Voice Dynamic Microphones

Break Through the MixThe Austrian Audio OD505 active dynamic microphone is a live performance powerhouse that combines studio clarity and openness with the tight focus and rugged durability of a stage mic. Our handmade ODC50 capsule and 3D Pop Noise Diffuser deliver rich, detailed sound while reducing bleed, feedback and plosives.The built-in active circuitry adds 6-8dB of output so you can stand out and be heard, even with long cable runs and the loudest stages. Whether you’re cutting through a rock band, singing intricate harmonies, or need extra volume so your vocals reach the back row, the OD505 gives you the power you need to go the distance.Also available is the OD505 WL1 wireless head, which upgrades any Shure wireless microphone with the ODC50 capsule.The heart of the OD505ODC50-SC dynamic capsuleThe active front capsule requires 48V phantom power and, at 4.4 mV / Pa, has almost the same sensitivity as a condenser microphone. With its active circuitry, the OD505’s sound is always consistent, regardless of the internal resistance of the microphone preamplifier or length of connecting cables. The passive lower capsule is polarity-rotated, it senses and reduces unwanted handling noise, especially at the lower frequencies.The OD505 also includes another Austrian Audio proprietary development: The 3D Pop Noise Diffuser. This filter is specially designed for the OD505 and effectively reduces the impact of plosives.

The Nexadyne™ 8/S Dynamic Vocal Microphone is a supercardioid dynamic microphone for professional live vocal performance, featuring patented Shure Revonic™ dual-engine transducer technology. The focused and natural supercardioid pickup pattern of the Nexadyne 8/S that vocals cut through to the very last row. Includes mic clip and carrying case. More of what you want. Less of what you don't. Designed to work show after show.The Nexadyne™ 8/S Dynamic Vocal Microphone is a cardioid dynamic microphone for professional vocal performance. Nexadyne Vocal Microphones feature patented Shure Revonic™ dual-engine transducer technology, with two precisely calibrated transducers working together to achieve optimal performance. The result is a high-performing microphone line that combines state-of-the-art acoustic signal processing, exceptional supercardioid polar pattern linearity, and best-in-class noise reduction. The focused and natural supercardioid polar pattern of the Nexadyne 8/S ensures that vocals cut through to the very last row. The Nexadyne 8/S ships with a discreet black finish and includes mic clip and carrying case. Acoustic signal processing of the dual engine design enables exceptional signal clarity, reducing the need for typical corrective EQ.Industry-leading Shure reliability standards provides innovation with confidence.Dent-resistant hardened grille.Ships with protective zipper case, mic clip and brass stand adapter.XLR connection with black finish.

S 1 has been designed for first-time and casual users who appreciate simplicity, upfront vocal presence in the mix, and no complications. This versatile microphone provides professional live sound for those getting started, thanks to its great feedback rejection and silent mute switch for flexibility and control. XS 1 comes in an all-metal housing and therefore is a reliable companion on any stage.

Handheld Hypercardioid Dynamic Vocal Microphone The Midnight Blues Series standout performance microphone, the MB 3k dynamic vocal microphone has an extended frequency response specifically developed to capture lead, backup, and choral vocals. Truly a standout in its class, the MB3k is tuned to make an impact: high volumes come through without distortion - and even subtle nuances are clean and precise. Its Hi-ENERGY® neodymium magnet structure provides improved output and extremely fast transient response. Other features include Audio-Technica's MagnaLock silent switch, soft-touch finish, and gold-plated XLRM connector. Standout performance microphone for lead, back-up and choral vocals Extended frequency response for optimal vocal reproduction Hypercardioid dynamic element design Rugged all-metal construction Hi-ENERGY® neodymium magnet for improved output and transient response Soft-touch finish for a secure, comfortable grip Silent on-off operation thanks to MagnaLock™ switch design Corrosion-resistant gold-plated XLRM-type connector

