Digital Live Mixers

Designed in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixersUse a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixers have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink.New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claimWhen you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.Not just effects. KORG effectsInstead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range.Rack-mount studio-grade DSP you can reach easilyDigital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle.A mixer should not only sound good. It should be very easy to use.Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition — paired with the power of high-quality digital where it counts.The massively powerful processing allows for running up to 10 effects at a time for total mixing control. Korg's amazing 32-bit effects and signal processing combine with the premium analog mixer components and design for a truly flexible hybrid analog and digital mixer. The 16 channels and 8-bus system make the SoundLink 1608 the most versatile mixer its size.16 channel hybrid analog/digital mixerPowerful digital processing for up to 10 effects at a timeKorg's renowned high-quality 32 bit effects, as found in KronosTrue 8-bus configuration with group outputsPremium analog components and designDesigned with Greg Mackie and Peter Watts

A mixer should not only sound good. It should be very easy to use.Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition — paired with the power of high-quality digital where it counts.True hybrid design developed with mixer design legends Greg Mackie and Peter Watts24 x 8 x 2 or 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novicesPeter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixerUnique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mixOnly mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church serviceTrue 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater productionPeter Watts’ refined, studio-grade, one-knob Compressor on all mic channelsSuper-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parametersPremium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controlsDesigned in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixersUse a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixers have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink.New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claimWhen you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.You can tell SoundLink was designed by practical musiciansIt’s is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.Have it their waySome musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink’s Musician’s Phone feature provides one-knob boost of the complete left/right mix into the musician’s individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two Musician’s monitor mixes. A SoundLink exclusive!Not just effects. KORG effectsInstead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range.Rack-mount studio-grade DSP you can reach easilyDigital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle.

DL16Digital mixing has revolutionized virtually everything in the live entertainment production work flow, and now that same cutting-edge technology brings live production signal distribution into the modern age. The DL16 Stage Box provides 16 of our award-winning microphone preamplifiers with switchable +48 V phantom power; 8 balanced analogue XLR returns at the stage end; an integrated ULTRANET output for connecting to Behringer P16-M personal monitor mixers; plus connectivity for your ADAT-compatible outboard equipment.If your application calls for more inputs, or just want to keep your cable runs short and tidy, putting a DL16 at stage front and another behind the drum riser provides an additional 16 inputs for drum and guitar/bass amp mic’ing. The best part – all it takes is a single CAT5 cable per stage box.

DM3 Series allows engineers to capture the on-stage sound accurately, without coloration, and then add creative touch as required. It exemplifies a “less is more” design philosophy, utilizing a 9” touchscreen and a single Touch & Turn knob for managing most of the console’s operations. DM3 mixing consoles give you the power and flexibility to do more than ever imagined with a digital console this compact.DAW Remote streamlines music production DM3 Consoles team well with a digital audio workstation. DAW operations such as volume adjustment, play, and stop can be performed using the console’s faders and buttons as physical controllers for smooth operation while arranging. The DM3 supports a variety of DAW software suites, and comes bundled with Cubase AI—a strippeddown but powerful music production software platform. Switching to DAW Remote Mode is a simple one-step operation that can be performed by pressing user defined keys 1 and 2 together.Accurate Control of Monitor Levels DM3 Series Consoles allow monitor levels to be controlled with faders. Access is simple and easy, for smoother, more accurate checking of mix balances. Use the fader function to assign monitor level control for smoother, more accurate mixes, or use User Defined Keys to adjust the volume separately by switching the source.Multiple ways to record Both DM3 models support multitrack recording via USB to Host, while simple 2-track recording is possible using a USB memory stick and the USB connector on the front of both consoles. The Dante capable DM3 Console also adds multitrack recording capability using the Dante Virtual Soundcard2.Special Features:Input Mix: 16 Mono + 1 ST + 2FXBus: 6 Mix + 2 FX + 2 Matrix9 Motor Faders, 1 Touch & TurnAnalog In: 16 Mic/LineAnalog Out: 8 (XLR)18 X 18 Audio Interface Via USB8 FX & GEQ ON Mix/Stereo BUS16 IN/16 Out Dante Interface (DM3)Daw Remote (HUI)Cubase AI & VST Rack Element

Rackmount kit RK19/X for the Allen & Heath CQ18T digital console.

Rackmount kit RK19/X for the Allen & Heath CQ12T digital console.

Allen & Heath CQ-20B RK19/X Rackmount Kit for Digital Console.

Mackie DLZ | Creator 8+4 channel digital console designed for content creation, podcasts and streaming. The DLZ | Creator comes with Mix Agent™, the first digital audio assistant, which helps the user in the initial setup of the console. Mackie's new console is suitable for both the new user who wants to enter the world of content creation and the experienced user who is looking for professional level recording and functions.The impressive high-resolution 10.1/" touch screen is the control center with direct access to all the functions of the console. Recording levels, levels, monitoring, FX, microphone settings and countless other functions are clearly displayed, greatly facilitating the recording process.The DLZ | Creator features 9 professional-style 100mm faders with instant response and sensitivity, 7 multi-function pads that can store samples for use in jingles, a dedicated record button for instant recording, and rotary knobs for setting parameters such as headphone volumes, EQ and more.With plenty of inputs and outputs on the back, the DLZ | Creator covers all the needs of a podcast or stream. A total of 10 inputs can be used to connect microphones or other devices. In particular, 4 combo jacks feature the new Onyx80 microphone preamplifier, giving enough gain for any microphone, whether used 2 L/R 1/4/", 1 stereo input 1/8/" and digital inputs and Bluetooth for connection to mobile phones, computers or tablets. Also, 4 jacks for headphone connections are available with separate level control for each user directly from the console, 1 USB-C port for connection to Mac/PC and SD and USB ports for recording per channel.

