Distortion

Unapologetically VintageThe Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. The Warm Audio Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the original, legendary box.Legacy At Your FeetWhether you’re after the fabled boost tones, edge-of-breakup overdrive, or you want to push your rhythm channel to true grit - the Centavo has all of the adored tones of the original pedal. The Centavo is comfortable acting as a boost pedal, but the saturation in the higher gain settings provide a platform for true “transparent” overdriven rhythm tones. The addition of the “MOD” switch on the back - famously requested by Jeff Beck on the original pedal- allows players to extend the bass response, impacting the lower strings to get added low end drive tones.Pedal Settings & ControlsThe Centavo has three basic controls on the top - Gain, Treble, & Output. The gain on Centavo breaks up fairly late, with edge-of-breakup hitting after 50% and real clipping occurring late in the gain stage. The treble control is useful for dialing in more top-end for muddier guitars, like dual-humbucker models or all-mahogany instruments. The Centavo is loaded with output and can easily deliver clean boost, or create natural distortion if the tubes on your amplifier are already being pushed. Engaging the MOD switch on the back is a great tool to have at your disposal if the overdrive initially sounds “thin” in the lower register.

The Return of a legendThe new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time - used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…without having to pay crazy vintage prices! Serious Attention to DetailThe specific components used in a pedal circuit are critical to the way that it sounds and reacts to your playing, so each Foxy Tone Box is assembled by hand using premium parts. We searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. It’s true bypass, and it sounds like nothing else on earth! fuzz it upJust like the original, the Foxy Tone Box features controls for Volume, Sustain, and Fuzz (from “Mellow” to “Brite”), along with a switch to engage the pronounced octave effect. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet!To get started, keep the Octave switch off and roll the Fuzz to the “Mellow” side for warm, square-wave distortion. Then engage the Octave effect, crank the Fuzz to “Brite", and increase the Sustain for maxed-out, hyper-compressed tones that are barely hanging on for dear life! Electric guitar is the obvious application, but try it on synthesizers, drum machines, bass, acoustic/electric, and more. If you can plug a cable into it, the Foxy Tone Box can add character you just can’t get anywhere else.Technical Specifications Download Product ManualFaithful recreation of the original “foxy” fuzz circuit with 100% analog, fully discrete signal pathPremium components used throughout, including the NOS 2N3565 Fairchild transistors found in the original circuitUses carbon resistors, germanium 1N34A diodes, and premium film capacitorsTrue bypass operationGold-plated PCB padsVOLUME, SUSTAIN, and FUZZ knobsOCTAVE SUSTAIN switch for engaging the octave-up effect1/4" Input (INST) and Output (AMP) jacks

A Rich Rock & Roll HistoryFrom rolled-down wooly tweed tones all the way to riff-worthy growl and grit, the Warm Audio Warm Bender delivers the ultimate Tone Bender-style fuzz experience in one pedal. The Warm Audio Warm Bender features three dedicated, selectable circuits that accurately deliver two of the most iconic Germanium Tone Bender fuzz tones plus a bonus, modern silicon circuit. Many legendary guitar tracks by artists like Jimmy Page, Jeff Beck, Pete Townshend, and more were crafted using the two most popular versions of the iconic British Bender fuzz sound. The debate rages over which Bender fuzz tone is most legendary, but why choose one when you can have both on your board?Two Vintage Benders + A Silicon VersionWhy choose one classic Tone Bender when you can have three? Choose between the NOS 76 (1X OC76 & 1X SFT337 transistors) setting for the “early” Bender tones with cutting highs, clear presence and drive that cleans up beautifully. For legendary riff-worthy fuzz with added bass response, the NOS 75 (3X OC75 transistors) setting delivers that Mark II Professional-style Bender fuzz tone. To hear the Bender sound with a tighter low and top end response, smooth distortion-like tone, use the 3-transistor topology Silicon setting. The added SAG control starves the voltage to create that “dying battery” tone with added touch-sensitivity and compression. Warm Bender is made with 100% through-hole construction using NOS Germanium transistors and every pedal is hand inspected and tested at Warm Audio HQ in Austin Texas by real musicians and engineers with a passion for superior sound.Pedal Settings & ControlsThe Warm Bender pedal has the typical ATTACK (Gain/Fuzz) and LEVEL (Loudness) controls of a Tone Bender-style pedal. The SAG switch starves the voltage from 9V to 6V - perfect for that touch-sensitive compressed tone. The three settings on Warm Bender cover these basic tones:

