Black Friday

Use the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless. Connect your Series 21 mic to the UHF B210 DSP Solo bodypack:SB21 Sax & BrassVL21 Violin & AltoGL21 Guitar & UkuleleBL21 ContrabassCL21 CelloOPTION: can be connected to the B210 DSP bodypackLavalier P2L lapel mic: a small diaphragm condenser Lavalier mic which respects the timbre of your voice and is just as effective at conferences as it is during presentations.Headset : the new Prodipe headset mic is specially designed for people on the move. It adapts perfectly to your morphology. Comfortable and light, it boasts a tailor made cardioid cartridge for singing and vocals. Specifications:System - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR

Use the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless. Connect your Series 21 mic to the UHF B210 DSP Solo bodypack:SB21 Sax & BrassVL21 Violin & AltoGL21 Guitar & UkuleleBL21 ContrabassCL21 CelloOPTION: can be connected to the B210 DSP bodypackLavalier P2L lapel mic: a small diaphragm condenser Lavalier mic which respects the timbre of your voice and is just as effective at conferences as it is during presentations.Headset : the new Prodipe headset mic is specially designed for people on the move. It adapts perfectly to your morphology. Comfortable and light, it boasts a tailor made cardioid cartridge for singing and vocals. Specifications:System - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies:  2 x 50Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 2 x XLR

The COMP-2A is a one channel vintage style Compressor / Leveler using vacuum tubes in the signal and side-chain path. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before transistors and integrated circuits became available.Integrated circuits are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires.The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.The circuit used in the COMP-2A is based on a classic design that was originally produced in the early 1960s and it was initially intended for broadcast applications. It uses an electro-luminescent panel and a photoelectric cell to control gain. This gives it a unique, program dependent compression characteristic. In addition, the all tube signal path and the transformers adds a wonderful and musical character to the sound.The ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made the original units a favourite of engineers and musicians worldwide. This classic sound is now available at a very affordable price point with the COMP-2A.Features:Vintage style all tube signal path. The tubes are fitted with grounded shields.Transformer balanced input and output. Can drive almost any load, balanced or unbalanced.Golden Age Project's version of the classic optical unit using a long life electroluminescent panel and two carefully matched Silonex NSL5910 photoresistors for T4B-style electro-optical gain control with program dependent attack and release times.Very simple to operate with only two main controls, Gain and Peak Reduction.HF control can make the side-chain circuit more sensitive to mid and high frequency content.Linear low noise regulated filament and high voltage power supply.A big meter selectable to show gain reduction or output level at two different reference levels.Hardwire bypass switch for easy comparisons.XLR and TRS input and output jacks for flexible connections.Link jack and switch for connecting to another unit for stereo operation.All external controls located on the front panel.Compact 2RU half rack format. Two units can be mounted with our 19-inch rack kit, the UNITE BIG.A solid build quality that will last many years of normal use.

JM Forest Acoustic Guitar Fine Wood SD 26 MH DreadnoughtMahogany, a real tribute to this legendary manufacturer of the late 19th century, inventor of the X bracing, the flat-top guitars SD26.The MH Dreadnought shape for powerful sound, balanced and full. Ideal for accompanying  SpecificationsModel: SD26 MH DREADNOUGHTTable: Mahogany (Mahogany)Bottom And Sides: Mahogany (Mahogany)Binding: Double black ABSNeck: MahoganyNuts: AdjustedVeneer Head: MahoganyKey: RosewoodFinish: GlossMechanical: oil bath Mechanical nickelCords: Bronze 12/54

Ukulele MARRON Case by JM Forest , 12mm.

Wireless System Bass/Guitar. This UHF system has been designed for electric guitars, electro acoustic guitars and bass guitars.The specially adapted impedance means that you can reproduce the high definition sound of a wired system in UHF.The electronics for the UHF side prevent any interference, and that signal integrity would be optimized no matter what the conditions.Now your instruments can really strut their stuff in UHF with absolutely no compromise on sound quality.PLL with 100 preset frequenciesFrequency range: 600MHz to 635MHzActive cable (for the UHF Lanen GB21) can be connected to the 6.35mm Jack on your guitar/bass100 channel receiver: 6.35 mm output Jack + XLR​Whatever wireless system you're using, the most important aspects are the audio quality and the stability. We've the UHF GB21 GUITAR/BASS system in metal to give you perfect insulation, and adapted the impedance for electric, electro-acoustic, and bass guitars. All this to make sure your UHF sound is the same as wired sound: dynamic, rich and balanced.The UHF wireless system uses an extremely stable phase-locked loop circuit and a dual antenna/dual receiver analogue wireless system (True Diversity) to prevent interference problems and guarantee signal integrity at all times.Now your instruments can really strut their stuff in UHF with absolutely no compromise on sound.Χαρακτηριστικά:System:Receiving mode: UHF True DiversityNumber of channels: 100 PLL selectable frequenciesFrequency range: 600MHz at 635MHzS/N Ratio: >85dBTotal harmonic distorsion: 80dBWeight: 800gDimensions (W x D x H): 210mm x 160mm x 53 mmBodypack:Connections: MiniXLR with Jack 6.35mm active cableMax output power: 8mWMax SPL: 130dBBattery (non supply) : alkaline battery (AA) or rechargeable battery NiMH ty 

Mic bar with mounts for two mics - can be attached to a mic stand.

Since the early 1990’s, the Manley ELOP® stereo electro-optical limiter has been a tracking hero effortlessly controlling dynamics on countless records around the globe, delivering the coveted classic, all-tube sound that Manley Labs is known for. So how do you improve on something this good? Well, for starters, we have now added a 3:1 compression ratio feature which opens up the doors to greater versatility, especially for 2-buss applications. The 2016 ELOP+ has been completely re-engineered from the ground-up, beginning with our amazing modern high voltage switching power supply purpose-designed for our vacuum tube audio circuits. With careful reference to our sonic past, we have deployed our highest performance vacuum tube line amplifier and White Follower output stage in this new version all housed in a build-efficient chassis behind a drop-dead gorgeous precision-CNC-milled faceplate, all proudly made in America, of course. The new Manley ELOP+ is everything you love about our legendary ELOP, plus!Features:10:1 Limiter and 3:1 Compressor ratiosAll-tube audio path uses 5751 and 6922 dual triodesBalanced Manley IRON® transformer-coupled XLR InputsXLR impedance-balanced outputsBYPASS switches and AUTOMUTE with warm-up delayLarge illuminated VU meters read Gain Reduction or Output levelsSTEREO LINKSide-Chain High-Pass FilterUniversal internal power supply operates worldwide 90-250V~AC 50/60Hz

The Manley Nu Mu gives you the best sonic qualities of both tube and transistor compressors. Manley spec'd the Nu Mu with the all-tube, T-Bar-modded front end of their fabled Variable Mu and followed it with a state-of-the-art solid-state audio chain. At Sweetwater, we're quite impressed by the results - silky smooth, fat, and punchy! Manley's innovative HIP circuit is onboard, enhancing low-level detail without taking a toll on dramatic transients. Handcrafted in the company's Chino, California, factory, the Nu Mu delivers superior sonics, performance, build quality, and value - exactly what you'd expect from Manley.Advanced dynamics control is yours with the Manley Nu Mu!Manley Nu Mu Features:Hybrid tube/solid-state compressor/limiterDual channel (stereo linkable)Features Manley's IRON input transformers4 hand-selected and matched 6BA6 vacuum tubesBalanced XLR I/OHIP circuit elevates softer dynamics without crushing louder onesLighted VU meters, switchable between Gain Reduction and Output LevelCustom, internal, universal high-voltage switched-mode power supply, for worldwide operation SpecificationsType: Tube/solid state (4 x 6BA6 vacuum tubes)Number of Channels:    2Controls: Threshold, Attack, Recovery, OutputRatio: 1.5:1, 4:1 to 20:1Side Chain Inserts:  2 x 1/4" TRSInputs:  2 x XLROutputs:  2 x XLRRack Spaces:  2UHeight:  3.5"Depth:  7"Width;  19"Weight:  8.5 lbs.Manufacturer Part Number:  NuMu​

Manley designed the Core reference channel strip so that you can hit record and focus on your performance, not your signal chain. It sports the quality, performance, and flexibility their VOXBOX is known for, at a price that makes it accessible to any serious artist or engineer. You get a world-class Manley mic pre, followed by a 3:1 ELOP style compressor for effortless dynamic control. Engineers at Athens Mastering are ecstatic over the active Baxandall EQ, and a fast attack FET brickwall limiter at the end of the chain protects your converters from accidental clipping. Even if you plug right in without tweaking a single knob, you're sure to get an amazing sound.Manley Core Reference Channel Strip Features:Easy to use and awesome-sounding channel strip based on the award-winning VOXBOXClass A tube mic preamplifier with Manley's hand-wound transformersDirect input uses the same circuit as the Manley SLAM! for fantastic direct-instrument recordingsELOP compressor with 3:1 ratio tames any signal transparentlyBaxandall EQ with low/high shelving and sweepable mid for flexible sonic sculptingFast attack FET brickwall limiter ensures you don't clip your converters during recordingFlexible metering can display input, output, and compressor gain reduction levels 

The PRE-73 DLX is a one-channel vintage style microphone-, line- and instrument preamplifier.The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose.This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.The circuit used in the PRE-73 DLX is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.The PRE-73 DLX has a number of improvement and new features compared to the PRE-73 MKII:- Tantalum capacitors in the signal path.- Selectable 1073-style high pass filter, 50Hz, 80Hz, 160Hz and 300Hz.- Output Attenuator -7, -14, -21 and -28 dB (located after the output transformer) allows overdriving the output stage and the output transformer for added character by lowering the output signal to a suitable level.- The circuit board is prepared for Carnhill Mic and Line transformer and high pass inductor.- The Insert jack can be switched in/out from the front panel. An internal jumper can select that the Insert jack always has an output signal.- Switchable 600 ohm Output Termination and Ground Lift on the back panel.- Selectable Active or Passive DI input and selectable input impedance in active mode, Hi Z or 100 kohm, by internal jumpers.- The DI can signal can be selected to pass or bypass the mic input transformer by internal jumpers.- Relays are used to control internal switching for DI input, Phantom power, Mic Low Z, Insert and Phase for shorter circuit board signal paths. The relays are controlled by front panel switches.- Revised gain switch for added headroom.- Circuit board star grounding scheme.- Revised power supply with separate regulators for the audio circuits and relay and LED circuits.

Shock mount with an integrated pop filter

The MANLEY VARIABLE MU® LIMITER COMPRESSOR has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. "Mu" is tube-speak for gain, and Variable Mu® is our registered trademark for this limiter compressor. It works by using the "remote cut-off" or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.The COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!You might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that’s what our Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression. Like one reviewer put it: “It’s like pouring a bowl of sweet cream over the mix.” Mmmmmm. Yummy. Give your music a big hug.Specifications:MANLEY input & output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHzBALANCED INPUTS & OUTPUTS (600 Ohms)Fully differential ALL-TUBE circuitry using one each 5670, 5751, 7044 or 5687, & 12AL5 per channelIndependently regulated B+ and Heater suppliesHard-wire BYPASS switchStepped switch INPUT attenuator as of 10/2011. (older units use Silent dual-ganged potentiometer)RECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.Variable ATTACK: 25msec-70msecContinuously variable THRESHOLDLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)HP SC: High Pass Side Chain Filter -3dB @ 100HzLarge ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12/2003 use: 26V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12/2003 use white LED lighting)STEREO LINK SWITCHSeveral units can be linked for Surround (custom order )Maximum gain: 35dBMax. output: +30dBu (26Vrms) 26dB Headroom

Professional monitoring headphones Pro 880 is entirely closed and designed for a perfect and precise monitoring, for professional musicians, the studios and home-studios.Specifications:Type: Closed-backImpedance: 32ΩSensitivity: 96±3dBFrequency Response: 10H-35kHzMax. Power:1500mWCable: about 3 M Plug: Ø3.5mm+Ø6.3mm stereo

The PRODIPE in-ear monitors (IEM 3) have been ergonomically designed for musicians to ensure a complete seal from any external noise and an exceptional sound reproduction on stage, in a studio or on the move.With the IEM 3, the sound is neutral and very balanced from lows through to high notes. Over 20 prototypes were created, tested and evaluated until only the best one was left. The IEM 3 will also give an exceptional sound quality to any of your mobile devices. Supplied with a range of flexible moulds for maximum comfort.Specifications:Loudhailer Diameter: Ø 10mmImpedance: 16 ΩSensitivity: 95±3 dBFrequency Response: 10Hz-22kHzCable Length: about 1.2MPlug: Ø3.5mm stereoCarrying bag, 1pc SpareEarcap: 2 pairs (big size , small size each 1 pair)

The FC 4 is a lowcost, small capsule, true condenser microphne with transformerless discrete low noise class-A electronics. The 20 mm, 3 um gold-sputtered diaphragm has a cardioid shaped polar pattern and a great sensitivety.  The characteristics of the FC 4 are ideal for many recording and live situations. It will catch the crisp of your favourite guitar, every detail of your acoustic piano, the complexity of a clean electric guitar, the raw power of distorted amps, etc. We have equipped the FC 4 with high-pass filter and pad switches. This also makes it suitable for loud sounds and even vocal recording.  Every musichan and studio have use for a couple of FC 4s. The small capsule cardioid condenser mic is one of the most basic mics for recording ever made. The FC 4 is truely a very versatile microphone at a very low price!

The FC 1 MKII was designed with classic large diaphragm condenser microphones in mind. We wanted to make an affordable mic with some of the characteristics of the good old German models.  The FC 1 has a center-terminated capsule just like in the old days, adding some harmonic distortion and a sweet top to the sound. This design also gives the mic an ability to handle louder sounds without harshness or other problems. The output transformer can handle bass really well and still give you that extra fat sound that only tubes and transformers can deliver.  The retro EQ in the FC 1 is set to deliver maximum sound quality with as many sound sources as possible at a price anyone can afford. It sounds great on vocals, acoustic guitar, percussion, amps, piano, leslie, drums, and more.

UHF B210 DSP SoloUse the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless.Instrument mic for acoustic guitars and ukuleles GL21 Lanen :Excellent natural sound.Very high acceptable sound pressure level (140 dB).UHF compatible.Easy mounting.Lightweight rubber clamp specific to the instrument.Very high level of protection from instrument vibration.Mini XLR to XLR connector adaptor ensures that the mic lead is properly positioned on your instrument (48V phantom power supply required for wired connection).This pack consists of following elements:A UHF B210 DSP SOLO wireless systemAn instrument mic GL21 Acoustic guitar & ukulélé Specifications:GL21 Sax & Brass mic:Kind of microphone : CondenserDirectivity : CardioidOutput impedance : 2.2 KΩSensitivity : -47dB ±3dB (0dB=1V/Pa at 1KHz)Pression max. SPL : 140dBSignal - noise : 68dBFrequency response : 50Hz - 20KHzSystem - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR

Body-pack for in-ear wireless monitor system IEM7120.Features:Frequency range: 700MHz -770MHz. In-ear monitor Prodipe IEM3 included.Specifications:Frequency range: 700 - 770MHzPLL tuned: 100 stereo channelsUp to 80m operating range19" rack-mountable (1U) suppliedIEM3 suppliedMono/stereo modes 

The R 1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampilier. This means that you can use the R1 Active MKIII with long cables and virtually any pre-amp featuring 48V phantom power.A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments.The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitve vocal recording! And even more so now when the mk3 version includes switches for low cut and 10dB pad.

The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz

The Manley VOXBOX shatters all your preconceptions of what a mic preamp can do. It's a voice processor, but that's only the beginning. Besides the fully professional, great sounding mic preamp section, the VOXBOX also offers an innovative opto-compressor; Manley's special EQ section with the extended Pultec Mid Frequency Equalizer; and a de-esser and peak limiter section. You also have tight control over all your parameters, no matter what section your using. Top it all off with Manley's state-of-the-art design specifications and you've got an impressive piece of gear with great versatility. The VOXBOX is not only a vocal processor; it also works its magic on instruments, featuring great settings for drums, bass, guitars, keyboards, etc. The VOXBOX is easily one of the most comprehensive audio processors you can find and is highly respected in the world's audio community.Specifications:Stunning mic preamp, with opto-compressor, EQ with the extended Pultec Mid Frequency Equalizer, de-esser and peak limiter for vocal and instrument tracking applicationsManley Transformers w/nickel laminations in mu-metal cases2K ohm MIC INPUT Z w/High current 48V Phantom power built-inHi-Z (100K) Direct Instrument InputLINE & INSERT INPUTS (balanced XLR & 1/4 inch)PREAMP & EQ outputs LO-Z (50 ohm)Transformer balanced XLR outputTransformerless unbalanced 1/4 inch outputsSTEREO LINK for Compressor & De-esser/Limiter offers expandability if you get another VOXBOXSIDE CHAIN MONITOR for De-EsserLarge ILLUMINATED Sifam METER with FIVE readout modesTHD + N (1kHz @ +20 dBu): 0.3%Maximum output: +31dBuDe-Ess Notch Frequencies: 3, 6, 9, 12KHzPower Consumption: 24 wattsDimensions: 19 x 5.25 x 10 inches (occupies 3U) 

The Manley MASSIVE PASSIVE is a two channel, four band equalizer, with additional high pass and low pass filters. Passive - refers to the tone shaping part of the EQ design not using any active circuitry. Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound. Super- beefy, hugely-high-headroom, Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. Creating natural, organic, acoustic tone can only be done with an equalizer that shapes the signal with natural methods. The Massive Passive uses simple passive components and exploits their natural qualities rather than forcing a complex circuit to meet an arbitrary clinical or scientific goal. Manley knows that recording and mastering equalizers are used by artists for artistic goals and they balanced this design with a little more art than science. The Massive Passive is intended both for the most radical EQ sometimes needed for tracking as well as the most subtle shadings for vocals and mastering. It is designed to be a fundamentally different EQ but with the best strengths of Pultecs, choice console EQs, parametrics and graphics. The difference is that this EQ allows twice as much EQ with half the colouration. It allows massive HF boosts without sibilance problems and unbelievable fatness without mud. This is unique. Being different also gives it some quirks and idiosyncrasies that will spark your creativity.The main features of the Manley MASSIVE PASSIVE include:Perhaps the ultimate studio EQ for tracking instruments, mastering and delivering powerful tonal control with characterAll-Passive tone sculpting circuitryUnique Shelf curves use the "bandwidth" controlOverlapping and Interleaved Frequency choicesEvery band switchable to shelf or bellVacuum tube make-up gain and line driversParallel symmetrical topologyPremium components throughoutHP and LP Filters plus gain trimsEach band can be bypassed or set to boost or cut. This provides twice the control resolution over conventional EQs. It also eliminates the problem of a centre detent not guaranteeing flat responseEach band is capable of 20 dB of boost or cut combined with amazing headroom and freedom from clippingSteep LP and HP filters for maximum effectiveness and achieved passively for minimal coloration. The minimum slope is 18 dB/octave and the 18kHz filter was designed for 60 dB/octaveModular design that allows future upgrades and special functionsTransformer balanced floating outputs for ease of installation and a touch of desirable flavourIns and Outs Balanced XLR and 1/4 inch (accepts unbalanced)Level +4 dBm nominal, internal switches for -10 operationBypass Switch bypasses EQ and tube circuits (not hardwire)44 Frequencies (roughly 1/4 octave spacing)Frequency Range: 22 Hz to 27 kHzEQ Boost/Cut Range : 20 dB boost, 20 dB cutNominal Q range: 1.5 to 3 (uniquely active in shelf modesFrequency Response: +/- 2 dB: 8 Hz to 60 kHzMaximum Output @ 1.5% THD +37 dBv; + 26dBv @ 20 HzTHD and Noise (1kHz @ +4 dBm): 0.06%Noise Floor (referred to + 4dBm): -85 dB (A Weight)Dynamic Range: 120 dBTube Complement: 5751 x 2, 6414 x 4Power Consumption 72 wattsSize (3U): 19 x 5.25 x 10 inchesWeight: Unit 21 lbs. Shipping weight: 27 lbs

Thump Series loudspeakers deliver more than twice the power of the previous generation. Plus, we’ve upped the amazing amount of low end Thump delivers. High-output, more bass and they are still as affordable as ever. Featuring a built-in 3-band EQ and designed by the world’s leader in portable sound, Thump delivers power, performance and proven quality.Features:1000W system power with 12" high-output LF driver and 1.4" titanium dome compression driverHigh-Definition Audio Processing for professional sound with unmatched clarityPrecision 2-way crossover, driver time alignment, and phase correction for easy set up no matter the venueOne-button speaker mode selection for application-specific voicing, get the sound you needEliminate feedback with one-button automatic feedback destroyer2-channel mixer features dual Mackie Wide-Z inputs to easily handle your mics or instrumentsIncludes stereo RCA inputs for easy connection to MP3 player or drum machineSmart Protect DSP protects your speakers from damage when you get loudMonitor angle and voicing mode for easy stage monitoring​

Combining the signature warm analogue Xone sound with class leading digital connectivity, Xone:PX5 breathes life and soul into electronic music performance. The built-in FX technology offers new levels of manipulation with our new Xone:Xcite FX suite of performance-focused delays, reverbs, modulators, flangers and distorters which are all assignable through simple hands-on control for fine-tuning the FX and expressing the DJ’s inner creativity. Xone:PX5 is a 4+1 channel mixer, equipped with the legendary Xone filter, 3 band EQ on all channels and an intuitive layout.The versatile Send/Return feature allowing for the connection of external FX hardware with both Send/Return and Master Insert mode connections (Line or Hi-Z) equips Xone:PX5 for numerous enhanced setup scenarios. Each channel has its own dedicated send control for external FX processing and can also be routed to the internal Xone:FX engine.Connect your laptop or computer to the premium internal 20 channel 24bit 96kHz USB2 soundcard for easy integration into digital DJ workflows, plus plug n’ play connection via X:LINK to Xone:K series controllers for expanded MIDI control.The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to an Innofader Pro 2 for ultimate crossfader performance. No matter what your mixing style, Xone:PX5 combines a modern approach to DJing with all the tools required for creating your own individual sound.Xone:PX5 features the Xone:Xcite FX suite, a new breed of FX specifically tailored for DJ performance. The array of spectral delays, resonators, gritty reverbs and more is accessed through familiar, hands-on controls for instant, instinctive operation, making it easy to add energy and excitement to a track or create entire FX soundscapes. A hybrid FX mode combines the internal and external send & return FX for more advanced FX processing.Xone:PX5 features an integrated MIDI clock engine which can send start/stop messages to external equipment. The 5-pin MIDI Sync/Out connection integrates external software/hardware instruments such as drum machines and synthesizers which can be connected via ¼” jack input connections (mono/stereo). Xone:PX5 can also send/receive MIDI clock information through the USB connection.Specifications:Type AnalogChannels 4 + 1EQ 3-band / Total Kill (CH 1-4 + CH A)USB Soundcard 20 Channel (10 in / 10 out)USB2 / Class Compliant24bit / 96kHz1 x MIDI IN1 x MIDI OutLine Inputs 4 x RCA (CH 1-4)1 x 1/4″ TRS (CH A) Mono/StereoPhono Inputs 4 x RCA (CH 1-4)LN/PH Switch for DVSUSB Inputs 5 x USB (CH 1-4 + CH A)Mic Input 1 x XLRMaster Output 1 x XLR (Balanced)Master 2 Output 1 x RCA (Un-balanced)Booth Output 1 x 1/4″ TRSRecord Output 1 x RCA (Un-balanced)Master Insert 1 x 1/4″ TRSMIDI Sync/Out 1 x 5-Pin DINDIN Offset Control

Classical Guitar 4/4 case by JM Forest

Electric Guitar Case by JM Forest 

The small version of the PRE-73 offers the same sound as its big brother in a super-compact 4.75" chassis at an unbeatable price. Thanks to the insert jack on the back, the manufacturer's EQ units can be easily combined with the Preamp. In addition, a DI input is located on the front, so that instruments can be preamplified in addition to all common microphone types. The Mk II also offers the user a 2-stage high-pass filter and the popular Air EQ in 2 stages. With a subtle boost at 30kHz, the audio material is significantly upgraded; it sounds more refined, HiFi-like and gets a pleasant presence in the mix.Due to the high level of low-noise preamplification, the PRE-73 is also suitable for low-level dynamic microphones such as the Shure SM7B, the Electro Voice RE20 or ribbon microphones.

Because selecting the right woods is not enough, the luthiers at PRODIPE GUITARS have worked to obtain manufacturing quality which is above the norm for this price range.A new form of bracing and a few trade secrets make this an affordable guitar with plenty of personality.A draconian set of specifications:The best combinations of wood accompanied by faultless construction.A soundboard of spruce - known for its acoustic qualities.Back and sides of Indonesian mahogany which gives a light sound with deep, well defined bass notes.These ingredients give the PRODIPE GUITARS SD25 one of the best quality-price ratios in the market. Specifications:Series : StarterModel : SD25 DreadnoughtTop : SpruceBack and sides : Indonesian mahoganyNeck : MahoganyNut and saddle : FittedVeneer : MahoganyFingerboard : Composite rosewoodFinition : Satin varnishTuning machine : Die-cast nickel-platedStrings : Bronze 12/54

An Industry-standard Mastering ToolThe Variable Mu Mastering Version is the perfect addition to any professional mastering facility. In fact, since its introduction, it's quickly become an industry standard mastering tool - and it's the limiter/compressor responsible for an incredible amount of hit records over the last decade. The Manley Variable Mu Mastering Version's detented switches let you easily dial up or log favorite settings. Likened to "pouring a bowl of sweet cream over a mix," if you're looking for the ultimate in mastering weaponry for your pro sound armory, you'll find it in the Manley Variable Mu Mastering Version.Behaves much like the vintage Fairchild 670The Variable Mu uses a compression/limiting technique similar to the beloved vintage Fairchild 670. As "mu" means gain, the Variable Mu Mastering Version offers true variable gain by constantly re-biasing the unique 5670 dual triode at the center of the peak-reducing and compression action, allowing the tube to smoothly change its gain. The Variable Mu Mastering Version offers a soft-knee 1.5:1 compression ratio while its limit mode is sharper knee, starting at 4:1 and moving to 20:1 when limiting over 12dB. The knee softens the more limiting is used. To achieve more sounds, you can creatively use distortion by turning up the input and turning down the output while minimizing your use of compression.Premium switches, for logging and recalling settingsUnlike the standard Variable Mu, which uses smooth-moving pots, the mastering-dedicated Variable Mu Mastering Version offers detented steps. This way, you can easily log your settings or recall them. The steps are built with 1% metal film resistors on sealed gold-contact Grayhill switches. Features:Detented steps using 1% metal film resistors on sealed gold-contact Grayhill switchesManley input & output transformers with pure nickel laminations in mu-metal case with flat frequency response20Hz-25KHz frequency responseBalanced Inputs & OutputsFully differential all-tube circuitry using one each 5670, 5751, 7044, & 12AL5 per channelIndependently regulated B+ and Heater suppliesHard-wire Bypass switchSilent conductive plastic input attenuatorRecovery 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec. (Not a 12-step recovery)Variable Attack: 25msec-70msecContinuously variable ThresholdSwitch for Limit or Compress modesFront-panel mounted Meter AdjustLimit (4:1 to 20:1) or Compress (1.5:1)Large Illuminated Sifam MetersStereo Link SwitchMaximum gain: 35 dB

Tangent Pebble MaxThe portable Bluetooth speaker Tangent Pebble Max is cut to follow you in all your adventures thanks to its IPX5 certification ensuring great resistance to water and dust. Replacing the popular  Tangent Pebble Splash , the Tangent Pebble Max speaker provides 2 x 30 watts of power and a micro SD card reader, in addition to Bluetooth music streaming from a smartphone, tablet or a computer and the mini-jack auxiliary input. Thanks to its 10-hour battery life, the Tangent Pebble Max portable Bluetooth speaker is able to accompany you all day long. Finally, its microphone makes it easy to answer all your phone calls. waterproof and robust The Tangent Pebble Max portable Bluetooth speaker is ideal for enjoying music during all your activities. Developed to be used in all weather conditions, the Tangent Pebble Max speaker is designed around a robust and waterproof chassis allowing it to be used at the beach thanks to its high resistance to dust and sand. Best of all, the Tangent Pebble Max speaker is IPX5 certified, so it can withstand splashes of water and rain. It can thus be used serenely at the edge of the swimming pool or in the bathroom. 2 x 30 wattsThe Tangent Pebble Max Bluetooth speaker houses multiple drivers to deliver multi-directional sound and ensure every listener receives the music equally. Its acoustic design is carefully thought out to deliver clear vocals, as well as powerful and deep bass while maintaining a compact size. Thanks to its power of 2 x 30 watts, the Tangent Pebble Max loudspeaker is ideal for setting the mood indoors and outdoors. Bluetooth 5.0The Tangent Pebble Max portable speaker  is equipped with a Bluetooth 5.0 controller to stream music from any smartphone, tablet or computer. The transmission takes place over a perimeter of 10 m, giving you great freedom of movement. To accompany you all day long, the Tangent Pebble Max speaker has a battery offering up to 10 hours of autonomy. Charging is easy using the included USB-C port and cable.micro SD and mini-jack In addition to its Bluetooth receiver, the Tangent Pebble Max speaker is also equipped with a micro SD card reader to play all your dematerialized music, as well as an auxiliary input in 3.5 mm mini-jack format. Thanks to the latter, it is possible to connect a non-Bluetooth compatible source such as a CD player or an audiophile player, for example. built-in microphone Very easy to use, the Tangent Pebble Max portable Bluetooth speaker incorporates a physical interface on its upper side to easily adjust the volume, change tracks and start playback. Volume management and track sectioning can also be done from the associated source. Thanks to its built-in microphone, the Tangent Pebble Max speaker can be used to answer your phone calls with great clarity. Easily transportable, with a long battery life of 10 hours, numerous inputs and sealed against dust and water, the Tangent Pebble Max Bluetooth speaker is the perfect solution for enjoying powerful sound and deep bass in a compact size and resistant to the test of time.  

Combine your AL21 Romanelli mic pack with the UHF B210 DSP Solo for wireless sound reproduction of your diatonic/chromatic accordion using two mics. You can also connect two AL21 mics directly to the UHF B210 Solo bodypack using a Y-cable with the AL21 mic pack." The sound of the accordion is one of the most complicated to reproduce, so our challenge was to create a mic pack, the Romanelli AL21, which emphasises quality, strength and ease of use. We're very happy with the outcome.With Prodipe's new UHF B210 DSP you can now play a diatonic or chromatic accordion with a wireless system. The DSP circuit is perfect for managing UHF frequencies.With DSP technology, UHF provides the type of quality you'd expect from a wired system. Relish the excellent sound balance when you play music. It's wireless meets wired.And as for the UHF side of things, the electronics have been designed to resist interference and guarantee the integrity of the signal at all times."Ludovic Lanen This pack contains the following elements:The AL21 Romanelli Accordion three mics packThe wireless system UHF B210 DSP Solo Specifications:Directivity: cardioidOutput Impedance: 2.2 KΩSensitivity: -47dB ±3dB (0dB=1V/Pa at 1KHz)Cable length: 1 mPression max. SPL: 140dBSignal - noise: 68dBFrequency response: 50Hz - 20KHzSystem's main functions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 1 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: Jack 6.35 mmBalanced audio output: XLR

O νέος τετρακάναλος λαμπάτος προενισχυτής μικροφώνων Manley Force Quad Mic Preamp απο την θρυλική Manley  είναι βασισμένος στο περίφημο channel strip  Manley Core. Διαθέτει, τον ίδιο έλεγχο στάθμης εισόδου και την ίδια switch control(διάταξη διακόπτών) , (μείον μια mic/line είσοδο ) .Δανείζεται απο τον Core επίσης τον μετασχηματιστή Mic εισόδου και το 12AX7 «vacuum tube gain stage» .Η κύρια τεχνική διαφορά μεταξύ των δύο μονάδων είναι το MOSFET “white follower” , τεχνολογία νέα για την Manley . Διαθέτει επίσης το ίδιο Entrodev PSU με τον Core .Χαρακτηριστικά:Τέσσερα κανάλια - προενισχυτών μικροφώνουΕίσοδος μικροφώνου ( XLR ) , Hi Ζ μέσο Direct Input ( TRS ) ανά κανάλι .Mετασχηματιστή Manley στην είσοδο μικροφώνου .Class A Vacuum Tube Gain-Stage .Stage εξόδου MOSFET “white Follower”

These stands were designed specifically for Planet L speakers and Music Center by the Elipson team of designers. A route of cables has been plannedwithin its elegant structure in brushed steel (15 kg each) . It is a real must have.Specifications:Overall dimensions (W x H x D): 350 x 830 x 350 mmOne pair of speaker stand for the Elipson Planet LQuantity/box: 2Dimensions (W x H x D): 850 x 95 x 415 mmGross weight: 31 kgNet weight:  12.5 kg

This is a well balanced mic with a high output level. It is perfect for singers who want the highest standards, as well as conference speakers, presenters and entertainers who want a true reproduction of their voice.And you shouldn’t let the price influence you, nor compare it to a low quality mic! Even though the price is exceptionally low, this new mic offers an identical quality to many professional mics that I have used on stage.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz

ZED-6 has been created for musicians, singer / songwriters and venues seeking Allen & Heath’s renowned build and audio quality in a compact, portable format. Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that ZED-6 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.Specifications:2 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise2 band EQ for easy creative and corrective tonal shaping60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply​​

ZEDi-8 offers the best of both worlds, incorporating a studio quality 2 in / 2 out, 24-bit/96kHz USB audio interface for hassle-free recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow. ZEDi-8 is class compliant with Mac and iOS.ZEDi-8 comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets – with outstanding audio quality as well as time-saving recording and editing functionality.The mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg’s streamlined, multitouch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.Features:2 in, 2 out USB Audio Interface (24-bit/96kHz)Cubase LE Software includedCubasis LE App included2 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise2 band EQ for easy creative and corrective tonal shaping60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply​​

ZEDi-10 combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface, making it a perfect all-round choice for musicians, recording artists and venues. Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10 is a versatile companion for every step of the creative journey.The studio quality, 24-bit / 96kHz, 4×4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that two of ZEDi-10’s mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.Features:4 in, 4 out USB Audio Interface (24-bit/96kHz)Cubase LE Software includedCubasis LE App included4 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise3 band EQ for easy creative and corrective tonal shapingFX out for connecting external effects unitsAux out for connecting a monitor speaker or in-ear / headphone monitoring60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply

ZED-18 has an incredibly advanced feature-set for a mixer at this level – it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. Features:10 mono channelsNeutrik mic XLRNeutrik 1/4 inch jacksChannel insertSuper wide gain ‘DuoPre’ mic line input3 band EQ with MusiQ4 auxesIlluminated muteSound image panIlluminated PFL & peak warning indicatorALPS 100mm faders4 stereo channels with 2-band EQStereo returns & playbackAll inputs with level control12 bar metersMono/stereo function on auxes 1&2Monitor output sectionAlt stereo output sourceConfigurable USB stereo audio in/outGlobal +48V phantom powerCakewalk SONAR LE bundled with mixerRack ears available 

ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality FX unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. FEATURES10 mono mic/line  inputs3 stereo channels with 2-band EQ16 internal time-delay effectsNeutrik mic XLRsNeutrik 1/4 inch jacksChannel insertSuper wide gain DuoPreTM mic line input3 band EQ with MusiQ2 pre-fade Aux sends1 post-fade Aux send1 internal FX sendIlluminated muteSound image panIlluminated PFL & peak warning indicatorALPS 100mm fadersStereo returns & playbackAll inputs with level control12 bar metersMono/stereo function on auxes 1&2Monitor output sectionAlt stereo output sourceConfigurable USB stereo audio in/outCakewalk SONAR X1 LE bundled with mixerRack ears available 

ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordingsGuitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. ZED-10 is bundled with IK Multimedia’s AmpliTube X-GEAR software, giving access to superbly modelled amps and effects. 

ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.6 mono channels16 internal time-delay effectsNeutrik mic XLRNeutrik 1/4 inch jacksChannel insertSuper wide gain ‘DuoPre’ mic line input3 band EQ with MusiQ4 auxesIlluminated muteSound image panIlluminated PFL & peak warning indicatorALPS 100mm faders4 stereo channels with 2-band EQ and inputs for extra sourcesStereo returns & playbackAll inputs with level control12 bar metersMono/stereo function on auxes 1&2Monitor output sectionAlt stereo output sourceConfigurable USB stereo audio in/outCakewalk SONAR LE bundled with mixerRack ears available

ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with configurable USB audio in/out makes it easy to capture stereo recordings, 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14.This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It’ll be equally happy running your gig on stage, recording live or mixing down in your studio at home.We’ve teamed up with major software supplier, Cakewalk, to bundle its SONAR LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation.

Warm Audio's WA76 set its target high: the most iconic solid-state limiting amplifier in history. How does Warm do it? Through economies of scale, mostly. They don't cut corners on components (the WA76 employs genuine US-made Cinemag transformers), but they do order parts and build in quantity, which keeps costs down. Like the classic unit, the WA76 gives you a completely discrete signal path and the same arrangement of controls. And yes, it replicates the original's explosive performance when all the ratio buttons are pressed. Elevate your studio to the next level - with the Warm Audio WA76.What can the WA76 do for you?Every studio needs a good limiter, and the Warm Audio WA76 is designed after the mother of all limiters. With its lightning-fast response time and pristine, all-discrete signal path, the WA76 is your go-to device for everything from subtle, transparent dynamics control to full-on brickwall limiting. It's fabulous on bass, kick drum, vocals - you name it. It's a must-have for punchy parallel processing on drums, and if you have two of them, the possibilities become even greater.Top-tier performance - and a stunning valueAt this amazing price, you can double your value and get two. With a pair of these in your rack, you can make that stereo piano sit proud in a thick track. Punch up your toms. Strap them across your stereo bus for some mastering magic, and juice your mix with serious slam factor.Warm Audio WA76 Limiting Amplifier Features:Class A line-level output amplifierInspired by the sought-after D revision of the iconic solid-state limiting amplifierCompletely discrete signal pathUtilizes US-made Cinemag input and output transformersSupports the famous all-buttons-in ratio settingUltra-fast attack time; 55db of gainInput impedance is 600 ohms, bridges-T control (floating)20Hz to 20kHz (+/-1dB) frequency responseXLR and TRS inputs and outputsLess than 0.4% total harmonic distortion from 50Hz to 20kHz with limitingSignal to noise ratio is greater than 74dB at +25dBmEquivalent input noise (EIN) is -104.1dBmAttack time is 20 microseconds to 800 microsecondsRelease time is 50 milliseconds to 1 secondMeter provides dB gain reduction and dB outputInternal power supply and an external 24-volt AC power transformer (included)2U, 19" rackmount chassis1-year warranty 

UHF B210 DSP SoloUse the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless.SB21 Sax & Bass Lanen: the SB21 Lanen Sax & Brass has been designed for alto saxophones, tenor saxophones, trumpets, trombones, tubas, French horns et all other brass instruments. Features:Excellent natural sound.Very high acceptable sound pressure level (140 dB).UHF compatibleFlexible gooseneck for fast, easy mounting.Very high level of protection from instrument vibration.Mini XLR to XLR connector adaptor ensures that the mic lead is properly positioned on your instrument (48V phantom power supply required for wired connection).  Specifications:SB21 Sax & Brass mic:Kind of microphone : CondenserDirectivity : CardioidOutput impedance : 2.2 KΩSensitivity : -47dB ±3dB (0dB=1V/Pa at 1KHz)Pression max. SPL : 140dBSignal - noise : 68dBFrequency response : 50Hz - 20KHzSystem - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR