USB Audio DAC

The precise design and innovative technologies of HiFi ROSE, all concentrated on our product RD160, will guide you into a world of purer and more genuine sound. The RD160 offers a digital processing core module that precisely processes digital signals, an architecture to separate digital and analog signals and convert them transparently and precisely without distortion, a fully balanced design to maintain the highest signal purity, three power supply units to independently supply power to each circuit for clearer and more dynamic sound, and even a noise filter to vividly convey the finest details of the sound. ROSE DPC(Digital Processing Core)™ ModuleThe digital stage of the RD160 is equipped with the ROSE DPC™ module, where all processing blocks are designed to maintain optimal signal accuracy and precision, ensuring the delivery of high-fidelity sound.This module precisely synchronizes digital signals input from various methods to a high-precision OCXO clock, aligning them as I2S signals. Especially when processing high-resolution audio signals, the module applies clock synchronization and locking processes to minimize jitter, resulting in accurate signal processing and natural, clean sound. Additionally, the circuit for the user interface and GUI configuration is completely isolated from the digital audio signal path, thoroughly eliminating signal distortion and interference. Through this design, the RD160 guarantees superior digital signal quality and ensures high-quality sound with compatibilityacross various digital formats.Three Customized Reference Linear Power UnitsThe reference linear power supplies in the RD160, developed in-house by ROSE, are engineered to achieve the highest sound quality using ULTRA LOW NOISE power chipsets. These power supplies independently feed the digital input stage and the left and right analog output stages, minimizing crosstalk and interference between sections. This design effectively suppresses noise across the digital processing, clock, and analog output circuits, ensuring signal integrity.By delivering stable power tailored to the specific needs of each stage, it enhances the DAC’s dynamic range and resolution, faithfully conveying even the most subtle details of the music. Additionally, the reduction of jitter maximizes the spatial characteristics of the soundstage, resulting in a wider and more precise soundstage with sharp imaging. Through this power supply design, the RD160 elevates audio clarity and dynamics, offering a deeply immersive listening experience.

The precise design and innovative technologies of HiFi ROSE, all concentrated on our product RD160, will guide you into a world of purer and more genuine sound. The RD160 offers a digital processing core module that precisely processes digital signals, an architecture to separate digital and analog signals and convert them transparently and precisely without distortion, a fully balanced design to maintain the highest signal purity, three power supply units to independently supply power to each circuit for clearer and more dynamic sound, and even a noise filter to vividly convey the finest details of the sound. ROSE DPC(Digital Processing Core)™ ModuleThe digital stage of the RD160 is equipped with the ROSE DPC™ module, where all processing blocks are designed to maintain optimal signal accuracy and precision, ensuring the delivery of high-fidelity sound.This module precisely synchronizes digital signals input from various methods to a high-precision OCXO clock, aligning them as I2S signals. Especially when processing high-resolution audio signals, the module applies clock synchronization and locking processes to minimize jitter, resulting in accurate signal processing and natural, clean sound. Additionally, the circuit for the user interface and GUI configuration is completely isolated from the digital audio signal path, thoroughly eliminating signal distortion and interference. Through this design, the RD160 guarantees superior digital signal quality and ensures high-quality sound with compatibilityacross various digital formats.Three Customized Reference Linear Power UnitsThe reference linear power supplies in the RD160, developed in-house by ROSE, are engineered to achieve the highest sound quality using ULTRA LOW NOISE power chipsets. These power supplies independently feed the digital input stage and the left and right analog output stages, minimizing crosstalk and interference between sections. This design effectively suppresses noise across the digital processing, clock, and analog output circuits, ensuring signal integrity.By delivering stable power tailored to the specific needs of each stage, it enhances the DAC’s dynamic range and resolution, faithfully conveying even the most subtle details of the music. Additionally, the reduction of jitter maximizes the spatial characteristics of the soundstage, resulting in a wider and more precise soundstage with sharp imaging. Through this power supply design, the RD160 elevates audio clarity and dynamics, offering a deeply immersive listening experience.

Fresh New Look. Unleash Every Music Detail.The ZEN DAC 3 serves as your gateway to the world of high-resolution music, offering support for sample rates of up to 768kHz. This future-proof feature ensures full compatibility with all music formats available on streaming platforms, bringing you the best in sound quality.Equipped with a built-in headphone amplifier and the versatility to function both as a DAC and a DAC/Pre, this all-encompassing device is the only piece of equipment you’ll need on your desk. It seamlessly connects to headphones, preamplifiers, integrated amplifiers, or active speakers, offering a comprehensive audio solution for home and office.Refined to Perfection.The acclaimed ZEN DAC series has garnered numerous awards, including being named WHAT Hi-Fi?’s Best DAC under £200 for four consecutive years.The ZEN DAC 3 continues its legendary status by doubling its high-resolution support up to 768kHz, DSD512, and MQA decoding capabilities.The USB-C connectivity streamlines cable management and provides USB input overvoltage protection, safeguarding it against potential harm. Moreover, a significant reduction in DC offset minimises audio clicks when adjusting settings. These improvements propel the ZEN DAC 3 to new heights of audio excellence.Powering Your HeadphonesThe ZEN DAC 3 goes beyond being just a USB DAC, boasting a built-in headphone amplifier equipped with both balanced 4.4mm and SE 6.3mm headphone outputs.With its high-performance 390mW headphone output power, you can use it with a broad range of headphones.XBass+ is a switchable pure analogue signal processing mode designed to enhance the bass without compromising the clarity of the mid-range. It is perfect for use with IEMs or open-back headphones, which may lack bass response.The amplifier stage includes a switchable gain feature called PowerMatch, which provides a gain boost for more demanding headphones.If you have headphones that demand even more power, you can connect the ZEN DAC 3 to the ZEN CAN headphone amplifier using a 4.4mm to 4.4mm balanced cable, stacking them up as a ZEN system.DACtivate your speakers and amplifier.The ZEN DAC 3 features a Variable or Fixed output switch.In Variable mode, adjust volume using the knob when connecting directly to active speakers via our 4.4mm to XLR cable or RCA cables.Use Fixed mode for connecting line outputs to a receiver or main amplifier.The ZEN DAC 3 is the most versatile USB DAC in its class, offering multiple usage options.USB-C Powered, Upgradeable Performance.The ZEN DAC 3, powered by USB-C, simplifying cable management. However, for audiophiles seeking to elevate their system, the 5V power input offers an upgrade path.When an external power supply is connected, the USB-C port will only transmit data, ensuring a purer signal.The iFi iPower2 is an ultra-quiet, ultra-clean audiophile-grade power supply, featuring Active Noise Cancellation II technology to cancel out all incoming EMI and RFI noise, you’ll never feel powerless against noise and graininess again.It is more than 10 times quieter than most audiophile power supplies.

The Tangent DAC II is a versatile high-end hifi DAC featuring a Sabre ES9023 24-bit Stereo Audio DAC. It offers multiple digital inputs including coaxial, optical digital, and USB, as well as AptX Bluetooth technology for high-quality wireless streaming. Ideal as a preamplifier, it can also function as a headphone amplifier. Perfect for music enthusiasts seeking exceptional sound quality.Introducing the new Tangent DAC II, a high-quality hifi DAC with a premium Sabre ES9023 24-bit Stereo Audio DAC. This versatile product is the perfect solution for anyone who has a traditional amplifier but now needs a preamplifier with several digital inputs, including coaxial, optical digital, and USB.Featuring the latest AptX Bluetooth technology, the Tangent DAC II allows you to stream music from your phone or other compatible high-quality audio devices. Additionally, for those who prefer a more intimate listening experience, the DAC II can also be used as a dedicated headphone amplifier.In addition to its impressive digital capabilities, the Tangent DAC II also features both RCA and XLR balanced outputs, making it a great partner to Tangent's PowerAmpster II or other power amplifiers. As part of Tangent's popular compact electronics series, the DAC II is built to last with a proven sturdy, high-quality construction and a built-in power supply like the rest of the series.The Tangent DAC II is also designed with convenience in mind. It features an intuitive, easy-to-use interface and a compact, sleek design that won't take up too much space in your home or office. Whether you're a music enthusiast or just looking to upgrade your current audio setup, the Tangent DAC II is a great choice for anyone who demands the best in sound quality.

The new M-DAC+ is a high-performance, multi-purpose DAC (Digital-to-Analogue Converter) for home use, designed to be placed on a desk or table or integrated into a hi-fi system. It contains a high-quality digital preamplifier and Class A output stage for connection to an amplifier or power amplifier and speakers (output can be specified for those who wish to use an existing preamplifier or integrated amplifier, Fixed/Variable). It also has a high-quality headphone output.Redefining the classic DACThe new M-DAC+ builds firmly on audiolab's successful M-DAC, with very carefully targeted improvements in key areas - a sensible move given the steady popularity of the original model over the past four years.The M-DAC has built an unrivaled reputation with both the press and the public since its launch in the autumn of 2011. Winning multiple Product of the Year awards from magazines such as What Hi-Fi?, Hi-Fi Choice and the EISA Awards it has undoubtedly become the The most acclaimed DAC ever made.The Finest DAC CircuitryLike the M-DAC, the M-DAC+ incorporates the ES9018 Saber Reference 32-bit DAC chipset, still widely regarded as the best available.It's surrounded by such excellent and well-defined circuitry that it puts other DACs in the same price range to shame. It is equipped with a discrete master clock made by audiolab to minimize jitter. The JFET Class A output stage ensures that the audio signal, after conversion from the digital to analog domain, is of the highest quality.High Performance with DSDInside it are many improvements for better performance. The M-DAC+ now processes audio data up to 32-bit/384kHz via USB.This is a much higher specification than required by current hi-res music formats, ensuring that this new high-quality addition to the M-DAC family is fully equipped for future developments in ultra-high definition digital audio.The USB input now also accepts DSD files (the digital audio system originally developed for Super Audio CD), offering compatibility with DSD64, DSD128 and DSD256. This is an important addition, as DSD has an important role to play in the growing high-resolution digital capture scene.Adjustable sound for all sources and tastesAs digital audio technology has advanced, the importance of digital reconstruction filters has become more appreciated.Like the classic M-DAC, the M-DAC+ features user-selectable filters for optimal listening performance. These filter settings allow the user to adjust the performance to suit their preferences, depending on the system configuration and the quality of the digital file.The M-DAC+ inherits seven filter settings from the M-DAC for PCM files and adds four more for DSD playback, allowing the user to optimize the noise level to match the performance of the source file and the bandwidth of the associated equipment, such as amplifiers and Speakers.Enhanced audio performanceAnother major change relates to the power supply, which has been upgraded and is now integrated into the frame of the M-DAC+ (hence its slightly taller and deeper housing compared to the classic M-DAC). A precision toroidal transformer uses multiple windings to separately power the analog and digital rectification stages. From there, multiple power supply sections feed the necessary voltages to each area of the DAC, keeping any crossover interference to a minimum.The result is the highest power supply efficiency that audiolab engineers have determined for a DAC, and its contribution to the enhanced sonic performance of the M-DAC+ is significant.

