Tascam

Digital Recording and Mixing with Analogue Gear Made EasyThe Studio Bridge multitrack recorder is quite literally the bridge between analogue mixing and digital recording – regardless of whether you use a DAW or not. Preserve the lush analogue tone from your mixing console while recording tracks with the DAW of your choice or with Studio Bridge itself. Either way, tracks can be returned to your analogue console for mix summing, turning digital recordings into warm analogue productions.Whether you’re recording in a personal studio or in a live environment, the Tascam Studio Bridge serves as a link between your existing equipment, complementing it with the latest recording technology and ease of use in a rack-mountable format.24-Track Recording Without a ComputerConnect your analogue mixer to the modular Studio Bridge recorder and easily record up to 24 audio tracks – no computer required.You can even record your stereo mix to the recorder and export stereo WAV files for release-ready productions.24-In/24-Out Audio/MIDI Interface for DAWsTascam knows you want true analogue flavor on your DAW recordings, and we’re here to help. Your analogue mixer can easily connect to your DAW using the Studio Bridge as an audio interface with 24 inputs and outputs.You can record directly to any DAW and even create a summed mix using your console and outboard gear with audio returns.DAW Transport Controller and Dedicated Meter Bridge SoftwareStudio Bridge also works as a DAW transport controller. Rec/Play/Stop and Rec Ready buttons link directly to your DAW for ease of use.The settings panel, available for Windows and macOS, includes a digital meter bridge so you can keep an eye on the audio levels of each track and the stereo master.MIDI Synchronisation for Your SequencersWith MIDI in/out ports, your favourite drum machines, sequencers, synths and controllers can easily be integrated into any production.Unlock your creativity with your go-to analogue hardware and the Studio Bridge.Live Recording ApplicationsIn live environments the Studio Bridge becomes your mobile recording studio when connected to your mixing console.Just one piece of gear – no complex system, no computer required.Features at a glanceStandalone 24-track audio recorder with punch-in/out supportBuilt-in 24-input/24-output USB audio interfaceDAW transport and record-ready control via HUI/MCUBuilt-in USB MIDI interface with MIDI in/out connectorsDedicated settings panel application with virtual meter bridge24 line-level analogue audio inputs and outputs, each via three Tascam D-sub connectorsWAV (BWF) recording file format (44.1/48 kHz, 16/24 bit)Records to SD cards up to 512 Gigabytes (SDXC)Punching in/out on up to 10 tracks simultaneouslyAuto Monitor function to automatically listen to the input or track signals while recording or rehearsingTrack swapping allows to record to different tracks using the same input settings (can also be used with the main stereo tracks for bouncing or ping-pong recording)Headphones output (2 × 80 mW) with level controlMIDI Timecode (MTC) output and MIDI clock output with Song Position PointerAudio output for metronome clickTwo footswitch inputs for entering the MIDI tempo, switching between play and pause, and more19-inch rack-mountable (mounting kit AK-RMSTBG sold separately)

Closed-Back Dynamic Design with Clean Sound, Rich Bass Response and Crisp HighsThe sensitivity and frequency response of the TH-11 deliver clear balanced sound to fit all of your favorite tunes, regardless of genre or application. These high-powered headphones produce pristine highs, clear mid-range, and rich low end where most other headphones leave you yearning for more.TASCAM understands that just as important as the sound of ones headphones is a clean modern design and comfort.Foldable Design for Easy Transport and DJ PlayFeaturing plush cushioned ear cuffs and a padded headband; TH-11 can be put to work for hours of comfortable use. Both left and right ear-cuffs offer full 90˚ rotation making TH-11 flexible to wear when listening to your favorite albums, tracking for hours or performing all night. Not to mention, you're going to look good wearing them. The folding design of the TH-11 allows them to compactly fit wherever they need to go.TASCAM's TH-11 headphones can easily be a part of your everyday accessories but also fit into your recording or performing workflow. Don't just hear with any pair of headphones; truly listen to the details of your music and media while enjoying comfort and flexibility. With the TH-11 headphone, TASCAM (as always) has delivered first-class quality, style and design at a price everyone can appreciate. Pick one up today and find out for yourself.

Φορητή πολυκάναλη ψηφιακή συσκευή εγγραφής, υψηλής ανάλυσης, νέας γενιάς.Προηγμένη τεχνολογία εγγραφής, αλλά απλή στη χρήση!Η λήψη ήχου υψηλής ανάλυσης είναι εύκολη με το Portacapture X6. Η διαισθητική λειτουργία στη μεγάλη έγχρωμη οθόνη αφής του, που μοιάζει με εφαρμογή, καθιστά εύκολη την εγγραφή ή την επεξεργασία του ήχου σας. Ηχογραφήστε χρησιμοποιώντας τα δύο ενσωματωμένα μικρόφωνα ή συνδέστε τα δικά σας μικρόφωνα στις δύο εισόδους XLR. Η ποιότητα εγγραφής στο Portacapture X6 θα είναι το μυστικό σας πλεονέκτημα. Η τεχνολογία εγγραφής 96 kHz/32 bit σημαίνει ότι μπορείτε να καταγράψετε ήχο πιο απαλό ή πιο δυνατό από το ιδανικό, διασφαλίζοντας ότι δεν θα χάσετε ποτέ αυτή τη στιγμή.Φορητή πολυκάναλη ψηφιακή συσκευή εγγραφής, υψηλής ανάλυσης, νέας γενιάς.Ενσωματωμένος μίκτης με επεξεργασία ήχου που περιλαμβάνει EQ, low-cut filter, compressor, limiter, auto gain, noise gate και άλλα.Οι ρυθμίσεις εισόδου μπορούν να αποθηκευτούν σε έως και τρεις προεπιλογές και να κοινοποιηθούν σε όλες τις εφαρμογές εγγραφής (προγραμματίζεται για μελλοντική ενημέρωση).Oι ρυθμίσεις μονάδας και οι ρυθμίσεις της εφαρμογής εγγραφής μπορούν να αποθηκευτούν σε έως και τρεις προεπιλογές και να ανακληθούν με ένα μόνο πάτημα από το LAUNCHER (προγραμματίζεται για μελλοντική ενημέρωση).Έξοδος κάμερας/γραμμής με δυνατότητα επιλογής εξασθένησης για αποστολή ήχου σε κάμερα ή άλλες εξωτερικές συσκευές.Παρακολούθηση ήχου μέσω της εξόδου ακουστικών ή του ενσωματωμένου μεγαφώνου.Ασύρματο τηλεχειριστήριο από smartphone/tablet χρησιμοποιώντας προαιρετικό Bluetooth dongle (Tascam AK-BT1) και την αποκλειστική εφαρμογή Portacapture Control (δωρεάν λήψη).Ασύρματος συγχρονισμός timecode με συσκευές Atomos και UltraSync Blue (προγραμματίζεται για μελλοντική ενημέρωση).Οι κάρτες Micro SD έως 512 GB μπορούν να χρησιμοποιηθούν ως μέσα εγγραφής.Τροφοδοσία με τέσσερις μπαταρίες AA (αλκαλικές, Ni-MH, λιθίου), USB bus power ή προαιρετικό μετασχηματιστή AC (Tascam PS-P520U).Αυτόματη επιλογή τροφοδοσίας για να συνεχίσετε με μπαταρίες, για παράδειγμα, κατά τη διάρκεια διακοπής ρεύματος.Γενικά ΧαρακτηριστικάΝέας γενιάς συσκευή εγγραφής ήχου PCM υψηλής ανάλυσης.Έγχρωμη οθόνη αφής 2,4 ιντσών για εύκολο χειρισμό και τέλεια αναγνωσιμότητα.Ασυμβίβαστη ποιότητα ήχου με ρυθμούς δειγματοληψίας έως 96 kHz και ανάλυση 32 bit floating point – ιδανικό για μετέπειτα επεξεργασία χωρίς απώλειες με οποιοδίποτε λογισμικό DAW.Διαισθητικό σύστημα εκκίνησης με προκαθορισμένες ρυθμίσεις για μια ποικιλία σκηνών εγγραφής, όπως βασική εγγραφή πολλαπλών καναλιών, podcast, μουσική, φωνή (συνεντεύξεις, vlog), εγγραφές σε εξωτερικό περιβάλλον, ASMR ή μη αυτόματες ρυθμίσεις.Δύο ρυθμιζόμενα πυκνωτικά μικρόφωνα (μπορούν να ρυθμιστούν σε A-B ή X-Y).Ενσωματωμένη κάρτα ήχου USB με έξι εισόδους και δύο εξόδους:Τα μικρόφωνα που περιλαμβάνονται μπορούν να χρησιμοποιηθούν ως πηγή ήχου μέσω USB.Τα σήματα εισόδου που λαμβάνονται μέσω USB μπορούν να εγγραφούν σε κάρτα SD.USB mix-minus στην εφαρμογή PODCAST (προγραμματίζεται για μελλοντική ενημέρωση).Μετάδοση ήχου USB σε ανάλυση float 32-bit (προγραμματίζεται για μελλοντική ενημέρωση).Δύο είσοδοι μικροφώνου/γραμμής μέσω υποδοχών κλειδώματος XLR.Η ισχύς Phantom (24 V / 48 V) μπορεί να ρυθμιστεί για κάθε είσοδο μικροφώνου ξεχωριστά.Πρόσθετη είσοδο μικροφώνου/γραμμής για παρακολούθηση και εγγραφή ήχου που αποστέλλεται από ασύρματο μικρόφωνο, κάμερα ή άλλη συσκευή (στερεοφωνική υποδοχή 3,5 mm, υποστηρίζει τροφοδοσία plug-in).Εγγραφή πολλαπλών καναλιών έως και έξι κανάλια (τέσσερα κανάλια + στερεοφωνική μίξη).Εγγραφή σε μορφή WAV (BWF) ή MP3.Αποκωδικοποιητής MS, εφέ αντήχησης (έξι δωμάτια, μπορούν να χρησιμοποιηθούν με ρυθμούς δειγματοληψίας 44,1/48 kHz).Η λειτουργία προεγγραφής επιτρέπει την έναρξη της εγγραφής πριν πατηθεί το πλήκτρο εγγραφής.Λειτουργία αυτόματης εγγραφής για αυτόματη έναρξη της εγγραφής με βάση τη στάθμη εισόδου.Η διπλή εγγραφή επιτρέπει την εγγραφή κάθε καναλιού σε διαφορετική μορφή αρχείου.Οι ήχοι Slate tones μπορούν να προστεθούν αυτόματα ή μη αυτόματα για να απλοποιηθεί ο συγχρονισμός των αρχείων βίντεο κατά την επεξεργασία.Τα σημάδια μπορούν να ρυθμιστούν αυτόματα (peak, level, time).Η λειτουργία XRI επιτρέπει την αποθήκευση πληροφοριών σχετικά με τις ρυθμίσεις εγγραφής με ένα αρχείο BWF.Υποστηριζόμενα λειτουργικά συστήματαWindows 11 (έκδοση 22H2) Windows 11 (έκδοση 22H1) Windows 10 (Νοέμβριος 2021, έκδοση 21H2) Windows 10 (Μάιος 2021, έκδοση 21H1).macOS Ventura (13.0) macOS Monterey (12.0) macOS Big Sur (11.0).iOS 16 / iPadOS 16

Το PS-P520U είναι ένας συμπαγής προσαρμογέας AC/DC που σας επιτρέπει να τροφοδοτείτε με ασφάλεια τη συσκευή Tascam ακόμα και όταν ταξιδεύετε. Έρχεται με τέσσερα ανταλλάξιμα κύρια βύσματα για τα ευρύτερα χρησιμοποιούμενα δίκτυα ηλεκτρικής ενέργειας στον κόσμο και περιλαμβάνει τρία διαφορετικά καλώδια για διασύνδεση με πολλά προϊόντα Tascam. Γενικά χαρακτηριστικά> Μετασχηματιστής AC για διάφορα προϊόντα Tascam.> Αναβάθμιση του μοντέλου PS-P520E.> Τέσσερις ανταλλάξιμες πρίζες (ΕΕ, Ηνωμένο Βασίλειο, ΗΠΑ, AU).> Υποδοχή εξόδου USB A.> Περιλαμβάνονται καλώδια σύνδεσης:- USB A -> USB C.- USB A -> USB micro-B.- USB A -> DC ομοαξονικό βύσμα.> Είσοδος δικτύου: AC 100-240 V, 50/60 Hz.> Έξοδος DC: 5 V, 2 A.> Διαστάσεις (Π ? Υ ? Β): 38 mm ? 58 mm ? 31 mm.> Βάρος: 53 g.> Μπορεί να χρησιμοποιηθεί με τα ακόλουθα προϊόντα Tascam:- Με χρήση του ενσωματωμένου βύσματος USB micro-B: DR-10C Series, DR-10L, DR-10SG, DR-10X, DR-05X, DR-07X, DR-40X, DR-22WL, DR-44WL, DR-100MKIII, DR-70D, DR-701D, US-1x2, US-1x2HR, US-32, US-42, US-42B.- Χρησιμοποιώντας το συμπεριλαμβανόμενο ομοαξονικό βύσμα DC: DP-006, DP-008EX, CD-GT2, CD-BT2, CD-VT2, US-2x2, US-2x2HR, DR-100MKII.- Με χρήση καλωδίου mini-USB (περιλαμβάνεται σε κάθε προϊόν): DR-05, DR-07MKII, DR-40, DR-60DMKII, GB-10.

