Vocal Mics

STUDIO SOUND TAKES CENTER STAGEThe Austrian Audio OC707 handheld vocal condenser mic delivers stunning sonic precision from studio to stage. Our handmade OCC7 cardioid capsule captures vocals in their purest form—including every nuance, texture, and detail—while the proprietary Open Acoustics design offers pristine, natural and resonance-free sound without any coloring.Designed to capture the dynamics and subtleties of the human voice, the OC707 provides excellent rear and off-axis rejection to block out unwanted noise and ensure that vocals cut through the mix. It’s the ultimate stage mic for genres where details matter, like Jazz, Classical, Bluegrass and more. Hear your music come to life like never before with OC707.Also available is the OC707 WL1 wireless head, which upgrades Shure wireless systems with the OCC7 capsule’s unrivaled sound.The heart of the OC707The OCC7 small-diaphragm condenser capsule transforms a classic design to meet the demands of modern recording workflows. OCC7 delivers an impressive linear frequency response while also withstanding high sound pressure levels, making it ideal for capturing even the most subtle sonic details. Built with lightweight but highly stable industrial ceramic, the OCC7 ensures clean and reliable sound, even in challenging recording environments.

Break Through the MixThe Austrian Audio OD505 active dynamic microphone is a live performance powerhouse that combines studio clarity and openness with the tight focus and rugged durability of a stage mic. Our handmade ODC50 capsule and 3D Pop Noise Diffuser deliver rich, detailed sound while reducing bleed, feedback and plosives.The built-in active circuitry adds 6-8dB of output so you can stand out and be heard, even with long cable runs and the loudest stages. Whether you’re cutting through a rock band, singing intricate harmonies, or need extra volume so your vocals reach the back row, the OD505 gives you the power you need to go the distance.Also available is the OD505 WL1 wireless head, which upgrades any Shure wireless microphone with the ODC50 capsule.The heart of the OD505ODC50-SC dynamic capsuleThe active front capsule requires 48V phantom power and, at 4.4 mV / Pa, has almost the same sensitivity as a condenser microphone. With its active circuitry, the OD505’s sound is always consistent, regardless of the internal resistance of the microphone preamplifier or length of connecting cables. The passive lower capsule is polarity-rotated, it senses and reduces unwanted handling noise, especially at the lower frequencies.The OD505 also includes another Austrian Audio proprietary development: The 3D Pop Noise Diffuser. This filter is specially designed for the OD505 and effectively reduces the impact of plosives.

Shure MV6, USB gaming microphone with 4 functions (voice isolation technology, auto level mode, digital popper stopper and real-time denoiser) for clear and professional sound. With voice isolation technology and auto level mode for stable sound. With the digital popper stopper and real-time denoiser you get clear, professional sound and with the tap-to-mute function you can turn off the microphone whenever you need to.The MV6 supports modern setups with a USB-C output for connectivity to PC and Mac devices and a 3.5mm output with audio modulation via the free MOTIV Mix app.

The Nexadyne™ 8/S Dynamic Vocal Microphone is a supercardioid dynamic microphone for professional live vocal performance, featuring patented Shure Revonic™ dual-engine transducer technology. The focused and natural supercardioid pickup pattern of the Nexadyne 8/S that vocals cut through to the very last row. Includes mic clip and carrying case. More of what you want. Less of what you don't. Designed to work show after show.The Nexadyne™ 8/S Dynamic Vocal Microphone is a cardioid dynamic microphone for professional vocal performance. Nexadyne Vocal Microphones feature patented Shure Revonic™ dual-engine transducer technology, with two precisely calibrated transducers working together to achieve optimal performance. The result is a high-performing microphone line that combines state-of-the-art acoustic signal processing, exceptional supercardioid polar pattern linearity, and best-in-class noise reduction. The focused and natural supercardioid polar pattern of the Nexadyne 8/S ensures that vocals cut through to the very last row. The Nexadyne 8/S ships with a discreet black finish and includes mic clip and carrying case. Acoustic signal processing of the dual engine design enables exceptional signal clarity, reducing the need for typical corrective EQ.Industry-leading Shure reliability standards provides innovation with confidence.Dent-resistant hardened grille.Ships with protective zipper case, mic clip and brass stand adapter.XLR connection with black finish.