The new M-DAC+ is a high-performance, multi-purpose DAC (Digital-to-Analogue Converter) for home use, designed to be placed on a desk or table or integrated into a hi-fi system. It contains a high-quality digital preamplifier and Class A output stage for connection to an amplifier or power amplifier and speakers (output can be specified for those who wish to use an existing preamplifier or integrated amplifier, Fixed/Variable). It also has a high-quality headphone output.Redefining the classic DACThe new M-DAC+ builds firmly on audiolab's successful M-DAC, with very carefully targeted improvements in key areas - a sensible move given the steady popularity of the original model over the past four years.The M-DAC has built an unrivaled reputation with both the press and the public since its launch in the autumn of 2011. Winning multiple Product of the Year awards from magazines such as What Hi-Fi?, Hi-Fi Choice and the EISA Awards it has undoubtedly become the The most acclaimed DAC ever made.The Finest DAC CircuitryLike the M-DAC, the M-DAC+ incorporates the ES9018 Saber Reference 32-bit DAC chipset, still widely regarded as the best available.It's surrounded by such excellent and well-defined circuitry that it puts other DACs in the same price range to shame. It is equipped with a discrete master clock made by audiolab to minimize jitter. The JFET Class A output stage ensures that the audio signal, after conversion from the digital to analog domain, is of the highest quality.High Performance with DSDInside it are many improvements for better performance. The M-DAC+ now processes audio data up to 32-bit/384kHz via USB.This is a much higher specification than required by current hi-res music formats, ensuring that this new high-quality addition to the M-DAC family is fully equipped for future developments in ultra-high definition digital audio.The USB input now also accepts DSD files (the digital audio system originally developed for Super Audio CD), offering compatibility with DSD64, DSD128 and DSD256. This is an important addition, as DSD has an important role to play in the growing high-resolution digital capture scene.Adjustable sound for all sources and tastesAs digital audio technology has advanced, the importance of digital reconstruction filters has become more appreciated.Like the classic M-DAC, the M-DAC+ features user-selectable filters for optimal listening performance. These filter settings allow the user to adjust the performance to suit their preferences, depending on the system configuration and the quality of the digital file.The M-DAC+ inherits seven filter settings from the M-DAC for PCM files and adds four more for DSD playback, allowing the user to optimize the noise level to match the performance of the source file and the bandwidth of the associated equipment, such as amplifiers and Speakers.Enhanced audio performanceAnother major change relates to the power supply, which has been upgraded and is now integrated into the frame of the M-DAC+ (hence its slightly taller and deeper housing compared to the classic M-DAC). A precision toroidal transformer uses multiple windings to separately power the analog and digital rectification stages. From there, multiple power supply sections feed the necessary voltages to each area of the DAC, keeping any crossover interference to a minimum.The result is the highest power supply efficiency that audiolab engineers have determined for a DAC, and its contribution to the enhanced sonic performance of the M-DAC+ is significant.

Premium DAC with VOLTAiR technologyDiamond is the perfect DAC and preamplifier for everyone who plays music exclusively from digital sources. Diamond offers connectivity for six digital sources and an external word clock. The superior VOLTAiR technology and the premium DAC with the unequalled DLP120 combined with an analog volume control allowing for highest resolution at any volume makes the Diamond an one-of-a-kind DA converter that delivers finest soundstages with an unrivalled analog feel.Everything under controlThe volume is adjusted with a solid, milled aluminum, rotary knob. The Alps RK27 “Big Blue” potentiometer gives a pleasant “spoon in the honey” rotary feel.Source of joyUp to 6 digital stereo sources can be connected to Diamond.Diamond offers each a stereo USB and AES input as well as each two optical and coaxial stereo inputs. Via USB, both PCM audio and DSD audio can be converted. PCM audio is received in S/PDIF format, both coaxial (RCA), optical (Toslink F06) and balanced (AES/EBU). The source selection is done via the selection control on the front. The selected input is also shown in the dot matrix LED display: USB, COA1, COA2, OPT1, OPT2 or AES. After approximately two seconds, the display shows the type of clock source and the detected sampling rate.Always in timeDiamond can not only synchronize to the clock integrated in the digitally fed source signal. As a specialist for digital players Diamond offers a word clock input. The source of the clock signal can be selected via the CLOCK switch.Source = Diamond synchronizes to the digital clock in the source signal.Word = Diamond synchronizes to the digital clock present at WORD IN.Well informedThe DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer, CD player or an external word clock is connected. The detected sampling rate and the selected clock source are shown in the dot matrix LED display. For example, U768 is an acronym for a clock signal in the USB stream with a sampling rate of 768 kHz.All variable – or Slave ThruDiamond provides two stereo output pairs for connecting power amplifiers or active loudspeakers. One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the volume control on the front panel. The volume control for both outputs can be individually switched out of the signal path via DIP switch on the back of the device. For example, a headphone amplifier with its own volume control can be connected to one of the outputs.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Sounds goodWith all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltageThe 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience. By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.VOLTAiR is a composition of the terms Volt and Air. Volt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in. It symbolizes the perceived limitless dynamics resulting from high audio voltage.ComparisonMost audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.

Premium DAC with VOLTAiR technologyDiamond is the perfect DAC and preamplifier for everyone who plays music exclusively from digital sources. Diamond offers connectivity for six digital sources and an external word clock. The superior VOLTAiR technology and the premium DAC with the unequalled DLP120 combined with an analog volume control allowing for highest resolution at any volume makes the Diamond an one-of-a-kind DA converter that delivers finest soundstages with an unrivalled analog feel.Everything under controlThe volume is adjusted with a solid, milled aluminum, rotary knob. The Alps RK27 “Big Blue” potentiometer gives a pleasant “spoon in the honey” rotary feel.Source of joyUp to 6 digital stereo sources can be connected to Diamond.Diamond offers each a stereo USB and AES input as well as each two optical and coaxial stereo inputs. Via USB, both PCM audio and DSD audio can be converted. PCM audio is received in S/PDIF format, both coaxial (RCA), optical (Toslink F06) and balanced (AES/EBU). The source selection is done via the selection control on the front. The selected input is also shown in the dot matrix LED display: USB, COA1, COA2, OPT1, OPT2 or AES. After approximately two seconds, the display shows the type of clock source and the detected sampling rate.Always in timeDiamond can not only synchronize to the clock integrated in the digitally fed source signal. As a specialist for digital players Diamond offers a word clock input. The source of the clock signal can be selected via the CLOCK switch.Source = Diamond synchronizes to the digital clock in the source signal.Word = Diamond synchronizes to the digital clock present at WORD IN.Well informedThe DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer, CD player or an external word clock is connected. The detected sampling rate and the selected clock source are shown in the dot matrix LED display. For example, U768 is an acronym for a clock signal in the USB stream with a sampling rate of 768 kHz.All variable – or Slave ThruDiamond provides two stereo output pairs for connecting power amplifiers or active loudspeakers. One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the volume control on the front panel. The volume control for both outputs can be individually switched out of the signal path via DIP switch on the back of the device. For example, a headphone amplifier with its own volume control can be connected to one of the outputs.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Sounds goodWith all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltageThe 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience. By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.VOLTAiR is a composition of the terms Volt and Air. Volt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in. It symbolizes the perceived limitless dynamics resulting from high audio voltage.ComparisonMost audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.

Premium DAC with VOLTAiR technologyDiamond is the perfect DAC and preamplifier for everyone who plays music exclusively from digital sources. Diamond offers connectivity for six digital sources and an external word clock. The superior VOLTAiR technology and the premium DAC with the unequalled DLP120 combined with an analog volume control allowing for highest resolution at any volume makes the Diamond an one-of-a-kind DA converter that delivers finest soundstages with an unrivalled analog feel.Everything under controlThe volume is adjusted with a solid, milled aluminum, rotary knob. The Alps RK27 “Big Blue” potentiometer gives a pleasant “spoon in the honey” rotary feel.Source of joyUp to 6 digital stereo sources can be connected to Diamond.Diamond offers each a stereo USB and AES input as well as each two optical and coaxial stereo inputs. Via USB, both PCM audio and DSD audio can be converted. PCM audio is received in S/PDIF format, both coaxial (RCA), optical (Toslink F06) and balanced (AES/EBU). The source selection is done via the selection control on the front. The selected input is also shown in the dot matrix LED display: USB, COA1, COA2, OPT1, OPT2 or AES. After approximately two seconds, the display shows the type of clock source and the detected sampling rate.Always in timeDiamond can not only synchronize to the clock integrated in the digitally fed source signal. As a specialist for digital players Diamond offers a word clock input. The source of the clock signal can be selected via the CLOCK switch.Source = Diamond synchronizes to the digital clock in the source signal.Word = Diamond synchronizes to the digital clock present at WORD IN.Well informedThe DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer, CD player or an external word clock is connected. The detected sampling rate and the selected clock source are shown in the dot matrix LED display. For example, U768 is an acronym for a clock signal in the USB stream with a sampling rate of 768 kHz.All variable – or Slave ThruDiamond provides two stereo output pairs for connecting power amplifiers or active loudspeakers. One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the volume control on the front panel. The volume control for both outputs can be individually switched out of the signal path via DIP switch on the back of the device. For example, a headphone amplifier with its own volume control can be connected to one of the outputs.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Sounds goodWith all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltageThe 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience. By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.VOLTAiR is a composition of the terms Volt and Air. Volt is the unit for electrical voltage and Air stands for the unlimited space the music can breathe in. It symbolizes the perceived limitless dynamics resulting from high audio voltage.ComparisonMost audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overloads in the input stage of the device. All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.SPL devices with VOLTAiR technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural and relaxed sound experience. So you can enjoy your music in every detail.

DAC + CAN + 4.4 cable = ….a fantastic desktop-sized headphone system for both digital and analogue sources. The ‘ZEN Signature Set’ comprising both the ZEN DAC Signature and ZEN CAN Signature ΜΖ99 is now available. This set includes a high-performance 4.4mm Pentaconn cable to connect them together. ZEN DAC Signature This ZEN DAC Signature is  a pure DAC and benefits from true-differential balanced circuit design to take performance to the next level. It has upgraded circuit components and short, direct signal paths for optimal signal purity. It delivers bit-perfect PCM (up to 32-bit/384kHz), native DSD (up to DSD256), DXD and MQA. There is a pair of RCA sockets for single-ended connection to an amp, plus a Pentaconn 4.4mm output. When connected to an amp or active speakers equipped with a balanced input – either a 4.4mm Pentaconn input, or stereo XLR inputs via a 4.4mm-to-XLR cable – the full benefit of the ZEN DAC Signature’s balanced circuit design can be heard. It’s outputs can be switched between ‘variable’ and ‘fixed’. ZEN CAN Signature The ZEN CAN Signature 6XX improves the sound quality of the original ZEN CAN and adds something special – a custom EQ setting called ActivEQ. It combines active and passive components to create a specific EQ curve to suit the ‘MassDrop x Sennheiser HD 6XX’ headphones. This can be switched off to make the most of all manner of headphones and in-ear monitors. It also features XSpace – an analogue processing mode which compensates for the ‘in-head localisation’ effect that can occur when using headphones to listen to music that was mixed using a pair of speakers. It features four gain settings in six dB steps – 0dB, 6dB, 12dB and 18db. The ZEN CAN Signature 6XX’s circuitry is a balanced, symmetrical dual-mono design. It delivers delivers 1600mW (7.2V) into 32 ohms from the single-ended output, with 15V+ available to loads of 300 ohms or more through the balanced output. It offers stereo RCA and 3.5mm single-ended inputs, plus a balanced 4.4mm Pentaconn input. A 4.4mm balanced output is also provided. It has a 6.3mm output for headphones that have a standard single-ended connector and a 4.4mm Pentaconn balanced output for headphones offering balanced connection. 4.4mm – 4.4mm cable The iFi 4.4mm to 4.4mm cable employs heavy OFHC continuous cast copper and silver matrix conductors with a total thickness of 14AWG for the best signal transfer. It’s a perfect addition to our ZEN Signature Set as this audiophile-grade cable will give you maximum quality balanced signal transfer and minimum interference. The cable construction is a custom helix design, minimised both in capacitance and inductance, minZ™. It also has intrinsic shielding provided by minZ™ helix construction. They protect the cable from RFI and EMI noise and provide the cleanest transfer medium possible. To further insulate the cable, we adopted the RoHS compliant, excellent dielectric property and super-soft (60P) HD polymer with 1500V AC spark resistance.