Intuitive Operation at Your FingertipsThe Tascam Sonicview 24 offers motorised channel faders in three banks of eight, plus a motorised fader for the main stereo bus. Above each bank of channel faders is a colour touch panel that allows you to view entire mixer channels, or get down to details, controlling each parameter with your fingertip. Save fader settings and instantly recall them later to continue where you left off. Check levels in a mix or submix at a glance and adjust them during mixdown with either the physical faders or the touchscreen. Your changes will be instantly updated in both.The Amazing VIEWTruly the next generation in mixer user interfaces for recording and live, the powerful intuitive Tascam Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure Sonicview’s touchscreens. Thanks to the VIEW user interface, there are three different ways to view your settings. Each touchscreen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix or keeping an eye on the output bus level and compression curve on screen 2.Channel Strip ViewMonitor and control eight adjacent channels and view them as virtual channel strips like on an analogue mixer.Module ViewMonitor and control any three sets of parameters simultaneously for one single channel.Individual ViewMonitor and control a custom selection of functions for any channel or group of channels.High-End Audio QualityThanks to a 54-bit floating-point FPGA mixing engine, Tascam Sonicview delivers the finest audio performance in its class with continuous, high-definition 32-bit/96-kHz sampling and 32-bit analogue-to-digital converters. The mixing engine’s float-point processing makes it possible to flexibly change levels without compromising resolution, while ensuring ultra-low latency, even in analogue-to-analogue connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems, for pristine tracking, mixing, and playback.Input ChannelsSonicview 24 offers an array of versatile inputs for recording and mixing. 16 channels with XLR mic/line inputs and 8 channels with both XLR mic inputs and balanced 6.3-mm TRS line inputs allow maximum flexibility. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback microphone.Channel Control and ProcessingThere’s much more to Sonicview than meets the eye. Internally, these recording consoles have a generous 40 mono channels and two stereo channels so you can fly-in backing tracks to make a small vocal band sound huge. You can also accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. Programmable layer keys select which custom combination of channels and output buses are controlled by the motorised faders. Start working on a mix, save your fader settings, and continue mixing later – thanks to the motor faders, you’ll pick up exactly where you left off.Top-of-the-Line Sound With Class 1 HDIA Mic PreampsEach microphone input feeds a Tascam Class 1 HDIA (High Definition Instrumentation Architecture) preamp – the finest mic preamplifier we’ve ever made. Thanks to an instrumentation amplifier with extraordinary good noise characteristics in the first stage, these microphone preamps exhibit excellent equivalent input noise (EIN), signal-to-noise ratio, distortion ratio and frequency response. The ultra-definition mic preamps used in Sonicview will pick up and record the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The microphone inputs can handle signal levels up to +32 dBu, providing plenty of headroom for sudden level increases.The combination of Class 1 HDIA preamps, 32-bit/96-kHz ADCs and our 54-bit FPGA mixing engine is impressive but Tascam didn’t stop there: We conducted extensive internal and external evaluations to tune the Sonicview consoles for optimal performance. The result is best-in-class sound that will never disappoint for mixing and recording both live or in the studio.Built-In USB Audio Interface and Stereo RecordingThe built-in 32-in/32-out USB audio interface makes Sonicview a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses and the L/R main bus to your favourite DAW at up to 96 kHz with the same 32-bit precision used throughout the console.You can simultaneously capture the main mix directly to the onboard stereo SD recorder – handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.Built-In 32-Track Audio Recorder as an OptionTascam Sonicview offers multiple ways to record. In addition to the integrated audio interface and stereo recorder, a multi-track recording card (IF-MTR32) can be installed as an option, enabling you to capture 32 audio tracks directly to an SDXC card. The SD recorder supports punch-in/punch-out for all 32 tracks simultaneously as well as pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss. So you can let the recorder do it’s job worry-free while you focus on mixing.Flexible Output Buses, Advanced ProcessingYou get a wealth of output buses with powerful signal processing and flexible routing options. In addition to the main stereo bus, Sonicview provides 22 flexible output buses, each of which is configurable as a subgroup, aux or matrix. Provide multiple stereo in-ear monitor submixes without running short of buses and send to the analogue outputs. Create matrix mixes for multiple loudspeaker zones and send them over the Dante network to record mixes, deliver sound to theatres and concert halls, and more. All output buses are equipped with 31-band graphic EQ, real-time analyzer functions, 4-band parametric EQ, compressor/ducker, delay, plus Solo, Pan, and Mute.Each individual input channel can be looped through four additional effects, including a high-quality reverb.Dante-Enabled for Superior NetworkingDante® audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, city halls, and much more. Tascam Sonicview consoles can serve as the audio center of these systems usimg their built-in 64-in/64-out Dante interface that supports AES67 mode, SMPTE 2110 mode and Dante Domain Manager. Two Dante ports enable redundant streams. Thanks to the combination of Dante and the recording capabilities built into Sonicview, you can mix and record concerts, panel discussions, lectures, worship services and more from any network location, including a remote recording or broadcast studio.Physical Outputs and Expansion CapabilityAs you’d expect, Sonicview offers plenty of physical outputs, with 16 XLR line outputs, and two XLR monitor outputs. If that’s not enough, you can add more analogue, MADI, or AES/EBU I/O with an optional expansion card. To further expand the system, add one or more optional 16-in/16-out Dante-networked stage boxes (SB-16D). Microphone gain for all 16 inputs can be remotely controlled from Sonicview, and the SB-16D can be used as a floor box or rack-mounted. The combination of Dante networking and multiple stage boxes makes Sonicview a great recording and mixing solution for multi-room studios and capturing large ensembles.Remote Control and Offline EditingWhether in the recording studio, onstage, backstage, in a control room or at the rear of a concert hall, you’re always in full control of your Tascam Sonicview mixer. Just connect a Wi-Fi router to the Ethernet port and use our free control software for Windows, macOS and iPadOS to manage your your Sonicview from virtually anywhere in the venue. Edit settings offline in advance so you’re ready to go when a session or show begins, then make adjustments from the console or from the software.Work Quickly With Function KeysSonicview offers intuitive, analogue-like operation while providing a variety of convenient digital functions that can be customised as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. An optional footswitch allows delay times to be set by tapping.Clear, Mistake-Free NavigationWhen you’re recording and mixing a show, broadcast, or crucial recording session, you can’t afford to hit the wrong button or grab the wrong control. The Sonicview control surface makes it easy to see at a glance what you’re controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-colour LED. The User keys also feature full-colour LEDs, so you can group each input source and function by colour and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customisable touch panels, you always know where you are and what you’re controlling.External Control and ClockingIn addition to audio inputs and outputs, Dante and USB ports, Sonicview is equipped with a GPIO interface (on a DB25 connector) with eight inputs and eight outputs for external control, making it suitable for events and relay applications. BNC wordclock In and Out/Thru enable digital audio synchronisation, and an Ethernet port can connect to a Wi-Fi router for wireless control. Sonicview also has two Tascam expansion slots that accept a selection of expansion cards.The Music Never StopsYour business depends on reliable equipment that will stay in service with minimal interruptions, and we designed Sonicview consoles accordingly. Sonicview’s recording and mixing engine and real-time operating system are completely separated from the physical mixing surface, greatly improving stability. In the unlikely event that the mixing surface becomes inoperable, the sound won’t stop, and operation can be restored by restarting the control surface operating system. Meanwhile, the show will go on.

Intuitive Operation at Your FingertipsThe Tascam Sonicview 16 offers motorised channel faders in two banks of eight, plus a motorised fader for the main stereo bus. Above each bank of channel faders is a colour touch panel that allows you to view entire mixer channels, or get down to details, controlling each parameter with your fingertip. Save fader settings and instantly recall them later to continue where you left off. Check levels in a mix or submix at a glance and adjust them during mixdown with either the physical faders or the touchscreen. Your changes will be instantly updated in both.The Amazing VIEWTruly the next generation in mixer user interfaces for recording and live, the powerful intuitive Tascam Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure Sonicview’s touchscreens. Thanks to the VIEW user interface, there are three different ways to view your settings. Each touchscreen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix or keeping an eye on the output bus level and compression curve on screen 2.Channel Strip ViewMonitor and control eight adjacent channels and view them as virtual channel strips like on an analogue mixer.Module ViewMonitor and control any two sets of parameters simultaneously for one single channel.Individual ViewMonitor and control a custom selection of functions for any channel or group of channels.High-End Audio QualityThanks to a 54-bit floating-point FPGA mixing engine, Tascam Sonicview delivers the finest audio performance in its class with continuous, high-definition 32-bit/96-kHz sampling and 32-bit analogue-to-digital converters. The mixing engine’s float-point processing makes it possible to flexibly change levels without compromising resolution, while ensuring ultra-low latency, even in analogue-to-analogue connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems, for pristine tracking, mixing, and playback.Input ChannelsSonicview 16 offers an array of versatile inputs for recording and mixing. 8 channels with XLR mic/line inputs and 8 channels with both XLR mic inputs and balanced 6.3-mm TRS line inputs allow maximum flexibility. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback microphone.Channel Control and ProcessingThere’s much more to Sonicview than meets the eye. Internally, these recording consoles have a generous 40 mono channels and two stereo channels so you can fly-in backing tracks to make a small vocal band sound huge. You can also accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. Programmable layer keys select which custom combination of channels and output buses are controlled by the motorised faders. Start working on a mix, save your fader settings, and continue mixing later – thanks to the motor faders, you’ll pick up exactly where you left off.Top-of-the-Line Sound With Class 1 HDIA Mic PreampsEach microphone input feeds a Tascam Class 1 HDIA (High Definition Instrumentation Architecture) preamp – the finest mic preamplifier we’ve ever made. Thanks to an instrumentation amplifier with extraordinary good noise characteristics in the first stage, these microphone preamps exhibit excellent equivalent input noise (EIN), signal-to-noise ratio, distortion ratio and frequency response. The ultra-definition mic preamps used in Sonicview will pick up and record the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The microphone inputs can handle signal levels up to +32 dBu, providing plenty of headroom for sudden level increases.The combination of Class 1 HDIA preamps, 32-bit/96-kHz ADCs and our 54-bit FPGA mixing engine is impressive but Tascam didn’t stop there: We conducted extensive internal and external evaluations to tune the Sonicview consoles for optimal performance. The result is best-in-class sound that will never disappoint for mixing and recording both live or in the studio.Built-In USB Audio Interface and Stereo RecordingThe built-in 32-in/32-out USB audio interface makes Sonicview a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses and the L/R main bus to your favourite DAW at up to 96 kHz with the same 32-bit precision used throughout the console.You can simultaneously capture the main mix directly to the onboard stereo SD recorder – handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.Built-In 32-Track Audio Recorder as an OptionTascam Sonicview offers multiple ways to record. In addition to the integrated audio interface and stereo recorder, a multi-track recording card (IF-MTR32) can be installed as an option, enabling you to capture 32 audio tracks directly to an SDXC card. The SD recorder supports punch-in/punch-out for all 32 tracks simultaneously as well as pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss. So you can let the recorder do it’s job worry-free while you focus on mixing.Flexible Output Buses, Advanced ProcessingYou get a wealth of output buses with powerful signal processing and flexible routing options. In addition to the main stereo bus, Sonicview provides 22 flexible output buses, each of which is configurable as a subgroup, aux or matrix. Provide multiple stereo in-ear monitor submixes without running short of buses and send to the analogue outputs. Create matrix mixes for multiple loudspeaker zones and send them over the Dante network to record mixes, deliver sound to theatres and concert halls, and more. All output buses are equipped with 31-band graphic EQ, real-time analyzer functions, 4-band parametric EQ, compressor/ducker, delay, plus Solo, Pan, and Mute.Each individual input channel can be looped through four additional effects, including a high-quality reverb.Dante-Enabled for Superior NetworkingDante® audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, city halls, and much more. Tascam Sonicview consoles can serve as the audio center of these systems usimg their built-in 64-in/64-out Dante interface that supports AES67 mode, SMPTE 2110 mode and Dante Domain Manager. Two Dante ports enable redundant streams. Thanks to the combination of Dante and the recording capabilities built into Sonicview, you can mix and record concerts, panel discussions, lectures, worship services and more from any network location, including a remote recording or broadcast studio.Physical Outputs and Expansion CapabilityAs you’d expect, Sonicview offers plenty of physical outputs, with 16 XLR line outputs, and two XLR monitor outputs. If that’s not enough, you can add more analogue, MADI, or AES/EBU I/O with an optional expansion card. To further expand the system, add one or more optional 16-in/16-out Dante-networked stage boxes (SB-16D). Microphone gain for all 16 inputs can be remotely controlled from Sonicview, and the SB-16D can be used as a floor box or rack-mounted. The combination of Dante networking and multiple stage boxes makes Sonicview a great recording and mixing solution for multi-room studios and capturing large ensembles.Remote Control and Offline EditingWhether in the recording studio, onstage, backstage, in a control room or at the rear of a concert hall, you’re always in full control of your Tascam Sonicview mixer. Just connect a Wi-Fi router to the Ethernet port and use our free control software for Windows, macOS and iPadOS to manage your your Sonicview from virtually anywhere in the venue. Edit settings offline in advance so you’re ready to go when a session or show begins, then make adjustments from the console or from the software.Work Quickly With Function KeysSonicview offers intuitive, analogue-like operation while providing a variety of convenient digital functions that can be customised as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. An optional footswitch allows delay times to be set by tapping.Clear, Mistake-Free NavigationWhen you’re recording and mixing a show, broadcast, or crucial recording session, you can’t afford to hit the wrong button or grab the wrong control. The Sonicview control surface makes it easy to see at a glance what you’re controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-colour LED. The User keys also feature full-colour LEDs, so you can group each input source and function by colour and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customisable touch panels, you always know where you are and what you’re controlling.External Control and ClockingIn addition to audio inputs and outputs, Dante and USB ports, Sonicview is equipped with a GPIO interface (on a DB25 connector) with eight inputs and eight outputs for external control, making it suitable for events and relay applications. BNC wordclock In and Out/Thru enable digital audio synchronisation, and an Ethernet port can connect to a Wi-Fi router for wireless control. Sonicview also has two Tascam expansion slots that accept a selection of expansion cards.The Music Never StopsYour business depends on reliable equipment that will stay in service with minimal interruptions, and we designed Sonicview consoles accordingly. Sonicview’s recording and mixing engine and real-time operating system are completely separated from the physical mixing surface, greatly improving stability. In the unlikely event that the mixing surface becomes inoperable, the sound won’t stop, and operation can be restored by restarting the control surface operating system. Meanwhile, the show will go on.

