Christmas Dream

The ULN2 3D upgrade card is a user-installable internal expansion board for the Metric Halo ULN2 audio interface offering cutting edge functionality and seamless compatibility with the latest in computer audio technology.3D replaces the ULN2’s built-in digital and computer interfacing board to enable not only USB-C connectivity, but also MH Link - Metric Halo’s low-latency and high-bandwidth audio/clock/data transfer via Gigabit Ethernet, and MH EdgeBus - a newly designed audio card expansion slot with a huge range of available options including S/PDIF, AES and MADI.The new hardware upgrade also supports a swathe of new software functionality including MH Console - Metric Halo’s 64-bit lightning-fast I/O grid application with flexible routing, MH Mixer for 128 input zero-latency mixing, MH Monitor for surround capable system processing and MH Record - a dedicated 128 input multitrack recorder complete with deep-hardware integrationMain FeaturesPreloaded SPDIF/AES EdgebusUSB-C Connectivity2x GigE MH-Link ports75Ω BNC Word Clock I/OShips with 1x USB-A to USB-C cable and 1x 1ft Cat 5e cableLegacy Version Only: ADAT I/O board and ADAT I/O ribbon cable included for Legacy 2882/ULN-2PerformanceSupported Sample Rates: 44.1k — 192kMono Mix Busses:64Mono Mix Inputs:128Mix Crosspoints: 8192 (fully interpolated)VU Meters: 1024PPM Meters: 1024Peak Meters: 1024Router Crosspoints: 1024Point-To-Point Router Latency: 3 samples (< 16 µs)MH Link Total System Latency: 3 samples (< 16 µs)DSPDSP Memory: 1GBCores: 2I/OUSB: 1x USB-C port (Host & device capable)MH Link/Ethernet ports: 2x Gigabit Ethernet

The 3D upgrade card is a user-installable internal expansion board for the Metric Halo 2882 audio interface offering cutting edge functionality and seamless compatibility with the latest in computer audio technology. 3D replaces the built-in digital and computer interfacing board to enable not only USB-C connectivity, but also MH Link - Metric Halo’s low-latency and high-bandwidth audio/clock/data transfer via Gigabit Ethernet, and MH EdgeBus - a newly designed audio card expansion slot with a huge range of available options including S/PDIF, AES and MADI. The new hardware upgrade also supports a swathe of new software functionality including MH Console - Metric Halo’s 64-bit lightning-fast I/O grid application with flexible routing, MH Mixer for 128 input zero-latency mixing, MH Monitor for surround capable system processing and MH Record - a dedicated 128 input multitrack recorder complete with deep-hardware integration. Main Features Preloaded SPDIF/AES Edgebus USB-C Connectivity 2x GigE MH-Link ports 75Ω BNC Word Clock I/O Ships with 1x USB-A to USB-C cable and 1x 1ft Cat 5e cable Legacy Version Only: ADAT I/O board and ADAT I/O ribbon cable included for Legacy 2882/ULN-2 Performance Supported Sample Rates: 44.1k — 192k Mono Mix Busses:64 Mono Mix Inputs:128 Mix Crosspoints: 8192 (fully interpolated) VU Meters: 1024 PPM Meters: 1024 Peak Meters: 1024 Router Crosspoints: 1024 Point-To-Point Router Latency: 3 samples (< 16 µs) MH Link Total System Latency: 3 samples (< 16 µs) DSP DSP Memory: 1GB Cores: 2 I/O USB: 1x USB-C port (Host & device capable) MH Link/Ethernet ports: 2x Gigabit Ethernet

The 3D upgrade card is a user-installable internal expansion board for the Metric Halo 2882 audio interface offering cutting edge functionality and seamless compatibility with the latest in computer audio technology. 3D replaces the built-in digital and computer interfacing board to enable not only USB-C connectivity, but also MH Link - Metric Halo’s low-latency and high-bandwidth audio/clock/data transfer via Gigabit Ethernet, and MH EdgeBus - a newly designed audio card expansion slot with a huge range of available options including S/PDIF, AES and MADI. The new hardware upgrade also supports a swathe of new software functionality including MH Console - Metric Halo’s 64-bit lightning-fast I/O grid application with flexible routing, MH Mixer for 128 input zero-latency mixing, MH Monitor for surround capable system processing and MH Record - a dedicated 128 input multitrack recorder complete with deep-hardware integration. Main Features Preloaded SPDIF/AES Edgebus USB-C Connectivity 2x GigE MH-Link ports 75Ω BNC Word Clock I/O Ships with 1x USB-A to USB-C cable and 1x 1ft Cat 5e cable Legacy Version Only: ADAT I/O board and ADAT I/O ribbon cable included for Legacy 2882/ULN-2 Performance Supported Sample Rates: 44.1k — 192k Mono Mix Busses:64 Mono Mix Inputs:128 Mix Crosspoints: 8192 (fully interpolated) VU Meters: 1024 PPM Meters: 1024 Peak Meters: 1024 Router Crosspoints: 1024 Point-To-Point Router Latency: 3 samples (< 16 µs) MH Link Total System Latency: 3 samples (< 16 µs) DSP DSP Memory: 1GB Cores: 2 I/O USB: 1x USB-C port (Host & device capable) MH Link/Ethernet ports: 2x Gigabit Ethernet

The class-leading resolution and impressively low distortion makes the LCD-X comparable to high end speaker systems, without requiring large, expensive acoustic room treatments. When used with Audeze Reveal+ to create an AI-generated map of your own hearing, the LCD-X puts you inside renowned studios, letting you mix consistently and efficiently from anywhere.

The Elipson RAIN two-way speakers are veritable all-terrain models that are just as suited to intense cold or hot temperatures as they are to extreme humidity. These weatherproof speakers will be at home by the poolside, in the garden, in a sunroom or under a porch, but also in bars, restaurants, kitchens, spas or outdoor terraces. The RAIN speakers are meticulously assembled and come with an ultra-rigid, anti-UV case and a rustproof grill, all of which contribute to their extensive lifespan. Each RAIN model has an integrated wall mount system. Easy to install, this system provides a 180° dispersion angle, ensuring optimal sound quality that fills the entire area. Three sizes are available depending on the amount of power needed: the RAIN 4, RAIN 6 and RAIN 8 which feature a mid-bass driver of 4”, 6.5” and 7.9” respectively. The Elipson RAIN speakers are available in a white or black finish. Specifications:Type: 2-way outdoor speakerPower: 120WFrequency Response (±3 dB): 80Hz - 20KHzCrossover frequency: 3000 HzSensitivity: 89 dB/1W/1mImpedance: 8 OhmsLoudspeakers: Tweeter : 25 mm Mid-bass : 165 mmIndice de protection: IPX4Température min: -25°CTempérature max: +70°C (25% humidity)Résistance à l'humidité: +40°C under 95%Traitements: Anti-rust, anti-UV

Xone:96. The long-awaited follow-up to a genuine club classic. A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, Xone:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity.It’s all here. The huge, detailed, space-shaking analogue sound that only Xone delivers. A refined, precision 4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard (24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.Xone:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths and drum machines.Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware.Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.Specifications:Channels: 6 + 2EQ: Channel 1-4, 4-Band EQ / Channel A-B, 3-Band Parametric EQUSB Soundcards: Dual 24 Channel (12 in / 12 out) / Hi-Speed USB2.0 / Mac Class Compliant / 32bit / 96kHz / MIDI over USBLine Inputs: 4 x RCA (CH 1-4) 4 x 1/4? TRS (CH A-D) Mono/StereoPhono Inputs: 4 x RCA (CH 1-4) LN/PH Switch for DVSUSB Inputs: 6 x USB (CH 1-4 + CH A – CH B)Mic Input: 2 x XLRMaster Output: 1 x XLR (Balanced)Master 2 Output: 1 x 1/4? TRS (Balanced)Booth Output: 1 x 1/4? TRS (Balanced)Record Output: 1 x RCA (Un-balanced)Master Insert: 1 x 1/4? TRSMIDI Out: 1 x 5-Pin DINSend/Return I/O: 2 x 1/4? TRS Send / 4 x 1/4? TRS Return / 1 x LN/Hi-Z Switch (SND1/RTNA)Filter: 2 x VCF Filter / HPF, BPF, LPF / Adjustable Frequency & Resonance / Assignable CH 1-4 + CH A-B/ CRUNCH (Controlled Harmonic Signal Distortion) 

The Elipson Prestige Facet 8B speaker introduces a host of innovative technologies. The most visible is undeniably the ring of sculpted facets surrounding each driver, which gives the range its name. A rigorous design process ensures optimal acoustic performance, while an elegant finish allows the speaker to blend in harmoniously with your interior decor.The Prestige Facet 8B is availble in black, walnut and white. Signs of a high-quality finish include a double-layer front panel to which a black or white lacquer is applied. Medium-sized, it is equipped with a 17 cm low midrange driver featuring a bullet-shaped phase plug to limit vibrations and, consequently, reduce distortion.A 25 mm soft dome tweeter reproduces highs with finesse and precision. The multifaceted, sculpted silicone surround rings encircling each driver reduce the baffle effect and limit diffractions. The result is a more linear response curve and a smoother listening experience.Extra attention has been paid to the speaker's cabinet. The lacquered front panel is composed of two dense, thick materials and strengthened by several internal brackets. The speaker's steep-slope filter relies on highly efficient, audiophile-grade components. As for the finish quality, it is not overlooked and offers benefits such as premium-quality vinyl and a lacquered front panel.At Elipson, the back counts as much as the front. That is why our designers have created rounded, high-end dual speaker terminals which offer the possibility of biwiring and biamplifying while benefiting from silver-plated contacts to maximize signal transmission. Banana plugs may also be connected to the terminals.Neutral and accurate, this speaker delivers sound which is free from colouration and faithful to the original recording. Impressions of smoothness and serenity emanate from each track as it is masterfully reproduced, without any hint of harshness. The experts weren't wrong when they awarded the Elipson Prestige Facet 8B speaker with the Choc Classica and Diapason d'Or awards. A champion in its category!The Prestige Facet 8B's high sensitivity allows it to be paired with any amplifier with a power rating of 85 W or less per channel. Its lively performance make it an excellent surround sound speaker for a home cinema installation.   Specifications:Speaker: BookshelfNumber of way: 2Power: 85 W RMSTweeter: 1 "Mid-bass driver: 6,5 "Frequency Response (±3 dB): 47 Hz - 25 kHzSensitivity: 91 dB/1W/1mImpedance: 6 OhmsDimensions (W x H x D): 230 x 361 x 347 mmWeight with packaging, pair (W x H x D): 525 x 460 x 405 mmWeight with packaging, pair: 20,3 kg

As its name indicates, the  SD25 CEQ is quite simply the Cutaway Electric model of the SD25!Conceived on the same specifications, but with a cutaway, capsule and 3-band amplifier which respect the natural sound scrupulously.This model converts naturally into a very well made electro-acoustic guitar at a price which is, yet again, unbeatable.And for an exceptional sound quality, connect it to one of our Nattural 5 or Natural 6 amplifier. Specifications:Brand : Electro-acoustic guitar Prodipe GuitarsSeries : StarterModel : SD25 CEQ DreadnoughtTop : SpruceBack and sides : Indonesian mahoganyNeck : MahoganyNut and saddle : FittedFingerboard : Composite rosewoodFinition : Satin varnishTuning machine : Die-cast nickel-platedStrings : Bronze 12/54Electronic : EC 1 active 3-band pre-amp with tuner

Combining classic audio design with new technology Tangent's new premium radio Tuner ll provides easy and reliable access to many local and national radio stations thanks to its latest technology high quality tuner.  The FM analogue part of the tuner features RDS and is both clear and refined, whilst the digital DAB and DAB + tuners offer fast, locked-in reception of all available DAB + channels with stunning clarity.  The large white text LED display clearly provides the information you need whichever radio band and station you’re listening to. Hi-Fi sound quality from a mini radio The new Tuner ll fits effortlessly into Tangent's new mini system. By combining the Tangent Ampster BT II and CD ll, you can enjoy a complete, compact sized HI-FI system with premium audio quality and performance.  Each Tuner ll, Ampster BT ll and CD ll is less than the width of an A4 sheet of paper and is only 7cm high, making the system only 21cm high when stacked! So the small size of each component takes up less space in the living room, kitchen - or wherever you enjoy your music. A remote control for all The remote control for the Tuner II also operates the Ampster BT II and CD ll, so when all three components are stacked together or placed separately, each remote control can be used to operate all components.  Or you can choose to use only one remote control and put the two other remotes away!   Features FM/DAB/DAB+ Built-in power supply Alu Front Optical and analogue out

SOUND LIKE A LEGENDThe WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. DESIGNThe classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire.Designing our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before.SPECIFICATIONS CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE CINEMAG USA OUTPUT TRANSFORMER JJ SLOVAK 12AY7 VACUUM TUBE GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS POLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT FREQUENCY RANGE: 20 HZ~20 KHZ OUTPUT IMPEDANCE: 200 OHMS MAXIMUM SPL: 132DB (

It’s time to enjoy your CD collection again As part of Tangent’s new mini-system, the CD II plays an integral role when connected with the new Ampster II and Tuner II. Due to its mini, compact size you’ll now be able to play your CD collection on a player that’s both space saving and technology future-proof.  The CD II is a multi-format digital disk player that’s compatible with all current CD formats (including home-made MP3 files)… and with both digital optical and regular line-outputs, the CD II is designed to produce lossless connectivity to any separates HI-FI system. High quality CD sound from a mini player The new CD ll fits effortlessly into Tangent's new mini system. By combining the Tangent Ampster BT II and Tuner ll, you can enjoy a complete, compact sized HI-FI system with premium audio quality and performance.  Each CD ll, Ampster BT ll and Tuner ll is less than the width of an A4 sheet of paper and is only 7cm high, making the system only 21cm high when stacked! So the small size of each component takes up less space in the living room, kitchen - or wherever you enjoy your music. A remote control for all The remote control for the CD II also operates the Ampster BT II and Tuner ll, so when all three components are stacked together or placed separately, each remote control can be used to operate all components.  Or you can choose to use only one remote control and put the two other remotes away!   Features Optical digital out Analog RCA out Compact design Built-in power supply 

Beginners have essential special needs, which few manufacturers know how to satisfy.Thanks to the skill of its luthiers, Prodipe Guitars have created a model that is perfect for learning.From conception to manufacture, including selection of wood, setting the height of the strings and bridge, and profiling the neck, everything is designed to make learning easy.Because we know that these first guitars often get rough treatment (transported frequently, with or without a case, in all weathers, forgotten in the boot of a car parked in the sun, etc.), Prodipe Guitars' Primera models have a carbon insert in the neck that makes this guitar very light and resistant.Practically exclusive in this price range! Specifications:Brand : Classical Guitar PRODIPE GUITARSSeries : StarterModel : PrimeraTop : SpruceBack and sides : MahoganyBinding filets : Double ABSNeck : Mahogany with insert in carbonNut and saddle : Fitted boneFingerboard : Composite rosewoodFinition : Matt varnishTuning machine : Gilt, black knobsStrings : ALICE high tension

Use the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless. Connect your Series 21 mic to the UHF B210 DSP Solo bodypack:SB21 Sax & BrassVL21 Violin & AltoGL21 Guitar & UkuleleBL21 ContrabassCL21 CelloOPTION: can be connected to the B210 DSP bodypackLavalier P2L lapel mic: a small diaphragm condenser Lavalier mic which respects the timbre of your voice and is just as effective at conferences as it is during presentations.Headset : the new Prodipe headset mic is specially designed for people on the move. It adapts perfectly to your morphology. Comfortable and light, it boasts a tailor made cardioid cartridge for singing and vocals. Specifications:System - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies:  2 x 50Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 2 x XLR

Use the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless. Connect your Series 21 mic to the UHF B210 DSP Solo bodypack:SB21 Sax & BrassVL21 Violin & AltoGL21 Guitar & UkuleleBL21 ContrabassCL21 CelloOPTION: can be connected to the B210 DSP bodypackLavalier P2L lapel mic: a small diaphragm condenser Lavalier mic which respects the timbre of your voice and is just as effective at conferences as it is during presentations.Headset : the new Prodipe headset mic is specially designed for people on the move. It adapts perfectly to your morphology. Comfortable and light, it boasts a tailor made cardioid cartridge for singing and vocals. Specifications:System - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR

The COMP-2A is a one channel vintage style Compressor / Leveler using vacuum tubes in the signal and side-chain path. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before transistors and integrated circuits became available.Integrated circuits are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires.The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.The circuit used in the COMP-2A is based on a classic design that was originally produced in the early 1960s and it was initially intended for broadcast applications. It uses an electro-luminescent panel and a photoelectric cell to control gain. This gives it a unique, program dependent compression characteristic. In addition, the all tube signal path and the transformers adds a wonderful and musical character to the sound.The ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made the original units a favourite of engineers and musicians worldwide. This classic sound is now available at a very affordable price point with the COMP-2A.Features:Vintage style all tube signal path. The tubes are fitted with grounded shields.Transformer balanced input and output. Can drive almost any load, balanced or unbalanced.Golden Age Project's version of the classic optical unit using a long life electroluminescent panel and two carefully matched Silonex NSL5910 photoresistors for T4B-style electro-optical gain control with program dependent attack and release times.Very simple to operate with only two main controls, Gain and Peak Reduction.HF control can make the side-chain circuit more sensitive to mid and high frequency content.Linear low noise regulated filament and high voltage power supply.A big meter selectable to show gain reduction or output level at two different reference levels.Hardwire bypass switch for easy comparisons.XLR and TRS input and output jacks for flexible connections.Link jack and switch for connecting to another unit for stereo operation.All external controls located on the front panel.Compact 2RU half rack format. Two units can be mounted with our 19-inch rack kit, the UNITE BIG.A solid build quality that will last many years of normal use.

JM Forest Acoustic Guitar Fine Wood SD 26 MH DreadnoughtMahogany, a real tribute to this legendary manufacturer of the late 19th century, inventor of the X bracing, the flat-top guitars SD26.The MH Dreadnought shape for powerful sound, balanced and full. Ideal for accompanying  SpecificationsModel: SD26 MH DREADNOUGHTTable: Mahogany (Mahogany)Bottom And Sides: Mahogany (Mahogany)Binding: Double black ABSNeck: MahoganyNuts: AdjustedVeneer Head: MahoganyKey: RosewoodFinish: GlossMechanical: oil bath Mechanical nickelCords: Bronze 12/54

Ukulele MARRON Case by JM Forest , 12mm.

Since the early 1990’s, the Manley ELOP® stereo electro-optical limiter has been a tracking hero effortlessly controlling dynamics on countless records around the globe, delivering the coveted classic, all-tube sound that Manley Labs is known for. So how do you improve on something this good? Well, for starters, we have now added a 3:1 compression ratio feature which opens up the doors to greater versatility, especially for 2-buss applications. The 2016 ELOP+ has been completely re-engineered from the ground-up, beginning with our amazing modern high voltage switching power supply purpose-designed for our vacuum tube audio circuits. With careful reference to our sonic past, we have deployed our highest performance vacuum tube line amplifier and White Follower output stage in this new version all housed in a build-efficient chassis behind a drop-dead gorgeous precision-CNC-milled faceplate, all proudly made in America, of course. The new Manley ELOP+ is everything you love about our legendary ELOP, plus!Features:10:1 Limiter and 3:1 Compressor ratiosAll-tube audio path uses 5751 and 6922 dual triodesBalanced Manley IRON® transformer-coupled XLR InputsXLR impedance-balanced outputsBYPASS switches and AUTOMUTE with warm-up delayLarge illuminated VU meters read Gain Reduction or Output levelsSTEREO LINKSide-Chain High-Pass FilterUniversal internal power supply operates worldwide 90-250V~AC 50/60Hz

Wireless System Bass/Guitar. This UHF system has been designed for electric guitars, electro acoustic guitars and bass guitars.The specially adapted impedance means that you can reproduce the high definition sound of a wired system in UHF.The electronics for the UHF side prevent any interference, and that signal integrity would be optimized no matter what the conditions.Now your instruments can really strut their stuff in UHF with absolutely no compromise on sound quality.PLL with 100 preset frequenciesFrequency range: 600MHz to 635MHzActive cable (for the UHF Lanen GB21) can be connected to the 6.35mm Jack on your guitar/bass100 channel receiver: 6.35 mm output Jack + XLR​Whatever wireless system you're using, the most important aspects are the audio quality and the stability. We've the UHF GB21 GUITAR/BASS system in metal to give you perfect insulation, and adapted the impedance for electric, electro-acoustic, and bass guitars. All this to make sure your UHF sound is the same as wired sound: dynamic, rich and balanced.The UHF wireless system uses an extremely stable phase-locked loop circuit and a dual antenna/dual receiver analogue wireless system (True Diversity) to prevent interference problems and guarantee signal integrity at all times.Now your instruments can really strut their stuff in UHF with absolutely no compromise on sound.Χαρακτηριστικά:System:Receiving mode: UHF True DiversityNumber of channels: 100 PLL selectable frequenciesFrequency range: 600MHz at 635MHzS/N Ratio: >85dBTotal harmonic distorsion: 80dBWeight: 800gDimensions (W x D x H): 210mm x 160mm x 53 mmBodypack:Connections: MiniXLR with Jack 6.35mm active cableMax output power: 8mWMax SPL: 130dBBattery (non supply) : alkaline battery (AA) or rechargeable battery NiMH ty 

Mic bar with mounts for two mics - can be attached to a mic stand.

The Manley Nu Mu gives you the best sonic qualities of both tube and transistor compressors. Manley spec'd the Nu Mu with the all-tube, T-Bar-modded front end of their fabled Variable Mu and followed it with a state-of-the-art solid-state audio chain. At Sweetwater, we're quite impressed by the results - silky smooth, fat, and punchy! Manley's innovative HIP circuit is onboard, enhancing low-level detail without taking a toll on dramatic transients. Handcrafted in the company's Chino, California, factory, the Nu Mu delivers superior sonics, performance, build quality, and value - exactly what you'd expect from Manley.Advanced dynamics control is yours with the Manley Nu Mu!Manley Nu Mu Features:Hybrid tube/solid-state compressor/limiterDual channel (stereo linkable)Features Manley's IRON input transformers4 hand-selected and matched 6BA6 vacuum tubesBalanced XLR I/OHIP circuit elevates softer dynamics without crushing louder onesLighted VU meters, switchable between Gain Reduction and Output LevelCustom, internal, universal high-voltage switched-mode power supply, for worldwide operation SpecificationsType: Tube/solid state (4 x 6BA6 vacuum tubes)Number of Channels:    2Controls: Threshold, Attack, Recovery, OutputRatio: 1.5:1, 4:1 to 20:1Side Chain Inserts:  2 x 1/4" TRSInputs:  2 x XLROutputs:  2 x XLRRack Spaces:  2UHeight:  3.5"Depth:  7"Width;  19"Weight:  8.5 lbs.Manufacturer Part Number:  NuMu​

Manley designed the Core reference channel strip so that you can hit record and focus on your performance, not your signal chain. It sports the quality, performance, and flexibility their VOXBOX is known for, at a price that makes it accessible to any serious artist or engineer. You get a world-class Manley mic pre, followed by a 3:1 ELOP style compressor for effortless dynamic control. Engineers at Athens Mastering are ecstatic over the active Baxandall EQ, and a fast attack FET brickwall limiter at the end of the chain protects your converters from accidental clipping. Even if you plug right in without tweaking a single knob, you're sure to get an amazing sound.Manley Core Reference Channel Strip Features:Easy to use and awesome-sounding channel strip based on the award-winning VOXBOXClass A tube mic preamplifier with Manley's hand-wound transformersDirect input uses the same circuit as the Manley SLAM! for fantastic direct-instrument recordingsELOP compressor with 3:1 ratio tames any signal transparentlyBaxandall EQ with low/high shelving and sweepable mid for flexible sonic sculptingFast attack FET brickwall limiter ensures you don't clip your converters during recordingFlexible metering can display input, output, and compressor gain reduction levels 

The PRE-73 DLX is a one-channel vintage style microphone-, line- and instrument preamplifier.The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose.This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.The circuit used in the PRE-73 DLX is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.The PRE-73 DLX has a number of improvement and new features compared to the PRE-73 MKII:- Tantalum capacitors in the signal path.- Selectable 1073-style high pass filter, 50Hz, 80Hz, 160Hz and 300Hz.- Output Attenuator -7, -14, -21 and -28 dB (located after the output transformer) allows overdriving the output stage and the output transformer for added character by lowering the output signal to a suitable level.- The circuit board is prepared for Carnhill Mic and Line transformer and high pass inductor.- The Insert jack can be switched in/out from the front panel. An internal jumper can select that the Insert jack always has an output signal.- Switchable 600 ohm Output Termination and Ground Lift on the back panel.- Selectable Active or Passive DI input and selectable input impedance in active mode, Hi Z or 100 kohm, by internal jumpers.- The DI can signal can be selected to pass or bypass the mic input transformer by internal jumpers.- Relays are used to control internal switching for DI input, Phantom power, Mic Low Z, Insert and Phase for shorter circuit board signal paths. The relays are controlled by front panel switches.- Revised gain switch for added headroom.- Circuit board star grounding scheme.- Revised power supply with separate regulators for the audio circuits and relay and LED circuits.

Shock mount with an integrated pop filter

The MANLEY VARIABLE MU® LIMITER COMPRESSOR has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. "Mu" is tube-speak for gain, and Variable Mu® is our registered trademark for this limiter compressor. It works by using the "remote cut-off" or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.The COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!You might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that’s what our Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression. Like one reviewer put it: “It’s like pouring a bowl of sweet cream over the mix.” Mmmmmm. Yummy. Give your music a big hug.Specifications:MANLEY input & output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHzBALANCED INPUTS & OUTPUTS (600 Ohms)Fully differential ALL-TUBE circuitry using one each 5670, 5751, 7044 or 5687, & 12AL5 per channelIndependently regulated B+ and Heater suppliesHard-wire BYPASS switchStepped switch INPUT attenuator as of 10/2011. (older units use Silent dual-ganged potentiometer)RECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.Variable ATTACK: 25msec-70msecContinuously variable THRESHOLDLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)HP SC: High Pass Side Chain Filter -3dB @ 100HzLarge ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12/2003 use: 26V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12/2003 use white LED lighting)STEREO LINK SWITCHSeveral units can be linked for Surround (custom order )Maximum gain: 35dBMax. output: +30dBu (26Vrms) 26dB Headroom

Professional monitoring headphones Pro 880 is entirely closed and designed for a perfect and precise monitoring, for professional musicians, the studios and home-studios.Specifications:Type: Closed-backImpedance: 32ΩSensitivity: 96±3dBFrequency Response: 10H-35kHzMax. Power:1500mWCable: about 3 M Plug: Ø3.5mm+Ø6.3mm stereo

The PRODIPE in-ear monitors (IEM 3) have been ergonomically designed for musicians to ensure a complete seal from any external noise and an exceptional sound reproduction on stage, in a studio or on the move.With the IEM 3, the sound is neutral and very balanced from lows through to high notes. Over 20 prototypes were created, tested and evaluated until only the best one was left. The IEM 3 will also give an exceptional sound quality to any of your mobile devices. Supplied with a range of flexible moulds for maximum comfort.Specifications:Loudhailer Diameter: Ø 10mmImpedance: 16 ΩSensitivity: 95±3 dBFrequency Response: 10Hz-22kHzCable Length: about 1.2MPlug: Ø3.5mm stereoCarrying bag, 1pc SpareEarcap: 2 pairs (big size , small size each 1 pair)

The FC 4 is a lowcost, small capsule, true condenser microphne with transformerless discrete low noise class-A electronics. The 20 mm, 3 um gold-sputtered diaphragm has a cardioid shaped polar pattern and a great sensitivety.  The characteristics of the FC 4 are ideal for many recording and live situations. It will catch the crisp of your favourite guitar, every detail of your acoustic piano, the complexity of a clean electric guitar, the raw power of distorted amps, etc. We have equipped the FC 4 with high-pass filter and pad switches. This also makes it suitable for loud sounds and even vocal recording.  Every musichan and studio have use for a couple of FC 4s. The small capsule cardioid condenser mic is one of the most basic mics for recording ever made. The FC 4 is truely a very versatile microphone at a very low price!

UHF B210 DSP SoloUse the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless.Instrument mic for acoustic guitars and ukuleles GL21 Lanen :Excellent natural sound.Very high acceptable sound pressure level (140 dB).UHF compatible.Easy mounting.Lightweight rubber clamp specific to the instrument.Very high level of protection from instrument vibration.Mini XLR to XLR connector adaptor ensures that the mic lead is properly positioned on your instrument (48V phantom power supply required for wired connection).This pack consists of following elements:A UHF B210 DSP SOLO wireless systemAn instrument mic GL21 Acoustic guitar & ukulélé Specifications:GL21 Sax & Brass mic:Kind of microphone : CondenserDirectivity : CardioidOutput impedance : 2.2 KΩSensitivity : -47dB ±3dB (0dB=1V/Pa at 1KHz)Pression max. SPL : 140dBSignal - noise : 68dBFrequency response : 50Hz - 20KHzSystem - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR

Body-pack for in-ear wireless monitor system IEM7120.Features:Frequency range: 700MHz -770MHz. In-ear monitor Prodipe IEM3 included.Specifications:Frequency range: 700 - 770MHzPLL tuned: 100 stereo channelsUp to 80m operating range19" rack-mountable (1U) suppliedIEM3 suppliedMono/stereo modes 

The Nagaoka MP-150 phonograph cartridge offers superior clarity, detail and dynamic contrast and offers fine solid bass, superb fluidity across the frequency spectrum, and sweet highs.Features:Superfine polished special eliptical diamond stylusPowerfull samarium cobalt magnetHardened low-mass, tapered aluminum alloy cantilever for very high fidelityCarbon fibre reinforced plastic shoeAnti ferro magnetic permalloy shield casingSpecifications:Type: Moving magnetCantilever: Hardened, low-mass taperedStylus type: Superfine elliptical diamondWeight: 6.5 gOutput voltage: 1kHz,5cm/sec: 4.5mVFrequency response: 20Hz-20kHzChannel balance 1kHz: > 1.5dBChannel separation: 1kHz: > 24dBRecommended loading: 47k ohmsDynamic compliance: 6.0 x 10-6 cm/dyneStatic compliance: 18 x 10-6 cm/dyneTracking force range: 1.5 - 2.0 g

The Nagaoka MP-100 phonograph cartridge offers musical clarity and expression beyond its price and competitors splendid upward start toward long term musical enjoyment.Half-inch system with conical diamond on lightweight aluminum cantilver. The Nagaoka MP-100 phone cartridge offers musical clarity and expression beyond its price and competitors - a plendid upwards start toward long term musical enjoymentFeatures:Superfine polished conical diamond bonded stylusPowerfull samarium cobalt magnetLightweight aluminum alloy cantileverCarbon fibre reinforced plastic shoeAnti ferro magnetic permalloy shield casingSpecifications:Type: Moving magnetCantilever: Lightweight aluminum alloyStylus type: Conical diamond with .0006 inch radiusWeight: 6.5 gOutput voltage: 1kHz,5cm/sec: 5mVFrequency response: 20Hz-20kHzChannel balance  1kHz: > 2dBChannel separation: 1kHz: > 22dBRecommended loading: 47k ohmsDynamic compliance: 5.5 x 10-6 cm/dyneStatic compliance: 18 x 10-6 cm/dyneTracking force range: 1.5 - 2.3 g

Nagaoka MP-110 the successor to the highly acclaimed and classic Nagaoka MP11 phono cartridge, the new Nagaoka MP-110 phono cartridge extends and strengthens its predecessor's prowess and talents to a new level of radiance. You'll hear more music, more detailed refinement to enjoy and savor. The Nagaoka MP-110 is the cartridge to start with and to keep for a long time.Features:Superfine polished eliptical diamond bonded stylusPowerfull samarium cobalt magnetLightweight aluminum alloy cantilever for high fidelityCarbon fibre reinforced plastic shoeAnti ferro magnetic permalloy shield casingSpecifications:Type: Moving magnetCantilever: Aluminum alloyStylus type: Superfine polished elliptical bonded diamond with 0.4 x 0.7 mil radiiWeight: 6.5 gOutput voltage: 1kHz,5cm/sec: 5mVFrequency response: 20Hz-20kHzChannel balance: 1kHz: > 1.5dBChannel separation: 1kHz: > 23dBRecommended loading: 47k ohmsDynamic compliance: 6.0 x 10-6 cm/dyneStatic compliance: 18 x 10-6 cm/dyneTracking force range: 1.5 - 2.0 g

The R 1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampilier. This means that you can use the R1 Active MKIII with long cables and virtually any pre-amp featuring 48V phantom power.A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments.The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitve vocal recording! And even more so now when the mk3 version includes switches for low cut and 10dB pad.

The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz

The Manley VOXBOX shatters all your preconceptions of what a mic preamp can do. It's a voice processor, but that's only the beginning. Besides the fully professional, great sounding mic preamp section, the VOXBOX also offers an innovative opto-compressor; Manley's special EQ section with the extended Pultec Mid Frequency Equalizer; and a de-esser and peak limiter section. You also have tight control over all your parameters, no matter what section your using. Top it all off with Manley's state-of-the-art design specifications and you've got an impressive piece of gear with great versatility. The VOXBOX is not only a vocal processor; it also works its magic on instruments, featuring great settings for drums, bass, guitars, keyboards, etc. The VOXBOX is easily one of the most comprehensive audio processors you can find and is highly respected in the world's audio community.Specifications:Stunning mic preamp, with opto-compressor, EQ with the extended Pultec Mid Frequency Equalizer, de-esser and peak limiter for vocal and instrument tracking applicationsManley Transformers w/nickel laminations in mu-metal cases2K ohm MIC INPUT Z w/High current 48V Phantom power built-inHi-Z (100K) Direct Instrument InputLINE & INSERT INPUTS (balanced XLR & 1/4 inch)PREAMP & EQ outputs LO-Z (50 ohm)Transformer balanced XLR outputTransformerless unbalanced 1/4 inch outputsSTEREO LINK for Compressor & De-esser/Limiter offers expandability if you get another VOXBOXSIDE CHAIN MONITOR for De-EsserLarge ILLUMINATED Sifam METER with FIVE readout modesTHD + N (1kHz @ +20 dBu): 0.3%Maximum output: +31dBuDe-Ess Notch Frequencies: 3, 6, 9, 12KHzPower Consumption: 24 wattsDimensions: 19 x 5.25 x 10 inches (occupies 3U) 

The Manley MASSIVE PASSIVE is a two channel, four band equalizer, with additional high pass and low pass filters. Passive - refers to the tone shaping part of the EQ design not using any active circuitry. Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound. Super- beefy, hugely-high-headroom, Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. Creating natural, organic, acoustic tone can only be done with an equalizer that shapes the signal with natural methods. The Massive Passive uses simple passive components and exploits their natural qualities rather than forcing a complex circuit to meet an arbitrary clinical or scientific goal. Manley knows that recording and mastering equalizers are used by artists for artistic goals and they balanced this design with a little more art than science. The Massive Passive is intended both for the most radical EQ sometimes needed for tracking as well as the most subtle shadings for vocals and mastering. It is designed to be a fundamentally different EQ but with the best strengths of Pultecs, choice console EQs, parametrics and graphics. The difference is that this EQ allows twice as much EQ with half the colouration. It allows massive HF boosts without sibilance problems and unbelievable fatness without mud. This is unique. Being different also gives it some quirks and idiosyncrasies that will spark your creativity.The main features of the Manley MASSIVE PASSIVE include:Perhaps the ultimate studio EQ for tracking instruments, mastering and delivering powerful tonal control with characterAll-Passive tone sculpting circuitryUnique Shelf curves use the "bandwidth" controlOverlapping and Interleaved Frequency choicesEvery band switchable to shelf or bellVacuum tube make-up gain and line driversParallel symmetrical topologyPremium components throughoutHP and LP Filters plus gain trimsEach band can be bypassed or set to boost or cut. This provides twice the control resolution over conventional EQs. It also eliminates the problem of a centre detent not guaranteeing flat responseEach band is capable of 20 dB of boost or cut combined with amazing headroom and freedom from clippingSteep LP and HP filters for maximum effectiveness and achieved passively for minimal coloration. The minimum slope is 18 dB/octave and the 18kHz filter was designed for 60 dB/octaveModular design that allows future upgrades and special functionsTransformer balanced floating outputs for ease of installation and a touch of desirable flavourIns and Outs Balanced XLR and 1/4 inch (accepts unbalanced)Level +4 dBm nominal, internal switches for -10 operationBypass Switch bypasses EQ and tube circuits (not hardwire)44 Frequencies (roughly 1/4 octave spacing)Frequency Range: 22 Hz to 27 kHzEQ Boost/Cut Range : 20 dB boost, 20 dB cutNominal Q range: 1.5 to 3 (uniquely active in shelf modesFrequency Response: +/- 2 dB: 8 Hz to 60 kHzMaximum Output @ 1.5% THD +37 dBv; + 26dBv @ 20 HzTHD and Noise (1kHz @ +4 dBm): 0.06%Noise Floor (referred to + 4dBm): -85 dB (A Weight)Dynamic Range: 120 dBTube Complement: 5751 x 2, 6414 x 4Power Consumption 72 wattsSize (3U): 19 x 5.25 x 10 inchesWeight: Unit 21 lbs. Shipping weight: 27 lbs

Thump Series loudspeakers deliver more than twice the power of the previous generation. Plus, we’ve upped the amazing amount of low end Thump delivers. High-output, more bass and they are still as affordable as ever. Featuring a built-in 3-band EQ and designed by the world’s leader in portable sound, Thump delivers power, performance and proven quality.Features:1000W system power with 12" high-output LF driver and 1.4" titanium dome compression driverHigh-Definition Audio Processing for professional sound with unmatched clarityPrecision 2-way crossover, driver time alignment, and phase correction for easy set up no matter the venueOne-button speaker mode selection for application-specific voicing, get the sound you needEliminate feedback with one-button automatic feedback destroyer2-channel mixer features dual Mackie Wide-Z inputs to easily handle your mics or instrumentsIncludes stereo RCA inputs for easy connection to MP3 player or drum machineSmart Protect DSP protects your speakers from damage when you get loudMonitor angle and voicing mode for easy stage monitoring​

Combining the signature warm analogue Xone sound with class leading digital connectivity, Xone:PX5 breathes life and soul into electronic music performance. The built-in FX technology offers new levels of manipulation with our new Xone:Xcite FX suite of performance-focused delays, reverbs, modulators, flangers and distorters which are all assignable through simple hands-on control for fine-tuning the FX and expressing the DJ’s inner creativity. Xone:PX5 is a 4+1 channel mixer, equipped with the legendary Xone filter, 3 band EQ on all channels and an intuitive layout.The versatile Send/Return feature allowing for the connection of external FX hardware with both Send/Return and Master Insert mode connections (Line or Hi-Z) equips Xone:PX5 for numerous enhanced setup scenarios. Each channel has its own dedicated send control for external FX processing and can also be routed to the internal Xone:FX engine.Connect your laptop or computer to the premium internal 20 channel 24bit 96kHz USB2 soundcard for easy integration into digital DJ workflows, plus plug n’ play connection via X:LINK to Xone:K series controllers for expanded MIDI control.The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to an Innofader Pro 2 for ultimate crossfader performance. No matter what your mixing style, Xone:PX5 combines a modern approach to DJing with all the tools required for creating your own individual sound.Xone:PX5 features the Xone:Xcite FX suite, a new breed of FX specifically tailored for DJ performance. The array of spectral delays, resonators, gritty reverbs and more is accessed through familiar, hands-on controls for instant, instinctive operation, making it easy to add energy and excitement to a track or create entire FX soundscapes. A hybrid FX mode combines the internal and external send & return FX for more advanced FX processing.Xone:PX5 features an integrated MIDI clock engine which can send start/stop messages to external equipment. The 5-pin MIDI Sync/Out connection integrates external software/hardware instruments such as drum machines and synthesizers which can be connected via ¼” jack input connections (mono/stereo). Xone:PX5 can also send/receive MIDI clock information through the USB connection.Specifications:Type AnalogChannels 4 + 1EQ 3-band / Total Kill (CH 1-4 + CH A)USB Soundcard 20 Channel (10 in / 10 out)USB2 / Class Compliant24bit / 96kHz1 x MIDI IN1 x MIDI OutLine Inputs 4 x RCA (CH 1-4)1 x 1/4″ TRS (CH A) Mono/StereoPhono Inputs 4 x RCA (CH 1-4)LN/PH Switch for DVSUSB Inputs 5 x USB (CH 1-4 + CH A)Mic Input 1 x XLRMaster Output 1 x XLR (Balanced)Master 2 Output 1 x RCA (Un-balanced)Booth Output 1 x 1/4″ TRSRecord Output 1 x RCA (Un-balanced)Master Insert 1 x 1/4″ TRSMIDI Sync/Out 1 x 5-Pin DINDIN Offset Control

Classical Guitar 4/4 case by JM Forest

Electric Guitar Case by JM Forest 

The small version of the PRE-73 offers the same sound as its big brother in a super-compact 4.75" chassis at an unbeatable price. Thanks to the insert jack on the back, the manufacturer's EQ units can be easily combined with the Preamp. In addition, a DI input is located on the front, so that instruments can be preamplified in addition to all common microphone types. The Mk II also offers the user a 2-stage high-pass filter and the popular Air EQ in 2 stages. With a subtle boost at 30kHz, the audio material is significantly upgraded; it sounds more refined, HiFi-like and gets a pleasant presence in the mix.Due to the high level of low-noise preamplification, the PRE-73 is also suitable for low-level dynamic microphones such as the Shure SM7B, the Electro Voice RE20 or ribbon microphones.

Because selecting the right woods is not enough, the luthiers at PRODIPE GUITARS have worked to obtain manufacturing quality which is above the norm for this price range.A new form of bracing and a few trade secrets make this an affordable guitar with plenty of personality.A draconian set of specifications:The best combinations of wood accompanied by faultless construction.A soundboard of spruce - known for its acoustic qualities.Back and sides of Indonesian mahogany which gives a light sound with deep, well defined bass notes.These ingredients give the PRODIPE GUITARS SD25 one of the best quality-price ratios in the market. Specifications:Series : StarterModel : SD25 DreadnoughtTop : SpruceBack and sides : Indonesian mahoganyNeck : MahoganyNut and saddle : FittedVeneer : MahoganyFingerboard : Composite rosewoodFinition : Satin varnishTuning machine : Die-cast nickel-platedStrings : Bronze 12/54

An Industry-standard Mastering ToolThe Variable Mu Mastering Version is the perfect addition to any professional mastering facility. In fact, since its introduction, it's quickly become an industry standard mastering tool - and it's the limiter/compressor responsible for an incredible amount of hit records over the last decade. The Manley Variable Mu Mastering Version's detented switches let you easily dial up or log favorite settings. Likened to "pouring a bowl of sweet cream over a mix," if you're looking for the ultimate in mastering weaponry for your pro sound armory, you'll find it in the Manley Variable Mu Mastering Version.Behaves much like the vintage Fairchild 670The Variable Mu uses a compression/limiting technique similar to the beloved vintage Fairchild 670. As "mu" means gain, the Variable Mu Mastering Version offers true variable gain by constantly re-biasing the unique 5670 dual triode at the center of the peak-reducing and compression action, allowing the tube to smoothly change its gain. The Variable Mu Mastering Version offers a soft-knee 1.5:1 compression ratio while its limit mode is sharper knee, starting at 4:1 and moving to 20:1 when limiting over 12dB. The knee softens the more limiting is used. To achieve more sounds, you can creatively use distortion by turning up the input and turning down the output while minimizing your use of compression.Premium switches, for logging and recalling settingsUnlike the standard Variable Mu, which uses smooth-moving pots, the mastering-dedicated Variable Mu Mastering Version offers detented steps. This way, you can easily log your settings or recall them. The steps are built with 1% metal film resistors on sealed gold-contact Grayhill switches. Features:Detented steps using 1% metal film resistors on sealed gold-contact Grayhill switchesManley input & output transformers with pure nickel laminations in mu-metal case with flat frequency response20Hz-25KHz frequency responseBalanced Inputs & OutputsFully differential all-tube circuitry using one each 5670, 5751, 7044, & 12AL5 per channelIndependently regulated B+ and Heater suppliesHard-wire Bypass switchSilent conductive plastic input attenuatorRecovery 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec. (Not a 12-step recovery)Variable Attack: 25msec-70msecContinuously variable ThresholdSwitch for Limit or Compress modesFront-panel mounted Meter AdjustLimit (4:1 to 20:1) or Compress (1.5:1)Large Illuminated Sifam MetersStereo Link SwitchMaximum gain: 35 dB

Tangent Pebble MaxThe portable Bluetooth speaker Tangent Pebble Max is cut to follow you in all your adventures thanks to its IPX5 certification ensuring great resistance to water and dust. Replacing the popular  Tangent Pebble Splash , the Tangent Pebble Max speaker provides 2 x 30 watts of power and a micro SD card reader, in addition to Bluetooth music streaming from a smartphone, tablet or a computer and the mini-jack auxiliary input. Thanks to its 10-hour battery life, the Tangent Pebble Max portable Bluetooth speaker is able to accompany you all day long. Finally, its microphone makes it easy to answer all your phone calls. waterproof and robust The Tangent Pebble Max portable Bluetooth speaker is ideal for enjoying music during all your activities. Developed to be used in all weather conditions, the Tangent Pebble Max speaker is designed around a robust and waterproof chassis allowing it to be used at the beach thanks to its high resistance to dust and sand. Best of all, the Tangent Pebble Max speaker is IPX5 certified, so it can withstand splashes of water and rain. It can thus be used serenely at the edge of the swimming pool or in the bathroom. 2 x 30 wattsThe Tangent Pebble Max Bluetooth speaker houses multiple drivers to deliver multi-directional sound and ensure every listener receives the music equally. Its acoustic design is carefully thought out to deliver clear vocals, as well as powerful and deep bass while maintaining a compact size. Thanks to its power of 2 x 30 watts, the Tangent Pebble Max loudspeaker is ideal for setting the mood indoors and outdoors. Bluetooth 5.0The Tangent Pebble Max portable speaker  is equipped with a Bluetooth 5.0 controller to stream music from any smartphone, tablet or computer. The transmission takes place over a perimeter of 10 m, giving you great freedom of movement. To accompany you all day long, the Tangent Pebble Max speaker has a battery offering up to 10 hours of autonomy. Charging is easy using the included USB-C port and cable.micro SD and mini-jack In addition to its Bluetooth receiver, the Tangent Pebble Max speaker is also equipped with a micro SD card reader to play all your dematerialized music, as well as an auxiliary input in 3.5 mm mini-jack format. Thanks to the latter, it is possible to connect a non-Bluetooth compatible source such as a CD player or an audiophile player, for example. built-in microphone Very easy to use, the Tangent Pebble Max portable Bluetooth speaker incorporates a physical interface on its upper side to easily adjust the volume, change tracks and start playback. Volume management and track sectioning can also be done from the associated source. Thanks to its built-in microphone, the Tangent Pebble Max speaker can be used to answer your phone calls with great clarity. Easily transportable, with a long battery life of 10 hours, numerous inputs and sealed against dust and water, the Tangent Pebble Max Bluetooth speaker is the perfect solution for enjoying powerful sound and deep bass in a compact size and resistant to the test of time.