SPL

The headphone amplifier, monitoring controller and DAC with 120V technology Phonitor 3 DAC is not only the ultimate headphone amplifier and monitoring controller with 120V technology – the integrated DAC makes it the perfect monitoring centerpiece for demanding producers as well as sound and mastering engineers working with digital sources or in the DAW.Whether if USB, AES/EBU or S/PDIF – the integrated DAC with analog SLP120 converts digital PCM audio signals with a resolution of 32 bit and a sampling rate of up to 768 kHz. It converts DSD signals with a resolution of up to DSD256.On the analog side, the Phonitor 3 DAC, based on the SPL 120V technology, offers the same monitoring quality as the big SPL mastering consoles – on loudspeakers and headphones.The analog Phonitor Matrix allows mixing and mastering on headphones in the highest quality – with the same spatial perception of the stereo stage as on loudspeakers.Great sound – for headphonesThe Phonitor 3 offers connection for a standard headphone with a stereo jack plug on the front. Thanks to the enormous output power, all kind of headphones are driven effortlessly. Thus, it plays out the advantages of the SPL 120V technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Great sound – also for loudspeakersOn the rear of the device, Phonitor 3 offersa stereo output which makes it a high-qualitymonitoring controller for any monitoring situation. Active speakers with an integrated power amplifieror passive speakers in combination with a power amplifier can be connected at this output.Monitoring at the highest levelPhonitor 3 offers the same key technology –SPL 120V technology – and signal quality as thebig SPL DMC and MMC mastering consoles.

Premium DAC with VOLTAiR technologyDiamond is the perfect DAC and preamplifier for everyone who plays music exclusively from digital sources. Diamond offers connectivity for six digital sources and an external word clock. The superior VOLTAiR technology and the premium DAC with the unequalled DLP120 combined with an analog volume control allowing for highest resolution at any volume makes the Diamond an one-of-a-kind DA converter that delivers finest soundstages with an unrivalled analog feel.Everything under controlThe volume is adjusted with a solid, milled aluminum, rotary knob. The Alps RK27 “Big Blue” potentiometer gives a pleasant “spoon in the honey” rotary feel.Source of joyUp to 6 digital stereo sources can be connected to Diamond.Diamond offers each a stereo USB and AES input as well as each two optical and coaxial stereo inputs. Via USB, both PCM audio and DSD audio can be converted. PCM audio is received in S/PDIF format, both coaxial (RCA), optical (Toslink F06) and balanced (AES/EBU). The source selection is done via the selection control on the front. The selected input is also shown in the dot matrix LED display: USB, COA1, COA2, OPT1, OPT2 or AES. After approximately two seconds, the display shows the type of clock source and the detected sampling rate.Always in timeDiamond can not only synchronize to the clock integrated in the digitally fed source signal. As a specialist for digital players Diamond offers a word clock input. The source of the clock signal can be selected via the CLOCK switch.Source = Diamond synchronizes to the digital clock in the source signal.Word = Diamond synchronizes to the digital clock present at WORD IN.Well informedThe DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer, CD player or an external word clock is connected. The detected sampling rate and the selected clock source are shown in the dot matrix LED display. For example, U768 is an acronym for a clock signal in the USB stream with a sampling rate of 768 kHz.All variable – or Slave ThruDiamond provides two stereo output pairs for connecting power amplifiers or active loudspeakers. One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the volume control on the front panel. The volume control for both outputs can be individually switched out of the signal path via DIP switch on the back of the device. For example, a headphone amplifier with its own volume control can be connected to one of the outputs.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Sounds goodWith all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltageThe 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience. By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.VOLTAiR is a composition of the terms Volt and Air. Volt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in. It symbolizes the perceived limitless dynamics resulting from high audio voltage.ComparisonMost audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.

Premium DAC with VOLTAiR technologyDiamond is the perfect DAC and preamplifier for everyone who plays music exclusively from digital sources. Diamond offers connectivity for six digital sources and an external word clock. The superior VOLTAiR technology and the premium DAC with the unequalled DLP120 combined with an analog volume control allowing for highest resolution at any volume makes the Diamond an one-of-a-kind DA converter that delivers finest soundstages with an unrivalled analog feel.Everything under controlThe volume is adjusted with a solid, milled aluminum, rotary knob. The Alps RK27 “Big Blue” potentiometer gives a pleasant “spoon in the honey” rotary feel.Source of joyUp to 6 digital stereo sources can be connected to Diamond.Diamond offers each a stereo USB and AES input as well as each two optical and coaxial stereo inputs. Via USB, both PCM audio and DSD audio can be converted. PCM audio is received in S/PDIF format, both coaxial (RCA), optical (Toslink F06) and balanced (AES/EBU). The source selection is done via the selection control on the front. The selected input is also shown in the dot matrix LED display: USB, COA1, COA2, OPT1, OPT2 or AES. After approximately two seconds, the display shows the type of clock source and the detected sampling rate.Always in timeDiamond can not only synchronize to the clock integrated in the digitally fed source signal. As a specialist for digital players Diamond offers a word clock input. The source of the clock signal can be selected via the CLOCK switch.Source = Diamond synchronizes to the digital clock in the source signal.Word = Diamond synchronizes to the digital clock present at WORD IN.Well informedThe DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer, CD player or an external word clock is connected. The detected sampling rate and the selected clock source are shown in the dot matrix LED display. For example, U768 is an acronym for a clock signal in the USB stream with a sampling rate of 768 kHz.All variable – or Slave ThruDiamond provides two stereo output pairs for connecting power amplifiers or active loudspeakers. One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the volume control on the front panel. The volume control for both outputs can be individually switched out of the signal path via DIP switch on the back of the device. For example, a headphone amplifier with its own volume control can be connected to one of the outputs.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Sounds goodWith all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltageThe 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience. By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.VOLTAiR is a composition of the terms Volt and Air. Volt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in. It symbolizes the perceived limitless dynamics resulting from high audio voltage.ComparisonMost audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.

Premium DAC with VOLTAiR technologyDiamond is the perfect DAC and preamplifier for everyone who plays music exclusively from digital sources. Diamond offers connectivity for six digital sources and an external word clock. The superior VOLTAiR technology and the premium DAC with the unequalled DLP120 combined with an analog volume control allowing for highest resolution at any volume makes the Diamond an one-of-a-kind DA converter that delivers finest soundstages with an unrivalled analog feel.Everything under controlThe volume is adjusted with a solid, milled aluminum, rotary knob. The Alps RK27 “Big Blue” potentiometer gives a pleasant “spoon in the honey” rotary feel.Source of joyUp to 6 digital stereo sources can be connected to Diamond.Diamond offers each a stereo USB and AES input as well as each two optical and coaxial stereo inputs. Via USB, both PCM audio and DSD audio can be converted. PCM audio is received in S/PDIF format, both coaxial (RCA), optical (Toslink F06) and balanced (AES/EBU). The source selection is done via the selection control on the front. The selected input is also shown in the dot matrix LED display: USB, COA1, COA2, OPT1, OPT2 or AES. After approximately two seconds, the display shows the type of clock source and the detected sampling rate.Always in timeDiamond can not only synchronize to the clock integrated in the digitally fed source signal. As a specialist for digital players Diamond offers a word clock input. The source of the clock signal can be selected via the CLOCK switch.Source = Diamond synchronizes to the digital clock in the source signal.Word = Diamond synchronizes to the digital clock present at WORD IN.Well informedThe DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer, CD player or an external word clock is connected. The detected sampling rate and the selected clock source are shown in the dot matrix LED display. For example, U768 is an acronym for a clock signal in the USB stream with a sampling rate of 768 kHz.All variable – or Slave ThruDiamond provides two stereo output pairs for connecting power amplifiers or active loudspeakers. One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the volume control on the front panel. The volume control for both outputs can be individually switched out of the signal path via DIP switch on the back of the device. For example, a headphone amplifier with its own volume control can be connected to one of the outputs.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Sounds goodWith all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltageThe 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience. By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.VOLTAiR is a composition of the terms Volt and Air. Volt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in. It symbolizes the perceived limitless dynamics resulting from high audio voltage.ComparisonMost audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.

The headphone amplifier, monitoring controller and DAC with 120V technology Phonitor 3 DAC is not only the ultimate headphone amplifier and monitoring controller with 120V technology – the integrated DAC makes it the perfect monitoring centerpiece for demanding producers as well as sound and mastering engineers working with digital sources or in the DAW. Whether if USB, AES/EBU or S/PDIF – the integrated DAC with analog SLP120 converts digital PCM audio signals with a resolution of 32 bit and a sampling rate of up to 768 kHz. It converts DSD signals with a resolution of up to DSD256. On the analog side, the Phonitor 3 DAC, based on the SPL 120V technology, offers the same monitoring quality as the big SPL mastering consoles – on loudspeakers and headphones. The analog Phonitor Matrix allows mixing and mastering on headphones in the highest quality – with the same spatial perception of the stereo stage as on loudspeakers.Great sound – for headphonesThe Phonitor 3 DAC offers connection for a standard headphone with a stereo jack plug on the front. Thanks to the enormous output power, all kind of headphones are driven effortlessly. Thus, it plays out the advantages of the SPL 120V technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Great sound – also for loudspeakersOn the rear of the device, Phonitor 3 DAC offers a stereo output which makes it a high-quality monitoring controller for any monitoring situation. Active speakers with an integrated power amplifier or passive speakers in combination with a power amplifier can be connected at this output.Monitoring at the highest levelPhonitor 3 DAC offers the same key technology – SPL 120V technology – and signal quality as the big SPL DMC and MMC mastering consoles.Headphones or SpeakersThe Output switch – simply switch from headphone to speaker playback. In the center position (Mute), no signal reaches the outputs. The VU meters light up red.Digital & analog stereo inputs – free choiceUp to six stereo sources can be connected to the Phonitor 3 DAC. The source is selected via the Source switch.Analog inputsOn the analog side, two analog stereo inputs are offered, each with two XLR line inputs. Professional analog players with balanced outputs and line level can be connected here.Digital inputsOn the digital side, the Phonitor 3 DAC offers four digital stereo inputs.USBThe USB input (type B) can be used to directly connect the DAW. No driver installation is required for operation with a Mac or an iDevice. Via USB, the Phonitor 3 DAC converts PCM audio signals with a resolution of 32 bits and a sampling rate of up to 768 kHz as well as DSD signals with a resolution of up to DSD256.S/PDIF, coaxialThe Input S/PDIF coaxial can also receive a two-channel signal (PCM audio) with sampling rates up to 192 kHz and a bit rate of 16 bits to 24 bits. Unbalanced, 2-wire 75-ohm coaxial cables with RCA connectors are used for signal transmission.S/PDIF, opticalThe S/PDIF optical input can also receive a two-channel signal (PCM audio) with sampling rates of up to 192 kHz and a bit rate of 16 bit to 24 bit. The input jack is an F05 jack. This interface is better known under the Toshiba brand name TOSLINK.Tip: You should attach importance to the quality of the optical fiber. With inexpensive plastic optical fibers, transmissions with quad sampling rates (176.4kHz/192kHz) may have faults. In this case a glass fiber optic cable should be chosen.AES/EBUThe AES input provides an input jack which corresponds to a standard XLR input (XLR, female). An AES signal can transport two encoded PCM audio channels with a maximum sampling rate of 192 kHz and a bit rate of 16 bits to 24 bits. This standard is defined under IEC 60958 Type I. Balanced, 3-core, 110 Ohm “twisted pair” cables with XLR plugs are used for connection.The DAC – the best is just good enoughThe converter chip in the Phonitor 3 DAC´s digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its architecture reproduces the finest sound details. It converts PCM audio at 32-bit resolution and a sampling rate of up to 768 kHz, which is 16 times the resolution of a CD. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.SLP120The analog output of any DAC chip must be filtered by a low pass filter when entering the analog world. In contrast to all other DACs in the world, the low pass filters here are built using SPL 120V technology, which provides a plus in dynamics and headroom and sound. The DAC in the Phonitor 3 DAC is equipped with the SLP120 – an analog “single low pass” filter with 120V technology.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further and provides perfect control of the monitoring level.Monitoring without any compromisesThe Phonitor 3 DAC is a full-fledged monitor controller:Source selectionPhonitor Matrix with Crossfeed, Speaker Angle and Center Level (the latter can be switched off)Mono/StereoLaterality controlSolo L/RPhase inversion for L and RL/R SwapOutput switchable to headphones or speakersMuteMono or stereo – a matter of settingThe Mono/Stereo switch can be used to select whether the output signal of the Phonitor 3 DAC is a regular stereo signal or whether it is summed to a mono signal.Finding the real centerNaturally, hearing can be directed more to the left or more to the right. This becomes particularly clear when listening on headphones. Therefore, the Phonitor 3 DAC has the uniquely finely resolved laterality control, which rebalances the stereo image on the monitoring side. The Mono/Stereo switch can not only be used to switch between stereo or mono playback. This switch is also used to activate or deactivate the laterality control.Solo L/ROnly the right or left channel of the audio signal should be played back? The Solo L/R function makes it possible. If the triple selection switch is in the “L” position, only the left channel is played back – if it is in the “R” position, only the right channel is played back. In the middle position “Off” the Solo function is switched off. The regular stereo signal consisting of the left and right channel is thus present at the output of the Phonitor 3 DAC.L/R SwapA special feature is the channel swap function: L/R Swap. This function inverts the stereo image. Left becomes right and right becomes left. This is especially important and extremely time-saving, when you are monitoring samples in video dubbing that should match a scene with direction of movement. If the direction is not correct, you usually have to load the sample into the DAW to switch channels. before you can judge whether the sample matches the image. With the L/R Swap function, this is no longer necessary. You can now adjust the direction of movement on the Phonitor 3 DAC while pre-listening the sample library.Phase inversion for L and RWith this switch the phase of the left or right channel of the audio signal can be inverted. If the three-way selection switch is in the “L” position, the left channel is inverted – if it is in the “R” position, the right channel is inverted. In the middle position “Off” this function is switched off. At the output of the Phonitor 3 DAC the regular stereo signal is thus present.M/S – Mid or Side?By using the mono/stereo and L/R phase inversion switch in combination, it is also possible to only monitor the mid or side signal. When the switch is set to “Mono” and phase inversion is active for L (or R), only the side signal is played back. If the phase inversion is switched off, the mono signal corresponding to the “M” signal is played back. Separate monitoring of the M and S signals has become a widespread standard for many mixing and mastering engineers.Everything at a glanceTwo mechanical VU meters visualize the input levels for the left and right audio channels. The “VU Cal” switch can be used to reduce the signal visualized on the VU meters by -6 dB or -12 dB. Thus, the VU meters operate in the ideal display range even at very high input levels.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.One of the unique features of SPL headphone amplifiers is the SPL Phonitor Matrix. It enables mixing and mastering engineers to create perfect mixes on headphones, which will translate perfectly to all types of stereo speaker systems. But the Phonitor Matrix is not only designed for professional use in the studio. It also enables the hifi enthusiast to enjoy music on headphones, like if it was played back on speakers.How is this possible?Music is normally produced and mixed for playback on stereo speakers. Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear.These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo stage and sound sources are not played back at their actual position in the stereo spectrum. The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry.Summed up:The SPL Phonitor Matrix corrects the false representation of the stereo sound image, which makes it much easier to find the right decisions for mixing and mastering engineers. The hifi enthusiast can experience the music, like it was originally mixed and recorded. So nothing stands in the way of a successful and long mixing session on headphones.Preamp Out or Direct OutWith a DIP switch on the rear of the device, the volume control for the rear stereo output can be switched out of the signal path. But that’s not all. It is also possible to output the Phonitor Matrix to the stereo output on the rear panel of the device – regardless of whether this is configured as Preamp Out (with volume control) or Direct Out (without volume control).More powerIf headphones have a rather low sensivity – no problem. With DIP switch 1 on the rear of the device, the level at the headphone output can be increased by 12 dB.Sounds goodWith all SPL devices we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The 120V technologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps.