The WA-19 faithfully recreates one of the most favored studio and live dynamic mics of the 1960s. Like the original adored by live and studio engineers, the WA-19 delivers a unique combination of dynamic mic functionality and studio-worthy condenser tones. With the critical noise rejection & reduced proximity effect of a dynamic, the WA-19 captures vibrant top-end for enhanced detail, surpassing many studio dynamic microphones.This sound has been leveraged by artists like The Beatles, Tame Impala, Slayer (Kerry King), and many more. With elite, upgraded build quality and premium components, the WA-19 revives all the tone of the original 60s-era dynamic mic.

The WA-19 faithfully recreates one of the most favored studio and live dynamic mics of the 1960s. Like the original adored by live and studio engineers, the WA-19 delivers a unique combination of dynamic mic functionality and studio-worthy condenser tones. With the critical noise rejection & reduced proximity effect of a dynamic, the WA-19 captures vibrant top-end for enhanced detail, surpassing many studio dynamic microphones.This sound has been leveraged by artists like The Beatles, Tame Impala, Slayer (Kerry King), and many more. With elite, upgraded build quality and premium components, the WA-19 revives all the tone of the original 60s-era dynamic mic.

Refreshed with a customizable LED touch panel, powerful DSP features and even better audio, the MV7+ Podcast Microphone is a dynamic microphone built for discerning podcasters, streamers and musicians. This updated version offers USB-C and XLR outputs, an improved Auto Level Mode, as well as a new digital pop filter, real-time Denoiser and reverb effects. Select from millions of color options to make the touch-to-mute LED panel as unique as the audio you’re recording.Tap the Full Spectrum of Sound.The MV7+ is the latest iteration of a microphone designed for creators looking to take control of their audio and dive into a vibrant world of color. Capture broadcast-quality audio in even the most challenging of spaces and customize the new LED touch panel to suit your style perfectly. Voice Isolation Technology separates your voice from unwanted background sounds, so you can make perfect recordings every time.The improved Auto Level Mode adjusts your mic’s gain based on distance, volume and spatial detection for optimized audio levels.The real-time Denoiser uses cutting-edge DSP technology to eliminate ambient noise in your room.A new Digital Popper Stopper™ removes harsh plosive sounds so you can avoid acoustic distractions on your audio tracks and a physical pop filter on camera when you’re filming.Take advantage of three types of reverb (Plate, Hall, Studio) for enhanced depth and richness in music recordings.Enjoy easy connectivity no matter the recording setup with USB-C and XLR outputs.Download the free MOTIV Mix™ Desktop App to configure the LED touch panel from 16.8 million color options.Use the app to optimize mic settings like sound signature, gain and much more.Instantly mute the microphone by tapping anywhere on the LED panel.Monitor your audio in real-time via the 3.5mm headphone jack.

UHF M850 MK2The UHF 850 MK2 has a channel display screen and an easily accessible mute button.It is part of this new technology which allows you to find in UHF, the quality and definition of the sound closest to a wired system. Some examples of use: you own a UHF B210 Duo which incorporates two bodypacks, for two speakers with the use of two headset microphones. The UHF M850 MK2 hand microphone will replace one of the two bodypacks in order to have a hand microphone for the speaker or for the room.Please note: compatible only with UHF B210 Series that are manufactured after 2020.Ludovic Lanen has helped us finalise the development of the M85 capsule. It's a capsule that replicates the texture and the colour of your voice with exceptional finesse and precision.In this UHF M850 MK2 microphone, Prodipe adds the cell of the M85 microphone, which is one of the best on the market. It combines infrared automatic transmitter synchronisation (100 UHF frequencies) with a state-of-the-art DSP circuit to produce wireless sound that practically matches wired sound.

