Christmas Dream

Combine your AL21 Romanelli mic pack with the UHF B210 DSP Solo for wireless sound reproduction of your diatonic/chromatic accordion using two mics. You can also connect two AL21 mics directly to the UHF B210 Solo bodypack using a Y-cable with the AL21 mic pack." The sound of the accordion is one of the most complicated to reproduce, so our challenge was to create a mic pack, the Romanelli AL21, which emphasises quality, strength and ease of use. We're very happy with the outcome.With Prodipe's new UHF B210 DSP you can now play a diatonic or chromatic accordion with a wireless system. The DSP circuit is perfect for managing UHF frequencies.With DSP technology, UHF provides the type of quality you'd expect from a wired system. Relish the excellent sound balance when you play music. It's wireless meets wired.And as for the UHF side of things, the electronics have been designed to resist interference and guarantee the integrity of the signal at all times."Ludovic Lanen This pack contains the following elements:The AL21 Romanelli Accordion three mics packThe wireless system UHF B210 DSP Solo Specifications:Directivity: cardioidOutput Impedance: 2.2 KΩSensitivity: -47dB ±3dB (0dB=1V/Pa at 1KHz)Cable length: 1 mPression max. SPL: 140dBSignal - noise: 68dBFrequency response: 50Hz - 20KHzSystem's main functions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 1 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: Jack 6.35 mmBalanced audio output: XLR

O νέος τετρακάναλος λαμπάτος προενισχυτής μικροφώνων Manley Force Quad Mic Preamp απο την θρυλική Manley  είναι βασισμένος στο περίφημο channel strip  Manley Core. Διαθέτει, τον ίδιο έλεγχο στάθμης εισόδου και την ίδια switch control(διάταξη διακόπτών) , (μείον μια mic/line είσοδο ) .Δανείζεται απο τον Core επίσης τον μετασχηματιστή Mic εισόδου και το 12AX7 «vacuum tube gain stage» .Η κύρια τεχνική διαφορά μεταξύ των δύο μονάδων είναι το MOSFET “white follower” , τεχνολογία νέα για την Manley . Διαθέτει επίσης το ίδιο Entrodev PSU με τον Core .Χαρακτηριστικά:Τέσσερα κανάλια - προενισχυτών μικροφώνουΕίσοδος μικροφώνου ( XLR ) , Hi Ζ μέσο Direct Input ( TRS ) ανά κανάλι .Mετασχηματιστή Manley στην είσοδο μικροφώνου .Class A Vacuum Tube Gain-Stage .Stage εξόδου MOSFET “white Follower”

These stands were designed specifically for Planet L speakers and Music Center by the Elipson team of designers. A route of cables has been plannedwithin its elegant structure in brushed steel (15 kg each) . It is a real must have.Specifications:Overall dimensions (W x H x D): 350 x 830 x 350 mmOne pair of speaker stand for the Elipson Planet LQuantity/box: 2Dimensions (W x H x D): 850 x 95 x 415 mmGross weight: 31 kgNet weight:  12.5 kg

This is a well balanced mic with a high output level. It is perfect for singers who want the highest standards, as well as conference speakers, presenters and entertainers who want a true reproduction of their voice.And you shouldn’t let the price influence you, nor compare it to a low quality mic! Even though the price is exceptionally low, this new mic offers an identical quality to many professional mics that I have used on stage.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz

ZED-6 has been created for musicians, singer / songwriters and venues seeking Allen & Heath’s renowned build and audio quality in a compact, portable format. Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that ZED-6 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.Specifications:2 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise2 band EQ for easy creative and corrective tonal shaping60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply​​

ZEDi-8 offers the best of both worlds, incorporating a studio quality 2 in / 2 out, 24-bit/96kHz USB audio interface for hassle-free recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow. ZEDi-8 is class compliant with Mac and iOS.ZEDi-8 comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets – with outstanding audio quality as well as time-saving recording and editing functionality.The mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg’s streamlined, multitouch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.Features:2 in, 2 out USB Audio Interface (24-bit/96kHz)Cubase LE Software includedCubasis LE App included2 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise2 band EQ for easy creative and corrective tonal shaping60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply​​

ZEDi-10 combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface, making it a perfect all-round choice for musicians, recording artists and venues. Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10 is a versatile companion for every step of the creative journey.The studio quality, 24-bit / 96kHz, 4×4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that two of ZEDi-10’s mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.Features:4 in, 4 out USB Audio Interface (24-bit/96kHz)Cubase LE Software includedCubasis LE App included4 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise3 band EQ for easy creative and corrective tonal shapingFX out for connecting external effects unitsAux out for connecting a monitor speaker or in-ear / headphone monitoring60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply

ZED-18 has an incredibly advanced feature-set for a mixer at this level – it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. Features:10 mono channelsNeutrik mic XLRNeutrik 1/4 inch jacksChannel insertSuper wide gain ‘DuoPre’ mic line input3 band EQ with MusiQ4 auxesIlluminated muteSound image panIlluminated PFL & peak warning indicatorALPS 100mm faders4 stereo channels with 2-band EQStereo returns & playbackAll inputs with level control12 bar metersMono/stereo function on auxes 1&2Monitor output sectionAlt stereo output sourceConfigurable USB stereo audio in/outGlobal +48V phantom powerCakewalk SONAR LE bundled with mixerRack ears available 

ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality FX unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. FEATURES10 mono mic/line  inputs3 stereo channels with 2-band EQ16 internal time-delay effectsNeutrik mic XLRsNeutrik 1/4 inch jacksChannel insertSuper wide gain DuoPreTM mic line input3 band EQ with MusiQ2 pre-fade Aux sends1 post-fade Aux send1 internal FX sendIlluminated muteSound image panIlluminated PFL & peak warning indicatorALPS 100mm fadersStereo returns & playbackAll inputs with level control12 bar metersMono/stereo function on auxes 1&2Monitor output sectionAlt stereo output sourceConfigurable USB stereo audio in/outCakewalk SONAR X1 LE bundled with mixerRack ears available 

ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordingsGuitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. ZED-10 is bundled with IK Multimedia’s AmpliTube X-GEAR software, giving access to superbly modelled amps and effects. 

ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.6 mono channels16 internal time-delay effectsNeutrik mic XLRNeutrik 1/4 inch jacksChannel insertSuper wide gain ‘DuoPre’ mic line input3 band EQ with MusiQ4 auxesIlluminated muteSound image panIlluminated PFL & peak warning indicatorALPS 100mm faders4 stereo channels with 2-band EQ and inputs for extra sourcesStereo returns & playbackAll inputs with level control12 bar metersMono/stereo function on auxes 1&2Monitor output sectionAlt stereo output sourceConfigurable USB stereo audio in/outCakewalk SONAR LE bundled with mixerRack ears available

ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with configurable USB audio in/out makes it easy to capture stereo recordings, 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14.This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It’ll be equally happy running your gig on stage, recording live or mixing down in your studio at home.We’ve teamed up with major software supplier, Cakewalk, to bundle its SONAR LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation.

Warm Audio's WA76 set its target high: the most iconic solid-state limiting amplifier in history. How does Warm do it? Through economies of scale, mostly. They don't cut corners on components (the WA76 employs genuine US-made Cinemag transformers), but they do order parts and build in quantity, which keeps costs down. Like the classic unit, the WA76 gives you a completely discrete signal path and the same arrangement of controls. And yes, it replicates the original's explosive performance when all the ratio buttons are pressed. Elevate your studio to the next level - with the Warm Audio WA76.What can the WA76 do for you?Every studio needs a good limiter, and the Warm Audio WA76 is designed after the mother of all limiters. With its lightning-fast response time and pristine, all-discrete signal path, the WA76 is your go-to device for everything from subtle, transparent dynamics control to full-on brickwall limiting. It's fabulous on bass, kick drum, vocals - you name it. It's a must-have for punchy parallel processing on drums, and if you have two of them, the possibilities become even greater.Top-tier performance - and a stunning valueAt this amazing price, you can double your value and get two. With a pair of these in your rack, you can make that stereo piano sit proud in a thick track. Punch up your toms. Strap them across your stereo bus for some mastering magic, and juice your mix with serious slam factor.Warm Audio WA76 Limiting Amplifier Features:Class A line-level output amplifierInspired by the sought-after D revision of the iconic solid-state limiting amplifierCompletely discrete signal pathUtilizes US-made Cinemag input and output transformersSupports the famous all-buttons-in ratio settingUltra-fast attack time; 55db of gainInput impedance is 600 ohms, bridges-T control (floating)20Hz to 20kHz (+/-1dB) frequency responseXLR and TRS inputs and outputsLess than 0.4% total harmonic distortion from 50Hz to 20kHz with limitingSignal to noise ratio is greater than 74dB at +25dBmEquivalent input noise (EIN) is -104.1dBmAttack time is 20 microseconds to 800 microsecondsRelease time is 50 milliseconds to 1 secondMeter provides dB gain reduction and dB outputInternal power supply and an external 24-volt AC power transformer (included)2U, 19" rackmount chassis1-year warranty 

UHF B210 DSP SoloUse the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless.SB21 Sax & Bass Lanen: the SB21 Lanen Sax & Brass has been designed for alto saxophones, tenor saxophones, trumpets, trombones, tubas, French horns et all other brass instruments. Features:Excellent natural sound.Very high acceptable sound pressure level (140 dB).UHF compatibleFlexible gooseneck for fast, easy mounting.Very high level of protection from instrument vibration.Mini XLR to XLR connector adaptor ensures that the mic lead is properly positioned on your instrument (48V phantom power supply required for wired connection).  Specifications:SB21 Sax & Brass mic:Kind of microphone : CondenserDirectivity : CardioidOutput impedance : 2.2 KΩSensitivity : -47dB ±3dB (0dB=1V/Pa at 1KHz)Pression max. SPL : 140dBSignal - noise : 68dBFrequency response : 50Hz - 20KHzSystem - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR

The Reference Cardioid Microphone shares the same electronic attributes as the Gold Reference Series, but has a center-fixed cardioid-only capsule with a thicker gauge (6 micron) gold sputtered diaphragm. With the similar film thickness and construction, similar high frequency resonance (a little edge), similar proximity effect and pretty good immunity from pops and sibilance problems, our Reference Cardioid more closely recalls how many of the vintage European tube mics such as the beloved U47 sounded like when they were new. Its rich tonal balance and liquid character is consistently admired for instruments such as guitars, drum overheads, saxophone, and especially vocals. With your present mic, if you find yourself leaning on your compressors and boosting 5 or 10K to score a bit more testosterone, then the Reference Cardioid just might be the mic you’re looking for to cure what ails ya. If you seem to be constantly boosting 12-18K and trying to get a clean, intimate sound, then probably the Reference Gold would be the safest bet. Specifications:All-Tube triode design 12AT7 (2011 build. Previous versions used 12AX7 and 6072.)-10 dB switchable padFrequency response: 10Hz-30KHzSensitivity: 17mV/PaNoise typically -120dB EINMax SPL: 150dBActual output impedance 200 OhmsWeight: 2.25 lbs (mic)Weight: 2.5 lbs (PSU)Size: 4.5" x 9.7" x 4.5" (mic)Size: 5" x 8.2" x 3.4" (PSU)Shipping weight: 15 lbsSelected matched pairs availableOutboard Power Supply is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage changeable with power transformer re-wiring via internal jumpers and fuse value change.Mains Voltage Frequency: 50~ 60HzMains Fuse: 250mA @ 100~120V; 125mA @ 220~240V operationPower Consumption: 70mA @ 120V = 8.4 Watts 

Connect keyboard controler, digital piano, expandeur (...) to your computer with a simple USB plug.The interface Prodipe MIDI 1i/1o provides to your computer the connections input-output MIDI DIN. Features:Mac OS and WindowsNo driver to installPlug n'playZero latency Specifications:Brand : ProdipeLenght between USB and MIDI : 2 meters16 MIDI input channels / 16 MIDI output channelsUSB powered an class compliant for true plug and playLED's indicate power on, MIDI in signal and MIDI out signalCompatible with Windows XP  or higher and Mac OS X or higherTrue plug-n-play, users do not need to install driver for Windows XP, Vista and Mac OSX.

Anti static cleaner for turntable stylus. Specifications:Capacity20 mlDimensions (W x H x D)130 x 30 x 15 mmWeight40gDimensions packaging (W x H x D)134 x 218 x 20 mmWeight with packaging, unit45g

The PF6B speaker is the smallest model in the Facet range. Thanks to its compact size, it can easily be placed on any shelf or desk. Ideal for small spaces, the PF6B can also be used in a surround sound home cinema arrangement.The Elipson Prestige Facet 6B speaker introduces a host of innovative technologies. The most visible is undeniably the ring of sculpted facets surrounding each driver, which gives the range its name. A rigorous design process ensures optimal acoustic performance, while an elegant finish allows the speaker to blend in harmoniously with your interior decor. The Prestige Facet 6B is availble in black, walnut and white. A black or white lacquer is applied to the double-layer front panel. The newest model in the range, it is equipped with a 14 cm low midrange driver featuring a bullet-shaped phase plug to limit vibrations and, consequently, reduce distortion. A 25 mm soft dome tweeter reproduces highs with finesse and precision. The multifaceted, sculpted silicone surround rings encircling each driver reduce the baffle effect and limit diffractions. The result is a more linear response curve and a smoother listening experience.Extra attention has been paid to the speaker's cabinet. The lacquered front panel is composed of two dense, thick materials and strengthened by several internal brackets. The speaker's steep-slope filter relies on highly efficient, audiophile-grade components. As for the finish quality, it is not overlooked and offers benefits such as premium-quality vinyl and a lacquered front panel.At Elipson, the back counts as much as the front. Our designers have created rounded, high-end dual speaker terminals which offer the possibility of biwiring and biamplifying while benefiting from silver-plated contacts to maximize signal transmission. Banana plugs may also be connected to the terminals.Neutral and accurate, this small speaker delivers sound which is free from colouration and faithful to the original recording. Impressions of smoothness and serenity emanate from each track as it is masterfully reproduced, without any hint of harshness. The Prestige Facet 6B's high sensitivity allows it to be paired with any amplifier with a power rating of 70 W or less per channel. Its lively performance make it an excellent surround sound speaker for a home cinema installation.  Specifications:Speaker: BookshelfNumber of way: 2Power: 70 W RMSTweeter: 1 "Mid-bass driver: 5 "Frequency Response (±3 dB): 57 Hz - 25 kHzSensitivity: 90 dB/1W/1mImpedance: 6 OhmsBinding post: Specific doubleTerminals: Silver plated for bi-wiring or bi-ampCustom-made loudspeakers: Rubber edgeColors: Black, White, Black/WalnutDimensions (W x H x D): 176 x 298 x 225 mmWeight: 5,6 kgWeight with packaging, pair (W x H x D): 455 x 290 x 380 mmWeight with packaging, pair: 12,5 kg

he WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years.  The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones every made.  The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.True '47 style capsuleThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response.  Every Warm Audio capsule is made in the same small assembly house in a clean-room environment,  and packaged in its own protective jewel case until the moment it is loaded into the microphone.  Each capsule is visually inspected and electrically tested for imperfections.The CapsuleThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer who's precision and repeatability allows us to nail the vintage sonics of the most important sonic piece of this classic style of microphone.​The TubeA Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow.  We auditioned 4 different tube brands and fell in love with the JJ 5751.  The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature.​The TransformerThe WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations.  This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone.​The CableOne component of a tube microphone often overlooked is the 7 pin cable that connects the microphone to its power supply.  When auditioning the WA-47 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone.  We have partnered with Gotham Audio in Switzerland to use their very carefully built top-end 7 pin GAC-7 cable. Using this cable increases top end presence and the overall size of the recorded image in the stereo field, by reducing phase shift and the parasitic effect often found in poorly built cables. Gotham Audio is very expensive and boutique in nature and should not be considered a small addition to the WA-47 package.​The CapacitorsThe WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer.Specifications:Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80vCapsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film)TAB-Funkenwerk (AMI) USA output transformerJJ Slovak 5751 vacuum tubeGotham 5 meter GAC-7, 7-pin tube microphone cableWima, Solen French, and Polystyrene capacitorsPolar Patterns: 9 patterns - Cardioid, Omni, figure-of-eight + 6 mixed patternsSelf-noise: 11dBADynamic range: 130dBAMaximum SPL: 140dB  (

Coveted & Rare. Until Now.The WA-CX12 is a faithful recreation of the most natural and balanced tube mic of all time, lauded for its organic tone and pleasing top end. The original AKG C12 was produced in Austria from 1953 - 1963 and is the definitive version of the 12-style mic. The WA-CX12 sound profile and circuit design is inspired by the original production run of only 2500 mics, which are highly coveted for their ability to capture the natural beauty of vocal performances, room sounds, and other far miking techniques. The list of famous recording artists who have never used a 12-style microphone is likely shorter than the list of those who have. Some of the most notable artists to create music with the original includeThe Beatles, Lupe Fiasco, Tom Petty, Michael Jackson, Alanis Morissette, and Taylor Swift, just to name a few. The WA-CX12 cuts no corners in achieving the highly coveted open, airy, and natural sound profile used over and over again by some of the world’s most recognized engineers and artists.No-Compromise ComponentsThe WA-CX12 is a professional large-diaphragm tube microphone with premium components, elite build quality, and is hand-inspected in Austin, Texas. The circuit design of the WA-CX12 is faithful to the original production run from 1953-1963, and serves as the basis for the historically accurate sound profile. Like the original, the WA-CX12 tone is mostly flat until a slight dip at 2kHz with a gradual boost between 5-10kHz. At the beginning of the chain, the CX12 has an edge-terminated, all-brass CK12-style capsule, that stays true to the frequency response of the original-run 12-style microphones.This capsule allows the WA-CX12 to have 9 polar patterns with the typical cardioid, omni, and figure-8, in addition to 6 intermediate patterns. . Moving down from the capsule, the WA-CX12 uses a premium 12AY7 vacuum tube for added warmth. At the end of the circuit, the WA-CX12 uses a custom TAB-Funkenwerk (AMI) USA Output Transformer, which gives the WA-CX12 a very full, wide, and open sound, getting the most out of the capsule and additional circuit components. The WA-CX12 has premium capacitors throughout, and a no-solder mask board for the lowest noise possible. As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible.True To Legacy, True To SoundThe WA-CX12 sound profile is known for capturing the real sound of a performance. Designed to provide clarity in the midrange and smooth out any high end harshness, the WA-CX12 delivers professional solo vocals, intricate piano performances, and epic, natural room sounds.VocalsThe gently tuned 5-10kHz boost of the WA-CX12 accentuates and smoothes out the upper register in many vocal performances.PianoOne of the more popular studio uses for the original 12-style microphone is as a stereo pair on grand piano. Because of the mic’s relatively flat frequency at 0dB until the top-end boost kicks in, the WA-CX12 adds just the right amount of pristine high end to a piano performance.Room SoundsWhether it’s room reflections, splashy cymbals, or guitar & bass cabinets - mixing in a distant WA-CX12 can bring a natural “live” sound to professional recordings.Premium Components - Elite Build Quality - Superior SoundWA-12-B-60V CEK12-Style CapsuleThe WA-12-B-60V CK12-style capsule accurately matches the frequency response of the original capsule found in vintage C12 mics. This capsule captures incredible detail across the 30Hz-20kHz frequency response. With a remarkably flat response until the top-end boost starts to hit around 3k, the capsule inside the WA-CX12 will help you capture natural sounds with some added top-end smoothness before the pleasant 19kHz rolloff.AMI USA-MADE Output TransformerThe history of TAB-Funkenwerk (AMI) transformers goes all the way back to the founding of the most sought-after German analog audio innovations. The TAB (AMI) transformer in the WA-CX12 is American-made with large-core German laminations and built to exacting standards as designed by Oliver Archut. The custom transformer drives the full natural sound captured by the capsule delivering that renowned Austrian sound.Premium Tubes, Capacitors, & BoardsThe WA-CX12 uses a premium 12AY7 vacuum tube that adds warmth and depth to the microphone’s signal. Like all Warm Audio products, we use premium capacitors in the circuit for ideal signal transfer. The PCB board in the WA-CX12 does not have solder masks which allows for the lowest noise floor possible, preventing crosstalk from added capacitance.Authentic Appearance, Elite Build Quality, Premium AccessoriesThe WA-CX12 is encased in an ultra-durable nickel-plated brass body. Every WA-CX12 comes with a custom tweed carrying case housing the mic, wood mic case, premium Gotham 7-pin cable, IEC cable, shockmount, and external power supply. Every WA-CX12 is meticulously hand-inspected at Warm HQ in Austin,TX by real musicians and engineers with a passion for superior sound.

The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio. The new, rugged TT1 Instruments mic has shown itself to be highly effective for amp micing (guitar, etc.).This is a well balanced mic with a high output level. It is perfect for singers who want the highest standards, as well as conference speakers, presenters and entertainers who want a true reproduction of their voice.And you shouldn’t let the price influence you, nor compare it to a low quality mic! Even though the price is exceptionally low, this new mic offers an identical quality to many professional mics that I have used on stage.The reason we are where we are today is because on my last visit to China I tested, compared and assessed the performance of more than a hundred cartridges alongside the engineers from the state of the art factory that we work with.This close partnership enabled me to develop the completely new TT1 and I can absolutely guarantee its performance. Prices really don’t mean anything anymore; of the hundred cartridges that I was offered to look at, many of the more expensive were not as good or as efficient as the one I selected and prepared for you.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz

Planet L is the revival version of the Elipson spherical speaker combining high-end designs and meticulous aesthetics. As the result of 2 years of R&D efforts, Elipson has retained the best acoustic technologies for the best sound without compromise. Our Planet L speakers are fitted with a coaxial 2-way speaker that make the perfect mix of high fidelity, elegance and design. Available in three laquer finishes: Black, Red and White.Specifications:System: 2 waysFrequency range (+/- 3dB): 48 - 20000 HzImpedance: 6 ΩSensitivity: 90 dBMax music power: 60 WattsRecommended amplifier: 30-80 WattsTerminal type: Single wiringTerminal finish: Silver platedInternal wiring: 99,99% OFCEnclosure: Bass Reflex

Τhe new Prodipe UHF B210 DSP Lavalier mic is specially designed for people on the move.Comfortable and light, it boasts a tailor-made cardioid capsule for singing and vocals. Features:DSP circuitAutomatic IR search and selection of 100 available UHF frequenciesMini XLR connections on the UHF B210 DSP bodypack1 balanced XLR output + 1 unbalanced Jack output.8 B210 DSP systems can be used simultaneously Specifications:Microphone:Type: Small diaphragm condenserDirectivity: Omni-directionalSensitivity: -37dB ±3dB (0dB=1V/Pa - 1KHz)Frequency response: 30Hz - 18 KHzOutput impedance: ≤200ΩCable lenght:1mMain functions:Tranmission: UHFBandwith: 630 - 680MHzFrequencies: 100Dynamic range: >90dBHarmonic distorsion: 96dBRX Sensitivity:

Beginners have essential special needs, which few manufacturers know how to satisfy.Thanks to the skill of its luthiers, Prodipe Guitars have created a model that is perfect for learning.From conception to manufacture, including selection of wood, setting the height of the strings and bridge, and profiling the neck, everything is designed to make learning easy.Because we know that these first guitars often get rough treatment (transported frequently, with or without a case, in all weathers, forgotten in the boot of a car parked in the sun, etc.), Prodipe Guitars' Primera models have a carbon insert in the neck that makes this guitar very light and resistant.Practically exclusive in this price range! Specifications:Brand : Classical Guitar PRODIPE GUITARSSeries : StarterModel : PrimeraTop : SpruceBack and sides : MahoganyBinding filets : Double ABSNeck : Mahogany with insert in carbonNut and saddle : Fitted boneFingerboard : Composite rosewoodFinition : Matt varnishTuning machine : Gilt, black knobsStrings : ALICE high tension

A new generation of condensor Professional Microphones for Studio and Live recording. Specially designed for all round use, this condensor microphone picks up sound equally as well live as in the studio.Its construction meets all the required technical criteria, giving it an undeniable musical quality - sound clarity, high accuracy and acoustic fidelity. This model is particularly recommended for stringed instruments such as violin, viola, cello, double bass and acoustic guitar.Specifications:Element: Pressure Gradient TransducerCapsule: Ø 22 mmPolar Pattern: Uni-directionalFrequency Response: 30Hz~18kHzSensitivity: -38dB±2dB(0dB=1V/Pa at 1kHz)Output Impedance: 100Ω±30% (at 1kHz)Load Impedance: ≥1000ΩSelf Noise: 20dB A (IEC 581-5)Max Input SPL: 134dB (at 1kHz≤1% T.H.D)S/N Ratio: 74dBLow Frequency Attenuation: 100Hz/oct 12dBPhantom Power Requirement: 48V DC Phantom (±5V)Net Weight: 120g

The 1073 Legend Lives in Warm Audio's Splendid WA273The legendary 1073 wrote the book on characterful mic preamplification. This venerable circuit helped define the punchy sound of '70s rock — and countless recordings and live concerts ever since. Today, this coveted tone can be yours for a song, with the Warm Audio WA273 mic/line/instrument preamp. In both design and performance, the 2-channel WA273 pays homage to the revered British console lineage that started it all. Throughout the audio industry, the 1073 is considered the holy grail of preamps, with a rich, sweet, and bold tonality that's ideal for making audacious statements with your music. After years of R&D, painstaking reverse-engineering, and countless hours of listening, Warm Audio captured the sonic essence of this classic perfectly in their boutique WA273. With 80dB of gain and a fully discrete transformer-balanced signal path, the sound is a revelation: harmonically rich bottom end, focused midrange, and slightly resonant highs.Handcrafted with top-quality partsBoasting weapons-grade build quality with discrete, handwired Class A circuits and top-drawer parts such as UK-made Carnhill transformers, the WA273 has 80dB of gain on tap so you can capture subdued sources with your favorite ribbon mic. Your ribbons and condensers will sound heavenly; you'll even be gobsmacked when you hear how authoritative your dynamic mics sound. Cranking the input stage and backing off the output gain enhances your tracks with tasty vintage-style coloration. Topping off the feature set are per-channel instrument jacks, polarity reverse, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.Optimize every source — and microphoneThere is no source that doesn't sound amazing through the Warm Audio WA273. With judicious mic selection and placement, drums are larger-than-life; DI bass and keyboards sound massive and synths become trance-inducing; electric guitars soar; vocals rule. Pianos and acoustic guitars are resplendent. Orchestral instruments — strings, woodwinds, brass, and percussion — achieve ineffable lushness and dimension. You can even use the WA273 as a tone-shaping tool to run stems or complete mixes through. Hear what the WA273 can do for your own recordings. It's transformative.UK Custom Carnhill transformers1073-loving engineers at Sweetwater perk up when the conversation turns to the component history of these classic circuits, and signal transformers are a frequent topic of discussion. Vintage 1073s used different transformer variants throughout their production run; but the most coveted were the very first ones made by Marinair Radar, due to their fluid and forgiving nature that saturates sweetly when pushed. They have been known to bring engineers to tears when they hear how gorgeous their mixes sound through them! Warm Audio turned to Carnhill Transformers of Cambridgeshire, UK, to design meticulous replicas of these most desirable early 1073 transformers. The results are stunning, and — to our ears — tantalizingly close to early vintage 1073sWarm left no stone unturnedA vital yet not-often-discussed component of these classic British circuits is the different types of capacitors and output transistors used. To maintain the integrity of the original circuits, Warm decided to use high-quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that delivers smoother results at higher gain settings than what is commonly found in today's 1073-style preamps. All considered, Warm Audio's monumental effort to design a no-compromise product has paid off handsomely. You'll appreciate this every time you plug into the WA273 and hit record.Warm Audio WA273 2-channel Mic/Line/Instrument Preamp Features:Handwired, hand-assembled 1073-style preamplifiersFully discrete, Class A, transformer-balanced circuitryUK-made Carnhill Transformers80dB of gain handles any type of microphone, including low-output ribbonsResistor-stepped rotary gain switches for easy recallTone buttons change input transformer impedance for mic optimization and tonal shapingPolarity switches48V phantom power4-position inductor-based highpass filters, selectable for Off, 50, 80, 160, or 300HzXLR mic inputsLine-level TRS inputsTS Send/Receive insert jacksXLR and TRS line-level outputsDI instrument inputsOutput level controlsLED level indication metersRugged 19" rackmount chassisGround lift switchInternal IEC 115V/230V power inlet

Gently cleans dust and dirt from your records. Cloth included. Specifications:Capacity: 250mlDimensions: 55 x H130 mmWeight: 250gDimensions packaging (W x H x D): 58 x 135 x 58 mmWeight with packaging, unit: 255g 

Compact, stylish, and undeniably audiophile, the Elipson Planet M embodies all of Elipson's know-how. The Elipson Planet M speakers feature a 4" diameter closed-box driver, offering optimal sound quality thanks to their spherical design that eliminates box resonances. Rather than forcing these small drivers to produce low frequencies, their design focuses on reproducing high bass up to 90Hz. For full sound reproduction, the use of a subwoofer is highly recommended, such as the Elipson Planet Sub, specifically developed for this purpose. The coaxial structure and fabric dome tweeter provide precise and immersive sound quality with neutral and silky timbres. The elegant design of the speaker is enhanced by a lacquered finish and metal grille, and can be highlighted with optional wall mounts, ceiling mounts, or dedicated speaker stands. For a more discreet and design-oriented installation, the Planet M speakers can be integrated into the ceiling using the optional in-ceiling support, ideal for a 7.1 or 9.1 home cinema configuration with side or rear high surround speakers.

With the UHF B210 DSP Duo you can connect two Series 21 mics (one to each bodypack).Τhe new Prodipe UHF B210 DSP Lavalier mic is specially designed for people on the move.Comfortable and light, it boasts a tailor-made cardioid capsule for singing and vocals. Features:DSP circuitAutomatic IR search and selection of 100 available UHF frequenciesMini XLR connections on the UHF B210 DSP bodypack1 balanced XLR output + 1 unbalanced Jack output.8 B210 DSP systems can be used simultaneously Specifications:Microphone:Type: Small diaphragm condenserDirectivity: Omni-directionalSensitivity: -37dB ±3dB (0dB=1V/Pa - 1KHz)Frequency response: 30Hz - 18 KHzOutput impedance: ≤200ΩCable lenght:1mMain functions:Tranmission: UHFBandwith: 630 - 680MHzFrequencies: 2x50Dynamic range: >90dBHarmonic distorsion: 96dBRX Sensitivity:

A totally new range of instrument mic systems for on stage recording of all your acoustic instruments.We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope, which adds warmth to the sound of your instrument.The GL21 Lanen Acoustic guitar & Ukulele has been designed for guitars, ukuleles, mandolins and banjos.For the clamp, we chose to develop two sizes of clip, rather than one single adaptable clip: The first type is for guitars with a thick soundboard or internally strengthened near the sound hole, The second clip is smaller and curved in shape - the mic can be positioned on guitars or ukuleles whose soundboard ribs are near the sound hole towards the neck side. Specifications:Sensitivity: -47dB ±3dB (0dB=1V/Pa to 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: unidirectionalS/N Ratio: 68dBFrequency Response: 50Hz to 20KHzCable lenght: 1 m

Digital Signal Processor (DSP) technology equipped, the Solo model consists of an UHF bodypack, channel display screen and easily accessible mute button, along with an all-metal receiver (BNC antenna, balanced XLR output, unbalanced Jack output), LED lights. Use the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired! With a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless. Specifications:System - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR

The WA-14 is a '414-style condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path.  The WA-14 can be used on an array of sources, such as; punchy/warm intimate lead vocals, acoustic/electric guitars, bass, drums/percussion, strings/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price.All-brass CapsuleThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule.  The WA-12-B-60V uses a variant CEK-12 backplate as a basis, which overcomes manufacturing limitations of the original CK12 capsule.  The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar).  The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.Specifications:Large diaphragm condenser microphone with variable pad and three polar patternsFeatures custom WA-12-B-60V edge-terminated, dual-backplate, all-brass vintage CK12-style capsuleCustom CineMag USA transformerFrequency range: 20Hz to 20kHz Output pad: 0dB, -10dB, -20dBPolar Patterns: Cardioid, figure of eight and omnidirectionalOutput Impedance: 150 ohms3-pin gold plated XLRRequires +48V phantom powerIncludes shock mount and hard mountColor: black​​

The new Spectrum range by Tangent brings you contemporary design and style in a compact package. The range benefits from a wide dispersion 25mm soft fabric dome tweeter together with a 4 or 5 inch long throw paper bass driver with protective metal mesh grille. These compact stand or shelf mount monitors are available in attractive midnight black or polar white matt finishes with walnut base plinths. Features: 1" Tweeter4" Bass reflex woofer2-wayFrequency range (+/- 3dB): 65 - 20000 HzImpedance: 4-8 ΩRecommended Amplifier: 20 - 100 WattOptional wall mountOptional ceiling mount​Specifications:Speaker Units: 1'' soft dome tweeter / 4'' wooferSystem: 2-way with bass reflectSensitivity: 88 dBFrequency: 65 - 20000 Hz (+/- 3dB)Impedance: 6 ΩPower: Max Music Power 100 wattWeight: 6.75 / 7.75 kgProduct Dimensions: 146 x 275 x 198 mmCarton Size: 350 x 390 x 265 mm​

The Planet Sub has the same DNA as Elipson’s Planet line: its exceptional design and uncompromising sound fidelity bear witness to its prestigious lineage. Integrating a 20 cm speaker alive with 200 watt amplification, this bass unit offers musical excellence and a sense of versatility so it’s at home as part of your stereo setup and it’s just as comfortable anchoring your home-cinema configuration. Uniting elegance and performance, Planet Sub guarantees to fit in harmoniously with your Elipson spheres.Specifications:With grill and terminal (W x H x D): 316 x 393 x 316 mm System: 1 wayFrequency range: 30 - 240 HzMax music power: 200 WattsVoltage: 110-220V / 220-240VAC - 200W WattsAmplifier type: DIntegrated Amplifier power: 200Terminal type: Single wiringTerminal finish: Silver platedInput: LineEnclosure: Bass ReflexPhase: 0/180

The 1073 Legend Lives in Warm Audio's Splendid WA73-EQThe legendary 1073 wrote the book on characterful mic preamplification and EQ. These venerable circuits helped define the punchy sound of '70s rock — and countless recordings and live concerts ever since. Today, this coveted tone can be yours for a song, with the Warm Audio WA73-EQ mic/line/instrument preamp. In both design and performance, the WA73-EQ pays homage to the revered British console lineage that started it all. Throughout the audio industry, the 1073 is considered the holy grail of preamps and EQs, with a rich, sweet, and bold tonality that's ideal for making audacious statements with your music. After years of R&D, painstaking reverse-engineering, and countless hours of listening, Warm Audio captured the sonic essence of this classic perfectly in their boutique WA73-EQ. With 80dB of gain and a fully discrete transformer-balanced signal path, the sound is a revelation: harmonically rich bottom end, focused midrange, and slightly resonant highs.Handcrafted with top-quality parts Boasting weapons-grade build quality with discrete, handwired Class A circuits and top-drawer parts such as UK-made Carnhill transformers and Blore Edwards mil-spec, dual-concentric switch pots, the WA73-EQ has 80dB of gain on tap so you can capture subdued sources with your favorite ribbon mic. Your ribbons and condensers will sound heavenly; you'll even be gobsmacked when you hear how authoritative your dynamic mics sound. Cranking the input stage and backing off the output gain enhances your tracks with tasty vintage-style coloration. Topping off the feature set is an instrument jack, polarity reverse, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.Optimize every source — and microphone There is no source that doesn't sound amazing through the Warm Audio WA73-EQ. With judicious mic selection and placement, drums are larger-than-life; DI bass and keyboards sound massive and synths become trance-inducing; electric guitars soar; vocals rule. Pianos and acoustic guitars are resplendent. Orchestral instruments — strings, woodwinds, brass, and percussion — achieve ineffable lushness and dimension. You can even use the WA73-EQ as a tone-shaping tool to run stems or complete mixes through. Hear what the WA73-EQ can do for your own recordings. It's transformative.Definitive British EQ The EQ section of the WA73-EQ adheres to the classic 1073 circuit topology. The vintage 1073 is the holy grail of EQ, and the WA73-EQ nails its sonics and behavior (complete with its fabled harmonic distortion). It's a three-band affair, with HF shelving at 10, 12, and 16kHz; midband peaking with selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz; and LF shelving, selectable at 35Hz, 60Hz, 110Hz, and 220Hz. A highpass filter, selectable at 50Hz, 80Hz, 160Hz, and 300Hz, lets you trim your signals of unwanted low end. If you've never worked with a 1073-style EQ before, all we can say is: you're in for a serious treat. It's worth noting that the original 1073 offered only a fixed 10kHz shelf, and the additional high-frequency flexibility afforded by the WA73-EQ is most welcome.UK Custom Carnhill transformers 1073-loving engineers at Sweetwater perk up when the conversation turns to the component history of these classic circuits, and signal transformers are a frequent topic of discussion. Vintage 1073s used different transformer variants throughout their production run; but the most coveted were the very first ones made by Marinair Radar, due to their fluid and forgiving nature that saturates sweetly when pushed. They have been known to bring engineers to tears when they hear how gorgeous their mixes sound through them! Warm Audio turned to Carnhill Transformers of Cambridgeshire, UK, to design meticulous replicas of these most desirable early 1073 transformers. The results are stunning, and — to our ears — tantalizingly close to early vintage 1073s.Warm left no stone unturned A vital yet not-often-discussed component of these classic British circuits is the different types of capacitors and output transistors used. To maintain the integrity of the original circuits, Warm decided to use high-quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that delivers smoother results at higher gain settings than what is commonly found in today's 1073-style preamps. All considered, Warm Audio's monumental effort to design a no-compromise product has paid off handsomely. You'll appreciate this every time you plug into the WA73-EQ and hit record.Warm Audio WA73-EQ Mic/Line/Instrument Preamp and EQ Features: Handwired and hand-assembled, single-channel 1073-style preamp/EQFully discrete, Class A, transformer-balanced circuitryUK-made Carnhill Transformers80dB of gain handles any type of microphone, including low-output ribbonsResistor-stepped rotary gain switch for easy recallTone button changes input transformer impedance for mic optimization and tonal shapingPolarity switch48V phantom power4-position inductor-based highpass filter, selectable for Off, 50, 80, 160, or 300HzInductor-based 3-band equalizationLow-band boost/cut at 35, 60, 110, or 220HzMid-band boost/cut at 360, 700, 1600, 3200, 4800, or 7200HzHigh-band boost/cut at 10, 12, or 16kHzAdditional high-band frequency EQ points added (compared to vintage 1073)XLR mic inputLine-level TRS inputTS Send/Receive insert jacksXLR and TRS line-level outputsDI instrument inputOutput level controlLED level indication meterRugged 19" rackmount chassisGround lift switchInternal IEC 115V/230V power inlet

33/45 rpm adaptor for Alpha and Omega turntables - Dimensions : 38 x H15 mm - Central hole : 8 mm - Black polyamid 

What if you could juice your tracks with massive bass, shimmering air, and addictive warmth - without having to shell out a fortune? Well, now you can, with the Warm Audio EQP-WA. A Pultec-style 2U rackmount tube equalizer, the EQP-WA rocks the look and feel of the classic original that graced countless hits. But with its fully discrete circuitry and top-drawer components such as CineMag transformers and premium tubes, it also nails those elusive euphonic sonics that make your recordings come alive. Add luster and brilliance to your music, affordably, with the Warm Audio EQP-WA.the EQP-WA gives you: top-notch performance, in fact, and incredible value. The EQP-WA lets you shape your tracks with an exciting, vibey warmth that makes any vocal or instrument sound, well, gorgeous and sit proud in the mix. We dig the Warm Audio EQP-WA, and - especially considering its gentle price tag - we're confident you will, too! Warm Audio EQP-WA Features at a Glance:Tube equalizer based on the classic Pultec EQP-1AGenuine CineMag input and output transformersPremium high-voltage 12AX7 and 12AU7 tubesCineMag inductor EQ sectionEQ bypass - signal still passes through tubes and transformers for warming enhancementNo insertion loss - loss restored by tube amplifierXLR and TRS transformer-balanced inputs and outputsFlat frequency response from 20Hz to 50kHzBoost and Cut controls can be used simultaneously for classic "phase" effectLow-frequency boost (up to 12dB) at 20, 30, 60, 100, 200, 400, and 800HzLow-frequency cut (up to 18dB) at 20, 30, 60, 100, 200, 400, and 800HzHigh-frequency boost (up to 18dB) at 3, 4, 5, 8, 10, 12, and 16kHzHigh-frequency cut (up to 14dB) at 3, 4, 5, 10, and 20kHz5 added frequency points for greater flexibilitySwitchable 115-/230-volt IEC power inlet2U rackmount chassis 

The ST-1 MK2 Lanen, designed on the basis of the STC-3D MK2, is one of the only condenser microphones on the market, equipped with a real 34mm large diaphragm capsule, with a gold-plated one-inch diaphragm, in this price range. Almost all of the other brands speak of a large membrane, for capsules from 16 to 19mm and the difference is significant! Unlike "entry-level" products, which are often too cold and too bright, with less full sound in the bass and lower midrange, the ST-1 MK2 Lanen perfectly reproduces the definition and warmth of the recorded source.

Digital Signal Processor (DSP) technology equipped, the Solo model consists of an UHF bodypack, channel display screen and easily accessible mute button, along with an all-metal receiver (BNC antenna, balanced XLR output, unbalanced Jack output), LED lights. Use the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired! With a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless. Specifications:System - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR

Pop Shield for stands with diameter of up to 30 mm. Double nylon screen for superior performance. Unobtrusive black round filter frame. Non-marring locking screw prevents scratching of mic stand.Specifications:Dampens the plosives (when you pronounce a p or a b) and protects your mic during voice recordingsFilter with double acoustic screen made from high quality nylon meshAdjustable universal clamp fixes securely to any mic standFlexible metal goose neck for precise and stable positioning16 cm diameter

As an optional extra, we wanted to provide a small-diaphragm Lavalier condenser mic which does justice to the timbre of your voice. It also turns out to be ideal for conferences and oral presentations in general (tie clip mic in conjunction with the Prodipe bodypack transmitter).Specifications:Type: back electret condenserDirection: Omni-directionalFrequency Response: 30-18000HzSensitivity: -40dB±2dB(0dB=1V/Pa at 1K Hz)Output Impedance: ≤200ΩCable length: 1 M

Shockmount is designed to absorb vibrations from the floor and air, allowing a cleaner reproduction of sound. Suits large condenser microphones. The shockmount screws onto any regular mic stand and boom.

Anti static carbon fiber brush for vinyl records. Specifications:Dimensions (W x H x D): 130 x 30 x 15 mmWeight: 40gDimensions packaging (W x H x D): 134 x 218 x 20 mmWeight with packaging, unit: 45g

Elipson's digital scale enables extremely precise adjustment of the counterweight situated at the back of the tonearm. It is easy to use and exceptionally accurate, allowing for 0.001g accuracy and measuring vertical tracking forces between 0.1 and 100 grams. It is powered by an included CR2032 battery. Specifications:Accuracy: 0,01 gDimensions: 40 x 72 x 12 mmMax weight: 100 gWeight: 37 gDimensions packaging (W x H x D): 47 x 77 x 17 mmWeight with packaging, unit: 46 g

The Elipson spirit level is designed to ensure that your turntable is properly installed. When the turntable is perfectly horizontal, its rotational speed, vertical tracking force and accuracy are optimized.