A recording environment with low noise and great audio performance is a relevant factor for vocal and, in particular, wind instruments. The US-1x2HR features an Ultra-HDDA microphone preamplifier with a very low noise level that makes this interface the ideal tool for recording with a condenser microphone. You can also plug in your electric guitar or bass directly using the line/instrument input and use plug-in effects on your computer recording (DAW) software. Or connect any instrument or hi-fi amplifier’s line output to the line input. The US-1x2HR is also a great tool on the road: Combine it with an iPad and you can capture nature sounds, stream interviews from live events, or simply record your ideas with high quality wherever you go. Even if you’re not so familiar with recording equipment, the US-1x2HR’s user-friendly design enables you to use it right away.

The CD-400UDAB is a compact-sized, rack-mountable and remote-controllable media player that can play tracks from CDs, USB memory devices, SD cards and Bluetooth devices. It also includes an FM/DAB+ tuner with 20 presets to play music from radio stations and a front-panel mini-jack input to connect devices such as portable music players. The tuner has its own output enabling the user to supply two rooms with different music signals, for example. Remote control is possible by the included wireless RC-CD400 and by serial control via the built-in RS-232C port. This all-in-one CD player is suitable for a wide range of applications, from background music in touring, restaurants or small stores to use in public facilities.

The TM-AM2 is a scissor arm microphone stand ideal for narrow spaces like personal broadcast environments. It can be mounted to a table, for example, and adjusted in a flexible way. Mics with a weight of up to 1.4 kg can be used, and the attachment has a wide opening that fits to virtually any table plate.

TM-AG1 is a pop filter that helps to achieve cleaner vocal recordings. It consists of a dual-layer nylon screen with side air vents that effectively reduces plosives and protects the microphone from saliva. With its gooseneck clamp, it can be easily attached to the mic stand and adjusted in a variety of positions.

The SS-CDR250N is a networkable solid-state/CD recorder/player with a variety of remote control options for professional applications like in broadcast studios or fixed installations. It records in WAV and MP3 format to SD/SDHC/SDXC and USB flash memory or in MP3 and audio CD formats to CD via a slot-loading drive. Since the recorder is able to connect to an FTP server via a network, it can upload recordings automatically after a recording has been finished or download files for playback. Time synchronisation via SNTP is also possible. With its dual SD card slots, the SS-CDR250N offers more security to your valuable files compared to conventional recorders. During recording, backups can be created on the second memory card, or the recorder switches to the second card as soon as the first card runs out of memory. The unit also closes files automatically in case there is a sudden power outage during recording to avoid loss of the entire recording session. The SS-CDR250N can be controlled in a variety of ways: The RC-SS150 remote control offers a convenient interface with a colour LC display and 12 keys for flash playback. There is also a dedicated app available for iOS and Android devices that can control transport operations and various settings. Or you can integrate the recorder into existing environments using serial or parallel control. For audio connections, the SS-CDR250N is equipped with balanced and unbalanced analogue inputs and outputs as well as SPDIF coaxial and AES/EBU digital I/O with sample rate converter. An optional Dante interface card offers two-channel input/output for Dante audio networks.

With the DP-006 you’re ready wherever creativity strikes. With two condenser microphones directly in the front, this compact battery-powered multitrack recorder is optimally designed for on-the-spot recording. Record vocals or acoustic guitar anytime without the need for extra equipment or set-up time. There is also a tripod mount for versatile set-up and placement. With the analogue feel of dedicated control knobs, built-in chromatic tuner and metronome and an ultra lightweight design, this Pocketstudio is one of the simplest to use songwriting scratchpad on the market. The DP-006 has two inputs by phone jack to connect an external microphone, an electric-acoustic guitar or a line-level device like a synthesizer. With an optional conversion cable a tablet device like an iPad will be able to connect. Recordings are written to widely available SD/SDHC card media (2GB card included). All song ideas can be transferred via USB 2.0 or SD card readers to and from the unit at any point in the recording process. Basic editing functions are also available. For elongated battery life, the DP-006 can connect directly to Tascam’s external battery pack (BP-6AA) via USB.

ASCAM's DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera’s microphone in.The DR-60DmkII is the next generation of 4-track solid-state recording, based on TASCAM’s decades of recording innovation. The upgraded HDDA microphone preamps provide up to 64dB of gain, capturing every nuance of a performance. Up to four channels at a time can be recorded to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, the other two use an 1/8” stereo connector for wireless and lavaliere microphones. 
A Camera Output sends the mic mix to the camera for later synchronization, and a Camera Input is provided for monitoring playback. An additional headphone out and line out assist the crew during filming.The DR-60DmkII is designed for low-noise operation, including soft touch buttons and dedicated gain controls.
Multiple recording modes are available on the DR-60DmkII. Four-Channel Mode records all four microphone inputs. Dual Recording is an alternate setting, capturing a copy of your audio at a lower level for a distortion-free safety track. Menus and operation are well laid out, owing to decades of innovative recording design.
Reach beyond the limited performance of your camera’s audio to capture the other half of your film. At a cost less than competing preamps, the TASCAM DR-60DmkII is the ultimate 4-track recorder designed for filmmakers, television, live events and web broadcast.

The US-4x4HR is equipped with 4 mic/line inputs with guitar input support on IN 1-2 plus 2 headphone outputs that can be put to use in various music/multi-media production environments such as vocal/guitar simultaneous recordings and multitrack recordings. The unit is also equipped with a USB-C port to be easily powered by USB bus power.High-resolution reproduction in the US-HR series has been pursued based on TASCAM's policy to recreate sound as close to the original as possible. Therefore, the in-house developed Ultra HDDA mic preamp combined with a newly improved audio circuit delivers enhanced audio performance with the most transparent and low-noise sound.Direct monitoring will diverge signals before sending them to the computer, resulting in smooth, in-time monitoring without any sound delay during both recording and performance.The US-4x4HR can be used with computers or smartphones to easily create podcasts or live streams. The audio can be switched between stereo/mono, and the loopback function allows the audio from the computer to be returned to the streaming software for playback during live streams. US-4x4HR also supports OBS, which is popular and used worldwide.

The TASCAM US-16x08 captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class, while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring.Built into the US-16x08 is a DSP Mixer for low-latency digital mixing. Each channel has four-band EQ and compression for polished-sounding monitor mixes. In addition to interface mode, the US-16x08 can be used as a standalone mic preamp. Mac and Windows drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like Apple's iPad. MIDI input and output are also available on the rear panel. Whether using the ergonomically-designed angled desktop stand, or mounting with the included rack ears, the US-16x08 includes analog I/O for almost any music recording application.Ultra-HDDA Mic Preamps for Clear Audio Quality from All of Your MicsTASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding of any interface in their price range. A gain range of 56dB makes them ideal for any type of mic – dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the US-16x08 make your tracks sound like a record.

The CD-200 offers a simple, cost-effective solution to installations or PA rental where the extra features of a more complex CD player might go unused. Yet it provides features such as pitch control with an on/off knob, a headphone output with level control, intro check, anti-shock memory, and a variety of convenient playback modes which can help prevent the user from making a mistake. The CD-200 can also play back MP3 and WAV files from data CDs and display ID3 tags and CD-Text. The included wireless remote control gives access to most features and allows a track to be selected directly via a 10-key pad.Tascam CD-200: Simple, convenient and reliable!

The AK-BT1 is a Bluetooth adapter that enables wireless remote control for compatible Tascam products. When used in conjunction with a smartphone or tablet and the special control app for the respective product, this allows the transport and other functions to be controlled remotely.

Accessory Pack for DR Series Audio Recorders AK-DR11G MKIII  Fur windscreen to reduce wind noise PS-P520U Power adapter for continuous recording Durable soft carrying-case Ideal for use with DR-05X, DR-07X, DR-40X, DR-22WL, DR-44WL, DR-100MKIII Can also be used with previous DR series models

Innovative, powerful, yet simple Right after start-up, the large colour touch screen of the Portacapture X8 shows the Launcher which lets you easily select the best audio settings that match your application. Taking advantage of these presets, you have more time to focus on the actual recording without having to struggle with complicated settings. Six different recording apps to choose from MANUAL This is the main app for multi-track recording of up to six audio sources and a stereo mix (2-mix). VOICE This recording app is ideal for capturing interviews, dictation and meetings. PODCAST Use this for podcast creation with up to four people. MUSIC Choose this app for capturing instrumental and vocal performances. FIELD Ideal for recording nature sounds outdoors. ASMR The screen visual effect changes in response to the input sound. Set your levels with ease The Portacapture X8 provides a preset level setting to achieve a wide dynamic range utilizing premium dual A/D converters and recording technology with 32-bit floating point resolution. The result is content with uncompromised audio quality even with low-level recordings. When editing the audio data later, you can increase the level without deteriorating the signal-to-noise ratio (S/N). Also, the internal normalize function can automatically align the level of the stereo mix file after recording. USB audio interface for your computer Utilizing plug-and-go driverless functionality, the Portacapture X8 can be used as a compact mixer with built-in microphones for live streaming via OBS or similar platforms, and also offers direct recording of video narration and dialogue directly to DAW and editing software. The Portacapture X8 streams up to eight tracks (six inputs plus stereo mix) through USB. By supporting the USB Type-C Power Delivery standard, the unit can simultaneously supply any external microphone with phantom power via the USB bus. For video or audio conferencing, use the Portacapture X8 as your USB stereo microphone and even record the audio simultaneously. Premium large-format microphones The Portacapture X8 comes with two high-quality condenser microphones, each with a diameter of 14.6 mm – the largest in our lineup. Employing a detachable mechanism, both L and R mics can be flexibly attached to and detached from the main unit to form A-B or X-Y mic patterns. A-B Pattern: Ideal for creating a wide stereo field X-Y pattern: Provides extra-clear reproduction with reduced phase displacement between both channels Combined with the dual A/D converter, 32-bit floating point processing and sampling rates up to 192 kHz, these microphones capture everything from the quietest rustle to the loudest spectacle. Wireless remote control (with optional Bluetooth adapter) The Portacapture X8 can be remote-controlled via mobile devices such as smartphones and tablets (iPad and Android devices) using the optional AK-BT1 Bluetooth adapter and the Portacapture Control app, which can be downloaded free of charge from the Apple Store or Google Play. In this way, you can, for example, record nature sounds in the wild without affecting the result with your own direct presence or your own noises. Multi-track recording with up to eight tracks The Portacapture X8 can simultaneously record up to eight audio tracks in total (six individual tracks + stereo mix). Select which inputs are recorded on which tracks, apply noise-gate, compression, EQ and reverb like you would do on a mixing console. The MANUAL app allows you to set levels and stereo positions for each of the six input tracks and create a stereo mix ready to be published as a podcast, vlog, song or other content. For the XLR/TRS inputs, Tascam know-how utilizing the in-house-developed HDDA (High Definition Discrete Architecture) mic preamps enables high-quality audio recording. Four XLR/TRS jacks plus in and out for your camera and other equipment With four professional, locking XLR/TRS combo inputs for mic- and line-level signals, the Portacapture X8 is prepared for most of your daily recording challenges. An additional mini-jack input and output each enable you to hook up your camera or other audio devices. When creating video footage, for example, you can record a guiding track with slate tones on your camera to simplify synchronisation during post-editing of the video material. The level of the camera output is adjustable and can thus be adapted to virtually any camera model. Of course, there is also a headphones output, which is powerful enough to keep you in control even in noisy environments. Flexible handling – wherever you feel creative The Portacapture X8 weighs less than 500 grams including batteries and can be mounted directly on a DSLR or camera or combined with AV rigs thanks to its rear cold shoe adapter. You can also attach it to mic stands or wireless receivers. Fastened this way, your Portacapture X8 is less susceptible to handling noise and your recordings turn out even better.

