Drum Microphones Sets

Close to the attack, tough, easy to handle: the e 604 has long since been a classic on the rims of tom-toms and snares the world over. Thanks to the practical clip-on holder, the microphone can be mounted in seconds and positioned however you choose. Lightly emphasized in the upper mids and highs, the e 604 provides a forceful sound, open and clear in the lows. The snare receives a warm to dynamic presence; woodwind instruments also receive a marked spaciousness. This is no wonder, since the sound design is based on the legendary MD 421 microphone. Features:Compact dynamic microphoneTransmits extreme sound pressure levels (over 160dB) without distortionImpact-resistant fiberglass reinforced housingVery low structure-borne noiseExtremely simple handling and flexible positioningHum compensating coilIntegrated stand mount Specifications:Type: DynamicPick Up Pattern: cardioidFrequency response: 40 - 18000 HzSensitivity: 1,8 mV/PaΙmpedance: 350 OhmDimensions: &Weight: 60 gr  

Designed for musicians and performers who demand outstanding audio quality, the PreSonus PX-1 cardioid condenser microphone is an ideal solution for recording vocals, guitar, podcasts, and much more. A true large-diaphragm condenser microphone, the PX-1 features a 25mm, gold-sputtered capsule designed to provide exceptional clarity throughout its frequency response range. Rugged construction and top-quality performance specifications make the PX-1 large diaphragm microphone an excellent addition for any home recording or streaming studio.

THE V PACK CLUB The V PACK CLUB consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE7 condensers for your overheads.  All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.

THE V PACK ARENA The V PACK ARENA consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE8 condensers for your overheads.  All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.

When used as intended with the V CLAMP, the V BEAT becomes even more compact and even more flexible.  The V CLAMP adds another axis of vertical movement for even better fine-positioning ability, and keeps the V BEAT securely fastened to your drum rim while adding barely any bulk to the overall footprint. Specifications: Height: 75 mm (3.0 in.)  x  Length: 57 mm (2.2 in.) Weight: 93 g (3.3 oz)

Effortlessly amazing sound for any snare or tom drum, whether on-stage or off. The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as electric guitar speaker cabinets or brass instruments.  Its specialized capsule provides a highly detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to minimize bleed from nearby drums and cymbals. Its ultra-compact design and parallel XLR connector & stand mount give it the smallest footprint in its class, and its rock-solid swivel mount allows its angle to be adjusted with great precision – so it can be aimed at almost any part of the drum head to achieve whatever sound character is required. Compact, flexible, and minimalist design The V BEAT utilizes an extremely low-profile mechanical design, with the XLR connector and stand mount integrated in parallel on the underside of the flexible swivel mount. This minimizes the V BEAT’s footprint, removes any cables from line-of-sight, and negates the need for any right-angle adapters or special cables.  It also means there’s no danger of cables interfering with the drummer’s performance, as they are kept out of the way of cymbals and drum sticks alike. The heart of the V BEAT: the DMC7 X capsule The custom DMC7 X capsule offers the same technologies and features as its sibling within the acclaimed V7, including the innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V BEAT has been custom-tuned for instrumental use. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with deep and clear lows for stellar performance. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your drums from other sound sources on the stage - efficiently reducing stage bleed and spill from other drums, cymbals and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the drum head. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency. Unique, patented integrated capsule suspension The V BEAT’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount. All-metal housing & spring steel grille with gold XLR connector The V BEAT’s road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V BEAT in any position. Plus, the V BEAT’s gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come. Internal windscreen The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory. Knurled nut for other mounting accessories Some popular drum mic mounting systems (such as the LP® Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V BEAT due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you. In The Box: thread adapter zipper pouch spare black internal windscreen sE logo sticker user manual knurled nut for 3rd part accessories Specifications: Capsule: Dynamic Voice Coil: Aluminum Magnet: Neodymium Directional Pattern: Supercardioid Frequency range: 30 Hz - 19 kHz Impedance: 300 Ohms Sensitivity: 2.0 mV/Pa (-54 dBV) Connectivity: 3-pin male XLR Height: 61 mm (2.4 in.)  x  Length: 110 mm (4.3 in.) Weight: 347 g (12.2 oz)