A 70s LegendThe Warm Audio Mutation Phasor II is an accurate recreation of one of the most desirable,100% analog phaser circuits made famous in the experimental era of the 1970s. Mutation Phasor II has all of the vintage vibes of the original phaser pedal allowing you to add depth, wobble, swirl, or “instant funk” to guitar, keys, bass, or anything you can dream of. This electro-optical phase-shifting pedal is built with a true-to-spec recreation of the 70s circuit using premium components. True to the original pedal, Mutation Phasor II delivers all the rich depth and instant psychedelic tones, favored by innovative musicians and producers like Billy Corgan, Tom Bukovac, Robin Trower, and many more.Swirly, Psychedelic, Rich Analog Tone Adding the Mutation Phasor II to your rig is like adding a new instrument. Fine-tuning the depth of the modulation just right and timing the speed to sync perfectly with the tune takes you back to old-school gigging and recording. For those looking for a truly unique phaser experience, send the phase shifts into overdrive by dialing up the feedback, emphasizing the “wooshes” of the pedal. Altogether, the Mutation Phasor II is not just a pedal, but more of a tone-shaping experience.A true-to-original recreation of the 70s circuit, Mutation Phasor II is built with premium components including classic RC4558P op-amps, vintage-style diodes, carbon resistors, and film caps - Housed in an ultra-tough, vintage-vibe steel case.Pedal Settings & ControlsTo deliver an authentic, experimental experience, the Mutation Phasor II brings back all of the original controls. For ultra-rich swirly phase shifting, the “Depth” control allows you to vary the width of the sweep range - delivering deep modulation expected from a vintage all-analog pedal. Increasing the depth control adds width to the frequency range of the effect, impacting higher highs and lower lows. Easily change the speed (or rate) of the phase-shifting effect to create more or less “wobble” in your tone - from 1/10th sweeps per second (slowest) to 18 sweeps per second (fastest). Increasing the “Feedback” control adds electric feedback to the “wet” phase-shifting signal. Increasing the feedback control creates a more intense phase sound with a particular emphasis on the sweeps, especially noticeable at slower rate settings.

A Must-Have OD Tone Of The 2000s & Beyond The Warm Audio ODD Box V1 (“ODD” for short) is a hard-clipping, op-amp-based overdrive inspired by an iconic pedalboard staple known for having a “cranked amp” tone. Perfect for boosting, adding breakup, or adding high gain to cleans, the ODD has all the tonal versatility of its inspiration. Delivering all of the sounds of a cranked, saturated tube amp, the ODD features classic-inspired controls, including a UK/US Switch, to flip the personality of ODD from a “British” to an “American” tube amp. True to its inspiration, the ODD delivers the sound of massive, live electric guitar that attracted players like Billy Gibbons, Mark Hoppus, Eric Johnson, J Mascis, Paul Gilbert, and many more to that open tube amp sound.Cranked Tone On Any StageThe ODD brings the coveted “amp-in-a-box” tone to any stage or studio. With a high degree of touch sensitivity combined with powerful drive and tone controls - the ODD sounds like a full stack regardless of volume. The added versatility of the UK/US switch ensures that any guitar or amp will deliver a true cranked-amp tone in any setup.To accurately deliver this artist-favorite tone, the ODD is built with through-hole construction using premium components, including a TLO82CP Op-Amp, 2N7000 transistors, & hand-selected capacitors & resistors.Pedal Settings & ControlsThe ODD has three critical OD controls on the front with a special addition. Drive controls the amount of clipping, or “overdrive” tone. The tone control increases treble as you turn it clockwise. The Volume control acts like a master output, increasing volume as you turn it clockwise. The UK/US switch quickly changes the personality of the ODD. The UK setting distorts earlier, bumps the upper mids, and increases volume - giving this setting more of a cranked, "chimey" amplifier tone. The US setting has a little more clean headroom, allowing the ODD to act more like a boost at first, and better aligns with traditional tweed-based "edge of breakup" amplifier tones.

Unapologetically VintageThe Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. The Warm Audio Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the original, legendary box.Legacy At Your FeetWhether you’re after the fabled boost tones, edge-of-breakup overdrive, or you want to push your rhythm channel to true grit - the Centavo has all of the adored tones of the original pedal. The Centavo is comfortable acting as a boost pedal, but the saturation in the higher gain settings provide a platform for true “transparent” overdriven rhythm tones. The addition of the “MOD” switch on the back - famously requested by Jeff Beck on the original pedal- allows players to extend the bass response, impacting the lower strings to get added low end drive tones.Pedal Settings & ControlsThe Centavo has three basic controls on the top - Gain, Treble, & Output. The gain on Centavo breaks up fairly late, with edge-of-breakup hitting after 50% and real clipping occurring late in the gain stage. The treble control is useful for dialing in more top-end for muddier guitars, like dual-humbucker models or all-mahogany instruments. The Centavo is loaded with output and can easily deliver clean boost, or create natural distortion if the tubes on your amplifier are already being pushed. Engaging the MOD switch on the back is a great tool to have at your disposal if the overdrive initially sounds “thin” in the lower register.

PedalboardThe Warm Audio Warmdrive is a true reproduction of the most sought-after "amp-in-a-box" pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have used either the original amplifier or the pedal inspired by it. With an artist roster like that, it’s no wonder that original vintage pedals are talked about amongst the most demanding and discerning chasers of tone. Staying true to the legacy, the Warmdrive delivers all the tones of the original pedal and amplifier that inspired it.True To Legacy, True To SoundWhether you’re driving cleans into breakup, thickening up rhythm tones, or saturating solos, the Warmdrive can transform your amp from a polite and clean pedal platform into a fuzzy monster. While the Warmdrive has plenty of dynamic gain on tap, adding the pedal to your rig does not dramatically alter or diminish your tone. Just like the original, the Warmdrive has the unique Voice/Tone control to go from silky-smooth tones reminiscent of that special overdriven amp at the sweet spot all the way to sustain-rich distortion. It’s like having the best of both worlds, from clean to mean.Pedal Settings & ControlsThe voice/tone control combination on the stomp box gives artists extra versatility compared to the typical overdrive pedal, allowing the player to modify the frequency both before (voice control) and after (tone control) the clipping stages. Playing with the knobs can create dynamic sounds that almost seem like two guitar signals going at once. Warmdrive will also push beyond light overdrive, all the way to a saturated cascading gain tone that makes it easy to get lost in a solo jam. Couple these controls with critical volume and gain knobs and the Warmdrive is a venerable addition to any live or studio rig.

Organic Tube-Like Distortion with Tight Bottom-End and Natural Sag GRAND MAGUS DISTORTION Overflowing with organic tube amplifier-like distortion, tube compression and tight bottom-end tone, GRAND MAGUS DISTORTION channels the very essence of rock ‘n’ roll. Couple all that tone with the sultry feel of a vintage tube-rectified power supply and endorphin-elevating affordability – and you’ve got a shiny one-way trip to guitar Nirvana! Raw Rock Power Nothing has shaped the musical landscape more than a roaring tube guitar amp set to 11 – that incredible sound remains the heart and soul of rock. GRAND MAGUS DISTORTION distills the heavenly, rich harmonic content and power supply sag that made those early tube amps the “Holy Grail” for scores of guitar-wielding legends. So if your riffs call for tight bottom-end, rich mids and creamy highs, GRAND MAGUS DISTORTION stands ready to deliver. 50+ Shades of Gain GRAND MAGUS DISTORTION isn’t just a one-trick tone pony; its ultra-wide gain range and smooth tonal character, mixed with super-tight low-end response, lets you go from a Hendrix-style crunch to beefy Blackmore distortion – and all the way to super-saturated solo tones in a flash. Whether your gig calls for dark vintage distortion, or an extra-crispy modern high-gain tone, you’ll find it here in the super-versatile GRAND MAGUS DISTORTION. Classic Tone – Modern Features We know that the battle for a place on your pedalboard is fierce, so we equipped  GRAND MAGUS DISTORTION exceptionally well to make the cut. A sturdy metal chassis with dedicated Input, Output and True Bypass means that GRAND MAGUS DISTORTION is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter. Your pedalboard will welcome GRAND MAGUS DISTORTION with open arms! Backstage Pass – All Access Capable of a tremendous range of classic tube amp tones, GRAND MAGUS DISTORTION sports an easy-to-use control layout including: Gain, which controls the amount of overdrive; Volume, controls the output level; and Tone, for setting the sound for anywhere between dark, old-school dirty to crisp and modern distortion. Nothing is easier! Check out GRAND MAGUS DISTORTION at your local TC ELECTRONIC dealer today, or get yours online – and turn your tone up to eleven!

Rebirth Of A Classic The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of David Gilmour, Brian May and Eddie Van Halen to the trail-blazing keyboard stylings of Steely Dan, Herbie Hancock and Paul Simon’s Richard Tee, it seemed like everyone was incorporating phasers into their sound. Of all of the designs available during that time period, one phaser pedal stood apart from the others due to its flexibility, sound quality and addition of fuzz sounds, and it was immediately adopted by funk bass pioneer Larry Graham as the core of his modulated sound with both Sly and The Family Stone and his own Graham Central Station. The Warm Audio Jet Phaser is a hyper-authentic recreation of this famous pedal, accurate from the gooey swirl of the audio circuit to the look and feel of the enclosure, except that it’s true bypass and far more affordable and reliable than vintage units! The Jet Set The Jet Phaser contains six modes, with two labeled "PHASE" and four labeled "JET". The two PHASE modes produce traditional phasing effects, with the first having moderate modulation depth for more subtle sounds, and the second having increased depth for more exaggerated results. However, the similarities to normal phase pedals end there. The four JET modes engage the "jet" (or fuzz) effect, and that's when things get seriously fun! There are four fuzz/phase combinations: Bright fuzz/shallow phase Bright fuzz/deep phase Dark fuzz/shallow phase Dark fuzz/deep phase When the JET modes are active, the pedal's output level is controlled by the JET LEVEL knob. This enables you to set up the JET modes as a boost, if desired—which could be perfect for solos! Creative Control The Jet Phaser also features a RESONANCE control that's available in all six modes, allowing you to dial in varying amounts of filtered sci-fi craziness. Additionally, you get creative control of the modulation rate: the SLOW RATE knob allows you to set the main modulation speed, but hitting the FAST/SLOW foot switch always kicks the rate up to the maximum speed possible. It’s a cool design, because the change from fast to slow ramps up and down gradually like an organ’s rotary speaker. Unlike most phasers, the Jet Phaser can actually get “in-between” speeds by continuously hitting the FAST/SLOW foot switch like organ players do! The Jet Phaser’s true bypass operation makes it easy to incorporate into any rig, and the fact that it runs at 18V gives it high headroom and pristine audio quality (it can be powered with the included 18VDC adapter or two 9V batteries). We already know it'll sound great on guitar, bass, and keys, but don't let that stop you from slapping it on a vocal track or a drum bus - use your imagination! Technical Specifications: FAITHFUL RECREATION OF THE ORIGINAL “JET” PHASE CIRCUIT USES PREMIUM COMPONENTS THROUGHOUT, INCLUDING CARBON FILM RESISTORS AND FILM CAPACITORS TRUE BYPASS OPERATION SIX MODES: JET (1–4), PHASE (1–2) EFFECT/NORMAL AND FAST/SLOW FOOT SWITCHES JET LEVEL, MODE, RESONANCE, AND SLOW RATE KNOBS GRADUAL RATE CHANGE WHEN FAST/SLOW SWITCH IS PRESSED, SIMULATING A ROTARY CAB 1/4" INPUT (INST) AND OUTPUT (AMP) JACKS DC ADAPTER/BATTERY SWITCH RUGGED STEEL CHASSIS WITH ATTRACTIVE WOODEN SIDE PANELS POWERED BY TWO 9V BATTERIES OR 18V DC ADAPTER (INCLUDED) POWER CONSUMPTION: 9MA WIDTH: 10.25" DEPTH: 6.5" HEIGHT: 2.25" WEIGHT: 4.6 LBS

The Return of a legend The new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time - used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…without having to pay crazy vintage prices! Serious Attention to Detail The specific components used in a pedal circuit are critical to the way that it sounds and reacts to your playing, so each Foxy Tone Box is assembled by hand using premium parts. We searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. It’s true bypass, and it sounds like nothing else on earth! fuzz it up Just like the original, the Foxy Tone Box features controls for Volume, Sustain, and Fuzz (from “Mellow” to “Brite”), along with a switch to engage the pronounced octave effect. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet! To get started, keep the Octave switch off and roll the Fuzz to the “Mellow” side for warm, square-wave distortion. Then engage the Octave effect, crank the Fuzz to “Brite", and increase the Sustain for maxed-out, hyper-compressed tones that are barely hanging on for dear life! Electric guitar is the obvious application, but try it on synthesizers, drum machines, bass, acoustic/electric, and more. If you can plug a cable into it, the Foxy Tone Box can add character you just can’t get anywhere else. Technical Specifications Download Product Manual Faithful recreation of the original “foxy” fuzz circuit with 100% analog, fully discrete signal path Premium components used throughout, including the NOS 2N3565 Fairchild transistors found in the original circuit Uses carbon resistors, germanium 1N34A diodes, and premium film capacitors True bypass operation Gold-plated PCB pads VOLUME, SUSTAIN, and FUZZ knobs OCTAVE SUSTAIN switch for engaging the octave-up effect 1/4" Input (INST) and Output (AMP) jacks

Dial in the ideal reflection of your sound with a set of powerful, yet simple controls. You can keep things simple and use the Looking Glass for tone shaping, glassy boost and light overdrive, or go further down the rabbit hole into the raw, psychedelic sounds of a vintage amp pushed to the brink of failure. Featuring a new hybrid of Class-A discrete FET design, the Looking Glass’ asymmetrical clipping is so responsive that it can go from one end of the spectrum to the other with not only a flick of a switch, but with pick attack alone.The Looking Glass Overdrive is collaboration between DOD and the boutique pedal company SHOE Pedals. Christopher Venter of SHOE Pedals is known for his unique circuits, colorful perspective on classic effects, and minimalist design aesthetic.Built for maximum versatility, the Looking Glass’ unique Input Filter feature allows the player to tame overly bright guitars and interacts with your guitar’s pickups to help you cut through the mix without shredding the audience’s ears. The versatile, intuitive pre-drive Bass Cut and post-drive Treble controls allow you to retain clarity in the mix or dial in any raunchy raw tone you desire. And, there’s enough output and gain on tap to make even the Red Queen lose her head.The Looking Glass is true bypass, which allows your guitar tone to remain pristine even when the it is off and the power supply input makes it pedalboard friendly.Features:Circuit Design by Christopher Venter of SHOE PedalsDiscrete FET Class-A DesignDual Gain Stages selectable via toggle switchHybrid Pre- and Post-Gain Bass and Treble ControlsInput Filter control to tame overly-bright guitarsInternal DIP switches to reduce unwanted effects of overly-bright signals and buffersTrue bypass9V Power Supply jackAluminum chassis 

The Plexitube™ is a two channel tube distortion that combines the natural warmth and harmonic generation of a 12AX7 tube with the control and saturation of our unique multi-stage solid-state drive circuit. Combine this amazing front-end with our unique passive-interactive tone controls and the Plexitube is able to deliver four generations of over-the-top Marshall tones from a single pedal.Designed to enhance on-stage functionality, the Plexitube features two distinct distortion channels for on-the-fly transitioning between rhythm and lead settings. Channel-1 has been optimized for rhythm with huge chunky rhythm tones and scooped out mids for a thunderous wall-of-sound and complete world domination. Channel-2 is optimized to produce razor-sharp cut for solos and sustaining mids that are so smooth, they can make a grown man cry. This is augmented with individual voicing and contour controls for each channel that let you dial in the optimal tone to suit your guitar and playing style.When the Plexitube is switched off, true-bypass connectivity ensures the natural tone of your guitar goes directly to your amp without obstruction or a tone robbing load. And when activated, photocell switching assures smooth pop-free actuation even when used with high gain amps. There's even an effects loop that can automatically turn your delay on when you switch channels for leads. No tap dancing required! The Radial Tonebone Plexitube takes metal guitar one step beyond anything you have experienced so far. God Save the Queen!Features:The best 'Marshall in a pedal' of all time!Delivers clean, rhythm and lead in one pedalTrue bypass clean for natural toneInsert loop on lead channel for effects

The Interstellar Overdriver is a real overdrive pedal blasting your amp with your sound. The knob works giving a slight boost all the way counterclockwise to a beautiful harmonicly rich overdrive maxed out. It is designed to work the same way as old tube amps - the more you turn it up, the better it sounds. For more control kick back the output volume with the MASTER knob while keeping the sweetness.The Interstellar Overdriver is quickly becoming a favorite of many professional players since it really brings out the good sound of your amp + guitar and doesn't just completely transparently boost the signal.

Pure overdrive is back and better than ever. The Interstellar Overdriver Deluxe is two amazing, all analog, Interstellar Overdriver pedals and more! Not only can you slam one channel into the other for unearthly overdrive sounds but we've also added a six position selector switch on channel 2 with six unique overdrive / fuzz effects. From a pleasant boost to jet rocket lift-off this is the pedal to blast your sound into the future!

xplore the galaxy of octavia, octave fuzz, clang, ring modulation, and sitar drone sounds. The OCTAVE CLANG is an octave up effect which uses a special selected transformer and matched Germanium Diodes to create it's rich and pure analog octave up sound. The gain control on the OCTAVE CLANG is balistic and can make your guitar the most evil weapon known to man. The gain ranges from nice harmonicly rich clang sounds to an onslaught of abraisive fuzz. Playing chords with the gain turned down brings out bizarre dischordant drones and complex overtones. This pedal also gets freaking LOUD! with the volume maxed out, like every good pedal should, so you don't have to worry about your octave sound dropping your volume.

The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out. It uses specially matched transistors turned backwards to get it's bombastic sound. The one knob controls extreme biasing of one of the transistors and the other controls intense filtering. Although this sounds simple the results are perplexing. The combination of allow a vast universe of fuzz | distortion | overdive | buzz | grind | bleeps | synth sounds | harmonies | and soundwave manipulation. The exact positions of the knobs yeild completely different sounds for endless great insane fuzz tones.

The supersonic fuzz gun is a completely unique and huge sounding fuzz pedal. The goal of the pedal was to make a fuzz with the capability of having an immense range of great and usable fuzz sounds. The controls are completely interactive with each other to give the wielder an infinite number of great tones. There are extremely (and i mean exremely) harsh sounds available and extremely (yes i mean it again) warm sounds available. It does it all. The controls are completely interactive with each other to give the wielder an infinite number of great tones. There are extremely (and i mean exremely) harsh sounds available.

Dark Matter Distortion aims to give you that powerful, super-musical roar of an early plexi - a sound that will satisfy even the pickiest players out there. We are confident we have achieved just that, and this is one of those pedals you have to try to believe what it can actually do for your distorted sounds.From cleans with an attitude and warm bluesy tones to a crunch with grit for days and fully saturated lead sounds full of harmonics and overtones, it’s all here in spades and instantly available by riding your guitar’s volume knob. Dark Matter distortion is built from the highest-grade components, features an easy-access battery hatch and has a conveniently small footprint.