Mixcast 4 makes professional content creation easy. For Podcast creation, live streaming, event production, or voice over, Mixcast 4 will mix and record mic inputs, internal sounds and music via the trigger pads, and external audio input from your phone or PC. Together with the TASCAM Podcast Editor software, a complete solution - including both waveform editing and sound pad control - is provided from pre-production to completion. Improve your production workflow and inspiration The Mixcast 4 is a one-stop workstation that allows for the recording and mixing of sound sources without complicated settings. It provides all audio-related operation and workflow needed for live-streaming, events, podcasts, and other applications. The bundled TASCAM Podcast Editor software will expand the ability to assign content and sound effects to the internal touchpads, and will allow for smooth and easy remote track arming, effects assignment, audio editing and more without the need for expertise and complexity. Stress-free touch panel control Equipped with 4 mic inputs and 4 individual headphone outputs, the Mixcast 4 is always ready for production thanks to the installed auto-mixing function that will automatically adjust optimal levels and set mic priority with no troublesome configuration for a perfect mix. The Mixcast 4 also showcases a 5-inch color touch screen that provides quick and intuitive access to desired menu control settings. One-stop workstation with a variety of functions From audio recording to the mixing of recorded audio, the Mixcast 4 offers a one-stop solution with multiple convenient functions such as 14-track multi-track recording direct to the unit's SD card, Bluetooth®, an AUX IN (3.5mm) connection to easily mix and record phone conversations/sound sources, and PC connectivity that allows the unit to import sounds from a computer. Enhance content with real-time sound effects The Mixcast 4 comes with fully customizable sound pads. In addition to preset sound effects, users can flexibly assign new sounds or even pre-recorded mic sounds that have been recorded on the unit. The Mixcast 4 sound pads also allow for easy and on-time voice effects such as voice transformation, reverb, and more to make live-streams and recordings even more interesting and fun. Bundled with TASCAM Podcast Editor dedicated software The TASCAM Podcast Editor offers simple and practical editing of audio content, track arming, as well as easy configuration and assignment of sound effects and background music to the sound pads. There's no need for expert knowledge on DAW software as the TASCAM Podcast Editor also offers intuitive graphics that will help users record audio easily using the Mixcast 4. TASCAM Podcast Editor is designed specifically for Mixcast 4, and seamlessly integrates together for a total production environment.

The Videographer’s Choice for Recording Audio in the Field The TM-200SG is a shotgun condenser microphone with a highly directional polar pattern ideal for video shooting or reporting. It can be mounted on any camera with a hotshoe and will help to improve the sound of any video recording created with a DSLR or other camera. The supercardioid pattern captures sound in the direction the mic is pointing while rejecting ambient noise and reverberation. It picks up your subject’s voice in front of your camera while reducing noise from traffic, surf, echo, and other distractions. Lightweight and Small Form Factor for Maximum Audio Quality With Minimal Visual Intrusion The TM-200SG was designed to be heard, not seen. The perfect balance of clear audio replication and small housing mean this microphone will be the least of your worries while shooting in the field. Built-in Low-cut Filter for Easy Reduction of Environmental Noise Wind and environmental hum can reduce the quality of the audio and create headaches in post-production. By utilizing the natural-sounding low-cut filter, you’re saving time downstream without cutting into vital frequencies you have captured. The TM-200SG is powered by phantom voltage. Shoe-mount clip, windscreen, and softcase are included as standard.

The TM-250U is the USB condenser microphone for personal broadcasting and online communication. Because it captures crisp, accurate sound at an ultra-affordable price, and also includes a headphones output for monitoring, it is the ideal solution for podcasting, conferencing, computer recording and internet broadcasting. Lightweight and Small – for Perfect Audio Quality With Direct-to-Computer Connectivity The TM-250U was designed to deliver flawless, detailed audio straight to your computer via USB. Simply select it for audio input and output in your operating system, connect your headphones, and off you go. Record voice-over or music directly to your audio software, use it for online conferences and meetings, create podcasts, stream live with pristine vocal quality, or any other situation where crisp clear audio is needed. Adaptability To All Common Operating Systems The TASCAM TM-250U works via industry-standard USB-C connectors on Windows, Mac, iOS, Android* and Chrome OS* platforms, with driverless functionality returning stream-optimized audio at 16-bit/48kHz. * Operation of this unit was confirmed using standard devices, however this does not guarantee operation with all devices with Android and Chrome OS. Built-in Controls For Gain, Mute and Headphones Volume The TM-250U computer broadcast microphone provides all the control for the microphone and monitoring on the unit itself. Microphone gain control and headphones output with volume control are easily accessible. A Mic-Mute button gives additional flexibility for in-the-moment control of audio. Everything Included to Broadcast or Record Right Away Included are essential microphone accessories: a mic holder, USB C-A cable (2 m), and desktop tripod – allowing you to set up on your desktop immediately.

All-rounder for the demanding The US-2x2HR is a member of the Tascam US-HR series of high-resolution USB audio interfaces. It provides two mic/line/instrument switchable inputs and two balanced line outputs as well as MIDI I/O to your Windows or Mac computer or your iPhone or iPad. This interface is ideal for music creation and home recording with high demands on simple operation and studio-quality sound. The included loopback function and support for Open Broadcaster Software (OBS Studio), however, makes it also an excellent choice for podcast creation and live streaming. Lower noise and distortion – better sound than ever The compact US-2x2HR incorporates a wealth of features, including high audio resolution up to 24-bit/192 kHz, ultra-low latency with a Windows buffer size starting at four samples, Ultra-HDDA mic preamplifiers with 48-volt phantom power for superior sound quality with ultra-low noise, a robust USB Type C connector, and a rich assortment of included software to start producing audio right away. This interface can also be used for mobile production or live streaming using your iPhone or iPad* with the included Cubasis LE. Simply put, the US-2x2HR helps you create and distribute great-sounding. Usability is key All US-HR models offer a unique dye-cast aluminum honeycomb structure on the side panels with a slight upward tilt. This design not only results in a sleek, eye-catching design, it also provides just the right amount of weight so the interface won’t move when cables are connected or disconnected. Equally important, the upward tilt offers the ergonomic benefit of being angled in such a way as to make the interface easy to work with. If you’re a musician, producer or home-recordist who needs a solid, uncluttered, easy-to-use audio interface with superb sound quality, the Tascam US-2x2HR can be your reliable partner for many years. * An optional battery pack or AC adapter is required when used with an iPhone or iPad.

Engineer-Voiced Vocal and Instrument Microphone at a Working Performer's Budget The TASCAM TM-82 microphone is a dynamic microphone for vocal/ instrument performance and recording. With its high-quality capture and replication, the Tascam M-82 microphone is an engineer's choice for capturing live performances from the bedroom studio to live events. Dynamic Microphone to Capture Professional Vocal and Instrument Performances The TASCAM TM-82 Dynamic Microphone is the perfect all-around mic for natural, accurate vocal and instrument audio. The TM-82 has been specifically engineered to capture the character and nuances of performances without bringing the room into the mix. The TM-82 captures exactly what you want, for a mix-ready track or performance. Features: Cardioid Directivity. Built Tough. TM-82 is stage ready for the rigors of daily use using metal materials and components. Package Includes Mic Holder. The TASCAM TM-82 dynamic microphone includes a mic holder compatible with all standard microphone stands.

Tuned and Ready for Professional Podcasting and Live Streaming The TASCAM TM-70 microphone is a dynamic microphone specifically engineered for broadcasting, podcasting and audio streaming. Whether it be podcasting or live event streaming, the TASCAM TM-70 is ideally voiced to handle the nuances of the human voice. A unique hybrid of super-cardioid and dynamic elements is resistant to ambient noise. Everything you need for the perfect performance, including mic holder, desktop stand, and mic cable is included. Dynamic Microphone for Professional Podcast Production and Live Streaming The TASCAM TM-70 Dynamic Microphone is the perfect all-around mic for flawless vocal audio. The TM-70 has been specifically engineered to capture the character and nuances of vocal performances while minimizing ambient noise. Features: The TM-70 gives you more of your voice, and less of the room. Super Cardioid Directivity adapts to the environment so the voice is more clear and prominent for an easier mix. The TASCAM TM-70 Dynamic Microphone delivers mix-ready, no-fuss audio so you can focus on capturing the performance rather than tweaking EQ settings. Package Includes a Shock Mount, Table-Top Mic Stand, and Mic Cable. Included are essential microphone accessories - a shock mount to reduce low frequency rumble, 6-foot mic cable and table-top mic stand - allowing you to set up at your desktop and record right away.

FULL HD STREAMER/RECORDER AV Over IP Encoder and Decoder Appliance for Full HD Live Streaming VS-R264 Full HD Over IP Live Streaming Encoder The VS-R264 is a Full HD AV over IP streaming encoder and decoder that simultaneously records, encodes, streams, and decodes Full HD video streams (1920x1080) using H.264 long GOP encoding with bit rates up to 30 megabits over standard networks suitable for 100Mbps or 1Gbps. The VS-R264—A Stand-Alone Encoder and Decoder For Live Streaming The VS-R264 live stream encoder addresses the growing demand for an external stand-alone YouTube encoder in live streaming environments. Additionally, the VS-R264 provides Full HD streaming to popular Content Delivery Networks (CDNs) including Wowza, Ustream, AWS Elemental MediaLive and CloudFront, to name a few. The half-rack size VS-R264 functions as a stand-alone unit—no external computer is needed for recording or streaming. Professional Audio and Video Streaming In AV over IP Applications Balanced analog Euroblock/Phoenix low voltage wire connectors and unbalanced analog 1/8" (3.5mm) mini-stereo jacks provide versatile audio I/O connections for a wide range commercial AV over IP environments, including corporate, education, house of worship, government, industrial and security. TASCAM Professional Audio Integration With Streaming Video Audio can be embedded from analog sources and de-embedded to drive networked audio playback for ceiling speakers, or digital audio within the HDMI I/O can be used. An integrated installed output level configuration function and reference level switching function (up to +20dBu) allows reliable and flexible system structuring when streaming video. Compliant With Standard Live Streaming Protocols The VS-R264 live streaming encoder is compatible with popular standard streaming protocols, including HLS, RTMP, RTP/RTSP, Multicast, Unicast—all with RESTful API for integration into control systems in commercial AV installations. Simultaneous Recording and Archiving Via SD and USB The VS-R264 can record directly to USB connected media or SD cards via a front panel loading slot. Create, Archive and Backup Files Automatically Via FTP Recorded files can be automatically uploaded to an FTP server automatically for creating back-up copies, editing, or repurposing to the web. TASCAM DISCOVERY App and Web-GUI allow easy remote management of multiple VS-R unit systems The Mac/Windows "TASCAM DISCOVERY" app allows multiple VS-R units connected to the network to be managed from a simple Web-browser based GUI. All configuration settings are saved within the VS-R devices, so that in normal operation no computer is needed for streaming or recording. No AC Adaptor Required for Commercial AV Installations PoE+ functionality eliminates the need for AC adaptors in AV installations. Optional TASCAM AC power supply sold separately where external AC power is required. TASCAM PS-P1220E Power supply also can be done by the optional AC adapter (TASCAM PS-P1220E; sold separately) Features at a glance: Full HD AV over IP streaming media encoder and decoder for live video streaming. Simultaneously records, encodes, streams, and decodes Full HD video streams. Functions as an external stand-alone YouTube encoder for live Full HD streaming environments. Provides Full HD live video streaming (1920x1080) to Content Delivery Networks (CDNs) including Wowza, Ustream, AWS Elemental MediaLive and CloudFront, etc. H.264 long GOP encoding with bit rates up to 30 megabits over standard networks suitable for 100Mbps or 1Gbps. Versatile audio I/O connections via balanced analog Euroblock/Phoenix low-voltage wire connectors and unbalanced analog 1/8" (3.5mm) mini-stereo jacks. Perfect for a wide range of live streaming AV installations and environments, including corporate, education, house of worship, government, industrial installations and security. Audio can be embedded from analog sources and de-embedded to drive networked audio playback for ceiling speakers. Provides digital audio embedded within the HDMI I/O. Installed output level configuration function and reference level switching function (up to +20dBu) allows reliable and flexible system structuring. Compatible with popular standard streaming protocols, including HLS, RTMP, RTP/RTSP, Multicast, Unicast. Offers RESTful API for integration into control systems in commercial AV installations. Ability to record directly to USB connected media or SD cards via a front panel loading slot. Recorded files can easily be uploaded to an FTP server automatically for creating back-up copies or repurposing to the web. With the optional rack-mountable shelf AK-RS1, up to two VS-R units can be installed in a 19 inch rack space. Support PoE+ for power supply in addition to the optional AC adapter (TASCAM PS-P1220E; sold separately) Specifications: Video   HDMI IN Connector: HDMI v1.4a (Type A) HDMI OUT Connector: HDMI v2.0 (Type A) Input Resolutions 1080p: 60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98 fps 720p: 60 / 59.94 / 50 fps 576p: 50 fps 480p: 60 / 59.94 fps Frame Rate Limit: on/off Encode Scalling Resolutions:Passthru / 1920x1080p / 1280x720p / 950x540p / 720x576p / 720x480p / 640x360p / 480x270p / 320x180p Encode Format:H.264 (Baseline / Main/High) Encode bitrates: 500k to 30M bps Bitrate Control: Variable / Constant key frame interva: 0.25-1.00-16.5(sec) or 3-1000(frame) Audio   Analog Audio inputs (UNBALANCED) Connector: 3.5mm Stereo mini jack Nominal output level: -10dBV (0.316Vrms) Maximum output level: +6dBV (2.0Vrms) Analog Audio outputs (BALANCED)   Connector Euroblock (balanced): 3.81 mm pitch Nominal output level: +4dBu(1.23Vrms) Maximum output level:+15dBu(4.36Vrms, Ref.Level -9dBFS), +18dBu(6.16Vrms, Ref.Level -14dBFS), +20dBu(7.75Vrms, Ref.Level -16dBFS) Output Volume: -∞, -72 to +6dB (1dB step) Audio Codec: AAC, 64k to 512k bps, 32k/44.1k/48k Hz Storage   Storage Media: USB Drive, SD/SDHC card USB Connection: USB3.0 A-type Record Bit Rates: 500k to 30M bps Stream   Video Transport Protocols: RTMP / RTSP / HLS / Unicast / Multicast Simultaneous Streaming: 1 x RTMP / 2 x Unicast / 1 x Multicast Stream Bit Rates: 500k to 30M bps Network   Network Connectivity: 1Gb Ethernet Full-featured web browser based UI: Designed for tablets and desktops Encoder and decoder configuration for unicast, multicast and RTMP IP Address: DHCP (Default) / Static Command and Control: HTTP Auto-detect and discover other TASCAM encoder and decoder units on subnet. Other   Power: PoE+,TASCAM PS-P1220E AC adapter (sold separately) Dimensions: 214(W) × 44.5(H) × 136.1(D)mm (including protrusions) Weight: 0.85kg Operating temperature range: 0 to 40 °C Included items: Installation brackets, Euroblock plugs, Cable band kit, USB memory(including Discovery app, reference Manual), Quick Start guide, warranty