The V KICK: Unbeatable punch & impact, with four custom voicings to cover any sonic need. From big band to metalcore, the V KICK has got you covered. The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone. From warm and classic to modern and aggressive, the V KICK gives you any kick drum sound you need. From classic to modern: Four switchable sonic voicings. Two switches on the rear side of the V KICK allow you four different sound settings, great for tailoring the sound for your specific project – and ideal for live shows with multiple bands and short changeovers. And since they’re on the back of the mic, these switches are still accessible even if the V KICK is placed inside a kick drum.  With the V KICK, you can always make the right choice with just a single microphone. The left-hand switch shapes the microphone’s overall voicing. “Classic” provides a more traditional kick drum sound with a familiar low frequency punch and a warmer, more rounded sound. If a more contemporary, aggressive sound is desired, the “Modern” setting emphasizes the low end and high end (a “scooped” sound). The right-hand switch specifically tailors the high-frequency character. “Classic” provides a typical bite in the upper midrange (presence boost) and a more rounded and familiar sound, while “Modern” provides an open, clear and transient-rich top end for a more contemporary, aggressive drum sound - ideal for metal and hard rock. The most compact kick drum mic on the market. The V KICK’s extremely low profile allows for effortless placement outside or inside a kick drum, and its integrated swivel joint allows for easy positioning inside (through the drum head port) or outside the kick drum.  And with the stand mount and the XLR connector mounted side-by-side in parallel on the underside of the mic, your mic cables stay flush with the mic stand – no cable clutter, completely minimal footprint, and easy to place anywhere.  The heart of the V KICK: the DMC7 SB capsule The all-new custom DMC7 SB capsule offers the same technologies and features as its siblings within the acclaimed V7 and V7 X, including the innovative, specialized aluminum voice coil. While the V7 X is optimized for most other instruments, the capsule in the V KICK has been custom-tuned for the very lowest and loudest tones. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with effortless capture of low frequency energy and punch. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your kick drum from other sound sources on the stage - efficiently reducing stage bleed and spill from snare, toms, hi-hat and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the sound source. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.  Unique, patented integrated capsule suspension The V KICK’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount. All-metal housing & spring steel grille with gold XLR connector The V KICK's road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V KICK in any position. Plus, the V KICK's gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come. Internal windscreen The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory. Knurled nut for other mounting accessories Some popular drum mic mounting systems (such as the LP®Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V KICK due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you. All in all, the V KICK makes it easy to get any kick sound you need. You can always make the right choice - with just a single microphone. In The Box: thread adapter zipper pouch spare black internal windscreen sE logo sticker user manual knurled nut for 3rd part accessories Specifications: Capsule: Dynamic Voice Coil: Aluminum Magnet: Neodymium Directional Pattern: Supercardioid Frequency range: 20 Hz - 19 kHz Impedance: 300 Ohms Sensitivity: 0.2 / 0.4 mV/Pa (-69 / -75 dBV) Connectivity: 3-pin male XLR Height: 60 mm (2.4 in.)  x  Length: 135 mm (5.3 in.) Weight: 468 g (16.5 oz)

The Drum Set Session I is a high-performance drum microphone set and the ideal all-in-one starter kit that delivers an impressive combination of performance and value. With seven microphones and accessories packed in a durable aluminum carrying case, it provides all the essentials needed to capture a complete drum set.It can also be used for miking percussion, bass and guitar amps, brass, woodwinds and other instruments. All microphones are from the Perception Live series and feature a durable metal casing, rugged spring steel microphone grill, scratch-resistant finish and high maximum SPL capabilities. The set contains: 1 x P2 bass drum microphone, 2 x P17* for overheads, and 4 x P4 for toms and snare. *The P17 is technically identical to the P170 and is not available as a single unit.Package Includes:1 x P2 Bass Drum Microphone2 x P17 Microphones for overheads (The P17 is technically identical to the P170 and is not available as a single unit.)4 x P4 Microphones For Toms And Snare1 x H440 Adapter Plate1 x Stand Adapter1 x Aluminum Carrying Case 