Intuitive Operation at Your FingertipsThe Tascam Sonicview 24 offers motorised channel faders in three banks of eight, plus a motorised fader for the main stereo bus. Above each bank of channel faders is a colour touch panel that allows you to view entire mixer channels, or get down to details, controlling each parameter with your fingertip. Save fader settings and instantly recall them later to continue where you left off. Check levels in a mix or submix at a glance and adjust them during mixdown with either the physical faders or the touchscreen. Your changes will be instantly updated in both.The Amazing VIEWTruly the next generation in mixer user interfaces for recording and live, the powerful intuitive Tascam Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure Sonicview’s touchscreens. Thanks to the VIEW user interface, there are three different ways to view your settings. Each touchscreen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix or keeping an eye on the output bus level and compression curve on screen 2.Channel Strip ViewMonitor and control eight adjacent channels and view them as virtual channel strips like on an analogue mixer.Module ViewMonitor and control any three sets of parameters simultaneously for one single channel.Individual ViewMonitor and control a custom selection of functions for any channel or group of channels.High-End Audio QualityThanks to a 54-bit floating-point FPGA mixing engine, Tascam Sonicview delivers the finest audio performance in its class with continuous, high-definition 32-bit/96-kHz sampling and 32-bit analogue-to-digital converters. The mixing engine’s float-point processing makes it possible to flexibly change levels without compromising resolution, while ensuring ultra-low latency, even in analogue-to-analogue connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems, for pristine tracking, mixing, and playback.Input ChannelsSonicview 24 offers an array of versatile inputs for recording and mixing. 16 channels with XLR mic/line inputs and 8 channels with both XLR mic inputs and balanced 6.3-mm TRS line inputs allow maximum flexibility. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback microphone.Channel Control and ProcessingThere’s much more to Sonicview than meets the eye. Internally, these recording consoles have a generous 40 mono channels and two stereo channels so you can fly-in backing tracks to make a small vocal band sound huge. You can also accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. Programmable layer keys select which custom combination of channels and output buses are controlled by the motorised faders. Start working on a mix, save your fader settings, and continue mixing later – thanks to the motor faders, you’ll pick up exactly where you left off.Top-of-the-Line Sound With Class 1 HDIA Mic PreampsEach microphone input feeds a Tascam Class 1 HDIA (High Definition Instrumentation Architecture) preamp – the finest mic preamplifier we’ve ever made. Thanks to an instrumentation amplifier with extraordinary good noise characteristics in the first stage, these microphone preamps exhibit excellent equivalent input noise (EIN), signal-to-noise ratio, distortion ratio and frequency response. The ultra-definition mic preamps used in Sonicview will pick up and record the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The microphone inputs can handle signal levels up to +32 dBu, providing plenty of headroom for sudden level increases.The combination of Class 1 HDIA preamps, 32-bit/96-kHz ADCs and our 54-bit FPGA mixing engine is impressive but Tascam didn’t stop there: We conducted extensive internal and external evaluations to tune the Sonicview consoles for optimal performance. The result is best-in-class sound that will never disappoint for mixing and recording both live or in the studio.Built-In USB Audio Interface and Stereo RecordingThe built-in 32-in/32-out USB audio interface makes Sonicview a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses and the L/R main bus to your favourite DAW at up to 96 kHz with the same 32-bit precision used throughout the console.You can simultaneously capture the main mix directly to the onboard stereo SD recorder – handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.Built-In 32-Track Audio Recorder as an OptionTascam Sonicview offers multiple ways to record. In addition to the integrated audio interface and stereo recorder, a multi-track recording card (IF-MTR32) can be installed as an option, enabling you to capture 32 audio tracks directly to an SDXC card. The SD recorder supports punch-in/punch-out for all 32 tracks simultaneously as well as pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss. So you can let the recorder do it’s job worry-free while you focus on mixing.Flexible Output Buses, Advanced ProcessingYou get a wealth of output buses with powerful signal processing and flexible routing options. In addition to the main stereo bus, Sonicview provides 22 flexible output buses, each of which is configurable as a subgroup, aux or matrix. Provide multiple stereo in-ear monitor submixes without running short of buses and send to the analogue outputs. Create matrix mixes for multiple loudspeaker zones and send them over the Dante network to record mixes, deliver sound to theatres and concert halls, and more. All output buses are equipped with 31-band graphic EQ, real-time analyzer functions, 4-band parametric EQ, compressor/ducker, delay, plus Solo, Pan, and Mute.Each individual input channel can be looped through four additional effects, including a high-quality reverb.Dante-Enabled for Superior NetworkingDante® audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, city halls, and much more. Tascam Sonicview consoles can serve as the audio center of these systems usimg their built-in 64-in/64-out Dante interface that supports AES67 mode, SMPTE 2110 mode and Dante Domain Manager. Two Dante ports enable redundant streams. Thanks to the combination of Dante and the recording capabilities built into Sonicview, you can mix and record concerts, panel discussions, lectures, worship services and more from any network location, including a remote recording or broadcast studio.Physical Outputs and Expansion CapabilityAs you’d expect, Sonicview offers plenty of physical outputs, with 16 XLR line outputs, and two XLR monitor outputs. If that’s not enough, you can add more analogue, MADI, or AES/EBU I/O with an optional expansion card. To further expand the system, add one or more optional 16-in/16-out Dante-networked stage boxes (SB-16D). Microphone gain for all 16 inputs can be remotely controlled from Sonicview, and the SB-16D can be used as a floor box or rack-mounted. The combination of Dante networking and multiple stage boxes makes Sonicview a great recording and mixing solution for multi-room studios and capturing large ensembles.Remote Control and Offline EditingWhether in the recording studio, onstage, backstage, in a control room or at the rear of a concert hall, you’re always in full control of your Tascam Sonicview mixer. Just connect a Wi-Fi router to the Ethernet port and use our free control software for Windows, macOS and iPadOS to manage your your Sonicview from virtually anywhere in the venue. Edit settings offline in advance so you’re ready to go when a session or show begins, then make adjustments from the console or from the software.Work Quickly With Function KeysSonicview offers intuitive, analogue-like operation while providing a variety of convenient digital functions that can be customised as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. An optional footswitch allows delay times to be set by tapping.Clear, Mistake-Free NavigationWhen you’re recording and mixing a show, broadcast, or crucial recording session, you can’t afford to hit the wrong button or grab the wrong control. The Sonicview control surface makes it easy to see at a glance what you’re controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-colour LED. The User keys also feature full-colour LEDs, so you can group each input source and function by colour and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customisable touch panels, you always know where you are and what you’re controlling.External Control and ClockingIn addition to audio inputs and outputs, Dante and USB ports, Sonicview is equipped with a GPIO interface (on a DB25 connector) with eight inputs and eight outputs for external control, making it suitable for events and relay applications. BNC wordclock In and Out/Thru enable digital audio synchronisation, and an Ethernet port can connect to a Wi-Fi router for wireless control. Sonicview also has two Tascam expansion slots that accept a selection of expansion cards.The Music Never StopsYour business depends on reliable equipment that will stay in service with minimal interruptions, and we designed Sonicview consoles accordingly. Sonicview’s recording and mixing engine and real-time operating system are completely separated from the physical mixing surface, greatly improving stability. In the unlikely event that the mixing surface becomes inoperable, the sound won’t stop, and operation can be restored by restarting the control surface operating system. Meanwhile, the show will go on.

Intuitive Operation at Your FingertipsThe Tascam Sonicview 16 offers motorised channel faders in two banks of eight, plus a motorised fader for the main stereo bus. Above each bank of channel faders is a colour touch panel that allows you to view entire mixer channels, or get down to details, controlling each parameter with your fingertip. Save fader settings and instantly recall them later to continue where you left off. Check levels in a mix or submix at a glance and adjust them during mixdown with either the physical faders or the touchscreen. Your changes will be instantly updated in both.The Amazing VIEWTruly the next generation in mixer user interfaces for recording and live, the powerful intuitive Tascam Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure Sonicview’s touchscreens. Thanks to the VIEW user interface, there are three different ways to view your settings. Each touchscreen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix or keeping an eye on the output bus level and compression curve on screen 2.Channel Strip ViewMonitor and control eight adjacent channels and view them as virtual channel strips like on an analogue mixer.Module ViewMonitor and control any two sets of parameters simultaneously for one single channel.Individual ViewMonitor and control a custom selection of functions for any channel or group of channels.High-End Audio QualityThanks to a 54-bit floating-point FPGA mixing engine, Tascam Sonicview delivers the finest audio performance in its class with continuous, high-definition 32-bit/96-kHz sampling and 32-bit analogue-to-digital converters. The mixing engine’s float-point processing makes it possible to flexibly change levels without compromising resolution, while ensuring ultra-low latency, even in analogue-to-analogue connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems, for pristine tracking, mixing, and playback.Input ChannelsSonicview 16 offers an array of versatile inputs for recording and mixing. 8 channels with XLR mic/line inputs and 8 channels with both XLR mic inputs and balanced 6.3-mm TRS line inputs allow maximum flexibility. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback microphone.Channel Control and ProcessingThere’s much more to Sonicview than meets the eye. Internally, these recording consoles have a generous 40 mono channels and two stereo channels so you can fly-in backing tracks to make a small vocal band sound huge. You can also accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. Programmable layer keys select which custom combination of channels and output buses are controlled by the motorised faders. Start working on a mix, save your fader settings, and continue mixing later – thanks to the motor faders, you’ll pick up exactly where you left off.Top-of-the-Line Sound With Class 1 HDIA Mic PreampsEach microphone input feeds a Tascam Class 1 HDIA (High Definition Instrumentation Architecture) preamp – the finest mic preamplifier we’ve ever made. Thanks to an instrumentation amplifier with extraordinary good noise characteristics in the first stage, these microphone preamps exhibit excellent equivalent input noise (EIN), signal-to-noise ratio, distortion ratio and frequency response. The ultra-definition mic preamps used in Sonicview will pick up and record the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The microphone inputs can handle signal levels up to +32 dBu, providing plenty of headroom for sudden level increases.The combination of Class 1 HDIA preamps, 32-bit/96-kHz ADCs and our 54-bit FPGA mixing engine is impressive but Tascam didn’t stop there: We conducted extensive internal and external evaluations to tune the Sonicview consoles for optimal performance. The result is best-in-class sound that will never disappoint for mixing and recording both live or in the studio.Built-In USB Audio Interface and Stereo RecordingThe built-in 32-in/32-out USB audio interface makes Sonicview a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses and the L/R main bus to your favourite DAW at up to 96 kHz with the same 32-bit precision used throughout the console.You can simultaneously capture the main mix directly to the onboard stereo SD recorder – handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.Built-In 32-Track Audio Recorder as an OptionTascam Sonicview offers multiple ways to record. In addition to the integrated audio interface and stereo recorder, a multi-track recording card (IF-MTR32) can be installed as an option, enabling you to capture 32 audio tracks directly to an SDXC card. The SD recorder supports punch-in/punch-out for all 32 tracks simultaneously as well as pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss. So you can let the recorder do it’s job worry-free while you focus on mixing.Flexible Output Buses, Advanced ProcessingYou get a wealth of output buses with powerful signal processing and flexible routing options. In addition to the main stereo bus, Sonicview provides 22 flexible output buses, each of which is configurable as a subgroup, aux or matrix. Provide multiple stereo in-ear monitor submixes without running short of buses and send to the analogue outputs. Create matrix mixes for multiple loudspeaker zones and send them over the Dante network to record mixes, deliver sound to theatres and concert halls, and more. All output buses are equipped with 31-band graphic EQ, real-time analyzer functions, 4-band parametric EQ, compressor/ducker, delay, plus Solo, Pan, and Mute.Each individual input channel can be looped through four additional effects, including a high-quality reverb.Dante-Enabled for Superior NetworkingDante® audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, city halls, and much more. Tascam Sonicview consoles can serve as the audio center of these systems usimg their built-in 64-in/64-out Dante interface that supports AES67 mode, SMPTE 2110 mode and Dante Domain Manager. Two Dante ports enable redundant streams. Thanks to the combination of Dante and the recording capabilities built into Sonicview, you can mix and record concerts, panel discussions, lectures, worship services and more from any network location, including a remote recording or broadcast studio.Physical Outputs and Expansion CapabilityAs you’d expect, Sonicview offers plenty of physical outputs, with 16 XLR line outputs, and two XLR monitor outputs. If that’s not enough, you can add more analogue, MADI, or AES/EBU I/O with an optional expansion card. To further expand the system, add one or more optional 16-in/16-out Dante-networked stage boxes (SB-16D). Microphone gain for all 16 inputs can be remotely controlled from Sonicview, and the SB-16D can be used as a floor box or rack-mounted. The combination of Dante networking and multiple stage boxes makes Sonicview a great recording and mixing solution for multi-room studios and capturing large ensembles.Remote Control and Offline EditingWhether in the recording studio, onstage, backstage, in a control room or at the rear of a concert hall, you’re always in full control of your Tascam Sonicview mixer. Just connect a Wi-Fi router to the Ethernet port and use our free control software for Windows, macOS and iPadOS to manage your your Sonicview from virtually anywhere in the venue. Edit settings offline in advance so you’re ready to go when a session or show begins, then make adjustments from the console or from the software.Work Quickly With Function KeysSonicview offers intuitive, analogue-like operation while providing a variety of convenient digital functions that can be customised as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. An optional footswitch allows delay times to be set by tapping.Clear, Mistake-Free NavigationWhen you’re recording and mixing a show, broadcast, or crucial recording session, you can’t afford to hit the wrong button or grab the wrong control. The Sonicview control surface makes it easy to see at a glance what you’re controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-colour LED. The User keys also feature full-colour LEDs, so you can group each input source and function by colour and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customisable touch panels, you always know where you are and what you’re controlling.External Control and ClockingIn addition to audio inputs and outputs, Dante and USB ports, Sonicview is equipped with a GPIO interface (on a DB25 connector) with eight inputs and eight outputs for external control, making it suitable for events and relay applications. BNC wordclock In and Out/Thru enable digital audio synchronisation, and an Ethernet port can connect to a Wi-Fi router for wireless control. Sonicview also has two Tascam expansion slots that accept a selection of expansion cards.The Music Never StopsYour business depends on reliable equipment that will stay in service with minimal interruptions, and we designed Sonicview consoles accordingly. Sonicview’s recording and mixing engine and real-time operating system are completely separated from the physical mixing surface, greatly improving stability. In the unlikely event that the mixing surface becomes inoperable, the sound won’t stop, and operation can be restored by restarting the control surface operating system. Meanwhile, the show will go on.