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

With the new DAC768xs module, the Phonitor x really shows its phenomenal qualities as a headphone amplifier and preamp, even with digital sources connected.” The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Dual Headphone Monitoring Amplifier Headphone monitoring amplifier for two headphones with Phonitor Matrix as double rack module for the 500 series. Phase Inverse Ø With the phase inversion switch you can invert the phase of the left or right channel (180°). Stereo/Mono/Mute The audio signal can be switched between stereo and mono. In the Mute position, the headphone outputs are muted. Phonitor Matrix Use the Matrix switch to activate or deactivate the Phonitor Matrix (Crossfeed, Speaker Angle, Center Level). Crossfeed The crossfeed value determines the interaural level difference and is comparable to the influences of different room sizes and their reflection and absorption characteristics. Speaker Angle The Speaker Angle determines the interaural time difference, which corresponds to the placement angle of the loudspeakers. Center Level With Center Level you set the level compensation of the center signals when monitoring on headphones. The Revolution in the headphone amplifier is the Phonitor Matrix, with adjustable crossfeed, speaker angle and center level thanks to which you can create mixes on headphones that sound the same on speakers. Specifications: Input & Output; balanced Maximum input & output gain: 21 dBu Input impedance: 10 kΩ Output impedance: 150 Ω Common mode rejection: > 82 dB Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (0 dBu, 10 Hz – 22 kHz): 0.03 % Noise (A-weighted): -92.3 dBu Dynamic range: 113 dB Headphone Outputs, 1/4" (6,35 mm) TRS Jacks Wiring: Tip = Left, Ring = Right, Sleeve = GND Max output power (600 Ω): +18 dBu Max output power (300 Ω): +15 dBu Max output power (32 Ω): +5 dBu Dimensions & Weight Unit weight: 0.8 kg Shipping weight (incl. packaging): 0.95 kg

With innovative Phonitor Matrix, 32-bit DA-converter and outstanding sound quality. For us the sound is always in the foreground. When it sounds good, we like to listen. To get such a sound, you need experience and technical finesse. We have incorporated both into the Series One. The Preamplifier Stage Two Burr-Brown OPA 2134 SoundPlus™ operational amplifiers provide the pre-amplification. These are specially designed for audiophile circuits and are characterized by extremely low noise and minimal distortion of only 0.00008%.Thanks to a true FET stage, the OPA 2134 achieves a slew rate of 20V/µs, making it a high-speed operational amplifier. This has an immediate positive effect on the liveliness of the playback. In addition, low capacitance film capacitors are installed in the signal path as bypass capacitors of the coupling capacitors, which ensures a more precise transmission of the high-frequency signal components.The excellent Panasonic ‘Electric Double Layer’ gold electrolytic capacitors are used as coupling capacitors. They offer the highest storage capacity of all capacitor technologies.

For us the sound is always in the foreground. When it sounds good, we like to listen. To get such a sound, you need experience and technical finesse. We have incorporated both into the Series One. The Design Of The Amplification Stages Two Burr-Brown OPA 2134 SoundPlus™ operational amplifiers provide the pre-amplification. These are specially designed for audiophile circuits and are characterized by extremely low noise and minimal distortion of only 0.00008%. Thanks to a true FET stage, the OPA 2134 achieves a slew rate of 20V/µs, making it a high-speed operational amplifier. This has an immediate positive effect on the liveliness of the playback. In addition, low capacitance film capacitors are installed in the signal path as bypass capacitors of the coupling capacitors, which ensures a more precise transmission of the high-frequency signal components. The excellent Panasonic ‘Electric Double Layer’ gold electrolytic capacitors are used as coupling capacitors. They offer the highest storage capacity of all capacitor technologies.