The ATM230PK Drum Microphone 3-Pack gives you a set of three compact microphones specifically engineered to mic rack and floor toms, snare drums and other percussion instruments. The three included ATM230 hypercardioid dynamic instrument microphones feature a proprietary capsule designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end.The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. And with their rugged metal construction, ATM230 mics are built to last in live and studio settings. Features:Pack includes three ATM230 hypercardioid dynamic instrument microphones, three AT8665 drum mounts and three soft, protective pouchesHypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceMics handle very high SPL at close rangeBig, warm low-frequency response with excellent attackLow-profile design of mics permits versatile placement around drum kitRugged, all-metal design and construction for years of trouble-free useAlso available individually (ATM230) Specifications:Element: DynamicPolar Pattern: HypercardioidFrequency Response: 30-12,000 HzOpen Circuit Sensitivity: –54 Db (1.9 Mv) Re 1v At 1 PaImpedance: 600 OhmsWeight: 292 G (10.3 Oz)Dimensions: 82.5 Mm (3.2") Long, 38.0 Mm (1.5") Maximum Diameter

Inspired by some of the most important recordings in music history, Blue Microphones is proud to announce that we've given our customers an easy solution to replicate the fabled '3-mic' drum mic'ing technique that professional engineers have used for years.The Blue Drum Kit Kit consists of the award-winning Mouse and two amazing and stereo matched pair of Dragonfly microphones. These three microphones complete the sonic spectrum needed in producing a full-bodied, live recording session for the most discerning drummer and engineer.Includes:Flight caseThe ShockTwo S2 Shocks

The MicroD is primarily a drum and percussion instrument microphone for professional stage and studio applications. The MicroD has a uniformly controlled hypercardioid polar pattern and a smooth, accurate response in its frequency range.This microphone is lightweight, compact and simple to use. The MicroD is housed in an aluminum ring and isolated by means of a rubber shock mount system. The MicroD hypercardioid microphone attaches easily and firmly to a standard drum rim utlizing the patented DVICE rim mount system.Applications:DrumsCymbals, percussion toys  (using the Dflex Micro clip)Specifications:Type: Pre-polarized CondenserPolar Pattern: HypercardioidFrequency Response: 40 Hz - 20 kHzImpedance: 250 OhmsSensitivity: 5.6 mV/Pa @1k

Close to the attack, tough, easy to handle: the e 604 has long since been a classic on the rims of tom-toms and snares the world over. Thanks to the practical clip-on holder, the microphone can be mounted in seconds and positioned however you choose. Lightly emphasized in the upper mids and highs, the e 604 provides a forceful sound, open and clear in the lows. The snare receives a warm to dynamic presence; woodwind instruments also receive a marked spaciousness. This is no wonder, since the sound design is based on the legendary MD 421 microphone. Features:Compact dynamic microphoneTransmits extreme sound pressure levels (over 160dB) without distortionImpact-resistant fiberglass reinforced housingVery low structure-borne noiseExtremely simple handling and flexible positioningHum compensating coilIntegrated stand mount Specifications:Type: DynamicPick Up Pattern: cardioidFrequency response: 40 - 18000 HzSensitivity: 1,8 mV/PaΙmpedance: 350 OhmDimensions: &Weight: 60 gr  

The PGA98D is a professional quality drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.Additional features include a tailored microphone cartridge design for clear reproduction of drum and percussion sound sources.Specifications:Flexible gooseneck microphone with integrated preamplifier for drum and percussion performance and recordingCondenser cartridge (requires phantom power) with cardioid polar patternOne-piece drum mount for fast, low-profile mounting and removalIncludes PGA98D, drum mount, zipper pouch and user guideFrequency Response: 60–20,000 HzPhantom power required: YesPolar Pattern: CardioidType: Condenser   

The e 602-II hears bass guitars and tubas with the same attention to detail: warm, dynamic, and always with substance. It sounds as solid as it looks and, thanks to its lightweight aluminum body, is easy to position – in studios, clubs, rehearsal rooms, at smaller gigs or for home recording.Features:Dynamic microphone with expanded bass rangeFast transient responseDesigned for extreme sound pressure levelsRugged lightweight aluminum body simplifies positioning on long microphone boom armsExtremely lightweight coil constructionHum compensating coilIntegrated stand mountSpecifications:Type: Dynamic Pick Up Pattern: cardioid Frequency response: 20 - 16000 Hz Sensitivity: 0,25 mV/Pa; (50 Hz) 0,9 mV/PaΙmpedance: 350 Ohm Dimensions: Ø 60 x 153 mm Weight: 318 gr

The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum. The warm sound is realized by the original C 414 transformer from the 1970's and a patented discrete circuitry. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10dB automatically. Active filter operation: The implementation of an active electronic filter in a dynamic microphone is an AKG patented solution. "Phantom Power" must be supplied from the connected mixing desk in order to power the active filter circuitry. The operating principle of the active filters is based on analogue circuitry combined with a transformer. Frequency processing is performed in the filter circuit and then combined with the audio signal in the transformer. Impedance differences between the microphone and other equipment are cancelled out enabling a perfect sound regardless of the connected device. The resulting sound is especially impressive at high signal levels at which the transformer enhances the audio signal. HIGHLIGHTS - Patented analogue processing unit Cardioid polar pattern - Dynamic passive mode - Ultra thin diaphragm - Optimized bass chamber - 3 active sound shapes s/P48 power Zero latency calculator - Original C414 transforme.

The e 904 is a cardioid dynamic instrument microphone especially designed for drums. Pick-up pattern : cardioidFrequency response : 40...18000 HzSensitivity in free field, no load : (1kHz) 2 mV/PaNominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 63 x 41 mmWeight : 125 gPolar Diagramm :   Frequency Response : 

The e 902 is a dynamic cardioid instrument microphone, which was designed for lowest bass signals with very high sound pressure levels.It is suitable for kick drums, bass guitar-amps, tuba, and other bass instruments. Pick-up pattern : cardioidFrequency response : 20...18000 HzSensitivity in free field, no load : (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/PaNominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 128,5 x 60 mmWeight : 440 gFrequency Response : 

Miniature cardioid condenser clamp-on microphone with shock mounted capsule . Ideal for miking drums and percussions . Including wireless direct adapter for easy use with AKG pocket transmitters.Detachable microphone cable .Integrated gooseneck .Continuously adjustable vise type clamp The ultimate miniature condenser microphone for drums and percussions. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection. A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphoneΆs frequency response to your instrumentΆs sound. The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters. Versions:C 518 M for external phantom powering C 518 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

Miniature cardioid condenser clamp-on microphone with shock mounted capsule . Ideal for miking drums and percussions . Including wireless direct adapter for easy use with AKG pocket transmitters Detachable microphone cable . Integrated gooseneck .Continuously adjustable vise type clamp The ultimate miniature condenser microphone for drums and percussions. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection. A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphoneΆs frequency response to your instrumentΆs sound. The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters. Versions:C 518 M for external phantom powering C 518 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

NEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliabilityNEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliability

The Shure Beta 91 is specifically designed for kick drums and other bass instruments. The Beta 91 combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain-before-feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. The low profile design of the Beta 91 eliminates the need for external mounting hardware - just throw it in your kick drum and play.        FEATURES Frequency response shaped specifically for kick drums and other instruments Wide dynamic range for use in high SPL environments Low-profile design requires no external mounting hardware Detachable cable for easy storage Legendary Shure quality, ruggedness, and reliability

The DPQUAD pack consists of four drum microphones grouped together to microphone a full drum kit. This arrangement employs a left overhead microphone to cover hi-hat, cymbals and rack toms, and a right overhead microphone to capture the floor tom and ride cymbal. Individual snare and kick microphones complete the essential punch needed for a good drum mix. All microphones, clips and accessories are packed in a durable aluminum carrying case.Features:Professional set of 4 drum microphones for stage or studioDesigned to capture the essence of a full kit with the least number of microphonesCombines close miking technique for kick and snare with overhead ambient microphone placement.Specifications:2 x ADX51 Overhead Mics1 x i5 Snare Mic1 x D6 Kick Drum Mic3 x MC1 Mic Clips 1 x DVICE Rim Mount2 x WS81C WindscreensAluminum Road Case   

Audix revolutionized drum and percussion miking by designing instrument specific microphones. With the introduction of the Fusion Series, Audix created two attractively priced packages for todays up and coming professionals.The FP7 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones and the f9 condenser for overheads. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 dynamic microphone is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments.The f6, with its extended bass response, is designed for kick drum, bass cabinets, cajon and other low frequency instruments. The f9 condenser microphone is intended for cymbals and hi-hat.   Built to withstand the rigors of live stage applications, the Fusion Series microphones are also excellent for rehearsal, school, House of Worship and a wide variety of home recording applications.Specifications:1 x f5 Snare Microphone3 x f2 Rack and Floor Tom Microphones 1 x f6 Kick Drum Microphone2 x f9 Overheads Microphones6 x DCLIP Microphone Clips4 x DFLEX Microphone Clips1 x MC1 Microphone ClipAluminum Road Case  

Audix revolutionized drum and percussion miking by designing instrument specific microphones. With the introduction of the Fusion Series, Audix created two attractively priced packages for todays up and coming professionals.The FP5 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments. The f6 dynamic microphone, with its extended bass response, is designed for kick drum, bass cabinets, cajon and other low frequency instruments.Built to withstand the rigors of live stage applications, the Fusion Series mics are also excellent for rehearsal, school, House of Worship and a wide variety of home recording applications.Specifications:3 x f2 rack and floor tom mics1 x f5 snare mic1 x f6 kick drum micAluminum road case 

The Audix Club-Kit a Limited Edition of a Drum microphone set. Specifications:1 x D6 limited Anniversary dynamic large diaphragm microphone particularly suitable for the removal of bass drum1 x i5 dynamic microphone for snare drum or guitar amplifiers1 x OM2 dynamic vocal microphoneIncludes Aluminium Roadcase, D6 Cup and Audix T-Shirt​

The DP7 professional drum microphone pack represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio.Included in the DP7 drum microphone package is the D6, Audix's flagship kick drum microphone, two – D2 dynamic drum microphones for rack toms, one D4 for floor tom, the i5 for snare and a pair of ADX51 studio condenser microphones for overhead miking. Also included are four D-Vice rim mount clips for the snare and tom microphones, and three heavy duty tension fit microphone clips for the other three microphones. Everything is conveniently packaged in a foam-lined aluminum road case for safe keeping when the microphones are not in use.Specifications:1 x D6 Kick Drum Microphone1 x i5 Snare Drum Microphone2 x D2 Rack Tom Microphones1 x D4 Floor Tom Microphone 2 x ADX51 Overhead Microphones4 x DVICE Rim Mounts3 x DCLIP Microphone Clips1 x MC1 Microphone Clip2 x WS81C Windscreens 

The DP5A professional drum microphone pack contains five microphones required to mic a standard rock kit: kick, snare, rack toms and floor tom. Perfect for stage or studio, this selection of dynamic drum microphones features exclusive Audix VLMTM capsule technology offering accurate sound reproduction in very high SPL applications. Microphone clips, mounts and rugged aluminum carrying case are included.Features:Professional set of 5 drum microphones for stage or studioMicrophones work in tandem to replicate each drum accurately and independently Easy to set up and positionSpecifications:Aluminum Road Case1 x i5 Snare Mic2 x D2 Rack Tom Mics1 x D4 Floor Tom Mic1 x D6 Kick Mic4 x DVICE Rim Mounts1 x MC1 Mic Clip1 x DCLIP Mic Clip 

Designed, assembled, and tested by Audix in the USA, The Audix D Series and i5 represent the finest dynamic instrument microphones available today. Combined with the SCX25A and the SCX1HC, Audix offers the Studio Elite 8 (STE8) - a compelling array of eight drum microphones that will suit a wide variety of needs for critical recording applications.This collection of microphones enables artists and engineers to capture the sound at the source, regardless of the type of instrument or genre of music.Specifications:1 x D6 Kick Drum Microphone1 x i5 Snare Drum Microphone2 x D2  Rack Tom Microphones 1 x D4 Floor Tom Microphone1 x SCX1HC Hi-Hat Microphone2 x SCX25A Instrument Microphones4 x DVICE Rim Mounts4 x DCLIP Microphone Clips1 x MC1 Microphone Clip1 x MW81C Windscreen2 x SMT25 Shockmounts for SCX25A Aluminum Road Case 

A total solution consisting of the necessary microphones for recording drums.Including:1x TG D50d Bass-Drum miropohone4x TG D35d Snare/Tom microphone2x TG I53c condenser Overhead microphoneincl. clamps and Softbag for all mirophones and additional accessories

A total solution consisting of the necessary microphones for recording drums.Including:1x PGA52 bass drum mic2x PGA56 snare/tom mic1x PGA57 snare microphone2x PGA81 Overhead microhoneincl. case and clamps for PGA56

The TG Drum Sets offer high-performance drum microphones from the Touring Gear series. Two sets are available. The sets include a durable soft bag which can be equipped with four TG D57c (floor drum), four TG D58c (snare, rack toms), one TG D70d (bass drum), one ST 99 (bass drum microphone stand), four TG I53c (hihat, overhead) or MC 930/950 (overhead/ Hihat) and one TG I50d or M 88 TG at maximum. Microphones clamps are included.The key features of the TG Drum Set microphones at a glance:First class sound reproductionEasy mounting of tomclips on nearly every drum rimNaturally sounding condenser microphonesCompact and unobtrusive designMicrophone clampIntegrated pre amplifiers TG Drum Set PRO assortment: 1 x TG D70d (bass drum, dynamic, hypercardioid)1 x ST 99 (bass drum microphone stand)2 x TG D57c (floor drum microphone stand)2 x TG D58c (snare, rack toms, condenser, cardioid, clip-on)2 x TG I 53 c (hihat, overhead, condenser, cardioid)1 x M Bag Drum (durable soft carrying case)

The comprehensive MB/Dk7 Drum Pack includes a core selection of five microphones specifically engineered for drum applications, along with two MB 4k cardioid condenser microphones ideal for drum overhead miking. Also included in the package are four drum-rim microphone mounts and a durable carrying case.The four included MB 5k cardioid dynamic snare/tom microphones and one MB 6k cardioid dynamic kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit. With a condenser design and extended frequency response perfect for overheads and hi-hat, the MB 4k features versatile battery/phantom operation, rugged all-metal construction, soft-touch finish, gold-plated XLRM-type connector, and an on/off switch. Its cardioid polar pattern minimizes feedback. High volumes come through without distortion; even subtle nuances are clean and precise. Specifications:Element: MB 4k: Condenser MB 5k: Dynamic MB 6k: DyanmicPolar Pattern: CardioidFrequency Response: MB 4k: 80-20,000 Hz MB 5k: 100-12,000 Hz MB 6k: 60-12,000 HzOpen Circuit Sensitivity: MB 4k (Phantom/Battery): -46 dB (5.0 mV)/ -48 dB (3.9 mV) re 1V at 1 Pa MB 5k: -58 dB (1.2 mV) re 1V at 1 Pa MB 6k: -59 dB (1.1 mV) re 1V at 1 PaImpedance: MB 4k (Phantom/Battery): 200 ohms/ 250 ohms MB 5k: 500 ohms MB 6k: 500 ohmsMaximum Input Sound Level: MB 4k (Phantom/Battery): 137 dB SPL/ 125 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: MB 4k (Phantom/Battery): 113 dB/ 101 dB, 1 kHz at Max SPLSignal to Noise Ratio: MB 4k: 70 dB, 1 kHz at 1 PaPhantom Power Requiremens: MB 4k: 11-52V DC, 2 mA typicalBattery Type: MB 4k: 1.5V AA/UM3Battery Current Life: MB 4k: 0.4 mA/ 1200 hours typicalSwitch: MB 4k: On/OffWeight: MB 4k: 6.4 oz (182 g) MB 5k: 11.4 oz (324 g) MB 6k: 11.2 oz (317 g)Dimensions: MB 4k: 8.10" (205.7 mm) long, 1.64" (41.7 mm) head diameter MB 5k: 4.46" (113.2 mm) long, 1.63" (41.5 mm) head diameter MB 6k: 4.59" (116.5 mm) long, 2.11" (53.5 mm) head diameterOutput Connector: Integral 3-pin XLRM-type

The MB/Dk5 Drum Pack includes a core selection of five microphones specifically engineered for drum applications. The four included MB 5k snare/tom microphones and one MB 6k kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit. Also included in the package are four AT8665 drum-rim microphone mounts and a durable carrying case.Tailored for snare, rack toms and other highly dynamic instruments, the MB 5k snare/tom microphone offers a moving coil dynamic design with cardioid polar pattern, delivering superior off-axis rejection for maximum gain before feedback. With a frequency response of 100-12,000 Hz, the mic is engineered to handle fast transients and high SPLs. The cardioid dynamic MB 6k kick microphone has a frequency response of 60-12,000 Hz. A natural at handling high SPLs, the MB 6k delivers superior results on bass drum as well as on floor and deep rack toms. Specifications:Element: DynamicPolar Pattern: CardioidFrequency Response: MB 5k: 100-12,000 Hz, MB 6k: 60-12,000 HzOpen Circuit Sensitivity: MB 5k: -58 dB (1.2 mV) re 1V at 1 Pa, MB 6k: -59 dB (1.1 mV) re 1V at 1 PaImpedance: 500 ohmsWeight: MB 5k: 11.4 oz (324 g), MB 6k: 11.2 oz (317 g)Dimensions: MB 5k: 4.46" (113.2 mm) long, 1.63" (41.5 mm) head diameter, MB 6k: 4.59" (116.5 mm) long, 2.11" (53.5 mm) head diameterOutput Connector: Integral 3-pin XLRM-type

Reach for the Sennheiser e600 Drum Pack when you need to effectively mic up a a drum kit. Everything you need is inside the custom slim-line aluminum case with custom-cut foam, which provides a great way to safely transport your mics to and from the gig, the studio, or wherever! Inside the e600 Drum Pack you'll find a mic tuned specifically for low frequencies, a quartet of tom- and snare-friendly mics, and a pair of condensers for overheads and cymbals. In all, you get seven mics, each specifically chosen for the e600 Drum Pack to handle a specific task.To handle the kick drum, there's the Sennheiser e602 II, a cardioid instrument mic especially suited for use with bass drums, bass guitar cabs, tubas and other low frequency instruments. The e614's supercardioid pattern, in combination with a neutral response and moderate sensitivity, insures optimum isolation from other instruments on stage. Unobtrusive for precise placement and powered by external phantom power, the e614 tolerates extremely high SPLs, precisely capturing cymbals and hi-hats like no other mic in its price range.Toms and snare need more midrange and high-frequency content to really punch through, and the e604 delivers. The e604 is a high-SPL handling (more than 150dB) cardioid microphone, optimized for use on drum sets and other percussion miking applications. The e604 microphone actually comes with an integrated, pivoting mount that can screw directly onto mic stands or attach to the rim of a drum, making setup very efficient. A balanced, clear, low-distortion signal from the e604 is similar to a high-end studio condenser microphone. A lightweight voice coil provides extended high frequency and rapid transient response. This quality drum mic is housed in a tough, reinforced glass fiber body designed to suppress impact noise. If you're looking to mic your toms or snare, the e604 is a dynamic mic ready for the job.

Drum set including : 1x D112, 4x C518, 2x C1000S.

The MD 421 II continues the tradition of the MD 421 which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern, and five-position bass control make it an excellent choice for most instruments, as well as group vocals, or radio broadcast announcers. One listen and you'll know why it's a classic. Pick-up pattern : cardioidSensitivity in free field, no load : (1kHz) 2 mV/Pa +- 3 dBNominal impedance : 200 OhmMin. terminating impedance : 200 OhmDimensions : 215 x 46 x 49 mmWeight : 385 gFrequency response (microphone) : 30.....17000 Hz

The Drum FullKit™ is the ultimate set of High Definition drum microphones. It includes microphones and mic accessories for each element of the drum set, and comes housed in two attractive high-impact carrying cases.The custom foam insert for each case makes it easy to store your drum microphones and related accessories when they are not in use.The high-impact case will also protect the microphones and accessories while you are traveling or touring.The cases can be dropped without damaging either the case or the microphones.To hear recorded samples of a drum set miked with 9 conventional microphones and the FullKit set of microphones, click here.You will be impressed!

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52A microphone, three A56D drum-mounting systems, and a lightweight, durable carrying case.  SUGGESTED APPLICATIONS: Kick Drum Snare Drums Rack/Floor Toms