The headphone amplifier, monitoring controller and DAC with 120V technology Phonitor 3 DAC is not only the ultimate headphone amplifier and monitoring controller with 120V technology – the integrated DAC makes it the perfect monitoring centerpiece for demanding producers as well as sound and mastering engineers working with digital sources or in the DAW. Whether if USB, AES/EBU or S/PDIF – the integrated DAC with analog SLP120 converts digital PCM audio signals with a resolution of 32 bit and a sampling rate of up to 768 kHz. It converts DSD signals with a resolution of up to DSD256. On the analog side, the Phonitor 3 DAC, based on the SPL 120V technology, offers the same monitoring quality as the big SPL mastering consoles – on loudspeakers and headphones. The analog Phonitor Matrix allows mixing and mastering on headphones in the highest quality – with the same spatial perception of the stereo stage as on loudspeakers.Great sound – for headphonesThe Phonitor 3 DAC offers connection for a standard headphone with a stereo jack plug on the front. Thanks to the enormous output power, all kind of headphones are driven effortlessly. Thus, it plays out the advantages of the SPL 120V technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Great sound – also for loudspeakersOn the rear of the device, Phonitor 3 DAC offers a stereo output which makes it a high-quality monitoring controller for any monitoring situation. Active speakers with an integrated power amplifier or passive speakers in combination with a power amplifier can be connected at this output.Monitoring at the highest levelPhonitor 3 DAC offers the same key technology – SPL 120V technology – and signal quality as the big SPL DMC and MMC mastering consoles.Headphones or SpeakersThe Output switch – simply switch from headphone to speaker playback. In the center position (Mute), no signal reaches the outputs. The VU meters light up red.Digital & analog stereo inputs – free choiceUp to six stereo sources can be connected to the Phonitor 3 DAC. The source is selected via the Source switch.Analog inputsOn the analog side, two analog stereo inputs are offered, each with two XLR line inputs. Professional analog players with balanced outputs and line level can be connected here.Digital inputsOn the digital side, the Phonitor 3 DAC offers four digital stereo inputs.USBThe USB input (type B) can be used to directly connect the DAW. No driver installation is required for operation with a Mac or an iDevice. Via USB, the Phonitor 3 DAC converts PCM audio signals with a resolution of 32 bits and a sampling rate of up to 768 kHz as well as DSD signals with a resolution of up to DSD256.S/PDIF, coaxialThe Input S/PDIF coaxial can also receive a two-channel signal (PCM audio) with sampling rates up to 192 kHz and a bit rate of 16 bits to 24 bits. Unbalanced, 2-wire 75-ohm coaxial cables with RCA connectors are used for signal transmission.S/PDIF, opticalThe S/PDIF optical input can also receive a two-channel signal (PCM audio) with sampling rates of up to 192 kHz and a bit rate of 16 bit to 24 bit. The input jack is an F05 jack. This interface is better known under the Toshiba brand name TOSLINK.Tip: You should attach importance to the quality of the optical fiber. With inexpensive plastic optical fibers, transmissions with quad sampling rates (176.4kHz/192kHz) may have faults. In this case a glass fiber optic cable should be chosen.AES/EBUThe AES input provides an input jack which corresponds to a standard XLR input (XLR, female). An AES signal can transport two encoded PCM audio channels with a maximum sampling rate of 192 kHz and a bit rate of 16 bits to 24 bits. This standard is defined under IEC 60958 Type I. Balanced, 3-core, 110 Ohm “twisted pair” cables with XLR plugs are used for connection.The DAC – the best is just good enoughThe converter chip in the Phonitor 3 DAC´s digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its architecture reproduces the finest sound details. It converts PCM audio at 32-bit resolution and a sampling rate of up to 768 kHz, which is 16 times the resolution of a CD. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.SLP120The analog output of any DAC chip must be filtered by a low pass filter when entering the analog world. In contrast to all other DACs in the world, the low pass filters here are built using SPL 120V technology, which provides a plus in dynamics and headroom and sound. The DAC in the Phonitor 3 DAC is equipped with the SLP120 – an analog “single low pass” filter with 120V technology.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further and provides perfect control of the monitoring level.Monitoring without any compromisesThe Phonitor 3 DAC is a full-fledged monitor controller:Source selectionPhonitor Matrix with Crossfeed, Speaker Angle and Center Level (the latter can be switched off)Mono/StereoLaterality controlSolo L/RPhase inversion for L and RL/R SwapOutput switchable to headphones or speakersMuteMono or stereo – a matter of settingThe Mono/Stereo switch can be used to select whether the output signal of the Phonitor 3 DAC is a regular stereo signal or whether it is summed to a mono signal.Finding the real centerNaturally, hearing can be directed more to the left or more to the right. This becomes particularly clear when listening on headphones. Therefore, the Phonitor 3 DAC has the uniquely finely resolved laterality control, which rebalances the stereo image on the monitoring side. The Mono/Stereo switch can not only be used to switch between stereo or mono playback. This switch is also used to activate or deactivate the laterality control.Solo L/ROnly the right or left channel of the audio signal should be played back? The Solo L/R function makes it possible. If the triple selection switch is in the “L” position, only the left channel is played back – if it is in the “R” position, only the right channel is played back. In the middle position “Off” the Solo function is switched off. The regular stereo signal consisting of the left and right channel is thus present at the output of the Phonitor 3 DAC.L/R SwapA special feature is the channel swap function: L/R Swap. This function inverts the stereo image. Left becomes right and right becomes left. This is especially important and extremely time-saving, when you are monitoring samples in video dubbing that should match a scene with direction of movement. If the direction is not correct, you usually have to load the sample into the DAW to switch channels. before you can judge whether the sample matches the image. With the L/R Swap function, this is no longer necessary. You can now adjust the direction of movement on the Phonitor 3 DAC while pre-listening the sample library.Phase inversion for L and RWith this switch the phase of the left or right channel of the audio signal can be inverted. If the three-way selection switch is in the “L” position, the left channel is inverted – if it is in the “R” position, the right channel is inverted. In the middle position “Off” this function is switched off. At the output of the Phonitor 3 DAC the regular stereo signal is thus present.M/S – Mid or Side?By using the mono/stereo and L/R phase inversion switch in combination, it is also possible to only monitor the mid or side signal. When the switch is set to “Mono” and phase inversion is active for L (or R), only the side signal is played back. If the phase inversion is switched off, the mono signal corresponding to the “M” signal is played back. Separate monitoring of the M and S signals has become a widespread standard for many mixing and mastering engineers.Everything at a glanceTwo mechanical VU meters visualize the input levels for the left and right audio channels. The “VU Cal” switch can be used to reduce the signal visualized on the VU meters by -6 dB or -12 dB. Thus, the VU meters operate in the ideal display range even at very high input levels.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.One of the unique features of SPL headphone amplifiers is the SPL Phonitor Matrix. It enables mixing and mastering engineers to create perfect mixes on headphones, which will translate perfectly to all types of stereo speaker systems. But the Phonitor Matrix is not only designed for professional use in the studio. It also enables the hifi enthusiast to enjoy music on headphones, like if it was played back on speakers.How is this possible?Music is normally produced and mixed for playback on stereo speakers. Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear.These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo stage and sound sources are not played back at their actual position in the stereo spectrum. The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry.Summed up:The SPL Phonitor Matrix corrects the false representation of the stereo sound image, which makes it much easier to find the right decisions for mixing and mastering engineers. The hifi enthusiast can experience the music, like it was originally mixed and recorded. So nothing stands in the way of a successful and long mixing session on headphones.Preamp Out or Direct OutWith a DIP switch on the rear of the device, the volume control for the rear stereo output can be switched out of the signal path. But that’s not all. It is also possible to output the Phonitor Matrix to the stereo output on the rear panel of the device – regardless of whether this is configured as Preamp Out (with volume control) or Direct Out (without volume control).More powerIf headphones have a rather low sensivity – no problem. With DIP switch 1 on the rear of the device, the level at the headphone output can be increased by 12 dB.Sounds goodWith all SPL devices we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The 120V technologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps.

Description The One you needNot sure what a DAC is but know you want better sound quality for your music, movies, games, podcasts and YouTube guilty pleasures? Then, the new iFi Uno is for you.All devices that act as digital sound sources use a built-in DAC (Digital to Analogue Converter) to convert the digital info in your source device – your computer, tablet or smartphone – to music you can hear through speakers or headphones. External DACs sound much better than the standard DACs used inside these devices.Imagine the difference in quality from a standard TV to an 8K Ultra HD TV — but in sound! This is the difference an external DAC makes to your music. The iFi Uno will supercharge your sound. Everything will sound more powerful, more detailed and more real.The One you wantSmall enough to fit into the palm of your hand, the iFi Uno’s cute, curvy case is made from tough, mineral-filled polymer. Inside, the sophisticated DAC and headphone amp circuitry will upgrade the basic audio tech in all sorts of digital devices. Connect the iFi Uno via the USB-C input to your Windows PC, Apple Mac, smartphone or tablet. It needs no power source as it receives both power and audio data from the source it is connected to. Add headphones, powered speakers or an amp and separate speakers and you have what you’ve always wanted – bigger, bolder, more detailed sound.Work. Chill. Play.One simple device. Three unique modes.Music mode unlocks detailed and engaging sound from all your favourite artists. Listen while you work.Movie mode enhances dialogue clarity when you’re streaming films and must-watch TV shows. Never miss a moment.Game mode makes low-level sound effects crystal-clear. Always hear your enemies coming and storms brewing.Simply use the button on the front panel to cycle through the three settings. Illuminated logos on the top of the iFi Uno indicate your chosen mode.Uno, dos, hi-resThe iFi Uno supports different file formats – PCM 32bit/384kHz, fully native DSD256 and MQA.PCM – Pulse Code Modulation is the file format used in CD, DVD, Blu-ray and other digital audio applications. It’s the next step up from MP3.DSD – Direct Stream Digital is a very high-quality audio format, better than CD quality. The higher the number (sample rate), the better the recording – DSD64, 128, 256, 512 and 1024. Fully native means that it hasn’t been altered in any way from the original recording.MQA – Master Quality Authenticated is an award-winning audio technology that enables music fans to stream the original master recording into their home, car or their mobile. With the iFi Uno you can listen to MQA straight out of the box. Simply connect to Tidal Masters and check the option to stream MQA.DAC’s the ticketThe iFi Uno draws on our ten years of experience and the advanced spec of the DAC chip within it to unlock rarely implemented high-end features. Adjustable analogue gain with DRE (Dynamic Range Enhancement) plus technologies to minimise THD (Total Harmonic Distortion) and crosstalk and a choice of digital filters is accessible via the front-panel buttons enabling you to fine-tune the sound of the iFi Uno to your taste. In short, whether you simply use the Mode features or decide to tinker further, the iFi Uno will make audio sound clearer, minimise any interference and just give you a better entertainment experience across the board.Awesome analogueThe Uno’s analogue circuitry is just as vital to the supercharged sound quality it provides as its digital tech. The headphone amp feeds a 3.5mm socket at the front, incorporating iFi’s S-Balanced configuration to reduce noise and crosstalk. The stereo RCA output at the rear also benefits from our knack for delivering high-grade audio circuitry in remarkably affordable devices.All the analogue outputs are gold-plated to resist corrosion and maintain conductivity over time.Most DACs still use digital volume control – ours is analogue. Why is this special? When you reduce the volume on other DACs you remove data from the song or soundtrack. With analogue volume control, you reduce the volume whilst maintaining the quality. And finally, there’s PowerMatch – this ensures you always have the right amount of power to drive the headphones you are using.You can count on the iFi Uno to deliver great sound for everyoneHi-Res TrueNative® playback of all music formats from MP3 to DSD256, PCM384 and DXD384.Discrete ESS Sabre Hyperstream DAC chipset with time domain jitter eliminator, discrete oscillator and 112dB dynamic range for discerning listeners.Extensive jitter-eradication technologies are applied to the digital stage, including our GMT (Global Master Timing) femto-precision clock and intelligent memory buffer. This represents a total ‘out-of-the-box’ systematic digital solution that solves jitter once and for all.In music production, dynamic range means the difference between the loudest and quietest sounds. It’s measured in decibels, or dB for short. In a single audio track, dynamic range means the dB difference between the loudest and quietest moment in the audio file.You can think of the dynamic range in a system as the space between the noise floor and the clipping point. When a sound goes below the noise floor you won’t be able to tell the difference between the signal and the system noise of the medium. When a sound goes above the clipping point, the tops of its waveform will get abruptly cut off, causing harshness and distortion.iFi’s proprietary technology extends the Dynamic Range by 6 dB or more, for an improved listening experience.iFi’s exclusive S-Balanced® circuit delivers maximum performance from single-ended and balanced headphones alike.TDK C0G (Class 1 ceramic) capacitors offer high stability and low losses for resonant circuit applications.Getting ever closer to the theoretical ideal of pure, frequency-constant capacitance, these capacitors reduce capacitor-induced distortion to vanishingly low levels.They are pricey but are a perfect addition to our products.muRata control-type, low-ESR high-Q multi-layer capacitors. The ‘ESR control’ aspect of the Murata is something special. Their noise suppression abilities are impressive.