RIAA Phono Preamplifier This phono preamplifier for Moving Magnet (MM) and Moving Coil (MC) pickup systems is based on the legendary Douglas-Self-Design. MM & MC There are two pickup systems for record players: Moving Magnet (MM) and Moving Coil (MC). Moving Magnet Moving magnet pickups generate a small voltage by moving a magnet between copper coils. MM pickups have a very high inductance and impedance. The Phonos offers a choice of three capacitors to correct the linearity of the frequency and phase response. The capacitances are 150pF, 220pF and 330pF. In the off-position the capacitance is determined by the capacitance of the cable. Moving Coil The MC pickup is also a small electromagnetic generator, but with the magnets firmly anchored and the coils moving between them, i.e. exactly the opposite of the MM pickup. The output voltage, however, is very low at only a few hundred microvolts and is therefore more sensitive to noise and induced hum. This makes preamplifier design a challenge, because the very low output voltage must be pre-amplified extremely noise-free. Phonos offers one of the most powerful phono preamplifiers for MC systems with up to 71.5 dB preamplification. Thanks to the 120V technology, the preamplifiers are extremely low-noise, linear and phase-locked. MC pickups have a very low inductance and impedance. This means that the effects of cable capacitance (from turntable to preamplifier) are negligible. The impedance, however, is relevant and can be set in six positions: 100, 220, 470, 2.2 k, 4.7 k, and 10 kOhm. If there is any doubt as to which impedance matches that of the pickup, the impedances can also simply be switched through until the linear frequency response is acoustically determined. Amplification The pre-amplification can be switched in three values. The normal gain value is +46 dB for MM and +67 dB for MC cartridges. In the -10 dB position, the phono produces enough output level for normal hi-fi equipment operating at a reference level of -10 dBV. In the +4 dB position, the output level is about as loud as that of modern DA converters at a reference level of 0dBfs = +15 dBu. Subsonic Filter The rumbling of the turntable’s drive mechanism is also amplified by the high amplification of the bass range due to RIAA equalization in playback. The Phonos offers a switchable subsonic filter to remove this rumble.  Connections Gold-plated RCA sockets are available for connecting the turntable and for outputting to a preamplifier such as the Director Mk2 or the Elector.  A ground connection for the turntable is designed as banana plug socket. The ground lead can be either clamped or plugged in. RIAA Equalization RIAA equalization is a specification for the recording and playback of records proposed by the Recording Industry Association of America (RIAA). The RIAA equalization curves introduced a global de facto industry standard for vinyl records in 1954. RIAA equalization uses pre-emphasis to reduce low frequencies and boost high frequencies when the record is cut (blue RIAA curve). The bass is reduced by up to 20 dB to provide more space and longer record play time. The high frequencies are boosted by up to 25 dB to increase the signal-to-noise ratio between the noise and the hot of the record media to the audio signal. During playback, exactly the opposite happens in the phono. The de-emphasis filter (red RIAA curve) compensates for the pre-emphasis and the result is a linear frequency response. Douglas Self Design The RIAA equalization of the phono was developed according to the recommendations of Douglas Self. Idea: Many small capacities instead of a few large capacities. Advantages: The capacitors charge and discharge faster, which results in better resolution and faster impulse response. Only audiophile Styroflex capacitors are used in the entire RIAA equalizer. About the person: Douglas Self is a British electronics engineer with a strong penchant for audio. He holds honorary degrees from Cambridge University and teaches psychoacoustics at the University of Sussex. Specifications: Analog Input & Output: RCA Input impedance (MM): 47 kΩ Input impedance (MC): switchable Output impedance: 75 Ω Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -80 dBu Moving Magnet (MM) Preamplifier Amplification (Norm): 46 dB Amplification (-10 dB): 36 dB Amplification (+4 dB): 50 dB Capacitance (switchable): Off, 150 pF, 220 pF and 330 pF Noise (A-weighted; 46 dB amplification): -85.3 dBu Dynamic range: 131.3 dB Moving Coil (MC) Preamplifier Amplification (Norm): 67 dB Amplification (-10 dB): 56 dB Amplification (+4 dB): 71.5 dB Impedance (switchable): 100 Ω, 220 Ω, 470 Ω, 2.2 kΩ, 4.7 kΩ, 10 kΩ Noise (A-weighted, 67 dB amplification): -61.7 dBu Dynamic range: 128.7 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 30 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 3.2 kg Shipping weight (incl. packaging): 4.3 kg

RIAA Phono Preamplifier This phono preamplifier for Moving Magnet (MM) and Moving Coil (MC) pickup systems is based on the legendary Douglas-Self-Design. MM & MC There are two pickup systems for record players: Moving Magnet (MM) and Moving Coil (MC). Moving Magnet Moving magnet pickups generate a small voltage by moving a magnet between copper coils. MM pickups have a very high inductance and impedance. The Phonos offers a choice of three capacitors to correct the linearity of the frequency and phase response. The capacitances are 150pF, 220pF and 330pF. In the off-position the capacitance is determined by the capacitance of the cable. Moving Coil The MC pickup is also a small electromagnetic generator, but with the magnets firmly anchored and the coils moving between them, i.e. exactly the opposite of the MM pickup. The output voltage, however, is very low at only a few hundred microvolts and is therefore more sensitive to noise and induced hum. This makes preamplifier design a challenge, because the very low output voltage must be pre-amplified extremely noise-free. Phonos offers one of the most powerful phono preamplifiers for MC systems with up to 71.5 dB preamplification. Thanks to the 120V technology, the preamplifiers are extremely low-noise, linear and phase-locked. MC pickups have a very low inductance and impedance. This means that the effects of cable capacitance (from turntable to preamplifier) are negligible. The impedance, however, is relevant and can be set in six positions: 100, 220, 470, 2.2 k, 4.7 k, and 10 kOhm. If there is any doubt as to which impedance matches that of the pickup, the impedances can also simply be switched through until the linear frequency response is acoustically determined. Amplification The pre-amplification can be switched in three values. The normal gain value is +46 dB for MM and +67 dB for MC cartridges. In the -10 dB position, the phono produces enough output level for normal hi-fi equipment operating at a reference level of -10 dBV. In the +4 dB position, the output level is about as loud as that of modern DA converters at a reference level of 0dBfs = +15 dBu. Subsonic Filter The rumbling of the turntable’s drive mechanism is also amplified by the high amplification of the bass range due to RIAA equalization in playback. The Phonos offers a switchable subsonic filter to remove this rumble.  Connections Gold-plated RCA sockets are available for connecting the turntable and for outputting to a preamplifier such as the Director Mk2 or the Elector.  A ground connection for the turntable is designed as banana plug socket. The ground lead can be either clamped or plugged in. RIAA Equalization RIAA equalization is a specification for the recording and playback of records proposed by the Recording Industry Association of America (RIAA). The RIAA equalization curves introduced a global de facto industry standard for vinyl records in 1954. RIAA equalization uses pre-emphasis to reduce low frequencies and boost high frequencies when the record is cut (blue RIAA curve). The bass is reduced by up to 20 dB to provide more space and longer record play time. The high frequencies are boosted by up to 25 dB to increase the signal-to-noise ratio between the noise and the hot of the record media to the audio signal. During playback, exactly the opposite happens in the phono. The de-emphasis filter (red RIAA curve) compensates for the pre-emphasis and the result is a linear frequency response. Douglas Self Design The RIAA equalization of the phono was developed according to the recommendations of Douglas Self. Idea: Many small capacities instead of a few large capacities. Advantages: The capacitors charge and discharge faster, which results in better resolution and faster impulse response. Only audiophile Styroflex capacitors are used in the entire RIAA equalizer. About the person: Douglas Self is a British electronics engineer with a strong penchant for audio. He holds honorary degrees from Cambridge University and teaches psychoacoustics at the University of Sussex. Specifications: Analog Input & Output: RCA Input impedance (MM): 47 kΩ Input impedance (MC): switchable Output impedance: 75 Ω Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -80 dBu Moving Magnet (MM) Preamplifier Amplification (Norm): 46 dB Amplification (-10 dB): 36 dB Amplification (+4 dB): 50 dB Capacitance (switchable): Off, 150 pF, 220 pF and 330 pF Noise (A-weighted; 46 dB amplification): -85.3 dBu Dynamic range: 131.3 dB Moving Coil (MC) Preamplifier Amplification (Norm): 67 dB Amplification (-10 dB): 56 dB Amplification (+4 dB): 71.5 dB Impedance (switchable): 100 Ω, 220 Ω, 470 Ω, 2.2 kΩ, 4.7 kΩ, 10 kΩ Noise (A-weighted, 67 dB amplification): -61.7 dBu Dynamic range: 128.7 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 30 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 3.2 kg Shipping weight (incl. packaging): 4.3 kg