4K/UHD STREAMER/RECORDER AV Over IP Encoder and Decoder Appliance for 4K Live Streaming VS-R265 4K/UHD AV Over IP Live Streaming Encoder The VS-R265 is a 4K/UHD AV over IP streaming encoder and decoder that simultaneously records, encodes, streams, and decodes 4K video streams (3840x2160) using High Efficiency Video Coding (HEVC), a high efficiency coding scheme that delivers H.264 video quality at half the bit rate. Professional Audio and Video Streaming For 4K AV over IP Applications Balanced analog Euroblock/Phoenix low voltage wire connectors and unbalanced analog 1/8" (3.5mm) mini-stereo jacks provide versatile audio I/O connections for a wide range commercial AV over IP environments, including corporate, education, house of worship, government, industrial and security. TASCAM Professional Audio Integration With Streaming Video Audio can be embedded from analog sources and de-embedded to drive networked audio playback for ceiling speakers, or digital audio within the HDMI I/O can be used. An integrated installed output level configuration function and reference level switching function (up to +20dBu) allows reliable and flexible system structuring when streaming video. Simultaneous Recording and Archiving Via SD and USB The VS-R265 can record directly to USB connected media or SD cards via a front panel loading slot. Create, Archive and Backup Files Automatically Via FTP Recorded files can be automatically uploaded to an FTP server automatically for creating back-up copies, editing, or repurposing to the web. TASCAM DISCOVERY App and Web-GUI allow easy remote management of multiple VS-R unit systems The Mac/Windows "TASCAM DISCOVERY" app allows multiple VS-R units connected to the network to be managed from a simple Web-browser based GUI. All configuration settings are saved within the VS-R devices, so that in normal operation no computer is needed for streaming or recording. No AC Adaptor Required for Commercial AV Installations PoE+ functionality eliminates the need for AC adaptors in AV installations. Optional TASCAM AC power supply sold separately where external AC power is required. TASCAM PS-P1220E Power supply also can be done by the optional AC adapter (TASCAM PS-P1220E; sold separately) Features at a glance: 4K/UHD AV over IP streaming media encoder and decoder for live video streaming. Simultaneously records, encodes, streams, and decodes 4K video streams. Functions as an external stand-alone YouTube encoder for HD streaming to YouTube and other popular CDNs, including Wowza, Ustream, AWS Elemental MediaLive and CloudFront, etc. Uses High Efficiency Video Coding (HEVC), a high efficiency coding scheme that delivers H.264 video quality via 4K content at half the bit rate. Versatile audio I/O connections via balanced analog Euroblock low-voltage wire connectors and unbalanced analog 1/8" (3.5mm) mini-stereo jacks. Perfect for a wide range of 4K live streaming AV installations and environments, including corporate, education, house of worship, government, industrial installations and security. Audio can be embedded from analog sources and de-embedded to drive networked audio playback for ceiling speakers. Provides digital audio embedded within the HDMI I/O. Installed output level configuration function and reference level switching function (up to +20dBu) allows reliable and flexible system structuring. Compatible with popular standard streaming protocols, including HLS, RTMP, RTP/RTSP, Multicast, Unicast. Offers RESTful API for integration into control systems in commercial AV installations. Ability to record directly to USB connected media or SD cards via a front panel loading slot. Recorded files can easily be uploaded to an FTP server automatically for creating back-up copies or repurposing to the web. With the optional rack-mountable shelf AK-RS1, up to two VS-R units can be installed in a 19 inch rack space. Support PoE+ for power supply in addition to the optional AC adapter (TASCAM PS-P1220E; sold separately) Specifications: Video   HDMI IN Connector: HDMI v1.4a (Type A) HDMI OUT Connector: HDMI v2.0 (Type A) Input Resolutions 2160p: 30/ 29.97/ 25 / 24 / 23.98 fps 1080p: 60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98 fps 720p: 60 / 59.94 / 50 fps 576p: 50 fps 480p: 60 / 59.94 fps Frame Rate Limit: on/off Encode Scalling Resolutions:Passthru / 3840x2160p / 1920x1080p / 1280x720p / 950x540p / 720x576p / 720x480p / 640x360p / 480x270p / 320x180p Encode Format:H.264 / H.265 Encode bitrates: 500k to 30M bps Bitrate Control: Variable / Constant key frame interva: 0.25-1.00-16.5(sec) or 3-1000(frame) Audio   Analog Audio inputs (UNBALANCED) Connector: 3.5mm Stereo mini jack Nominal output level: -10dBV (0.316Vrms) Maximum output level: +6dBV (2.0Vrms) Analog Audio outputs (BALANCED)   Connector Euroblock (balanced): 3.81 mm pitch Nominal output level: +4dBu(1.23Vrms) Maximum output level:+15dBu(4.36Vrms, Ref.Level -9dBFS), +18dBu(6.16Vrms, Ref.Level -14dBFS), +20dBu(7.75Vrms, Ref.Level -16dBFS) Output Volume: -∞, -72 to +6dB (1dB step) Audio Codec: AAC, 64k to 512k bps, 32k/44.1k/48k Hz Storage   Storage Media: USB Drive, SD/SDHC card USB Connection: USB3.0 A-type Record Bit Rates: 500k to 30M bps Stream   Video Transport Protocols: RTMP / RTSP / HLS / Unicast / Multicast Simultaneous Streaming: 1 x RTMP / 2 x Unicast / 1 x Multicast Stream Bit Rates: 500k to 30M bps Network   Network Connectivity: 1Gb Ethernet Full-featured web browser based UI: Designed for tablets and desktops Encoder and decoder configuration for unicast, multicast and RTMP IP Address: DHCP (Default) / Static Command and Control: HTTP Auto-detect and discover other TASCAM encoder and decoder units on subnet. Other   Power: PoE+,TASCAM PS-P1220E AC adapter (sold separately) Dimensions: 214(W) × 44.5(H) × 136.1(D)mm (including protrusions) Weight: 0.85kg Operating temperature range: 0 to 40 °C Included items: Installation brackets, Euroblock plugs, Cable band kit, USB memory(including Discovery app, reference Manual), Quick Start guide, warranty

Dual cassette system compatible with recording and playback. Dual cassette deck for professional use. The "202 MKVII" is a dual cassette deck that is the successor to the TASCAM 202MKVI. It is equipped with a dual system recording and playback mechanism that utilizes one-way IC logic transport control with excellent stability and durability. It is a profession dual cassette deck that includes many convenient functions for professional audio needs. Dual cassette deck capable of playback while switching between 2 cassettes Because there are two independent cassette mechanisms, the next song can be cued in Deck 2 while Deck 1 is playing. Furthermore, in "SPECIAL" playback mode, you can monitor the sound from one tape using headphones while the other tape is playing (outputting from LINE OUT), making it easy to cue another tape. * In "NORMAL" playback mode, as with conventional models, when playing a tape in either system, the sound is output from LINE OUT and PHONES. Noise reduction function to reduce hiss during playback A "NOISE REDUCTION" function is included that reduces hiss during tape playback. It is effective when playing a tape recorded with Dolby B Noise Reduction. * The noise reduction function only works for playback. MIC input and mixing function convenient for karaoke and announcements There is a MIC input on the front panel that is convenient for karaoke and announcements. It is possible to mix the playback from Deck 1 (or Deck 2) with the MIC input sound and record it to Deck 2 (or Deck 1), allowing you to record karaoke using existing tape material. It is also possible to record sound mixed from the RCA inputs and sound from the MIC input. Each input level can be adjusted independently. In addition, Deck 1 has a convenient pitch control function for karaoke. (Only playback) Parallel recording function that can reduce the time needed for dubbing cassettes Audio from an externally connected device can be recorded simultaneously to two cassettes in Deck 1 and Deck 2. A master tape and distribution copy can be created simultaneously for when distribution is needed after recording. Possible to create a digital archive of cassette tapes The rear panel is equipped with a USB terminal that can be connected to a computer. This makes it possible to create a digital archive of tape material using computer recording software. Features:  Two cassette mechanisms capable of recording and playback One-way IC logic transport control with excellent stability and durability Supports recording and playback of normal tapes (Type I) and chrome tapes (Type II) * For metal tapes (Type IV), only playback is supported Noise reduction function to reduce hiss during playback (It is equivalent to Dolby B NR) Parallel recording function for Decks 1 and 2 that can reduce the time needed for dubbing cassettes MIC input with level control convenient for karaoke and announcements MIC mixing function: Possible to record sound mixed from the RCA inputs and sound from the MIC input on the front panel, Possible to record mixed playback from a cassette with sound from the MIC input "SPECIAL" playback mode that allows you to cue the next song on a tape by monitoring the sound with headphones while another tape is playing Timer playback/recording function for playing back and recording when the power is turned ON in collaboration with commercially available timers RETURN TO ZERO function that locates the tape counter to 0000 Repeat playback function (Between A-B, stops after 20 times) Convenient +/- 12% pitch control function for karaoke (Only playback) USB digital output. Possible to create a digital archive of cassette tapes Headphone output with level control convenient for sound monitoring Dedicated wireless remote control 3U rack mount size Differences with 202MKVI Noise reduction function added "SPECIAL" PLAY MODE function added PHONES level adjustment function added USB digital output terminal added Dedicated wireless remote control No auto reverse function No continuous recording/playback with Decks 1/2 No high-speed dubbing function Specifications: Track System:  4-track, 2-channel stereo Heads Construction: Record/playback head × 1 (each deck),Erase head × 1 (each deck) Tape Speed: 4.8 cm/sec Pitch Control: +/-12% Fast Winding Time: approximately 120 sec (C-60 tape) Wow and Flutter: 0.25% (W.RMS) Frequency Response (Overall): High position tape (Type II): 30 to 15k Hz (+/-4dB), Normal tape (Type I): 30 to 13k Hz (+/-4dB) Signal to Noise Ratio (Overall): 59dB (at maximum recording level input, A-Weight) ANALOG INPUT jacks   Connector: RCA Nominal input level: -9dBu (0.28Vrms) Maximum input level: +20dBu (7.75Vrms) Input impedance: 33kΩ MIC INPUT jack   Connector 6.3mm(1/4")standard mono jack  Maximum input level -66dBu (0.38mVrms) Input impedance 3kΩ or more ANALOG OUTPUT jacks   Connector: RCA Nominal output level: -4.5dBu(0.46Vrms) Output impedance: 1kΩ PHONES   Connector Standard: 6.3mm (1/4") stereo jack Maximum output: 15mW + 15mW (into 32Ω load,) USB   Connector: USB B-type Protocol: USB2.0 FULL SPEED Sampling frequency: 8k/11.025k/16k/22.05k/32k/44.1k/48k Hz Quantization bit rate: 8/16bit Power   U.S.A./Canada: AC120V, 60Hz U.K./Europe: AC240V, 50Hz Power consumption: 14W Dimensions: 482(W) × 138.3(H) × 285.8(D)mm (including protrusions) Weight: 5.4kg Accessories: Wireless remote control (RC-1331), AAA batteries × 2, A rack-mounting screw kit, Owner's manual (with warranty)