Handheld/Stand Hypercardioid Dynamic Instrument Microphone. The industry standard for affordable instrument microphones, the MB2k features a hypercardioid dynamic element design for outstanding off-axis rejection and feedback control. Its frequency response is tailored for optimal instrument pickup. This rugged, all-metal mic is equipped Audio-Technica's Hi-Energy® neodymium magnet structure for maximum output and fast transient response, with noise-reducing soft-touch finish, MagnaLock™ switch design for silent on/off operation, and a corrosion-resistant gold-plated XLRM-type connector. Smart-priced introductory microphone for amplified and acoustic instruments Tailored frequency response for optimal instrument reproduction Hypercardioid dynamic element design Rugged all-metal construction Hi-Energy® neodymium magnet for improved output and transient response Soft-touch finish reduces mechanical noise Silent on-off operation thanks to MagnaLock™ switch design Corrosion-resistant gold-plated XLRM-type connector

Handheld Cardioid Dynamic Vocal Microphone A perfect introductory performance mic, the high-output MB 1k is designed for use as a lead, backup, or choral vocal microphone. It features Audio-Technica's Hi-Energy® neodymium magnet structure for maximum output and fast transient response, lockable MagnaLock™ switch design for silent on/off operation, and a corrosion-resistant gold-plated XLRM-type connector. High-output design for vocals that cut through the mix Cardioid dynamic element design Rugged all-metal construction Hi-Energy® neodymium magnet for improved output and transient response Reduced handling noise thanks to anti-shock engineering Silent on-off operation thanks to MagnaLock™ switch design Corrosion-resistant gold-plated XLRM-type connector

Engineer-Voiced Vocal and Instrument Microphone at a Working Performer's Budget The TASCAM TM-82 microphone is a dynamic microphone for vocal/ instrument performance and recording. With its high-quality capture and replication, the Tascam M-82 microphone is an engineer's choice for capturing live performances from the bedroom studio to live events. Dynamic Microphone to Capture Professional Vocal and Instrument Performances The TASCAM TM-82 Dynamic Microphone is the perfect all-around mic for natural, accurate vocal and instrument audio. The TM-82 has been specifically engineered to capture the character and nuances of performances without bringing the room into the mix. The TM-82 captures exactly what you want, for a mix-ready track or performance. Features: Cardioid Directivity. Built Tough. TM-82 is stage ready for the rigors of daily use using metal materials and components. Package Includes Mic Holder. The TASCAM TM-82 dynamic microphone includes a mic holder compatible with all standard microphone stands.

When it comes to premium studio-quality sound, it’s what’s on the inside that counts. The C7 microphone features a custom-tuned supercardioid condenser capsule with hand-selected components, so your voice is reproduced with pristine clarity and sparkling highs. And the C7 handles incredibly high sound pressure levels, for maximum fidelity during your loudest performances.During your performance, the only feedback you want is applause from the audience. The C7’s innovative open-space capsule uses a specially designed inner-capsule holder and three window ports to reduce air turbulence and inner reflections at the backside of the capsule. This creates an extremely consistent supercardioid polar pattern throughout the entire frequency spectrum, for extraordinary feedback and spill rejection.Specifications:Type: 3/4" back electret condenserPolar Patterns: SupercardioidAudio frequency bandwidth: 20 - 20000 HzEquivalent noise level: 21 dB-ASensitivity: 4 mV/PaSignal to Noise: 73 dB-AMax. SPL for 1 % THD: 150 dBElectrical impedance: 600 OhmsRecommended load impedance: 2000 Ohms

The D 1 is a classic 50's inspired dynamic microphone. Most people might think that this kind of mic is designed for live vocal purposes only, but that is not the case with the D 1. The dynamic diaphragm is very sensitive yet rigid and sound terrific on electric instruments, toms & snares, and of course vocals.The output level of the D 1 is strong and clear and will feed most pedals and processors with enough juice to get the job done. It's a work-horse on stage and a spicy all round mic to keep around the studio or in the rehearsal hangout.

The MD 42 is a high-quality reporter�s microphone with omni-directional pick-up pattern. It has been specially optimized for rough use in live reporting and broadcasting environments. The MD 42 is a very �good-natured� microphone that avoids wind and handling noise problems. Color: black; sound inlet basket: refined steel, black.Features:Two-ply sound inlet basket provides increased protection from wind and pop noiseRugged metal housingRubber mounted capsule (or Elastically mounted capsule) ensures low sensitivity to handling noiseOmni-directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partnerSpecifications:Connector: XLR-3 Sensitivity in free field, no load: (1kHz) 2,0 mV/Pa Nominal impedance: 350 Ω Min. terminating impedance: 1000 Ω Weight w/o cable: 360 g 

Sennheiser e835 3-packNot plastic, metal. No muffled, mids-centric sound but tight low mids and present treble. No problem with feedback, spill or handling noise; instead, maximum flexibility for the voice: the e 835 is a solid choice for performers. Moderation and singing remain crystal clear and natural, even at varying distances from the capsule. Its extremely rugged construction and uncomplicated handling make the e 835 the first choice for rehearsal rooms, home recording or the stage. It has also become a top seller in its class everywhere that speech intelligibility is critical: lectures, presentations or conferences in auditoriums large and small alike.The S-version of the e 835 comes with a noiseless on/off switch.Features:Dynamic cardioid microphone for speech and vocals with noiseless on/ off switchCuts through high on-stage levelsClear reproduction with a high presenceConsistent sound quality (varying distances, moving off axis)Handles high sound pressure levelsIsolates handling noise, hum compensating coilExcellent feedback rejectionRugged metal housing​Specifications:Dimensions: Ø 48 x 180 mm Connector:  XLR-3 Switch: On/Off Frequency response: 40.....16000 Hz Transducer principle: dynamic Weight Without cable: 330 g Pick-up pattern: cardioid Sensitivity in free field, no load:  (1kHz) 2,7 mV/Pa Nominal impedance: 350 Ohm Min. terminating impedance: 1000 Ohm  ​

3 Shure SM 58 A, 5 meter cables XLR - XLR and 3 microphone stands ! 

Dynamic microphone with Switch On-off, cable and clumb.Specifications:Type: Dynamic Frequency response: 50-14000Hz Sensitivity: -74dB±3dBΙmpedance: 600Ω±30%Weight: 247.2 g

Super cardioid polar pattern designed for lead vocals Rugged wire mesh cap with internal protective wiremesh cap Die-cast metal body Complete with stand adapter and zip bag The P 5 is a dynamic handheld microphone for lead vocals. The super cardioid polar pattern guarantees for utmost gain before feedback and makes the voice cut through the mix more easily.

Reference Dynamic Vocal Microphone, highest audio performance for stage and studio.

Professional dynamic mic for lead & backing vocals on stage, with on/off switch.

Professional dynamic mic for lead & backing vocals on stage.

Dynamic microphone with cable and clumb.Specifications:Type: Dynamic Frequency response: 50-14000Hz Sensitivity: -74dB±3dB Ιmpedance: 600Ω±30% Weight: 247.2 g Accessories: mic clip, XLR cable 3m

Shure 55 SH Series II, Dynamic Vocal-Microphon,"Elvismic", fitted with Switch, cardioid polar pattern, stand adapter built into the housing.

The e 945 is a fully professional super-cardioid vocal microphone which cuts through the mix and offers a smooth, natural sound. Its warm tonal response is matched with rugged construction and excellent feedback rejection.Pick-up pattern : Super-cardioidFrequency response (microphone) : 40.....18000HzSensitivity in free field, no load : (1kHz) 2,0mV/Pa bei 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar)Nominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 47 x 186 mmWeight : 330 gPolar Diagramm :   Frequency Response : 

The latest microphone to join the Sontronics family is yet another striking model, this time a dynamic microphone designed for use on guitar amps and cabinets.  The HALO has a dynamic capsule suspended on four spring mounts within a circular frame that protects the microphone from vibrations and rumble on stage or in the studio.HALO is based on the Sontronics STC-80, a handheld dynamic microphone that gives stunning results on vocals, but has also been increasingly used to great effect on guitar amps for live and studio work.  The HALO takes the same capsule, enhances it slightly to capture the exact frequencies of your guitar amp, and the result is all the bite, crunch and presence you could wish for without need to lay a finger on the EQ.

The Electrovoice CO9 Microphone. Rugged and reliable dynamic vocal microphone, ideal for live performance applications.The Electrovoice CO9 is a favourite for vocalists of any musical genres. Regardless of the live performance application, sound technicians and engineers feel confident with this mic. The Co 9 has a slight bass roll-off and accentuated midrange, making this a superb sounding microphone.Features:Rugged and reliable dynamic vocal microphone, ideal for live performance applicationsElement: DynamicPolar Pattern: CardioidImpedance, Low-Z balanced: 600 OhmsConnector Type: 3-pin XLROpen Circuit Voltage: 3.2 mV/PascalAudio Frequency Response: 50 - 18,000 Hz +/- 3 dBMic Type: HandheldWired/Wireless: WiredFinish: CobaltCase Material: Die cast zincWeight: Net 335 g ( 11.82 oz )Dimensions (Height X Max Diameter): 173 x 53 mm (6.81 x 2.09 inches)

The e 865 is a fully professional super-cardioid vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound. The microphone capsule insorporates special blast/pop protiction plate to shield the diaphragm from excessive sound pressure levels. Pick-up pattern : super cardioid Sensitivity in free field, no load : (1kHz) 3 mV/Pa Max. Sound pressure level (aktiv) : 150 dB Nominal impedance : 200 Ohm Min. terminating impedance : 1000 Ohm Dimensions : d 47 x 193 mm Weight : w/o cable 311 g Frequency response (microphone) : 40.....20000 Hz Phantom powering : 12 - 48 V

Δυναμικό μικρόφωνο καρδιοειδές με διακόπτη on / off, 40Hz-16kHz. Απόκριση συχνότητας : 40.....16000 Hz Ευασισθησία σε ελεύθερο πεδίο, χωρίς φορτίο : (1kHz) 2,7 mV/Pa Τερματισμένη αντίσταση : 1000 Ohm Διαστάσεις : d 48 x 180 mm Βάρος : 330 g   χωρίς καλώδιο

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By virtue of its design and features, the MD 431 II ranks amongst SennheiserΆs most exceptional microphones and is suitable for vocal, speech and broadcasting applications. Colour: black, sound inlet basket: refined steel. Pick-up pattern : super-cardioid Sensitivity in free field, no load : (1kHz) 2,0 mV/Pa +- 3 dB Nominal impedance : 250 Ohm Min. terminating impedance : 1000 Ohm Dimensions : d 49 x 200 mm, Griff d 31 mm Weight :ca. 250 g

The cardioid e 935 is a fully professional vocal microphone, developed to cut through high on-stage levels.Pick-up pattern : CardioidFrequency response (microphone) : 40.....18000 HzSensitivity in free field, no load : (1kHz) 2,8mV/Pa bei 1 kHz = -51dB (0 dB = 1V/Pa) = -71 dB (0 dB = 1V/ubar)Nominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 47 x 181 mmWeight : 330 gPolar Diagramm :   Frequency Response : 

Shure Beta 58 A, 3 meter cable XLR - XLR and a microphone stand !!! The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.         FEATURESUniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound Neodymium magnet for high signal–to–noise output Hardened steel mesh grille that resists wear and abuse Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Minimally effected by varying load impedance Legendary Shure quality and reliability

The Rode M1 can be perfect for long tours as it is built very solid with a solid die-cast body and a sturdy dynamic capsule.The Rode M1 main features include:Live dynamic vocal microphoneHigh output dynamic capsuleGold plated XLR connectorsInternal pop-filter to reduce plosivesFeedback rejecting pick-up patternHeavy duty metal bodyLow handling noiseDesigned and manufactured in AustraliaLifetime Warranty

Audio-TechnicaΆs high-performance AE4100 cardioid dynamic vocal microphone delivers aggressive sound that stays up-front in the mix. Optimized for the stage, the microphone features superior anti-shock engineering for minimum handling noise. Its rugged construction is engineered to stand up to the rigors of touring. For ultimate protection against vocal plosives, the micΆs hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam. A foam disk positioned on top of the element assembly provides the final layer of “pop” protection.ELEMENT DynamicPOLAR PATTERN CardioidFREQUENCY RESPONSE 90-18,000 HzOPEN CIRCUIT SENSITIVITY -55 dB (1.7 mV) re 1V at 1 PaIMPEDANCE 250 ohmsWEIGHT 10.9 oz (310 g)DIMENSIONS 6.97" (177.0 mm) long,1.89" (48.0 mm) head diameter,1.30" to 0.87" (33.0 to 22.0 mm) tapered body diameterOUTPUT CONNECTOR Integral 3-pin XLRM-type

A looper microphone works just like a normal microphone, but lets you record what you sing, replay it in a loop and sing over it. Beatboxing is very cool, but takes years to perfect. Acappella singing is beautiful, but you can't do harmonies on your own. With the Loopa you will be knocking out beatbox rhythms faster than ever before, and performing complete acappella songs before you know it.   The Loopa makes it super-easy to record a loop and sing over it. This lays the foundations for a great performance. Beatboxers create complex rhythms by quickly making different sounds. This is hard to do, and takes a lot of practice. Using the Loopa you can record a simple beat and loop it. Then add more sounds on top of it. Very quickly you end up with a complex rhythm. As a beginner, it's a great way to start beatboxing. As an accomplished artist, it lets you expand your performance even further. But the Loopa isn't just for singers. If you can make a noise, you can loop it. Hit it, bang it, loop it!   Every aspect of the Loopa has been designed and engineered for the best possible vocal looping experience. First and foremost is the sound of the microphone. It must be superb. From the precisely-shaped cone used to tailor the off-axis response, to the custom-designed shock-mounting to minimise handling noise, to the multi-layered windshield to guard against unwanted breath and wind noise. Meticulous details that make significant differences.   Χαρακτηριστικά: Microphone Type: Dynamic Polar Pattern: Cardioid Frequency Response: 110Hz-20kHz Max SPL: 128 dB SPL Record Time: 13 minute loop  Connector: XLR (inlcudes XLR to 1/4" cable) Power Source: AA battery (10 hours run time) Weight: 160 g

In the past, professional mics for stage vocalists were designed to boost the person’s voice, especially in rock and other types of electric music. It was the quantity of sound that mattered more than the quality!PA system technology has become considerably more sophisticated since then and performance has improved enormously. This means we need mics that are more neutral and that respect the natural timbre of the voice. With this in mind I wanted to create a new generation of dynamic mics that can keep up with the changing equipment, on stage as well as in a studio.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -55dB±3dB (0dB=1V/Pa at 1kHz)Frequency Response: 50Hz-16kHzOutput Impedance: 400Ω±30% at 1kHz.

Full-range vocal condenser with low handling noise, the MC-1 condenser mic brings you enhanced sensitivity and enhanced resolution. It is more sophisticated than a dynamic mic, giving you studio standard recording on stage. Must be connected to a 48V power supply. The MC-1 condenser mic is specally designed to last - it has its very own patented cartridge suspension.Specifications:Frequency response: 30Hz-20kHzSensitivity: -37±3dBDirectivity Characteristic: cardioidEquivalent Noise Level: ≤ 23dBA(IEC 581-5)Max. Input SPL: ≥ 125dB( at 1 kHz)Output Impedance: 100Ω±30% (at 1 kHz)Power Requirement: 48V DC Phantom Power

Vocal microphone provides excellent speech reproduction onstage due to its cardioid pickup pattern. It features a wind and "pop" filter for vocals, a wire-mesh front grille, dual-impedance operation, and a silent magnetic on and off switch.The predecessor to the SM58®, The 565SD Classic Unisphere® Vocal Microphone is a dual-impedance, unidirectional dynamic microphone famous for its spot on the Woodstock stage.It features highly effective wind and "pop" filter for vocals and a durable, wire-mesh front grille. Shipped connected for low-impedance operation, the 565SD provides excellent vocal or speech reproduction onstage, and can also be used with public address systems.Features:Versatile, high-quality microphone with sound characteristics similar to the SM58®Selectable dual-impedance operationSilent magnetic reed on/off switch with lock-on optionCardioid dynamicFrequency response: 50 to 15,000 HzSpecifications:Weight: 298 gHeight: 161.0 mmWidth: 51.0 mmFrequency Response: 50 Hz – 15 kHzFrequency Response: TailoredSensitivity: -56.00 dBV/Pa – 1.60 mV/PaTransducer Type: DynamicPolar Pattern: CardioidSwitchable low cut: NoConnectors: 3 Pin XLRAttenuator: NoInterchangeable Capsule: No

The FireBall V, with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ diaphragm for natural sound reproduction with exceptional transient response.Designed for harmonicas (both diatonic and chromatic) and beatbox, the FireBall V has the added feature of a volume control knob. The Fireball V has a wide frequency response of 50 Hz - 16 kHz and is lightweight, compact and comfortable to hold.Because the FireBall V is a low impedance microphone, a quality, low-high impedance transformer (T50k) is required when using with a guitar amplifier.Applications:Live Stage, studioHarmonicaVocalsBeatboxPercussionSaxophone, trumpet, tromboneFluteAccordianSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 HzImpedance: 280 ohmsSensitivity: 1.5 mV/Pa @1k

The OM5 vocal dynamic microphone is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio.Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion.The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors.Applications:Lead or backing vocalsLive recordingBroadscastSax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 48 Hz - 19 kHzImpedance: 200 ohmsSensitivity: 2 mV / Pa @ 1k 

The FireBall™ dynamic instrument microphone is designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.The FireBall™ microphone has a smooth, uniform frequency response of 50 Hz - 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish.Because the FireBall™ cardioid instrument microphone is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k)  is required. Designed, machined, assembled and test by Audix in the USAApplications:Live Stage, studioHarmonicaVocalsBeatboxPercussionSaxophone, trumpet, tromboneFluteAccordianSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 kHzImpedance: 280 ohmsSensitivity: 1.5 mV/Pa @1k 

The OM3S is a vocal dynamic microphone used for a wide variety of live, home and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion.The OM3 dynamic vocal microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a wide frequency range of 50 Hz - 18 kHz, the OM3S employs a VLMTM diaphragm for a clear, precise sound with exceptional voice response.Designed with a slight bass proximity and a tailored mid-range, the OM3S hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.Applications:Live stageSmall venues and outdoor concertsBroadscastVocals, sax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 50Hz–18kHzImpedance: 250 ohmsSensitivity 1.7mV/Pa @ 1kOn/Off Switch 

Designed, machined, assembled and tested by Audix in the USA, the OM11 vocal dynamic microphone was first issued in 1985 as the OM1. This microphone is a dynamic vocal microphone used for a wide variety of live, studio and broadcast applications. Its sharp, crisp vocal sound, resistance to feedback and ability to handle high SPLs without distortion are trademarks of the OM11.The OM11 dynamic vocal microphone is designed with a tight, uniformly controlled hypercardioid polar pattern which helps isolate the vocals on stage. The response of the OM11 is tailored to cut through the mix, providing extra presence and articulation to the vocals even at very high stage volumes. In addition to having extremely low handling noise, the OM11 hypercardioid microphone is well balanced, comfortable to hold and durable.Applications:Live Stage, live recordingLead and backing vocals - all venuesBroadcastHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 50 Hz - 18 kHzImpedance: 200 ohmsSensitivity: @1k 1.9 mV/Pa 

The OM2S is a dynamic vocal microphone used for a wide variety of live, home and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion.The OM2S vocal dynamic microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a wide frequency range of 50 Hz - 16 kHz, the OM2 employs a VLM™ diaphragm for a clear, precise sound with exceptional voice response.Designed with a slight bass proximity and a tailored mid-range, the OM2 hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.Applications:Live stageSmall venues and outdoor concertsBroadscastVocals, sax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 50Hz - 16kHzImpedance: 250 ohmsSensitivity: 1.6 mV / Pa @ 1k 

The F50 multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch (f50S).Its warm, natural sound reproduction, resistance to feedback and ability to handle high SPLs without distortion allows the f50 dynamic vocal microphone to be utilized in a variety of live and studio applications. The F50 cardioid microphone is an entry level, all purpose vocal microphone for small to midsize PA systems. Applications:Multi-purpose vocalsDrums, Guitar cabinetsAcoustic instrumentsHome studio recordingSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 kHzImpedance: 250 ohmsSensitivity: @1k 1.8 mV/Pa 

The F50S multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch (f50S).Its warm, natural sound reproduction, resistance to feedback and ability to handle high SPLs without distortion allows the f50 dynamic vocal microphone to be utilized in a variety of live and studio applications. The F50S cardioid microphone is an entry level, all purpose vocal microphone for small to midsize PA systems. Applications:Multi-purpose vocalsDrums, Guitar cabinetsAcoustic instrumentsHome studio recordingSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 kHzImpedance: 250 ohmsSensitivity: @1k 1.8 mV/Pa 

Designed with a cardioid pickup pattern for isolation and feedback control, the i5 all-purpose dynamic instrument microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The i5 is used for stage, studio and broadcast applications and is able to handle SPLs in excess of 140 dB without distortion.The i5 cardioid microphone can be used to microphone a wide variety of musical instruments, guitars and bass cabinets as well as vocals and speech. The i5 instrument microphone is sturdy, compact and easy to position. With a wide frequency response of 50 Hz - 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ. Designed, assembled and tested by Audix in the USA. Applications:Live stage, studioSnare, toms, percussionGuitar cabinets, electric instrumentsBass cabinetsBrass, flute, woodwindsAcoustic instrumentsVocals, speechSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 50 Hz - 16 kHzImpedance: 280 ohmsSensitivity: 1.6 mV/Pa @1k​​

The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to “cup” the microphone with both hands.In order to achieve these extraordinary performance benefits, the OM7 dynamic vocal microphone is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 hypercardioid microphone is best suited for use with high quality mixing consoles which have plenty of head room to compensate for the low gain.Applications:Lead or backing vocalsLive recordingBroadscastSax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 48 Hz - 19 kHzImpedance: 50 ohmsSensitivity: 0.8 mV/Pa @1k 

The OM2 is a dynamic vocal microphone used for a wide variety of live, home and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion.The OM2 vocal dynamic microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a wide frequency range of 50 Hz - 16 kHz, the OM2 employs a VLM™ diaphragm for a clear, precise sound with exceptional voice response.Designed with a slight bass proximity and a tailored mid-range, the OM2 hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.Applications:Live stageSmall venues and outdoor concertsBroadscastVocals, sax, brass, guitar, dobro, flute, percussion, drumsHome studioSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 50Hz - 16kHzImpedance: 290 ohmsSensitivity: 1.6 mV / Pa @ 1k