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

All essential functions in a stylish, slim housing. The Phonitor e offers Phonitor Matrix, volume remote control, connection also for balanced headphones, DA converter option and the all superior VOLTAiR technology. For all headphones The Phonitor e offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the high output power, all headphones are driven effortlessly. Volume with remote control The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. The volume can be adjusted with any infrared remote control. The Phonitor e learns their commands. To do this, press the IR programming button on the back and then the buttons for louder and softer. Source selection A total of five sources can be connected to Phonitor e: XLR, Cinch, USB, Coax, and Optical Phonitor e is equipped with RCA connectors and balanced XLR connectors for the analog inputs. The optional DAC768xs adds three more digital sources: USB, Coax and Optical. The optional DAC768xs The converter chip used in the optional digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, thanks to which you can listen to music with headphones as if you are listening to speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation rooms and effects are a thing of the past. Enjoy your music without tiring and exactly as it should be heard. The Phonitor Matrix, in its largest expansion stage, has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In Phonitor e the center level is preset to -1 dB and the speaker angle to 30°. These are the most common values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the crossfeed. Specifications:   Analog Inputs: XLR (balanced), RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

All essential functions in a stylish, slim housing. The Phonitor e offers Phonitor Matrix, volume remote control, connection also for balanced headphones, DA converter option and the all superior VOLTAiR technology. For all headphones The Phonitor e offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the high output power, all headphones are driven effortlessly. Volume with remote control The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. The volume can be adjusted with any infrared remote control. The Phonitor e learns their commands. To do this, press the IR programming button on the back and then the buttons for louder and softer. Source selection A total of five sources can be connected to Phonitor e: XLR, Cinch, USB, Coax, and Optical Phonitor e is equipped with RCA connectors and balanced XLR connectors for the analog inputs. The optional DAC768xs adds three more digital sources: USB, Coax and Optical. The optional DAC768xs The converter chip used in the optional digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, thanks to which you can listen to music with headphones as if you are listening to speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation rooms and effects are a thing of the past. Enjoy your music without tiring and exactly as it should be heard. The Phonitor Matrix, in its largest expansion stage, has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In Phonitor e the center level is preset to -1 dB and the speaker angle to 30°. These are the most common values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the crossfeed. Specifications:   Analog Inputs: XLR (balanced), RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Performer s800 is a stereo power amplifier that delivers 2 x 285 W to 4 ohms loudspeakers. In bridge mode it delivers 450 W into 4 or 8 ohms.The technical basis of all Professional Fidelity units is the proprietary 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+/-60 V DC) and the huge dynamic range of over 140 dB that goes with it.Features: Bi polar transistor power amplifier with VOLTAiR 120V technology2 x 285 W into 4 ohms; 2 x 185 W into 8 ohms (stereo operation) 450 W into 8 ohms (mono operation – Bridge Mode)Toroidal transformer with 855 VA40800 µF capacitance for faithful reproduction of impulse peaksGold-plated loudspeaker binding posts with protection coversNeutrik XLR connectors for balanced in- and outputsDirect slave through of the input (e.g. for bi-wiring)Input trim switch for attenuation up to -5.5 dB in 0.5 dB stepsAMP CTL connector for remote power on/off switching Overheat protection with Temp LEDDC (direct current) voltage protection with Protect LEDFront and Lid made from aluminum, housing made from sheet metalMade in GermanySpecifications:Frequency response: 1Hz-125kHz, +/- 0.5dBInputs: 1Outputs: 1Filter:  Hi Pass (50 Hz)Signal to Noise Ratio: ›130dBMaximum Level Input: +17dBuMaximum Level Output: +34dBuTotal Harmonic Distortion: 0.0005%Phantom Power: NAIInput Type: 1 x XLR & TRSOutput Type: 1 x XLR & TRS​

Performer s800 is a stereo power amplifier that delivers 2 x 285 W to 4 ohms loudspeakers. In bridge mode it delivers 450 W into 4 or 8 ohms.The technical basis of all Professional Fidelity units is the proprietary 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+/-60 V DC) and the huge dynamic range of over 140 dB that goes with it.Features: Bi polar transistor power amplifier with VOLTAiR 120V technology2 x 285 W into 4 ohms; 2 x 185 W into 8 ohms (stereo operation) 450 W into 8 ohms (mono operation – Bridge Mode)Toroidal transformer with 855 VA40800 µF capacitance for faithful reproduction of impulse peaksGold-plated loudspeaker binding posts with protection coversNeutrik XLR connectors for balanced in- and outputsDirect slave through of the input (e.g. for bi-wiring)Input trim switch for attenuation up to -5.5 dB in 0.5 dB stepsAMP CTL connector for remote power on/off switching Overheat protection with Temp LEDDC (direct current) voltage protection with Protect LEDFront and Lid made from aluminum, housing made from sheet metalMade in GermanySpecifications:Frequency response: 1Hz-125kHz, +/- 0.5dBInputs: 1Outputs: 1Filter:  Hi Pass (50 Hz)Signal to Noise Ratio: ›130dBMaximum Level Input: +17dBuMaximum Level Output: +34dBuTotal Harmonic Distortion: 0.0005%Phantom Power: NAIInput Type: 1 x XLR & TRSOutput Type: 1 x XLR & TRS​