DescriptionUsing technology first seen in the flagship BLU MKII digital/CD transport, the Hugo M Scaler is a standalone upscaling device containing the world’s most advanced digital filter. When used with a dual-BNC-input Chord Electronics DAC, it is capable of redefining digital audio sound quality.The Hugo M Scaler is a highly advanced standalone upscaler capable of redefining sound quality from digital audio. It uses Rob Watts’ (our Digital Design Consultant’s) unique filter technology, the most advanced in the world, to upscale standard 44.1kHz digital audio up to 705.6kHz (16x CD’s 44.1kHz native resolution), ready to be passed to a suitable DAC; Hugo M Scaler extends its upscaling performance to 768kHz (from 96kHz input data) for our dual-BNC-input DACs: Qutest, Hugo 2, Hugo TT 2 and DAVE.The Hugo M Scaler brings the unrivalled advantages of our ground-breaking FPGA-based WTA (Watts Transient Alignment) filtering technology to digitally connected audio devices, dramatically improving sound quality. Although optimised for use with selected Chord Electronics DACs (for the maximum 768kHz upscaling/decoding benefit), the Hugo M Scaler can be used with other DACs with suitable inputs, subject to their decoding capability.The Hugo M Scaler’s compact form factor aligns with the TT (Table Top) series and has been designed to be stackable with other units in the range, including the TToby stereo power amp and the Hugo TT 2, to form a highly advanced yet space-saving system. In line with other models in the Hugo and Hugo TT series, the device features a number of illuminable fascia-mounted spherical controls, governing input selection, output sample rate and video mode for lower latency. The control spheres display data visually including input source and the incoming sample rate, using a polychromatic scale.When partnered with either of Chord Electronics’ 768kHz-capable dual-BNC-input DACs, the Hugo M Scaler sets an astonishing technical benchmark for digital audio performance at it price point, redefining sound quality from digital audio.

DescriptionUsing technology first seen in the flagship BLU MKII digital/CD transport, the Hugo M Scaler is a standalone upscaling device containing the world’s most advanced digital filter. When used with a dual-BNC-input Chord Electronics DAC, it is capable of redefining digital audio sound quality.The Hugo M Scaler is a highly advanced standalone upscaler capable of redefining sound quality from digital audio. It uses Rob Watts’ (our Digital Design Consultant’s) unique filter technology, the most advanced in the world, to upscale standard 44.1kHz digital audio up to 705.6kHz (16x CD’s 44.1kHz native resolution), ready to be passed to a suitable DAC; Hugo M Scaler extends its upscaling performance to 768kHz (from 96kHz input data) for our dual-BNC-input DACs: Qutest, Hugo 2, Hugo TT 2 and DAVE.The Hugo M Scaler brings the unrivalled advantages of our ground-breaking FPGA-based WTA (Watts Transient Alignment) filtering technology to digitally connected audio devices, dramatically improving sound quality. Although optimised for use with selected Chord Electronics DACs (for the maximum 768kHz upscaling/decoding benefit), the Hugo M Scaler can be used with other DACs with suitable inputs, subject to their decoding capability.The Hugo M Scaler’s compact form factor aligns with the TT (Table Top) series and has been designed to be stackable with other units in the range, including the TToby stereo power amp and the Hugo TT 2, to form a highly advanced yet space-saving system. In line with other models in the Hugo and Hugo TT series, the device features a number of illuminable fascia-mounted spherical controls, governing input selection, output sample rate and video mode for lower latency. The control spheres display data visually including input source and the incoming sample rate, using a polychromatic scale.When partnered with either of Chord Electronics’ 768kHz-capable dual-BNC-input DACs, the Hugo M Scaler sets an astonishing technical benchmark for digital audio performance at it price point, redefining sound quality from digital audio.

DescriptionDeveloped from the multi-award-winning transportable Hugo 2, the Hugo TT 2 is bigger, better and more advanced in every way. TT 2 sets a new benchmark for table top DACs, eclipsed only by our flagship DAVE. Hugo TT 2 has been radically redesigned from the ground up, not only with beautiful new casework by Chief Designer, John Franks, but with 5x the processing power of the original Hugo TT and double that of the multi-award-winning Hugo 2. Hugo TT 2 distils over 20 years of digital development by Rob Watts and takes advantage of the very latest technology.As expected, it delivers radically improved technical specifications and measurements across the board and exhibits drastic sonic benefits over its predecessor with 768kHz PCM and DSD 512 playback. Hugo TT 2 sets a new benchmark in table top audio, only being eclipsed by DAVE.Delving deeper, in comparison to the 256-tap filters that traditional chip DACs may run at, Hugo TT 2’s beating heart is a powerful Xilinx Artix 7 FPGA, custom-coded by Chord Electronics’ Rob Watts, with 86x 208MHz cores running in parallel to create an advanced 16FS WTA 1 filter with 98,304-taps. Double that of its multi-award winning transportable brother, Hugo 2 (49,152). Hugo TT 2 also benefits from an upgrade from a 4-element design to a 10-element design, which works in harmony with the radically upgraded FPGA and code to deliver unrivalled audio.A brand new high-power discreet output stage coupled with second-order noise-shaping integrated between the DAC output and filter is also employed to massively reduce distortion. Further improvements have also been made to the power delivery. Hugo TT 2 eschews the Li-Po battery power supply of the original and ushers in six super capacitors capable of delivering huge, linear dynamic currents when the music demands it with peak output of 5A, 9.3V RMS.Hugo TT 2 also brings home the much loved four-stage user-selectable filter controls introduced with Hugo 2 and retains the three-stage user-selectable digital crossfeed function for headphone users who want to improve the perception of depth, similar to that of speakers.Hugo TT 2 can be upgraded at any time with the addition of M Scaler, our 1M-tap digital upscaling device.

DAVE is the most advanced DAC we have ever made. It features the very best conversion technology available, using proprietary techniques never seen before, making DAVE the most advanced DAC/preamp amplifier in the world. DAVE stands for ‘Digital to Analogue Veritas in Extremis’, a moniker that best reflects the product’s capability; a device so advanced and with so few compromises, that it is absolutely truthful in the extreme — a standard that all other DACs on the market simply cannot hope to match. The DAC, which is also a reference-level headphone amplifier and ‘digital preamp’, distils twenty years of Chord research, development and advanced engineering into one device. At its heart lies a new version of the advanced Spartan 6 Field Programmable Gate Array (FPGA) with 1,000x the processing power of the traditional mass-produced chip DAC. DAVE’s FPGA is loaded with over a million lines of code to confront complex timing issues head-on, with speed and precision. The FPGA’s extraordinary capability enables a number of key sonic benefits, including significantly improved timing and the best noise-shaper performance of any known DAC. DAVE’s technology delivers music with unmatched reality and musicality, with an unrivalled timing response. The device’s lossless digital volume control outputs the signal direct to your power amplifier for the purest experience. DAVE has a full-sized LCD display, showing input, sample frequency, volume and set-up configurations options, within Chord’s famous porthole design. On its fascia, DAVE also features a rotary encoder with a large stainless steel controller and ball buttons, enabling direct interactivity in addition to the supplied remote control.

With the DAC50x we are creating a new paradigm for what used to be a black box device. A typical D/A Converter is a "set and forget" device. Not so with the DAC50x. It adds a number of interesting signal processing features and sports a variety of digital inputs. Balanced, unbalanced and headphone outputs are provided.Weiss Engineering has a 30 year history in D/A Converter design. In that time span we have learned a thing or two about converter design. The DAC50x is the essence of our experiences. DAC501 and DAC502 are Roon Ready.The DAC501-4ch and DAC502-4ch versions are now also available. The "4ch" indicates that those units will be 4-channel playback capable besides the standard 2-channel operation. In addition they sport the latest D/A Converter chip for a no-compromise performance. Standard DAC501 and DAC502 units can be upgraded to the DAC501-4ch or DAC502-4ch version respectively.Mechanics
The DAC50x uses a stainless steel chassis with a solid 10 mm aluminium front plate.Power Supply
A powerful non-switching power supply is used. All sensitive voltages have their own regulators which are separated between left and right channels. The result is an analog output free of “digital noise” and channel crosstalk. The power switch activates a semiconductor relay which only switches on or off at zero crossings of the mains voltage. This assures a glitch free power switching. The two mains transformers are toroidal types. Mains voltage selection is done automatically by measuring the mains voltage before power is applied to the rest of the electronics. Synchronization
An internal high precision / low jitter clock generator is responsible for clocking the D/A converter section. The sampling frequency of that generator is fixed at about 195kHz. The input signals are converted to the 195kHz sampling frequency for optimal signal quality. This scheme also helps significantly in reducing any jitter related effects. All standard sampling frequencies up to 384 kHz plus DSD x64 and x128 are supported.
Digital Inputs
There are a total of five inputs:* AES/EBU or S/PDIF via XLR, Toslink and RCA sockets* UPnP / DLNA via Ethernet* USB* Roon ReadyAccepted formats: PCM 44.1kHz up to 384 kHz, DSD 64x / 128x.Future formats can be accommodated for via software updates.Signal Processing
The DAC50x has a digital signal processing chip built in (DSP). The following DSP algorithms are currently implemented:Room Equalizer - to suppress room modes for a decent bass reproduction.Creative Equalizer - a tone control with low boost/cut, high boost/cut and mid boost/cut. Very useful to correct those recordings which do not quite sound right.De-Essing - the automatic removal of overly bright sibilances from human voices. The sibilance effect can be more or less pronounced depending on your speakers or room acoustics.Constant Volume - adjusts the audio volume (loudness) to a constant value across all tracks played. Useful for "party mode" when the volume control should stay untouched.Vinyl Emulation - get that special sonic character of a record player based playback chain. We also employ an emulation of the DMM-CD procedure offered by the Stockfisch label.Crosstalk Cancelling (XTC) - for the playback of dummy head recordings or live recordings via speakers for an incredible live sensation. Dummy head recordings usually are listened to via headphones because they only work properly if the left channel goes to the left ear only and the right channel to the right ear only. With speakers this is difficult to achive as the left channel goes to the left and the right ear. But with some clever signal processing of the speaker channels is is possible to suppress the crosstalk, i.e. the audio going from the left speaker to the right ear and vice versa. If that works properly then the recording sounds as if one would be in the space where the recording has taken place. All the reverberation and 3D representation of the sound sources is there.(For speaker based playback only.)Loudness Control - a listening volume dependent equalization of the audio.Headphone Equalizer - to adapt any headphone to the listener's ears in terms of frequency response.Crossfeed - to emulate a speaker based playback impression on headphones.Converters
Two of the latest 32 bit D/A Converter chips are used. Two D/A conversion channels are used per audio channel, resulting in exceptional performance specifications. Analog OutputsLine out unbalanced on RCA connector.Line out balanced on XLR connector.Headphone out on 1/4" Jack Analogue.For the DAC502: Addtional headphone output on a 4 pin XLR connector.Discrete output stages for both line and headphone outputs are employed.
The output levels can be set in a coarse manner with 4 steps to adapt for the amplifier or headphone connected. The levels can be set independently for line and headphone outputs.
No sound degrading servo mechanisms are used.Front panel controlsA rotary encoder knob for changing parameters and for powering the unit on/off.A touch screen colour LCD display.An 1/4 inch headphone socket.An IR receiver.Back panel elementsAnalog outputs on XLR and RCA connectors.Digital inputs on XLR, RCA, TOSLINK, USB, Ethernet connectors.USB type A connector for various applications.Mains connector with fuses.IR Remote Control
Allows to control several functions of the DAC50x, namely:The input selected for conversion.The output type, level, muting, absolute polarity.Power on/off.DSP presets.Web InterfaceThe DAC50x has a web interface for configuring it via a web browser. The following functions are accessible via the web interface:Volume and Balance controls.Input selection.Output type.DSP algorithms configuration.DSP snapshots configuration.