Accelerated creativity, intelligent production UF8 is SSL’s latest studio controller, designed for today’s DAW-based production workflows and ultrafast turn-around times. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation.UF8 is the culmination of SSL’s 40+ year legacy of mastering production workflows and studio ergonomics built into generations of classic SSL consoles. This depth of understanding of studio production, combined with decades of engineering excellence, delivers a premium finish tactile USB controller that distills SSL workflow and quality.Music Creation & ProductionWith UF8 at the heart of your studio setup, you can effortlessly navigate through large sessions and focus on the music, instead of the mouse. Hi-res displays with constant visual feedback and intuitive layout of controls allow you to stay creative for longer.Content Creation & Webcasting Whether you need to solo tracks quickly or access your most used editing functions from the touch of a button, UF8 will help you create more engaging content for your audiences, faster and more efficiently.Post-ProductionUF8 is perfect for finessing your dialogue automation rides and assigning all your essential session shortcuts to the user-keys for enhanced productivity, tailored to suit your post workflow.Music MixingPut some feel back into your mixing with UF8's 100 mm high-quality motorised faders, perfect for balancing multiple tracks at once or riding your reverb sends. Scale your system up to 32 faders (4 UF8s), for the full SSL mix experience.

Advanced hybrid production BiG SiX combines production tools from iconic SSL studio consoles with the latest in hybrid workflow. G-Series Bus Compressor with renowned ‘Auto’ release, E-Series EQ, glorious sounding mic pres with channel processing, and advanced monitoring and routing, all designed on a SuperAnalogueTM foundation and brought together with full USB integration. BiG SiX is the essential SSL studio. BiG SiX is the natural evolution of the modern-day studio classic, SiX. Incorporating feedback from a wide range of artist, producers and engineers, BiG SiX increases its capacity in almost all areas with four SuperAnalogueTM mic pres, four SuperAnalogueTM stereo inputs with dual mono switching, 3 band E-Series EQ on every channel, dual independent headphone outs with source matrix and much more. Whether you’re wanting to take your content creation or post-production to the next level with SSL analogue processing or require advanced hybrid workflow for multitrack recording or stem mixing, BiG SiX offers absolute flexibility and creative agility for any production scenario. Bus Compressor Strapped across the mix bus of  BiG SiX is the legendary G Series Bus Compressor, ready to add drive, energy and that all important 'finished' sound to your productions. Using exactly the same circuit topology as the original design found on the SL 4000 G-Series console, the Bus Compressor within BiG SiX has fixed 4:1 ratio, 30 ms attack and 100 ms release. These 'set and forget' settings are the go-to for many SSL large format console users, who will often engage the Bus Compressor very early in a session and build the mix into it. The BiG SiX Bus Compressor features the renowned ‘Auto’ release setting, adding further flexibility to this essential version of the legendary glue and punch maker. USB interface BiG SiX contains a class compliant USB 96 Khz / 24 bit interface to connect to a PC or MAC. The interface is paired with 16 high quality A/D and D/A converters that are connected to the SuperAnalogueTM signal chain in BiG SiX. The first 12 channels are split across the first 12 inputs/outputs and can be switched pre/post fader. USB channels 13-16 route to/from External inputs and Master buses. Alternatively, sends 9/10 and 11/12 can be fed from the stereo cue buses. Perfect for additional ITB processing. Preamps Fast, detailed and very, very punchy. BiG SiX’s SuperAnalogueTM preamps are capable of comfortably handling a wide variety of microphones (including ribbon) thanks to their super wide gain range. They feature a dedicated line input with Hi-Z, 48V, high pass filter and polarity switch, and will get the absolute best out of your new and vintage instruments and line level sources. Channel compressor Smooth, refine and add character with classic SSL channel compression. The compressors program dependent attack time (8ms – 30ms), release time around 300ms and the gentle 2:1 ratio allow the compressor to work across a wide variety of content and makes up one of the three compression flavours BiG SiX offers. 3 band SSL EQ The channel EQ on BiG SiX has its roots in SSL’s classic E series, matching its  EQ curves on the broadest setting. It is a broad stroke three-band design with high and low shelving filters at 3.5 kHz and 60 Hz, adjustable from +15 dB to -15 dB of gain and a fixed Mid Frequency control at 700 Hz. The HF and LF bands can be independently switched between shelving and bell curves, and can be found on every channel of BiG SiX. SuperAnalogue design Initially developed for the SL 9000 Series consoles to take analogue performance to the next level, SuperAnalogueTM technology is at the heart of BiG SiX and is fundamental to what sets it (and SiX) apart from other desk-top mixers. SuperAnalogueTM technology is the sum of an applied design philosophy, constant invention, and dedication to optimizing every detail of our precision audio products. There are many contributing aspects, including our bespoke circuits, ground-breaking low-noise gain control, servo-coupled amplifier stages, and many more. 

Ψηφιακή κονσόλα σε μορφή rack 12 IN (4 Midas pro Mic/Line-8 Line) & 4 Out (2 Aux Out - 2 L/R). Πλήρης έλεγχος της λειτουργίας μέσω υπολογιστή ή μέσω tablet IOS & Android. Ενσωματωμένο WiFi router. Eξοδος ακουστικών με ρύθμιση έντασης. MIDI In/Out. Σύνδεση USB για εγγραφή stereo σε USB Stick. Κατασκευαστής MIDAS Application Portable PA Δυνατότητα Rack Mount Ναι Κανάλια (ch) 12 Τύπος Κονσόλας Ψηφιακή Είσοδοι (Mic) 4 Μονάδα Effect Ναι Διάταξη Κονσόλας Κάθετη Aux 2 USB Flash Ναι Equalizer Ναι Μοντέλο MR12 Part Number 000-C8G Εγγύηση 10 Χρόνια Εγγύηση

The StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.Specifications : Type: Rackmount Digital MixerChannels: 40 x 40 (USB), 55 x 55 (AVB networking)Inputs - Mic Preamps: 32 x XLR-1/4" combo (mic/line)Phantom Power: YesInputs - Other: 1 x Dual RCA StereoOutputs - Main: 2 x XLROutputs - Direct: 16 x 1/4" (mix out)Data I/O: 1 x EtherCon (AVB), 1 x RJ-45 (network control)USB: 1 x Type BComputer Connectivity: USB (40 x 40), Ethernet (AVB, 55 x 55)Headphones: 1 x 1/4" TRSEQ Bands: 4-band/6-band Parametric EQ, 31-band Graphic EQEffects: Studio Magic Plug-in SuiteSignal Processing: Gate, Compressor, LimiterFeatures: Onboard stereo SD recorderSoftware: Studio One Artist, UC Surface Touch, Capture, QMix-UCOS Requirements - Mac: OS X 10.8.5 64-bit or later, Intel Core i3 or higherOS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higherRackmountable: YesPower Source: Standard IEC AC cable

Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32SX is a Series III S 32-channel digital console, recorder, and audio interface in a low-profile, space-saving frame. The mixer features an integrated hardware and software system with a full-color touchscreen, 25 touch-sensitive, motorized faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound check, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music. The StudioLive 32SX boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analog FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand to hookup a house music source and a separate stereo recorder. Record 32 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the StudioLive 32SX's built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more. At a Glance 40 mixing channels 26 buses 32 recallable XMAX preamps via 16 XLR inputs and 16 XLR-1/4" combo inputs 25 touch-sensitive motorized faders Fixed input layer Fat Channel Dual-core FLEX DSP mix engine 286 processors in various form factors Low-profile, space-saving frame Powerful Mixing Features Expandable plug-in processing with ten vintage EQ and classic compression options on every input channel and bus Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band EQ per input channel High-pass filter, compressor, limiter, output delay, and parametric 6-band EQ per bus FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses 16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks Four static subgroup buses with 1/4" outputs Four designated effects buses 24 DCAs to control groups of channels True virtual soundcheck simplifies mix configuration Enhanced scene management with scenes organized into projects, scene lock, and channel safe Password-protected user profiles enable restricting access to specific features Channel scribble strips and input metering Audio Networking Built-in AVB networking allows the creation of a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and the SW5E AVB switch (all available separately) Connect NSB-series stage boxes to add remote analog inputs and outputs wherever required Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes Network multiple StudioLive Series III mixers Route audio to and from any device on the AVB network, thanks to the flexibility of digital patching Multichannel Recording Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0 Record to SD card, via USB, or to both simultaneously for safe, redundant live recording Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic Pro HUI emulation mode optimized for Pro Tools Complete Software Bundle UC Surface touch-control for Mac, Windows, and iPad Capture recording app with virtual soundcheck for Mac and Windows Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows QMix-UC personal monitor mix control for iPhone, iPod touch, and Android

The Most Formidable StudioLive Yet The StudioLive 64S is a powerhouse — it’s PreSonus’s most formidable offering yet. This 64-channel digital mixer boasts a quad-core FLEX DSP engine with enough muscle to drive 526 simultaneous processors, and then some. What’s more, its FLEX FX multi-effects processor vaunts eight slots of reverb emulations and delays with eight dedicated effects buses. Benefit from easy expandability thanks to built-in AVB networking. Enjoy versatile operation by virtue of the 64S’s 32 Flex Mixes. Shape and polish each channel to perfection courtesy of PreSonus’s lauded Fat Channel processing. The PreSonus StudioLive 64S includes a comprehensive software suite, which enables you to make top-flight recordings right from the get-go. Quad-core FLEX DSP engine boasts impressive processing muscle The StudioLive 64S is packed with serious power. Its quad-core FLEX DSP engine possesses enough processing muscle to run 526 simultaneous processors, 43 mix buses, and 76 mixing channels. And its FLEX FX multi-effects processor includes eight slots of reverb emulations and delays with eight dedicated effects buses. At Sweetwater, we’re impressed by the sheer amount of raw power that’s lurking under the 64S’s hood. Three options for multitrack recording The PreSonus StudioLive 64S gives you three efficient options for multitrack recording. A built-in SD card recorder allows you to record all inputs simultaneously, and you can also play back from the SD card to do virtual soundchecks without a computer. You can also connect to a computer via USB for 64 channels of recording and playback — almost twice that of previous generations. And the StudioLive 64S supports AVB over Ethernet too, enabling you to interface directly with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and SW5E AVB switches. Pristine XMAX preamps for sound reinforcement and recording Simply put, the 32 Class A XMAX preamps onboard the StudioLive 64S sound like they belong in the studio. Their high headroom and low noise floor deliver extremely clean and clear sound you simply wouldn’t expect from a live console. And mic preamp settings are fully recallable, which is a huge time saver when you mix or record the same band or show on a regular basis. Flex Mixes offer a ton of freedom for any mixing application It can be frustrating trying to use the same mixer for many different tasks. Thanks to Flex Mixes, that’s not the case with the PreSonus StudioLive 64S. Flex Mixes can be set up as aux mixes, subgroups, or matrix mixes, depending on what your show demands. Need a ton of different monitor mixes for a large group of musicians? No problem, you can create up to 32 aux sends if you need to. Same with subgroups and matrix mixes — perfect for theater productions and multi-zone venues, respectively. Basically, the 64S’s Flex Mixes allow you to adapt your mixer to the mixing task at hand, instead of adapting your workflow to the limitations of your mixer. Advanced processing for EQ, compression, and effects The StudioLive series of consoles has always been known for outstanding effects and processing capabilities, and the StudioLive 64S takes it even further. Its FLEX FX multi-effects processor supplies you with eight internal effects buses that are loaded with a combination of reverbs, delays, and other effects that you can route any channel through. On top of that, Fat Channel processing offers vintage EQ and compressor models on every channel. And if you crave even more plug-in processing power, you can bolster your 64S with PreSonus’s Fat Channel Collection (sold separately). Includes a plethora of useful software The PreSonus StudioLive 64S is a complete solution. It includes UC Surface mix control software, which enables you to access virtually any aspect of your mix, and with support for up to four screens, you could hardly ask for more comprehensive feedback. Capture live recording software records all 64 channels plus a stereo mix of your choosing via USB, to an SD card, or both for a redundant live recording rig. You also get Studio One Artist — a powerful DAW with smart features aimed at making you a total creative beast. What’s more, the 64S is compatible with the free QMix-UC app, which allows artists to control their own monitor mixes. PreSonus StudioLive 64S Digital Mixer Features: 64-channel digital mixing console with built-in SD card recorder Quad-core FLEX DSP engine possesses enough processing muscle to run 526 simultaneous processors, 43 mix buses, and 76 mixing channels Record and play back up to 64 channels via USB — almost twice that of previous generations Supports AVB over Ethernet for use with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and SW5E AVB switches Built-in SD card support for multitrack recording and virtual soundchecks Main Left, Right, and Mono/Center buses with per-channel mono send level and center divergence control Fully recallable XMAX preamps with ultra-low noise floor 33 touch-sensitive motorized faders allow you to mix with precision 24 DCA groups help you manage complex productions with high channel counts FLEX FX multi-effects processor vaunts 8 slots of reverb emulations and delays with 8 dedicated effects buses Fat Channel processing provides vintage EQ and compression options for each channel Better visual feedback than ever, with full-color touchscreen and channel scribble strips Advanced scene management helps you manage complex mixing tasks more efficiently 32 Flex Mixes can be used as aux mixes, subgroups, or matrix mixes DAW control with advanced Studio One integration, MCU emulation for Logic, and HUI emulation for Pro Tools Software package includes UC Surface 2 touch-control software (Mac/PC/Android/iOS), Capture recording software (Mac/PC), Studio One Artist DAW software (Mac/PC), QMix personal monitoring app (iOS/Android) Compatible with the Fat Channel Collection (sold separately)

Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32S is a Series III S 40-channel digital mixing console, recorder, and audio interface in a single enclosure. The mixer features an integrated hardware and software system with a full-color touchscreen, 33 touch-sensitive, motorized faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound check, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music. The StudioLive 32S boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analog FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand for hooking up a house music source and a separate stereo recorder. Alternatively, you can wirelessly stream music from a mobile device to the mixer's built-in Bluetooth receiver. Record 40 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more. At a Glance 40 mixing channels 26 buses 32 recallable XMAX preamps via 16 XLR inputs and 16 XLR-1/4" combo inputs 33 touch-sensitive motorized faders Dynamic Fat Channel layout allows access to every Fat Channel parameter and aux send via eight Fat Channel encoders with scribble strips Dual-core FLEX DSP mix engine 286 processors in various form factors Built-in Bluetooth receiver for wireless music streaming Powerful Mixing Features Expandable plug-in processing with ten vintage EQ and classic compression options on every input channel and bus Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band EQ per input channel High-pass filter, compressor, limiter, output delay, and parametric 6-band EQ per bus FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses 16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks Four static subgroup buses with 1/4" outputs Four designated effects buses 24 DCAs to control groups of channels True virtual soundcheck simplifies mix configuration Enhanced scene management with scenes organized into projects, scene lock, and channel safe Password-protected user profiles enable restricting access to specific features Channel scribble strips and input metering Audio Networking Built-in AVB networking allows the creation of a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and the SW5E AVB switch (all available separately) Connect NSB-series stage boxes to add remote analog inputs and outputs wherever required Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes Network multiple StudioLive Series III mixers Route audio to and from any device on the AVB network, thanks to the flexibility of digital patching Multichannel Recording Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0 Record to SD card, via USB, or both simultaneously for safe, redundant live recording Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic Pro HUI emulation mode optimized for Pro Tools Complete Software Bundle UC Surface touch-control for Mac, Windows, and iPad Capture recording app with virtual soundcheck for Mac and Windows Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows QMix-UC personal monitor mix control for iPhone, iPod touch, and Android

Small digital mixer. Big power. The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don't let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording and AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig. The scalable digital mixer. The StudioLive 32SC digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxesto add remote analog inputs and outputs wherever they’re required and complete your 32-channel, 16-bus StudioLive 32SC. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching on your StudioLive 32SC digital mixer and in UC Surface remote mixer software. Superior sound. We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SC digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SC mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SC mixer scene, the mic preamp trim values can also be recalled along with the other settings. The mobile music recording studio. PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SC digital mixer or on your Mac or Windows computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show. Features: Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 17 touch-sensitive motorized faders 16 local digitally controlled XMAX mic/line inputs 16 digital channels (AVB, USB, or SD) 2 balanced stereo aux inputs 1 stereo tape input (RCA, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays

Your AVB Stage-to-Console SolutionA perfect partner for StudioLive Series III consoles.Designed to work seamlessly with PreSonus® StudioLive® Series III console/recorders the PreSonus NSB 16.8 is an 16-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network.With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 16.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software.Making connections—lots of them.A stage box is all about analog connectivity, and the NSB 16.8 gives you all the I/O you need and then some. You get 16 locking combo mic/line inputs equipped with our famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios.All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software. All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations.What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.Tough enough for the most demanding tours.Even if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So we built the NSB 16.8 into a rugged steel chassis designed to survive the rigors of the road, and we equipped it with sturdy handles.Its classic stage box form factor allows the NSB 16.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 16.8 also is compatible with stage pockets from Ace Backstage.Everything you need...and then some.“StudioLive” doesn’t just mean “digital mixers.” StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.With Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning.Stay in the PocketThe ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8, NSB 16.8) for portable onstage use and passive storage.One PreSonus NSB slides easily in and out of the ACE Stage Pocket Nesting Frame. The NSB is secure while resting inside the Stage Pocket, allowing I/O cables to egress neatly through Hinged Cable Exits in the Lid, and onto the stage floor. Additional room for a single space rack panel inside the Stage Pocket makes it possible to add additional connectivity at the stage floor.Features :For StudioLive Series III mixing consoles16 Mic / line inputs (combo jacks, XLR / jack)16 Remote-controllable XMAX Class A mic preamps48 Volt phantom power with 16 status LEDsGain compensation for shared use8 Line outputs (XLR)Mute All button2 AVB Ethernet ports with locking RJ45 socketsConnection to the console via a CAT5e or CAT6 cableCascadable via AVB (daisy chain)Can also be operated via control software "UC Surface"Interlocking IEC power socketRobust steel housing 

Professional, networked personal monitoring.Designed to work seamlessly with the PreSonus® StudioLive® Series III family of mixers, yet compatible with other AVB-enabled systems, the PreSonus EarMix® 16M personal monitor mixer provides a high-quality, expandable, networked monitoring solution for stage, installed sound systems, and studio recording.We gave EarMix 16M fully professional sound quality, build quality, and features, including a high-performance headphone amplifier, to ensure you have the monitoring you need for any situation. Each EarMix 16M accepts 16 mono channels of input via AVB networking—and you can network multiple units with a StudioLive Series III mixer. Loud, clear, customizable mixes.High-quality monitoring is crucial for artists to deliver their best performance, so we’ve given the EarMix 16M a loud, clear headphone amplifier that can drive low-impedance devices such as professional-caliber in-ear-monitors. We started with a top of the line digital-to-analog converter for the best dynamic range and signal-to-noise ratio.We took special care in the amplifier design to deliver excellent sound with a wide range of in-ear monitors and headphones with different impedances. Controls and inputs can be customized on each unit to allow each musician to create a mix that works best for them. Once you’ve perfected a set of monitor mixes, save the whole scene to internal memory; you can store and recall up to 16 mix scenes locally. What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB. PoE: Remote power for networked devices.The EarMix 16M can be powered with its included external power supply but in many cases—such as when it’s difficult to provide power across multiple onstage locations—it’s better to use Power over Ethernet (PoE). PoE is a technology that enables network cables to carry electrical power to compatible devices.With PoE, a single cable delivers both network data, such as digital audio, and electrical power. You can locate a PoE-enabled device anywhere you can run an Ethernet cable because you don’t need a local power source. Moreover, PreSonus’ SW5E five-port AVB switchenables you to connect multiple EarMix 16Ms to the AVB network and provides PoE. A system that can grow with your needs.One EarMix 16M is a beautiful thing but the system really shines when you need monitoring for the whole band. A pair of AVB jacks enable you to chain multiple EarMix 16Ms while also connecting to a StudioLive Series III mixer.You can expand even further by chaining EarMix 16Ms from multiple PreSonus SW5E AVB switches. Once you’ve created your AVB network, setting up EarMix 16M routings from a networked StudioLive Series III console or using free PreSonus UC Surface control software for Mac, Windows, iPad, and Android is fast and easy. ​ Your ears—and bands—will thank you.EarMix 16M’s connectivity, AVB networking with PoE, and PreSonus’ famed hardware/software integration give you all the tools you need to create a truly professional personal monitoring system that can serve even the largest ensembles.We remembered the little things, too, like an optional microphone stand mount. Best of all, thanks to loud, clear headphone amps, high-end converters, and top-quality signal processing, EarMix 16M delivers exceptional sound quality that will further enhance your hard-earned reputation as an audio professional.   Features:Analog Input/Output1/8-inch stereo aux input2 Balanced ¼-inch TRS line outputs¼-inch TRS stereo headphone output with loud, clear headphone amp that can drive low-impedance in-ear monitorsMeters, Controls, and Processing3-band EQ with sweepable mid frequency on all channels and main mixLimiter on all channels and main mixStereo channel linkingChannel groupingSolo and MuteMix scene Store and Recall; store up to 16 mix scenes locally16 Signal present and clip LEDs (one for each input)8-segment stereo output meterChannel Level rotary control with 8-segment level indicatorAux Input level controlIndependent Monitor (line out) and Phones level controlsRouting setup from StudioLive Series III consoles and UC SurfaceDigital16 mono channels of input via AVB networking2 AVB Ethernet ports24 bit, up to 48 kHz operation 

Your AVB Stage-to-Console SolutionA perfect partner for StudioLive Series III consoles.Designed to work seamlessly with PreSonus® StudioLive® Series III console/recorders, the PreSonus NSB 8.8 is an 8-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network.With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 8.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software. Making connections—lots of them.A stage box is all about analog connectivity, and the NSB 8.8 gives you plenty. You get eight locking combo mic/line inputs equipped with our famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios. All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software.All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations. What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie.These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB. Tough enough for the most demanding tours.Even if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So we built the NSB 8.8 into a rugged steel chassis designed to survive the rigors of the road, and we equipped it with sturdy handles.Its classic stage box form factor allows the NSB 8.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 8.8 also is compatible with stage pockets from Ace Backstage Everything you need...and then some.“StudioLive” doesn’t just mean “digital mixers.” StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.With Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning. Stay in the PocketThe ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8, NSB 16.8) for portable onstage use and passive storage.One PreSonus NSB slides easily in and out of the ACE Stage Pocket Nesting Frame. The NSB is secure while resting inside the Stage Pocket, allowing I/O cables to egress neatly through Hinged Cable Exits in the Lid, and onto the stage floor. Additional room for a single space rack panel inside the Stage Pocket makes it possible to add additional connectivity at the stage floor. Features :For StudioLive Series III mixing consoles8 Mic / line inputs (combo jacks, XLR / jack)8 Remote-controllable XMAX Class A mic preamps48 Volt phantom power with 8 status LEDsGain compensation for shared use8 Line outputs (XLR)Mute All button2 AVB Ethernet ports with locking RJ45 socketsConnection to the console via a CAT5e or CAT6 cableCascadable via AVB (daisy chain)Can also be operated via control software "UC Surface"Interlocking IEC power socketRobust steel housing

The perfect partner for a StudioLive Series III console.The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs.You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U). The most powerful rack mixer in its class.When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps.Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors.Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio. A third-generation Fat Channel.StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs.In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system. Technical Specifications Digital Audio and Control ADC Dynamic Range115 dB (A-wtd, 48 kHz)DAC Dynamic Range115 dB (A-wtd, 48 kHz)USB Recording PortUSB 2.0, Type-BNetwork Control PortRJ-45AVB Audio Network PortLocking XLR EthernetInternal Processing32-bit, floating pointSampling Rate48 kHz (44.1 kHz coming soon)A/D/A Bit Depth24Reference Level for 0 dBFS+18 dBuTotal System Latency1.9 ms (local routing, analog in-analog out, all processing active) Mi​crophone Preamplifier Input TypeCombo locking XLR mic-¼” TRS lineFrequency Response to Main Output (at unity gain)20-20 kHz, ±0.5 dBuInput Impedance1 kΩTHD to Main Output

Our StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we’ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package. In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.) But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.  8 mono mic/line channel inputs:High-headroom Class A XMAX™ mic preamplifierXLR mic and balanced ¼' line inputs60 mm precision fader4 stereo line channel inputs:High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)XLR mic inputs (Ch. 9, 11, 13, and 15)Balanced ¼' line inputs (Ch. 9-16)Unbalanced RCA line inputs (Ch. 13-16)60 mm precision fader (4 stereo)4 Auxiliary buses (pre/post-fader send)2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presets Fat Channel signal processing on all channels and buses:3-band semi-parametric EQ (individual band on/off)Full-featured compressorStandard downward expanderLimiterPhase reverse (12 mic preamplifiers only)Pan with dedicated 15-LED displayStereo link for input channels and aux busesHigh-pass filter  Computer system requirements:WindowsWindows XP, Vista, Windows 7 (32- and 64-bit)Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)1 GB RAM (2 GB or more recommended)MacintoshMac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)1 GB RAM (2 GB or more recommended) Windows and Macintosh SystemsInternet connection recommendedDVD-ROM driveInternal or external 7200 RPM storage drive highly recommended

18-Input Digital Mixer for iPad/Android Tablets with 16 MIDAS PRO Preamps, Integrated Wifi Module and Multi-Channel USB Audio Interface. The MIDAS M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music.Χαρακτηριστικά:iPad*/Android* tablet controlled 18-input digital mixer for studio and live application16 award-winning MIDAS PRO microphone preamplifiersBuilt-In Tri-Mode Wifi router for direct operation—no need for external routers18 x 18 channel, bidirectional USB2.0 interfaceDugan*-style Auto-Mixing automatically manages microphone gain sharing4 digital signal processing effects enginesULTRANET connectivity for P-16 Personal Monitoring System*Rack ears and protection bumpers included for flexible rack and onstage applications6 aux and main LR buses with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ6 XLR aux outputs and 2 XLR main outputs plus phones connector40 bit floating point digital signal processingFree iOS, Android and PC/Mac*/Linux* apps available for remote operation via Ethernet, LAN or WiFiMIDI In/Out allows controlling the mixer via MIDI equipment or for use as a USB MIDI interfaceFuture firmware updates, incl. new FX “Plug Ins”, downloadable from midasconsoles.com free of chargeAuto-ranging universal switch-mode power supply 

In the past decade, the technological revolution has transformed audio into a medium that is produced and delivered in the digital domain. Powerful Digital Audio Workstations have transferred the entire recording studio into a virtual environment where all elements of the studio appear conveniently on a computer screen.But what has been lacking with the modern digital studio, is the same powerful workflow as what was accomplished on tactile mixing consoles. So back in 2012, Slate Media Technology came up with a solution. If the entire production studio was on a computer screen, why not turn the actual computer screen INTO a world class control surface? And the RAVEN series of Multi-Touch consoles was born. Soon the RAVEN would be the preferred control surfaces of major studios, engineers, producers, artists, and educational institutions like Mark Needham, Terry Lewis, Will.i.am, Jimmy Douglass, Snoop Dogg, Steve Aoki, Full Sail University, and SAE.Raven 3.0Raven 3.0 now adds customized multi-touch control of Ableton Live, Cubase/Nuendo, Digital Performer, Logic Pro X, Pro Tools 10-12, and Studio One V3 on Mac as well as Windows compatibility for Pro Tools 10-12, Cubase 8 & 9 and Nuendo 7.Faders 3.0Faders 3.0 are our newest multi-touch faders that allow the most precise control of your DAW faders. By integrating multi-touch 100mm virtual faders directly into each DAW, the engineer has seamless control over mix levels and automation. The new 3.0 algorithm gives the faders a virtual ‘feel’ that allows an intuitive feeling action that is comfortable and even fun to use. And for the most critical automation, FINE FADER mode can quadruple the resolution of the faders so you can get even the most minute moves down in the first pass with ease and perfection.Raven GesturesWe’re proud to announce the next evolution of the RAVEN Control software called GESTURES. As its name implies, GESTURES allows classic multi touch gestures to control important elements of the DAW such as opening and closing plugins, muting and unmuting tracks, zooming in and out, and more.Features:8 Stereo inputs3 Speaker Sources with LFE Enable per speaker pair.2 Stereo Cue Outputs to feed Headphone Amps.Talk Back system with built in mic and “Talkback Presets” to independently send talkback to specified outputs.CAL Mode to pre-set a reference monitoring level.LFE Output with LPF & Crossover Point, Phase and Level.DB25 Connections for Inputs and OutputsDB9 Connections for VU Aux and Talkback AuxPowered USB 2.0 inputs x2 

The Soundcraft Vi1000 digital mixing console represents the culmination of the groundbreaking achievements and rich feature set offered by Soundcraft's acclaimed Vi Series—now in a more compact form factor.The reduced footprint of the Vi1000 makes it ideal for smaller touring projects, rental companies, corporate AV applications, as well as music venue, theater and HOW installations in search of a versatile digital mixer. Among its many features, the Vi1000 incorporates Vistonics II 'knobs-on-glass' functionality, making it easy to see and access the power and versatility of the mixing environment; along with Soundcraft Faderglow™ colour coding, which illuminates the fader slots according to function using clearly defined colours.Offering pristine audio quality, a wealth of functionality, an intuitive user interface for streamlined operation, and the roadworthy reliability that Soundcraft's Vi Series consoles are known for, the new Vi1000 delivers space saving, world-class audio mixing capability.Features:96 input channels with 24 mono/stereo mix busses, plus LRC master bussesVistonics II proprietary ‘knobs-on-glass’ functionality; key to the console’s streamlined, intuitiveoperational interface and widely praised as the easiest-to-use digital console on the marketSpiderCore™ integrated DSP engine ensures superior audio performanceSoundcraft Faderglow color coding illuminates the fader slots according to functionIntegrated Dante™ interface facilitates instant connection to industry standard Dante audionetworksTwo double-slot expansion slots for Stagebox connection or option card installationBuilt-in Lexicon world-class reverb, delay, and pitch effects from the industry’s leading brandOnboard BSS DPR901ii dynamic EQ digitally modelled after the original, industry-standard BSSanalog unitIntegrated microphone monitoring for AKG, Shure®, and Sennheiser wireless systemsIncluded vMIX automatic microphone mixing for two groups of up to 16 mics in conference ortheatrical applicationsProven electronic and mechanical design delivers the performance and reliability Vi Seriesconsoles are known for 

Drawing on the combined heritage of legendary Soundcraft quality and the powerful and intuitive Vi Series digital live sound mixers, the Si Performer brings unparalleled mix power and performance to small format digital live sound mixers. Sitting where a plethora of gear once was, the Si Performer delivers the equivalent of 448 rack units of DSP including sophisticated 4-band fully parametric EQ, full dynamics processing, a comprehensive range of output options, totally flexible routing and, as with all Soundcraft consoles, an unmatched range of options to fully integrate the Si Performer into an existing system or become the centre of a thriving new installation. The Si Performer also takes mixing out of the dark with powerful digital audio mixing facilities married to a DMX 512 controller allowing for the first time the mixing console to also run the lighting rig! 'Music & Lights; these have been partners in the entertainment and production industry since amplified sound met the electric light but until now even the simplest lighting setup would require a separate lighting controller console, road case and somewhere to put it; Soundcraft Si Performer changes everything. Empowering the console with a DMX interface, the Soundcraft Si Performer is able to utilize the power of motorised faders, Soundcraft FaderGlow™ and a console automation system to provide a flexible automated lighting controller ideal for schools, churches, touring theatre companies and conference productions. The Si Performer 2 features 24 local recallable mic pre amps and 8 stereo inputs along with two ViSi Connect™ option card slots with an additional 128x96 input/output paths (one 64x64 expansion slot and another 64x32 expansion slot). Able to utilise Si series ViSi Connect™ option cards, the Si Performer gives a large range of additional digital I/O connectivity including the MADI USB Combo, BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others with a massive mix capacity of 64 mono inputs for a total of 80 inputs to mix. Each input channel has dedicated processing for high pass filter, input delay, gate, compressor and parametric EQ. Keeping you in control are 8 VCA busses, 8 mute groups, FaderGlow and colour backlit name displays on every channel so you are never lost. All Si Performer consoles have busses and output processing to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes or 8 mono plus 6 stereo mixes, whilst the matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four mix busses dedicated to the internal Lexicon FX processors and left, right and centre busses with options for mixing left/right + mono/centre or left/centre/right (LCR). Each bus features a compressor, 4 band fully parametric EQ, graphic EQ and delay always available all of the time. To complement the channel and bus processing all Si Performer consoles integrate four Stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based use of all the effects even on the most demanding programmes do not affect the processing in any way and all dynamics, PEQ and all bands of all 31 graphic EQs are available all of the time. Flexible onboard and expansion I/O options ensure the Si Performer integrates effortlessly with other system components; along with the 16 mic inputs there are eight analogue line inputs, AES in and out, 16 analogue line outputs, headphone monitor out, a 64x64 channel expansion slot and another 64x32 expansion slot each capable of utilising any of the Si series option cards including CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Performer to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility; but all this power is nothing without control and here the Si Performer excels with a comprehensive but 'simple to use' control surface. As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of latest generation EMMA™ DSP processors, the same DSP platform that has helped propel the Si and Si Compact series to industry standard status; this power united with reliability and flexibility puts the Si Performer in a class of its own.Specifications:Number of Analog Outputs: 16VCA/DVA: 8Matrix: 8Busses: 20Effects: YesNumber of Input Faders: 22Master Outputs: 1Number of Output Faders: 2.0Mono Outputs: 1Direct Out: YesWord Clock: YesNumber of Line Inputs: 32Power Supply type: InternalMidi Interface: 5-POLEΠοσότητα Παραγγελίας: 1Number of Microphone Inputs: 24Channels/Κανάλια: 80EQ's: 4-BandType: Digital

Drawing on the combined heritage of legendary Soundcraft quality and the powerful and intuitive Vi Series digital live sound mixers, the Si Performer brings unparalleled mix power and performance to small format digital live sound mixers.  Sitting where a plethora of gear once was, the Si Performer delivers the equivalent of 448 rack units of DSP including sophisticated 4-band fully parametric EQ, full dynamics processing, a compr​ehensive range of output options, totally flexible routing and, as with all Soundcraft consoles, an unmatched range of options to fully integrate the Si Performer into an existing system or become the centre of a thriving new installation. The Si Performer also takes mixing out of the dark with powerful digital audio mixing facilities married to a DMX 512 controller allowing for the first time the mixing console to also run the lighting rig! 'Music & Lights; these have been partners in the entertainment and production industry since amplified sound met the electric light but until now even the simplest lighting setup would require a separate lighting controller console, road case and somewhere to put it; Soundcraft Si Performer changes everything. Empowering the console with a DMX interface, the Soundcraft Si Performer is able to utilize the power of motorised faders, Soundcraft FaderGlow™ and a console automation system to provide a flexible automated lighting controller ideal for schools, churches, touring theatre companies and conference productions. The Si Performer 1 features 16 local recallable mic pre amps and 8 stereo inputs along with two ViSi Connect™ option card slots with an additional 128x96 input/output paths (one 64x64 expansion slot and another 64x32 expansion slot). Able to utilise Si series ViSi Connect™ option cards, the Si Performer gives a large range of additional digital I/O connectivity including the MADI USB Combo, BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others with a massive mix capacity of 64 mono inputs for a total of 80 inputs to mix. Each input channel has dedicated processing for high pass filter, input delay, gate, compressor and parametric EQ. Keeping you in control are 8 VCA busses, 8 mute groups, FaderGlow and colour backlit name displays on every channel so you are never lost. All Si Performer consoles have busses and output processing to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes or 8 mono plus 6 stereo mixes, whilst the matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four mix busses dedicated to the internal Lexicon FX processors and left, right and centre busses with options for mixing left/right + mono/centre or left/centre/right (LCR). Each bus features a compressor, 4 band fully parametric EQ, graphic EQ and delay always available all of the time. To complement the channel and bus processing all Si Performer consoles integrate four Stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based use of all the effects even on the most demanding programmes do not affect the processing in any way and all dynamics, PEQ and all bands of all 31 graphic EQs are available all of the time. Flexible onboard and expansion I/O options ensure the Si Performer integrates effortlessly with other system components; along with the 16 mic inputs there are eight analogue line inputs, AES in and out, 16 analogue line outputs, headphone monitor out, a 64x64 channel expansion slot and another 64x32 expansion slot each capable of utilising any of the Si series option cards including CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Performer to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility; but all this power is nothing without control and here the Si Performer excels with a comprehensive but 'simple to use' control surface. As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of latest generation EMMA™ DSP processors, the same DSP platform that has helped propel the Si and Si Compact series to industry standard status; this power united with reliability and flexibility puts the Si Performer in a class of its own.Specifications:16 mono mic inputs8 line inputs80 channels to mix2 ViSi Connect™ option card slots for 128 x 96 input/output pathsPre/Post selection per input per busFreely assignable faders and patchingSoundcraft FaderGlow™Colour backlit LCD screens per faderGEQ on every bus20 sub-group / aux busses4 FX busses8 Matrix bussesLRC Mix bussesLCR panning4 Stereo Lexicon Effects enginesDelay on inputs and outputs8 Mute Groups​​​

Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft® Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic/line inputs there is a model to meet all needs. The Si Expression 3 features 32 recallable mic pre amps (16 on Si Expression 1 and 24 on Si Expression 2) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost. All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot. To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing. Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the ViSi Connect™ Si series option cards including MADI USB Combo, BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like the Soundcraft Realtime Rack™, enables users to link the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said 'Power is nothing without control' and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy. As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA™ DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.

The Soundcraft Ui24R is a complete, rack-mountable, digital mixing and multi-track recording system that delivers flexible I/O, pristine sound quality, intuitive wireless control, and roadworthy reliability—all in a streamlined design. The system can double as a stagebox and can be controlled by up to 10 devices via Ethernet or built-in dual-band Wi-Fi, making it possible to control mixing and multi-track recording wirelessly from anywhere in the venue. Renowned Lexicon, dbx and DigiTech signal processing ensures pristine sound, while 20 Studer-designed microphone preamps deliver more professional inputs than any other mixer in its class. The compact, rack-mounted Ui24R is also compatible with the new HARMAN Connected PA system, and offers unprecedented control, versatility and power at an incredible value. From the stage to the studio, Soundcraft Ui24R is the ultimate system for artists, venues and engineers who need to save space and deliver superior sound. Ui24R brings together industry-leading HARMAN technologies to deliver unprecedented power and mission-critical stability. Renowned Studer preamps deliver rich sound for live performance and multi-track recording, while iconic Lexicon reverbs, choruses, delays, and dbx compression offer polished results for vocals, acoustic guitar and more. dbx AFS2 automatic feedback suppression is available on all monitor outputs, providing an excellent live experience. Plus, DigiTech guitar amp modeling brings a host of effects to any performance, particularly when low stage volume is desired.Features:Renowned Soundcraft quality and performanceBuilt-in dual-band Wi-Fi eliminates the need for a router to provides a reliable connection to up to 10 mobile devices in mission critical situationsControl Ui24R from iOS, Android, Windows, Mac OS and Linux browsers without installing additional appsRecord and mix with the warmth of 20 professional-quality Studer-designed preampsdbx compression and iconic Lexicon reverb and delay processing2 channels of DigiTech guitar amp modelingDual-path, redundant multi-track recording of all 24 inputs to USB drive and connected Mac/PC24 simultaneous inputs (10 combo ¼” TRS/XLR, 10 XLR, 2 line level, 2 digital)4-band parametric EQ, high-pass filter, compressor, de-esser, and noise gate on input channels31-band graphic EQ, noise gate, compressor, and dbx® AFS2 Automatic Feedback Suppression on all outputsReal-time frequency analyzer (RTA) on inputs and outputsCompatible with Mac/PC DAWs and other music softwareCompatible with Harman Connected PA application and system for easier setup and control4U rackmount design

Yamaha TF5 -High input capacity and fader count makes this powerful console ideal for larger applications.Yamaha has always made it a mission to stay in touch with the needs of sound engineers worldwide. The outcome is evident in the success of the recent CL and QL series digital mixing consoles, and the flagship RIVAGE PM10. The key to success has always been in supporting the user’s creativity. Creativity is most effective when unrestricted, and now Yamaha has created a new digital mixing console that gives the user's intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers, as well as newcomers to the field, will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.Features:33 motor faders (32 channels + 1 master)48 input mixing channels (40 mono + 2 stereo + 2 return)20 Aux (8 mono + 6 stereo) + Stereo + Sub buses8 DCA groups with Roll-out32 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs16 analog XLR outputs34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device8 Effects and 10 GEQ1 expansion slot for NY64-D audio interface card

Yamaha TF1 -Compact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems.Yamaha has always made it a mission to stay in touch with the needs of sound engineers worldwide. The outcome is evident in the success of the recent CL and QL series digital mixing consoles, and the flagship RIVAGE PM10. The key to success has always been in supporting the user’s creativity.Creativity is most effective when unrestricted, and now Yamaha has created a new digital mixing console that gives the user's intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement.With the TouchFlow Operation interface optimized for touch panel control, experienced engineers, as well as newcomers to the field, will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.Features:17 motor faders (16 channels + 1 master)40 input mixing channels (32 mono + 2 stereo + 2 return)20 Aux buses (8 mono + 6 stereo) + Stereo + Sub8 DCA groups with Roll-out16 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs16 analog XLR outputs34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device1 expansion slot for NY64-D audio interface card

The Ui Series mixers feature cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices, and can use up to 10 control devices simultaneously. In addition, the Ui12 and Ui16 each feature built-in HARMAN signal processing from dbx, DigiTech and Lexicon, including dbx AFS2, DigiTech Amp Modeling, and more. Both models feature fully recallable and remote-controlled mic gain and phantom power, along with 4-band parametric EQ, high-pass filter, compressor, de-esser and noise gate on input channels. Both mixers offer 31-band graphic EQ, noise gate and compressor on all outputs, plus real-time frequency analyser (RTA) on inputs and outputs. Built in are three dedicated Lexicon FX busses: Reverb, Delay and Chorus. In addition, mixer controls include Subgroups, Mute groups and View groups, among others. The Ui Series mixers feature full Show/Snapshot recallability with channel recall safes. while security lockout features allow customization of device access to only specific functions and mixes if needed. Both mixers also offer independent network interfaces on board for simultaneous control by Wi-Fi and Ethernet, plus a floor-ready rugged chassis for live applications. The Ui16 boasts eight XLR combo mic/line inputs, four XLR mic inputs, two channels of Hi- Z/instrument inputs, as well as a stereo RCA line input. A 2-channel USB media player is included, along with four balanced XLR Aux outputs, two quarter-inch headphone outputs with level control, plus balanced stereo XLR and quarter-inch main outputs. Two-channel USB audio playback is compatible with MP3, WAV and AIFF formats, and 2-channel USB Record direct-to-memory devices functionality is possible as well. The Ui16 also has an HDMI display connection output.Features:Tablet/PC/Smartphone Controlled Digital MixerIntegrated Wi-FiCross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devicesUse up to 10 control devices (tablets, phones, PCs) simultaneouslyLegendary Harman Signal Processing from dbx®, Digitech®, and Lexicon®Fully recallable and remote-controlled mic preamps4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels31-band Graphic EQ, Noise Gate and Compressor on all outputsReal-Time Frequency Analyser (RTA) on inputs and outputs3 dedicated Lexicon® FX effects processors: Reverb, Delay and ChorusSubgroups, Mute Groups, View Groups, and more mixer controlsShow/Snapshot recall with channel safes and security lockout2-channel USB audio playback and recordingPassword-protected Access limitation systemSync ID (multiple browser windows staying in channel Sync)

The Ui12 from Soundcraft is a 12-input remote-controlled, fully recallable digital mixing system, housed in a compact, road-rugged stagebox format. With built-in Wi-Fi, cross-platform compatibility, and the ability to be controlled by any connected device via standard web browser, the Ui12 offers a full-featured, flexible remote mixing solution for a wide variety of live sound reinforcement applications. The Ui12 features cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices, and can use up to 10 control devices simultaneously. In addition, the mixer features signal processing from dbx, DigiTech and Lexicon, including dbx AFS2 feedback suppression, DigiTech amp modeling, and more. It has fully recallable and remote-controlled mic gain and phantom power, along with 4-band parametric EQ, high-pass filter, compressor, de-esser, and noise gate on all input channels. The mixer also features 31-band graphic EQ, noise gate, and compressor on all outputs, plus real-time frequency analyzer (RTA) on all inputs and outputs. Features:Tablet/PC/smartphone controlled digital mixerCross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devicesIndependent network interfaces on board for simultaneous control by Wi-Fi and EthernetFloor-ready, rugged chassis for live applicationsIntegrated Wi-FiUse up to 10 control devices (tablets, phones, PCs) simultaneouslySignal processing from dbx, DigiTech, and LexiconFully recallable and remote-controlled mic preamps4-band parametric EQ, high-pass filter, compressor, de-esser and noise gate on input channels31-band graphic EQ, noise gate and compressor on all outputsReal-time frequency analyzer (RTA) on inputs and outputs3 dedicated Lexicon FX effects processors: reverb, delay and chorusSubgroups, Mute Groups, View Groups, and more mixer controlsShow/Snapshot recall with channel safes and security lockoutIncludes Ableton Live Lite2-channel USB audio playback

Soundcraft SI Performer 3. Digital audio console suitable for small concerts, corporates rental, music groups, theaters and churches. It has 32 mic preamp inputs with the Vi1, 2 stereo line inputs, 25 buses, of which 14 bus (aux-bus) which can be assigned to any of the 16 physical XLR outputs, 4 matrix out, 4 anathetoumena insert send & returns , 4 FX busses, 4 mute groups, 3 master out (LCR).Additional features for each input channel, led bar meter & as a custom color backlit LCD display that shows the channel name or status eg Vocal, MTX, MIX3, DMX1., Digital delay, full parametric equalizer 4 areas, low and high pass filters and settings bell or shelf in HF & LF frequencies, integrated digital processor dynamic areas (compressor, gate, limiter), DMX512 control with 4 preset & control up to 30 DMX addresses. Additional features include 4 on board Lexicon effects, and 30 areas of graphic equalizer for each BSS Audio output, without limiting the DSP console.Led meters on each output and a color touch screen display on the master section. Consoles COMPACT SI series have all consoles like the series this system Fader-Glow and can be a part of HiQnet System HARMAN. Finally have 2 option card slots, for future expansion, as more channels, in-ear system or direct outputs for recording. Operating voltage: 90-264V, 47-63Hz, self. Dimensions: (H x W x D) 170mm x 940mm x 536mm. Weight: 21,5 kg.

The StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.Specifications : Type: Rackmount Digital MixerChannels: 40 x 40 (USB), 55 x 55 (AVB networking)Inputs - Mic Preamps: 32 x XLR-1/4" combo (mic/line)Phantom Power: YesInputs - Other: 1 x Dual RCA StereoOutputs - Main: 2 x XLROutputs - Direct: 16 x 1/4" (mix out)Data I/O: 1 x EtherCon (AVB), 1 x RJ-45 (network control)USB: 1 x Type BComputer Connectivity: USB (40 x 40), Ethernet (AVB, 55 x 55)Headphones: 1 x 1/4" TRSEQ Bands: 4-band/6-band Parametric EQ, 31-band Graphic EQEffects: Studio Magic Plug-in SuiteSignal Processing: Gate, Compressor, LimiterFeatures: Onboard stereo SD recorderSoftware: Studio One Artist, UC Surface Touch, Capture, QMix-UCOS Requirements - Mac: OS X 10.8.5 64-bit or later, Intel Core i3 or higherOS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higherRackmountable: YesPower Source: Standard IEC AC cable