Broadcast Mics

Shure MV6, USB gaming microphone with 4 functions (voice isolation technology, auto level mode, digital popper stopper and real-time denoiser) for clear and professional sound. With voice isolation technology and auto level mode for stable sound. With the digital popper stopper and real-time denoiser you get clear, professional sound and with the tap-to-mute function you can turn off the microphone whenever you need to.The MV6 supports modern setups with a USB-C output for connectivity to PC and Mac devices and a 3.5mm output with audio modulation via the free MOTIV Mix app.

The PodMic is a broadcast-quality dynamic microphone optimised for incredible performance in podcasting, livestreaming, and other speech or vocal applications. Offering a rich, full-bodied sound, with an internal pop filter for minimising plosives, internal shockmount for reducing vibrations, and a swing mount for easy positioning, the PodMic will take your content to the next level.Key FeaturesBroadcast-quality dynamic microphoneRich, detailed sound optimised for podcasting, livestreaming and other speech applicationsInternal pop filter, shock mount and integrated swing mountRobust all-metal construction

Refreshed with a customizable LED touch panel, powerful DSP features and even better audio, the MV7+ Podcast Microphone is a dynamic microphone built for discerning podcasters, streamers and musicians. This updated version offers USB-C and XLR outputs, an improved Auto Level Mode, as well as a new digital pop filter, real-time Denoiser and reverb effects. Select from millions of color options to make the touch-to-mute LED panel as unique as the audio you’re recording.Tap the Full Spectrum of Sound.The MV7+ is the latest iteration of a microphone designed for creators looking to take control of their audio and dive into a vibrant world of color. Capture broadcast-quality audio in even the most challenging of spaces and customize the new LED touch panel to suit your style perfectly. Voice Isolation Technology separates your voice from unwanted background sounds, so you can make perfect recordings every time.The improved Auto Level Mode adjusts your mic’s gain based on distance, volume and spatial detection for optimized audio levels.The real-time Denoiser uses cutting-edge DSP technology to eliminate ambient noise in your room.A new Digital Popper Stopper™ removes harsh plosive sounds so you can avoid acoustic distractions on your audio tracks and a physical pop filter on camera when you’re filming.Take advantage of three types of reverb (Plate, Hall, Studio) for enhanced depth and richness in music recordings.Enjoy easy connectivity no matter the recording setup with USB-C and XLR outputs.Download the free MOTIV Mix™ Desktop App to configure the LED touch panel from 16.8 million color options.Use the app to optimize mic settings like sound signature, gain and much more.Instantly mute the microphone by tapping anywhere on the LED panel.Monitor your audio in real-time via the 3.5mm headphone jack.

An audio icon is reborn – the Shure SM7dB has the sound you’ve loved for years, but with the convenience of a built-in preamp providing all the extra gain you’ll ever need. The latest iteration of this legendary XLR dynamic microphone makes it easier for podcasters, streamers and musicians to get perfect vocals from any recording setup.Built-in Preamp. Built on Legacy.The SM7dB is a dynamic vocal microphone with built-in preamp providing up to +28 dB of low-noise, flat, transparent gain ideal for almost any interface and simplified audio chains.Selectable preamp boost of either +18dB or +28dB of extra gainFlat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speechPreamp bypass switch deactivates the preamp to revert to original SM7B performanceBass roll-off and mid-range emphasis (presence boost) EQ controlsSuperior rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitorsInternal “air suspension” shock isolation virtually eliminates mechanical noise transmissionHighly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narrationYoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone positionClassic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis soundRugged construction and excellent cartridge protection for outstanding reliability

Dynamic broadcast microphone for streaming and podcasting Perfect for streamers, podcasters and YouTubers Assertive, speech-optimised sound Masters challenging acoustic environments Optimum attenuation of popping sounds Shock mount and pop filter included The New ​M 70 PRO X Trusted sound in every recording ​The dynamic M 70 PRO X broadcast microphone delivers the very best sound for streams and podcasts. An assertive, speech-optimised sound, a shock-mounted capsule, perfect attenuation of popping sounds and the well-crafted design meet the requirements and needs of today’s creators. Equipped with an XLR connector, the M 70 PRO X is the perfect choice for streamers, podcasters and YouTubers. Professional Audio Quality Proven natural sound over the course of decades PRO X microphones apply the same philosophy as all other beyerdynamic microphones: They are synonymous with recording clear, natural sounds that optimally model speech, vocals and instruments. Singers and musicians have given high ratings for this unique, typically beyerdynamic sound for decades. The microphones never make the attuned proximity effect sound muffled, while the extended upper frequency response records every detail of a voice. Mid-range sounds are reproduced powerfully and trebles and basses sound natural. Flexibility Wide range of applications The M 70 PRO X dynamic broadcast microphone delivers the best sound for streams, podcasts and YouTube videos. Featuring a cardioid polar pattern, the M 70 PRO X can even master challenging acoustic environments while its ease of handling is appealing. Crucial here is a direct recording source, which has the advantage of nullifying keyboard noises, echoing or other sources of noise. Anyone on the lookout for that typically forceful “broadcast sound” should opt for this dynamic microphone. Superb Performance Reliable accompanist for every kind of session The electro acoustic design of both PRO X Microphones has been developed from the ground up and provides exceptional performance. This results in a clear signal transmission without distortion or noise, whereby a powerful sound is guaranteed. In addition to the included shock mount to give the microphone secure purchase, the capsules are also internally fixed in position to significantly reduce the transmission of mechanical vibration, hand movements or similar. The included pop filter as well as an integrated high-density foam protect the capsule against dust and plosive sounds. ​​​​​​Design And Materials Robust design and excellent workmanship The black, modern and slender design is made in Germany and fits perfectly in a modern creator’s workplace. The high-quality aluminium housing in combination with the robust steel mesh is break-proof and protects the microphone capsule from tumbles or rough handling. The overall weight was strongly reduced thanks to the use of aluminium, thus allowing the microphone to be mounted on all commercially available stands and microphone arms, without the unwanted side effect of causing the boom to dip.  Sustainability Sustainable microphones beyerdynamic stands out with its use of premium-quality materials – the ideal foundation for a reliable, functioning microphone that features excellent recording quality. And the company has been doing so for many years: Components like capsules, circuit boards, plugs and casing components can be replaced and repaired if needed. In addition, we have designed environmentally friendly packaging made entirely of recyclable paper and cardboard.

SD-1 Standard DynamicCapture Your Best, Every Time.With the SD‑1 dynamic microphone, you can capture vocals, instruments, livestreams, and podcasts like a pro, quickly giving you polished studio sound that’s broadcast‑ready.Get Pro Vocals, AnywhereThe SD‑1 delivers studio-grade sound and style, no matter where you record. It’s tailor‑made for close-miked speech and vocals, with a simple design that rejects background noises like fans, refrigerators, and noisy bandmates.Shape your Sound with Quick ControlsReduce rumble and mud from your recordings with the SD‑1’s selectable low cut filter. And with its enhanced articulation boost, vocals and instruments will instantly stand out with added presence.Sound Like the Pros with Apollo Channel Strip PresetsTake the guesswork out of getting polished sound with Apollo's custom SD‑1 mic presets, featuring radio-ready EQ and compression settings for vocals, guitars, and broadcasts.Deck Out your Desktop StudioWith a sleek modern design and rear-mounted XLR jack for easy cable runs, the SD‑1 will instantly level-up your production space. Whether it’s music, podcasts, livestreams, or Zoom meetings, your new go-to home studio mic has arrived.

DynaCaster: Turbo-charged with DYNAMITE for +30dB of eruptive gain at the flick of a switch The all-in-one front-addressed dynamic studio mic with game-changing V SERIES capsule technology, now turbo-charged with DYNAMITE. Built like a Tank. All-Metal. Vastly Compatible. The DynaCaster: Galactic performance with down-to-earth prices. Whether you are hosting a podcast, livestreaming, or gaming with friends, from building a community on your favorite platform to tracking a song in the studio, the DynaCaster’s integrated DYNAMITE preamp and discreet 3-layer pop filter makes the DynaCaster a modern studio companion with an undetectable footprint! Switchable DYNAMITE Preamp With +30 dB Of Transparent Gain At the flick of a switch + phantom power (48V), engage the DynaCaster's integrated DYNAMITE preamp to instantly provide an explosive +30dB of clean and transparent gain. Not only making the DynaCaster much louder than the typical dynamic microphone but also eliminates the need of expensive and bulky inline preamps. Two Recessed Eq Switches & Six Advanced Sonic Equalization Configurations  Shape the foundation of your sound before any processing. Efficiently make your voice fuller and richer or efficiently reduce boominess or sibilance with the peace of mind that recessed switches ensure your setting will remain untouched even when packing up or on-the-go. Obstruction-Free 3-Layer Pop Filtration System & Patented Shockmount Immediate plosive protection against the most powerful of wind blasts thanks to an integrated 3-layer pop filter. Easily disassembled and sanitized with quick-drying components that don’t soak up liquid. Experience a clean, germ-free studio environment and obstruction-free camera angles since there is no need for a bulky external shockmount or pop filter. Innovative DMC8 Front-Addressed Cardioid Aluminum Voice Coil - Based On V Series Technology Based on the proven capsule technology of the acclaimed V SERIES dynamics, the DynaCaster’s DMC8 cardioid capsule captures natural and intimate sound quality in the most epic of environments for singers, podcasters, livestreamers, musicians, engineers and producers alike, galaxy-wide! The innovative, specialized aluminum voice coil technology and front-addressed design isolates your voice from unwanted ambient noise, ensuring lush low end and a transparent, airy treble range for effortless, intimate recordings. Built-In Mic Stand Mount With Wide Swivel Range & Compatibility  The DynaCaster's built-in mic stand mount ensures a wide swivel range and clean aesthetic. Having tested the range of motion on all types of mic booms, there's no question if the DynaCaster will work with "that desk boom." All-Metal Design With Gold-Plated Connectors With all-metal housing and gold-plated XLR connectors, the DynaCaster is heavily shielded to avoid any electrical interference, complete with a black external windscreen and matte black finish. Built for immediate creativity with integrated professional studio essentials, the DynaCaster does the work so you can focus on the process. When you are reaching for the stars, the DynaCaster offers you galactic performance with down-to-earth prices.

Line + gradient condenser microphone, 233 mm BP4073 Line and gradient condenser microphone, 233 mm. Designed for use in broadcasting, film/TV production, and theater. Innovative acoustic design, same directivity as mics up to 50% longer. Rugged housing made of lightweight structural-grade aluminum. BP4073 short and lightweight, ideal for recording in the field Created after intensive field research and from extensive user feedback, the BP4073 short shotgun microphone is ideal for creating a high quality audio sound recording. It is intended for documentaries, professional recordings in the wild, and theater sound reinforcement. Highly directional, the BP4073 has low self noise and extremely focused sound recording. Short (233mm) shotgun microphone, designed for use in broadcasting, film/TV production and theater sound reinforcement applications Its compact size and light weight (99g) allow it to be mounted on a camera or on a fishpole boom, keeping it out of shot Highly directional, it perfectly captures all frequency ranges (20Hz to 20kHz) Perfect intelligibility, even in noisy environments thanks to excellent off-axis noise rejection The Double Wave Diaphragm proprietary technology offers high sensitivity with low self noise Direct-coupled, balanced output ensures a clean signal even in high-output conditions Innovative acoustic design provides same directivity as mics up to 50% longer Switchable 80 Hz hi-pass filter & 10 dB pad Rugged housing made of lightweight structural-grade aluminum alloy Effective protection against mobile phone interference and other unwanted radio frequency Comes with a foam windscreen “Low-cut filter” The low-cut position reduces sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “Short ant lightweight shotgun mic” Especially suitable for mounting on a fishpole boom or outdoors on professional camera, the BP4073 weighs only 99 grams and has a length of just 23.3 cm. “High intelligibility” Its very narrow directivity provides the narrow acceptance angle needed to capture far away sound whilst maintaining excellent off-axis noise rejection. The BP4073 guarantees very specific audio capture with high intelligibility. Robust body Robust microphone design made of lightweight aluminum alloy, which allows it to be positioned it on a boom, a camera or on a tripod. Low-cut filter Switchable low-cut filter for better insulation of unwanted noise. Line + gradient The BP4073 combines a directional capsule (gradient) and an interference tube to remove the sound from the rear. Accessories Comes with a clip, a foam windscreen, two O-rings and a protective carry case.

Line + gradient condenser microphone, 539 mm BP4071L Line and gradient condenser microphone, 539 mm. Designed for use in broadcasting, film/TV production, and theater. Innovative acoustic design, same directivity as mics up to 50% longer. Rugged housing made of lightweight structural-grade aluminum. BP4071L Professional Long-DistanceSound Capture At 53.9 cm long, the BP4071L is one of the longest shotgun microphones on the market. It was specially designed to meet the needs of the broadcast, film, and is particularly suitable for television. Particularly well adapted for long-distance sound recordings for filmmaking, in the theatre or for sporting events, the BP4071L guarantees a low noise level as well as a direct-coupled symmetrical output resulting in a clean signal even in high-output conditions. One of the longest shotgun microphones on the market, 539 mm Developed to meet the demands of the Professional Broadcast market Extremely narrow directivity, for long distance recording Highly directional, it perfectly captures all frequency ranges (20Hz to 18kHz) Excellent rejection of side and rear noise Perfect intelligibility, even in noisy environments Uses proprietary "Double Wave Diaphragm" technology which offers high sensitivity with low self noise 80Hz low cut filter, with a slope of 18dB / octave and -10dB switchable attenuator Effective protection against mobile phone interference and other unwanted radio frequencies Comes equipped with a foam windscreen “low cut filter” The low-cut position reduces sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “Clear and precise capture of distant audio” Particularly suitable for long-distance sound recording both indoors or outdoors, the BP4071L ensures low self noise and a balanced Direct-coupled output resulting in an accurate and clean signal even in high-output conditions. “High intelligibility” The microphone's very narrow directivity provides the narrow acceptance angle needed to catch remote sound while maintaining excellent off-axis noise rejection. The BP4071L guarantees you very specific audio capture with high intelligibility. Robust body Robust microphone design is made of lightweight aluminum alloy. Low-cut filter Switchable low-cut filter for better insulation of unwanted noise. Line + gradient The BP4071L combines a directional capsule (gradient) and an interference tube to remove the sound from the rear. Accessories Comes with a clip, a foam windscreen, two O-rings and a protective carry case.

Line + gradient condenser microphone, 395 mm BP4071 Line + gradient condenser microphone, 395 mm. Designed for use in broadcasting, film/TV production, and theater with Direct-coupled, balanced output ensures a clean signal. Innovative acoustic design, same directivity as mics up to 50% longer. BP4071 for extremely focussed sound capture At a length of 39.5 cm, the directional BP4071 shotgun microphone has been specially designed to meet the needs of broadcast, film, television, recording outdoors and theater applications. Particularly suitable for long-distance sound recording in filmmaking or in theatre, the BP4071 ensures a low noise level and a balanced Direct-coupled output resulting in a clear and clean signal, even in high-output conditions. 395 mm shotgun microphone designed to deliver quality sound in reporting, producing TV / Film and Theatre Excels in long distance quality sound recording Highly directional, it captures perfectly all frequency ranges (20Hz to 20kHz) Perfect intelligibility even in noisy environments, thanks to excellent off-axis noise rejection "Double Wave Diaphragm" proprietary technology offers high sensitivity with low self noise Direct-coupled output with active balancing which ensures a signal without distortion at high output levels 80Hz low-cut filter, with a slope of 18dB / octave and -10dB switchable attenuator Effective protection against nearby mobile phone interference and other unwanted radio frequency Comes equipped with a foam windscreen “low-cut filter” The low-cut position reduces sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “CLEAR AND PRECISE CAPTURE OF DISTANT AUDIO” Particularly suitable for long-distance sound recording for cinema or in the theatre, the BP4071 ensures low self noise and a balanced Direct-coupled output resulting in an accurate and clean signal even in high-output conditions. “High intelligibility” The microphone's very narrow directivity provides the narrow acceptance angle needed to catch remote sound while maintaining excellent off-axis noise rejection. The BP4071 guarantees you very specific audio capture with high intelligibility. Robust body Robust microphone design made of lightweight aluminum alloy, which allows it to be positioned it on a boom, a camera or on a tripod. low-cut filter Switchable low-cut filter for better insulation of unwanted noise. Line + gradient The BP4071 combines a directional capsule (gradient) and an interference tube to remove the sound from the rear. Accessories Comes with a clip, a foam windscreen, two O-rings and a protective carry case.

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use. Designed for broadcasters, videographers and sound recordists Compact, lightweight design is perfect for camera-mount use Independent Line-cardioid and Figure-of-eight condenser elements Switchable low-frequency roll-off Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes Includes a 0.61 m (24") cable (5-pin XLRF to two standard 3-pin XLRM connectors) RoHS compliant—free from all substances specified in the EU directive on hazardous substances

Audio-Technica combines exceptionally low-noise large-diaphragm condenser elements with a shotgun design for extremely tight polar patterns, perfect for long-range sound recordings. With a length of 56.8 cm, the directional BP28L shotgun microphones have been specially designed to meet the needs of broadcast, film, television, recording outdoors and theater applications. Particularly suitable for long-distance sound recording in filmmaking or in theatre, the BP28L have a very low noise level (3 dB), and a transformer-coupled output results in a smooth sonic character. The microphone provide extremely high sensitivity (-23 dBV), wide dynamic range (135 dB) and high-SPL capability (138 dB). The patented acoustic port design maintains directionality across the entire frequency range. Large-diaphragm condenser element and optimized circuitry deliver exceptional low-noise performance – ideal for film/TV production and broadcasting applications Overall length of 567.9 mm with an extremely narrow, highly directional pickup pattern Transformer-coupled output provides smooth sonic character Extremely high sensitivity (-23 dBV), wide dynamic range (135 dB), and high-SPL capability (138 dB) Flat frequency response for accurate sound reproduction Rugged housing made of lightweight, structural-grade aluminum alloy Switchable 80 Hz high-pass filter and 10 dB pad Patented acoustic port design maintains directionality across the entire frequency range

Audio-Technica combines exceptionally low-noise large-diaphragm condenser elements with a shotgun design for extremely tight polar patterns, perfect for long-range sound recordings. With a length of 35.5 cm, the directional BP28 shotgun microphones have been specially designed to meet the needs of broadcast, film, television, recording outdoors and theater applications. Particularly suitable for long-distance sound recording in filmmaking or in theatre, the BP28 have a very low noise level (8 dB), and a transformer-coupled output results in a smooth sonic character. The microphone provide extremely high sensitivity (-28 dBV), wide dynamic range (135 dB) and high-SPL capability (143 dB). The patented acoustic port design maintains directionality across the entire frequency range. Large-diaphragm condenser element and optimized circuitry deliver exceptional low-noise performance – ideal for film/TV production and broadcasting applications Overall length of 354.9 mm with a highly directional pickup pattern Transformer-coupled output provides smooth sonic character Extremely high sensitivity (-28 dBV), wide dynamic range (135 dB), and high-SPL capability (143 dB) Flat frequency response for accurate sound reproduction Rugged housing made of lightweight, structural-grade aluminum alloy Switchable 80 Hz high-pass filter and 10 dB pad Patented acoustic port design maintains directionality across the entire frequency range

Line + Gradient Condenser Microphone, 369mm The length (369mm) of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power. Very precise sound recording, even in noisy environments The AT8035 is ideal for videos and movies but should be installed outside of the image, in other words, out of camera range. This type of microphone, provided with an interference tube in front of the capsule, which cancels a large part of its off-axis.Audio-Technica's Line and Gradient Condenser Microphones combine a directional capsule ("gradient") and an interference tube which removes the sound from the rear. Generally, the interference tube of this type of microphone can be extended to reduce the acceptance angle and thus increase the sound capture distance. Short condenser microphones do not have as long a range as shotgun models, but in some cases are preferred for their greater acceptance angle, when the accuracy of the source is less important. 369mm Shotgun Microphone, designed for video production and broadcast (ENG/EFP) audio acquisition Provides the narrow acceptance angle desirable for long-distance sound pickup Captures sound with high intelligibility in noisy environments with its excellent sound rejection from the sides and rear of mic Two power modes (battery or phantom power) for versatility 80Hz low-frequency roll-off, with a slope of 18dB / octave to reduce pickup of low-frequency ambient noise Effective protection against interference from nearby mobile phones and other unwanted radio frequencies Equipped with a foam windscreen, the AT8035 comes with a 1.5V AA battery, a stand clamp and a carry case “Low-cut filter” The low-cut position reduces sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “two powering options” The AT8035 shotgun microphone can be powered in two ways allowing for maximum versatility. You can use it on a professional camera or recorder equipped with XLR inputs with phantom power, or by using a 1.5V AA battery (included) on any device equipped with XLR inputs. “high intelligibility” Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. The AT8035 guarantees you a very specific audio capture with high intelligibility. Battery / phantom power Two power modes (battery or 48V phantom power) for increased versatility. Low-cut FILTeR Switchable low-cut filter for better isolation of unwanted noise. Line + gradient The AT8035 combines a directional capsule ("gradient") and an interference tube which removes the sound from the rear. Accessories Comes with a stand clamp, a foam windscreen, a 1.5V AA battery, two O-rings and a carrying case.

Very accurate sound capture, even in noisy environments Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations. Generally, the tube interference of this type of microphone can be extended to reduce the acceptance angle and thus increase the sound capture distance. Shorter condenser microphones do not have as long-a range as long as the shotgun models, but are favoured for their greater acceptance angle in some cases, when the accuracy of the source is less important. Long 460mm shotgun microphone, designed for video production and broadcast (ENG/EFP) audio acquisition Provides the narrow acceptance angle desirable for long-distance sound pickup Captures sound with high intelligibility in noisy environments due to excellent sound rejection from the sides and rear of mic Operates on battery or phantom power for increased versatility Switchable 80Hz low frequency rolloff, with a slope of 18dB / octave to reduce pickup of low-frequency ambient noise Effective protection against interference related to nearby mobile phones and other unwanted radio frequency Comes with a windscreen, a 1.5V AA battery, a stand clamp and a carry case “low-cut filter” The low-cut position reduces the sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “two types of power supply ” The AT8015 shotgun microphone can be powered in two ways for reaching maximum versatility. You can use it on a professional camera or recorder equipped with XLR inputs with phantom power, or by using a 1.5V AA battery (included) on any device equipped with XLR inputs. “high intelligibility” Its very narrow directivity provides the narrow acceptance angle needed for long-distance sound pickup while maintaining excellent rejection of off-axis noise. The AT8015 guarantees you very specific audio capture with high intelligibility. battery or 48V phantom power Two power modes to choose from (battery or phantom power) for increased versatility. low-cut FILTeR Switchable low-cut filter for better insulation of unwanted mechanical / background noise. Line + gradient The AT8015 combines the narrow acceptance angle desirable for long-distance sound pickup, with excellent sound rejection from the sides and rear of mic. Accessories Comes with a stand clamp, a foam windscreen, a 1.5V AA battery, two O-rings and a carrying case.

Tuned and Ready for Professional Podcasting and Live Streaming The TASCAM TM-70 microphone is a dynamic microphone specifically engineered for broadcasting, podcasting and audio streaming. Whether it be podcasting or live event streaming, the TASCAM TM-70 is ideally voiced to handle the nuances of the human voice. A unique hybrid of super-cardioid and dynamic elements is resistant to ambient noise. Everything you need for the perfect performance, including mic holder, desktop stand, and mic cable is included. Dynamic Microphone for Professional Podcast Production and Live Streaming The TASCAM TM-70 Dynamic Microphone is the perfect all-around mic for flawless vocal audio. The TM-70 has been specifically engineered to capture the character and nuances of vocal performances while minimizing ambient noise. Features: The TM-70 gives you more of your voice, and less of the room. Super Cardioid Directivity adapts to the environment so the voice is more clear and prominent for an easier mix. The TASCAM TM-70 Dynamic Microphone delivers mix-ready, no-fuss audio so you can focus on capturing the performance rather than tweaking EQ settings. Package Includes a Shock Mount, Table-Top Mic Stand, and Mic Cable. Included are essential microphone accessories - a shock mount to reduce low frequency rumble, 6-foot mic cable and table-top mic stand - allowing you to set up at your desktop and record right away.

Whether you’re starting your first podcast, telling your YouTube subscribers about the latest trends, or running a program for your local volunteer radio station from your living room, you need a microphone that will bring your voice to your listener with clarity and warmth. The PD-70 is built to capture the spoken word cleanly and clearly while eliminating mechanical noise and breathiness that can get between you and your audience. Thanks to superior off-axis rejection, you can set up your broadcast studio in just about any space—and unwanted reverberance, electrical hum, and the random car driving by will be left behind, leaving only the pristine, natural sound of your voice.

The Sontronics Podcast Pro is a dynamic microphone designed specifically for podcast, broadcast, radio, gaming and voiceover applications. Specifications: Microphone type: Dynamic Polar pattern: Supercardioid Frequency response: 50Hz – 15kHz Sensitivity: -50dB ±2dB Impedance: =600 Ohms Connector: Three-pin XLR Power: Phantom power NOT required Dimensions: 180 x 82 x 60mm Weight: 308g

The Sontronics Podcast Pro is a dynamic microphone designed specifically for podcast, broadcast, radio, gaming and voiceover applications. Specifications: Microphone type: Dynamic Polar pattern: Supercardioid Frequency response: 50Hz – 15kHz Sensitivity: -50dB ±2dB Impedance: =600 Ohms Connector: Three-pin XLR Power: Phantom power NOT required Dimensions: 180 x 82 x 60mm Weight: 308g

The RE20 Industry Standard Variable-D dynamic cardioid microphone is the favorite among broadcasters and sound engineers worldwide. Variable-D design and heavy-duty, internal P-pop filter reduces proximity effect. Internal element shock-mount reduces vibration-induced noise. Bass roll-off switch. Impedance, Audio Frequency Response 80 - 15,000 Hz, Impedance, Low-Z balanced 150 Ω, sensitivity 1,4 mV/Pascal.Specifications:Polar Chart: CardioidCapsule Microphone: DynamicMicrophone Categorie: Large DiaphragmMicrophone Type: WiredFrequency Response: 45-18000Application: Broadcast, Studio

Designed for broadcast and professional recording, Audio-Technica's BP4025 stereo condenser offers large-diaphragm capsules in an innovative coincident capsule configuration. This allows for a smaller housing while producing an X/Y stereo image with the spatial impact and realism of a live sound field. Ideal for use with professional audio and video equipment, the microphone is fully RoHS-compliant - free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).Specifications:Element: Fixed-charge back plate permanently polarized condenserPolar Pattern: X/Y StereoFrequency Response: 20-17,000 HzLow Frequency Roll Off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity: -32 dB (25.1 mV) re 1V at 1 PaChannel Balance:

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer.A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

Audio-Technica's AT8004L (9.43" long) is designed for on-location interviews/sports broadcasting. Its extended-length handle provides ample room for a microphone flag. The microphone offers exceptionally natural reproduction. Internal shock mounting minimizes handling/cable noise. The microphone's omnidirectional polar pattern is ideal for reproduction of surrounding ambience. Its rugged housing with hardened-steel grille stands up to field use. Also available as the shorter-length AT8004 (5.93" long).Specifications:Element: DynamicPolar Pattern: OmnidirectionalFrequency Response: 80-16,000 HzOpen Circuit Sensitivity: -51 dB (2.8 mV) re 1V at 1 PaImpedance: 300 ohmsWeight: 215 g (7.6 oz)Dimensions: 239.5 mm (9.43") long, 35.8 mm (1.41") head diameterOutput Connector: Integral 3-pin XLRM-type

The first Neumann microphone with a dynamic capsule. Functionally optimized design specifically for the broadcast field, featuring integrated pop protection, suppression of structure-borne noise and a hypercardioid directional characteristic. Emotion conveyed with technical perfection. This is the ideal which the Neumann microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the requirements of professional broadcast studios and the individual, functionally optimized design* ensure that these are microphones of character.The BCM 705 is Neumann’s first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid directional characteristic, specifically designed for speech reproduction at close range. Multi-level isolation from structure-borne noise ensures operation free of interference, even in a lively studio environment.                                 

The RE320 is a professional quality dynamic microphone designed specifically for recording and sound reinforcement applications requiring extremely low noise and the highest level of predictable tonal and transient response. Ideal for capturing vocal and instrument sources, the RE320 delivers unparalleled detail, dynamic content, and natural tone.Variable D is Electro-Voice's exclusive solution to the tonal changes associated with the proximity effect found in other directional microphones. Providing balanced and uniform frequency response up to 180° off-axis, the result is always stable and linear tonal performance — even when the sound source is moving around the mic. Ideal for capturing the critical details of voice, amplified, and acoustic instruments, Variable-D capsules deliver impeccably smooth and natural tone on virtually any sound source.Utilizing the same humbucking coil technology found in the RE20 and RE27N/D to arrest electro magnetic field interference introduced by sources close "to the microphone", the RE320 produces an ultra-quiet signal path free from the hum and buzz found in other dynamic microphones.The RE320 incorporates a two-position "Dual Personality" frequency response switch which allows engagement of two vastly different performance curves.

Featuring a tight polar pattern and tailored-for-voice frequency response, the RODE Procaster is perfect for every application where a great sounding, rugged microphone with superior ambient noise rejection is demanded.RΨDE Procaster main features include:Broadcast quality soundHigh output dynamic capsuleBalanced, low impedance outputInternal shock mounting of capsule for low handling noiseInternal pop-filter to reduce plosivesRobust, all metal constructionAcoustic Principle: DynamicDirectional Pattern: CardioidFrequency range: 75 Hz - 18 kHzOutput impedance: 320OSensitivity: -56 dB re 1 Volt/Pascal (1.6 mV @ 94 dB SPL) +/- 2 dB @ 1kHzWeight: 695gDimensions: 214mmH x 53mmW x 53mmD

Dynamic studio microphone with a cardioid polar pattern, frequency response: 50Hz-20kHz, bass roll-off switch, mid-boost switch, 150ohm, shielded against broadband interference, fixed stand adapter, XLR plug, includes windscreen.

Like its name suggests this RODE microphone was specifically designed ‘ON-AIR’ applications where wide frequency response and low distortion are demanded. 
Winner of the Radio World/US National Association of Broadcasters (NAB) ‘What’s Cool’ award in 1998, the Broadcaster has become an industry standard when studio sound quality is required for on air applications. 
Utilizing an Australian designed and manufactured RΨDE 1” externally biased condenser transducers, the Broadcaster features a switch-able high pass filter to remove low frequency rumble. A unique ‘ON-AIR’ LED indicator can be switched “on” or “off” by shorting contacts on the 5 pin audio connector. This feature allows console operators to warn the ‘Talent’ that the mic is live.    •    Acoustic principle: Externally polarised 25mm (1”) condenser    •    Directional pattern: Cardioid    •    Frequency range: 20 Hz ~ 20 kHz    •    Output impedance: 40Ω    •    Signal noise ratio din iec 651: >80 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)    •    Equvalent noise: 114 dB (per IEC651, IEC268-15)    •    Power supply voltage: P48, P24 phantom    •    Weight without battery: 577g    •    Weight with battery: 1.3kg    •    Dimensions width: 167mm    •    Dimensions depth: 50mm    •    Dimensions height: 50mm

Broadcast microphone with a condenser capsule and a functionally optimized design, featuring integrated pop protection, suppression of structure-borne noise and a cardioid directional characteristic.         FEATURESAcoustical operating principle : Pressure gradient transducerDirectional pattern : CardioidFrequency range : 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm : 22 mV/Pa-14 dB attenuation : 4.4 mV/PaRated impedance : 50 OhmsRated load impedance : 1000 OhmsEquivalent SPL CCIR 468-3 : 18 dBEquivalent SPL DIN/IEC 651 : 7 dB-AMaximum SPL for THD 0.5% : 138 dBMaximum SPL for THD 0.5% : with preattenuation 152 dBS/N ratio CCIR 468-3 : 76 dBS/N ratio DIN/IEC 651 : 87 dBMaximum output voltage : 10 dBuDyn. range of the mic. amplifier DIN/IEC 651 : 131 dBSupply voltage : 48 V ± 4 VCurrent consumption : 3.2 mAMatching connector : XLR 3FWeight : 500 gDiameter : 64 mmLength : 85 mm

The FC 1 MKII was designed with classic large diaphragm condenser microphones in mind. We wanted to make an affordable mic with some of the characteristics of the good old German models.  The FC 1 has a center-terminated capsule just like in the old days, adding some harmonic distortion and a sweet top to the sound. This design also gives the mic an ability to handle louder sounds without harshness or other problems. The output transformer can handle bass really well and still give you that extra fat sound that only tubes and transformers can deliver.  The retro EQ in the FC 1 is set to deliver maximum sound quality with as many sound sources as possible at a price anyone can afford. It sounds great on vocals, acoustic guitar, percussion, amps, piano, leslie, drums, and more.