.Key features include individual controls for each preamp, such as a 48V phantom power switch for condenser microphones, a 20 dB PAD for handling loud sources, a high-pass filter to eliminate subsonic noise, and a phase inversion function. For digital workflows, the P8 can be equipped with an optional eight-channel ADAT converter, allowing seamless connection to digital audio interfaces. This versatility makes the P8 ideal for both analog and digital recording environments, delivering unparalleled audio performance while maintaining ease of integration into various studio setups.FeaturesEight Preamplifiers: Equipped with eight discrete microphone preamps for high-end sound quality.Gain Control: Adjustable gain from +8 dB to +62 dB for handling various microphone types.Phantom Power: Each channel has switchable 48V phantom power for condenser microphones.Signal Processing: Includes PAD switch (20 dB reduction), high-pass filter, and phase reverse for each preamp.Analog & Digital Outputs: Offers both analog outputs and an optional ADAT digital output for direct digital connectivity.Durable Build: Features a robust aluminum and steel construction for long-lasting use.

SPL Pre One OverviewEnjoy the open and transparent sound of the SPL Channel One Mk3 in a compact, dual-channel preamp with the Pre One, a desktop unit with two discrete preamps. With a wide gain range of 8 to 62 dB and optional Hi-Z instrument input, you can draw out the full glory of nearly any input source, from condenser mics to passive instruments.Each preamp features an independent 6 dB per octave high-pass filter for subsonic rumbles, switchable 48V phantom power, and a 180° polarity reversal switch. Each preamp features a selector, so you can choose Flair or Contour, analog EQ presets, and on the rear panel, you have a channel-selectable -20 dB input pad for overly hot signals. Each preamp features a balanced XLR 3-pin mic input and its own dedicated 1/4" TRS balanced output. Preamp 2 also includes a 1/4" TS instrument input (which automatically deactivates the mic input on preamp 2). This design allows the Pre One to process stereo signals if desired. Like all SPL products, the Pre One is manufactured in Germany.Gain ControlThe gain control can be used to adjust the preamplification. The control range ranges between +8 and +62 dB, so even truly demanding microphones can unfold their full potential. Each preamp gets its own large gain control knob. A green signal LED is provided for both preamps to indicate that a signal is present.Switchable FunctionsA high-pass filter with 6 dB per octave is available in both preamp sections and reduces subsonic noise below 80 Hz when activated. This low-cut filter can be used for the microphone inputs as well as for the instrument input on the second amplifier.Both preamplifiers have a 48V switch. This switch activates the required phantom power of 48 volts for the use of condenser and active dynamic microphones. The phase reverse function reverses the polarity of the signal. After pressing the switch, the phase is reversed by 180°.Perfect Sound with Flair and ContourFor each of the two preamps, Flair and Contour provide an analog EQ preset to perfect the sound. When Flair is activated, it gives the signal a beautiful range of high frequencies; silky highs is the key word here. When Contour is activated, the signal perfectly blends into a compact mix while retaining its natural presence and strength.Input PadThe pad switches for each preamp section are located as DIP switches on the rear of the Pre One. These switches attenuate the signal of the microphone input by 20 dB, so that even very high levels can be processed with the Pre One. This is the case, for example, with loud percussion or brass recordings.Power SupplyGood sound always starts with the power supply. This is where you lay the foundation for the performance of the entire device. Although SPL supplies a 12V plug-in power supply unit, the secondary power supply inside generates a voltage level of +/-17V for the analog audio sections with which professional levels of up to 22.5 dB can be achieved. Elaborate low-drop operating-voltage regulation provides more juice and regulates cleanly even when the maximum operation voltage is reached.In the BoxSPL Pre One Dual-Channel Microphone Preamplifier (Black)12V Power SupplyLimited 2-Year Manufacturer WarrantyKey FeaturesFor Studios and AudiophilesTwo Discrete, Transparent PreampsMic and Hi-Z Input on Preamp 2Dual 8 to 62 dB Gain Controls6 dB per Octave HPF per Channel48V Phantom Power and Phase ReversalSwitchable Flair and Contour EQ Presets-20 dB Pad per Mic InputSeparate 1/4" TRS Line Out per PreampMade in Germany

The headphone amplifier, monitoring controller and DAC with 120V technology Phonitor 3 DAC is not only the ultimate headphone amplifier and monitoring controller with 120V technology – the integrated DAC makes it the perfect monitoring centerpiece for demanding producers as well as sound and mastering engineers working with digital sources or in the DAW.Whether if USB, AES/EBU or S/PDIF – the integrated DAC with analog SLP120 converts digital PCM audio signals with a resolution of 32 bit and a sampling rate of up to 768 kHz. It converts DSD signals with a resolution of up to DSD256.On the analog side, the Phonitor 3 DAC, based on the SPL 120V technology, offers the same monitoring quality as the big SPL mastering consoles – on loudspeakers and headphones.The analog Phonitor Matrix allows mixing and mastering on headphones in the highest quality – with the same spatial perception of the stereo stage as on loudspeakers.Great sound – for headphonesThe Phonitor 3 offers connection for a standard headphone with a stereo jack plug on the front. Thanks to the enormous output power, all kind of headphones are driven effortlessly. Thus, it plays out the advantages of the SPL 120V technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Great sound – also for loudspeakersOn the rear of the device, Phonitor 3 offersa stereo output which makes it a high-qualitymonitoring controller for any monitoring situation. Active speakers with an integrated power amplifieror passive speakers in combination with a power amplifier can be connected at this output.Monitoring at the highest levelPhonitor 3 offers the same key technology –SPL 120V technology – and signal quality as thebig SPL DMC and MMC mastering consoles.

Optimize Your Audio with the Stereo VitalizerThe SPL Stereo Vitalizer Mk3-T harmonic exciter is an indispensable tool for enhancing your audio. Based on research in the fields of psychoacoustics and audiometry, SPL’s unique, patented Vitalizer circuitry heightens detail and transparency, boosts perceived loudness, and beefs up bass response for powerful, radio-ready mixes that blast right out of the speakers. The key to the Stereo Vitalizer Mk3-T’s sonic magic is that it works both in the frequency and time domains through a series of minimal temporal offsets of loud frequencies. As a result, superimposed audio transients are unmasked to unveil a whole new level of clarity in your mixes. For decades, recording engineers have used subtle harmonic excitement to help elements sit perfectly in the mix. Now, with the SPL Stereo Vitalizer Mk3-T harmonic exciter, you can too.An indispensable sound-design toolSPL's Vitalizer technology is known by engineers worldwide as an effective way to polish audio with highly musical results. Use the Drive control to fine-tune the signal level for precise interaction with the filter network and bring out the best parts of an audio signal. The Stereo Vitalizer Mk3-T is unsurpassed as a sound-design tool. It adapts the frequency spectrum to the curves of equal loudness, heightening the perception of loudness. It can enhance intelligibility in vocals and augment the soundscape of a complete mix — and more. Low frequencies are subtly shifted to prevent them from masking transient details, giving your tracks and mixes more clarity than ever. The integrated Bass Comp focuses on the bass range so you don't overload downstream equipment in your signal chain. So, even if you use the Stereo Vitalizer Mk3-T to bolster your bass tracks, you still have the dynamic control you need to keep signal levels in check.The cure for iron-poor mixesPrevious versions of the Stereo Vitalizer have proved their mettle in top studios for years. Now, the third-generation Stereo Vitalizer Mk3-T ups the ante with a new design that uses a higher internal audio voltage of +/-18V, resulting in enhanced dimensionality and increased detail. Processed through the Vitalizer Mk3-T, you’ll notice your mixes bloom with vitality and richness of detail that makes them more accessible to the ear. They brim with enhanced depth and width, more deeply layered and widely spread apart. Authoritative, natural, and lively-sounding, your mixes will translate better to the world outside your studio, holding up well on real-world playback systems where lackluster mixes go to die. So do your mixes a favor. Energize them with the SPL Stereo Vitalizer Mk3-T.SPL Audio: supercharged audio productsFormed in Germany in 1983, SPL Audio has been at the forefront of the pro audio industry since its inception. After developing proprietary 120V Technology in the ’90s, SPL decided to make this groundbreaking invention the heart of all its high-end products, and this incredibly powerful yet transparent sound has earned many devotees at Sweetwater and beyond. Other revelatory inventions SPL has become known for include level-independent envelope processing and using phase cancellation in auto-dynamic de-essers for reducing sibilance. Sweetwater is proud to offer audio professionals SPL’s distinguished lineup of innovative products.

Get That Authoritative, Professional SoundNow in its third iteration, the ever-popular SPL Track One MK3 Premium channel strip has been extensively updated with upgraded specs and a more intuitive design optimized for the modern recording studio. This version of the Track One MK3 Premium is spec'd with premium Lundahl input and output transformers for that authoritative "big-iron" sound that leaps right out of the speakers. From broadcasting and voiceovers to music recording, podcasts, and live events, Track One MK3 Premium always delivers superior sonics, enhancing vocals and instruments from any source, be it mic, line, or DI. The stellar mic preamp provides plenty of gain for your mics and instruments, and SPL's acclaimed De-Esser is onboard for taming sibilant vocalists. Optimize your dynamics with the compressor/limiter, sweeten your tone with the 3-band EQ, and you've got radio-ready sound from the SPL Track One MK3 Premium channel strip.Your solution for fast, high-quality recordingsWe talk to many musicians at Sweetwater who need to be able to produce professional recordings quickly — guitarists and bassists for hire, engineers making radio spots, the list goes on. The beauty of the SPL Track One MK3 Premium channel strip is that it's amazingly fast to dial in a great sound with virtually any source. The built-in processing is perfect for adding that extra studio polish without having to patch in external processors or bounce audio through plug-ins.Capture better vocals with the built-in De-EsserThe SPL De-Esser is considered an essential tool in countless studios, and it's built right into the SPL Track One MK3 Premium channel strip. It's known for removing harsh sibilance from vocalists in a natural, musical way, serving up transparent results even at extreme settings. One thing you'll find especially useful is the SPL De-Esser's automatic threshold-adjusting function. It basically compensates for a singer's varying distance from the mic, applying de-essing even with the signal is lower so that compressing afterward doesn't bring lower sibilants back up in level.Compressor/Limiter controls dynamics and adds characterThe Track One's compressor/limiter is an extremely easy-to-use one-knob design utilizing time constants (including attack and release) that are automated adaptively to the input signal, allowing for simple set-and-forget operation. Pressing the Limiter button switches the compressor into limiter mode, with the threshold being set by the compression knob. Like the compressor, SPL’s soft limiter is unobtrusive and delivers consistent, highly musical-sounding results. A separate makeup gain knob is provided for maintaining proper gain structure in your signal chain.Combine two for stereo operationFor maximum flexibility in your studio, get two SPL Track One MK3 Premium channel strips and link them for stereo compression. You'll be able to record beautifully wide stereo tracks and get true stereo compression with just one set of controls. Best of all, the EQs will still be independent, so you can fine-tune the stereo image simply by using slightly different EQ settings on each side.SPL Audio: supercharged audio productsFormed in Germany in 1983, SPL Audio has been at the forefront of the pro audio industry since its inception. After developing proprietary 120V Technology in the ’90s, SPL decided to make this groundbreaking invention the heart of all its high-end products, and this incredibly powerful yet transparent sound has earned many devotees at Sweetwater and beyond. Other revelatory inventions SPL has become known for include level-independent envelope processing and using phase cancellation in auto-dynamic de-essers for reducing sibilance. Sweetwater is proud to offer audio professionals SPL’s distinguished lineup of innovative products.

Channel One Mk3The perfect front-end for the modern producer.For over 20 years, Channel One has been a synonym for a high-quality and extremely musical recording and mixing channel strip.In the newest Mk3 version, this classic has been thoroughly revised and, in addition to a higher internal audio voltage (now +/-18 V) for even better, more detailed sound, a further improved preamplifier section, an integrated Transient Designer, a Tube Saturation stage and a Mic A/B comparison option for two microphones and other great features that raise the modern recording and mixing studio to a new level of quality. With de-esser, compressor and equalizer, all the important tools of a real channel strip are still on board. Whether it’s a microphone, line, or instrument signal, the Channel One Mk3 makes any source sound like a professionally recorded signal.The new design of the SPL Studio Series perfectly highlights the sonic qualities of this 3rd generation Channel One.Packed with must-have toolsThe SPL Channel One MK3 Premium channel strip packs a wealth of features, including a discrete preamp, 3-band EQ, compressor/limiter, noise gate, and de-esser, making it the ideal front end for your DAW. Plug into this stellar-sounding channel strip and enjoy the world-class sounds that you've heard in your head but have been unable to achieve in your studio. Whether you want to record vocals, instruments, or any other audio source, the SPL Channel One MK3 Premium channel strip will imbue your recordings with the lustrous, expensive sound you've been craving.

The puristic summing mixer with Class A technology.As an analog 16-in-2 Class A summing device, MixDream XP Mk2 offers impressive sound quality and brings together single tracks in a musical way. The spatial depth of the stereo stage and the harmonic coherency of the summed signals make mixing through an analog summing device a very special experience. The Mk2 generation of the MixDream XP offers the same outstanding audio quality as its predecessor thanks to the internal audio operating voltage of +/-30 V. In addition to the new design and an even better feel, the MixDream XP Mk2 offers another new feature: the individually switchable -18 dB level attenuation for the last four stereo channels. This is how the analog summing gets the best out of every mix!Analog SummingAnalog summing with the MixDream XP Mk2 brings intense depth, precise localisation and impressive spatiality. Individual instruments mix with smooth transitions. For the analog summing, individual tracks from the computer are sent via D/A converters into the MixDream XP Mk2. These are summed in the MixDream XP Mk2 and then recorded again as a stereo signal via an A/D converter in the DAW software. The MixDream XP Mk2 is designed for stereo summing of up to 16 audio tracks in the analog domain. In combination with digital production systems, the advantages of analog and digital techniques can thus be ideally combined: digital convenience is complemented by the sound quality that until now only the best analog consoles have been able to deliver. Conceptually, the reduction to high-quality analog summing without panorama controls and faders offers the great advantage of being able to retain the entire scope of computer automation. So when using the MixDream XP Mk2, the usual workflow with the DAW does not have to be changed, all techniques and options of a DAW can still be used without any restrictions.MonoThe first four channel pairs of the MixDream XP Mk2 (1/2 to 7/8) can be switched from stereo to mono via the Mono switch (red status LED lights up). This is important for mono signals that should be positioned exactly in the center of the mix (kick, snare, lead vocal, bass, …). In stereo mode, the two channels are generally panned hard left/ right. This basic setting is useful for all stereo signals. Panorama settings and automation of the DAW remain perfectly unchanged.-18 dBThe level of the last four channel pairs of the MixDream XP Mk2 (9/10 to 15/16) can be attenuated by 18 dB via the -18 dB switch (blue status LED lights up). Low level signals in the mix can thus be played back and get converted with a higher level, therefore with a higher digital resolution, from the DAW. This preserves more details and sonic characteristics. Tip: This can work wonders for digital reverbs (especially plug-ins)!OutputThe Output control adjusts the output level of the MixDream XP Mk2. The control range can be set from -10 dB to +5 dB. With the output control a perfect control for following AD-converters can be performed. Since the main and monitor outputs are configured in parallel, the output control always affects both output pairs.Variable OutputThe output control is switched on or off with the Variable Output switch. When the Variable Output switch is deactivated, the input level is maintained at 1:1 (Unity Gain).

Premium DAC with VOLTAiR technologyDiamond is the perfect DAC and preamplifier for everyone who plays music exclusively from digital sources. Diamond offers connectivity for six digital sources and an external word clock. The superior VOLTAiR technology and the premium DAC with the unequalled DLP120 combined with an analog volume control allowing for highest resolution at any volume makes the Diamond an one-of-a-kind DA converter that delivers finest soundstages with an unrivalled analog feel.Everything under controlThe volume is adjusted with a solid, milled aluminum, rotary knob. The Alps RK27 “Big Blue” potentiometer gives a pleasant “spoon in the honey” rotary feel.Source of joyUp to 6 digital stereo sources can be connected to Diamond.Diamond offers each a stereo USB and AES input as well as each two optical and coaxial stereo inputs. Via USB, both PCM audio and DSD audio can be converted. PCM audio is received in S/PDIF format, both coaxial (RCA), optical (Toslink F06) and balanced (AES/EBU). The source selection is done via the selection control on the front. The selected input is also shown in the dot matrix LED display: USB, COA1, COA2, OPT1, OPT2 or AES. After approximately two seconds, the display shows the type of clock source and the detected sampling rate.Always in timeDiamond can not only synchronize to the clock integrated in the digitally fed source signal. As a specialist for digital players Diamond offers a word clock input. The source of the clock signal can be selected via the CLOCK switch.Source = Diamond synchronizes to the digital clock in the source signal.Word = Diamond synchronizes to the digital clock present at WORD IN.Well informedThe DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer, CD player or an external word clock is connected. The detected sampling rate and the selected clock source are shown in the dot matrix LED display. For example, U768 is an acronym for a clock signal in the USB stream with a sampling rate of 768 kHz.All variable – or Slave ThruDiamond provides two stereo output pairs for connecting power amplifiers or active loudspeakers. One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the volume control on the front panel. The volume control for both outputs can be individually switched out of the signal path via DIP switch on the back of the device. For example, a headphone amplifier with its own volume control can be connected to one of the outputs.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Sounds goodWith all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltageThe 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience. By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.VOLTAiR is a composition of the terms Volt and Air. Volt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in. It symbolizes the perceived limitless dynamics resulting from high audio voltage.ComparisonMost audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.

Premium DAC with VOLTAiR technologyDiamond is the perfect DAC and preamplifier for everyone who plays music exclusively from digital sources. Diamond offers connectivity for six digital sources and an external word clock. The superior VOLTAiR technology and the premium DAC with the unequalled DLP120 combined with an analog volume control allowing for highest resolution at any volume makes the Diamond an one-of-a-kind DA converter that delivers finest soundstages with an unrivalled analog feel.Everything under controlThe volume is adjusted with a solid, milled aluminum, rotary knob. The Alps RK27 “Big Blue” potentiometer gives a pleasant “spoon in the honey” rotary feel.Source of joyUp to 6 digital stereo sources can be connected to Diamond.Diamond offers each a stereo USB and AES input as well as each two optical and coaxial stereo inputs. Via USB, both PCM audio and DSD audio can be converted. PCM audio is received in S/PDIF format, both coaxial (RCA), optical (Toslink F06) and balanced (AES/EBU). The source selection is done via the selection control on the front. The selected input is also shown in the dot matrix LED display: USB, COA1, COA2, OPT1, OPT2 or AES. After approximately two seconds, the display shows the type of clock source and the detected sampling rate.Always in timeDiamond can not only synchronize to the clock integrated in the digitally fed source signal. As a specialist for digital players Diamond offers a word clock input. The source of the clock signal can be selected via the CLOCK switch.Source = Diamond synchronizes to the digital clock in the source signal.Word = Diamond synchronizes to the digital clock present at WORD IN.Well informedThe DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer, CD player or an external word clock is connected. The detected sampling rate and the selected clock source are shown in the dot matrix LED display. For example, U768 is an acronym for a clock signal in the USB stream with a sampling rate of 768 kHz.All variable – or Slave ThruDiamond provides two stereo output pairs for connecting power amplifiers or active loudspeakers. One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the volume control on the front panel. The volume control for both outputs can be individually switched out of the signal path via DIP switch on the back of the device. For example, a headphone amplifier with its own volume control can be connected to one of the outputs.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Sounds goodWith all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltageThe 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience. By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.VOLTAiR is a composition of the terms Volt and Air. Volt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in. It symbolizes the perceived limitless dynamics resulting from high audio voltage.ComparisonMost audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.

Premium DAC with VOLTAiR technologyDiamond is the perfect DAC and preamplifier for everyone who plays music exclusively from digital sources. Diamond offers connectivity for six digital sources and an external word clock. The superior VOLTAiR technology and the premium DAC with the unequalled DLP120 combined with an analog volume control allowing for highest resolution at any volume makes the Diamond an one-of-a-kind DA converter that delivers finest soundstages with an unrivalled analog feel.Everything under controlThe volume is adjusted with a solid, milled aluminum, rotary knob. The Alps RK27 “Big Blue” potentiometer gives a pleasant “spoon in the honey” rotary feel.Source of joyUp to 6 digital stereo sources can be connected to Diamond.Diamond offers each a stereo USB and AES input as well as each two optical and coaxial stereo inputs. Via USB, both PCM audio and DSD audio can be converted. PCM audio is received in S/PDIF format, both coaxial (RCA), optical (Toslink F06) and balanced (AES/EBU). The source selection is done via the selection control on the front. The selected input is also shown in the dot matrix LED display: USB, COA1, COA2, OPT1, OPT2 or AES. After approximately two seconds, the display shows the type of clock source and the detected sampling rate.Always in timeDiamond can not only synchronize to the clock integrated in the digitally fed source signal. As a specialist for digital players Diamond offers a word clock input. The source of the clock signal can be selected via the CLOCK switch.Source = Diamond synchronizes to the digital clock in the source signal.Word = Diamond synchronizes to the digital clock present at WORD IN.Well informedThe DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer, CD player or an external word clock is connected. The detected sampling rate and the selected clock source are shown in the dot matrix LED display. For example, U768 is an acronym for a clock signal in the USB stream with a sampling rate of 768 kHz.All variable – or Slave ThruDiamond provides two stereo output pairs for connecting power amplifiers or active loudspeakers. One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the volume control on the front panel. The volume control for both outputs can be individually switched out of the signal path via DIP switch on the back of the device. For example, a headphone amplifier with its own volume control can be connected to one of the outputs.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Sounds goodWith all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltageThe 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience. By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.VOLTAiR is a composition of the terms Volt and Air. Volt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in. It symbolizes the perceived limitless dynamics resulting from high audio voltage.ComparisonMost audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.

The sound quality of the two-channel device is shown to its best effect when particularly recording vocals or acoustic instruments. High precision and naturalness help every vocal timbre to develop fully and emphasise the sound character of acoustic instruments. Since even the differences of the used microphones are shown clearly up to the finest nuances, the Goldmike gives a lot of room to experiment.The lively sound quality and extreme low noise predestine the Goldmike for digital recording. The dual-mono construction of the class A tube amp guarantees a perfect channel separation and thus enables high spatial imaging for stereo recordings from piano to choir.With the Goldmike reinforcements up to 72 dB are possible. A full tube preamp can’t reach those values. The tube/ IC design of SPL, however, combines the tonal qualities of tubes (improved spatial imaging, high in detail, pleasant soft focus) with high, very linear amplification performance and excellent common mode rejection. Thus the Goldmike is the perfect pre amp, even for high-end HD recording, as the dynamic range of 111 dBu proves: This value is above the, in practice, achieved values of 24-bit recording.Equipment: The FLAIR circuit enhances the presence and clarity of the signal and allows sound optimisation while recording in particular for voices.In addition, the Goldmike has a high pass filter at 50 Hz, phase reverse switch, 30 dB pad, 48 V phantom power with separately filtered power supply, high quality Alps potentiometers, crackle-free switches, five LEDs for each channel, two illuminated VU meters, star point grounding for best sound quality, thick conductors for stable voltage supply, a complex filtered power supply (6000 µF in the main power supply, 400 µF in tube power supply), symmetrical XLR inputs and outputs as well as unbalanced jack outputs. The ground-lift circuit helps to avoid ground loops.

Dual-Channel Microphone Preamplifier with 120V technologyCrescendo duo combines the precise sound that German Rundfunk-Technik is famous for with the innovative SPL 120V technology. The internal operating voltage of 120 volts allows Crescendo microphone preamplifiers to break completely new ground. This results in microphone preamps that sound detail-rich, vivid and equally honest.Crescendo duo lets microphones shine in a whole new light – because they have never been amplified like this before.The UndistortableThanks to the SPL 120V technology, it is almost impossible to overdrive this microphone preamplifier.Crescendo duo is a dual-channel microphone preamplifier with 120V technology. Both channels feature the same range of functions. Besides phantom power (48 V) for condenser microphones, polarity reversal, a high-pass filter and a PAD switch, they provide the possibility to adjust the VU meter to display very high levels – so they leave nothing to be desired. The gain can be adjusted comfortably and precisely via a 12-step switch. With the switchable output control, the output level of the Crescendo duo can be perfectly adapted to following AD converters. Two outputs per channel allow the signal to be sent to two different devices in parallel. In addition to the extensive feature set and the outstanding technical characteristics, Crescendo duo convinces with a sonic authenticity that is second to none.The 120V technologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps.Sounds goodWith all SPL devices we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.

Eight-Channel Microphone Preamplifier with 120V technologyCrescendo 8 combines the precise sound that German Rundfunk-Technik is famous for with the innovative SPL 120V technology. The internal operating voltage of 120 volts allows Crescendo microphone preamplifiers to break completely new ground. This results in microphone preamps that sound detail-rich, vivid and equally honest.Crescendo 8 lets microphones shine in a whole new light – because they have never been amplified like this before.The UndistortableThanks to the SPL 120V technology, it is almost impossible to overdrive this microphone preamplifier.Crescendo 8 is an eight-channel microphone preamplifier with 120V technology. All eight channels feature the same range of functions. Besides phantom power (48 V) for condenser microphones, polarity reversal and a PAD switch, they provide the possibility to adjust the VU meter to display very high levels. The gain can be adjusted comfortably and precisely via a high-quality potentiometer. Two outputs per channel allow the signal to be sent to two different devices in parallel. In addition to the extensive feature set and the outstanding technical characteristics, Crescendo 8 convinces with a sonic authenticity that is second to none.Built-in Output SplitterAll eight microphone preamps have two parallel outputs each. This allows the signal to be sent to two different devices in parallel. One output each is available as XLR line output. The respective second outputs are available as a DB25 jack. These can for example be ideally connected to a multi-channel AD converter, with the for this kind of device type typical DB25 input. An additional external signal splitter for back-up systems during a recording session is therefore no longer necessary.Perfection in detailThe input differential amplifiers are constructed with pairs of transistors, each of which is combined in a housing. Precise matching of the transistors and thermal coupling ensure high common-mode rejection and extremely low THD values. The choice of transistors and resistors has a decisive influence on the sound. In countless listening sessions the optimal components for Crescendo were selected – the effort paid off!More sound through innovationOur 120V SUPRA operational amplifiers work as current amplifiers, which also offer pure class A operation with over 6 mA quiescent current. We largely dispense with coupling capacitors in order to avoid their sonic disadvantages (diffuse, sloping, loss of dynamics). In order to eliminate DC voltage components active servo circuits are used.

The headphone amplifier, monitoring controller and DAC with 120V technology Phonitor 3 DAC is not only the ultimate headphone amplifier and monitoring controller with 120V technology – the integrated DAC makes it the perfect monitoring centerpiece for demanding producers as well as sound and mastering engineers working with digital sources or in the DAW. Whether if USB, AES/EBU or S/PDIF – the integrated DAC with analog SLP120 converts digital PCM audio signals with a resolution of 32 bit and a sampling rate of up to 768 kHz. It converts DSD signals with a resolution of up to DSD256. On the analog side, the Phonitor 3 DAC, based on the SPL 120V technology, offers the same monitoring quality as the big SPL mastering consoles – on loudspeakers and headphones. The analog Phonitor Matrix allows mixing and mastering on headphones in the highest quality – with the same spatial perception of the stereo stage as on loudspeakers.Great sound – for headphonesThe Phonitor 3 DAC offers connection for a standard headphone with a stereo jack plug on the front. Thanks to the enormous output power, all kind of headphones are driven effortlessly. Thus, it plays out the advantages of the SPL 120V technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Great sound – also for loudspeakersOn the rear of the device, Phonitor 3 DAC offers a stereo output which makes it a high-quality monitoring controller for any monitoring situation. Active speakers with an integrated power amplifier or passive speakers in combination with a power amplifier can be connected at this output.Monitoring at the highest levelPhonitor 3 DAC offers the same key technology – SPL 120V technology – and signal quality as the big SPL DMC and MMC mastering consoles.Headphones or SpeakersThe Output switch – simply switch from headphone to speaker playback. In the center position (Mute), no signal reaches the outputs. The VU meters light up red.Digital & analog stereo inputs – free choiceUp to six stereo sources can be connected to the Phonitor 3 DAC. The source is selected via the Source switch.Analog inputsOn the analog side, two analog stereo inputs are offered, each with two XLR line inputs. Professional analog players with balanced outputs and line level can be connected here.Digital inputsOn the digital side, the Phonitor 3 DAC offers four digital stereo inputs.USBThe USB input (type B) can be used to directly connect the DAW. No driver installation is required for operation with a Mac or an iDevice. Via USB, the Phonitor 3 DAC converts PCM audio signals with a resolution of 32 bits and a sampling rate of up to 768 kHz as well as DSD signals with a resolution of up to DSD256.S/PDIF, coaxialThe Input S/PDIF coaxial can also receive a two-channel signal (PCM audio) with sampling rates up to 192 kHz and a bit rate of 16 bits to 24 bits. Unbalanced, 2-wire 75-ohm coaxial cables with RCA connectors are used for signal transmission.S/PDIF, opticalThe S/PDIF optical input can also receive a two-channel signal (PCM audio) with sampling rates of up to 192 kHz and a bit rate of 16 bit to 24 bit. The input jack is an F05 jack. This interface is better known under the Toshiba brand name TOSLINK.Tip: You should attach importance to the quality of the optical fiber. With inexpensive plastic optical fibers, transmissions with quad sampling rates (176.4kHz/192kHz) may have faults. In this case a glass fiber optic cable should be chosen.AES/EBUThe AES input provides an input jack which corresponds to a standard XLR input (XLR, female). An AES signal can transport two encoded PCM audio channels with a maximum sampling rate of 192 kHz and a bit rate of 16 bits to 24 bits. This standard is defined under IEC 60958 Type I. Balanced, 3-core, 110 Ohm “twisted pair” cables with XLR plugs are used for connection.The DAC – the best is just good enoughThe converter chip in the Phonitor 3 DAC´s digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its architecture reproduces the finest sound details. It converts PCM audio at 32-bit resolution and a sampling rate of up to 768 kHz, which is 16 times the resolution of a CD. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.SLP120The analog output of any DAC chip must be filtered by a low pass filter when entering the analog world. In contrast to all other DACs in the world, the low pass filters here are built using SPL 120V technology, which provides a plus in dynamics and headroom and sound. The DAC in the Phonitor 3 DAC is equipped with the SLP120 – an analog “single low pass” filter with 120V technology.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further and provides perfect control of the monitoring level.Monitoring without any compromisesThe Phonitor 3 DAC is a full-fledged monitor controller:Source selectionPhonitor Matrix with Crossfeed, Speaker Angle and Center Level (the latter can be switched off)Mono/StereoLaterality controlSolo L/RPhase inversion for L and RL/R SwapOutput switchable to headphones or speakersMuteMono or stereo – a matter of settingThe Mono/Stereo switch can be used to select whether the output signal of the Phonitor 3 DAC is a regular stereo signal or whether it is summed to a mono signal.Finding the real centerNaturally, hearing can be directed more to the left or more to the right. This becomes particularly clear when listening on headphones. Therefore, the Phonitor 3 DAC has the uniquely finely resolved laterality control, which rebalances the stereo image on the monitoring side. The Mono/Stereo switch can not only be used to switch between stereo or mono playback. This switch is also used to activate or deactivate the laterality control.Solo L/ROnly the right or left channel of the audio signal should be played back? The Solo L/R function makes it possible. If the triple selection switch is in the “L” position, only the left channel is played back – if it is in the “R” position, only the right channel is played back. In the middle position “Off” the Solo function is switched off. The regular stereo signal consisting of the left and right channel is thus present at the output of the Phonitor 3 DAC.L/R SwapA special feature is the channel swap function: L/R Swap. This function inverts the stereo image. Left becomes right and right becomes left. This is especially important and extremely time-saving, when you are monitoring samples in video dubbing that should match a scene with direction of movement. If the direction is not correct, you usually have to load the sample into the DAW to switch channels. before you can judge whether the sample matches the image. With the L/R Swap function, this is no longer necessary. You can now adjust the direction of movement on the Phonitor 3 DAC while pre-listening the sample library.Phase inversion for L and RWith this switch the phase of the left or right channel of the audio signal can be inverted. If the three-way selection switch is in the “L” position, the left channel is inverted – if it is in the “R” position, the right channel is inverted. In the middle position “Off” this function is switched off. At the output of the Phonitor 3 DAC the regular stereo signal is thus present.M/S – Mid or Side?By using the mono/stereo and L/R phase inversion switch in combination, it is also possible to only monitor the mid or side signal. When the switch is set to “Mono” and phase inversion is active for L (or R), only the side signal is played back. If the phase inversion is switched off, the mono signal corresponding to the “M” signal is played back. Separate monitoring of the M and S signals has become a widespread standard for many mixing and mastering engineers.Everything at a glanceTwo mechanical VU meters visualize the input levels for the left and right audio channels. The “VU Cal” switch can be used to reduce the signal visualized on the VU meters by -6 dB or -12 dB. Thus, the VU meters operate in the ideal display range even at very high input levels.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.One of the unique features of SPL headphone amplifiers is the SPL Phonitor Matrix. It enables mixing and mastering engineers to create perfect mixes on headphones, which will translate perfectly to all types of stereo speaker systems. But the Phonitor Matrix is not only designed for professional use in the studio. It also enables the hifi enthusiast to enjoy music on headphones, like if it was played back on speakers.How is this possible?Music is normally produced and mixed for playback on stereo speakers. Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear.These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo stage and sound sources are not played back at their actual position in the stereo spectrum. The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry.Summed up:The SPL Phonitor Matrix corrects the false representation of the stereo sound image, which makes it much easier to find the right decisions for mixing and mastering engineers. The hifi enthusiast can experience the music, like it was originally mixed and recorded. So nothing stands in the way of a successful and long mixing session on headphones.Preamp Out or Direct OutWith a DIP switch on the rear of the device, the volume control for the rear stereo output can be switched out of the signal path. But that’s not all. It is also possible to output the Phonitor Matrix to the stereo output on the rear panel of the device – regardless of whether this is configured as Preamp Out (with volume control) or Direct Out (without volume control).More powerIf headphones have a rather low sensivity – no problem. With DIP switch 1 on the rear of the device, the level at the headphone output can be increased by 12 dB.Sounds goodWith all SPL devices we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The 120V technologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps.

Mastering Equalizer This is a unique equalizer – for several reasons. It has two times five fully parametric filter bands, each of which can be switched between constant Q and proportional Q! And there’s sheer unlimited headroom and a very special kind of EQ sound – thanks to 120V technology. Stepped Potentiometers Recall of all settings is easy thanks to the potentiometers with 41 steps. Cut/Boost & 1/4 Gain Each filter band can be boosted or cut up to 20 dB. If only minimal changes are required, the 1/4 Gain switch can be used to reduce the boost or cut range from +/-20 dB to +/-5 dB. Frequencies We have designed the frequency distribution to overlap widely between the bands, so that problematic frequencies can also be addressed with two bands. Bandwidth Q The bandwidth Q determines the steepness of bell characteristic. A small Q is a wide bandwidth and a high Q a narrow bandwidth. The labeling of the scale is divided into two parts. The values with white background refer to the proportional Q mode and the values without background refer to the constant Q mode. On/Off The orange button is used to switch the individual filter band on and off.  Constant & Proportional Q The blue button is used to toggle the Q mode. In constant Q mode, the amplitude is constant regardless of the selected bandwidth. This is ideal for eliminating interfering frequencies. In proportional Q mode, the amplitude is proportional to the bandwidth. It decreases with increasing bandwidth and vice versa. At the smallest bandwidth setting, the maximum amplitude value is +/- 20 dB, while the maximum amplitude decreases to +/- 2.8 dB at the largest bandwidth setting. This control behavior simplifies sensitive, creative processing and is musically very useful, since high amplitudes become increasingly unusable with increasing bandwidth. Auto Bypass For an objective evaluation of the edited music program, it makes sense not to switch between the original signal and the edited signal yourself, but to leave this to an automatic system. It is also an advantage that, for an optimal evaluation of the processing, one does not have to move from the stereo center and can concentrate fully on the program. With the help of the Interval control the switching time window can be determined. Turning it clockwise extends the time interval. Link The PQ is designed as a completely separate dual-mono, two-channel equalizer and can individually process two mono music programs simultaneously. It is of course also possible to edit a stereo program (left/right). If the Link function is activated, the functions LF, LMF, MF, MHF, HF On/Off and Con. Q/Prop.Q on both sides are switched together by the buttons on one side. This makes it possible to activate or deactivate a filter band or the Q characteristic on both sides of the equalizer with a single button operation. In Link mode, the right side controls the left side as factory preset. However, this can be adapted to individual working habits. If the channel switch of a channel is pressed until it flashes, this channel controls the other side from that moment on. Channel On/Off The orange button switches the entire channel on and off. Specifications: Analog inputs & output: XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (+30 dBu, 1 kHz): 0.0005 % Noise (A-weighted): -94.3 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 3.15 mA Fuse for 115 V: T 6.3 A Power consumption: max. 100 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 177 x 300 mm Unit weight: 15.2 kg Shipping weight (incl. packaging): 18.7 kg

The MTC Mk2 gives you full control over your monitoring chain. A solid-feeling aluminum knob provides easy, intuitive volume adjustment. Three monitoring modes ensure maximum flexibility. Stereo monitoring — complete with a mono compatibility check — is the standard. You can monitor a reverse-phase version of your mix via the Ø switch. You can also audition a reverse stereo version of your mix via the LR Swap switch — a must-have for film work. What's more, by using the Mono and Ø switches in concert you can monitor the mid and side portions of your mix individually. The MTC Mk2 also includes a Dim switch, plus separate Mute switches for your speakers and headphones.

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

With the new DAC768xs module, the Phonitor x really shows its phenomenal qualities as a headphone amplifier and preamp, even with digital sources connected.” The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Pro-level projects demand a flexible monitoring chain, and the SPL Marc One delivers the goods. This excellent-sounding monitor and recording controller features switchable outputs for two pairs of speakers, plus a subwoofer output — everything you need to ensure that your mixes translate. It accommodates two analog stereo input sources, plus one digital source via USB, all of which are directly routed to a line-level output when selected. The Marc One includes three monitoring modes, enabling you to meticulously audition your mixes and masters, plus a top-grade headphone amplifier with SPL’s acclaimed Phonitor Matrix. The SPL Marc One belongs at the center of your studio. Your projects will thank you for it.

If you want to produce pro-level projects, you need a flexible monitoring chain with a high-quality monitor controller like the SPL Control One. This excellent-sounding piece of studio gear includes switchable outputs for two pairs of speakers, plus a subwoofer output — everything you need to ensure that your mixes translate. It accommodates two analog stereo input sources, which are directly routed to a line-level output when selected. The Control One includes three monitoring modes, enabling you to meticulously audition your mixes and masters, plus a top-grade headphone amplifier with SPL’s acclaimed Phonitor Matrix. The SPL Control One belongs at the center of your studio — your projects will thank you for it!

Transient Designer Module The Transient Designer TDx brings level-independent dynamics processing to the world of the 500 Series. On/Bypass With On/Bypass you switch the module on or off (bypass). Signal LED The Sig LED (Sig) indicates whether an audio signal is present at the input and exceeds a level of -20 dB. This LED indicator is used as an aid to quickly identify whether a signal is arriving at the TDx in a complex studio cabling system. Attack Attack can be used to boost or cut the transient phase of a signal by up to 15 dB. Positive attack increases the amplitude of the transient response. Negative attack attenuates the amplitude of the transient response. Sustain With Sustain you can lengthen or shorten the decay phase of a signal by up to 24 dB. Positive Sustain extends the decay. Negative Sustain shortens the decay. Mix The mix control allows for continuous crossfade aka parallel mix between processed (WET) and unprocessed (DRY) signals. Output With the output control the output gain can be attenuated in order to optimally drive subsequent devices. The Differential Envelope Technology Our Differential Envelope Technology (DET) allows dynamic signal characteristics to be processed by forming the difference between envelopes and thereby making them level-independent. The envelope trackers align the working processes with the natural signal characteristics. This ensures optimum results for every moment.  Specifications:  Input & Output: balanced Maximum input & output gain: 21 dBu Input impedance: 20 kΩ Output impedance: 150 Ω Common mode rejection: > 82 dB Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (0 dBu, 10 Hz – 22 kHz): 0.03 % Noise (A-weighted): -92.3 dB Dynamic range: 113 dB Dimensions & Weight Unit weight: 0.65 kg Shipping weight (incl. packaging): 0.9 kg

Dual Headphone Monitoring Amplifier Headphone monitoring amplifier for two headphones with Phonitor Matrix as double rack module for the 500 series. Phase Inverse Ø With the phase inversion switch you can invert the phase of the left or right channel (180°). Stereo/Mono/Mute The audio signal can be switched between stereo and mono. In the Mute position, the headphone outputs are muted. Phonitor Matrix Use the Matrix switch to activate or deactivate the Phonitor Matrix (Crossfeed, Speaker Angle, Center Level). Crossfeed The crossfeed value determines the interaural level difference and is comparable to the influences of different room sizes and their reflection and absorption characteristics. Speaker Angle The Speaker Angle determines the interaural time difference, which corresponds to the placement angle of the loudspeakers. Center Level With Center Level you set the level compensation of the center signals when monitoring on headphones. The Revolution in the headphone amplifier is the Phonitor Matrix, with adjustable crossfeed, speaker angle and center level thanks to which you can create mixes on headphones that sound the same on speakers. Specifications: Input & Output; balanced Maximum input & output gain: 21 dBu Input impedance: 10 kΩ Output impedance: 150 Ω Common mode rejection: > 82 dB Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (0 dBu, 10 Hz – 22 kHz): 0.03 % Noise (A-weighted): -92.3 dBu Dynamic range: 113 dB Headphone Outputs, 1/4" (6,35 mm) TRS Jacks Wiring: Tip = Left, Ring = Right, Sleeve = GND Max output power (600 Ω): +18 dBu Max output power (300 Ω): +15 dBu Max output power (32 Ω): +5 dBu Dimensions & Weight Unit weight: 0.8 kg Shipping weight (incl. packaging): 0.95 kg

Dual-Band De-Esser Module Our well known De-Esser as a dual-band version built into a single module for the 500 Series. On/Bypass With On/Bypass you switch the module on or off (bypass). Signal LED The Sig LED (Sig) indicates whether an audio signal is present at the input and exceeds a level of -20 dB. This LED indicator serves as an aid to quickly recognize whether a signal is arriving at the DeS in a complex studio cabling system. Hi-S The Hi-S control adjusts the intensity of the S sound reduction in the upper frequency band. The center frequency for sibilance detection is 11.2 kHz with a bandwidth of 3 kHz. Lo-S The Lo-S control adjusts the intensity of the S sound reduction in the lower frequency band. Male/Female Voicing The Voice switch is used to adjust the low-band de-esser to the voice characteristics. The switch changes the center frequency for the sibilance identification: Female: 7.6 kHz, Male: 6.4 kHz. The processing bandwidth in the low band is 1.44 kHz. De-Esser Tech Talk De-Essing by Phase Cancellation SPL has developed a circuit technology that combines efficient de-essing with maximum ease of use. De-essing already during recording spares a lot of time in comparison to the subsequent search for the S-sounds in post production. The DeS automatically adjusts itself to the relevant frequencies and hones in on them so that only the range of the S-sound is processed and neighbouring frequencies remain untouched. This range is phase-inverted and mixed back into the original signal, which acoustically deletes the S-sound. The DeS therefore works unobstrusively and sound-neutral. Auto-Threshold The DeS features our Auto-Threshold which automatically adjusts the threshold if the input level fluctuates due to varying distance to the microphone which leads to fluctuating input levels. With Auto-Threshold engaged, the de-essing intensity remains constant at the value you set – a great help not only for untrained speakers/singers in the studio and live. With conventional de-essers using compressor technology, the processing intensity decreases as the distance to the microphone increases to which compressors or limiters then react by letting the S sounds reappear. The disadvantage of weaker de-essing – bad enough in itself – therefore also leads to undesired effects in the subsequent processing. Auto-Threshold prevents these disadvantages from occurring in the first place. Specifications: Input & Output: balanced Maximum input & output gain: 21 dBu Input impedance: 20 kΩ Output impedance: 150 Ω Common mode rejection: -82 dB Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (0 dBu, 10 Hz – 22 kHz): 0,03 % Noise (A-weighted): -92.3 dB Dynamic range: 113 dB Dimensions & Weight Unit weight: 0.65 kg Shipping weight (incl. packaging): 0.9 kg

With innovative Phonitor Matrix, 32-bit DA-converter and outstanding sound quality. For us the sound is always in the foreground. When it sounds good, we like to listen. To get such a sound, you need experience and technical finesse. We have incorporated both into the Series One. The Preamplifier Stage Two Burr-Brown OPA 2134 SoundPlus™ operational amplifiers provide the pre-amplification. These are specially designed for audiophile circuits and are characterized by extremely low noise and minimal distortion of only 0.00008%.Thanks to a true FET stage, the OPA 2134 achieves a slew rate of 20V/µs, making it a high-speed operational amplifier. This has an immediate positive effect on the liveliness of the playback. In addition, low capacitance film capacitors are installed in the signal path as bypass capacitors of the coupling capacitors, which ensures a more precise transmission of the high-frequency signal components.The excellent Panasonic ‘Electric Double Layer’ gold electrolytic capacitors are used as coupling capacitors. They offer the highest storage capacity of all capacitor technologies.

For us the sound is always in the foreground. When it sounds good, we like to listen. To get such a sound, you need experience and technical finesse. We have incorporated both into the Series One. The Design Of The Amplification Stages Two Burr-Brown OPA 2134 SoundPlus™ operational amplifiers provide the pre-amplification. These are specially designed for audiophile circuits and are characterized by extremely low noise and minimal distortion of only 0.00008%. Thanks to a true FET stage, the OPA 2134 achieves a slew rate of 20V/µs, making it a high-speed operational amplifier. This has an immediate positive effect on the liveliness of the playback. In addition, low capacitance film capacitors are installed in the signal path as bypass capacitors of the coupling capacitors, which ensures a more precise transmission of the high-frequency signal components. The excellent Panasonic ‘Electric Double Layer’ gold electrolytic capacitors are used as coupling capacitors. They offer the highest storage capacity of all capacitor technologies.

RIAA Phono Preamplifier This phono preamplifier for Moving Magnet (MM) and Moving Coil (MC) pickup systems is based on the legendary Douglas-Self-Design. MM & MC There are two pickup systems for record players: Moving Magnet (MM) and Moving Coil (MC). Moving Magnet Moving magnet pickups generate a small voltage by moving a magnet between copper coils. MM pickups have a very high inductance and impedance. The Phonos offers a choice of three capacitors to correct the linearity of the frequency and phase response. The capacitances are 150pF, 220pF and 330pF. In the off-position the capacitance is determined by the capacitance of the cable. Moving Coil The MC pickup is also a small electromagnetic generator, but with the magnets firmly anchored and the coils moving between them, i.e. exactly the opposite of the MM pickup. The output voltage, however, is very low at only a few hundred microvolts and is therefore more sensitive to noise and induced hum. This makes preamplifier design a challenge, because the very low output voltage must be pre-amplified extremely noise-free. Phonos offers one of the most powerful phono preamplifiers for MC systems with up to 71.5 dB preamplification. Thanks to the 120V technology, the preamplifiers are extremely low-noise, linear and phase-locked. MC pickups have a very low inductance and impedance. This means that the effects of cable capacitance (from turntable to preamplifier) are negligible. The impedance, however, is relevant and can be set in six positions: 100, 220, 470, 2.2 k, 4.7 k, and 10 kOhm. If there is any doubt as to which impedance matches that of the pickup, the impedances can also simply be switched through until the linear frequency response is acoustically determined. Amplification The pre-amplification can be switched in three values. The normal gain value is +46 dB for MM and +67 dB for MC cartridges. In the -10 dB position, the phono produces enough output level for normal hi-fi equipment operating at a reference level of -10 dBV. In the +4 dB position, the output level is about as loud as that of modern DA converters at a reference level of 0dBfs = +15 dBu. Subsonic Filter The rumbling of the turntable’s drive mechanism is also amplified by the high amplification of the bass range due to RIAA equalization in playback. The Phonos offers a switchable subsonic filter to remove this rumble.  Connections Gold-plated RCA sockets are available for connecting the turntable and for outputting to a preamplifier such as the Director Mk2 or the Elector.  A ground connection for the turntable is designed as banana plug socket. The ground lead can be either clamped or plugged in. RIAA Equalization RIAA equalization is a specification for the recording and playback of records proposed by the Recording Industry Association of America (RIAA). The RIAA equalization curves introduced a global de facto industry standard for vinyl records in 1954. RIAA equalization uses pre-emphasis to reduce low frequencies and boost high frequencies when the record is cut (blue RIAA curve). The bass is reduced by up to 20 dB to provide more space and longer record play time. The high frequencies are boosted by up to 25 dB to increase the signal-to-noise ratio between the noise and the hot of the record media to the audio signal. During playback, exactly the opposite happens in the phono. The de-emphasis filter (red RIAA curve) compensates for the pre-emphasis and the result is a linear frequency response. Douglas Self Design The RIAA equalization of the phono was developed according to the recommendations of Douglas Self. Idea: Many small capacities instead of a few large capacities. Advantages: The capacitors charge and discharge faster, which results in better resolution and faster impulse response. Only audiophile Styroflex capacitors are used in the entire RIAA equalizer. About the person: Douglas Self is a British electronics engineer with a strong penchant for audio. He holds honorary degrees from Cambridge University and teaches psychoacoustics at the University of Sussex. Specifications: Analog Input & Output: RCA Input impedance (MM): 47 kΩ Input impedance (MC): switchable Output impedance: 75 Ω Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -80 dBu Moving Magnet (MM) Preamplifier Amplification (Norm): 46 dB Amplification (-10 dB): 36 dB Amplification (+4 dB): 50 dB Capacitance (switchable): Off, 150 pF, 220 pF and 330 pF Noise (A-weighted; 46 dB amplification): -85.3 dBu Dynamic range: 131.3 dB Moving Coil (MC) Preamplifier Amplification (Norm): 67 dB Amplification (-10 dB): 56 dB Amplification (+4 dB): 71.5 dB Impedance (switchable): 100 Ω, 220 Ω, 470 Ω, 2.2 kΩ, 4.7 kΩ, 10 kΩ Noise (A-weighted, 67 dB amplification): -61.7 dBu Dynamic range: 128.7 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 30 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 3.2 kg Shipping weight (incl. packaging): 4.3 kg

RIAA Phono Preamplifier This phono preamplifier for Moving Magnet (MM) and Moving Coil (MC) pickup systems is based on the legendary Douglas-Self-Design. MM & MC There are two pickup systems for record players: Moving Magnet (MM) and Moving Coil (MC). Moving Magnet Moving magnet pickups generate a small voltage by moving a magnet between copper coils. MM pickups have a very high inductance and impedance. The Phonos offers a choice of three capacitors to correct the linearity of the frequency and phase response. The capacitances are 150pF, 220pF and 330pF. In the off-position the capacitance is determined by the capacitance of the cable. Moving Coil The MC pickup is also a small electromagnetic generator, but with the magnets firmly anchored and the coils moving between them, i.e. exactly the opposite of the MM pickup. The output voltage, however, is very low at only a few hundred microvolts and is therefore more sensitive to noise and induced hum. This makes preamplifier design a challenge, because the very low output voltage must be pre-amplified extremely noise-free. Phonos offers one of the most powerful phono preamplifiers for MC systems with up to 71.5 dB preamplification. Thanks to the 120V technology, the preamplifiers are extremely low-noise, linear and phase-locked. MC pickups have a very low inductance and impedance. This means that the effects of cable capacitance (from turntable to preamplifier) are negligible. The impedance, however, is relevant and can be set in six positions: 100, 220, 470, 2.2 k, 4.7 k, and 10 kOhm. If there is any doubt as to which impedance matches that of the pickup, the impedances can also simply be switched through until the linear frequency response is acoustically determined. Amplification The pre-amplification can be switched in three values. The normal gain value is +46 dB for MM and +67 dB for MC cartridges. In the -10 dB position, the phono produces enough output level for normal hi-fi equipment operating at a reference level of -10 dBV. In the +4 dB position, the output level is about as loud as that of modern DA converters at a reference level of 0dBfs = +15 dBu. Subsonic Filter The rumbling of the turntable’s drive mechanism is also amplified by the high amplification of the bass range due to RIAA equalization in playback. The Phonos offers a switchable subsonic filter to remove this rumble.  Connections Gold-plated RCA sockets are available for connecting the turntable and for outputting to a preamplifier such as the Director Mk2 or the Elector.  A ground connection for the turntable is designed as banana plug socket. The ground lead can be either clamped or plugged in. RIAA Equalization RIAA equalization is a specification for the recording and playback of records proposed by the Recording Industry Association of America (RIAA). The RIAA equalization curves introduced a global de facto industry standard for vinyl records in 1954. RIAA equalization uses pre-emphasis to reduce low frequencies and boost high frequencies when the record is cut (blue RIAA curve). The bass is reduced by up to 20 dB to provide more space and longer record play time. The high frequencies are boosted by up to 25 dB to increase the signal-to-noise ratio between the noise and the hot of the record media to the audio signal. During playback, exactly the opposite happens in the phono. The de-emphasis filter (red RIAA curve) compensates for the pre-emphasis and the result is a linear frequency response. Douglas Self Design The RIAA equalization of the phono was developed according to the recommendations of Douglas Self. Idea: Many small capacities instead of a few large capacities. Advantages: The capacitors charge and discharge faster, which results in better resolution and faster impulse response. Only audiophile Styroflex capacitors are used in the entire RIAA equalizer. About the person: Douglas Self is a British electronics engineer with a strong penchant for audio. He holds honorary degrees from Cambridge University and teaches psychoacoustics at the University of Sussex. Specifications: Analog Input & Output: RCA Input impedance (MM): 47 kΩ Input impedance (MC): switchable Output impedance: 75 Ω Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -80 dBu Moving Magnet (MM) Preamplifier Amplification (Norm): 46 dB Amplification (-10 dB): 36 dB Amplification (+4 dB): 50 dB Capacitance (switchable): Off, 150 pF, 220 pF and 330 pF Noise (A-weighted; 46 dB amplification): -85.3 dBu Dynamic range: 131.3 dB Moving Coil (MC) Preamplifier Amplification (Norm): 67 dB Amplification (-10 dB): 56 dB Amplification (+4 dB): 71.5 dB Impedance (switchable): 100 Ω, 220 Ω, 470 Ω, 2.2 kΩ, 4.7 kΩ, 10 kΩ Noise (A-weighted, 67 dB amplification): -61.7 dBu Dynamic range: 128.7 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 30 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 3.2 kg Shipping weight (incl. packaging): 4.3 kg

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

All essential functions in a stylish, slim housing. The Phonitor e offers Phonitor Matrix, volume remote control, connection also for balanced headphones, DA converter option and the all superior VOLTAiR technology. For all headphones The Phonitor e offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the high output power, all headphones are driven effortlessly. Volume with remote control The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. The volume can be adjusted with any infrared remote control. The Phonitor e learns their commands. To do this, press the IR programming button on the back and then the buttons for louder and softer. Source selection A total of five sources can be connected to Phonitor e: XLR, Cinch, USB, Coax, and Optical Phonitor e is equipped with RCA connectors and balanced XLR connectors for the analog inputs. The optional DAC768xs adds three more digital sources: USB, Coax and Optical. The optional DAC768xs The converter chip used in the optional digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, thanks to which you can listen to music with headphones as if you are listening to speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation rooms and effects are a thing of the past. Enjoy your music without tiring and exactly as it should be heard. The Phonitor Matrix, in its largest expansion stage, has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In Phonitor e the center level is preset to -1 dB and the speaker angle to 30°. These are the most common values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the crossfeed. Specifications:   Analog Inputs: XLR (balanced), RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

All essential functions in a stylish, slim housing. The Phonitor e offers Phonitor Matrix, volume remote control, connection also for balanced headphones, DA converter option and the all superior VOLTAiR technology. For all headphones The Phonitor e offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the high output power, all headphones are driven effortlessly. Volume with remote control The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. The volume can be adjusted with any infrared remote control. The Phonitor e learns their commands. To do this, press the IR programming button on the back and then the buttons for louder and softer. Source selection A total of five sources can be connected to Phonitor e: XLR, Cinch, USB, Coax, and Optical Phonitor e is equipped with RCA connectors and balanced XLR connectors for the analog inputs. The optional DAC768xs adds three more digital sources: USB, Coax and Optical. The optional DAC768xs The converter chip used in the optional digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, thanks to which you can listen to music with headphones as if you are listening to speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation rooms and effects are a thing of the past. Enjoy your music without tiring and exactly as it should be heard. The Phonitor Matrix, in its largest expansion stage, has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In Phonitor e the center level is preset to -1 dB and the speaker angle to 30°. These are the most common values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the crossfeed. Specifications:   Analog Inputs: XLR (balanced), RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Performer s800 is a stereo power amplifier that delivers 2 x 285 W to 4 ohms loudspeakers. In bridge mode it delivers 450 W into 4 or 8 ohms.The technical basis of all Professional Fidelity units is the proprietary 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+/-60 V DC) and the huge dynamic range of over 140 dB that goes with it.Features: Bi polar transistor power amplifier with VOLTAiR 120V technology2 x 285 W into 4 ohms; 2 x 185 W into 8 ohms (stereo operation) 450 W into 8 ohms (mono operation – Bridge Mode)Toroidal transformer with 855 VA40800 µF capacitance for faithful reproduction of impulse peaksGold-plated loudspeaker binding posts with protection coversNeutrik XLR connectors for balanced in- and outputsDirect slave through of the input (e.g. for bi-wiring)Input trim switch for attenuation up to -5.5 dB in 0.5 dB stepsAMP CTL connector for remote power on/off switching Overheat protection with Temp LEDDC (direct current) voltage protection with Protect LEDFront and Lid made from aluminum, housing made from sheet metalMade in GermanySpecifications:Frequency response: 1Hz-125kHz, +/- 0.5dBInputs: 1Outputs: 1Filter:  Hi Pass (50 Hz)Signal to Noise Ratio: ›130dBMaximum Level Input: +17dBuMaximum Level Output: +34dBuTotal Harmonic Distortion: 0.0005%Phantom Power: NAIInput Type: 1 x XLR & TRSOutput Type: 1 x XLR & TRS​