With the DAC50x we are creating a new paradigm for what used to be a black box device. A typical D/A Converter is a "set and forget" device. Not so with the DAC50x. It adds a number of interesting signal processing features and sports a variety of digital inputs. Balanced, unbalanced and headphone outputs are provided.Weiss Engineering has a 30 year history in D/A Converter design. In that time span we have learned a thing or two about converter design. The DAC50x is the essence of our experiences. DAC501 and DAC502 are Roon Ready.The DAC501-4ch and DAC502-4ch versions are now also available. The "4ch" indicates that those units will be 4-channel playback capable besides the standard 2-channel operation. In addition they sport the latest D/A Converter chip for a no-compromise performance. Standard DAC501 and DAC502 units can be upgraded to the DAC501-4ch or DAC502-4ch version respectively.Mechanics
The DAC50x uses a stainless steel chassis with a solid 10 mm aluminium front plate.Power Supply
A powerful non-switching power supply is used. All sensitive voltages have their own regulators which are separated between left and right channels. The result is an analog output free of “digital noise” and channel crosstalk. The power switch activates a semiconductor relay which only switches on or off at zero crossings of the mains voltage. This assures a glitch free power switching. The two mains transformers are toroidal types. Mains voltage selection is done automatically by measuring the mains voltage before power is applied to the rest of the electronics. Synchronization
An internal high precision / low jitter clock generator is responsible for clocking the D/A converter section. The sampling frequency of that generator is fixed at about 195kHz. The input signals are converted to the 195kHz sampling frequency for optimal signal quality. This scheme also helps significantly in reducing any jitter related effects. All standard sampling frequencies up to 384 kHz plus DSD x64 and x128 are supported.
Digital Inputs
There are a total of five inputs:* AES/EBU or S/PDIF via XLR, Toslink and RCA sockets* UPnP / DLNA via Ethernet* USB* Roon ReadyAccepted formats: PCM 44.1kHz up to 384 kHz, DSD 64x / 128x.Future formats can be accommodated for via software updates.Signal Processing
The DAC50x has a digital signal processing chip built in (DSP). The following DSP algorithms are currently implemented:Room Equalizer - to suppress room modes for a decent bass reproduction.Creative Equalizer - a tone control with low boost/cut, high boost/cut and mid boost/cut. Very useful to correct those recordings which do not quite sound right.De-Essing - the automatic removal of overly bright sibilances from human voices. The sibilance effect can be more or less pronounced depending on your speakers or room acoustics.Constant Volume - adjusts the audio volume (loudness) to a constant value across all tracks played. Useful for "party mode" when the volume control should stay untouched.Vinyl Emulation - get that special sonic character of a record player based playback chain. We also employ an emulation of the DMM-CD procedure offered by the Stockfisch label.Crosstalk Cancelling (XTC) - for the playback of dummy head recordings or live recordings via speakers for an incredible live sensation. Dummy head recordings usually are listened to via headphones because they only work properly if the left channel goes to the left ear only and the right channel to the right ear only. With speakers this is difficult to achive as the left channel goes to the left and the right ear. But with some clever signal processing of the speaker channels is is possible to suppress the crosstalk, i.e. the audio going from the left speaker to the right ear and vice versa. If that works properly then the recording sounds as if one would be in the space where the recording has taken place. All the reverberation and 3D representation of the sound sources is there.(For speaker based playback only.)Loudness Control - a listening volume dependent equalization of the audio.Headphone Equalizer - to adapt any headphone to the listener's ears in terms of frequency response.Crossfeed - to emulate a speaker based playback impression on headphones.Converters
Two of the latest 32 bit D/A Converter chips are used. Two D/A conversion channels are used per audio channel, resulting in exceptional performance specifications. Analog OutputsLine out unbalanced on RCA connector.Line out balanced on XLR connector.Headphone out on 1/4" Jack Analogue.For the DAC502: Addtional headphone output on a 4 pin XLR connector.Discrete output stages for both line and headphone outputs are employed.
The output levels can be set in a coarse manner with 4 steps to adapt for the amplifier or headphone connected. The levels can be set independently for line and headphone outputs.
No sound degrading servo mechanisms are used.Front panel controlsA rotary encoder knob for changing parameters and for powering the unit on/off.A touch screen colour LCD display.An 1/4 inch headphone socket.An IR receiver.Back panel elementsAnalog outputs on XLR and RCA connectors.Digital inputs on XLR, RCA, TOSLINK, USB, Ethernet connectors.USB type A connector for various applications.Mains connector with fuses.IR Remote Control
Allows to control several functions of the DAC50x, namely:The input selected for conversion.The output type, level, muting, absolute polarity.Power on/off.DSP presets.Web InterfaceThe DAC50x has a web interface for configuring it via a web browser. The following functions are accessible via the web interface:Volume and Balance controls.Input selection.Output type.DSP algorithms configuration.DSP snapshots configuration.

Musical Fidelity has always been driven by the vision to create musically engaging audio products which can hold this standard of fidelity for many generations to come. Many MF classics are still in the hands of their proud owners and have proven the success of our design philosophy.Streaming in Musical Fidelity TraditionThe MX-Stream is developed with the same goal in mind as everything else at Musical Fidelity. Technically correct design that not only measures like a dream but also sounds like it. In order for it to be true to the original Musical Fidelity spirit it has to have our warm yet transparent and incredibly detailed signature sound and not just be technical wizardry for the sake of clean technical measurements. We have to hear it, we have to feel it, and we have to be moved by it.There are audio products of the past that did not necessarily measure so well, but people still grew to love them. This can also be done with close to perfect technical specifications and the same dedication to the actual perceivable sound qualities. And Musical Fidelity have done exactly this – always.As a result, these pieces of audio gear are elevated to the highest levels and become the true entries into affordable, no nonsense high-end. The MX-Stream is yet another prime example in our long-lasting design philosophy.High resolution network bridgeNetwork-enables and compatible with any modern DAC with USB inputCompletely optimised for bit-perfect audio:Audiophile playback softwareLow Noise regulation and detox sectionUSB & Wifi low phase noise clock sectionClock synchronised, phase interleaved, capacitor multiplier pre regulatorsCD ripping (requires external USB CD drive)Controllable via smart devices and PC/LaptopOverview and Hardware DesignOur MX-Stream is a universal, transport-only network device that can take any online or network streaming service to your integrated amplifier or DAC. All you need is an existing USB Class 2.0 Audio input. The MX-Stream’s digital audio circuitry is a complete custom design from scratch. A huge part inside the chassis is dedicated to the extensive power supply section. We have PSUs and high-end voltage stabilization components for all the different PCB units. We have advanced re-clocking – even the main CPU is operated by an audio optimized clock, which is completely unheard in typical streaming solutions, as they typically run with standard CPU clocks like those in regular computers. Every incoming digital signal is cleaned up from the very beginning. All audio files that come in and out, are the best they can be by eliminating all unwanted noise that can be found in common streaming solutions. With an optimized software, we were able to push this high-tech hardware design to its absolute limits. All of this resulted in the first near-zero jitter streamer we have ever seen.Bit-perfect and Open Software DesignIts design makes it future proof by keeping the architecture open. In 10 years’ time, your MX- Stream will be as relevant as today because it can run any open source software that you are willing and able to throw at it. It will use the same revelatory hardware design and continue to be the perfect streaming transport. Of course, for now you can just unpack the unit and set it up and it will be perfectly plug&play ready and you can immediately stream ahead. The on-board operating system and playback software - by default - is set up to enable you 1:1 bit-perfect digital audio transfers to your USB DAC of choice right from the start. You do not need to worry about anything, we have done all the engineering and configuration for you. You are free to enjoy the Musical Fidelity signature sound without in-depth knowledge of digital audio technology. However, all the expert-users will find advanced options available to tailor the experience to their exact specifications and gain complete and transparent control of what their system is doing. Truly accessible high-end at your fingertips.Flexibility and Control OptionsThe MX-Stream can be controlled via mobile App, in any web-browser and you can connect HDMI- and touchscreens for a full, haptic touch screen experience. A full Roon-Ready certification, support for all lossless high-resolution streaming services that are available right now and hi-res formats (up to 32bit/384kHz and DSD256) and standard network features like NAS support, USB-hard drive support, UPNP/DLNA, Bluetooth, Shareport (for iOS-devices), web-radio, CD-ripping with automated tagging and automatic music library indexing bring unparalleled versatility to the table.Streaming ServicesHigh resolution network bridgeSpotify, Tidal, Qobuz, HIGHRESAUDIO, TuneInFully Roon Ready and certifiedShareport(Airplay), UPNP/DLNA, BluetoothUSB 2.0 USB drives, NAS drivesThe Perfect Streaming CompanionAs a standalone device, the MX-Stream is the perfect add-on for any integrated amplifier or DAC with USB B input. Not only is the technology inside the MX-Stream complete cutting-edge high-end, every analog circuit in integrated analog amps displays increased performance, when digital circuits and power supplies are kept separate from the analog circuitry. By squeezing in a lot of digital circuits, additional high frequency distortion across the entire system can be observed. Coming from the other direction, huge power supplies for pre and power amps with lots of magnetic radiation impact digital circuit performance negatively. By keeping streaming and amplification separate we can achieve our true high-end sound vision to greater effect and at a more affordable cost, while also guaranteeing the longest lifetime of our amplifiers and streamers.

Musical Fidelity has always been driven by the vision to create musically engaging audio products which can hold this standard of fidelity for many generations to come. Many MF classics are still in the hands of their proud owners and have proven the success of our design philosophy.Streaming in Musical Fidelity TraditionThe MX-Stream is developed with the same goal in mind as everything else at Musical Fidelity. Technically correct design that not only measures like a dream but also sounds like it. In order for it to be true to the original Musical Fidelity spirit it has to have our warm yet transparent and incredibly detailed signature sound and not just be technical wizardry for the sake of clean technical measurements. We have to hear it, we have to feel it, and we have to be moved by it.There are audio products of the past that did not necessarily measure so well, but people still grew to love them. This can also be done with close to perfect technical specifications and the same dedication to the actual perceivable sound qualities. And Musical Fidelity have done exactly this – always.As a result, these pieces of audio gear are elevated to the highest levels and become the true entries into affordable, no nonsense high-end. The MX-Stream is yet another prime example in our long-lasting design philosophy.High resolution network bridgeNetwork-enables and compatible with any modern DAC with USB inputCompletely optimised for bit-perfect audio:Audiophile playback softwareLow Noise regulation and detox sectionUSB & Wifi low phase noise clock sectionClock synchronised, phase interleaved, capacitor multiplier pre regulatorsCD ripping (requires external USB CD drive)Controllable via smart devices and PC/LaptopOverview and Hardware DesignOur MX-Stream is a universal, transport-only network device that can take any online or network streaming service to your integrated amplifier or DAC. All you need is an existing USB Class 2.0 Audio input. The MX-Stream’s digital audio circuitry is a complete custom design from scratch. A huge part inside the chassis is dedicated to the extensive power supply section. We have PSUs and high-end voltage stabilization components for all the different PCB units. We have advanced re-clocking – even the main CPU is operated by an audio optimized clock, which is completely unheard in typical streaming solutions, as they typically run with standard CPU clocks like those in regular computers. Every incoming digital signal is cleaned up from the very beginning. All audio files that come in and out, are the best they can be by eliminating all unwanted noise that can be found in common streaming solutions. With an optimized software, we were able to push this high-tech hardware design to its absolute limits. All of this resulted in the first near-zero jitter streamer we have ever seen.Bit-perfect and Open Software DesignIts design makes it future proof by keeping the architecture open. In 10 years’ time, your MX- Stream will be as relevant as today because it can run any open source software that you are willing and able to throw at it. It will use the same revelatory hardware design and continue to be the perfect streaming transport. Of course, for now you can just unpack the unit and set it up and it will be perfectly plug&play ready and you can immediately stream ahead. The on-board operating system and playback software - by default - is set up to enable you 1:1 bit-perfect digital audio transfers to your USB DAC of choice right from the start. You do not need to worry about anything, we have done all the engineering and configuration for you. You are free to enjoy the Musical Fidelity signature sound without in-depth knowledge of digital audio technology. However, all the expert-users will find advanced options available to tailor the experience to their exact specifications and gain complete and transparent control of what their system is doing. Truly accessible high-end at your fingertips.Flexibility and Control OptionsThe MX-Stream can be controlled via mobile App, in any web-browser and you can connect HDMI- and touchscreens for a full, haptic touch screen experience. A full Roon-Ready certification, support for all lossless high-resolution streaming services that are available right now and hi-res formats (up to 32bit/384kHz and DSD256) and standard network features like NAS support, USB-hard drive support, UPNP/DLNA, Bluetooth, Shareport (for iOS-devices), web-radio, CD-ripping with automated tagging and automatic music library indexing bring unparalleled versatility to the table.Streaming ServicesHigh resolution network bridgeSpotify, Tidal, Qobuz, HIGHRESAUDIO, TuneInFully Roon Ready and certifiedShareport(Airplay), UPNP/DLNA, BluetoothUSB 2.0 USB drives, NAS drivesThe Perfect Streaming CompanionAs a standalone device, the MX-Stream is the perfect add-on for any integrated amplifier or DAC with USB B input. Not only is the technology inside the MX-Stream complete cutting-edge high-end, every analog circuit in integrated analog amps displays increased performance, when digital circuits and power supplies are kept separate from the analog circuitry. By squeezing in a lot of digital circuits, additional high frequency distortion across the entire system can be observed. Coming from the other direction, huge power supplies for pre and power amps with lots of magnetic radiation impact digital circuit performance negatively. By keeping streaming and amplification separate we can achieve our true high-end sound vision to greater effect and at a more affordable cost, while also guaranteeing the longest lifetime of our amplifiers and streamers.

Developed from the multi-award-winning transportable Hugo 2, the Hugo TT 2 is bigger, better and more advanced in every way. TT 2 sets a new benchmark for table top DACs, eclipsed only by our flagship DAVE.  Hugo TT 2 has been radically redesigned from the ground up, not only with beautiful new casework by Chief Designer, John Franks, but with 5x the processing power of the original Hugo TT and double that of the multi-award-winning Hugo 2. Hugo TT 2 distils over 20 years of digital development by Rob Watts and takes advantage of the very latest technology. As expected, it delivers radically improved technical specifications and measurements across the board and exhibits drastic sonic benefits over its predecessor with 768kHz PCM and DSD 512 playback. Hugo TT 2 sets a new benchmark in table top audio, only being eclipsed by DAVE. Delving deeper, in comparison to the 256-tap filters that traditional chip DACs may run at, Hugo TT 2’s beating heart is a powerful Xilinx Artix 7 FPGA, custom-coded by Chord Electronics’ Rob Watts, with 86x 208MHz cores running in parallel to create an advanced 16FS WTA 1 filter with 98,304-taps. Double that of its multi-award winning transportable brother, Hugo 2 (49,152). Hugo TT 2 also benefits from an upgrade from a 4-element design to a 10-element design, which works in harmony with the radically upgraded FPGA and code to deliver unrivalled audio. A brand new high-power discreet output stage coupled with second-order noise-shaping integrated between the DAC output and filter is also employed to massively reduce distortion. Further improvements have also been made to the power delivery. Hugo TT 2 eschews the Li-Po battery power supply of the original and ushers in six super capacitors capable of delivering huge, linear dynamic currents when the music demands it with peak output of 5A, 9.3V RMS. Hugo TT 2 also brings home the much loved four-stage user-selectable filter controls introduced with Hugo 2 and retains the three-stage user-selectable digital crossfeed function for headphone users who want to improve the perception of depth, similar to that of speakers. Hugo TT 2 can be upgraded at any time with the addition of M Scaler, our 1M-tap digital upscaling device.

DAVE is the most advanced DAC we have ever made. It features the very best conversion technology available, using proprietary techniques never seen before, making DAVE the most advanced DAC/preamp amplifier in the world. DAVE stands for ‘Digital to Analogue Veritas in Extremis’, a moniker that best reflects the product’s capability; a device so advanced and with so few compromises, that it is absolutely truthful in the extreme — a standard that all other DACs on the market simply cannot hope to match. The DAC, which is also a reference-level headphone amplifier and ‘digital preamp’, distils twenty years of Chord research, development and advanced engineering into one device. At its heart lies a new version of the advanced Spartan 6 Field Programmable Gate Array (FPGA) with 1,000x the processing power of the traditional mass-produced chip DAC. DAVE’s FPGA is loaded with over a million lines of code to confront complex timing issues head-on, with speed and precision. The FPGA’s extraordinary capability enables a number of key sonic benefits, including significantly improved timing and the best noise-shaper performance of any known DAC. DAVE’s technology delivers music with unmatched reality and musicality, with an unrivalled timing response. The device’s lossless digital volume control outputs the signal direct to your power amplifier for the purest experience. DAVE has a full-sized LCD display, showing input, sample frequency, volume and set-up configurations options, within Chord’s famous porthole design. On its fascia, DAVE also features a rotary encoder with a large stainless steel controller and ball buttons, enabling direct interactivity in addition to the supplied remote control.

The Young MkIV gives you total control of the music flowing from your sources to the amplifier and then to the speakers. With a wealth of input channels and extensive control options, you have always full command on your audio system, with the greatest confidence that the quality of the original music material is delivered to the speakers without any detriment. Whether your source is a computer, a smartphone, a DVD player or a turntable, the Young MkIV delivers a crisp and alive analog sound at its outputs, to drive any amplifier at best. You control it by the front panel encoder, using the remote control or by your Android smartphone via the same wireless connection which allows you to stream audio. Streaming lovers will enjoy the high quality ensured by MQA©, while smartphone users will take advantage of aptX. M2Tech has adopted MQA to support master quality playback and streaming. MQA is an innovative encoding algorithm that captures the original master sound quality; ‘folds’ the file into a smaller size for easy streaming or download; and authenticates the file when it plays back on an MQA-enabled device. M2Tech recognizes the sonic and technical advantages of MQA, therefore all M2Tech DAC products will include MQA in their format decoding pool. Inputs: Analog single-ended (RCA)S/PDIF (RCA)AES/EBU (XLR)Optical (Toslink)USB 2.0 high speedBluetooth©I2S (HDMI, PS Audio standard) Outputs: Analog balanced (XLR)Analog single-ended (RCA)Trigger (jack 3.5mm) Sample frequencies: PCM 44.1kHz to 768kHzDoP 64X to 256XNative DSD 64x to 512x PCM resolution: 16 bits to 32 bits Signal-to-Noise Ratio: 122dBA (single-ended and balanced) THD+N: 0.0008% @ 5Vrms out balanced Output Voltage: 2.5Vrms or 5Vrms (single-ended)5Vrms or 10Vrms (balanced)5.5Vrms (headphones)12VDC (trigger) Output impedance: 100 Ohms (single-ended)200 Ohms (balanced) Input impedance: 47 kOhms (analog)75 Ohms (SPDIF)110 Ohms (AESEBU)100 Ohms (I2S) Supply voltage: 15VDC Power Consumption: 5.7W (operational)0.15W (standby) Size: 200x200x50mm (wxdxh) Weight: net 2kg (including ancillaries)gross 2.5kg

Real control center of your Hifi system The new preamplifier PX1 is the point of reference. See for yourself : Designed around two mono  preamplifiers built in the same box, our stereo preamplifier PX1 can be qualified as a real dual mono, two  EI standard transformers , shielded with mu-metal sheet, expensive but really efficient solution. The PX1 is the focal point of your High fidelity system. Even if the sound quality was our main priority, we would like that our preamplifier should be able to run all the current sources : analog, dematerialized or physic digital sources Nothing has been forgotten, each input has been enhanced in order to achieve the highest level of music resolution. The PX1 offers nine analog inputs such as balanced input and one customizable MM or MC phono input with double level. The parameters of the phono cartridge capacitance  are adjustable. The  digital side was also not forgotten, and the PX1 offers three  optical inputs, one coax, one USB B (asynchronous X-mos) as one USB A. The conversion of the digital signal is done by the famous Wolfson WM8740 converter. These digital inputs are completed by a proprietary protocol allowing to connect the direct path Bluetooth  adaptor X-FTB01. It is a direct processing of signal (direct path) in order to keep the original quality of the signal . The interactive menu offers you 2 modes of use. The mode Class A or the mode « discrete. The Class A output is built on a circuit based only on bipolar transistors. It is double cascade circuit offering a highest performance that allows to control and limit the distorsion, so very homogeneous and polarized in Class A. The discrete output is a stage based on a more classical typology with a JFET input differential stage and a current mirror with bipolar transistors with a polarized Class AB  output. This typology brings more odd harmonics distorsion, sometimes less appreciated when you are listenning, but sometimes perceived as well defined too. The use of the PX1 is particularly easy due to its single rotary key with button push to acceed to all the menu choice as input selection, volume adjustment, tone settings, loudness, APD function (disconnection of the auto power off after 30 minutes of inactivity) On the outputs side, the PX1 is also really complete as for inputs : one balanced XLR, one unbalanced Cinch, one Rec Out, one Pre Out Hi pass, two sub-bass. Last but not least, the engineers didn’t forget the headphones listenning lovers, so under the device you will find the switches that will allow you to adjust independantly  gain and output impedance  for 2 headphones (gain : +6,0,-4dB, output impedance : from 0 to 100 Ω).

Real control center of your Hifi system The new preamplifier PX1 is the point of reference. See for yourself : Designed around two mono  preamplifiers built in the same box, our stereo preamplifier PX1 can be qualified as a real dual mono, two  EI standard transformers , shielded with mu-metal sheet, expensive but really efficient solution. The PX1 is the focal point of your High fidelity system. Even if the sound quality was our main priority, we would like that our preamplifier should be able to run all the current sources : analog, dematerialized or physic digital sources Nothing has been forgotten, each input has been enhanced in order to achieve the highest level of music resolution. The PX1 offers nine analog inputs such as balanced input and one customizable MM or MC phono input with double level. The parameters of the phono cartridge capacitance  are adjustable. The  digital side was also not forgotten, and the PX1 offers three  optical inputs, one coax, one USB B (asynchronous X-mos) as one USB A. The conversion of the digital signal is done by the famous Wolfson WM8740 converter. These digital inputs are completed by a proprietary protocol allowing to connect the direct path Bluetooth  adaptor X-FTB01. It is a direct processing of signal (direct path) in order to keep the original quality of the signal . The interactive menu offers you 2 modes of use. The mode Class A or the mode « discrete. The Class A output is built on a circuit based only on bipolar transistors. It is double cascade circuit offering a highest performance that allows to control and limit the distorsion, so very homogeneous and polarized in Class A. The discrete output is a stage based on a more classical typology with a JFET input differential stage and a current mirror with bipolar transistors with a polarized Class AB  output. This typology brings more odd harmonics distorsion, sometimes less appreciated when you are listenning, but sometimes perceived as well defined too. The use of the PX1 is particularly easy due to its single rotary key with button push to acceed to all the menu choice as input selection, volume adjustment, tone settings, loudness, APD function (disconnection of the auto power off after 30 minutes of inactivity) On the outputs side, the PX1 is also really complete as for inputs : one balanced XLR, one unbalanced Cinch, one Rec Out, one Pre Out Hi pass, two sub-bass. Last but not least, the engineers didn’t forget the headphones listenning lovers, so under the device you will find the switches that will allow you to adjust independantly  gain and output impedance  for 2 headphones (gain : +6,0,-4dB, output impedance : from 0 to 100 Ω).

Moving to a separate pre-amplifier and power amplifier offers another level of refinement to enthusiasts looking to upgrade from an integrated amplifier, or those looking to build a reference-grade system. A two-box set up enables the pre and power amplifiers to be run by separate power supplies resulting in a cleaner signal as the inductive effects of the large currents in the power amplifier are isolated from the sensitive components of the pre-amplifier. The Pre2 DAC - Philosophy  The Pre2 DAC separates the pre amp into its own chassis and provides a dedicated power supply which means the pre amp can resolve more detail. Complete with a built-in DAC, the pre amp is compatible with a very wide range of sources such as CD players, streamers or your TV digital audio out. The Pre2 DAC offers a sonic step up in performance from our integrated amplifiers. This is achieved because the pre amplifier circuitry has its own power supply. The internal power supply provides isolation from the demands of other system elements, making available an additional level of dynamics and resolution. The digital section also sounds better for the same reasons, especially when used with the optional Qx card, the audio quality rises further still. If a PSX R2 is connected, owners will hear a large jump in performance as the PSX R2 feeds the pre amp with a highly regulated and super smooth DC feed. The sonic uplift from the PSX R2 means the close tolerance components in the pre amp can be fully appreciated as they now benefit from the smoother supply. The Pre2 DAC includes a carefully designed top quality digital section built into the pre amplifier with a Burr Brown 24-bit/192k DAC and a carefully designed power supply. With 5 digital inputs that enable the amplifier to connect and clearly improve the sound of connected digital sources including; your computer, DVD player, TV and many other digital sources. In the QXR version, in which we use a new ESS-based DAC, as well as allowing input resolutions up to 32bit/ 768k, we have also introduced a new ‘reclocking’ process across all the digital inputs. This substantially reduces jitter and lowers the noise floor, as well as allowing a much shallower filter slope than ever before. This process virtually eliminates phase interference in the audible band (an approach only previously possible with noisy FPGA DAC solutions). The Pre2 DAC is designed to be partnered with one of our matching power amplifiers such as the X Power, Stereo 200 or Mono X 300 Signature. Build your system with a CD i or CD t and a Stream X Signature or Stream Xa for an exceptional music experience. Add a dedicated power supply such as the PSX R2 to further enhance the pre amp’s resolution. The Pre2 DAC QXR is a standard Pre2DAC with the new QXR digital card pre-installed. This new card improves the sound quality across all the digital inputs, increasing the possible input resolution to 32bit/ 768k (DSD 512) through the USB connection. Using a new ESS-based DAC, we have also introduced a new ‘reclocking’ process across all the digital inputs, to reduce jitter and lower the noise floor, as well as allowing a much shallower filter slope than ever before, virtually eliminating phase interference in the audible band (an approach only previously possible with noisy FPGA DAC solutions).

Digital audio is brilliant, but it needs to be analogue audio before you can hear it. And the way it ends up sounding depends entirely on how you convert the digital audio files stored on your computer, on CD or from your favourite streaming service. DacMagic 200M performs the digital-to-analogue conversion perfectly every time, letting all kinds of audio systems sound better than ever before.  Studio quality audio DacMagic 200M is Cambridge Audio’s first product to support MQA. MQA is an award-winning British technology that delivers studio-quality sound in a file small enough to stream. TIDAL, for instance, uses MQA technology to deliver master-quality sound in their Hi-Fi membership. Cambridge Audio’s DacMagic 200M can fully decode and playback MQA files, so they sound exactly like the original studio recording. On the product, look out for the blue MQA indicator. This indicates you are playing an MQA Studio file, which has either been approved in the studio by the artist or producer, or has been verified by the copyright owner. The green indicator is confirmation you are playing and decoding an MQA music file. Powerful processing At the heart of the DacMagic 200M is a pair of extremely high-quality ESS Sabre digital- to-analogue converters. They handle digital audio files up to 32bit/768kHz or DSD512, so they can deal with digital music of any kind stored on CDs, smartphones, computers - or anywhere else, for that matter. Once a digital file is onboard DacMagic 200M, its twin DACs convert it to analogue information with all of its dynamics and detail intact. And, because the analogue signal it sends to your audio set-up is so astonishingly free of distortion, so precise and so lifelike, your system will sound more convincing and complete than it ever has before. Easy integration Despite the incredible number of features, the extensive functionality and the extraordinary technology on board the DacMagic 200M, Cambridge Audio has managed to fit it all into a beautifully built, flawlessly finished steel and aluminium box measuring just 52 x 215 x 191mm. This means it will fit neatly and discreetly into any existing audio set-up without taking up loads of room or drawing too much attention to itself. All that’s required is a balanced or unbalanced connection to your system (and some mains power, of course) for DacMagic 200M to deliver you a sonic upgrade that’s way bigger than the box it comes from. Well connected It’s possible to get digital audio files into DacMagic 200M in any number of ways. Digital optical, digital coaxial and USB inputs mean CD players, games consoles, laptops or any other digital equipment can be easily hooked up - and Bluetooth aptX reception means it’s just as straightforward to wirelessly deliver files from your smartphone or tablet too. DacMagic 200M has both balanced and unbalanced analogue outputs, so can be easily connected to audio systems of all types, as well as switchable filters to give you different sonic options. Alongside its ability to deliver stunning sound to your speakers, it has a high-quality headphone amplifier with 6.3mm output on board too, so you can enjoy DacMagic 200M’s thrilling sound quality in private – at whatever volume you like.

ANALOGUE DESIGN FOR A DIGITAL AGEWith the knowledge in hand to design minimally invasive electronics without needing to be minimalist, we decided that our preamp should be complete. Very complete. The basic Makua is an extremely transparent gain stage and a programmable routing matrix. The chassis has ample room to fit optional extras, most notably a DAC and a phono stage. The 6 preset buttons are programmable via USB or Bluetooth to access any combination of channel, processing and routing. In a system with mainly digital sources, the preset buttons would be programmed to select between them.   Vinl lovers on the other hand might want to use several buttons to select the same turntable but with different EQ settings to suit their large collection of historic LP's. All five inputs are switchable between XLR and floating RCA connections, and all can be assigned as either phono or line. All stages in the Makua use discrete amplifier modules in a little known topology called “single-ended driven differential”. Compared to doubly executed signal paths, this structure prevents noise from propagating all the way through.   The Makua is amazingly immune to influences like mains quality and choice of interlinks. The relay-based volume control directly controls the gain of the output stage. Dynamic range and linearity of this arrangement is much greater than those of stepped attenuators. Operation is smooth and entirely glitch free. I/O5 balanced and 5 unbalanced inputs, all routable through optional processor boards like the phono stage.2 parallel outputs for bi-amping.4 programmable trigger outputs.​ProcessingBalance and input gain offset.Phase invert and mono sum.Full software control of routing and processing​PerformanceMaximum input/output level: 20 dBu (7.75 Vrms)Unweighted noise voltage at unity gain: 1.9 uVInput impedance: 100 kohmOutput impedance: 44 ohmDistortion at maximum signal level (THD, IMD): not measurable, estimated around -150dB.Bandwidth >200 kHzGain range: -70 dB to +15 dB.Gain resolution:

ANALOGUE DESIGN FOR A DIGITAL AGEWith the knowledge in hand to design minimally invasive electronics without needing to be minimalist, we decided that our preamp should be complete. Very complete. The basic Makua is an extremely transparent gain stage and a programmable routing matrix. The chassis has ample room to fit optional extras, most notably a DAC and a phono stage. The 6 preset buttons are programmable via USB or Bluetooth to access any combination of channel, processing and routing. In a system with mainly digital sources, the preset buttons would be programmed to select between them.   Vinl lovers on the other hand might want to use several buttons to select the same turntable but with different EQ settings to suit their large collection of historic LP's. All five inputs are switchable between XLR and floating RCA connections, and all can be assigned as either phono or line. All stages in the Makua use discrete amplifier modules in a little known topology called “single-ended driven differential”. Compared to doubly executed signal paths, this structure prevents noise from propagating all the way through.   The Makua is amazingly immune to influences like mains quality and choice of interlinks. The relay-based volume control directly controls the gain of the output stage. Dynamic range and linearity of this arrangement is much greater than those of stepped attenuators. Operation is smooth and entirely glitch free. I/O5 balanced and 5 unbalanced inputs, all routable through optional processor boards like the phono stage.2 parallel outputs for bi-amping.4 programmable trigger outputs.​ProcessingBalance and input gain offset.Phase invert and mono sum.Full software control of routing and processing​PerformanceMaximum input/output level: 20 dBu (7.75 Vrms)Unweighted noise voltage at unity gain: 1.9 uVInput impedance: 100 kohmOutput impedance: 44 ohmDistortion at maximum signal level (THD, IMD): not measurable, estimated around -150dB.Bandwidth >200 kHzGain range: -70 dB to +15 dB.Gain resolution:

Responding to popular demand, Mola Mola launched the famous discrete DAC from the Makua as a separate unit.Mola Mola’s Tambaqui DAC is the perfect upgrade for owners of complete high-end systems who want to retain the characteristic sound of their existing preamplifier whilst lifting their digital sources to another level. The converter is a two board stack. On the first board, all incoming digital audio is upsampled to 3.125MHz/32 bits and converted to noise shaped PWM. On the other board are two mono DACs, in which a discrete 32- stage FIR DAC and a single-stage 4th order filtering I/V converter, convert the PWM into analogue with a breathtaking 130dB SNR. This is near the theoretical limit for 24-bit files and far beyond that of even quad-speed DSD. Uniquely, distortion remains below the noise floor even for full scale signals.With the addition of a lossless digital volume control and headphone outputs, it is also the ideal control hub of a minimalist audio system for music lovers who have moved on to a digital sources only system. This DAC, combined with a pair of Mola Mola Kaluga monoblocks constitutes the finest digital replay chain available, irrespective of price.Operating PrinciplePWM DAC with 32-stage discrete analogue FIR output stage. Avoids “sigma delta” tones and “R2R” glitch and low-level linearity errors.Asynchronous upsampling to 3.125MHz/32 bit. 7-th order noise shaper clearing 80kHz band. Each input rate has an optimized upsampling filter chain.I/OOptical (Toslink)S/PDIF (Cinch)AES/EBU (XLR)USB type BEthernet (Roon Ready)Bluetooth (SBC, AAC, APTX, LDAC)I²S over HDMIBalanced output (XLR)Headphone output (6.3mm Jack, Balanced XLR 4pin)2 programmable trigger outputs (3.5mm Jack)Processing balance and input gain offsetSelectable output levelsPhase invertSupported formatsPCM up to 384kHz/32 bits (>192kHz and >24 bits via USB and Roon only)DoP and Native DSD up to quad speed (USB and Roon only)PerformanceFull-Scale Output Level (XLR): 18dBuFull-Scale Output Level (headphone): 18dBuSignal to Noise Ratio: 130dBTHD, IMD: not measurable (estimated -140dB)Bandwidth: Up to 80kHz (apodizing response)Integrated jitter:

After years of patient research and development, we are proud to launch our MX-DAC with DSD. With its technical innovation, superb technical performance and excellent build quality, the new MX DAC offers truly outstanding value for money.The MX-DAC is a tremendous performer. It has ultra low distortion, very wide bandwidth and low noise. The technical performance of the MX-DAC is on a par with any other DAC at any price. Jitter is about 12pps, s/n ratio is -116dB (‘A’ weighted), linearity is +0.2dB at -116dB, stereo separation is -104dB at 1kHz, frequency response is ruler flat and distortion is 0.00025% at 1kHz and 0.0003% at 20kHz. These technical figures are state-of-the-art and show that our implementation is almost perfect, to ensure completely neutral and accurate digital-to-analogue conversion of any digital input.The MX DAC has inputs for: 2 x coax (up to 24bit 192 kHz PCM), 2 x optical (up to 24bit 192kHz PCM) and asynchronous USB up to 24bit 192 kHz PCM as well as DSD 64 and DSD 128.Also, all inputs whether from coax, optical or USB, are processed in the DSD domain. This desirable feature gives a warmth and humanity to the sound that simple digital conversion doesn’t achieve. The MX DAC has both single ended and balanced outputs.The new MX range has beautiful aesthetics and wonderful build quality. The front panel and housing are both from exclusive custom-made extrusions using mil-spec aluminium.Specifications:DAC StructureSample rate converter: SRC4392 up-sampling data to 192kHzDigital to Analogue converter: PCM1795 32 bit / 192kHz Multi-bit Sigma-Delta typePerformanceOutput Voltage: 2 Volts RMS single-ended (RCA)Output Voltage: 4 Volts RMS balanced (XLR)PCM THD:

