Instrument Microphones

Shure Value for Brass and WoodwindsWhen it comes time to mic up brass and woodwind instruments, the Shure PGA98H clip-on condenser mic packs a lot of value. It's an affordable way to capture clear, detailed audio while withstanding the high sound pressure levels created by these instruments. The flexible gooseneck helps you achieve the perfect mic position. Recordists know that it can be a challenge to capture consistent results from horns and woodwinds, but the Shure PGA98H clip-on condenser mic makes it easy.Shure PGA98H Clip-on Condenser Microphone Features at a Glance:Clip-on condenser microphone optimized for brass and woodwindsFlexible gooseneck for easy positioningHandles high sound pressure levels without clippingXLR output connectorRecording brass and woodwinds is easy with the Shure PGA98H!

Shure Value for Brass and WoodwindsWhen it comes time to mic up brass and woodwind instruments, the Shure PGA98H clip-on condenser mic packs a lot of value. It's an affordable way to capture clear, detailed audio while withstanding the high sound pressure levels created by these instruments. The flexible gooseneck helps you achieve the perfect mic position. Recordists know that it can be a challenge to capture consistent results from horns and woodwinds, but the Shure PGA98H clip-on condenser mic makes it easy.Shure PGA98H Clip-on Condenser Microphone Features at a Glance:Clip-on condenser microphone optimized for brass and woodwindsFlexible gooseneck for easy positioningHandles high sound pressure levels without clippingTA4F output connectorRecording brass and woodwinds is easy with the Shure PGA98H!

Instrument microphone provides high gain-before-feedback and rejection of unwanted noise. It features preamplifier circuitry for linearity across frequency range, tailored frequency response for studio quality, and a wide dynamic range for high-SPL.

Close to the attack, tough, easy to handle: the e 604 has long since been a classic on the rims of tom-toms and snares the world over. Thanks to the practical clip-on holder, the microphone can be mounted in seconds and positioned however you choose. Lightly emphasized in the upper mids and highs, the e 604 provides a forceful sound, open and clear in the lows. The snare receives a warm to dynamic presence; woodwind instruments also receive a marked spaciousness. This is no wonder, since the sound design is based on the legendary MD 421 microphone. Features:Compact dynamic microphoneTransmits extreme sound pressure levels (over 160dB) without distortionImpact-resistant fiberglass reinforced housingVery low structure-borne noiseExtremely simple handling and flexible positioningHum compensating coilIntegrated stand mount Specifications:Type: DynamicPick Up Pattern: cardioidFrequency response: 40 - 18000 HzSensitivity: 1,8 mV/PaΙmpedance: 350 OhmDimensions: &Weight: 60 gr  

Prodipe clamp for BL21 Contrabass micThis clamp is only compatible with BL21 Contrabass mic

UHF M850 MK2The UHF 850 MK2 has a channel display screen and an easily accessible mute button.It is part of this new technology which allows you to find in UHF, the quality and definition of the sound closest to a wired system. Some examples of use: you own a UHF B210 Duo which incorporates two bodypacks, for two speakers with the use of two headset microphones. The UHF M850 MK2 hand microphone will replace one of the two bodypacks in order to have a hand microphone for the speaker or for the room.Please note: compatible only with UHF B210 Series that are manufactured after 2020.Ludovic Lanen has helped us finalise the development of the M85 capsule. It's a capsule that replicates the texture and the colour of your voice with exceptional finesse and precision.In this UHF M850 MK2 microphone, Prodipe adds the cell of the M85 microphone, which is one of the best on the market. It combines infrared automatic transmitter synchronisation (100 UHF frequencies) with a state-of-the-art DSP circuit to produce wireless sound that practically matches wired sound.

Hypercardioid Dynamic Instrument Microphone ATM250 A natural with high SPLs, the ATM250 hypercardioid dynamic is tailored for kick drum, percussion, brass and other highly dynamic instruments. Its rich, warm low-frequency response gives the microphone excellent presence. The microphone is equipped with a rare earth neodymium magnet and a tight hypercardioid polar pattern. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise. Handles very high SPL at close range Big, warm low-frequency response with excellent presence Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Durable, proven performance for professional applications Hi-ENERGY® neodymium magnet for improved output and transient response Superior off-axis rejection for maximum gain before feedback Corrosion-resistant contacts from gold-plated XLRM-type connector Rugged, all-metal design and construction for years of trouble-free use

Step Up Your Performance. The TG I51 is a dynamic instrument microphone – it gets the most out of you and your instrument. It’s your companion on drum kits, snare drums or floor toms as well as on electric guitar amplifiers or wind instruments – no matter if you’re on stage or in the studio. The natural sound and the well-thought-out, slim but robust construction fulfils your every wish. For producers and sound engineers, the microphone is a versatile partner – a true all-rounder for instruments. ​​​​​​Natural Sound ​​​​​The microphone boasts beyerdynamic's characteristic natural sound so you’ll hear your instrument just like you want it: as a pure, natural reproduction. Our microphone has a quick response and outstanding impulse fidelity. Well-Thought-Out Construction  It can get a bit hectic on stage and on tour. That’s where a microphone should be able to withstand whatever comes its way. Vibrations and even an impact won’t affect the robust housing. But the TG I51 is still slender and relatively light to transport. Its rather short shaft makes it very easy to mount the microphone on its stand or on a snare drum using the MKV 87 from beyerdynamic. It requires minimal space and is sure to be your lasting companion. For Many Uses The TG I51 is a versatile instrument microphone for many uses. Whether on drum kits, snare drums or deeper tom-toms or on guitar amplifiers: It always produces the highest sound quality. The microphone also demonstrates its strengths on brass instruments, making it an all-rounder for the stage and studio. Optimal Isolation  The cardioid characteristic ensures excellent isolation from ambient noises and increases protection against feedback. It’s particularly suitable for uses involving direct sources in loud environments. Even on the very loudest rock-and-roll stages, the dynamic instrument microphone demonstrates a remarkable resistance to feedback – rear sound is suppressed and side sound is only recorded at very soft levels. Made In Germany  Made by hand at the company’s production site in Heilbronn, the TG I51 fascinates users with its exceptional workmanship. The combination of craftsmanship, select materials and years and years of production experience creates a truly reliable drum microphone.

A very faithful response, with an excellent natural sound and an easy and fast assembly. Developed under the direction of Ludovic Lanen, the VL21-C Lanen microphone is specially designed for the recording and sound reinforcement of violins and violas. Equipped with an electret cell capable of handling up 140dB, it will capture all the dynamics and nuances of your playing.Its great linearity will perfectly respect the timbre and the sound of your instrument. Particular attention has been paid to attaching the microphone to the instrument. The two new rubber clamps allow the 21 cell to be positioned at the heart of the sound recording, in order to ensure perfect capture for a precise and natural rendering.

Designed for use with brass, saxophone and other instruments, the ATM350U UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491U universal clip-on mount and strong, flexible AT8490 5" gooseneck, the mic can be clipped securely to the bell of your instrument and positioned to stay where you want it – the gooseneck won’t flop around no matter how aggressively you move the instrument as you play. The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case. Features: Low-profile mic design for minimum visibility Crisp, clear, well-balanced microphone response, even at high SPLs Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source UniMount® universal clip-on mount attaches securely to instrument bell and provides excellent shock resistance for the microphone Rugged UniMount® 5" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise Interchangeable elements available for hypercardioid and omnidirectional polar patterns Included violin mount with hook-and-loop fastener provides an additional mounting option

Prodipe clamp for CL21 Cello mic This clamp is only compatible with CL21 Cello mic

The ND68 is a robust, high-performance, large-diaphragm dynamic supercardioid kick drum and low-frequency instrument microphone. Its supercardioid polar pattern provides excellent acoustic isolation from nearby instruments, and its voicing characteristics deliver a deep low end, relaxed midrange, as well as high-frequency content for aggressive top-end punctuation.Features: Excellent acoustic isolation with deep lows and top-end punctuationLarge-diaphragm dynamic capsuleCreates a rich and detailed frequency responseExtremely high SPL handling capabilityManages close miking of high SPL transients and RMS wave fronts up to 144 dB SPLHumbucking coil guards against line humUse with confidence near speaker cabinets and EMF-generating equipment racksMemraflex grille resists dentingDurable tight-mesh grilles withstand extraordinarily rough treatment​Specifications:Element Type: Dynamic neodymium magnet structureFrequency Response, FreeField: 20 Hz to 11 kHzPolar Pattern: SupercardioidSensitivity, Open Circuit 0.8 mV / PascalMaximum SPL: 140 dB SPLPolarity: Pin 2 positive, reference to pin 3 withpositive pressure on diaphragmImpedance: 150 ohms balanced (low-z)Microphone Connector: 3-pin, XLR-typeFinish: Black polyurethane paintMaterial: Zinc die cast case, Memraflex grille screenNet Weight: 13.2 oz (374 g)​​

Close to the attack, tough, easy to handle: the e 604 has long since been a classic on the rims of tom-toms and snares the world over. Thanks to the practical clip-on holder, the microphone can be mounted in seconds and positioned however you choose. Lightly emphasized in the upper mids and highs, the e 604 provides a forceful sound, open and clear in the lows. The snare receives a warm to dynamic presence; woodwind instruments also receive a marked spaciousness. This is no wonder, since the sound design is based on the legendary MD 421 microphone. Features:Compact dynamic microphoneTransmits extreme sound pressure levels (over 160dB) without distortionImpact-resistant fiberglass reinforced housingVery low structure-borne noiseExtremely simple handling and flexible positioningHum compensating coilIntegrated stand mount Specifications:Type: DynamicPick Up Pattern: cardioidFrequency response: 40 - 18000 HzSensitivity: 1,8 mV/PaΙmpedance: 350 OhmDimensions: &Weight: 60 gr  

A powerful performance. Go for XS Wireless 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS Wireless 1 Brass Set is an easy to use all-in-one wireless system, especially designed to provide a powerful live sound for brass instruments. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a compact bodypack transmitter and a rugged condenser gooseneck microphone.Includes: 1 receiver EM-XSW 11 gooseneck microphone e908T1 bodypack transmitter SK-XSW1 power supply NT 12-5 CW2 AA batteriesFeatures:Versatile gooseneck microphone with outstanding sound reproduction from the renowned evolution microphone seriesAntenna-switching diversity receptionIntegrated antennasAutomatic frequency management and synchronization via remote channel for easy setupSelectable UHF frequencies within a large bandwidthUp to 10 compatible channels

The e 602-II hears bass guitars and tubas with the same attention to detail: warm, dynamic, and always with substance. It sounds as solid as it looks and, thanks to its lightweight aluminum body, is easy to position – in studios, clubs, rehearsal rooms, at smaller gigs or for home recording.Features:Dynamic microphone with expanded bass rangeFast transient responseDesigned for extreme sound pressure levelsRugged lightweight aluminum body simplifies positioning on long microphone boom armsExtremely lightweight coil constructionHum compensating coilIntegrated stand mountSpecifications:Type: Dynamic Pick Up Pattern: cardioid Frequency response: 20 - 16000 Hz Sensitivity: 0,25 mV/Pa; (50 Hz) 0,9 mV/PaΙmpedance: 350 Ohm Dimensions: Ø 60 x 153 mm Weight: 318 gr

The rugged workhorse with a practical shape. The super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.Features:Rugged metal bodyAdvanced shock-mount designSuper-cardioid pick-up patternHum compensating coilMade in GermanySpecifications:Type: Condenser Pick Up Pattern: super-cardioid Frequency response: 40-15000 Hz Sensitivity: 1,5 mV/Pa Ιmpedance: 350 Ohm Dimensions: 55 x 34 x 134 mm Weight: 140 g

The Beta 98H/C is a premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.          FEATURESThe Beta 98 H/C and WB98 H/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range.The pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.The Beta98H/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection)The WB98H/C features a 1.6 m (5.3ft) high-flex cable terminating in a 4-pin mini-connector, for use with wireless bodypack transmittersTailored frequency response for open, natural sound reproductionCompact, lightweight construction provides a low degree of visibilityGooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioningLegendary Shure ruggedness and reliability

The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum. The warm sound is realized by the original C 414 transformer from the 1970's and a patented discrete circuitry. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10dB automatically. Active filter operation: The implementation of an active electronic filter in a dynamic microphone is an AKG patented solution. "Phantom Power" must be supplied from the connected mixing desk in order to power the active filter circuitry. The operating principle of the active filters is based on analogue circuitry combined with a transformer. Frequency processing is performed in the filter circuit and then combined with the audio signal in the transformer. Impedance differences between the microphone and other equipment are cancelled out enabling a perfect sound regardless of the connected device. The resulting sound is especially impressive at high signal levels at which the transformer enhances the audio signal. HIGHLIGHTS - Patented analogue processing unit Cardioid polar pattern - Dynamic passive mode - Ultra thin diaphragm - Optimized bass chamber - 3 active sound shapes s/P48 power Zero latency calculator - Original C414 transforme.

Dynamic Instrument Microphone designed for drums and percussions, for wind instruments and guitar amps.

Clip-on mic with miniature gooseneck for wind instruments for hardwire applications, with standard XLR connector for phantom powering.

Clip-on mic with miniature gooseneck for wind instruments with mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.

The e 904 is a cardioid dynamic instrument microphone especially designed for drums. Pick-up pattern : cardioidFrequency response : 40...18000 HzSensitivity in free field, no load : (1kHz) 2 mV/PaNominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 63 x 41 mmWeight : 125 gPolar Diagramm :   Frequency Response : 

The e 902 is a dynamic cardioid instrument microphone, which was designed for lowest bass signals with very high sound pressure levels.It is suitable for kick drums, bass guitar-amps, tuba, and other bass instruments. Pick-up pattern : cardioidFrequency response : 20...18000 HzSensitivity in free field, no load : (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/PaNominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 128,5 x 60 mmWeight : 440 gFrequency Response : 

Ultra-light vibration pickup. Condenser transducer in sealed enclosure. Cable with lockable miniature XLR connector  Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.C 411 PP: For hardwire applications, with standard XLR connector for phantom powering.C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.

NEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliabilityNEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliability

The Beta 98H/C is a premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.          FEATURES The Beta 98 H/C and WB98 H/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range. The pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments. The Beta98H/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection) The WB98H/C features a 1.6 m (5.3ft) high-flex cable terminating in a 4-pin mini-connector, for use with wireless bodypack transmitters Tailored frequency response for open, natural sound reproduction Compact, lightweight construction provides a low degree of visibility Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning Legendary Shure ruggedness and reliability

PL21 Salmiéri Percussions : three mics pack for almost all percussions.A totally new range of instrument mic systems for recording all your percussion instruments live. For congas, bongos, djembes, cajons, timbales, rototoms, tambourines, tablas, batas, goblet drums, bendirs, bodhrans, toms, snare drums, tambors, surdos, talking drums, udu, steel drums and many more.We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope and warmth of your instrument. Clamp(s) and XLR adaptor are supplied for wired mic use (48V phantom power supply required). The mic can also convert to a UHF mic by connecting it to the Prodipe DSP/UHF Bodypack system (specially adapted for the Lanen 21 capsule impedance).Specifications:Sensibility: -47dB ±3dB (0dB=1V/Pa à 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: uni directionalS/N ratio: 68dBFrequency response: 50Hz to 20KHzCable lenght: 1 m

A totally new range of instrument mic systems for recording all your acoustic instruments live. We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope and warmth of your instrument. The CL21 Lanen Cello has been designed for cellos and provides a very high acceptable sound pressure level. Cellos come in various sizes, so they need a fully adaptable mounting system. We have created a clamp which is flexible, ingenious and easy to attach. The mic’s flexible gooseneck allows you to place it at the very heart of the sound.Specifications:Sensitivity: -47dB ±3dB (0dB=1V/Pa to 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: unidirectionalS/N Ratio: 68dB Frequency Response: 50Hz to 20KHzCable lenght: 1 m

The M-85 is strong, versatile, and fitted with an anti-shock copper mesh. Not only that, like almost all of Prodipe’s mics, it has been finished in rubber paint, giving an extra comfortable grip and improved noise reduction when handled.During the development of the Prodipe M-85, we placed a huge emphasis on obtaining perfect neutrality in the frequency response because we wanted to offer increased gain and at the same time, respect the rich harmonic content of the human voice.The M-85 is simple to use and manage with any type of equipment. The M-85’s new Prodipe cartridge, brought to fruition with plenty of input from Ludovic Lanen, uses a stunning mix of finesse and precision to restore the grain and colour of your voice.Specifications:Type: dynamicFrequency response : 50 Hz ~ 16 kHzPattern: uni-directionalSensitivity (0dB=1v/pa at 1kHz): - 71 ±3dBImpedance (at 1 kHz): 600 Ω ± 30%Weight: 42 g

The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz

A totally new range of instrument mic systems for recording all your acoustic instruments live. We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope and warmth of your instrument. The BL21 Lanen Double Bass has been designed for double basses. Double basses come in various sizes, so they need a fully adaptable clamp. We have created a mounting system which is flexible, ingenious and easy to attach. The mic’s flexible gooseneck allows you to place it at the very heart of the sound.Specifications:Sensitivity: -47dB ±3dB (0dB=1V/Pa to 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: unidirectionalS/N Ratio: 68dB Frequency Response: 50Hz to 20KHzCable lenght: 1 m

The ADX20iP miniature condenser microphone is applicable for professional stage and studio applications. This microphone is primarily used for miking most reed and brass instruments.The ADX20iP has a uniformly controlled cardioid polar pattern, which provides excellent isolation and feedback control on stage with natural sound reproduction at very close distances.The ADX20iP condenser instrument microphone is lightweight, compact and simple to use. Included with the ADX20iP is a gooseneck clip with spring tension for easy mounting to the bell of an instrument.Εφαρμογές:SaxophoneTrombone, trumpetRoom ambience, recordingAccordionΧαρακτηριστικά:Transducer Type: Pre-Polarized CondenserFrequency Response: 40 Hz - 20 kHzPolar Pattern: CardioidOutput Impedance: 250 ohmsSensitivity Cardioid: - 6 mV / Pa @ 1kHypercardioid: - 5.6 mV / Pa @1kEquivalent Noise Level:

The ADX10FLP is characterized with a uniformly controlled cardioid polar pattern, helping to isolate the area or section being miked from other instruments or vocals on stage. With a smooth and accurate frequency range of 50 Hz - 18 kHz, the ADX10FLP is lightweight, low profile and will provide natural sound with exceptional transient response.The ADX10FLP cardioid condenser microphone works with the Audix wireless systems specifically for use with a flute, includes a clip that attaches to the headstock of a flute, an 8' cable terminating to a miniXLRf connector. Requires a phantom power adapter (APS911).Manufactured to high standards and tight tolerances, the ADX10FLP miniaturized condenser flute microphone features a modular threaded capsule, machined brass body with matte black finish, high quality shielded microphone cable and a variety of optional accessories.Specifications:Type: Pre-polarized CondenserPolar Pattern: CardioidFrequency Response: 50 Hz - 18 kHzImpedance: 250 OhmsSensitivity: 4.5 mV/Pa @1k

With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.The D4 is lightweight, compact and easy to position. Used for stage, studio and broadcast applications, the D4 dynamic instrument microphone is designed with a hypercardioid pickup pattern for isolation and feedback control. The D4 hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction.Applications:Live stage or recording Large rack tom, floor tom, small kick drumCajon, djembe, tympani, leslie bottomBass flute, sax and baritone sax, tromboneAcoustic bass, bass cabsSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 40Hz - 18kHzImpedance: 280 ohmsSensitivity: 1.4 mV/Pa @1k

The D2 dynamic instrument microphone is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.Applications:Rack toms, congas, floor tomsGuitar and bass cabinetsSaxophone, brassSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 68Hz - 18kHzImpedance: 280 ohmsSensitivity: @1k 1.2 mV/Pa​​

The D2 dynamic instrument microphone is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.Applications:Rack toms, congas, floor tomsGuitar and bass cabinetsSaxophone, brassSpecifications:Set of 3 piecesType: DynamicPolar Pattern: HypercardioidFrequency Response: 68Hz - 18kHzImpedance: 280 ohmsSensitivity: @1k 1.2 mV/Pa​​

The D6 dynamic instrument microphone is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.Lightweight, compact and easy to position, the D6 cardioid microphone is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6's transformer less design, low impedance and balanced output allow for interference-free performance. Designed, assembled, and tested by Audix in the USA.Applications:Live stage, recordingKick drumFloor tomBass cabinetsLeslie bottomSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 30Hz - 15kHzImpedance: 280 ohmsSensitivity: .8 mV/Pa @ 80Hz​​

The d:vote™ CORE 4099 for Loud SPL is perfect for the entire saxophone family: soprano, alto, tenor or baritone. It also sounds great on the bass clarinet. It comes with a very versatile clip that can be used on all types of sax and brass instruments. The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.  

The d:vote™ CORE 4099 for  Loud SPL is perfect for the violin, banjo and viola. Users will appreciate how gently this condenser mic adheres to their prized instrument.The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.  

The mounting mechanism makes it easy to move the mic between instruments. The d:vote™ CORE 4099D Instrument Microphone for Drum includes a revolutionary ‘90° ’ system which provides a wide range of mounting options. By detaching the clip from the gooseneck and re-mounting it turned 90°, the number of mic positions is doubled. This mic can easily be combined with a wide variety of accessories. For the bass drum, the d:vote™ VC4099 Clip fits perfect on the rim.Choose a d:vote™ CORE 4099D Instrument Microphone for Drum (4099-DC-2-201-D) for your drum kit and add a VC4099 clip for your bass drum.  The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness.From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.Features:CORE by DPA technology insideSupercardioid condenser microphoneHandles high SPLsSuperior gain-before-feedbackFlexible and easy mountingGentle and easy to mount on the instrumentDetachable cable and a versatile gooseneck extender 

The d:vote™ CORE 4099 for Loud SPL is the perfect mic solution for PA amplification and live recording of acoustic upright bass. It offers a sound that is considerably more natural than an internal microphone or pickup. There are several excellent placement possibilities on the instrument.The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio reinforcement is achieved when performing live. The mic clip attaches to the E- and G-string below the bridge. This ensures mic placement in the sweet spot between the bridge and fingerboard.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness.From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.Features:CORE by DPA technology insideSupercardioid condenser microphoneHandles high SPLsSuperior gain-before-feedbackFlexible and easy mountingGentle and easy to mount on the instrumentDetachable cable and a versatile gooseneck extender 

For perfect PA amplification and live recording of a cello choose the d:vote™ CORE 4099 for Loud SPL, which includes a mounting clip meticulously designed and optimized for the violoncello. It offers a sound that is considerably more natural than an internal microphone or pickup.The clip attaches to the C and A string below the bridge. This places the microphone capsule in the sweet spot between the bridge and fingerboard, offering a unique combination of natural string sound and high audio separation on stage.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness.From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.Features:CORE by DPA technology insideSupercardioid condenser microphoneHandles high SPLsSuperior gain-before-feedbackFlexible and easy mountingGentle and easy to mount on the instrumentDetachable cable and a versatile gooseneck extender 

The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments. The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.  Specifications:Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceHandles very high SPL at close rangeBig, warm low-frequency response with excellent attackLow-profile design permits versatile placement around drum kitRugged, all-metal design and construction for years of trouble-free useIncludes AT8665 drum mount and a soft protective pouchElement: DynamicPolar Pattern: HypercardioidFrequency Response: 30-12,000 HzOpen Circuit Sensitivity: –54 Db (1.9 Mv) Re 1v At 1 PaImpedance: 600 OhmsWeight: 292 G (10.3 Oz)Dimensions: 82.5 Mm (3.2") Long, 38.0 Mm (1.5") Maximum Diameter

The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.Features:CORE by DPA technology insideSupercardioid condenser microphoneHandles high SPLsSuperior gain-before-feedbackFlexible and easy mountingGentle and easy to mount on the instrumentDetachable cable and a versatile gooseneck extende r 

The d:vote™ CORE 4099 for Loud SPL is perfect for PA amplification and live recording of acoustic guitar, mandolin, ukulele and dobro. It offers practically unlimited placement possibilities. The sound it provides is considerably more natural than an internal microphone or pick-up.The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range.Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio. CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.Whether you play the drums, horn or strings, you deserve to get the best sound possible from your instrument when playing live. Sporting a new streamlined design and our powerful CORE by DPA technology, the updated d:vote™ 4099 Instrument Mic with CORE by DPA is far beyond anything you’ve heard before.The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. In addition, the new streamlined windscreen design has a slightly thicker diameter to improve the protection of the sensitive backport of the microphone, which decreases the mic’s vulnerability to wind and movement.