Integrated Production Suite for Music and Multimedia Creators: Tascam Model 12 is a compact all-in-one integrated mixing and recording suite designed for music and multimedia creators, songwriters and performers. It consists of a 10-input mixer, a 12-track version of the highly acclaimed Tascam multi-track audio recorder, USB audio interface, MIDI connectivity, DAW control functions, and unique podcasting capability including mix-minus and smartphone input. Combining the feel of an analogue user interface with the efficient workflow and pristine quality associated with digital recording and production, the compact and affordable Model 12 supports your creative process from start to finish. 12-Track Recording and 10-Track Playback:The Model 12’s intuitive internal 12-track recorder creates WAV files of up to 24-bit/48 kHz audio quality directly to an SD card. Up to ten tracks can be played back simultaneously. Supporting metronome, punch-in/out, and overdubbing functions, the internal recorder also allows WAV files to be imported from another Tascam Model Series mixer like the Model 12, Model 16 or Model 24. And, of course, it is possible to export tracks in WAV file format which can then be imported directly into a DAW for further editing or production. 12 In / 10 Out USB Audio Interface for DAW Connectivity:A USB connector facilitates connecting a computer to the Model 12 for playback and recording utilizing a wide range of popular DAWs. Sounds can be recorded in a DAW to create precise and original tracks, and then played back during live performances using Model 12 only. The USB audio interface can be used simultaneously with the built-in multi-track recorder. Model 12 also supports class compliant mode and can be connected to Apple iOS devices using an optional adapter. DAW Control Integration: Basic control for an external DAW using HUI/MCU protocol emulation is integrated for tactile control of most major DAWs. Controllable parameters include Faders, Mutes, Pans, Solos, Record Arm, Play, Record, Stop, FF/Rew, Jog. A dedicated click output with TAP TEMPO allows the tempo to be controlled and monitored in both live or recording environments. This allows live performers to play with tracks using the built-in multi-track engine or music creators to keep track of the tempo when recording. The click sound can also be assigned to each MAIN, SUB or AUX output, or, with individual volume setting, to headphones outputs 1 and 2. Combine Your Setup With MIDI Equipment: Standard MIDI input and output make it possible to use keyboards, drum machines, controllers, and other sources that employ MIDI technology with the Model 12. This also allows playback-start commands to be triggered or external multi-track recorders and other external MIDI devices to be synchronized with the Model 12. Podcast Your Latest Music and Live Performances to Your Fan Base:The Model 12 incorporates several features for podcasting and internet streaming like mix-minus, smartphone input, multiple mic-ready channels, Bluetooth pairing, dual headphone monitoring, and internal multi-track recording. Use the Model 12 as a versatile live production recorder, USB audio interface and live streaming tool. All-in-One Audio Production From Recording to Mastering: The Model 12’s seamless integrated workflow facilitates less focus on the technical and more on the creative part. The built-in multi-track recorder allows one-button recording and playback. And the comfortable, familiar feel of the 60-mm faders, one-knob compressor, three-band EQ, and high-quality Tascam effects enable fast and intuitive tweaking of mixes and tones. Pristine Audio Quality: Tascam Ultra-HDDA mic preamps with an Equivalent Input Noise (EIN) of –128 dB ensure low noise and natural, high-grade sound quality. Apart from microphones and line-level sources, all inputs can also be used for direct connection of guitars, basses, and other high-impedance (Hi-Z) sound sources. Compact Size With Plenty of Inputs: The compact Model 12 packs eight XLR microphone inputs (with switchable +48V phantom power), ten TRS line inputs, a 3.5-mm TRRS input (for a smartphone) and a Bluetooth 5.0 input to handle any small-format recording or live production environment. Dual Headphones Outputs for Creative Teamwork: The Model 12 offers two independant headphone busses with output jacks on the top panel to allow monitoring of two discrete mixes from AUX 1/2 and/or the main stereo bus simultaneously for performers and engineers alike. Selectable PFL/AFL modes and solo-in-place (SIP) allow for flexible monitoring of individual channels, eliminating the need to mute each single channel when dialing in the perfect mix. Features at a glance: 10-channel mixer with built-in 12-track recorder and USB audio interface Mixer features: Ten analogue inputs on six mono and two stereo channels: Eight mono mic inputs on XLR connectors with switchable phantom power (48 V),Ultra-HDDA microphone preamps on inputs 1–6.Eight channels can be used with high-impedance instruments like electric guitars/basses.Ten balanced line inputs (six mono, two stereo).Multi-purpose stereo channel for input from mobile devices via Bluetooth or TRRS smartphone connector (CH 9/10).Inserts on input channels 1 and 2.Mix-minus function on smartphone mini-jack input Two Aux outputs (monitor, effects) and two stereo outputs with independent master faders (Main, Sub) Monitoring can be selected between PFL (pre-fader), AFL (after-fader) and SIP (solo-in-place) Dedicated click output with tap tempo feature One-knob compressor for all input channels Three-band equalizer with sweepable mids for all input channels Switchable low-cut filter (100 Hz) on each channel Semi-parametric EQ with sweepable mid band for aux or main outputs Built-in Bluetooth receiver for wireless playback On-board effects processor: 16 effects types,Can be used on all input channels, aux busses, sub and main stereo bus,Can be turned on/off by an optional footswitch (Tascam RC-1F) Compact 60-mm faders 12-segment LED output level meters XLR balanced outputs for main stereo bus TRS balanced outputs for sub and aux outputs Two headphones outputs with separate level controls Recorder features: Tascam multi-track recording engine, uses SD cards as storage media (up to 128 GB) Up to 12 tracks (10 input channels + stereo mix) can be recorded without the need for a computer Recording/playback format: Linear PCM (WAV format, 44.1/48 kHz, 16/24 Bit) Overdubbing, punch in/out recording Multi-track playback for advanced live performance Illuminated Play/Record/Stop buttons for better legibility in poorly lit environments Audio interface features: USB audio interface for use with Windows (ASIO) and Mac (Core Audio) computers Transfer to computer: 12 channels (all 10 inputs + stereo mix) Transfer from computer: 10 channels, assignable to each channel input Audio resolution 44.1/48 kHz, 16/24 bit USB MIDI interface function Simple DAW control support via HUI/MCU protocol emulation Other features: MIDI input and output Support for MIDI timecode (MTC) and MIDI clock output with song position pointer (SPP) Simple and quick menu operation with multi-jog dial Supported Operating Systems Windows: Windows 10 (May 2019 Update 1903) Windows 10 (October 2018 Update 1809) Windows 10 (April 2018 Update 1803) Windows 8.1 Windows 7 Mac: macOS Catalina (10.15) macOS Mojave (10.14) macOS High Sierra (10.13) iOS: iOS 13 / iPadOS iOS 12 iOS 11 Specifications: Recorder Recording media: SD (512 MB – 2 GB),SDHC (4–32 GB),SDXC (64–128 GB),Class 10 or higher required File system: FAT16 (SD), FAT32 (SDHC), exFAT (SDXC) Recording file format: WAV (BWF, maximum file size: 2 GB) Playback formats: WAV (BWF) Sampling frequency: 44.1 kHz, 48 kHz Bit depth: 16 bit, 24 bit Recordable channels: 12 channels max. (10 inputs + stereo mix) Audio inputs and outputs Microphone inputs (CH 1–6, 7/8, 9/10) XLR-3-31, balanced (1: GND, 2: HOT, 3: COLD) Nominal input level: –8 dBu Maximum input level: +10 dBu Minimum input level: –58 dBu Gain adjustable range: 0–50 dB Input impedance: 1.8 kΩ Line inputs (CH 1–10): 6.3-mm TRS phone jack, balanced(Tip: HOT, Ring: COLD, Sleeve: GND) Nominal input level: +4 dBu Maximum input level: +22 dBu Gain adjustable range: –10 dB to +40 dB (CH 1–6),–20 dB to +30 dB (CH 7/8, 9/10) Input impedance: 22 kΩ Instrument inputs (CH 1–6, 7, 9): 6.3-mm TS phone jack, unbalanced,(Tip: HOT, Ring: GND, Sleeve: GND) Nominal input level: –4.2 dBV Maximum input level: +13.8 dBV Gain adjustable range: –10 dB to +40 dB (CH 1–6),–20 dB to +30 dB (CH 7, 9) Input impedance: 1 MΩ Inserts (CH 1–2): 6.3-mm TRS phone jack,(Tip: SEND, Ring: RETURN, Sleeve: GND) Nominal input level: 0 dBu Maximum input level: +18 dBu Input impedance: 5 kΩ Nominal output level: 0 dBu Maximum output level: +18 dBu Output impedance: 100 Ω Music/Talk input (CH 9/10): 3.5-mm TRRS mini jack, unbalanced Maximum input level: +8 dBV Nominal input level: –10 dBV Input impedance: 10 kΩ Main output: XLR-3-32, balanced,(1: GND, 2: HOT, 3:COLD) Nominal output level: +4 dBu Maximum output level: +22 dBu Output impedance 200 Ω Sub output, Aux output: 6.3-mm TRS, balanced,(Tip: HOT, Ring: COLD, Sleeve: GND) Nominal output level: –2 dBu Maximum output level: +16 dBu Output impedance: 200 Ω Phones output 1/2 6.3-mm stereo phone jack Maximum output power: 45 mW + 45 mW (at 32 Ω) Footswitch connector: 6.3-mm TS phone jack (Tascam genuine footswitch RC-1F recommended) EQ Channel EQ   Low cut 100 Hz, –12 dB/Oct. High (shelving) 10 kHz, ±15 dB Mid (peaking) variable 100 Hz to 8 kHz, ±15 dB (Mono),fixed 600 Hz, ±15 dB (Stereo),Q = 0.5 Low (shelving): 80 Hz, ±15 dB Master EQ   High (shelving): 10 kHz, ±15 dB Mid (peaking) variable: 100 Hz to 8 kHz, ±15 dB, Q = 0.5/5 Audio performance Residual output noise: –103 dBu: (MAIN OUT, MAIN fader at nom.) Equivalent input noise (EIN): –128 dBu: (Mono input channel at 150 Ω, GAIN at max.) Total harmonic distortion (THD+N):  MAIN OUT, 1 kHz, GAIN at min., +2 dBu) Frequency response: 20 Hz to 20 kHz, +0.1/–0.15 dB (MIC IN-> MAIN OUT) Channel crosstalk: –95 dB: (1 kHz, PAN fully counter-clockwise / fully clockwise) Maximum gain 74 dB (MIC to MAIN OUT):50 dB (MIC to INSERT OUT),74 dB (MIC to SUB OUT),75 dB (MIC to AUX 1/2 OUT),24 dB (USB/SD to MAIN OUT)(all EQs flat, PAN fully counter-clockwise / fully clockwise) Phantom Power: DC 48 V Computer system requirements Windows   Compatible computers: Windows-compatible computer with a USB 2.0 (or higher) port CPU type/speed: Dual core, 2 GHz or faster Memory: 2 GB or more Drivers: USB Audio Class 2.0, ASIO 2.0, WDM (MME) Screen resolution: 1280 px × 800 px or more Macintosh   Compatible computers: Apple Mac computer with a USB 2.0 (or higher) port CPU type/speed: Dual core, 2 GHz or faster Memory: 2 GB or more Driver: Core Audio Screen resolution:1280 px × 800 px or more USB audio specifications   Sampling rate: 44.1 kHz, 48 kHz Bit depth: 16 bit, 24 bit Maximum number of audio channels: 12 inputs, 10 outputs Bluetooth®: Version 5.0 Output class Class 2:(approximate transmission distance: 10 m)* The transmission distance is approximate. The transmission distance could vary depending on the surrounding environment and electromagnetic disturbances. Supported profile: A2DP Supported A2DP codecs: SBC, AAC A2DP content protection: SCMS-T Power supply and other specifications Power supply: Tascam AC adapter (included, input voltage AC 100–240 V, 50/60 Hz) Power consumption: 16 W Dimensions (W × D × H, overall): 343 mm × 360 mm × 99 mm Weight: 4.3 kg Permissible operating temperature range: 5–35 °C Included items: AC adapter, Owner’s manual incl. warranty

Four Track Digital Audio Recorder and USB Audio Interface Versatile four-track audio recorder for cinema, music, podcasting and any other application. Easy-to-use compact design with a high-performance feature set and versatile audio I/O, all to produce professional content. Specifications : Recording Media SD card (64MB to 2GB), SDHC card (4GB to 32GB), SDXC card (up to 128GB) File System FAT16/32, exFAT Recording File Format   WAV / BWF   Sampling Frequency 44.1k / 48k / 96k Hz Bit-depth 16 / 24-bit MP3   Sampling Frequency 44.1k / 48k Hz Recording Bit-rate 32k / 64k / 96k / 128k / 192k / 256k / 320k bps Playback Bit-rate 32k to 320k bps, VBR, ID3TAG Ver. 2.4 Number of Channels 4-channel (2 Stereo) Playback speed control 0.5 to 2.0 times (in 0.1 increments) * 44.1k/48kHz only Built-in Microphone Unidirectional, Stereo (switchable between A-B and X-Y positions) EXT MIC/LINE IN   Connector XLR/TRS Combo jack (1: GND, 2: HOT, 3: COLD) Nominal Input Level -19dBV (MIC) / +4dBu (LINE) Maximum Input Level -3dBV (MIC) / +20dBu (LINE) Input Impedance 2.2kΩ (MIC) / 10kΩ (LINE) PHONES/LINE OUT   Connector 1/8" (3.5mm) Stereo Mini jack (Unbalanced) for LINE connection   Nominal Output Level -14dBV (10kΩ load) Maximum Output Level +2dBV (10kΩ load) Output Impedance 12Ω for Headphones connection   Maximum Output Power 20mW + 20mW (32Ω load) USB   Connector USB Micro B-type Format USB2.0 HIGH SPEED Built-in Speaker 0.3W, Mono Low-cut Filter 40 / 80 / 120Hz Chromatic Tuner C1 to B6, A4 = 435Hz to 445Hz (in 1Hz increments) Effector 6 presets (Hall 1, Hall 2, Room, Studio, Plate 1, Plate 2) Tripod attachment screw-hole 1/4" Tripod attachment screw-hole Power 3 AA Batteries, USB bus power, AC 100 to 240V (optional AC Adapter) Power Consumption 2.5 W (Max) Battery Operation Time(Recording)   Alkaline (EVOLTA) approx. 18 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) Ni-MH (eneloop) approx. 16 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) Dimensions (W×H×D) 2.75" × 6.1" × 1.37" / 70 × 155 × 35 mm Weight 8.3 oz. / 213 g   Audio Performance Frequency Response   Fs 44.1kHz 20Hz to 20kHz, +1/-3dB (EXT IN to LINE OUT, JEITA) Fs 48kHz 20Hz to 22kHz, +1/-3dB (EXT IN to LINE OUT, JEITA) Fs 96kHz 20Hz to 40kHz, +1/-3dB (EXT IN to LINE OUT, JEITA) Total Harmonic Distortion 0.05% or less (Fs 44.1k/48k/96kHz, EXT IN to LINE OUT, JEITA) Signal-to-Noise Ratio 92 dB or higher (Fs 44.1k/48k/96kHz, EXT IN to LINE OUT, JEITA)   Computer Requirements Windows Computer Windows PC with USB2.0 or USB3.0 port CPU Dual Core, 2GHz or faster (x86) Memory 2GB or more Macintosh CPU Power PC, iMac, G3, G4, G5 266MHz or faster Memory 64MB or more USB USB2.0 recommended

Stereo Handheld Digital Audio Recorder and USB Audio Interface The new standard in stereo hand held recorders Easy and compact audio recorder with great sound quality. Multiple fail-safe function and switchable microphone configuration make music recording more fun and brilliant. Specifications : Recording Media microSD card (64MB to 3GB), microSDHC card (4GB to 32GB), microSDXC card (up to 128GB) File System FAT16/32, exFAT Recording File Format   WAV / BWF   Sampling Frequency 44.1k / 48k / 96k Hz Bit-depth 16 / 24-bit MP3   Sampling Frequency 44.1k / 48k Hz Bit-rate for recording 32k / 64k / 96k / 128k / 192k / 256k / 320k bps Playback Bit-rate 32k to 320k bps, VBR, ID3TAG Ver. 2.4 Number of Channels 2-channel (Stereo) / 1-channel (Mono) Playback speed control 0.5 to 2.0 times (in 0.1 increments) * 44.1k/48kHz only Built-in Microphone Unidirectional, Stereo (switchable between A-B and X-Y positions) MIC/EXT IN   Connector 1/8" (3.5mm) Stereo Mini jack (Unbalanced, Plug-in Power) Nominal Input Level -20dBV Maximum Input Level -4dBV Input Impedance 18kΩ or more (PLUG IN PWR: OFF)2kΩ or more (PLUG IN PWR: ON) PHONES/LINE OUT   Connector 1/8" (3.5mm) Stereo Mini jack (Unbalanced) for LINE connection   Nominal Output Level -14dBV (10kΩ load) Maximum Output Level +2dBV (10kΩ load) Output Impedance 12Ω for Headphones connection   Maximum Output Power 20mW + 20mW (32Ω load) USB   Connector USB Micro B-type Format USB2.0 HIGH-SPEED Built-in Speaker 0.3W, Mono Low-cut Filter 40 / 80 / 120Hz Chromatic Tuner C1 to B6, A4 = 435Hz to 445Hz (in 1Hz increments) Effector 6 presets (Hall 1, Hall 2, Room, Studio, Plate 1, Plate 2) Tripod attachment screw-hole 1/4" Tripod attachment screw-hole Power 2 AA Batteries, USB bus power, AC 100 to 240V (optional AC Adapter) Power Consumption 1.7 W (Max) Battery Operation Time(Recording)   Alkaline (EVOLTA) approx. 17.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) Ni-MH (eneloop) approx. 15.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) Dimensions (W×H×D) 68 × 158 × 26 mm Weight 127 g   Audio Performance Frequency Response   Fs 44.1kHz 20Hz to 20kHz, +1/-3dB (EXT IN to LINE OUT, JEITA) Fs 48kHz 20Hz to 22kHz, +1/-3dB (EXT IN to LINE OUT, JEITA) Fs 96kHz 20Hz to 40kHz, +1/-3dB (EXT IN to LINE OUT, JEITA) Total Harmonic Distortion 0.05% or less (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) Signal-to-Noise Ratio 92 dB or higher (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA)   Computer Requirements Windows Computer Windows PC with USB2.0 or USB3.0 port CPU Dual Core, 2GHz or faster (x86) Memory 2GB or more Macintosh CPU Power PC, iMac, G3, G4, G5 266MHz or faster Memory 64MB or more USB USB2.0 recommended

The new standard in stereo hand held recorders The DR-05X is the new standard in stereo hand held recorders with its high value, powerful features, simple interface and excellent sound quality, It is first choice for recording meetings, music, audio-for-video, dictation, and more. Specifications: Recording Media microSD card (64MB to 3GB), microSDHC card (4GB to 32GB), microSDXC card (up to 128GB) File System FAT16/32, exFAT Recording File Format   WAV / BWF   Sampling Frequency 44.1k / 48k / 96k Hz Bit-depth 16 / 24-bit MP3   Sampling Frequency 44.1k / 48k Hz Recording Bit-rate 32k / 64k / 96k / 128k / 192k / 256k / 320k bps Playback Bit-rate 32k to 320k bps, VBR, ID3TAG Ver. 2.4 Number of Channels 2-channel (Stereo) / 1-channel (Mono) Playback speed control 0.5 to 2.0 times (in 0.1 increments) * 44.1k/48kHz only Built-in Microphone Omnidirectional, Stereo MIC/EXT IN   Connector 1/8" (3.5mm) Stereo Mini jack (Unbalanced, Plug-in Power) Nominal Input Level -20dBV Maximum Input Level -4dBV Input Impedance 18kΩ or more (PLUG IN PWR: OFF)2kΩ or more (PLUG IN PWR: ON) PHONES/LINE OUT   Connector 1/8" (3.5mm) Stereo Mini jack (Unbalanced) for LINE connection   Nominal Output Level -14dBV (10kΩ load) Maximum Output Level +2dBV (10kΩ load) Output Impedance 12Ω for Headphones connection   Maximum Output Power 20mW + 20mW (32Ω load) USB   Connector USB Micro B-type Format USB2.0 HIGH SPEED Built-in Speaker 0.3W, Mono Low-cut Filter 40 / 80 / 120Hz Chromatic Tuner C1 to B6, A4 = 435Hz to 445Hz (in 1Hz increments) Effector 6 presets (Hall 1, Hall 2, Room, Studio, Plate 1, Plate 2) Tripod attachment screw-hole 1/4" Tripod attachment screw-hole Power 2 AA Batteries, USB bus power, AC 100 to 240V (optional AC Adapter) Power Consumption 1.7 W (Max) Battery Operation Time (Recording)   Alkaline (EVOLTA) approx. 17.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) Ni-MH (eneloop) approx. 15.5 hours (2ch WAV, 44.1kHz, 16-bit, using Built-in Microphone, JEITA) Dimensions (W×H×D) 2.4" × 5.55" × 1.02" / 61 × 141 × 26 mm Weight 4.1 oz. / 116 g   Audio Performance Frequency Response   Fs 44.1kHz 20Hz to 20kHz, +1/-3dB (EXT IN to LINE OUT, JEITA) Fs 48kHz 20Hz to 22kHz, +1/-3dB (EXT IN to LINE OUT, JEITA) Fs 96kHz 20Hz to 40kHz, +1/-3dB (EXT IN to LINE OUT, JEITA) Total Harmonic Distortion 0.05% or less (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA) Signal-to-Noise Ratio 92 dB or higher (Fs 44.1k/48k/96kHz, EXT I Not LINE OUT, JEITA)   Computer Requirements Windows Computer Windows PC with USB2.0 or USB3.0 port CPU Dual Core, 2GHz or faster (x86) Memory 2GB or more Macintosh CPU Power PC, iMac, G3, G4, G5 266MHz or faster Memory 64MB or more USB USB2.0 recommended

TASCAM has continuously been providing industry-leading recording solutions for decades, such as the TASCAM 38 Open Reel 8-track, the DA-88 Digital 8-track and the legendary Portastudio Cassette and Digital Multitrack recorders. TASCAM now builds on this legacy to deliver a new classic: the Model 24 Multitrack Recorder/Mixer/Interface.Whether used for rehearsal, live shows or studio production, this triple-function recording console perfectly meets the needs of today’s working and recording musicianFeatures:All-in-One, Multitrack Recorder with 22 channel Mixer and USB Audio InterfaceWAV 48kHz/24-bit, 24 channel multitrack recording to SD, SDHC and SDXC cardsBuilt-in USB Audio Interface to send/receive audio data to/from DAW22 Inputs (20 Balanced, 12 Monaural, and 4 Stereo)16 TASCAM Microphone PreampsInput Mode switch on every input channelTASCAM Ultra-HDDA Mic Pre-amp (Channels 1 to 12)Preamp Gain Controller with Overload indicator (Channels 1 to 12)7-band Graphic EQ16 Pre-set Effects100mm Long-throw Faders for precise adjustmentMute, Main/Sub, PLF switches on every input channelBluetooth® input supporting both AAC and SBC codecsSUB Outputs via XLR Balanced and RCA Unbalanced connectorsLINE Inputs via RCA Pin and ⅛" Stereo Mini jacks3 AUX Outputs (Monitor 1, Monitor 2, FX)1 Stereo Output for Control RoomPhantom Power (+48V)¼" Stereo Headphone OutputBacklit buttons for key operations such as REC and PlayMulti Jog-dial for quick menu operation12-segment LED Output Level Meters24 input channels, each with:XLR mic and ¼” line inputsHigh-headroom Class A XMAX™ mic preamplifiersAnalog ¼' inserts (rear panel)Trim control with –20 to +20 dBV line / -15 to +65 dBu mic gain range (80 dB!)+48V phantom power switch for condenser microphonesDigital Audio Input Select100 mm precision fadersPhase reverse, highpass filter, noise gate/expander, compressor, 4-band EQ, limiter—all with A/B and Quick Null40 in x 26 outFireWire s800 direct digital recording interface (24-bit/44.1 kHz and 48 kHz)Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and more20 dedicated mix buses for easy configuration14/10/6 aux buses with analog outputs4 internal FX buses4 subgroups with analog outputs4 subgroup buses, each with14 aux buses, each withStereo main bus with analog outputsBalanced TRS outputSoloMutePre1/Pre2/post-fader sendOutput-level controlHighpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null 31-band graphic EQ with A/B and Quick NullAvailable sources: 32/24/16 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC,Access to Fat Channel functionsInput/Output32/24/16 main inputs, each with XLR mic, ¼' line, and ¼' inserts2 ¼' balanced stereo (L/R) aux inputs1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level controlUnbalanced RCA stereo (L/R) tape inputs and outputsXLR stereo (L/R) main outputs with level control¼' balanced stereo (L/R) main outputsXLR mono output with level control¼' balanced stereo (L/R) control-room outputs¼' headphone output4 ¼' balanced subgroup outputs14/10/6 ¼' balanced aux outputs32/24/16 pre-insert, balanced direct outputs, Ch. 1-8, 9-16 (17-24, 25-32) on DB25 socketsDedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communicationsInstalled Option Card with:S/PDIF digital out2 FireWire S800 portsOptional I/O cardsThunderboltDanteAVBIntegrated softwareVirtual StudioLive-AI bidirectional control/editor/librarian with Smaart Measurement Technology™Studio One®Artist Digital Audio Workstation software for Mac®and Windows®Capture™ multitrack recording software for Mac and WindowsStudioLive Remote-AI mixer-control software for iPad®available free from Apple App StoreQMix™-AI aux-control software for iPhone®and iPod touch®available free from Apple App Store- See more at: http://www.nakas.gr/ecomnakas/nakas2006/default.asp?static=421&product=135894#sthash.hGeEmCj2.dpuf 

TM-AR1 is an acoustic control filter that helps you to achieve a dry sound from your microphone for recording. It absorbs sound that would normally reflect in your room and come back to your mic while also preventing ambient noise from reaching the microphone’s rear and sides. The result is a much dryer and clearer sound that can be processed more easily.Tascam TM-AR1Setting up the TM-AR1 is simple. You can attach it to your floor microphone stand using two robust screws. Two adjustable mic holder bars with different length are included to hold your shock mount or clip with any microphone. The distance between holder bar and rear panel is adjustable. Or you can use the arm of your boom stand for holding the mic if you need more flexibility. Foldable wings are space-savers when the control filter is not in use and allow adjustments according to your environment. Specifications:Acoustic control filter that helps to obtain a dryer sound for recordingPrevents acoustic reflections by sound absorbing materialFoldable design saves space and allow adjustments according to your environmentCan be mounted to a stand in two waysTwo support bars with different lengthsAdjustable mic positionMounting screw thread diameter: 5/8-inch (15,875 mm)5/8-inch to 3/8-inch screw adapter includedDimensions (W × H × D): 400 mm × 320 mm × 260 mmWeight: 3 kg

Capture audio during interviews, press conferences and meetings with this compact PCM recorder. Simply attach the DR-10X to a dynamic or battery-powered condenser microphone with XLR output.TASCAM’s compact DR-10X attaches to a handheld microphone for the ultimate compact news gathering recording system. A captive XLR connector attaches firmly to your microphone, capturing interviews at 48kHz/24-bit Broadcast WAV resolution. Offload recordings through the microUSB connection or by removing the microSD card.The DR-10X has both manual and automatic gain settings, with a low cut filter and limiter to prevent overloads. The Dual Recording mode captures a copy of the audio at a lower level, so if there is distortion you have a backup safety. Recording can begin instantly by holding the record side switch while turning the unit on.Features:XLR plug-on connectionCompatible with dynamic mics as well as bettery-powered condenser mics48kHz/24-bit linear PCM mono recordingWAV files (compatible with BWF format)Media: microSD/SDHC cards (supports 32GB capacities)Sliding record switch and hold function to prevent misoperation during recordingDual recording functionautomatic file closing function to prevent the loss of already recorded dataXLR connector also can use as external input for external inputHigh/Mid/Low recording level settingsLow-cut filterLimiterAutomatic level functionWith a built-in clock function, supports BWF files that can have time information added, which is convenient for editing and searchingTime track incrementing function can create new files at regular intervals (every 15 minutes) during recordingPlayback function allows recorded data to be checked immediatelyHeadphone outputSpecifications:Recording media: microSD card(64MB to 2GB), microSDHC card(4GB to 32GB)Media discharging: Push-Push type (Guard cover mounted)Sampling frequency: 48kHzQuantization bit rate: 24bitNumber of channels: 1-channel (Mono)Connector: XLR-3-31Input Impedance: 10k ohm or moreMIC input gain: LOW / MID / HIGHConnector: 3.5mm(1/8") stereo mini jack (DUAL MONO)Connector: Micro-B type 4pinMaximum Output: USB2.0 HIGH SPEED mass storage classPower: 1 AAA batteries (Alkaline or NiMH), Alkaline batteries (EVOLTA): About 10 hoursBattery (RTC): Lithium × 1(built in with soldering)Dimensions: 52(W) × 94.4(H) × 28(D) mmWeight: 68.3g (including batteries) / 56.3g (without batteries)

Connect your Sennheiser lavalier microphone while providing an analog output to connect to a wireless transmitter, the DR-10CS Micro Linear PCM Recorder from Tascam is capable of tracking in up to 24-bit, 48 kHz resolution to SD or microSD cards up to 32 GB.Either as a primary recording device or as a back up to protect against wireless drop outs, recording your material before wireless transmission. Additionally, it can record a safety track at a lower volume simultaneously to prevent against distortion. The DR-10CS can be powered by a single AAA battery (not included) for up to 10 hours.Features:.Micro Linear PCM Recorder for Wireless Beltpacks48 kHz/24-bit mono digital recordingUses standard microSD/microSDHC card media (up to 32 GB)Dual Recording feature captures a safety track in case of distortionHold function prevents accidentally switching off the recorder (All keys cannot operate during recording)Limiter and low-cut filter on inputAuto gain controlRecords BWF file timestamped with time of day clockTime Track increment function writes new track after a preset amount of time.(There is on/off setting, but the time is 15 minutes fixed when turn it on)OEL display for easy visibility in any light conditionMore than 8 hours recording on a single AAA batterySettings can be created with text file on PC and transferred to DR-10C via USB connectionInfrared data communication for transferring setting information among mulitple DR-10C

The Tascam AK-DR10CH adapter connects to your DR-10C Series Recorder and allows you to plug your Shure microphones in through their own TA4 connectors. This is the perfect accessory to save you re-terminating your existing mics for your new equipment.Features:.Micro linear PCM recorder for lavalier microphonesCan be connected between a lavalier microphone and a wireless transmitter to provide a backup recordingMono BWF recording at 48 kHz sample rate and 24-bit resolutionRecords to microSD/microSDHC card (up to 32 GB)Dual recording function allows two files to be recorded simultaneously at different levels to provide a safety track in case of distortionHold function prevents accidentally switching off the recorderSwitchable limiter to prevent clippingSwitchable low-cut filter conveniently reduces low-frequency noiseAuto gain controlTime Track increment function writes new track after a preset amount of time (switchable on/off)Playback function for checking recordings via headphones

When filming outdoors, even slight breezes can cause mics to pick up wind noise. In order to physically prevent this noise, this package includes a fuzzy windscreen that fits the form of the DR-70D or DR-701D.Specifications:Furry WindscreenDimensions: 165(W)×45(H)×33(D)mmWeight    15.3g / 0.5 ozShoe Mount adapterScrew    1/4inchDimensions: Φ25.0×30(H)mm    Weight    21.4g / 0.75 oz3.5mm(1/8")stereo mini cableConnector: 3.5mm(1/8")stereo mini plugCable length: 300mmWeight: 10.2g / 0.35 oz 

TASCAM’s TM-80 is a condenser microphone designed and priced for home recording. The condenser mic features an 18mm aluminum diaphragm with a cardioid pickup pattern that sounds great on anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality. Included with the TM-80 are a tabletop stand, six-foot XLR cable, and a elastic shockmount to reduce rumble and noise during recording. Priced less than many dynamic microphones, the TM-80 is a must-have for any size studio. Features:Microphone capsule assembly features an 18mm pure aluminum diaphragmCardioid polar patternFrequency response: 20Hz to 20kHzSensitivity : -38dB +/-2dB (0dB=1V/Pa at 1kHz)Phantom power requirement: 9 - 48V DCOutput impedance : 200ohm +/-30% (at 1kHz)Load impedance : >1k ohmMax SPL : 136dB (at 1kHz=1% THD)S/N ratio : 77dBHousing : Die cast zincDimensions (W×H×D): 48mm×165mm×48mm / 1.9 inch×6.5 inch×1.9 inchIncludes : shockmount, mini desk stand, mic cable (1.8m XLRM – XLRF)

The DP-03SD is an affordable way to get into TASCAM's famed Portastudio system of making recording simple and affordable for musicians. The 8-track digital recorder captures your music at CD quality to affordable SD/SDHC cards, and a 2GB card is included with the recorder. With built-in microphones, effects, and mastering, the DP-03SD provides everything musicians need to record and share their music.A pair of stereo condenser microphones is built into the front panel of the DP-03, helpful for capturing a rehearsal, live performance or songwriting ideas. Also included are a pair of high-quality XLR microphone preamps with phantom power for condenser microphones. 1/4” line inputs are also available, and an instrument-level switch allows you to record a guitar or bass without a direct box.Routing the inputs to one of the eight tracks is simple, and you can record two at a time until you fill up all eight. A tuner and metronome are built-in for tight-sounding tracks, each with its own dedicated button for quick access. Track can be edited with commands like copy/paste, silence, clone track and undo. Bouncing is also available, even bouncing all eight tracks down to one or two. There’s even the option to import a WAV file through USB.Each track has its own send to a stereo reverb processor as well as two-band shelving EQ. Once you’ve perfected your mix with the 45mm faders, pan knobs, reverb and EQ, record it to the dedicated stereo master track. Your mix can be processed with mastering effects like EQ and limiting for a tight, modern sound. When you’re satisfied, transfer your mix to a computer over USB 2.0.Specifications:8-track Digital Portastudio Records to SD/SDHC Card mediaImport WAV files from USBBuilt-in stereo condenser microphoneTwo XLR microphone inputs with phantom power1/4" stereo line inputsSwitchable instrument-level input for guitar/bass direct recordingMulti-band mastering effects2-band EQ per trackInternal reverb processor with dedicated send per trackChromatic Tuner and MetronomeTrack editing, autopunch and bounce featuresOptional RC-3F footswitch offers three switches for punch-in and transport operationCompact and lightweightDimensions: 11.4" W x 2.1" H x 8.2" DWeight: 4lbs

Tascam RC-10, Wireless/wired remote control for Tascam DR-40 and other Tascam portable audio recorders, 6 buttons for transport control and setting marks while recording, 4 function buttons to control product-specific features (see Owner’s manual of the related product), 3 m cable included (2,5mm jack), Dimensions (L x W x D): 86 mm x 33 mm x 7 mm (wired, excluding projections), 110 mm x 37 mm x 14 mm (wireless, excluding projections), Weight: 15 g (without battery) . 

Tascam iXJ2, for iOS Devices with 30-pin Dock Connector, Preamp Mic/Line for IOs-Units, AD/DA Converter 44.1 kHz/16-Bit.Inputs: 1/8" Mini-Jack Stereo (unbalanced), Input select switch (A/B/STereo), Selectable mono summing, build-in Limiter, Input Gain adjustable for left and right Channel.Separate input level indicators, Nominaler Input Level: -66 dBV up to -10 dBV, max. Input Level: +6 dBV, Frequency Range: 20 Hz - 20 kHz, Power Supply via Dock-Connector, compatible with iPhone 4S, iPhone 4, iPad (3. Generation), iPad 2, iPad (1. Generation), iPod touch (4. Generation).Ffree 2-Track Recording App as Download on Apple AppStore available. Dimensions: 60 x 47 x 17 mm (WxHxD).Weight: 30g.

High-quality mic/instrument preamp for Apple iPhone, iPad and iPod, for recording, guitar/bass/vocal training or karaoke, Balanced/unbalanced combo input connector (XLR/TS), Switchable phantom power for condenser microphones, Level control on mic input, Headphone output, Connection with Apple device via 4-pin mini plug (analogue), No battery required when used as instrument preamp, Two AA batteries required for mic preamp and phantom power, Tascam 2-track recording app can be downloaded from AppStore at no charge, dimensions: 106 x 40 x 45 mm, weight: 87 gr. - compatible with: iPhone3, iPhone3GS, iPhone4, iPod Touch 1G,2G,3G, iPad1G and 2G

Χρωματικό κουρδιστήρι υψηλής ακρίβειας. Χρησιμοποιεί ηλιακές κυψέλες για να φορτίζει τη μπαταρία (φορτίζει και σε φωτισμό δωματίου). Έχει ιδιαίτερα ανθεκτικό περίβλημα από σιλικόνη και διαθέτει ειδικό ''κλίπ'' για εύκολη μεταφορά. Το TC-1S, διαθέτει ενσωματωμένο μικρόφωνο καθώς και είσοδο για ηλεκτρική κιθάρα / μπάσο, καθώς και επίσης σύνδεση USB, για να φορτίζει τη μπαταρία, όταν δεν υπάρχει φώς.Τεχνικά χαρακτηριστικά του TC-1S Κούρδισμα έως 12 νότες Εύρος αναγνώρισης A0-C8 (27.5 - 4186.010006 Hz) Εύρος κουρδίσματος 437-446 Hz, με βαθμίδες του 1Hz Ακρίβεια αναγνώρισης 1 εκατοστό (A = 440 Hz) Γενικά χαρακτηριστικά του TC-1S  Ενσωματωμένο μικρόφωνο, mono, παντοκατευθυντικό 6.3mm μονοφωνική είσοδος με υποδοχή για όργανο ή μικρόφωνο. Επαναφορτιζόμενη μπαταρία μαγγανίου - λιθίου η οποία φορτίζεται είτε μέσω του ενσωματωμένου ηλιακού panel, είτε μέσω USB σύνδεσης Υποδοχή USB τύπου Mini-B (μόνο για φόρτιση της μπαταρίας) Διάρκεια χρήσης της μπαταρίας : περίπου 6 ώρες (η ακριβής διάρκεια εξαρτάται από τις συνθήκες χρήσης) Εξωτερικές διαστάσεις : 96mm Χ 18mm X 40mm (εξαιρώντας την προστατευτική σιλικόνη) Βάρος : 51 γραμμάρια Θερμοκρασίες χρήσης : από 5 έως 35 βαθμούς C. Ενσωματωμένα αξεσουάρ : οδηγίες χρήσης, λουράκι με "κλιπ"

TASCAM's HS-8 is the first solution for professional multi-track recording and playback to solid-state media. From studio surround recording to post production playback of HS-P82 location recordings, the HS-8 fits a variety of multitrack roles first pioneered by TASCAM's DA-88 recorders. Also true to TASCAM tradition, audio is top-quality throughout with up to 192kHz/24-bit recording. Like the HS-P82, the HS-8 uses a color touch-screen interface to access settings and tracks. A mixer is built in for monitoring, and the stereo mix can be recorded live as a separate track. Audio is recorded as Broadcast WAV files to Compact Flash media, with SMPTE timecode available on various interfaces. A pair of CF card slots is available for data mirroring or continuous recording. The RC-HS20PD remote control allows operation from a separate room over RJ-45 connection. TASCAM's HS-8 is the perfect DTRS successor, with the instant access, ease-of-use and sound quality studio and post professionals demand. Features:  8-channel solid-state audio recorder  Records to Compact Flash media  8-channel 96kHz/24-bit Broadcast WAV file recording  4-channel recording at 192kHz/24-bit resolution  8-channel recording plus stereo mix track at 44.1/48k resolution Internal stereo mixer (level/pan) * BWF file format with iXML metadata  Multi-channel flash start Dual CF card slots for mirroring or continuous recording Color TFT touch panel interface 5-second pre-record buffer Cascade function for multiple unit operation Physical specifications: (8) balanced analog inputs on 25-pin D-sub connector  (8) balanced analog outputs on 25-pin D-sub connector XLR stereo analog input and output for channels 1 and 2  (8) AES/EBU digital I/O on 25-pin D-sub connector * XLR stereo AES/EBU I/O for channels 1 and 2  8-channel ADAT optical digital in and out  Video/word clock BNC input  Word clock BNC out/thru  SMPTE timecode BNC in/out  PS/2 keyboard input RS-422/RS-232C serial control input  Parallel control port RJ-45 LAN control (10/100/1000) on locking connector  RC-HS20PD Remote input  USB 2.0 host connector for transfer to flash memory drive  1/4" stereo headphone output