DAC + CAN + 4.4 cable = ….a fantastic desktop-sized headphone system for both digital and analogue sources. The ‘ZEN Signature Set’ comprising both the ZEN DAC Signature and ZEN CAN Signature 6XX is now available. This set includes a high-performance 4.4mm Pentaconn cable to connect them together. ZEN DAC Signature This ZEN DAC Signature is  a pure DAC and benefits from true-differential balanced circuit design to take performance to the next level. It has upgraded circuit components and short, direct signal paths for optimal signal purity. It delivers bit-perfect PCM (up to 32-bit/384kHz), native DSD (up to DSD256), DXD and MQA. There is a pair of RCA sockets for single-ended connection to an amp, plus a Pentaconn 4.4mm output. When connected to an amp or active speakers equipped with a balanced input – either a 4.4mm Pentaconn input, or stereo XLR inputs via a 4.4mm-to-XLR cable – the full benefit of the ZEN DAC Signature’s balanced circuit design can be heard. It’s outputs can be switched between ‘variable’ and ‘fixed’. ZEN CAN Signature The ZEN CAN Signature 6XX improves the sound quality of the original ZEN CAN and adds something special – a custom EQ setting called ActivEQ. It combines active and passive components to create a specific EQ curve to suit the ‘MassDrop x Sennheiser HD 6XX’ headphones. This can be switched off to make the most of all manner of headphones and in-ear monitors. It also features XSpace – an analogue processing mode which compensates for the ‘in-head localisation’ effect that can occur when using headphones to listen to music that was mixed using a pair of speakers. It features four gain settings in six dB steps – 0dB, 6dB, 12dB and 18db. The ZEN CAN Signature 6XX’s circuitry is a balanced, symmetrical dual-mono design. It delivers delivers 1600mW (7.2V) into 32 ohms from the single-ended output, with 15V+ available to loads of 300 ohms or more through the balanced output. It offers stereo RCA and 3.5mm single-ended inputs, plus a balanced 4.4mm Pentaconn input. A 4.4mm balanced output is also provided. It has a 6.3mm output for headphones that have a standard single-ended connector and a 4.4mm Pentaconn balanced output for headphones offering balanced connection. 4.4mm – 4.4mm cable The iFi 4.4mm to 4.4mm cable employs heavy OFHC continuous cast copper and silver matrix conductors with a total thickness of 14AWG for the best signal transfer. It’s a perfect addition to our ZEN Signature Set as this audiophile-grade cable will give you maximum quality balanced signal transfer and minimum interference. The cable construction is a custom helix design, minimised both in capacitance and inductance, minZ™. It also has intrinsic shielding provided by minZ™ helix construction. They protect the cable from RFI and EMI noise and provide the cleanest transfer medium possible. To further insulate the cable, we adopted the RoHS compliant, excellent dielectric property and super-soft (60P) HD polymer with 1500V AC spark resistance.

With the new DAC768xs module, the Phonitor x really shows its phenomenal qualities as a headphone amplifier and preamp, even with digital sources connected.” The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

With innovative Phonitor Matrix, 32-bit DA-converter and outstanding sound quality. For us the sound is always in the foreground. When it sounds good, we like to listen. To get such a sound, you need experience and technical finesse. We have incorporated both into the Series One. The Preamplifier Stage Two Burr-Brown OPA 2134 SoundPlus™ operational amplifiers provide the pre-amplification. These are specially designed for audiophile circuits and are characterized by extremely low noise and minimal distortion of only 0.00008%.Thanks to a true FET stage, the OPA 2134 achieves a slew rate of 20V/µs, making it a high-speed operational amplifier. This has an immediate positive effect on the liveliness of the playback. In addition, low capacitance film capacitors are installed in the signal path as bypass capacitors of the coupling capacitors, which ensures a more precise transmission of the high-frequency signal components.The excellent Panasonic ‘Electric Double Layer’ gold electrolytic capacitors are used as coupling capacitors. They offer the highest storage capacity of all capacitor technologies.

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

The director sets the tone. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, retro-look-VU-meter, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Director Mk2 simply learns. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to ten (10 !) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals. The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs. AES, USB, COAX, OPTI for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768kHz sampling rate. The source selection can also be operated remotely if the rotary switch is set to the “Remote” position. The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors. On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB. The DAC768 The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analog converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DLP120 The analog output of the DAC chip must be filtered by a low pass filter. Director Mk2 has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required. And in contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Outputs: XLR (balanced), RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The director sets the tone. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, retro-look-VU-meter, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Director Mk2 simply learns. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to ten (10 !) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals. The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs. AES, USB, COAX, OPTI for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768kHz sampling rate. The source selection can also be operated remotely if the rotary switch is set to the “Remote” position. The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors. On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB. The DAC768 The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analog converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DLP120 The analog output of the DAC chip must be filtered by a low pass filter. Director Mk2 has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required. And in contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Outputs: XLR (balanced), RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The director sets the tone. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, retro-look-VU-meter, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Director Mk2 simply learns. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to ten (10 !) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals. The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs. AES, USB, COAX, OPTI for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768kHz sampling rate. The source selection can also be operated remotely if the rotary switch is set to the “Remote” position. The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors. On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB. The DAC768 The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analog converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DLP120 The analog output of the DAC chip must be filtered by a low pass filter. Director Mk2 has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required. And in contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Outputs: XLR (balanced), RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

New Manhattan DAC II features include: World's highest performance 130dB Sabre 9038 DAC chipset. 32 bit integer Class 2 USB2 driverless audio interface World class transparent analog preamp attenuators Roon Ready optional network card MQA ® hardware decoder  Improved optional phono preamplifier card  New, easy to navigate menu system The Manhattan DAC II design uses the same chassis, same power supply, and front panel circuits as the original Manhattan. It uses a completely new, redesigned main board. This offers a substantial sound quality upgrade. Significantly better detail and resolution, and state of the art transparent analog preamplifier performance.Existing Manhattan DAC I owners are eligible for Manhattan DAC II upgrade. Original Manhattan owners are encouraged to upgrade to Manhattan DAC II for a very reasonable upgrade fee. Upgrade includes replacement of the motherboard and will be performed in the US by Mytek Brooklyn office, in Europe, by Mytek Warsaw office and overseas by authorized Mytek dealer. Femto Clock TechnologyMytek's new Femto Clock that's incorporated into our C777 Clocking architecture pushes jitter and the noise floor below measurable levels. Highest Resolution SupportModern high resolution audio formats support for PCM 32 bit 384 kHz DXD to Quad DSD256 11.2 MHz. Discrete Analog & Digital Power SuppliesTwo separate isolated power supplies for the analog and digital stages that lower noise and crosstalk while increasing power and consistency. SPECIFICATIONS CONVERSION: PCM up to 384k, 32bit, MQA ®, native DSD up to DSD256, DXD, 130dB Dynamic Range.MQA Hi-Res DECODER: built in certified hardware MQA ® decoderDIGITAL INPUTS: USB2 Class2 (OSX, Linux driverless, all formats), AES/EBU (PCM up to 384k, up to DSD128 DOP), 3x S/PDIF (PCM up to 192k, up to DSD128 DoP), Toslink, SDIF3 DSD up to DSD256ANALOG INPUTS: RCA Line In switchable to Phono with Optional Phono Card insterted, second pair of RCA Line In, third pair XLR Balanced Line In. Analog inputs are router through minimalpath state of the art analog attenuator directly to analog and headphone outputs.ANALOG OUTPUTS: RCA, balanced XLR, simultaneous, 50 Ohm impedanceHEADPHONE OUTPUTS: Reference High Current, High transient Headphone Amp, 500mA, 6 Watts, 0 Ohm out impedance. Dual headphone jacks, designed to drive demanding headphones. Balanced operation w/optional Mytek adapter.BUILT-IN ATTENUATOR: Choice of 1dB step analog attenuator for main out and headphones, 1dB step digital 32bit attenuator or purist relay bypass.CLOCK: “Mytek Femtoclock Generator (tm)” 0.82ps internal jitter, Wordclock Input and Output (allows stacking multiple units for multichannel operation, includes mch DSD)AUDIO RECORDING FUNCTION FOR DIGITAL SOURCES: All digital inputs can be routed into computer via USB2. Allows connection of external digital sources such as CD Players and digitizing ADCs.REMOTE: Included, universal remote capableFIRMWARE: Upgradable via USB Control Panel App (Win and Mac)OPTIONAL PRECISION PHONO ANALOG PREAMP CARDHigh End M/M, M/C Phono Preamplifier with custom nickel core step up transformer , relay switchable and tunable. Input impedances, transformer ratio, RIAA curves and choice of gain can be changed within the menu or using the remote via relay switches. Optional card is sold separately and is user installable.OPTIONAL "ROON READY" NETWORK CARD: Turns the Manhattan II into network streamer with 24/192k and DSD64 maximum throughput. Compatible w/ Roon, DLNA/UpnPPOWER SUPPLY: Switchable 115/230VAC (100V Japanese version available)DIMENSIONS: WxDxH=17"x10.5"x1.95"=432x267x50mmWEIGHT: 16lbs, 8kgWARRANTY: 2 years    

Hugo 2 is a powerful DAC and headphone amp that builds on the ground-breaking original. Designed for both home and mobile use, Hugo 2 transforms headphones and audio systems’ sound quality with its cutting-edge proprietary DAC technology. In 2014, we introduced Hugo, a revolutionary portable DAC and headphone amp that became a landmark product in the audio landscape. Advances in digital technology, including the latest FPGAs and WTA (Watts Transient Aligned) filters, have enabled us to introduce a next-generation version, Hugo 2, featuring flexible new features, plus next-generation technical and sonic performance. Hugo 2 can be used both at home and on-the-go, either with headphones or within a conventional audio system. Its line-level output and full-function remote control adds real flexibility in full-size and desktop systems. The device offers four digital inputs (optical, coaxial and HD USB) plus extended-range Bluetooth, with high-resolution file playback up to 768kHz and up to DSD512 (Octa DSD), via its HD USB input. Analogue outputs include 2x RCA, plus 3.5mm and 6.35mm headphone outputs. A four-function switch filter offers a useful degree of user-selectable frequency-shaping, bringing warm and soft or transparent and incisive presentations, giving additional flexibility and user control. For headphone-listening, Hugo 2 retains the popular digital crossfeed function of the original and offers three operation modes. The system duplicates the effect of listening to speakers and is based on advanced binaural audio research. Hugo 2 features four spherical control buttons, which illuminate with colour-coding information and control power, input, filtering, plus the unit’s crossfeed functions. Battery playing time is around seven hours and two modes of automatic charging are included using the dedicated Micro USB charging port; an indicator shows charging and battery-charge status. Technical specifications: Chipset: Chord Electronics custom coded Xilinx Artix 7 (XC7A15T) FPGA Tap-length: 49,152 Pulse array: 10 element pulse array design Frequency response: 20Hz – 20kHz +/- 0.2dB Output stage: Class A Output impedance: 0.025Ω THD: 

Hugo 2 is a powerful DAC and headphone amp that builds on the ground-breaking original. Designed for both home and mobile use, Hugo 2 transforms headphones and audio systems’ sound quality with its cutting-edge proprietary DAC technology. In 2014, we introduced Hugo, a revolutionary portable DAC and headphone amp that became a landmark product in the audio landscape. Advances in digital technology, including the latest FPGAs and WTA (Watts Transient Aligned) filters, have enabled us to introduce a next-generation version, Hugo 2, featuring flexible new features, plus next-generation technical and sonic performance. Hugo 2 can be used both at home and on-the-go, either with headphones or within a conventional audio system. Its line-level output and full-function remote control adds real flexibility in full-size and desktop systems. The device offers four digital inputs (optical, coaxial and HD USB) plus extended-range Bluetooth, with high-resolution file playback up to 768kHz and up to DSD512 (Octa DSD), via its HD USB input. Analogue outputs include 2x RCA, plus 3.5mm and 6.35mm headphone outputs. A four-function switch filter offers a useful degree of user-selectable frequency-shaping, bringing warm and soft or transparent and incisive presentations, giving additional flexibility and user control. For headphone-listening, Hugo 2 retains the popular digital crossfeed function of the original and offers three operation modes. The system duplicates the effect of listening to speakers and is based on advanced binaural audio research. Hugo 2 features four spherical control buttons, which illuminate with colour-coding information and control power, input, filtering, plus the unit’s crossfeed functions. Battery playing time is around seven hours and two modes of automatic charging are included using the dedicated Micro USB charging port; an indicator shows charging and battery-charge status. Technical specifications: Chipset: Chord Electronics custom coded Xilinx Artix 7 (XC7A15T) FPGA Tap-length: 49,152 Pulse array: 10 element pulse array design Frequency response: 20Hz – 20kHz +/- 0.2dB Output stage: Class A Output impedance: 0.025Ω THD: