Large Diaphragm Condenser

THE SMART CHOICEEdge Go is the world’s first Smart USB microphone. It combines the ease and convenience of a digital mic with the flexibility and sound quality of an entire recording studio.Record or stream live with the kind of fidelity only a professional microphone with high-end audio converters can deliver. Experience polished and immediate results, thanks to authentic-sounding effects and presets done by top audio pros.18 VINTAGE MIC MODELS INCLUDEDWith Antelope Audio’s premium mic modeling technology, the Edge Go can pick up the personality and characteristics of almost any condenser microphone. Just like you, we shoot for the stars. So we went on to recreate nothing but resolute studio classics from all over the world – Germany, Japan, England, Austria, America. Each microphone was meticulously analysed and measured in Europe’s finest facility, then brought to life digitally with the power of Synergy Core processing. Have fun hearing your voice through vintage microphones that remain unattainable for anyone but the utmost connoiseurs!20 Synergy Core FX IncludedThe premier Synergy Core effects processing platform is integrated in our USB modeling mic. With 1xDSP and 1xFPGA running, the Edge Go is not only a mic that captures high-resolution audio in crisp detail but also a portable studio with built-in effects. Play around with true-to-life microphone and preamp models. Explore the coveted sounds of iconic and highly sought-after equalizers and compressors. Add reverb for a sense of space and tape saturation for vintage warmth. Remove breaths and pops with PowerGate. All possible with real-time monitoring and imperceptible latency.Fill Up Your CollectionAdd more flavor to your sound and stand out with distinct vocals. In our selection of vocal oriented expandable effects you can find a vibrato, a synth-like effect, a compressor modeled after an iconic unit from the 1950s and more. Switch up the pitch, combine it with an expressive range of tone and you are already ahead of the game.REAL-TIME LIVE MONITORINGUPGRADE YOUR EDGE GO WITH AUTO-TUNE SYNERGYBuilt from the ground-up for the Synergy Core platform, Auto-Tune Synergy adds live pitch correction to the Antelope Audio experience.Industry-leading pitch correction anytime you need it – live, during recording, and at mixdownFully adjustable Retune Speed, Flex-Tune, and Humanize parameters with Auto-Key automatic key and scale detectionReal-time, low latency performance with the Edge Go modeling microphone and any Antelope Audio Synergy Core interface‘Classic’ mode pays homage to the legendary “Auto-Tune 5 sound” heard on countless hit recordsUSB-C READYThe Edge Go is a modern device with USB-C connectivity. However, having an USB-C port on your computer isn’t mandatory. Edge Go works just fine plugged into a standard USB Type-A port!A PORTABLE STUDIOWhat does a recording studio comprise? An acoustically optimal space with piles and piles of gear – microphones, preamps, converters, master clocks, equalizers, compressors, reverbs, and so on. Picture all of that inside your head. Ready? Now try fitting it all inside a desktop USB mic. Or, better yet, don’t, because we already did the work for you. Our premium audio technology and Synergy Core FX platform, built into the Edge Go, lets us recreate all of that – in an incredibly lifelike, true-to-form manner. The Edge Go is a complete studio experience contained within a microphone. Welcome to the future!LIVE STREAMINGWith low latency mic models and effects working their magic on your voice, Edge Go makes studio quality live streaming possible – with minimal effort on your part. Technology is no longer a bottleneck. Let your audience hear the best of you!

The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years.  The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications.  The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.​The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr.  The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag.  The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.  Quality components make a better mic.The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability.  The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag.  Specifications:FET transformerless '47 style condenser microphone.Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80v.  Capsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film).Fully discrete signal path, Toshiba FET’s, Wima film capacitors, Panasonic electrolytic capacitors.Polar Patterns: Cardioid, figure-of-eight, and omnidirectional.High-pass filter: 70HzPad: -10dbSelf-noise: 9dBADynamic range: 138dBAMaximum SPL: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB)Frequency Range: 20 Hz~20 kHzSensitivity: 10mV/Pa or -40dBOutput Impedance: 100 ohms​

Capture every detail, every time  Designed for musicians and performers who demand outstanding audio quality, the PreSonus PX-1 cardioid condenser microphone is an ideal solution for recording vocals, guitar, podcasts, and much more. A true large-diaphragm condenser microphone, the PX-1 features a 25mm, gold-sputtered capsule designed to provide exceptional clarity throughout its frequency response range. Rugged construction and top-quality performance specifications make the PX-1 large diaphragm microphone an excellent addition for any home recording or streaming studio.

High sensitivity and extremely low self noiseFive switchable polar patterns for placement and application flexibilityTwo-color LEDs provide quick visual indication of selected polar pattern and output overloadElastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibrationH 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen.A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.Additional features:High sound pressure level capability and wide dynamic rangeCompletely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stageThree switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indicationAll switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditionsAlso available in stereo pair C 414 B-XL II/ST.

INTRODUCING AN UPDATED AND UPGRADED '87 STYLE FET CONDENSER MICROPHONE WA-87 R2: Updated And Upgraded In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.  Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere.  It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better! A Faithful Reproduction With Top-Shelf Components The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history! The Most Versatile Mic In Your Locker Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Stunning In Sound And Appearance The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! Technical Specifications: LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS CUSTOM CINEMAG USA OUTPUT TRANSFORMER WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE NICKEL-PLATED BRASS BODY THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL  -10DB PAD AND 80HZ HIGH PASS FILTER FREQUENCY RESPONSE: 20HZ – 20KHZ SPL: .5% THD @ 125DB (WITHOUT PAD), 132DB DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM) NOISE: -117DB INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT (OPTIONAL FLIGHT CASE AVAILABLE) WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG COLOR: AVAILABLE IN NICKEL OR BLACK FINISH

The FC 3 is a high quality dual capsule condenser microphone, inspired by classical microphone models. The FC 3 is a very versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications. It΄s sound character is similair to vintage microphones and it is well suited to be used with most instruments and voices. Use it on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a big capsule condenser mic. The FC 3 is, in spite of it΄s low cost, suitable for critical recording applications.  

SOUND LIKE A LEGENDThe WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. DESIGNThe classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire.Designing our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before.SPECIFICATIONS CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE CINEMAG USA OUTPUT TRANSFORMER JJ SLOVAK 12AY7 VACUUM TUBE GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS POLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT FREQUENCY RANGE: 20 HZ~20 KHZ OUTPUT IMPEDANCE: 200 OHMS MAXIMUM SPL: 132DB (

SOUND LIKE A LEGENDThe WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. DESIGNThe classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire.Designing our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before.SPECIFICATIONS CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE CINEMAG USA OUTPUT TRANSFORMER JJ SLOVAK 12AY7 VACUUM TUBE GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS POLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT FREQUENCY RANGE: 20 HZ~20 KHZ OUTPUT IMPEDANCE: 200 OHMS MAXIMUM SPL: 132DB (

Το πιο δημοφιλές μικρόφωνο στην ιστορία των ηχογραφήσεων bundle μαζί με την αράχνη του. To U87 είναι ενα πυκνωτικό μικρόφωνο μεγάλου διαφράγματος για ηχογραφήσεις φωνής και οργάνων. ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ:Acoustical operating principle Pressure gradient transducerDirectional pattern Omnidirectional, cardioid, figure-8 plusFrequency range 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa*Rated impedance 200 ohmsRated load impedance 1000 ohmsEquivalent SPL CCIR 468-3 26/23/25 dB*Equivalent SPL DIN/IEC 651 15/12/14 dB-A*S/N ratio CCIR 468-3 68/71/69 dB*S/N ratio DIN/IEC 651 79/82/80 dB*Maximum SPL for THD 0.5% 117 dB (cardioid)Maximum SPL for THD 0.5% with preattenuation 127 dBMaximum output voltage 390 mVDynamic range of the microphone amplifier cardioid DIN/IEC 651 105 dBSupply voltage 48 V ± 4 VCurrent consumption 0.8 mAMatching connectors XLR 3FWeight 500 gDiameter 56 mmLength 200 mm 

The TF39 Copperhead Deluxe is an expansion of the “Copperhead” sound with the addition of a dual membrane K67-style capsule, allowing for 3-pattern selection between cardioid, omnidirectional, and figure-8. This added feature set gives the TF39 greater flexibility and options in the studio. Sonically and component-wise, the two microphones are otherwise the same. Circuit Design The TF39 features a new old stock American-made 5654W vacuum tube, all-brass K67-style capsule, and a premium Swedish-made Lundahl output transformer. These components create a balanced frequency response and natural tonality, making the TF39 a trusty go-to choice. Audio Comparison Listen to the distinct voices of the Alchemy Microphone Series; the "Copperhead" sound of the TF29 and TF39, the "German" voiced TF47, and the "Austrian" voiced TF51. Compare the sonic characteristics of each voice on classic studio applications like drum overheads, guitar cabinets, and vocals. Accessories Every TF39 Copperhead Deluxe microphone system comes with a multi pattern M 903 Power Supply, M 803 Tube Microphone Cable, ZC03 Shell Case, M 703 Shock Mount, M 782 Stand Mount, and Microphone Sleeve.

The WA-8000 is a nod to a very special large diaphragm tube condenser microphone that made its way onto countless platinum recordings starting in the early 90s and continuing today. The sound of this mic has delivered hits for artists ranging from Dr. Dre, Mariah Carey, Boyz II Men and Brian McKnight to Eminem, Rihanna, Drake and more. The original stood out, boasting a natural and open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet. The WA-8000 rises to the occasion and delivers all that top end, beat by beat, at a price that will leave you hypnotized.

The WA-8000 is a nod to a very special large diaphragm tube condenser microphone that made its way onto countless platinum recordings starting in the early 90s and continuing today. The sound of this mic has delivered hits for artists ranging from Dr. Dre, Mariah Carey, Boyz II Men and Brian McKnight to Eminem, Rihanna, Drake and more. The original stood out, boasting a natural and open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet. The WA-8000 rises to the occasion and delivers all that top end, beat by beat, at a price that will leave you hypnotized.

The rich, warm sound takes you back to the classic F.E.T. studio microphones. But there’s nothing remotely old-fashioned about the technology behind that vintage sound. The AT4047/SV studio condenser’s dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range. With a wide dynamic range, incredibly low self-noise and high SPL capability, this versatile microphone excels on vocals, strings, acoustic guitar, instrument ensembles, small vocal groups and voiceovers. Specifications:Element: Externally-polarized (DC bias) condenserPolar Pattern: CardioidFrequency Response: 20-18,000 HzLow Frequency Roll-Off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity: -35 dB (17.7 mV) dB re 1V at 1 PaImpedance: 250 ohmsMaximum Input Sound Level: 149 dB SPL, 1 kHz at 1% T.H.D., 159 dB SPL, with 10 dB pad (nominal)Noise: 9 dB SPLDynamic Range (typical): 140 dB, 1 kHz at Max SPLSignal-To-Noise Ratio: 85 dB, 1 kHz at 1 PaPhantom Power Requirements: 48V DC, 3.0 mA typicalSwitches: Flat, roll-off, 10 dB pad (nominal)Weight: 14.5 oz (410 g)Dimensions: 6.69" (170.0 mm) long, 2.10" (53.4 mm) maximum body diameterOutput Connector: Integral 3-pin XLRM-type

The NT1 Signature Series is the latest edition of the iconic RODE NT1 studio condenser microphone. With the same warm, silky character that has made the NT1 the go-to microphone for millions of creators, the NT1 Signature Series delivers classic studio sound for a wide range of applications, from vocal and instrument recording to voice overs, podcasting, streaming and content creation. It features RODE's stunning HF6 1-inch true condenser capsule, which delivers rich bass, detailed midrange and sparkling top end, with a smooth frequency response and tight cardioid polar pattern. Extremely low noise of just 4dBA ensures every recording is incredibly clean and high SPL handling capabilities mean the NT1 Signature Series excels at recording even the loudest sounds, making it a true studio workhorse. The NT1 Signature Series comes with a studio-grade shock mount, pop filter and XLR cable, and is made from premium components in RODE’s precision facilities in Sydney, Australia.

The NT1 5th Generation fuses the classic sound signature of the legendary RODE NT1 with cutting-edge, next-generation technology. It features RODE’s groundbreaking Dual Connect output, offering both XLR and USB connectivity for connecting to an audio interface, mixer or console, and other audio equipment, or directly to a computer for plug-and-play recording. It features a professional-grade audio interface built in, with RODE’s ultra-low-noise, high-gain Revolution Preamp™, high-resolution (up to 192kHz) A/D conversion, and advanced digital signal processing for recording pristine, studio-quality audio. It also features a 32-bit float digital output for recording everything from a whisper to the loudest drummer with no chance of clipping* and no need to set complex gain controls. These revolutionary features complement the warm silky character, extended frequency response, extremely low self-noise, and high SPL handling that the NT1 is renowned for, making the NT1 5th Generation the ultimate studio microphone for a wide variety of recording applications.*up to the max SPL handling capability of the microphone

he WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years.  The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones every made.  The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.True '47 style capsuleThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response.  Every Warm Audio capsule is made in the same small assembly house in a clean-room environment,  and packaged in its own protective jewel case until the moment it is loaded into the microphone.  Each capsule is visually inspected and electrically tested for imperfections.The CapsuleThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer who's precision and repeatability allows us to nail the vintage sonics of the most important sonic piece of this classic style of microphone.​The TubeA Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow.  We auditioned 4 different tube brands and fell in love with the JJ 5751.  The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature.​The TransformerThe WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations.  This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone.​The CableOne component of a tube microphone often overlooked is the 7 pin cable that connects the microphone to its power supply.  When auditioning the WA-47 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone.  We have partnered with Gotham Audio in Switzerland to use their very carefully built top-end 7 pin GAC-7 cable. Using this cable increases top end presence and the overall size of the recorded image in the stereo field, by reducing phase shift and the parasitic effect often found in poorly built cables. Gotham Audio is very expensive and boutique in nature and should not be considered a small addition to the WA-47 package.​The CapacitorsThe WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer.Specifications:Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80vCapsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film)TAB-Funkenwerk (AMI) USA output transformerJJ Slovak 5751 vacuum tubeGotham 5 meter GAC-7, 7-pin tube microphone cableWima, Solen French, and Polystyrene capacitorsPolar Patterns: 9 patterns - Cardioid, Omni, figure-of-eight + 6 mixed patternsSelf-noise: 11dBADynamic range: 130dBAMaximum SPL: 140dB  (

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. Delivery includes the EA 1 'spider' mount.

Record with the greatest mics ever made.The UA Sphere DLX modeling microphone system gives you the sound of classic mics used by everyone from The Beatles and Beyoncé to Radiohead and Frank Sinatra.Grab the Keys to the Ultimate Mic LockerFeaturing 38 legendary mic models of Neumann, Telefunken, AKG, Sony, and more,* the Sphere DLX gives your productions the most sought-after ribbon, condenser, and dynamic microphones ever made.Find your Perfect Mic in Realtime with ApolloThe Sphere DLX lets you audition classic mics before, during, and after recording with any interface, in any DAW. And when paired with an Apollo interface, you can do this with near‑zero latency.Get Stereo Sound and More from a Single MicThanks to its dual-capsule design, the Sphere DLX lets you easily record piano, drums, strings, and more in stereo. You can even use different mic models on the left and right channels for a more colorful stereo image. Plus, you can blend the sound of two mono mics using Dual Mode, and get classic-sounding mic recipes on snare drums and guitar cabs.Reduce Room Sound for Better RecordingsEasily tame room coloration for cleaner, more professional recordings using IsoSphere and its expert presets tailored for everything from your bedroom studio to popular isolation filters from sE Reflexion Filters, Aston Halo, Kaotica Eyeball,* and more.Built to Last a LifetimeWith dual gold-sputtered diaphragms and the lowest noise of any mic in its class, the Sphere DLX outfits your studio with a premium, large-diaphragm condenser microphone, precision-built to deliver years of inspiration for your music, podcasts, and voiceovers.Includes Everything you Need to RecordRight out of the box, the Sphere DLX mic gives you a professional shockmount, 25' cable, mic stand mount, and carrying case — so you'll be creating with the sound of legendary mics in no time.

Get the sounds of the greatest mics ever made.The UA Sphere LX modeling microphone system gives you the sound of classic mics used by everyone from The Beatles and Beyoncé to Radiohead and Frank Sinatra, in a smaller, more affordable package.Grab the Keys to the Ultimate Mic LockerFeaturing 20 legendary mic models of Neumann, Telefunken, AKG, Sony, and more,* the Sphere LX gives your productions the most sought-after ribbon, condenser, and dynamic microphones ever made.Find your Perfect Mic in Real Time with ApolloThe Sphere LX lets you audition classic mics before, during, and after recording with any interface, in any DAW. And when paired with an Apollo interface, you can do this with near‑zero latency.Use Dual Mode for Classic Mic PairingsBlend the sound of two mono mics with Sphere LX's Dual Mode, and get rich-sounding mic combinations on snare drums and guitar cabs.Reduce Room Sound for Better RecordingsEasily tame room coloration for cleaner, more professional recordings using IsoSphere and its expert presets tailored for everything from your bedroom studio to popular isolation filters from sE Reflexion Filters, Aston Halo, Kaotica Eyeball,* and more.Built to Last a LifetimeWith dual gold-sputtered diaphragms and the lowest noise of any mic in its class, the Sphere LX outfits your studio with a premium, large‑diaphragm condenser microphone, precision‑built to deliver years of inspiration for your music, podcasts, and voiceovers.Includes Everything you Need to RecordRight out of the box, the Sphere LX mic gives you a, 10' cable, mic stand mount, and carrying case — so you'll be creating with the sound of legendary mics in no time.

Το Sphere L22™ είναι ένα καινοτόμο μικρόφωνο από την Townsend Labs το οποίο προσομοίωνει τα χαρακτηριστικά των πιο γνωστών πυκνωτικών μικροφώνων μεγάλου διαφράγματος με εξαιρετική ακρίβεια και επιτρέπει την επιλογή τύπων και πολικών διαγραμμάτων ακόμα και μετά την ηχογράφηση.Το Sphere™ είναι ένα σύστημα, το οποίο αποτελείται από ένα υψηλής ακρίβειας dual channel μικρόφωνο, σε συνδυασμό με το Sphere DSP plug-in (UAD, VST, AU, AAX Native). Αναπαριστά με ακρίβεια την απόκριση, τα χαρακτηριστικά και τη συμπεριφορά από μια μεγάλη γκάμα γνωστών και θρυλικών μικροφώνων.Τώρα μπορείτε να: Ηχογραφήσετε με ποιότητα και ήχο μικροφώνων που μέχρι τώρα ήταν άπιαστο όνειρο! Αλλάξετε τύπο μικροφώνου, πολικό διάγραμμα και άλλα χαρακτηριστικά μικροφώνου ακόμα και μετά την ηχογράφηση! Έχετε δυνατότητα αλλαγής ήχου μικροφώνων χωρίς να κουράζεται ο καλλιτέχνης,τραγουδιστής ή μουσικός. Απαλείψετε ή να διορθώστε οποιδήποτε ανεπιθύμητο χρωματισμό χώρου ή άλλων προβλημάτων ηχογράφησης χρησιμοποιώντας το Off-Axis Correction™ Έχετε δυνατότητα στέρεο ηχογράφησης από ένα μόνο μικρόφωνο. Ονειρεμένη συλλογή Αποκτήστε πρόσβαση σε μερικά από τα πιο βραβευμένα μικρόφωνα όλων των εποχών, Συμπεριλαμβανομένων των 47 (με VF14 tube), 67, M49, και C12. Μικρόφωνο Sphere L22 Το σύστημα του Sphere χρησιμοποιεί υψηλής ανάλυσης, μεγάλου διαφράγματος πυκνωτικού μικρόφωνου L22 δύο καναλιών, ειδικά σχεδιασμένο ώστε να μπορεί να "λαμβάνει" και τις τρείς διαστάσεις του χώρου με εξαιρετική ακρίβεια . Κατασκευασμένο με ιδιαίτερα "σφιχτές" ανοχές , το L22 διαβεβαιώνει πιστό και άρτιο modeling . Επεξεργασία UAD σε πραγματικό χρόνο Με τις κάρτες ήχου της Universal Audio Apollo, μπορούμε να χειριστούμε και να επεξεργαστούμε σε πραγματικό χρόνο και με εξαιρετικά χαμηλό latency ( 1.6ms σε δειγματοληψία 96kHz) σε μορφή AAX, VST και AU. . Μικρόφωνο Sphere L22 Το σύστημα του Sphere χρησιμοποιεί υψηλής ανάλυσης, μεγάλου διαφράγματος πυκνωτικού μικρόφωνου L22 δύο καναλιών, ειδικά σχεδιασμένο ώστε να μπορεί να "λαμβάνει" και τις τρείς διαστάσεις του χώρου με εξαιρετική ακρίβεια . Κατασκευασμένο με ιδιαίτερα "σφιχτές" ανοχές , το L22 διαβεβαιώνει πιστό και άρτιο modeling . Πως Λειτουργεί: Το μικρόφωνο Sphere L22, χρησιμοποιώντας δύο κάψες με δύο αυτόνομες εξόδους, καθιστά εφικτή την σύλληψη τεράστιας λεπτομέρειας και πληροφορίας χώρου, όπως, κατεύθυνσης και απόστασης, πληροφορίες που με ένα συμβατικό μικρόφωνο μονής κάψας θα είχαν χαθεί.Αυτό επιτρέπει στο σύστημα του Sphere να αναπαράγει τον τρόπο με τον οποίο διαφορετικά μικρόφωνα αντιδρούν στον εκάστοτε χώρο Το Sphere L22 αποτελείται από ένα υψηλής ευκρίνειας μικρόφωνο, δύο καναλιών, και ένα audio plug-in για το DAW σας. Το plug-in πραγματοποιεί όλη την διαδικασία μέσω DSP, ώστε να προσομοιώσει όλα τα διαφορετικά μικρόφωνα. Η χρήση plug-in , αντί για ενσωματωμένη DSP επεξεργασία στο μικρόφωνο, έχει σαν αποτέλεσμα και προτέρημα την δυνατότητα επιλογής και αλλαγής, από τον χρήστη, διαφορετικών ρυθμίσεων, όπως τύπο μικροφώνου και πολικό διάγραμμα, ακόμα και μετά την ηχογράφηση. Αξεσουάρ: Η συσκευασία περιλαμβάνει: Το μικρόφωνο Sphere L22 Τα αξεσουάρ Breakout Cable10 (3 μέτρα) Shock Mount Swivel Mount Σκληρή βαλίτσα μεταφοράς Μαλακή προστατευτική θήκη

Your Home Studio, Upgraded.Smooth and Natural Audio Reproduction Equipped with a brass 1-inch dual-diaphragm capsule, the SM4 captures clean, controlled low-end and smooth, detailed highs. The uniform cardioid polar pattern provides superior off-axis rejection of unwanted noise, and the large “sweet spot” reduces proximity effect. Patent-Pending Interference Shielding Technology Block unwanted RF noise from common wireless devices including cell phones, laptops, and wi-fi routers. The proprietary system features an integrated pop-filter and woven mesh faraday cage that shields the microphone capsule for clean audio capture. Mix-Ready Sound, Effortlessly Internal pop filter enables clean, plosive and rumble-free recordings for easier post-production work. Compress or EQ to taste without bringing forward unwanted elements that can plague recordings and mixes. Additionally, the SM4 works with any interface to achieve professional-quality recordings, no matter the environment. Exceptional Flexibility for Vocal and Instrument Recording Optimized to capture a wide range of sound sources from soft vocals to loud instruments including drums, guitar amps, and horns with exceptionally high-SPL handling (max SPL of 140dB). Legendary Durability & Camera-Ready Design Rugged, all-metal construction and exceptionally high-SPL handling from a brand with decades of experience in producing reliable gear for the stage and studio. A sleek, low-profile design won’t obscure the performer or environment. Shock Mount & Detachable Magnetic, Pop FilterIncluded with the SM4 Home Recording Kit and available separately, the shock mount and detachable pop filter dampen undesired noises including rumbles, vibrations and plosive “pop” sounds. When combined with the internal pop filter of the microphone, the detachable pop filter creates a two-stage filtering system that dramatically increases the resistance of plosives.

Your Home Studio, Upgraded.Smooth and Natural Audio Reproduction Equipped with a brass 1-inch dual-diaphragm capsule, the SM4 captures clean, controlled low-end and smooth, detailed highs. The uniform cardioid polar pattern provides superior off-axis rejection of unwanted noise, and the large “sweet spot” reduces proximity effect. Patent-Pending Interference Shielding Technology Block unwanted RF noise from common wireless devices including cell phones, laptops, and wi-fi routers. The proprietary system features an integrated pop-filter and woven mesh faraday cage that shields the microphone capsule for clean audio capture. Mix-Ready Sound, Effortlessly Internal pop filter enables clean, plosive and rumble-free recordings for easier post-production work. Compress or EQ to taste without bringing forward unwanted elements that can plague recordings and mixes. Additionally, the SM4 works with any interface to achieve professional-quality recordings, no matter the environment. Exceptional Flexibility for Vocal and Instrument Recording Optimized to capture a wide range of sound sources from soft vocals to loud instruments including drums, guitar amps, and horns with exceptionally high-SPL handling (max SPL of 140dB). Legendary Durability & Camera-Ready Design Rugged, all-metal construction and exceptionally high-SPL handling from a brand with decades of experience in producing reliable gear for the stage and studio. A sleek, low-profile design won’t obscure the performer or environment. Shock Mount & Detachable Magnetic, Pop FilterIncluded with the SM4 Home Recording Kit and available separately, the shock mount and detachable pop filter dampen undesired noises including rumbles, vibrations and plosive “pop” sounds. When combined with the internal pop filter of the microphone, the detachable pop filter creates a two-stage filtering system that dramatically increases the resistance of plosives.

The Chandler Limited EMI Abbey Road Studios ‘TG Microphone Type L’ is a phantom powered, cardioid, large diaphragm condenser microphone, and as the name implies, the Type L is descended from the innovative ‘TG Microphone.’The TG Microphone Type L inherits the core circuitry, capsule and ‘Dual Tone System’ of the larger ‘TG Microphone;’ however, this is where the similarity ends. Apart from the ‘TG Microphone,’ the Type L is tuned to have its own sound and unique voicings.The Type L’s Dual Tone System feature provides two distinct characters in one microphone, ‘A’ and ‘B,’ and modifies the input stage, which extends the versatility of the microphone to accommodate a greater array of sources.System ‘A’ is TG mid forward and harmonically rich, whereas, the ‘B’ voicing has a ribbon-like quality and is more pristine by contrast.Tonal differences of the Dual Tone System aside, the Type L was designed to handle sensitive and higher SPL sources. With the PAD engaged, both system ‘A’ and ‘B’ are capable of handling loud sources; however, the ‘B’ setting with the PAD engaged is considered the extreme SPL mode of the Type L.The TG Microphone Type L has a larger than solid-state sound and is intended as a recording studio workhorse, capable of rivaling scenarios where the C12, C414, FET47, U67 and U87 have found favor and may replace the practice of employing a dynamic and a ribbon in combination on guitar cabinets.The Chandler Limited EMI Abbey Road Studios TG Microphone Type L kit includes: microphone, swivel mount and bamboo storage box.Chandler Limited and associated logos are trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG and their associated logos are trademarks of EMI (IP) Limited.

An icon of that era, the U 47 fet with its unmistakable sound, is now available again. For the new "Collectors Edition U 47 fet", Neumann has resumed production of this classic mic, according to the original production documents and schematics. This relaunch offers the opportunity of combining history-making technologies side by side to create new realms of sound: Just as a smartphone provides almost unlimited possibilities, digital audio technology can offer endless creative options – with theU47fet conferring its own signature sound.Capture clear, detailed, "radio-ready" sound with this legendary microphoneFast transient response is perfect for drums and other percussionWide frequency response captures bass instruments with outstanding power, punch, and focusCreated using original U47 FET schematics and production notes to bring you the real dealHigh-quality Collector's Edition wood box and Certificate of Authenticity included

The Beginning of Something Big The M 49 is a great microphone in every respect. For as impressive as its physical appearance is its incomparable sound. With its revolutionary technology, the M 49 has set new standards altogether. The M 49 is a true Neumann legend. Everything and More      The objective itself was grand: in the early 1950s, a reference microphone was developed in cooperation with the Nordwestdeutscher Rundfunk (Northwest German Broadcasting) that was to replace all previous ones. Instead of having to replace the capsule in order to change the directional characteristic, the M 49 allowed remote controlling the polar pattern from the power supply – continuously. With its balanced frequency response in all directional patterns from omnidirectional to cardioid to figure-8, including intermediate settings, the M 49 is a truly universal microphone: be it orchestra, piano, trumpet, or vocals, the M 49 is suitable for recordings of all kinds to the highest standard. As a result, the M 49 was, and still is, in great demand. No other Neumann microphone of the tube age was manufactured for a longer period: from 1951 to 1971. Countless legendary recordings from cool jazz to present day pop bear its elegant sound signature. The M 49 is an inseparable part of the Neumann DNA. The Best of the Best At last, the legend is available again! The M 49 V is a reissue of the last revision c. Over the years, the M 49 was continuously improved: the originally installed Hiller tube MSC2 was replaced by the Telefunken tube AC701and then the AC701k. This and other circuit changes improved the signal-to-noise ratio, dynamic range, and immunity to interference. In parallel, a broadcast version, the M 249, was issued with an RF-proof connector. The M 49 V uses the same circuit as the M 49 c, but with an even lower noise subminiature tube. Since high-frequency interference has increased dramatically due to mobile phone networks and WiFi, the RF-proof connector has been adopted from tche M 249. The included NM V pattern control unit is designed to automatically provide the optimal heater voltage for both the M 49 V and any historical M 49; it also automatically adapts to the local mains voltage. Additionally, the M 49 V set includes the iconic yoke mount, whose flexible positioning has contributed to the M 49’s enormous popularity. The M 49 V set is delivered in a high-quality case, which, like the entire microphone, is handmade in Germany.

The WA-14 is a '414-style condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path. The WA-14 can be used on an array of sources, such as; punchy/warm intimate lead vocals, acoustic/electric guitars, bass, drums/percussion, strings/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price.All-brass CapsuleThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 backplate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule. Included in delivery:2 Shockmounts2 Microphone clamps2 PU leather zip pouches1 Transport case1 Stereo mounting rail

Get the sounds of the world's most famous mics with Hemisphere mic modelingWith the SC-1 microphone and Hemisphere mic modeling, you'll capture album-ready vocals and instruments with the authentic sound and character of the most popular studio mics ever made — all with a single pro-quality condenser.Record Pro Vocals and InstrumentsThe SC-1 gives you classic condenser sound perfect for vocals, acoustic guitar, strings, even a loud guitar cab thanks to its high SPL handling. Plus, its ultra-linear circuit and extended dynamic range ensures distortion-free results in both low and high frequencies, giving you smooth results, everytime.Authentic Mic Modeling Made SimpleUsing the same award-winning tech as our UA Sphere modeling microphones, the included Hemisphere mic modeling plug-in gives your studio the authentic sound of essential condenser mics from Neumann, Sony, AKG, and more — in realtime with Apollo or natively in your DAW.* You can also shape the sound of your recordings using filter, proximity, and axis controls — even after tracking.Enjoy a Studio Workhorse for Years to ComeWith a sleek, modern design and rugged build quality, the SC-1 will give you decades of uncompromising recordings, no matter what you put in front of it. Large-diaphragm professional studio condenser microphone Hemisphere mic modeling for the sounds of iconic condenser mics Lowest self noise (12 dB) and highest max SPL (145 dB) of any modeling mic in its class Quality UA craftsmanship and stylish, rugged build Includes mic mount, 5/8” to 3/8” thread adapter, and UA carrying case

Chandler Limited's multi-year design project with Abbey Road Studios has yielded the first EMI-branded mic in over a half century. The REDD Microphone presents a classic aesthetic — but this is no vintage mic clone. It marks a paradigm shift of major proportions, incorporating historic circuits and their legendary sonics in a new and unique way. The all-analog design combines microphone and preamp in an elegant, handcrafted large-diaphragm condenser microphone you can use with or without an external mic pre. Fitted with a custom handmade platinum-membrane capsule and the vintage vacuum tube REDD.47 mic amplifier circuit, the REDD Microphone will output line-level signal and features a Drive setting that introduces tasty, vintage-flavored harmonic color.Abbey Road's holy-grail preamp onboardThe REDD.47 preamp in the REDD Microphone re-creates the original tube line amps developed by EMI's Record Engineering Development Department for deployment in Abbey Road Studios' rare, custom EMI REDD.51 recording consoles. This is the unmistakably punchy, aggressive sound that characterized recordings made in Studio Two between 1964 and 1968 — including legendary tracks by the Beatles. As implemented in the REDD Microphone, modern features have been added to meet contemporary recording studio standards, such as gain control that gives you a range of tonal options, from pristine clean to rich, classic saturation. Features and included accessoriesChandler Limited spec'd the REDD Microphone with a rotary switch on the rear of the microphone body that lets you dial in gain between +4 and +33dB. Continuous output control is accessible from the included external power supply. Around the other side of the mic is a Type switch with Norm and Drive settings — the latter increasing gain to +36dB and introducing distinctive tonal coloration. Also onboard are a 10dB pad and polarity reverse switches. The mic comes with a spider-type shockmount, a 25-foot Mogami mic cable, and a custom-molded flight case.Chandler Limited REDD Microphone Features:The first EMI-branded mic in over a half centuryCombines microphone and preamp in 1 elegant deviceOnboard vacuum tube REDD.47 mic amplifier circuitUse it with or without an external mic preampHandmade platinum-membrane capsuleRotary switch lets you dial in gain between +4 and +33dBDrive setting increased gain to +36dB, introducing tasty tonal coloration10dB pad and polarity reverse switchesIncludes outboard power supply, high-quality spider-type shockmountShips with 25-foot Mogami mic cable and custom-molded flight caseCrafted in Chandler Limited's Shell Rock, Iowa, factoryChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.

The Chandler Limited TG Microphone is a solid-state large-diaphragm condenser microphone that carries forward the rich legacy of EMI Abbey Road Studios innovation. In addition to its cardioid and omni polar patterns, the TG Microphone employs a unique feature set consisting of an onboard Dual Tone System, EMI Tape Equalizer, 50Hz/90Hz highpass filter, 10dB pad, and outboard power supply to deliver unrivaled versatility and sonic character. Much like a classic tube mic, the TG Microphone's use of a dedicated PSU — rather than 48-volt phantom power — is integral to its huge, lifelike sound.A sound that rivals the classicsIf you're coveting the sound of classic vintage microphones like the U47, U87, FET47, and C414 for your recordings, then you'll love the TG Microphone. In close cooperation with Abbey Road Studios, Chandler Limited developed the TG Microphone's unique onboard EMI Tape Equalizer and Dual Tone System that allow you to tailor the mic's tonality for results that favorably compare to the above-mentioned classics.The Tape EqualizerThe Tape Equalizer circuitry is adapted from the NAB/IEC Tape EQ found on vintage EMI TG mastering consoles, and it works wonders in the TG Microphone. Originally used to compensate for tapes played back on machines aligned to the opposing standard, the TG Microphone's repurposed Tape Equalizer lets you shape the sound at the source, eliminating the need for further processing (and the attendant signal degradation) downstream. The sound-shaping possibilities are further extended when the Tape Equalizer is combined with the selectable 50Hz/90Hz highpass filter.The Dual Tone SystemThe Dual Tone System modifies the TG Microphone's input stage and extends the mic's versatility to accommodate a broad array of sources. System A is classic TG mid-forward, while the alternative B voicing accommodates high SPLs and is the preferred setting wherever you would normally reach for a FET47. Combined with the Tape Equalizer, the Dual Tone System yields 10 unique voicings.The TG storyIf you're wondering about the origin of the "TG" product designation, then allow Sweetwater to illuminate. The story begins in 1958. EMI London, as Abbey Road Studios was then known, had a staff of innovative recording and technical engineers and racks of the best gear available at the time; much of it either heavily modified — or designed from scratch — by EMI technicians. The Beatles, of course, were the most famous beneficiaries of EMI's technical prowess. Their early records were recorded on EMI REDD .37 valve consoles built by EMI Central Research Laboratories in the late 1950s, while the updated REDD .51 handled their mid-'60s output — including Sgt. Pepper.The introduction of 8-track recording and the increasing sonic experimentation of a new generation of artists demanded new technology; thus, a new EMI-designed desk made its debut in 1968. With 24 mic inputs, eight buses, four echo sends, two cue sends, and — for the first time ever — a compressor/limiter (in addition to EQ) on every channel, the TG12345 console was substantially larger and more capable than the REDD desks, and driven by transistors rather than tubes, its sound was dramatically richer and more highly detailed. The "TG" prefix was a nod to EMI's corporate predecessor, "The Gramophone" company. The TG12345 was put to the test in Studio Two the following year on the Beatles' Abbey Road album.The groundbreaking sound quality of the solid-state EMI TG12345 recording and mastering consoles left its mark on legendary albums by the rock royalty of the era. Four generations of the TG12345 served Abbey Road clients (the studio had changed its name in honor of the Beatles album) through the 1970s, recording countless hit records and film scores before being retired from service in 1983.Chandler Limited TG Microphone Features:Solid-state large-diaphragm condenser micCardioid and omnidirectional polar patternsOnboard Dual Tone System, EMI TG Tape Equalizer, 50Hz/90Hz highpass filter, 10dB padIncludes a shockmount, a dedicated PSU, a 25' Mogami 4-pin cable, and a wooden storage caseQuality crafted by Chandler Limited in Shell Rock, IA

Reach Sonic NirvanaThe UA Bock 251 is our flagship large-diaphragm tube condenser mic, giving you the smooth, open tone of the iconic ELAM 251,* considered by many to be the greatest vocal mic ever made. Each microphone is handmade in Santa Cruz, California, to the exacting specifications of world‑renowned mic designer David Bock.Add Handmade Magic to your StudioThe UA Bock 251 is David Bock's loving interpretation of the classic 251 microphones he studied and maintained as chief technical engineer of the world's top recording studios for two decades. Handbuilt at UA’s Custom Shop in Santa Cruz, California, the UA Bock 251 mic puts "golden unit" sound at the heart of your recordings.Rich Tube Mic Sounds, with Updated SonicsWith its German-made CK12 capsule and large output transformer, the UA Bock 251 gives you extended low‑frequency response down to 10 Hz and higher SPL capabilities versus vintage 251 microphones.Built for a Lifetime of Harmonious RecordingHandwired using premium components, each UA Bock 251 is built and tested to David Bock's exacting specifications. With its vintage-inspired case, robust shock mount and accessories, this mic spares no expense to last a lifetime.

Record with Rich Tube MagicThe UA Bock 167 large-diaphragm tube condenser mic will give your vocals and instruments the classic smooth tone of the legendary U67* with modern sonic flexibility. Each microphone is handmade in Santa Cruz, California, to the exacting specifications of world‑renowned mic designer David Bock.Add a Handmade Masterpiece to your StudioThe UA Bock 167 is David Bock's thoughtful reimagining of the iconic U67 mics he studied and maintained as chief technical engineer of the world's top recording studios for two decades. Handbuilt at UA’s Custom Shop in Santa Cruz, California, the UA Bock 167 is the perfect choice for recording singers, acoustic instruments, drums, and voiceovers.Get Iconic Sounds with Modern Tone SculptingVintage U67 tube mics are cherished for their full sound and lively midrange. Our UA Bock 167 improves upon this classic design with three EQ filtering options, a unique "fat" switch for boosting between 10 Hz and 400 Hz, and continuously variable polar pattern. This translates into recordings with more dynamic range, tonal extension, and flexibility.Experience a Lifetime of Beautiful RecordingsHandwired using premium components — including a dual-symmetrical K67 capsule, Lundahl transformer, and NOS tube — each UA Bock 167 is built and tested to David Bock's exacting specifications. With its premium case, professional shock mount, and hand-tuned power supply, this mic will provide years of exceptional recordings.

Do it all with a Classic Mic that Never Leaves your Mic StandThe UA Bock 187 large-diaphragm FET condenser mic will give your studio the classic tone of the legendary U87* with modern sonic enhancements. Each microphone is handmade in Santa Cruz, California, to the exacting specifications of world-renowned mic designer David Bock.Add a Handmade Masterpiece to your Mic LockerThe UA Bock 187 is David Bock's inspired take on the legendary U87 microphones he studied and maintained as chief technical engineer of the world's top recording studios for two decades. Handbuilt at UA’s Custom Shop in Santa Cruz, California, the UA Bock 187 mic gives you the "golden unit" tone of an iconic studio staple.Capture Classic Sounds, with Modern FlexibilityVintage U87 mics are known for their presence, but can get strident when pushed. Our UA Bock 187 enhances this classic design with a larger transformer, refined circuitry, and a unique "fat" mode that delivers a boost between 10 Hz and 400 Hz. This translates into more dynamic range, presence, and fullness on vocals, guitars, and more.

The SA-87i is an exact reproduction of the best sounding vintage Neumann U87 microphone we could find and considered by most engineers as the finest sounding U87 ever made.A replica of one of the finest sounding condenser microphones in historyWe have recreated the distinctive character of our all time favorite vintage Neumann U 87 microphone to the very last detail, and for the first time, at a price that makes it affordable to anyone.The SA-87i is made with premium componentsThe SA-87i features premium Vishay capacitors on the audio path as well as polystyrene capacitors, which are more stable and much more linear in the top end. This makes them the perfect choice for feedback circuitry. Every unit comes with a custom Sowter output transformer made in UK and a custom BG K-87 capsule from Rome.The main shortcoming with current offerings is polarization voltage. While current models feature 60V, the vintage units were rated at 48V. The lower voltage of polarization makes the capsule sound more musical and mellow as well as increasing the microphone’s headroom, hence making it less susceptible to distortion.We have remained 100% faithful to the original vintage circuit and schematic and have made no compromise in parts which ensures you are getting the best sounding microphone possible.100% satisfaction guarantee – if you don’t love your SA-87i, we’ll refund youIf you’ve used an original vintage U87 before, we’re extremely confident the SA-87i will put a big smile on your face every time you use it.However, if you’ve never touched the original before, as gear-lovers ourselves we understand that the only way to really know if this microphone is for you, is to put it through its paces. That’s why the SA-87 comes with a 30-day money back guarantee. This allows you to get it into your studio and see how it impacts your recordings. If you love it (and we think you will!), great…keep the unit and create amazing music with it. If not, no problems. Just send it back to us and we’ll fully refund your purchase.

The TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio. The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range. The polar response is very linear over a wide incidence angle. Thus, even signals coming from the side are reproduced faithfully and without coloration. The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount.Acoustical operating principle: Pressure gradient transducerDirectional pattern: CardioidFrequency range: 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohms: 18 mV/PaRated impedance: 50 ohmsRated load impedance: 1 kohmsEquivalent noise level, CCIR: 21 dBEquivalent noise level, A-weighted: 10 dB-ASignal-to-noise ratio, CCIR (rel. 94 dB SPL): 73 dBSignal-to-noise ratio, A-weighted (rel. 94 dB SPL): 84 dBMaximum SPL for THD 0.5%: 140 dBMaximum output voltage: 13 dBuSupply voltage (P48, IEC 61938) 48 V ± 4 VCurrent consumption (P48, IEC 61938): 3 mAMatching connectors: XLR3FWeight: 480 gDiameter: 49 mmLength: 175 mm

Designed for musicians and performers who need great audio quality on a budget, the M7 is an ideal all-around recording solution for entry-level podcasters, singers, and musicians. The M7 boasts a warm frequency response that flatters the human voice. And thanks to the M7’s cardioid polar pattern, the M7 will brilliantly record the sounds you point it at, while downplaying the sounds you don’t. Last but not least, the M7 can rock hard when asked: Its 134 dB of SPL handling lets it wrangle loud instruments like cracking snare drums or electric guitar amps worry-free, something more expensive mics can’t always do. A hard mount, carrying case, and 10-foot XLR cable round out the M7 package, so you’re ready to start producing right out of the box!

AT5045 Premier Studio Condenser Instrument Microphone Premier Studio Condenser Instrument Microphone A large diaphragm in a small body Available as a single mic or a stereo pair, the AT5045 offers the sound and performace of a large diagphram studio condenser microphone, in a small and easy to position stick type body. Despite its small size, the AT5045 has Audio-Technica's largest single diaphragm, larger than most large diaphragm condenser microphones on the market. Audio-Technica’s premium studio condenser instrument microphone Larger diaphragm surface area than most traditional large diaphragm condenser microphones on the market Stick design for easy and precise microphone positioning Pure and realistic sound quality; ideal for piano, overheads and acoustic instruments Discrete components carefully selected for optimized capsule performance High-SPL capability and extended frequency response Hand assembled and inspected for 100% quality control Elegant, durable housing of aluminum and brass “Easy and precise microphone positioning” The AT5045 is presented in a convenient stick design body, meaning you can easily position it in places that are not possible with other large diaphragm condenser microphones, making it a very versatile microphone. “Audio-Technica’s largest single element” The AT5045 uses Audio-Technica's largest single element, larger than that of most on the market, offering a pure and accurate sound reproduction that is perfectly suited to acoustic instruments. “Optimized capsule performance” Discrete components have been chosen to complete the circuitry, honing down to the very essentials, allowing optimized capsule performance and an unpresidented dynamic range. Innovative design The AT45045 offers a diaphragm larger than most on the market, but in a convenient, easy to position stick type body, made from durable aluminium and brass.  Large rectangular diaphragm The AT5045 has Audio-Technica's largest single diaphragm, offering imporoved transient response and increased bandwidth AT8482 Shock Mount An advanced-design custom shock mount provides superior isolation attenuating noise, shock and vibration Custom hard-shell carry case Custom hard-shell carry case with die cut foam compartments offers protection for one or two microphones

Consistent performance Engineered and manufactured in Austria, its high sensitivity and low self-noise means it can handle everything from a whisper, to extreme SPLs without distortion, making it the perfect choice for studio, live and broadcast applications. The unique ceramic capsule design is so consistent, the OC18 can be match-paired with any other OC18 or paired with any OC818 set in cardioid mode.

Limited edition OC818 Studio set with multiple polar diagrams (Omni, Figure8, Cardioid, HyperCardioid, etc), based on the new CKR12 Double Cockpit design with world patent for double-handed ceramic rings. Multiple polar charts can be checked in addition to the traditional manual way and through the free POLARPILOT application (Android and iOS) by placing the OCR8 Bluetooth adapter on the back of the microphone, giving the user the ability to adjust 255 steps from Figure8 to Omni , controlling the pad settings. All settings through the application are done in a digital environment, but the sound of the microphone does not change, it does not change and remains proportional. A further breakthrough is the dual output with a single front-rear cap allowing you to record on two separate channels that can be further processed and change the microphone pattern after recording via the dedicated cable / the adapter included in the package for the second outlet. 

The making of Stealth - The Aston 33 and the blind testing process The Aston 33 (so named after the original members) is now a panel of more than 120 top producers, engineers and artists who work with Aston on new product development to ensure every mic is best in class before it is released to the market. They perform blind listening tests on a range of possible versions of each new mic, plus  ‘industry standard’ models from key manufacturers and vote on performance on a variety of sources (vocals, guitars and so on). In tests the panel do not know which mics they are listening to, so the resultant votes can’t be affected by brand reputation, or an expectation of how a certain microphone should sound. Some surprising results arose from the Stealth project testing. For example the prototype Stealth voicing that consistently came top in the voting for female vocal takes came off worst for male vocals and vice versa, regardless of the pitch of the singer! Furthermore a different voicing came top for ALL guitar sources, from finger picked acoustic through to mic’d distorted guitar cabs. These discoveries, derived from more than 9000 data samples, were the catalyst for the Aston team to set about reimagining the microphone from the ground up. Stealth truly excels at capturing professional quality audio in almost every situation, and masters them all. With 4 switchable voices delivering unparalleled performance in almost any situation, a Class A built in mic preamp with autodetect 48V Phantom power (a world’s first!) and featuring a unique Sorbothane internal shock mount system and Aston’s legendary build quality, we reckon Stealth is the world’s most versatile microphone. Stealth was developed in partnership with 92 top engineers, producers and artists (the Aston 33 development panel) who participated in a series of blind listening tests designed to create the best possible sound… the resulting four voice settings, Vocal 1, Vocal 2, Guitar and Dark, offer a range of world class sounds to suit almost every application.

The Starlight features a 20 mm cardioid capsule hand-picked by a panel of more than 70 top producers (Aston 33) in double blind listening tests conducted during 2016. Starlight showcases a host of innovations, including laser targeting, multiple voices (Vintage, Modern & Hybrid), and near perfectly linear off-axis response, which have seen the mic win a host of international awards, and a nomination for 2018 NAMM TEC, the ‘Oscars’ of the music technology industry. The Starlight is, like all of our products, packed full of technical innovation and sounds truly stunning. Nominated for the prestigious NAMM TEC Award in 2018 it represents the very pinnacle of pencil mic technology with its multiple voicing options, laser targeting and near perfectly linear off axis response. Beautiful, and outrageously good.

The Aston Spirit is a high-performance, switchable pattern, large diaphragm condenser microphone utilising a 1” gold evaporated capsule. A switch on the mic body selects from Omni, Cardioid or Figure-of-Eight polar patterns. It is versatile enough to use with most instruments and excels on acoustic guitar and vocals. Its Aston 33 panel selected capsule is teamed with high-end transformer balanced circuitry using only the best components. The Spirit is designed to deliver a beautifully open sound with sparkling harmonics. This highly accurate microphone gives a stunningly natural and transparent recording, capturing all the detail in the high range but without adding the harshness that some condenser microphones seem to. The Spirit represents one of the biggest engineering advancements in the microphone industry in decades. Nominated for the prestigious NAMM TEC Award in 2017 and universally acclaimed as one of the best mics on the market today at any price, it achieves a level of technical excellence and performance never before seen at this price point. Accessories Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance. As standard every Spirit comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Spirit just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level. The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds. The Shield SM, clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all. The SwiftShield combo is the perfect partner for getting the ultimate performance from your Spirit (and it looks awesome too!).

The Aston Origin is a high-performance cardioid condenser microphone utilising a one inch (1″) gold evaporated capsule. It's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. Its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. The Origin is designed to deliver direct, smooth and intimate sound… for a supremely natural and transparent recording. The Origin was our first design, the start of it all, and represents the fundamental essence of the Aston brand. Beautiful, superb engineering, a sound to rival some of the very best mics in the world… the Origin is the first mic ever made which brings this level of technical excellence and performance to the project studio market. Accessories Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance. As standard every Origin comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Origin just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level. The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds. The Shield SM, clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all. The SwiftShield combo is the perfect partner for getting the ultimate performance from your Origin (and it looks awesome too!).

A Modern Classic The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise. The New Standard Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments. Technical Excellence  The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels. Applications The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass. Large diaphragm capsule derived from the classic U 87 microphone Balanced sound with enhanced presence Cardioid pattern Transformerless circuitry with high SPL capability Extremely low self-noise: only 7 dB-A

A Modern Classic The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise. The New Standard Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments. Technical Excellence  The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels. Applications The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass. Large diaphragm capsule derived from the classic U 87 microphone Balanced sound with enhanced presence Cardioid pattern Transformerless circuitry with high SPL capability Extremely low self-noise: only 7 dB-A

A Modern Classic The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise. The New Standard Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments. Technical Excellence  The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels. Applications The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass. Large diaphragm capsule derived from the classic U 87 microphone Balanced sound with enhanced presence Cardioid pattern Transformerless circuitry with high SPL capability Extremely low self-noise: only 7 dB-A