Performer s800 is a stereo power amplifier that delivers 2 x 285 W to 4 ohms loudspeakers. In bridge mode it delivers 450 W into 4 or 8 ohms.The technical basis of all Professional Fidelity units is the proprietary 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+/-60 V DC) and the huge dynamic range of over 140 dB that goes with it.Features: Bi polar transistor power amplifier with VOLTAiR 120V technology2 x 285 W into 4 ohms; 2 x 185 W into 8 ohms (stereo operation) 450 W into 8 ohms (mono operation – Bridge Mode)Toroidal transformer with 855 VA40800 µF capacitance for faithful reproduction of impulse peaksGold-plated loudspeaker binding posts with protection coversNeutrik XLR connectors for balanced in- and outputsDirect slave through of the input (e.g. for bi-wiring)Input trim switch for attenuation up to -5.5 dB in 0.5 dB stepsAMP CTL connector for remote power on/off switching Overheat protection with Temp LEDDC (direct current) voltage protection with Protect LEDFront and Lid made from aluminum, housing made from sheet metalMade in GermanySpecifications:Frequency response: 1Hz-125kHz, +/- 0.5dBInputs: 1Outputs: 1Filter:  Hi Pass (50 Hz)Signal to Noise Ratio: ›130dBMaximum Level Input: +17dBuMaximum Level Output: +34dBuTotal Harmonic Distortion: 0.0005%Phantom Power: NAIInput Type: 1 x XLR & TRSOutput Type: 1 x XLR & TRS​

Our powerhouse mono-block. With the power of 1000 W this amplifier controls every loudspeaker effortlessly. Thanks to VOLTAiR technology it is fast, direct and highly efficient with an outstanding sound. Individual design The Performer m1000 can be equipped with a black, red or silver decorative panel that are included in the scope of delivery. This gives you a choice of three colour variants for your chosen basic colour. The decorative panels adhere with the help of a strong neodymium magnet. No tools are therefore required for changing them. Better safe than sorry The Performer m1000 has a protection circuit against DC voltage and a limiter against output overload. If direct current (DC) is detected, the output stage switches off automatically and the Protect LED lights up red. To protect the output against overdriving, an LDR limiter (light-dependent resistor) is used. Since it works optically, the audio quality is not affected. The Protect LED lights up yellow when the limiter responds. As one calls into the forest, so it echoes out. This saying inspired us to send the input signal out again in order to drive another power amplifier in bi-amping mode. Trim to fit With reference to the m1000, “fit” means adapted. And you can adapt the input sensitivity in 0.5 dB steps. From 0 dB to -5.5 dB. This is the much more audiophile solution for acoustically problematic rooms or loudspeaker set-ups than the panorama potentiometer of the preamplifier. In addition, the difference in loudness of loudspeakers can be elegantly compensated in bi-amping mode. Plus & Minus The loudspeaker binding posts can accommodate banana plugs as well as a stranded wire with a diameter of up to 4mm. For bi-wiring operation, both types of connection can be used together. No loudspeaker with less than 2 ohms impedance may be connected. AMP CTL The power amplifier can be switched on and off using the AMP CTL connection between the Performer m1000 and a preamplifier such as the Director Mk2 or the Crossover. To do this, connect the 3.5 mm jack sockets with a cable with 3.5 mm mono or stereo jack plugs. Third-party preamps can also switch the Performer m1000 on and off with a 12 V trigger. Keep cool Inside the Performer m1000, six fans usually do nothing at all, because 90% of the heat is passively dissipated via massive heat sinks. Should it nevertheless become really loud for a really long time, the processor-controlled fans remain virtually inaudible at only 19 dB (A). Specifications: Analog Input & Thru: XLR (balanced) Input gain (max): 32.5 dBu Input impedance (THRU not connected): 20 kΩ Common mode rejection (THRU not connected): -82 dBu Input sensitivity: 12.5 dBu Loudspeaker Output: Binding posts with ø4mm cable hole (screwable) and banana plug Output power (RMS, 2 Ω): 1000 W Harmonic distortion (1 kHz, 2 Ω): < 0.08 % Output power (RMS, 4 Ω): 750 W Harmonic distortion (1 kHz, 4 Ω): < 0.05 % Output power (RMS, 8 Ω): 420 W Harmonic distortion (1 kHz, 8 Ω): < 0.03 % Output power (peak to peak): 180 V Output voltage (RMS): 64.6 V Output impedance (20 Hz – 20 kHz): < 0.031 Ω Amplification gain: 26 dB Damping factor (1 kHz, 8 Ohm): > 280 Frequency range (-3dB): 10 Hz – 80 kHz Noise (A-weighted): -123 dB Internal Linear Power Supply with Shielded Toroidal Transformer Toroidal transformer: 1375 VA Operating voltage (Input stage): +/- 60 V Operating voltage (power stage): +/- 91 V Operating voltage for relays, LEDs, AMP CTL: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse 230 V: T 6.3 mA Fuse 115 V: T 12 A Power consumption: max. 1375 VA Idle power consumption: 50 W Stand-by power consumption: < 0.3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 205 x 375 mm Unit weight: 24.8 kg Shipping weight: 29.3 kg

Our powerhouse mono-block. With the power of 1000 W this amplifier controls every loudspeaker effortlessly. Thanks to VOLTAiR technology it is fast, direct and highly efficient with an outstanding sound. Individual design The Performer m1000 can be equipped with a black, red or silver decorative panel that are included in the scope of delivery. This gives you a choice of three colour variants for your chosen basic colour. The decorative panels adhere with the help of a strong neodymium magnet. No tools are therefore required for changing them. Better safe than sorry The Performer m1000 has a protection circuit against DC voltage and a limiter against output overload. If direct current (DC) is detected, the output stage switches off automatically and the Protect LED lights up red. To protect the output against overdriving, an LDR limiter (light-dependent resistor) is used. Since it works optically, the audio quality is not affected. The Protect LED lights up yellow when the limiter responds. As one calls into the forest, so it echoes out. This saying inspired us to send the input signal out again in order to drive another power amplifier in bi-amping mode. Trim to fit With reference to the m1000, “fit” means adapted. And you can adapt the input sensitivity in 0.5 dB steps. From 0 dB to -5.5 dB. This is the much more audiophile solution for acoustically problematic rooms or loudspeaker set-ups than the panorama potentiometer of the preamplifier. In addition, the difference in loudness of loudspeakers can be elegantly compensated in bi-amping mode. Plus & Minus The loudspeaker binding posts can accommodate banana plugs as well as a stranded wire with a diameter of up to 4mm. For bi-wiring operation, both types of connection can be used together. No loudspeaker with less than 2 ohms impedance may be connected. AMP CTL The power amplifier can be switched on and off using the AMP CTL connection between the Performer m1000 and a preamplifier such as the Director Mk2 or the Crossover. To do this, connect the 3.5 mm jack sockets with a cable with 3.5 mm mono or stereo jack plugs. Third-party preamps can also switch the Performer m1000 on and off with a 12 V trigger. Keep cool Inside the Performer m1000, six fans usually do nothing at all, because 90% of the heat is passively dissipated via massive heat sinks. Should it nevertheless become really loud for a really long time, the processor-controlled fans remain virtually inaudible at only 19 dB (A). Specifications: Analog Input & Thru: XLR (balanced) Input gain (max): 32.5 dBu Input impedance (THRU not connected): 20 kΩ Common mode rejection (THRU not connected): -82 dBu Input sensitivity: 12.5 dBu Loudspeaker Output: Binding posts with ø4mm cable hole (screwable) and banana plug Output power (RMS, 2 Ω): 1000 W Harmonic distortion (1 kHz, 2 Ω): < 0.08 % Output power (RMS, 4 Ω): 750 W Harmonic distortion (1 kHz, 4 Ω): < 0.05 % Output power (RMS, 8 Ω): 420 W Harmonic distortion (1 kHz, 8 Ω): < 0.03 % Output power (peak to peak): 180 V Output voltage (RMS): 64.6 V Output impedance (20 Hz – 20 kHz): < 0.031 Ω Amplification gain: 26 dB Damping factor (1 kHz, 8 Ohm): > 280 Frequency range (-3dB): 10 Hz – 80 kHz Noise (A-weighted): -123 dB Internal Linear Power Supply with Shielded Toroidal Transformer Toroidal transformer: 1375 VA Operating voltage (Input stage): +/- 60 V Operating voltage (power stage): +/- 91 V Operating voltage for relays, LEDs, AMP CTL: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse 230 V: T 6.3 mA Fuse 115 V: T 12 A Power consumption: max. 1375 VA Idle power consumption: 50 W Stand-by power consumption: < 0.3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 205 x 375 mm Unit weight: 24.8 kg Shipping weight: 29.3 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg