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This is the ultimate Vienna Symphonic Library anthology, from A to Z. 23 Collections, covering the symphonic orchestra and a lot more. This package includes every Vienna Instruments DVD Collection the Vienna Symphonic Library has ever released, except the Vienna Special Edition. With its unsurpassed number of over one million pristine sound recordings, this tour de force is by far the largest compilation of samples on the planet. And still, the power of Vienna Instruments lies in its simplicity, giving quick and easy access to this wealth of instruments and articulations, and rendering authentic results at the simple touch of a key.Includes: Solo Strings ISolo strings IIChamber Strings IChamber Strings IIOrchestral Srings IOrchestral Srings IIAppassionata Strings IAppassionata Strings IIHarpsWoodwinds IWoodwinds IISpecial WoodwindsBrass IBrass IISpecial BrassVienna Dimension BrassSaxophonesPercussionElementsVienna ImperialKonzerthaus OrganSpecial KeyboardsVienna Choir I
High-end dual mono tube compressor, Optical gain reduction element, Linkable for stereo applications, Dual VU-meters showing output or compression, Variable attack and release with a 1,5:1 to 10:1, Output Gain (off to +10 dB), Frequency response @ -3 dB: 5 Hz to 60 kHz, Low noise: < -80 dBu @10 dB gain, Conductive plastic potentiometers, Gold plated switches, Clickless bypass relay, XLR I/O, 19"/2HE.
Pure Analyzer System – The Next Generation RTA (Real Time Analyzer) System The Flux:: Pure Analyzer System is a network-driven modular RTA-system providing an extensive range of analyzer options for any imaginable audio analysis and measurement applications. For maximum flexibility and efficiency, Pure Analyzer presents the option to separate the signal acquisition from the analysis utilizing a Sample grabber plug-in, and in addition to the Sample grabber plug-in, Pure Analyzer also provide I/O support for ASIO and Core Audio. Sample Grabber Sample grabber is a standard DAW plug-in available in all common formats (VST, AU, RTAS and TDM) that acquires the source and response signals and sends the signal through the network using the ZeroConf/Apple Bonjour protocol. You can insert as many instances of Sample grabber plug-ins as required, on the same DAW, different DAWs, and even different computers altogether, and the Sample grabber also support surround configurations. The network configuration setup for the Pure Analyzer System is entirely automatic and transparent to the user. The audio transport requires approximately 1.4Mbps for each channel at a sample rate of 44.1kHz, so a properly configured standard Ethernet 100Mbps network should be more than sufficient to handle most cases. A 5.1 configuration at 96kHz demands a little less than 20Mbps. Naturally these requirements do not apply when using both Sample grabber and analyzer on the same hardware. Pure Analyzer Essential The foundation of the Pure Analyzer System is a standalone application, Pure Analyzer Essential, which can be extended with modules for Live, Metering/Loudness and Surround analysis, performing the graphic analysis rendering using a GPU-efficient 2D/3D graphic engine. The engine is based on the OpenGL standard optimizing the audio-to-visual experience utilizing the GPU on the built in graphics card. The Pure Analyzer Essential application receives the sample feeds from the Sample grabber and analyzes them in real time. The Pure Analyzer provides the option to receive data from several different Sample grabber plug-ins on the network, and analyze the received data in parallel by selecting the actual corresponding Sample grabber to be the current source for the analysis with a simple button click. In addition to this, the input streams from the physical ASIO/Core Audio I/O can also be selected as the current source for the analysis in the same simplistic fashion. Main Features Basic metering Peak meter Basic RMS meter Fully customizable scale and ballistics Phase meter Weighting filters ITU-R BS.1770-2 (K-weighting) ANSI A ANSI B ANSI C Real-time spectrum analyzer Standard FFT or unique Flux:: Spectrum representation Block size up to 64 K Configurable analysis window Rectangular Barlett Blackman Hamming Hann Amplitude or power frequency scaling Time-averaging Continuously running Fill/freeze refresh/display cycle User-adjustable length up to 200 frames Max (accumulated) or running mode Display channels’ sum or a number of channels, user-selected User-adjustable fixed range or automatic range Simultaneous display of: Raw, full-resolution curve Smoothed curve with user-adjustable detail setting Peak curve Independently adjustable curve ballistics Peak tracking with user definable frequency range and several display variations Keyboard and mouse frequency-axis zoom Fully-customizable curve visual options Spectrogram Display Color modes Power grading Frequency grading Range Min Range Max Vector Scope Internal processing up to 768 KHz Auto-scaling Fully adjustable display Blending Fading Blurring Scaling Several color modes Static color Power grading Dynamic grading Power + Dynamic grading Nebula stereo (Front projection only) Unique spectrum over space scope, providing real-time visualization of the the audio content in the stereo space-frequency domain. Auto-scaling with user adjustable ballistics Focus Control Linear or logarithmic blending Fully adjustable display Fading / persistence Blurring Scaling Choice of color modes Power grading: color varies according to signal power Dynamic grading : color varies according to signal dynamics Power/dynamic grading : combines both previous modes Frequency grading : color varies according to frequency Channel-selection with surround input content Oscilloscope Multi-channel Zero-crossing trigger
Pure Analyzer System – The Next Generation RTA (Real Time Analyzer) System The Flux:: Pure Analyzer System is a network-driven modular RTA-system providing an extensive range of analyzer options for any imaginable audio analysis and measurement applications. For maximum flexibility and efficiency, Pure Analyzer presents the option to separate the signal acquisition from the analysis utilizing a Sample grabber plug-in, and in addition to the Sample grabber plug-in, Pure Analyzer also provide I/O support for ASIO and Core Audio. Sample Grabber Sample grabber is a standard DAW plug-in available in all common formats (VST, AU, RTAS and TDM) that acquires the source and response signals and sends the signal through the network using the ZeroConf/Apple Bonjour protocol. You can insert as many instances of Sample grabber plug-ins as required, on the same DAW, different DAWs, and even different computers altogether, and the Sample grabber also support surround configurations. The network configuration setup for the Pure Analyzer System is entirely automatic and transparent to the user. The audio transport requires approximately 1.4Mbps for each channel at a sample rate of 44.1kHz, so a properly configured standard Ethernet 100Mbps network should be more than sufficient to handle most cases. A 5.1 configuration at 96kHz demands a little less than 20Mbps. Naturally these requirements do not apply when using both Sample grabber and analyzer on the same hardware. Pure Analyzer Live The Pure Analyzer Live provides the elements needed to assist the live sound engineer in speaker array calibration tasks: a delay finder, level, meter, transfer function magnitude, phase and coherence spectra, and impulse response, as well as snapshot facilities.Main Features Multi-Channels reference support (up to 8 with multichannel option) Individual channel selectionSummation modeMulti-Microphone support (up to 16 with multichannel option) Individual channel selectionSummation modeMeters fully customizable to make the matching as close as possible to the norm ColorScalingIntegration timeReference levelHoldSPL SPL unit with calibration toolsWeighting filters ITU-1770 (K weighting)ANSI AANSI BANSI CSignal Generator Pink noiseWhite noiseSineLinear sweepLog. sweepSample accurate Delay Finder Allow very long delay detectionTime translationDistance translationImpulse Response Real time short IR or long up to 10 secondTime averaging with confidence levelAuto RangeZoomPeak tracking with ability to send it to the delay compensationTransfer Function Analysis resolution up to 64KOverlapping controlTime averaging with Custom-able Length up to 200 framesCoherence curveDisplay typeFull resolutionSmoothedBothSmoothing detailColor and pen widthMagnitude curvedB Range (-6/6dB to -48/48dB)Auto RangeVector or Rms ModeDisplay typeFull resolutionSmoothedBothSmoothing detailColor and pen widthPhase curveDisplay typeFull resolutionSmoothedBothSpecific phases curve smoothingdetailThresholdMethodpassesUse coherence informationColor and pen widthglobal color grading optionszoomSnap Shot, unlimited (multi-project support) Transfer functionCoherenceMagnitudePhaseSpectrumSummedChannel independentImpulse ResponseAutomated Sweep Snap shot to take a snap shot with a log sweep even while using pink noiseAverage Snapshot created from any pre-selected snapshots
Pure Analyzer System – The Next Generation RTA (Real Time Analyzer) System The Flux:: Pure Analyzer System is a network-driven modular RTA-system providing an extensive range of analyzer options for any imaginable audio analysis and measurement applications. For maximum flexibility and efficiency, Pure Analyzer presents the option to separate the signal acquisition from the analysis utilizing a Sample grabber plug-in, and in addition to the Sample grabber plug-in, Pure Analyzer also provide I/O support for ASIO and Core Audio. Sample Grabber Sample grabber is a standard DAW plug-in available in all common formats (VST, AU, RTAS and TDM) that acquires the source and response signals and sends the signal through the network using the ZeroConf/Apple Bonjour protocol. You can insert as many instances of Sample grabber plug-ins as required, on the same DAW, different DAWs, and even different computers altogether, and the Sample grabber also support surround configurations. The network configuration setup for the Pure Analyzer System is entirely automatic and transparent to the user. The audio transport requires approximately 1.4Mbps for each channel at a sample rate of 44.1kHz, so a properly configured standard Ethernet 100Mbps network should be more than sufficient to handle most cases. A 5.1 configuration at 96kHz demands a little less than 20Mbps. Naturally these requirements do not apply when using both Sample grabber and analyzer on the same hardware. Pure Analyzer Metering The Pure Analyzer Metering provides an extensive set of measurement tools well adapted for Broadcast and Post Production facilities, presenting the metering tools for a vast range of standards such as True Peak, RMS, ITU-1770, EBU-R128 (PLOUD), history and more. Main Features All meters are fully customizable and configurable to conform to existing and future standards and recommendations Scaling Ballistics Reference level Peak-hold Cosmetics EBU R128 / PLOUD Momentary loudness Short-term Integrated Range ITU-R BS.1770 True Peak Default and user presets K-System VU Meter DIN PPM Nordic PPM BBC PPM EBU Real-time metering history Fully customizable Scaling Ballistics Reference level Peak-hold Cosmetics etc... Peak True Peak RMS (PPM) Dynamics (crest factor) Momentary loudness Short-term loudness Real-time metering statistics Peak: min, mean, max True Peak: min, mean, max Rms (PPM): min, mean, max Loudness: Momentary, Short, Integrated and Range True Peak incident list with customizable threshold Export to text Offline metering statistics Offline file-processing Multi-files support (with automatic channel type detection from file name) Multi-Reels Up to 16 channels Peak: min, mean, max True Peak: min, mean, max Rms (PPM): min, mean, max Loudness: Momentary, Short, Integrated and Range True Peak incident list with customizable threshold Export to text
Pure Analyzer System – The Next Generation RTA (Real Time Analyzer) System The Flux:: Pure Analyzer System is a network-driven modular RTA-system providing an extensive range of analyzer options for any imaginable audio analysis and measurement applications. For maximum flexibility and efficiency, Pure Analyzer presents the option to separate the signal acquisition from the analysis utilizing a Sample grabber plug-in, and in addition to the Sample grabber plug-in, Pure Analyzer also provide I/O support for ASIO and Core Audio. Sample Grabber Sample grabber is a standard DAW plug-in available in all common formats (VST, AU, RTAS and TDM) that acquires the source and response signals and sends the signal through the network using the ZeroConf/Apple Bonjour protocol. You can insert as many instances of Sample grabber plug-ins as required, on the same DAW, different DAWs, and even different computers altogether, and the Sample grabber also support surround configurations. The network configuration setup for the Pure Analyzer System is entirely automatic and transparent to the user. The audio transport requires approximately 1.4Mbps for each channel at a sample rate of 44.1kHz, so a properly configured standard Ethernet 100Mbps network should be more than sufficient to handle most cases. A 5.1 configuration at 96kHz demands a little less than 20Mbps. Naturally these requirements do not apply when using both Sample grabber and analyzer on the same hardware. Pure Analyzer Multichannel The Pure Analyzer Multichannel provides a vast range of measurement tools for the most demanding multichannel environment. In addition to standard spectrum analyzer and metering tools, an innovative set of spectrum tools, Flux:: Nebula, presenting frequency and scope over space in a fashion never seen before. Main Features General additions Analysis of up to 16 channels simultaneously Adds Multi-Microphone support for Pure Analyzer Live Nebula surround (top view) Unique spectrum over space scope, providing real-time visualization of the the audio content in the surround space-frequency domain. Speaker mode Supports any type of surround configuration (4.0, 5.0, 5.1, 6.0, 7.0, 7.1 etc...) Music: standard music configuration (LR: -30°/-30°, Rear : -110°/-110°) Equidistant: equidistant speaker configuration Square Theatre: square with addition of rear speaker, for real theatre simulation Auto-scaling and ballistics Choice of linear and logarithmic blending Full control over display Fading / persistence Blurring Scaling Particle count Color modes Power grading: color varies according to signal power Dynamic grading : color varies according to signal dynamics Power/dynamic grading : combines both previous modes Frequency grading : color varies according to frequency Other Inter-channel phase correlation
CD player CD-300 which is a perfect match for the SA-300 SE amplifier TECHNICAL SPECIFICATIONS:Channel Separation: >90dBCharacteristics: THD 105dBType: CD PlayerWeight: 4.3 kg
The RS 100 Speaker Stand Range is a single column design available in three heights with 6mm clear glass base plinths manufactured and toughened to British Safety Standards (BS 6206) Specifications:Top supports are 100mm x 100mm.RS 100 - 510mm (20"), 610mm (24")
Dark Matter Distortion aims to give you that powerful, super-musical roar of an early plexi - a sound that will satisfy even the pickiest players out there. We are confident we have achieved just that, and this is one of those pedals you have to try to believe what it can actually do for your distorted sounds.From cleans with an attitude and warm bluesy tones to a crunch with grit for days and fully saturated lead sounds full of harmonics and overtones, it’s all here in spades and instantly available by riding your guitar’s volume knob. Dark Matter distortion is built from the highest-grade components, features an easy-access battery hatch and has a conveniently small footprint.
The Sonnox Fraunhofer Pro-Codec Plug-In is designed for the real-time auditioning, encoding and decoding of audio signals using Fraunhofer codecs. In the past it has not been possible to critically audition and then encode multiple formats in real time within a host DAW environment. The revolutionary Sonnox Fraunhofer Pro-Codec now makes this possible, and includes extensive monitoring tools and built-in encoding/decoding features. Using this plug-in mix engineers may produce mixes optimised towards specific target codecs, thereby ensuring maximum fidelity. Similarly, Mastering engineers may audition in the final format and produce compensated masters for final encoding and distribution. Features Supported Codecs: - mp3, mp3 Surround, AAC-LC, HE-AAC, and HE-AAC v2 - mp3-HD and HD-AAC (Lossless Codecs) Ability to select up to five codecs for simultaneous export, in real time, to encoded files Comprehensive auditioning with glitchless switching Ability to audition the difference between input signal and codec output AB auditioning in real time between codecs, or between codec and input signal ABX mode for blind statistical testing Graphical displays include: - High resolution display of the Input signal and Diff signal. - Indication of the audibility of audio removed by the encoding process - Bitstream levels and ability to compensate for overloads - Indication of filesize or datastream compression - Phase metering Off-line encoding and decoding Compatible with many digital audio workstation applications, such as: - Pro Tools, Logic, Cubase, Nuendo, Sequoia and Wavelab. (Mac and PC)
Sonnox Restore is a suite of three plug-ins designed to accurately restore audio that is impaired. Its advanced algorithms and novel features allow fast and extremely effective removal of pops, clicks, crackles, scratches, hum, buzzes and extraneous background noise from virtually any recording.Contains: Oxford DeClicker, Oxford DeBuzzer and Oxford DeNoiser (Native format only - RTAS, AU or VST)
A well defined toolbox with a selection of Flux:: dynamic processing plug-ins and eq. providing a versatile and comprehensive set of precision tools for your everyday recording and mixing session work giving you the best processor for each task within the range of dynamics and equalization processing. Epure II is our State-Of-The-Art Equalizer, a five-band equalizer using one of our most complex proprietary algorithms ensuring the superior quality ever for a digital equalizing processor. Each section provides- An individual bypass- Filter type that can be set to low cut, low shelving, peak, hi shelving or hi cut- Gain control with the range -24 dB to +24 dB- Frequency range covering the whole bandwidth- Q factor adjustable from 0.1 to 100 To match the perfection of the sound quality a range of user interface functions to improve the workflow are provided- Copy A and Copy B duplicate the twenty settings of one slot to the other with a single click- Morphing A/B allowing for ultra fast and precise operation- X2 and /2 affect the gain value for each equalizer section- Invert, to turn the positive gain values to negative ones and vice versa Pure Compressor produces a wide range of compressions from ultra clean subtle compressions to classic heavy pumping ones. It's up to your artistic choices not to the technology limitations. Pure DCompressor allows you to restore the original dynamic of a sound. The DCompressor is superior for heavily compressed signal adding some of that natural feeling to the sound.Pure Expander produces a wide range of expansion process from subtle expansions to hard noise-gate. Using Flux:: proprietary Angel's Share and Hysteresis algorithms Pure Expander allows you to remove unwanted noises or reverberation without adding a processed character to your sound.Pure DExpander enhances the low levels of the sound, magnifies the spatialization information and is also very useful when you want a compact expander sound. The Angel's Share algorithm permits some heavy processing though still keeping an organic character with the soundPure Limiter is using exquisite proprietary Flux:: algorithms generating a release-envelope producing no artifacts on the processed sound achieving a transparent limiting. A dramatic increase of the average audio level is easily achieved without damaging the perceived audio quality of the material.
RG Tremolo models stand up to the most abusive whammy bar users around. Now featuring the Edge Zero II tremolo with the zero point system, tuning stability is maximized. Lightning fast fretboard wark is no problem with the Wizard neck, flat fingerboard, and jumbo frets.
The AS is a semi-acoustic guitar built to tackle just about any genre of music you throw at it. The pickups are mounted into a sustain block for increased sustain and feedback elimination. The Quik Change III bridge makes it easy to change strings without a lot of time involved.
The AS is a semi-acoustic guitar built to tackle just about any genre of music you throw at it. The pickups are mounted into a sustain block for increased sustain and feedback elimination. The Quik Change III bridge makes it easy to change strings without a lot of time involved.
The AF is the most traditional of the Artcore series. The traditional full-hollow construction means there are no sound blocks in the body. Producing rich and complex tones, the AF is the guitar for the purist in all of us.
The ADK Odin has been designed as a high-SPL, reliable and robust microphone with enough flexibility tone-wise to cover any application. The dynamic range was set to allow for relatively heavy sound pressure levels, and attenuation pads enable these microphones to be used with sources up to 150 dB SPL. Keeping digital recording in mind, the noise floor is also appreciably low. These new microphones are solid, reliable "High-SPL" studio microphones that can also be used "Live".Any moderate to high SPL source, whenever a fast, detailed recording desired: All “pop” and “Rock” vocals – with a pop filter (to protect the capsule from strong blasts of air)Brass – with a pop filter (to protect the capsule from strong blasts of air), Drum kit: Toms, Floor tom, overhead and spot mic’ing, including kick drum, Any amplified instruments – Guitar cabs, bass cabs, Any percussion instrument, Stereo/ambient recording, All stringed instrument, Solo/spot recording, Woodwinds.Specifications :Unique Three-Way High-Frequency Switch: Mellow, Neutral or Brilliant Tone.New Transformerless circuit with symmetrical, TRULY BALANCED output stage.Extra capsule QC and special assembly procedures.Two way Pad to Tailor Dynamic Response.Two way HP Filter to Tailor Bass Response.High headroom, even unpadded. A Total Swiss Army Mic.Clean audio path, low distortion for accurate sonic imaging. Polar pattern: CardioidSensitivity: 13mv/PaImpedance: 150OS/N Ratio: 79dB (A-weighted IEC 268-4)Equivalent Noise Level: 15dB (A-Weighted IEC 268-4)Max SPL @ 0.5%THD: 132dB/ 140dB/ 150dB (2-way PAD)Low Cut Filter (HPF): FLAT/ 100Hz / 150HzHigh Cut Filter (LPF): FLAT/ 12KHz / 15KHzPower Requirements: Phantom Power 48V±4V
Bring studio-quality sound to your final masters. Experience an unprecedented level of detail and spaciousness from instruments and vocals! Listen for yourself how soundBlade provides exceptional sound along with the most comprehensize set of tools for mastering and delivery of 44.1K and newer high-resolution formats. With soundBlade you can burn CDRs and equally important create the industry’s most compliant DDP image files, a surefire method for error–free manufacture of great sounding tracks.All the features of soundBlade LE plus...Source-to-destination editing modelRecord 2/4 tracks up to 192 kHZSupports most AU / VST plugins4-band Sonic EQ le PluginSuperb SoundListen to your music with increased clarity and spaceUse's Sonic Studio Engine (SSE) for best sound possibleImprove the sound of your final masterEdit & ProcessFast intuitive editingInfinitely adjustable 64 bit real-time FadesAcclaimed Sonic EQ - 3-band minimal phaseiZotope 64 bit Sample Rate ConversionAdvanced Sonic TPDF and iZotope mBit+ ditherExport & DeliverUse Mark Info Window for specification and creation of DDPs and CDRsExport tracks or entire albums as AIFF or BWF (with metadata)10x CD-R Burn and DDP Delivery and Export
Bring studio-quality sound to your final masters. Experience an unprecedented level of detail and spaciousness from instruments and vocals! Listen for yourself how soundBlade provides exceptional sound along with the most comprehensize set of tools for mastering and delivery of 44.1K and newer high-resolution formats. With soundBlade you can burn CDRs and equally important create the industry’s most compliant DDP image files, a surefire method for error–free manufacture of great sounding tracks.All of the power of soundBlade SE plus...8/16-track recording editing and deliveryFull 4-band Sonic EQ with 14 topologiesSupports most AU/VST PluginsQuickTime interlockTrio DynPEQ PluginSuperb SoundListen to your music with increased clarity and spaceUse's Sonic Studio Engine (SSE) for best sound possibleImprove the sound of your final masterEdit & ProcessFast intuitive editingInfinitely adjustable 64 bit real-time FadesAcclaimed Sonic EQ - 3-band minimal phaseiZotope 64 bit Sample Rate ConversionAdvanced Sonic TPDF and iZotope mBit+ ditherExport & DeliverUse Mark Info Window for specification and creation of DDPs and CDRsExport tracks or entire albums as AIFF or BWF (with metadata)10x CD-R Burn and DDP Delivery and Export
NoNOISE is an award winning complete restoration suiteu sed by professionals worldwide for the best recording and restoration possible.NoNOISE II SR is the ultimate restoration available: Manual Declick :: Surgical Restoration Type A & C - Pitched, General, Left & Right Type D - DeClicker Type E - DeCrackler (adjustable & fixed) • Broadband DeNoise :: Mono / Stereo / Multi-channel Audio Unit Plugin (available Q1 2012)
Matched pair of two 4011C cardioid condenser microphones. Hard carry case and boom holders included.
The UDG trolleys To Go is specially designed to cater to the growing demand of the Airlines. With a solid body structure trolley bag + in-line wheels makes it the ideal bag for those long airport walkways. The Trolley To Go is the perfect long distance travelling partner. Color: Black/Grey StripeWeight: 5,16 kg / 11.352 lbsOuter Dimensions: cm: 36 x 44 x 26inch: 14.2 x 17.3 x 10.2Inner Dimensions: cm: 30 x 32 x 15inch: 11.8 x 12.6 x 5.9Material: Water Resistant Nylon 420DProtection: Foam padded main compartment Extra's Retractable handle with new 3-stage internal trolley system. Large front pocket for Accessories and smaller gears. Large front pocket for Accessories and smaller gears. Integrated combination lock and detachable ergonomic shoulder strap.Fits: 50 LPs or 2x CD Wallet 128 or MIDI Controller + Accessories. Fits up to 13" laptop. See description for details and check "By Device".
Add sound… and preserve the quietThe world's most directional audio loudspeaker technology, now twice as powerful.Sound from other speakers is 90% noise.Any sound that misses your intended audience is noise. Only the Audio Spotlight system can keep sound focused specifically to your listeners, providing sound where you want it, and quiet everywhere else.The revolutionary Audio Spotlight technology creates a tight, narrow beam of sound that can be controlled with the same precision as light. Aim the flat, thin speaker to your desired listening area and provide all of the sound with none of the noise.MAXIMUM SOUND ISOLATIONThe Audio Spotlight uses a beam of ultrasound as a "virtual acoustic source", enabling unprecedented control of sound distribution. The graph below shows the real sound field of the Audio Spotlight versus the theoretical maximum directivity of any loudspeaker, panel, dome, or "shower" of the same size.As shown by this comparison, no loudspeaker in the world can approach the level of control provided by Audio Spotlight technology.AS 16This compact system (AS 16 speaker dimensions are 40cm Χ 40cm Χ 1.9cm, its weight is at 2.5 kgr) is best suited for providing sound to individuals in quiet areas, such as offices, high-end retail, galleries, waiting rooms, or the home. Typical levels are 80 dB SPL at 1kHz for AS 16, and 85 dB SPL for AS 24 models.The larger AS 24 can output about twice the power and has twice the low frequency range compared to the AS 16.Each AS 16 speaker comes with its own Sound Beam processor - amplifier.Sound Beam processor - amplifier specifications: Input: RCA line-level audio Power draw: 25W max (AS 16) 65W max (AS 24) Output: BNC coax cable (7m included) Controls: Volume, tone, on/off Voltage: 100-240V 50/60Hz Dimensions: 15cm x 18cm x 4cm Weight: 1 kgrTwo speakers, one amplifier configuration is also available.Several mounting options available (mounted to ceiling, suspended ceiling, wall, truss, bars, or fitted directly into panelled ceilings).Standard finishes are black (AS 16 B) and white (AS 16 W).Custom Printing OptionsHolosonics is now offering custom-printed fabric for all Audio Spotlight models.In addition to our standard black and white models, any color, pattern, or photograph can now appear in high detail on the front surface of our Audio Spotlight speaker panels.Audio Spotlight panels can be designed to blend in with any background (stone, wood, brick), or feature a prominent logo.Our new custom fabric option allows for an unprecedented level of creativity, while making integration options even more seamless.
Add sound… and preserve the quietThe world's most directional audio loudspeaker technology, now twice as powerful.Sound from other speakers is 90% noise.Any sound that misses your intended audience is noise. Only the Audio Spotlight system can keep sound focused specifically to your listeners, providing sound where you want it, and quiet everywhere else.The revolutionary Audio Spotlight technology creates a tight, narrow beam of sound that can be controlled with the same precision as light. Aim the flat, thin speaker to your desired listening area and provide all of the sound with none of the noise.MAXIMUM SOUND ISOLATIONThe Audio Spotlight uses a beam of ultrasound as a "virtual acoustic source", enabling unprecedented control of sound distribution.The graph below shows the real sound field of the Audio Spotlight versus the theoretical maximum directivity of any loudspeaker, panel, dome, or "shower" of the same size.As shown by this comparison, no loudspeaker in the world can approach the level of control provided by Audio Spotlight technology.AS 24The larger surface of this version (AS 24 speaker dimensions are 60.3cm Χ 60.3cm Χ 1.5cm, its weight is at 6 kgr) provides an extended listening area, as well as more available power.This makes it better suited for noisier environments, or areas requiring more coverage, such as museums, trade shows, supermarkets, and many retail environments. Typical levels are 85 dB SPL at 1kHz for AS 24, and 80 dB SPL for AS 16 models.The larger AS 24 can output about twice the power and has twice the low frequency range compared to the AS 16.Each AS 24 speaker comes with its own Sound Beam processor - amplifier.Sound Beam processor - amplifier specifications: Input: RCA line-level audio Power draw: 65W max (AS 24) 25W max (AS 16) Output: BNC coax cable (7m included) Controls: Volume, tone, on/off Voltage: 100-240V 50/60Hz Dimensions: 15cm x 18cm x 4cm Weight: 1 kgrTwo speakers, one amplifier configuration is also available.Several mounting options available (mounted to ceiling, suspended ceiling, wall, truss, bars, or fitted directly into panelled ceilings).Standard finishes are black (AS 24 B) and white (AS 24 W).Custom Printing OptionsHolosonics is now offering custom-printed fabric for all Audio Spotlight models.In addition to our standard black and white models, any color, pattern, or photograph can now appear in high detail on the front surface of our Audio Spotlight speaker panels.Audio Spotlight panels can be designed to blend in with any background (stone, wood, brick), or feature a prominent logo.Our new custom fabric option allows for an unprecedented level of creativity, while making integration options even more seamless.
Προσθέστε ήχο... και διατηρείστε την ησυχία.Η πιο κατευθυντική τεχνολογία ηχείων στον κόσμο, τώρα δύο φορές πιο ισχυρή.Ο ήχος από κάθε άλλο ηχείο είναι κατά 90% θόρυβος.Κάθε ήχος που ξεφεύγει από τα ακριβή όρια του ακροατηρίου για το οποίο προορίζεται είναι θόρυβος.Το σύστημα Audio Spotlight είναι το μόνο που είναι σε θέση να εστιάζει τον ήχο απευθείας στους ακροατές, παρέχοντας ήχο εκεί ακριβώς που τον θέλετε και ησυχία οπουδήποτε αλλού.Η επαναστατική τεχνολογία Audio Spotlight δημιουργεί μια στενή ηχητική δέσμη που μπορεί να ελεγχθεί με την ίδια ακρίβεια όπως το φως.Στοχεύσατε το επίπεδο, λεπτό ηχείο στην επιθυμητή περιοχή ακρόασης και προσφέρετε όλο τον ήχο χωρίς καθόλου από το θόρυβο.ΜΕΓΙΣΤΗ ΗΧΗΤΙΚΗ ΑΠΟΜΟΝΩΣΗΤο σύστημα Audio Spotlight χρησιμοποιεί μια δέσμη των υπερήχων ως εικονική ακουστική πηγή, επιτρέποντας πρωτοφανή έλεγχο επί της κατανομής του ήχου στο χώρο.Η παρακάτω εικόνα δείχνει το πραγματικό ηχητικό πεδίο του Audio Spotlight σε σχέση με τη θεωρητική μέγιστη κατευθυντικότητα κάθε συμβατικού είδους ηχείου του ίδιου μεγέθους, είτε αυτό είναι πάνελ, θόλος, ή συστοιχία ηχείων.Όπως προκύπτει από τη σύγκριση αυτή, κανένα μεγάφωνο στον κόσμο δε μπορεί να προσεγγίσει το επίπεδο ελέγχου που προσφέρει η τεχνολογία Audio Spotlight.AS 24Η μεγαλύτερη επιφάνεια της έκδοσης AS 24 (διαστάσεις ηχείου 60.3εκ Χ 60.3εκ Χ 1.5εκ, βάρος 6 kgr) παρέχει μια πιο εκτεταμένη περιοχή ακρόασης, καθώς και περισσότερη διαθέσιμη ισχύ.Αυτό την καθιστά κατάλληλότερη για πιο θορυβώδη περιβάλλοντα, ή χώρους που απαιτούν μεγαλύτερη κάλυψη, όπως μουσεία, εμπορικές εκθέσεις, σούπερ μάρκετ, και πολλά περιβάλλοντα λιανικής πώλησης.Τα τυπικά επίπεδα ηχητικής πίεσης είναι 85 dB SPL στο 1kHz για το μοντέλο AS 24, και 80 dB SPL για το AS 16.Το μεγαλύτερο μοντέλο AS 24 αποδίδει περίπου τη διπλάσια ισχύ και έχει περίπου τη διπλάσια έκταση στις χαμηλές συχνότητες σε σύγκριση με το AS 16.Κάθε ηχείο AS 24 συνοδεύεται από το δικό του επεξεργαστή - ενισχυτή Sound Beam.Χαρακτηριστικά του επεξεργαστή - ενισχυτή Sound Beam: Είσοδος: Στερεοφωνική είσοδος επιπέδου line σε RCA Κατανάλωση: 65W max (AS 24) 25W max (AS 16) Έξοδος: Ομοαξονικό καλώδιο BNC (7m, περιλαμβάνεται στη συσκευασία) Ρυθμιστικά: Volume, tone (high/low), on/off Τάση λειτουργίας: 100-240V 50/60Hz Διαστάσεις: 15cm x 18cm x 4cm Βάρος: 1 kgrΗ διαμόρφωση δύο ηχεία ένας ενισχυτής είναι επίσης διαθέσιμη.Αρκετές επιλογές τοποθέτησης είναι διαθέσιμες (τοποθέτηση σε οροφή, ψευδοροφή, τοίχο, μεταλλική μπάρα, ή και απευθείας τοποθέτηση σε ψευδοροφή).Τα standard προσφερόμενα φινιρίσματα είναι μαύρο (AS 24 Β) και λευκό (AS 24 W). Προσαρμοσμένες επιλογές εκτύπωσηςΗ Holosonics προσφέρει τη δυνατότητα να παραγγείλετε κάθε μοντέλο Audio Spotlight με το ύφασμα σε χρώμα και σχέδιο της επιλογής σας.Εκτός από τα standard φινιρίσματα σε μαύρο και άσπρο χρώμα, είμαστε σε θέση να προσφέρουμε τα πάνελ Audio Spotlight με την μπροστινή τους επιφάνεια να αποτελεί μια υψηλής λεπτομέρειας αποτύπωση οποιουδήποτε χρώματος, σχεδίου, ή φωτογραφίας.Τα πάνελ Audio Spotlight μπορούν να σχεδιαστούν έτσι ώστε να είναι σε θέση να συνδυαστούν με οποιοδήποτε υλικό (πέτρα, ξύλο, τούβλο), ή να εμφανίζουν ένα εμφανές λογότυπο της επιλογής σας (π.χ. με το όνομα της εταιρείας σας).Η δυνατότητα επιλογής προσαρμοσμένου υφάσματος προσφέρει ένα πρωτόγνωρο επίπεδο της δημιουργικότητας, κάνοντας παράλληλα την ενσωμάτωση ενός συστήματος Audio Spotlight στο χώρο σας όσο πιο ομαλή γίνεται.
Προσθέστε ήχο... και διατηρείστε την ησυχία.Η πιο κατευθυντική τεχνολογία ηχείων στον κόσμο, τώρα δύο φορές πιο ισχυρή.Ο ήχος από κάθε άλλο ηχείο είναι κατά 90% θόρυβος.Κάθε ήχος που ξεφεύγει από τα ακριβή όρια του ακροατηρίου για το οποίο προορίζεται είναι θόρυβος.Το σύστημα Audio Spotlight είναι το μόνο που είναι σε θέση να εστιάζει τον ήχο απευθείας στους ακροατές, παρέχοντας ήχο εκεί ακριβώς που τον θέλετε και ησυχία οπουδήποτε αλλού.Η επαναστατική τεχνολογία Audio Spotlight δημιουργεί μια στενή ηχητική δέσμη που μπορεί να ελεγχθεί με την ίδια ακρίβεια όπως το φως.Στοχεύσατε το επίπεδο, λεπτό ηχείο στην επιθυμητή περιοχή ακρόασης και προσφέρετε όλο τον ήχο χωρίς καθόλου από το θόρυβο.ΜΕΓΙΣΤΗ ΗΧΗΤΙΚΗ ΑΠΟΜΟΝΩΣΗΤο σύστημα Audio Spotlight χρησιμοποιεί μια δέσμη των υπερήχων ως εικονική ακουστική πηγή, επιτρέποντας πρωτοφανή έλεγχο επί της κατανομής του ήχου στο χώρο.Η παρακάτω εικόνα δείχνει το πραγματικό ηχητικό πεδίο του Audio Spotlight σε σχέση με τη θεωρητική μέγιστη κατευθυντικότητα κάθε συμβατικού είδους ηχείου του ίδιου μεγέθους, είτε αυτό είναι πάνελ, θόλος, ή συστοιχία ηχείων.Όπως προκύπτει από τη σύγκριση αυτή, κανένα μεγάφωνο στον κόσμο δε μπορεί να προσεγγίσει το επίπεδο ελέγχου που προσφέρει η τεχνολογία Audio Spotlight.AS 24Η μεγαλύτερη επιφάνεια της έκδοσης AS 24 (διαστάσεις ηχείου 60.3εκ Χ 60.3εκ Χ 1.5εκ, βάρος 6 kgr) παρέχει μια πιο εκτεταμένη περιοχή ακρόασης, καθώς και περισσότερη διαθέσιμη ισχύ.Αυτό την καθιστά κατάλληλότερη για πιο θορυβώδη περιβάλλοντα, ή χώρους που απαιτούν μεγαλύτερη κάλυψη, όπως μουσεία, εμπορικές εκθέσεις, σούπερ μάρκετ, και πολλά περιβάλλοντα λιανικής πώλησης.Τα τυπικά επίπεδα ηχητικής πίεσης είναι 85 dB SPL στο 1kHz για το μοντέλο AS 24, και 80 dB SPL για το AS 16.Το μεγαλύτερο μοντέλο AS 24 αποδίδει περίπου τη διπλάσια ισχύ και έχει περίπου τη διπλάσια έκταση στις χαμηλές συχνότητες σε σύγκριση με το AS 16.Κάθε ηχείο AS 24 συνοδεύεται από το δικό του επεξεργαστή - ενισχυτή Sound Beam.Χαρακτηριστικά του επεξεργαστή - ενισχυτή Sound Beam: Είσοδος: Στερεοφωνική είσοδος επιπέδου line σε RCA Κατανάλωση: 65W max (AS 24) 25W max (AS 16) Έξοδος: Ομοαξονικό καλώδιο BNC (7m, περιλαμβάνεται στη συσκευασία) Ρυθμιστικά: Volume, tone (high/low), on/off Τάση λειτουργίας: 100-240V 50/60Hz Διαστάσεις: 15cm x 18cm x 4cm Βάρος: 1 kgrΗ διαμόρφωση δύο ηχεία ένας ενισχυτής είναι επίσης διαθέσιμη.Αρκετές επιλογές τοποθέτησης είναι διαθέσιμες (τοποθέτηση σε οροφή, ψευδοροφή, τοίχο, μεταλλική μπάρα, ή και απευθείας τοποθέτηση σε ψευδοροφή).Τα standard προσφερόμενα φινιρίσματα είναι μαύρο (AS 24 Β) και λευκό (AS 24 W). Προσαρμοσμένες επιλογές εκτύπωσηςΗ Holosonics προσφέρει τη δυνατότητα να παραγγείλετε κάθε μοντέλο Audio Spotlight με το ύφασμα σε χρώμα και σχέδιο της επιλογής σας.Εκτός από τα standard φινιρίσματα σε μαύρο και άσπρο χρώμα, είμαστε σε θέση να προσφέρουμε τα πάνελ Audio Spotlight με την μπροστινή τους επιφάνεια να αποτελεί μια υψηλής λεπτομέρειας αποτύπωση οποιουδήποτε χρώματος, σχεδίου, ή φωτογραφίας.Τα πάνελ Audio Spotlight μπορούν να σχεδιαστούν έτσι ώστε να είναι σε θέση να συνδυαστούν με οποιοδήποτε υλικό (πέτρα, ξύλο, τούβλο), ή να εμφανίζουν ένα εμφανές λογότυπο της επιλογής σας (π.χ. με το όνομα της εταιρείας σας).Η δυνατότητα επιλογής προσαρμοσμένου υφάσματος προσφέρει ένα πρωτόγνωρο επίπεδο της δημιουργικότητας, κάνοντας παράλληλα την ενσωμάτωση ενός συστήματος Audio Spotlight στο χώρο σας όσο πιο ομαλή γίνεται.
The UDG Ultimate Midi Controller Sling Bag Large is a basic yet highly functional bag for those DJ's who need to carry their large MIDI controller to and from their gigs.Although designed primarily with the Native Instruments S4 controller in mind, the bag will also fit products such as the Denon MC-6000 and American Audio VMS4. Item Code: U9013 (Black, Orange Inside) SpecificationsWater Resistant Nylon 450DFits NI S4/DENON DN-MC6000/AMERICAN AUDIO VMS4Padded compartment fits up 20" laptopFront compartment for accessoriesErgonomic removable shoulder strapTop carry handleSlides over any trolley Outer Dimensionscm: 55 x 39 x 18inch: 21.6 x 15.3 x 7.1 Inner Dimensionscm: 50 x 34 x 7inch: 19.7 x 13.4 x 2.7 Weight2 kg | 4.4 lbs Fits: Native Instruments Traktor S4, Denon DN-MC6000, American Audio VMS4, Vestax VCI-400, Numark IDJ Live, Novation Nocturn 25, Akai MPK 25, Numark Mixtrack Pro, Roland TR-808, 20" Laptop.
The LMB-3 affords complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass. Full control of bass guitar's dynamic range via threshold level and ratio knobs Enhancer provides increased bass clarity and presence AC adaptor or 9V battery operation BOSS 5-year warranty
8-Channel ADAT card 2 x ADAT In and 2 x ADAT Out Supports 8 channels with 24-bit / 44.1 to 96 kHz and 4 channels with 176.4 to 192 kHz For MAC OSX and Windows drivers
DPA 3511A Stereo Kit. Contains:2 x 4011A Cardioid Microphone2 x UA0897 Shock Mount2 x UA0896 Foam Windscreen2 x UA0961 Microphone Holder1 x DUA0019 Spacer for Stereo Boom1 x UA0836 Stereo Boom with Holders
Sax and Trumpet holder for DPA 4099 microphone, black
Violin holder for DPA 4099 microphone, black
The P38 is a stereo mastering and record production compressor with advanced optical compression, in a substantial 2U rack mounting format. It has balanced line inputs operating at line levels. FEATURES Soft clip function Stereo width control Transient release control Switchable input/output metering 4 position model switch Balance control Ultra gain switch
The P110 is a new microphone amplifier/compressor combination for studio recording of real sounds. The TFPRO P110 is a specialist single channel preamplifier, phase shifter, compressor and equaliser with advanced analogue features. It is designed to be a perfect tool for voice recording and ‘tracking’ in the studio.It’s no secret that the secret to voice recording is attention to detail…. But it’s essential to have the quality there at all stages, especially right at the beginning, in the studio, when the original voice is recorded. The mic amp is not ‘life or death’, it’s much more important than that! The new P110 has transformer inputs of course, it uses multiple stages of amplification so that gain is kept low and the transient distortions that occur in most audio amplifiers are eliminated. The vital compressor, essential for glueing the sound together, is optical and the EQ section is a tried and tested design using discrete amplifiers. Although it’s new, the P110 behaves like an old friend, adaptable, comfortable and easy to use. Developed from the very successful P10, it’s a new classic, a sure way to produce sounds with body and presence in a digital world.
There is nothing quite like a transformer for an input buffer, it’s the perfect isolator and it eliminates the need for electrolytic capacitors at the audio input. The P10 uses a substantial UK made transformer, but because of the novel design of the current mode input stage, the transformer operates with predominantly current. With almost zero voltage there is no possibility of overload or distortion at the input, so the input stage can handle ourageous levels with no distortion, even at very low frequencies. FEATURES Individual channel vari-phase 4 position model switch Switchable input/output metering Luxuriously warm sweepable EQ Separate ‘linked’ stereo compressor
The ADC2 is the successor of our renowned two channel ADC1-MK2 A/D Converter. NEW: FIREWIRE option now available! The firewire option is a PCB which plugs into the main board of the ADC2. It supports bidirectional transmission: - analog or digital in from the ADC2 to the computer - from the computer to the ADC2, out on the S/PDIF connector on the back. All sampling rates are supported. There are drivers for Windows and PowerPC based MACs available. The ADC2 uses state of the art A/D chips in our proven ?correlation technique? configuration, which lowers converter imperfections. The analog input stages are kept balanced from the input connectors throughout to the converter chips. A high quality microphone preamplifier is built in as a standard feature. Supported sampling frequencies are 44.1, 48, 88.2, 96, 176.4 and 192 kHz. Output formats are AES/EBU in one or two wire technique, S/PDIF as well as Firewire for a direct connection to computers. Synchronization can be internal or external through AES/EBU or BNC (Wordclock). The built in digital peak limiter allows for setting a generous headroom on the analog inputs and still get a full scale signal at the converterΆs output. A large bar graph shows the level to the A/D input, the output level and the gain reduction in the aforementioned Limiter. The output wordlength can be reduced from 24 to 16 bits with the built in POW-R dithering. It is even possible to have one output running at 24 bits and another one at 16 bits. This feature comes handy when a safety copy to e.g. a DAT has to be made. The analog input sensitivity can be set in 1dB steps via a relais controlled attenuator. An additional gain control is implemented in the DSP chip in the digital domain. Both channel 1 and channel 2 are fully independent, except for the sampling rate and for the dither settings. The AES/EBU sync input can be used as a digital audio input. This allows to limit and / or dither digital audio signals. The peak hold feature can be used to monitor a transfer and check for overloads which may have occured.
The DAC1 is a stereo 24 bit / 96khz D/A converter designed with the aim of keeping an absolutely uncompromised audio signal path. Much detail and thought was spent on the digital input as well as the analogue output stage. Both have in common the purest possible approach in audio design, aspiring for nothing less than excellence. This is coupled with an ergonomic design that gives the user immediate access to all necessary functions, while keeping an uncluttered and thus easy-to-use front panel. This combination makes a truly professional D/A converter catering for the highest expectations. Inputs: There are three digital inputs on XLR connectors, and one on Toslink (optical). The accepted sampling frequencies are 44.1, 48, 88.2 and 96kHz. AES/EBU signals on a single connector are used. Each XLR input is actively routed to a corresponding XLR digital output, allowing monitoring at multiple stages in a digital studio setup.Synchronization:Several signal reclocking schemes are combined for extremely high jitter attenuation, making the DAC1 virtually immune to jitter over a very wide bandwidth.Converters:The correlation technique (using two converters per channel) which was already successfully employed in the ADC1 gives the DAC1 an edge over other D/A converters with equal wordlength and sampling rate specifications, resulting in improved SNR and THD. Outputs: The discrete Class A outputs have a virtually zero Ohm output impedance, but still can drive large loads without stability problems. Output levels can be set between -infinity and +27dBu. The outputs are symmetrical, but do not have any sound degrading servo mechanisms built in. For asymmetrical operation only one leg of the XLR connector (plus ground) is used. Remote: By hooking up an analog potentiometer or fader to the remote connector, the output level can be remote controlled. This level control happens in the digital domain. The input source selection can also be remote controlled.
The Weiss 102 Series split band De-Esser is one of the mastering industy's most highly praised digital products. Now Weiss engineers have taken their De-Esser design and combined it with the best features of the time proven 102 Series Dynamics Processors. The result is the Gambit DS1, a stand alone digital Dynamics Processor with unparalleled performance and sonic integrity.In De-Esser mode the compression band is selectable as a lowpass, bandpass or highpass and extends the functionality beyond de-essing. The crossover filters are linear phase for the highest sonic quality. The full band dynamics processor with soft knee compressor and hard limiter is ideal for program loudness control. Presets keys let you select a bank of factory presets which can't be changed by the user, but which can be copied into normal snapshots and edited from there.Two banks of factory presets are given, de-esser type and compressor/limiter type. Monitor key: Allows to listen to the filtered signal only, i.e. the one being processed by the dynamics section, facilitates the search for offending signals. Bandsplitting: When touching "bandwidth" or "frequency", the soft keys will select which type of band (low, mid, high).The LEDs above the frequency knob show the current status. Frequency knob selects the corner / center frequency. Attack, Release etc.: Attack, release delay and release fast/slow with averaging knobs make up a powerful yet easy to operate timing section for optimum sound treatment. The LEDs between the knobs light depending on the automatically selected release time. Soft knee knob gives a variable soft knee characteristic (from no soft knee to very gentle). The LED above the knob lights if the input level is in the soft knee region. The LED above the threshold knob lights of the input level is above the threshold. Gain makeup allows for zero gain makeup in DeEsser mode and for as much gain makeup as possible in the compressor/limiter mode. Touching the gain makeup knob assigns the softkeys to select the various modes.
The EQ1-DYN-LP contains both the Dynamic and the Linear Phase EQ programs. After power-up of the unit, the user can chose between Dynamic (DYN) and Linear Phase (LP) modes. This allows to use a single unit for a wealth of different equalizing tasks. The workspace storage, the snapshots and the snapshot backups are fully independent between the DYN and LP parts of the unit. This means that all setup data are retained in any case. Users of EQ1-LP and EQ1-DYN units can upload their current snapshot data into the EQ1-DYN-LP via MIDI. FEATURES Seven identical parametric bands. All seven bands cover the entire audio frequency range. Each band has Boost/Cut, Frequency and Q/Slope knobs. Each band operates in any of the following modes: High shelving, low shelving, peaking, high cut, low cut, bypass. One parameter per knob operation. Seven sets of controls for seven operating bands. Knobs are touch sensitive. LCD display shows detailed parameters of the touched band. Large, backlit Liquid Crystal Display which shows the overall frequency response (calculated in real time) and the detailed parameter values in dB, Hz and Q. A/B compare memory, 128 snapshot bank with two additional banks for back-up. Digital input / output in AES/EBU format on XLR connectors. Dithering to 16, 20 or 24 bits. POW-R dithering in the LP, DYN and DYN-LP models. 128 steps for boost/cut, frequency and Q parameters. Variable slope shelving filters. Very high Q (up to 650) for notching out offending frequencies. M/S mode for independent equalization of M and S channels. M/S encoder / decoder can be configured separately. Also see the article Stereo Shuffling: New Approach - Old Technique by Michael Gerzon Peak meter, over indicators. MIDI control for each parameter. Bypass, overall gain, CH1/2 independent or ganged.
The Zx5 is rated for 600-watt, long-term power handling and is able to produce high SPLs while providing a very smooth frequency response. With two available coverage patterns (60 degree x 60 degree or 90 degree x 50 degree), two adjustable monitor angles (45 degrees or 55 degrees) and ten built-in rigging and suspension points allow for a variety of mounting accessories, the Zx5 fits a variety of applications such as installations of individual speakers or clusters in entertainment, houses-of-worship, as well as on stage with bands, musicians, and PA rental companies.
HEDD, short for harmonically enhanced digital device, is a technological breakthrough in signal processing. HEDD is engineered to be musically transparent while providing the capability of generating tube/analog sounds in the digital domain. HEDD gives any user who works with digital the ability to sound less digital and more analog. Applications include: CD preparation, work station input and output, DAT machine A/D and D/A convertor replacement and effects generation (warming or changing sounds in the digital domain). HEDD 192 can be used in tracking, mixing or mastering. The HEDD signal processor has the following features: High Quality 24 Bit A/D and D/A Convertors 24 Bit Processing Adjustable Triode, Pentode and Tape sounds Digital I/O, AES and S/PDIF External WC Sync Input and Output Will be Upgradable to 192K sample rates (once parts are available) The front panel controls allow the user to select input source, sample rate, and continuously variable triode and pentode sounds. The HEDD can operate as an effects device or as separate A/D and D/A convertor with the sound enhancement process applied to either the A/D or D/A convertor. HEDD has transformerless balanced analog inputs and outputs, transformer isolated digital inputs and outputs, and uses separate power transformers and supplies for the analog and digital sections. The unit is 1 rack space tall and operates from 115V or 230V mains.
TRAKKER is a high quality Single Channel Discrete Class A Compressor Limiter. It functions either as a musically transparent compressor or as a vintage compressor - limiter with selectable hard or soft knee.TRAKKER is a maximum-versatility toolkit for solving real-world recording, broadcast, and sound reinforcement problems with the utmost attention to signal quality. Trakker can create distinct new sounds or maximize existing ones. TRAKKER has adjustable threshold, attack, release, knee shape, and makeup gain controls. In addition to Character Switchthese controls, a function switch allows the selection of transparent operation or vintage operations such as optical, air optical, soft knee, and hard knee - each with four different amplifier/gain control sounds.Amplifier gain control sounds are: Transparent Vintage (tube or old style Class A) Transparent with VCA artifacts Vintage with VCA artifacts
The Cranesong STC-8 Stereo Mix Buss Compressor/limiter. Highly regarded and sought after processor capable of emulating vintage equipment and creating distinctive new sounds to enrich lifeless audio and digital recordings. The Cranesong STC-8 Stereo Mix Buss Compressor/limiter is a high quality stereo compressor combined with a remarkably dependable peak limiter, providing overload protection critical to digital recording and broadcast transmitters. The STC-8's compressor is engineered to provide musically transparent gain control, but is also capable of emulating vintage equipment and creating distinctive new sounds. In addition, a switchable enhancement circuit creates analog and tube like warmth to enrich lifeless audio and digital recordings. This vast flexibility is simplified by the inclusion of several optimized presets, allowing fast, easy set-up on a wide variety of sounds. It can operate in true stereo or discrete independent mono, accessible by a front panel switch. The STC-8's sophisticated side-chain allows both compression and peak limiting to take place simultaneously, using the same proprietary gain circuit. High signal quality is maintained by utilizing a discrete class A audio path, and by eliminating any VCA or optical gain control elements. The STC-8 requires 2 rack spaces. All inputs and outputs are transformerless and balanced. The toroidal power transformer is UL approved and allows four line voltages for international use. The STC-8 delivers consistent gain control without sacrificing musical definition or harmonic richness. FEATURES Highly regarded and sought after processor capable of emulating vintage equipment and creating distinctive new sounds to enrich lifeless audio and digital recordings Simultaneous Compression/Limiting Discrete Class A audio path Balanced/ Transformerless I/O Quick & Easy Presets Transparent Overload Protection Stunning versatility to produce clean or charactered, well glued mixes Transparent sound, highly regarded for use on vocals, overheads, toms and acoustic guitar as well as the mix buss
