Volume and Expression

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Not Including GK-3 pickup and 5m GK cable

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Including power adapter, GK-3 pickup and 5m GK cable

XVP-20 keyboard volume pedal provides players with an indispensable tool for wide ranging control of their routing, levels, and feel. Stereo inputs and outputs allow you to rout your signal how you chose. And the minimum volume control adjusts the signal you hear when the pedal is pulled all the way back.

The V860 represents a new standard in guitar volume pedals. It's a reimaging of the classic VOX pedal design exemplified by its well-known wah pedals. The stylish aluminum body features a blasted and anodized finish that is both tough and classy. The pedal mechanism uses gears with a high tooth count, ensuring durability and smooth operation. The components are completely hand-wired, minimizing any change in the tonal character. 

The new passive DOD Mini Volume Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size (and price).The Mini Volume features a high-quality 500kΩ potentiometer making it perfect for any volume pedal application. The non-slip rubber pads and a peerless industrial design by DB Instrument Amp ensure a high quality volume pedal that will last the test of time.

Custom pedal unit for FP-30 Digital Piano

Keyboard stereo volume pedal, with two independent inputs and outputs. The VM14L is used to regulate the output signal of a keyboard or any other instrument with line output. Furthermore, it is equipped with a side positioned potentiometer, which allows the minimum volume adjustment when the pedal is lifted (closed). The VM14L can be used also as a mono pedal with low volume regulation on one channel.

This low-cost pedal can be used for sustain when connected to the damper input of Korg keyboards. It can also be used for the assignable footswitch jack on Korg products, where it will provide various functions depending on the product's settings. The PS3 features a tough, molded plastic body with a non-slip rubber base.

Sustain pedal .

The FC-300 sets a new standard of power, versatility for MIDI foot control. With features such as bi-directional MIDI data flow to the Roland VG-99 via newly adopted RRC2*, patch memory recall, twin expression and control pedals and more, this advanced control station is a perfect companion for Roland’s new VG-99 V-Guitar System or any other performance-based MIDI instrument or device.*RRC2: Newly developed connection protocol for Roland products that allows bidirectional MIDI data flow and electric power supply by one simple connection with using commercially available LAN (Ethernet) cable (CAT5).- Advanced MIDI foot controller with two assignable expression pedals, two control pedals, nine footswitches and expandability- New Patch Mode stores up to 100 MIDI setups- In addition to standard MIDI connection, newly developed RRC2* protocol adopted for bidirectional data flow between FC-300 and Roland RRC2 equipped products.- 3-way power supply (battery:6xAA, AC adapter, via RRC2) and rock-solid metal construction for stage use- Two Amp Control switches for controlling amp channels or effects- Perfect companion for the new VG-99

BESPECO expression for keyboard with polarity switch.

The VM170 is a “piano style” footswitch made in ABS with a chromed metal “tongue” switch. The base is made of laminated zinc and equipped with anti-slip rubber feet. On the side it has a polarity switch for compatibility with many makes of keyboard. Supplied with a fixed connection cable and mono jack. Particularly suitable for digital pianos and electric keyboards.

Roland DP10 half-damping sustain pedal for portable digital Pianos, stage Pianos and Synthesizers, with non-slip rubber plate, 190 cm cable, stereo-jack

The EV-5 Expression Pedal is designed for use with keyboards or other Expression-compatible instruments and devices, providing a more dynamic performance. You can set the minimum volume to the level of your choice, thereby determining the maximum effect of the pedal.

PACER boosts your creativity by providing hands-free control of your DAW, MIDI guitar soft- or hardware as well as channel and FX switching on your trusted analog amp. All integrated into one rugged and stage-ready foot pedal with 10 programmable LED foot switches, 4 switching relays and connections for up to 4 external foot switches and 2 expression pedals. That's a lot of switching power right at your feet: With just one press of a button, you can send up to 16 MIDI and relay messages to reconfigure a setup instantly. Step up your pace with this powerful MIDI DAW Footswitch Controller!Features:MIDI foot controller for DAWs and guitar processors10 programmable buttons, with LED indicators for control assignments24 available presets (Banks A-D, 6 presets each)Support for 4 programmable external foot switchesSupport for 2 programmable external expression pedals4 programmable relays for switching channels or effects on amplifiers1 programmable encoderFootswitches can send up to 6 messages when activatedMIDI Out port for external hardware controlUSB class compliant, powered via USB or USB power supply (not included