S 1 has been designed for first-time and casual users who appreciate simplicity, upfront vocal presence in the mix, and no complications. This versatile microphone provides professional live sound for those getting started, thanks to its great feedback rejection and silent mute switch for flexibility and control. XS 1 comes in an all-metal housing and therefore is a reliable companion on any stage.

Handheld/Stand Cardioid Condenser Microphone. A price/performance leader, the MB4k cardioid condenser microphone is the Midnight Blues Series' introductory studio-quality microphone. With a condenser design for studio vocal and instrument applications, the microphone features: battery/phantom operation; rugged all-metal construction; soft-touch finish; extended response for smooth, natural sonic characteristics; corrosion-resistant contacts from gold-plated XLRM-type connector; on/off switch. Introductory studio-quality microphone - the clear price/performance leader Condenser design for studio-quality vocal and instrument applications Extended response for smooth, natural sonic characteristics Rugged all-metal construction and on/off switch Soft-touch finish for a secure, comfortable grip and reduced mechanical noise Battery/phantom operation for maximum versatility Corrosion-resistant gold-plated XLRM-type connector

Handheld Hypercardioid Dynamic Vocal Microphone The Midnight Blues Series standout performance microphone, the MB 3k dynamic vocal microphone has an extended frequency response specifically developed to capture lead, backup, and choral vocals. Truly a standout in its class, the MB3k is tuned to make an impact: high volumes come through without distortion - and even subtle nuances are clean and precise. Its Hi-ENERGY® neodymium magnet structure provides improved output and extremely fast transient response. Other features include Audio-Technica's MagnaLock silent switch, soft-touch finish, and gold-plated XLRM connector. Standout performance microphone for lead, back-up and choral vocals Extended frequency response for optimal vocal reproduction Hypercardioid dynamic element design Rugged all-metal construction Hi-ENERGY® neodymium magnet for improved output and transient response Soft-touch finish for a secure, comfortable grip Silent on-off operation thanks to MagnaLock™ switch design Corrosion-resistant gold-plated XLRM-type connector

Handheld/Stand Hypercardioid Dynamic Instrument Microphone. The industry standard for affordable instrument microphones, the MB2k features a hypercardioid dynamic element design for outstanding off-axis rejection and feedback control. Its frequency response is tailored for optimal instrument pickup. This rugged, all-metal mic is equipped Audio-Technica's Hi-Energy® neodymium magnet structure for maximum output and fast transient response, with noise-reducing soft-touch finish, MagnaLock™ switch design for silent on/off operation, and a corrosion-resistant gold-plated XLRM-type connector. Smart-priced introductory microphone for amplified and acoustic instruments Tailored frequency response for optimal instrument reproduction Hypercardioid dynamic element design Rugged all-metal construction Hi-Energy® neodymium magnet for improved output and transient response Soft-touch finish reduces mechanical noise Silent on-off operation thanks to MagnaLock™ switch design Corrosion-resistant gold-plated XLRM-type connector

Handheld Cardioid Dynamic Vocal Microphone A perfect introductory performance mic, the high-output MB 1k is designed for use as a lead, backup, or choral vocal microphone. It features Audio-Technica's Hi-Energy® neodymium magnet structure for maximum output and fast transient response, lockable MagnaLock™ switch design for silent on/off operation, and a corrosion-resistant gold-plated XLRM-type connector. High-output design for vocals that cut through the mix Cardioid dynamic element design Rugged all-metal construction Hi-Energy® neodymium magnet for improved output and transient response Reduced handling noise thanks to anti-shock engineering Silent on-off operation thanks to MagnaLock™ switch design Corrosion-resistant gold-plated XLRM-type connector

Cardioid Condenser Handheld Microphone With pristine audio quality, ultra-low handling noise, and high-frequency clarity, Audio-Technica's AE3300 gives voice to the subtleties of vocal performance. The quality of the famous At4033 in a stage mic With pristine audio quality, ultra-low handling noise, and high-frequency clarity, Audio-Technica's AE3300 gives voice to the subtleties of vocal performance. This cardioid condenser vocal microphone features the condenser element used in the legendary AT4033 and proven in the world's finest recording studios. The hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam for ultimate protection against vocal plosives without compromising high-frequency clarity. Its superior anti-shock engineering ensures low handling noise and quiet performance. For exceptional performance. For exacting detail. For brilliant clarity: AE3300. it's the new standard in live audio. Exceptional performance for exceptional performers Same element as the classic AT4033 studio microphone Well-tempered polar pattern with outstanding rejection qualities Superior anti-shock engineering ensures low handling noise and quiet performance Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity Robust all-metal design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad Designed and made in Japan, guaranteed for 15 years “Same element as the AT4033” The AE3300 is built with the element of the legendary AT4033 studio microphone. As such, it delivers the same clarity and realism without coloration. Moreover, its very well balanced cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source and& ensuring a high quality rejection. “Multi-stage grille” The grille of the AE3300 is composed of 3 structures: a polyurethane foam layer which guarantees perfect thermal insulation, a hardened steel outer grille, covered with a fine metal mesh. “sound consistency in all situations” Whether you're recording in the studio with your AT4033aSM or performing on stage with the AE3300 or the wireless T3300a AEW-wire system version connected to a 4000 or 5000 Series, you will always find the same sound homogeneity, whatever the situation. Low cut filter and attenuator The AE3300 is equipped with a low-cut filter that removes frequencies below 80 Hz with a gradient of 12dB / octave. Low frequencies are controlled in a very natural way. 3 layer grille The protective head that protects the element is made from a polyurethane foam layer, a hardened steel grille, and covered with a fine metal mesh. Robust and very effective against pops and sibilance. Isolating stand clamp Quiet-Flex® AT8470 stand clamp (included) provides silent, flexible microphone positioning and facilitates the positioning of the AE3300 on any microphone stand. Protective pouch The AE3300 comes with a soft protective pouch for easy storage and transport.

Engineer-Voiced Vocal and Instrument Microphone at a Working Performer's Budget The TASCAM TM-82 microphone is a dynamic microphone for vocal/ instrument performance and recording. With its high-quality capture and replication, the Tascam M-82 microphone is an engineer's choice for capturing live performances from the bedroom studio to live events. Dynamic Microphone to Capture Professional Vocal and Instrument Performances The TASCAM TM-82 Dynamic Microphone is the perfect all-around mic for natural, accurate vocal and instrument audio. The TM-82 has been specifically engineered to capture the character and nuances of performances without bringing the room into the mix. The TM-82 captures exactly what you want, for a mix-ready track or performance. Features: Cardioid Directivity. Built Tough. TM-82 is stage ready for the rigors of daily use using metal materials and components. Package Includes Mic Holder. The TASCAM TM-82 dynamic microphone includes a mic holder compatible with all standard microphone stands.

When it comes to premium studio-quality sound, it’s what’s on the inside that counts. The C7 microphone features a custom-tuned supercardioid condenser capsule with hand-selected components, so your voice is reproduced with pristine clarity and sparkling highs. And the C7 handles incredibly high sound pressure levels, for maximum fidelity during your loudest performances.During your performance, the only feedback you want is applause from the audience. The C7’s innovative open-space capsule uses a specially designed inner-capsule holder and three window ports to reduce air turbulence and inner reflections at the backside of the capsule. This creates an extremely consistent supercardioid polar pattern throughout the entire frequency spectrum, for extraordinary feedback and spill rejection.Specifications:Type: 3/4" back electret condenserPolar Patterns: SupercardioidAudio frequency bandwidth: 20 - 20000 HzEquivalent noise level: 21 dB-ASensitivity: 4 mV/PaSignal to Noise: 73 dB-AMax. SPL for 1 % THD: 150 dBElectrical impedance: 600 OhmsRecommended load impedance: 2000 Ohms

The D 1 is a classic 50's inspired dynamic microphone. Most people might think that this kind of mic is designed for live vocal purposes only, but that is not the case with the D 1. The dynamic diaphragm is very sensitive yet rigid and sound terrific on electric instruments, toms & snares, and of course vocals.The output level of the D 1 is strong and clear and will feed most pedals and processors with enough juice to get the job done. It's a work-horse on stage and a spicy all round mic to keep around the studio or in the rehearsal hangout.

The MD 42 is a high-quality reporter�s microphone with omni-directional pick-up pattern. It has been specially optimized for rough use in live reporting and broadcasting environments. The MD 42 is a very �good-natured� microphone that avoids wind and handling noise problems. Color: black; sound inlet basket: refined steel, black.Features:Two-ply sound inlet basket provides increased protection from wind and pop noiseRugged metal housingRubber mounted capsule (or Elastically mounted capsule) ensures low sensitivity to handling noiseOmni-directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partnerSpecifications:Connector: XLR-3 Sensitivity in free field, no load: (1kHz) 2,0 mV/Pa Nominal impedance: 350 Ω Min. terminating impedance: 1000 Ω Weight w/o cable: 360 g 

Sennheiser e835 3-packNot plastic, metal. No muffled, mids-centric sound but tight low mids and present treble. No problem with feedback, spill or handling noise; instead, maximum flexibility for the voice: the e 835 is a solid choice for performers. Moderation and singing remain crystal clear and natural, even at varying distances from the capsule. Its extremely rugged construction and uncomplicated handling make the e 835 the first choice for rehearsal rooms, home recording or the stage. It has also become a top seller in its class everywhere that speech intelligibility is critical: lectures, presentations or conferences in auditoriums large and small alike.The S-version of the e 835 comes with a noiseless on/off switch.Features:Dynamic cardioid microphone for speech and vocals with noiseless on/ off switchCuts through high on-stage levelsClear reproduction with a high presenceConsistent sound quality (varying distances, moving off axis)Handles high sound pressure levelsIsolates handling noise, hum compensating coilExcellent feedback rejectionRugged metal housing​Specifications:Dimensions: Ø 48 x 180 mm Connector:  XLR-3 Switch: On/Off Frequency response: 40.....16000 Hz Transducer principle: dynamic Weight Without cable: 330 g Pick-up pattern: cardioid Sensitivity in free field, no load:  (1kHz) 2,7 mV/Pa Nominal impedance: 350 Ohm Min. terminating impedance: 1000 Ohm  ​

3 Shure SM 58 A, 5 meter cables XLR - XLR and 3 microphone stands ! 

Dynamic microphone with Switch On-off, cable and clumb.Specifications:Type: Dynamic Frequency response: 50-14000Hz Sensitivity: -74dB±3dBΙmpedance: 600Ω±30%Weight: 247.2 g

Super cardioid polar pattern designed for lead vocals Rugged wire mesh cap with internal protective wiremesh cap Die-cast metal body Complete with stand adapter and zip bag The P 5 is a dynamic handheld microphone for lead vocals. The super cardioid polar pattern guarantees for utmost gain before feedback and makes the voice cut through the mix more easily.

Reference Dynamic Vocal Microphone, highest audio performance for stage and studio.

Professional dynamic mic for lead & backing vocals on stage, with on/off switch.

Professional dynamic mic for lead & backing vocals on stage.

Dynamic microphone with cable and clumb.Specifications:Type: Dynamic Frequency response: 50-14000Hz Sensitivity: -74dB±3dB Ιmpedance: 600Ω±30% Weight: 247.2 g Accessories: mic clip, XLR cable 3m

Attenuator DZC 10 .Overview ca. 10 dB constant attenuationraises maximum sound pressure level by ca. 10 dBattenuates signal ahead of CMC microphone ampli fiers of the Colette modular systemUnder extreme conditions, even a SCHOEPS Colette series microphone can be overdriven by very high sound pressure levels. Here the limiting factor is not the capsule but the microphone amplifier. The overload point ranges from 128 – 135 dB-SPL, depending on the capsule and the amplifier type (e.g. 5 dB lower with the “+5 dB“ version).In these situations the signal level at the amplifier input may be attenuated by inserting a DZC between the capsule and the microphone amplifier or the Active Ac cessories.The use of two DZC 10 on one microphone will result in an attenuation of only ca. 15 dB due to the capacitive principle of operation. If the level must be attenuated by a full 20 dB, a DZC 20 should be used.

Shure 55 SH Series II, Dynamic Vocal-Microphon,"Elvismic", fitted with Switch, cardioid polar pattern, stand adapter built into the housing.

The e 945 is a fully professional super-cardioid vocal microphone which cuts through the mix and offers a smooth, natural sound. Its warm tonal response is matched with rugged construction and excellent feedback rejection.Pick-up pattern : Super-cardioidFrequency response (microphone) : 40.....18000HzSensitivity in free field, no load : (1kHz) 2,0mV/Pa bei 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar)Nominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 47 x 186 mmWeight : 330 gPolar Diagramm :   Frequency Response : 

The latest microphone to join the Sontronics family is yet another striking model, this time a dynamic microphone designed for use on guitar amps and cabinets.  The HALO has a dynamic capsule suspended on four spring mounts within a circular frame that protects the microphone from vibrations and rumble on stage or in the studio.HALO is based on the Sontronics STC-80, a handheld dynamic microphone that gives stunning results on vocals, but has also been increasingly used to great effect on guitar amps for live and studio work.  The HALO takes the same capsule, enhances it slightly to capture the exact frequencies of your guitar amp, and the result is all the bite, crunch and presence you could wish for without need to lay a finger on the EQ.

The Electrovoice CO9 Microphone. Rugged and reliable dynamic vocal microphone, ideal for live performance applications.The Electrovoice CO9 is a favourite for vocalists of any musical genres. Regardless of the live performance application, sound technicians and engineers feel confident with this mic. The Co 9 has a slight bass roll-off and accentuated midrange, making this a superb sounding microphone.Features:Rugged and reliable dynamic vocal microphone, ideal for live performance applicationsElement: DynamicPolar Pattern: CardioidImpedance, Low-Z balanced: 600 OhmsConnector Type: 3-pin XLROpen Circuit Voltage: 3.2 mV/PascalAudio Frequency Response: 50 - 18,000 Hz +/- 3 dBMic Type: HandheldWired/Wireless: WiredFinish: CobaltCase Material: Die cast zincWeight: Net 335 g ( 11.82 oz )Dimensions (Height X Max Diameter): 173 x 53 mm (6.81 x 2.09 inches)

Rode M2, Live Performance Cardioid Condenser Microphone - heavy duty metal body, high RF rejection, mute switch, low handling noise, 35Hz-20kHz, 141dB max SPL, requires 24-48V phantom power.

The e 865 is a fully professional super-cardioid vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound. The microphone capsule insorporates special blast/pop protiction plate to shield the diaphragm from excessive sound pressure levels. Pick-up pattern : super cardioid Sensitivity in free field, no load : (1kHz) 3 mV/Pa Max. Sound pressure level (aktiv) : 150 dB Nominal impedance : 200 Ohm Min. terminating impedance : 1000 Ohm Dimensions : d 47 x 193 mm Weight : w/o cable 311 g Frequency response (microphone) : 40.....20000 Hz Phantom powering : 12 - 48 V

Δυναμικό μικρόφωνο καρδιοειδές με διακόπτη on / off, 40Hz-16kHz. Απόκριση συχνότητας : 40.....16000 Hz Ευασισθησία σε ελεύθερο πεδίο, χωρίς φορτίο : (1kHz) 2,7 mV/Pa Τερματισμένη αντίσταση : 1000 Ohm Διαστάσεις : d 48 x 180 mm Βάρος : 330 g   χωρίς καλώδιο

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The cardioid e 935 is a fully professional vocal microphone, developed to cut through high on-stage levels.Pick-up pattern : CardioidFrequency response (microphone) : 40.....18000 HzSensitivity in free field, no load : (1kHz) 2,8mV/Pa bei 1 kHz = -51dB (0 dB = 1V/Pa) = -71 dB (0 dB = 1V/ubar)Nominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 47 x 181 mmWeight : 330 gPolar Diagramm :   Frequency Response : 

By virtue of its design and features, the MD 431 II ranks amongst SennheiserΆs most exceptional microphones and is suitable for vocal, speech and broadcasting applications. Colour: black, sound inlet basket: refined steel. Pick-up pattern : super-cardioid Sensitivity in free field, no load : (1kHz) 2,0 mV/Pa +- 3 dB Nominal impedance : 250 Ohm Min. terminating impedance : 1000 Ohm Dimensions : d 49 x 200 mm, Griff d 31 mm Weight :ca. 250 g

The Finger" uses a single medium diaphragm transducer to provide detailed sound with smooth transparent highs, optimal presence and natural low-end response with a unidirectional polar pattern. "The Finger" has a unique body design with an integrated tapered reflector which reduces resonances, removes reflections and optimizes the microphone's cardioid polar pattern. Integrated damping of the transducer reduces stand rumble, outside infrasonic interference and mechanical shocks.The Black Finger, w/ Optional FRR Reflection Ring & PSM Shockmount The optional and unique FRR Reflection Ring (shown here) is a reflector disc which can be positioned at the head or anywhere along the body of the microphone to alter the polar pattern, frequency response and sensitivity. Positioning the FRR at the end point of "The Finger's" reflector alters low-frequency response and adds proximity effect. The FRR can also be used to separate the front and rear sides of the capsule and to reduce reflections and reverberation from reaching the capsule. Positioning the FRR on the capsule head's top produces a polar pattern closer to a half-sphere pattern with less coloration at different angles, less proximity effect and adds sensitivity to all except high frequencies. It is even possible to use 2 FRRs, positioning one on the top of the head and one elsewhere on the body for effect. "I bought Violet's 'Black Finger' and it is now a permanent fixture, set up in my studio to mic an upright Bass." Randy Kohrs Artist/Producer/Engineer "The Finger" is available in 2 styles. "The Black Finger" has polished nickel-plated hardware and a matte black body. "The Gold Finger" has polished gold-plated hardware and a matte black body.Matched stereo pairs can be special ordered. Applications: "The Finger" microphone suits a wide range of studio and stage situations. It is ideal for capturing vocals, speech, choir, and musical instruments as well as orchestral and most other sound sources. It is an excellent choice for broadcast radio and television, film production, sound reinforcement and other professional applications.In the home studio where there are generally fewer microphones available, it offers superb performance giving it outstanding value. Use of a studio pop filter and/or polyurethane open-cell foam windscreen is necessary for close voice applications, to protect the capsule from plosive sounds and breath, pop or wind noise. Matched stereo or surround sets can be special ordered to provide balanced recordings.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).See C 451 B for technical specifications and more details.

Shure Beta 58 A, 3 meter cable XLR - XLR and a microphone stand !!! The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.         FEATURESUniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound Neodymium magnet for high signal–to–noise output Hardened steel mesh grille that resists wear and abuse Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Minimally effected by varying load impedance Legendary Shure quality and reliability

The Rode M1 can be perfect for long tours as it is built very solid with a solid die-cast body and a sturdy dynamic capsule.The Rode M1 main features include:Live dynamic vocal microphoneHigh output dynamic capsuleGold plated XLR connectorsInternal pop-filter to reduce plosivesFeedback rejecting pick-up patternHeavy duty metal bodyLow handling noiseDesigned and manufactured in AustraliaLifetime Warranty

Audio-TechnicaΆs high-performance AE4100 cardioid dynamic vocal microphone delivers aggressive sound that stays up-front in the mix. Optimized for the stage, the microphone features superior anti-shock engineering for minimum handling noise. Its rugged construction is engineered to stand up to the rigors of touring. For ultimate protection against vocal plosives, the micΆs hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam. A foam disk positioned on top of the element assembly provides the final layer of “pop” protection.ELEMENT DynamicPOLAR PATTERN CardioidFREQUENCY RESPONSE 90-18,000 HzOPEN CIRCUIT SENSITIVITY -55 dB (1.7 mV) re 1V at 1 PaIMPEDANCE 250 ohmsWEIGHT 10.9 oz (310 g)DIMENSIONS 6.97" (177.0 mm) long,1.89" (48.0 mm) head diameter,1.30" to 0.87" (33.0 to 22.0 mm) tapered body diameterOUTPUT CONNECTOR Integral 3-pin XLRM-type

Stylish and modern, the NT3 is a studio and location workhorse. With both 48V phantom and internal 9V battery operation, this RΨDE is at home anywhere.

Intended for studio, stage and location work, this versatile handheld or stand mounted microphone incorporates a true externally polarized condenser (hyper-cardioid polar response) transducer with an internal capsule shock mounting system, and an ultra-low noise electronic circuit that has a high immunity to R.F. interference. 

Incorporating a rugged welded and heat-treated mesh head and all metal body. The NT3 is supplied in a zip pouch with a windshield, stand mount and thread adaptor.    •    Acoustic principle: Externally polarised 19mm (3/4') condenser    •    Directional pattern: Hypercardioid    •    Frequency range: 20Hz-20 kHz    •    Output impedance: 200Ω    •    Signal noise ratio din iec 651: > 77dB (per IEC268-15)    •    Equvalent noise: 123dB (per IEC268-15)    •    Power supply voltage: P48, P24, P12 phantom 9V battery    •    Weight without battery: 371g    •    Weight with battery: 680g

A looper microphone works just like a normal microphone, but lets you record what you sing, replay it in a loop and sing over it. Beatboxing is very cool, but takes years to perfect. Acappella singing is beautiful, but you can't do harmonies on your own. With the Loopa you will be knocking out beatbox rhythms faster than ever before, and performing complete acappella songs before you know it.   The Loopa makes it super-easy to record a loop and sing over it. This lays the foundations for a great performance. Beatboxers create complex rhythms by quickly making different sounds. This is hard to do, and takes a lot of practice. Using the Loopa you can record a simple beat and loop it. Then add more sounds on top of it. Very quickly you end up with a complex rhythm. As a beginner, it's a great way to start beatboxing. As an accomplished artist, it lets you expand your performance even further. But the Loopa isn't just for singers. If you can make a noise, you can loop it. Hit it, bang it, loop it!   Every aspect of the Loopa has been designed and engineered for the best possible vocal looping experience. First and foremost is the sound of the microphone. It must be superb. From the precisely-shaped cone used to tailor the off-axis response, to the custom-designed shock-mounting to minimise handling noise, to the multi-layered windshield to guard against unwanted breath and wind noise. Meticulous details that make significant differences.   Χαρακτηριστικά: Microphone Type: Dynamic Polar Pattern: Cardioid Frequency Response: 110Hz-20kHz Max SPL: 128 dB SPL Record Time: 13 minute loop  Connector: XLR (inlcudes XLR to 1/4" cable) Power Source: AA battery (10 hours run time) Weight: 160 g

In the past, professional mics for stage vocalists were designed to boost the person’s voice, especially in rock and other types of electric music. It was the quantity of sound that mattered more than the quality!PA system technology has become considerably more sophisticated since then and performance has improved enormously. This means we need mics that are more neutral and that respect the natural timbre of the voice. With this in mind I wanted to create a new generation of dynamic mics that can keep up with the changing equipment, on stage as well as in a studio.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -55dB±3dB (0dB=1V/Pa at 1kHz)Frequency Response: 50Hz-16kHzOutput Impedance: 400Ω±30% at 1kHz.