Our powerhouse mono-block. With the power of 1000 W this amplifier controls every loudspeaker effortlessly. Thanks to VOLTAiR technology it is fast, direct and highly efficient with an outstanding sound. Individual design The Performer m1000 can be equipped with a black, red or silver decorative panel that are included in the scope of delivery. This gives you a choice of three colour variants for your chosen basic colour. The decorative panels adhere with the help of a strong neodymium magnet. No tools are therefore required for changing them. Better safe than sorry The Performer m1000 has a protection circuit against DC voltage and a limiter against output overload. If direct current (DC) is detected, the output stage switches off automatically and the Protect LED lights up red. To protect the output against overdriving, an LDR limiter (light-dependent resistor) is used. Since it works optically, the audio quality is not affected. The Protect LED lights up yellow when the limiter responds. As one calls into the forest, so it echoes out. This saying inspired us to send the input signal out again in order to drive another power amplifier in bi-amping mode. Trim to fit With reference to the m1000, “fit” means adapted. And you can adapt the input sensitivity in 0.5 dB steps. From 0 dB to -5.5 dB. This is the much more audiophile solution for acoustically problematic rooms or loudspeaker set-ups than the panorama potentiometer of the preamplifier. In addition, the difference in loudness of loudspeakers can be elegantly compensated in bi-amping mode. Plus & Minus The loudspeaker binding posts can accommodate banana plugs as well as a stranded wire with a diameter of up to 4mm. For bi-wiring operation, both types of connection can be used together. No loudspeaker with less than 2 ohms impedance may be connected. AMP CTL The power amplifier can be switched on and off using the AMP CTL connection between the Performer m1000 and a preamplifier such as the Director Mk2 or the Crossover. To do this, connect the 3.5 mm jack sockets with a cable with 3.5 mm mono or stereo jack plugs. Third-party preamps can also switch the Performer m1000 on and off with a 12 V trigger. Keep cool Inside the Performer m1000, six fans usually do nothing at all, because 90% of the heat is passively dissipated via massive heat sinks. Should it nevertheless become really loud for a really long time, the processor-controlled fans remain virtually inaudible at only 19 dB (A). Specifications: Analog Input & Thru: XLR (balanced) Input gain (max): 32.5 dBu Input impedance (THRU not connected): 20 kΩ Common mode rejection (THRU not connected): -82 dBu Input sensitivity: 12.5 dBu Loudspeaker Output: Binding posts with ø4mm cable hole (screwable) and banana plug Output power (RMS, 2 Ω): 1000 W Harmonic distortion (1 kHz, 2 Ω): < 0.08 % Output power (RMS, 4 Ω): 750 W Harmonic distortion (1 kHz, 4 Ω): < 0.05 % Output power (RMS, 8 Ω): 420 W Harmonic distortion (1 kHz, 8 Ω): < 0.03 % Output power (peak to peak): 180 V Output voltage (RMS): 64.6 V Output impedance (20 Hz – 20 kHz): < 0.031 Ω Amplification gain: 26 dB Damping factor (1 kHz, 8 Ohm): > 280 Frequency range (-3dB): 10 Hz – 80 kHz Noise (A-weighted): -123 dB Internal Linear Power Supply with Shielded Toroidal Transformer Toroidal transformer: 1375 VA Operating voltage (Input stage): +/- 60 V Operating voltage (power stage): +/- 91 V Operating voltage for relays, LEDs, AMP CTL: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse 230 V: T 6.3 mA Fuse 115 V: T 12 A Power consumption: max. 1375 VA Idle power consumption: 50 W Stand-by power consumption: < 0.3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 205 x 375 mm Unit weight: 24.8 kg Shipping weight: 29.3 kg

Our powerhouse mono-block. With the power of 1000 W this amplifier controls every loudspeaker effortlessly. Thanks to VOLTAiR technology it is fast, direct and highly efficient with an outstanding sound. Individual design The Performer m1000 can be equipped with a black, red or silver decorative panel that are included in the scope of delivery. This gives you a choice of three colour variants for your chosen basic colour. The decorative panels adhere with the help of a strong neodymium magnet. No tools are therefore required for changing them. Better safe than sorry The Performer m1000 has a protection circuit against DC voltage and a limiter against output overload. If direct current (DC) is detected, the output stage switches off automatically and the Protect LED lights up red. To protect the output against overdriving, an LDR limiter (light-dependent resistor) is used. Since it works optically, the audio quality is not affected. The Protect LED lights up yellow when the limiter responds. As one calls into the forest, so it echoes out. This saying inspired us to send the input signal out again in order to drive another power amplifier in bi-amping mode. Trim to fit With reference to the m1000, “fit” means adapted. And you can adapt the input sensitivity in 0.5 dB steps. From 0 dB to -5.5 dB. This is the much more audiophile solution for acoustically problematic rooms or loudspeaker set-ups than the panorama potentiometer of the preamplifier. In addition, the difference in loudness of loudspeakers can be elegantly compensated in bi-amping mode. Plus & Minus The loudspeaker binding posts can accommodate banana plugs as well as a stranded wire with a diameter of up to 4mm. For bi-wiring operation, both types of connection can be used together. No loudspeaker with less than 2 ohms impedance may be connected. AMP CTL The power amplifier can be switched on and off using the AMP CTL connection between the Performer m1000 and a preamplifier such as the Director Mk2 or the Crossover. To do this, connect the 3.5 mm jack sockets with a cable with 3.5 mm mono or stereo jack plugs. Third-party preamps can also switch the Performer m1000 on and off with a 12 V trigger. Keep cool Inside the Performer m1000, six fans usually do nothing at all, because 90% of the heat is passively dissipated via massive heat sinks. Should it nevertheless become really loud for a really long time, the processor-controlled fans remain virtually inaudible at only 19 dB (A). Specifications: Analog Input & Thru: XLR (balanced) Input gain (max): 32.5 dBu Input impedance (THRU not connected): 20 kΩ Common mode rejection (THRU not connected): -82 dBu Input sensitivity: 12.5 dBu Loudspeaker Output: Binding posts with ø4mm cable hole (screwable) and banana plug Output power (RMS, 2 Ω): 1000 W Harmonic distortion (1 kHz, 2 Ω): < 0.08 % Output power (RMS, 4 Ω): 750 W Harmonic distortion (1 kHz, 4 Ω): < 0.05 % Output power (RMS, 8 Ω): 420 W Harmonic distortion (1 kHz, 8 Ω): < 0.03 % Output power (peak to peak): 180 V Output voltage (RMS): 64.6 V Output impedance (20 Hz – 20 kHz): < 0.031 Ω Amplification gain: 26 dB Damping factor (1 kHz, 8 Ohm): > 280 Frequency range (-3dB): 10 Hz – 80 kHz Noise (A-weighted): -123 dB Internal Linear Power Supply with Shielded Toroidal Transformer Toroidal transformer: 1375 VA Operating voltage (Input stage): +/- 60 V Operating voltage (power stage): +/- 91 V Operating voltage for relays, LEDs, AMP CTL: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse 230 V: T 6.3 mA Fuse 115 V: T 12 A Power consumption: max. 1375 VA Idle power consumption: 50 W Stand-by power consumption: < 0.3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 205 x 375 mm Unit weight: 24.8 kg Shipping weight: 29.3 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

Our powerhouse mono-block. With the power of 1000 W this amplifier controls every loudspeaker effortlessly. Thanks to VOLTAiR technology it is fast, direct and highly efficient with an outstanding sound. Individual design The Performer m1000 can be equipped with a black, red or silver decorative panel that are included in the scope of delivery. This gives you a choice of three colour variants for your chosen basic colour. The decorative panels adhere with the help of a strong neodymium magnet. No tools are therefore required for changing them. Better safe than sorry The Performer m1000 has a protection circuit against DC voltage and a limiter against output overload. If direct current (DC) is detected, the output stage switches off automatically and the Protect LED lights up red. To protect the output against overdriving, an LDR limiter (light-dependent resistor) is used. Since it works optically, the audio quality is not affected. The Protect LED lights up yellow when the limiter responds. As one calls into the forest, so it echoes out. This saying inspired us to send the input signal out again in order to drive another power amplifier in bi-amping mode. Trim to fit With reference to the m1000, “fit” means adapted. And you can adapt the input sensitivity in 0.5 dB steps. From 0 dB to -5.5 dB. This is the much more audiophile solution for acoustically problematic rooms or loudspeaker set-ups than the panorama potentiometer of the preamplifier. In addition, the difference in loudness of loudspeakers can be elegantly compensated in bi-amping mode. Plus & Minus The loudspeaker binding posts can accommodate banana plugs as well as a stranded wire with a diameter of up to 4mm. For bi-wiring operation, both types of connection can be used together. No loudspeaker with less than 2 ohms impedance may be connected. AMP CTL The power amplifier can be switched on and off using the AMP CTL connection between the Performer m1000 and a preamplifier such as the Director Mk2 or the Crossover. To do this, connect the 3.5 mm jack sockets with a cable with 3.5 mm mono or stereo jack plugs. Third-party preamps can also switch the Performer m1000 on and off with a 12 V trigger. Keep cool Inside the Performer m1000, six fans usually do nothing at all, because 90% of the heat is passively dissipated via massive heat sinks. Should it nevertheless become really loud for a really long time, the processor-controlled fans remain virtually inaudible at only 19 dB (A). Specifications: Analog Input & Thru: XLR (balanced) Input gain (max): 32.5 dBu Input impedance (THRU not connected): 20 kΩ Common mode rejection (THRU not connected): -82 dBu Input sensitivity: 12.5 dBu Loudspeaker Output: Binding posts with ø4mm cable hole (screwable) and banana plug Output power (RMS, 2 Ω): 1000 W Harmonic distortion (1 kHz, 2 Ω): < 0.08 % Output power (RMS, 4 Ω): 750 W Harmonic distortion (1 kHz, 4 Ω): < 0.05 % Output power (RMS, 8 Ω): 420 W Harmonic distortion (1 kHz, 8 Ω): < 0.03 % Output power (peak to peak): 180 V Output voltage (RMS): 64.6 V Output impedance (20 Hz – 20 kHz): < 0.031 Ω Amplification gain: 26 dB Damping factor (1 kHz, 8 Ohm): > 280 Frequency range (-3dB): 10 Hz – 80 kHz Noise (A-weighted): -123 dB Internal Linear Power Supply with Shielded Toroidal Transformer Toroidal transformer: 1375 VA Operating voltage (Input stage): +/- 60 V Operating voltage (power stage): +/- 91 V Operating voltage for relays, LEDs, AMP CTL: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse 230 V: T 6.3 mA Fuse 115 V: T 12 A Power consumption: max. 1375 VA Idle power consumption: 50 W Stand-by power consumption: < 0.3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 205 x 375 mm Unit weight: 24.8 kg Shipping weight: 29.3 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

The director sets the tone. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, retro-look-VU-meter, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Director Mk2 simply learns. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to ten (10 !) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals. The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs. AES, USB, COAX, OPTI for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768kHz sampling rate. The source selection can also be operated remotely if the rotary switch is set to the “Remote” position. The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors. On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB. The DAC768 The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analog converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DLP120 The analog output of the DAC chip must be filtered by a low pass filter. Director Mk2 has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required. And in contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Outputs: XLR (balanced), RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The director sets the tone. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, retro-look-VU-meter, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Director Mk2 simply learns. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to ten (10 !) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals. The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs. AES, USB, COAX, OPTI for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768kHz sampling rate. The source selection can also be operated remotely if the rotary switch is set to the “Remote” position. The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors. On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB. The DAC768 The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analog converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DLP120 The analog output of the DAC chip must be filtered by a low pass filter. Director Mk2 has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required. And in contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Outputs: XLR (balanced), RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The director sets the tone. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, retro-look-VU-meter, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Director Mk2 simply learns. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to ten (10 !) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals. The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs. AES, USB, COAX, OPTI for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768kHz sampling rate. The source selection can also be operated remotely if the rotary switch is set to the “Remote” position. The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors. On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB. The DAC768 The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analog converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DLP120 The analog output of the DAC chip must be filtered by a low pass filter. Director Mk2 has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required. And in contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Outputs: XLR (balanced), RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

The headphone monitoring amp and preamplifier with Phonitor Matrix. Phonitor 2 is the ultimate headphone amplifier for sound and mastering engineers who also mix and master on headphones. Speakers can also be connected, making Phonitor 2 a full-fledged monitor controller. Milled from the solid aluminum is the 45mm large volume knob. Its mass in combination with the motorized Alps RK27 “Big Blue” potentiometer further enhances the “spoon in honey” turning feeling. Remote control The volume can be adjusted with any infrared remote control, which Phonitor 2 simply learns. Just press the IR programming button on the back and then the buttons for louder and softer. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume. Monitor Controller Features Sources: 2x XLR, 1x RCA Solo L/R Phase reversal for L and R Output switchable to headphones or speakers  Mute Phonitor Matrix with crossfeed, speaker angle and center level (the latter can be switched off) To The Power Amp or to the active loudspeakers it goes symmetrically via XLR sockets. Slave Thru The volume control can be switched off by means of a dip-switch on the bottom of the unit.  The Sources Two balanced and one unbalanced stereo sources can be connected to Phonitor 2. If a CD player or other HiFi equipment is connected to the RCA jacks, the consumer level can be raised from -10 dBV to 0 dBu using a dip switch on the bottom of the unit. In this way the sources are comparable in level. Mechanical VU Meter visualize the input levels, which can be switched in sensitivity with the VU Cal switch. Laterality By its very nature, hearing can be directed more to the left or more to the right. This is particularly evident when listening with headphones. That’s why Phonitor 2 has the finely resolved Laterality control. With it the center can be set perfectly. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can create and evaluate your production through headphones in the same way as through speakers.  To achieve this, the super stereo effect must be corrected. It makes the placement of voices and instruments in the stereo image appear to be more widely distributed and effects like reverb and delays are overdone. 

All essential functions in a stylish, slim housing. The Phonitor e offers Phonitor Matrix, volume remote control, connection also for balanced headphones, DA converter option and the all superior VOLTAiR technology. For all headphones The Phonitor e offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the high output power, all headphones are driven effortlessly. Volume with remote control The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. The volume can be adjusted with any infrared remote control. The Phonitor e learns their commands. To do this, press the IR programming button on the back and then the buttons for louder and softer. Source selection A total of five sources can be connected to Phonitor e: XLR, Cinch, USB, Coax, and Optical Phonitor e is equipped with RCA connectors and balanced XLR connectors for the analog inputs. The optional DAC768xs adds three more digital sources: USB, Coax and Optical. The optional DAC768xs The converter chip used in the optional digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, thanks to which you can listen to music with headphones as if you are listening to speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation rooms and effects are a thing of the past. Enjoy your music without tiring and exactly as it should be heard. The Phonitor Matrix, in its largest expansion stage, has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In Phonitor e the center level is preset to -1 dB and the speaker angle to 30°. These are the most common values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the crossfeed. Specifications:   Analog Inputs: XLR (balanced), RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

RIAA Phono Preamplifier This phono preamplifier for Moving Magnet (MM) and Moving Coil (MC) pickup systems is based on the legendary Douglas-Self-Design. MM & MC There are two pickup systems for record players: Moving Magnet (MM) and Moving Coil (MC). Moving Magnet Moving magnet pickups generate a small voltage by moving a magnet between copper coils. MM pickups have a very high inductance and impedance. The Phonos offers a choice of three capacitors to correct the linearity of the frequency and phase response. The capacitances are 150pF, 220pF and 330pF. In the off-position the capacitance is determined by the capacitance of the cable. Moving Coil The MC pickup is also a small electromagnetic generator, but with the magnets firmly anchored and the coils moving between them, i.e. exactly the opposite of the MM pickup. The output voltage, however, is very low at only a few hundred microvolts and is therefore more sensitive to noise and induced hum. This makes preamplifier design a challenge, because the very low output voltage must be pre-amplified extremely noise-free. Phonos offers one of the most powerful phono preamplifiers for MC systems with up to 71.5 dB preamplification. Thanks to the 120V technology, the preamplifiers are extremely low-noise, linear and phase-locked. MC pickups have a very low inductance and impedance. This means that the effects of cable capacitance (from turntable to preamplifier) are negligible. The impedance, however, is relevant and can be set in six positions: 100, 220, 470, 2.2 k, 4.7 k, and 10 kOhm. If there is any doubt as to which impedance matches that of the pickup, the impedances can also simply be switched through until the linear frequency response is acoustically determined. Amplification The pre-amplification can be switched in three values. The normal gain value is +46 dB for MM and +67 dB for MC cartridges. In the -10 dB position, the phono produces enough output level for normal hi-fi equipment operating at a reference level of -10 dBV. In the +4 dB position, the output level is about as loud as that of modern DA converters at a reference level of 0dBfs = +15 dBu. Subsonic Filter The rumbling of the turntable’s drive mechanism is also amplified by the high amplification of the bass range due to RIAA equalization in playback. The Phonos offers a switchable subsonic filter to remove this rumble.  Connections Gold-plated RCA sockets are available for connecting the turntable and for outputting to a preamplifier such as the Director Mk2 or the Elector.  A ground connection for the turntable is designed as banana plug socket. The ground lead can be either clamped or plugged in. RIAA Equalization RIAA equalization is a specification for the recording and playback of records proposed by the Recording Industry Association of America (RIAA). The RIAA equalization curves introduced a global de facto industry standard for vinyl records in 1954. RIAA equalization uses pre-emphasis to reduce low frequencies and boost high frequencies when the record is cut (blue RIAA curve). The bass is reduced by up to 20 dB to provide more space and longer record play time. The high frequencies are boosted by up to 25 dB to increase the signal-to-noise ratio between the noise and the hot of the record media to the audio signal. During playback, exactly the opposite happens in the phono. The de-emphasis filter (red RIAA curve) compensates for the pre-emphasis and the result is a linear frequency response. Douglas Self Design The RIAA equalization of the phono was developed according to the recommendations of Douglas Self. Idea: Many small capacities instead of a few large capacities. Advantages: The capacitors charge and discharge faster, which results in better resolution and faster impulse response. Only audiophile Styroflex capacitors are used in the entire RIAA equalizer. About the person: Douglas Self is a British electronics engineer with a strong penchant for audio. He holds honorary degrees from Cambridge University and teaches psychoacoustics at the University of Sussex. Specifications: Analog Input & Output: RCA Input impedance (MM): 47 kΩ Input impedance (MC): switchable Output impedance: 75 Ω Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -80 dBu Moving Magnet (MM) Preamplifier Amplification (Norm): 46 dB Amplification (-10 dB): 36 dB Amplification (+4 dB): 50 dB Capacitance (switchable): Off, 150 pF, 220 pF and 330 pF Noise (A-weighted; 46 dB amplification): -85.3 dBu Dynamic range: 131.3 dB Moving Coil (MC) Preamplifier Amplification (Norm): 67 dB Amplification (-10 dB): 56 dB Amplification (+4 dB): 71.5 dB Impedance (switchable): 100 Ω, 220 Ω, 470 Ω, 2.2 kΩ, 4.7 kΩ, 10 kΩ Noise (A-weighted, 67 dB amplification): -61.7 dBu Dynamic range: 128.7 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 30 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 3.2 kg Shipping weight (incl. packaging): 4.3 kg

Performer s800 is a stereo power amplifier that delivers 2 x 285 W to 4 ohms loudspeakers. In bridge mode it delivers 450 W into 4 or 8 ohms.The technical basis of all Professional Fidelity units is the proprietary 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+/-60 V DC) and the huge dynamic range of over 140 dB that goes with it.Features: Bi polar transistor power amplifier with VOLTAiR 120V technology2 x 285 W into 4 ohms; 2 x 185 W into 8 ohms (stereo operation) 450 W into 8 ohms (mono operation – Bridge Mode)Toroidal transformer with 855 VA40800 µF capacitance for faithful reproduction of impulse peaksGold-plated loudspeaker binding posts with protection coversNeutrik XLR connectors for balanced in- and outputsDirect slave through of the input (e.g. for bi-wiring)Input trim switch for attenuation up to -5.5 dB in 0.5 dB stepsAMP CTL connector for remote power on/off switching Overheat protection with Temp LEDDC (direct current) voltage protection with Protect LEDFront and Lid made from aluminum, housing made from sheet metalMade in GermanySpecifications:Frequency response: 1Hz-125kHz, +/- 0.5dBInputs: 1Outputs: 1Filter:  Hi Pass (50 Hz)Signal to Noise Ratio: ›130dBMaximum Level Input: +17dBuMaximum Level Output: +34dBuTotal Harmonic Distortion: 0.0005%Phantom Power: NAIInput Type: 1 x XLR & TRSOutput Type: 1 x XLR & TRS​