Video Microphones

The VideoMicro II is a professional-quality microphone that will instantly elevate the audio of your camera or smartphone. Ultra-compact, lightweight and easy-to-use, it is perfect for run-and-gun filmmaking, content creation, or if you simply want to record better audio for your videos.Stunning Sound, Made SimpleDon’t settle for sub-par sound. Combining professional audio quality and simple operation, the VideoMicro II offers the best of both worlds. It doesn’t require batteries – simply plug it in and hit record on your camera or smartphone – and it’s perfectly tuned to deliver crystal-clear audio, with no complicated switches or controls.Super-focused and Super-clear AudioThe VideoMicro II is a true supercardioid shotgun microphone with RØDE’s revolutionary annular line tube technology, delivering natural, full-bodied sound never before heard in such a compact form factor. It is a highly directional microphone that will clearly pick up sound from in front while reducing background noise from the sides and rear. Perfect for filmmaking, vlogging, or creating content on your smartphone.Innovative HELIX™ Isolation MountHELIX™ is a groundbreaking isolation mount developed in-house by the RØDE team specifically for the VideoMicro II. Featuring an innovative design expertly crafted to the exact specifications of the microphone, it provides superior protection from knocks, bumps and general handling, which can result in unpleasant rumbles in your recordings. It is also super low-profile, keeping your setup sleek while offering optimal acoustic performance. The mount features handy cable management slots, plus an attachment for your camera and a thread for mounting onto a boompole and other accessories.Ultra-compact. Ultra-rugged.At just 80mm long and weighing just 39 grams, the VideoMicro II is incredibly compact and lightweight, making it the perfect addition to any creator kit or camera bag – or even backpack or handbag. Despite its small size, it is incredibly tough, with a rugged all-metal body and premium components. Take it with you everywhere.A Complete Kit for Incredible RecordingsThe VideoMicro II comes with deluxe foam and furry windshields, so you can record crystal-clear audio anywhere you go – indoors or in the elements. Also included is a 3.5mm TRS to TRS cable for connecting to cameras and a 3.5mm TRS to TRRS cable for connecting to smartphones, so you can capture incredible audio with all your devices.VideoMicro II User GuideDiscover all you need to know about your VideoMicro II ultra-compact on-camera microphone here. This comprehensive user guide covers everything you need to know to get recording on your camera, smartphone or other device.

On-camera shotgun microphone that combines portability and performance and sheds a whole new light on the way we capture audio for our video. Features that were traditionally accessories—like a windscreen and shock-mount—are now fully integrated and perform better than ever, freeing up space in your camera bag and on top of your camera itself. And it doesn’t stop there – a low-cut filter and 3-step gain sensitivity switch help to fine-tune your sound while shooting, and a headphone monitoring output with volume control helps to dial in that sound. Lastly, the MKE 400’s super-cardioid polar pattern and acoustic interference tube help to reject unwanted background noise and ensure the cleanest possible recordings, improving presence and clarity for dialogue applications. Features: Highly directional, super-cardioid shotgun microphone ,for isolated and enhanced in-camera audio Integrated wind protection and internal suspension ,mount to minimize handling noise Built-in low-cut filter and 3-step sensitivity switch for added flexibility and control Integrated headphone output jack with volume adjustment for audio monitoring Interchangeable 3.5 mm TRS and TRRS connectivity for DSLR/M cameras or mobile devices

The Videographer’s Choice for Recording Audio in the Field The TM-200SG is a shotgun condenser microphone with a highly directional polar pattern ideal for video shooting or reporting. It can be mounted on any camera with a hotshoe and will help to improve the sound of any video recording created with a DSLR or other camera. The supercardioid pattern captures sound in the direction the mic is pointing while rejecting ambient noise and reverberation. It picks up your subject’s voice in front of your camera while reducing noise from traffic, surf, echo, and other distractions. Lightweight and Small Form Factor for Maximum Audio Quality With Minimal Visual Intrusion The TM-200SG was designed to be heard, not seen. The perfect balance of clear audio replication and small housing mean this microphone will be the least of your worries while shooting in the field. Built-in Low-cut Filter for Easy Reduction of Environmental Noise Wind and environmental hum can reduce the quality of the audio and create headaches in post-production. By utilizing the natural-sounding low-cut filter, you’re saving time downstream without cutting into vital frequencies you have captured. The TM-200SG is powered by phantom voltage. Shoe-mount clip, windscreen, and softcase are included as standard.

The VideoMic NTG is a broadcast-grade, feature-packed shotgun microphone optimised for on-camera use. It features the same revolutionary acoustic design as the NTG5 broadcast shotgun microphone, which delivers unmatched transparency and a natural, uncoloured sound. Add to this an incredibly flat frequency response, highly directional supercardioid polar pattern, and very low self-noise, and what you have is a compact on-camera microphone that contends with the world’s best shotgun mics. As well as sounding outstanding, the VideoMic NTG is extremely flexible, with an array of tools and features to help you take on any recording situation. Digital switching gives you access to a high-pass filter, -20dB pad, high frequency boost, and safety channel, plus there is a unique infinitely variable gain control that allows you to precisely tailor the output as you need. Its auto-sensing 3.5mm output detects what device you are connected to (camera or mobile) and switches to accommodate – no more messing around with adaptor cables! There is also a handy new dB peak warning light, so you can always ensure your audio isn’t clipping. The VideoMic NTG is so much more than just an on-camera mic. As well as pairing perfectly with DSLRs, compact cameras, and smartphones – either on-camera, as a boom mic, or on a pistol grip – it is also a fully-featured USB microphone that can be plugged into a computer, tablet, or smartphone. On top of this, the 3.5mm jack doubles as a headphone output for seamless monitoring of audio while using the USB output. The VideoMic NTG is officially MFI-certified (Made for iPhone, iPad & iPod). To connect your VideoMic NTG to Lightning-equipped iOS devices, you’ll need the SC15 cable. Please make sure your VideoMic NTG firmware is up to date to ensure complete compatibility with iOS devices with the SC15. Key features: Revolutionary acoustic design, delivering unmatched acoustic transparency and a natural, uncoloured sound. Highly directional supercardioid polar pattern and very flat frequency response Unique infinitely variable gain control Auto-sensing 3.5mm output interacts seamlessly with both cameras and mobile devices Class-compliant USB-C output with headphone output for seamless audio monitoring Digital switching – controls high-pass filter, pad, high frequency boost, and safety channel dB peak warning light Internal rechargeable lithium-ion battery provides 30+ hours of recording, charges via USB-C High-quality Rycote® Lyre® shock mounting with cable management and a sliding rail to adjust mic placement on a camera cold shoe. Lightweight (94g) and rugged aerospace-grade aluminium construction

The birth of a new portable audio & video recording kit is here, giving you all the tools you need, right out of the box. The kit includes a Manfrotto® PIXI tripod, phone clamp, and mount, as well as iOS and USB-C cables for next-level compatibility and connectivity. Just add your phone and you’ll be capturing professional quality content wherever you are. Product details: The MOTIV MV88+ Video Kit is a premium Digital Stereo Condenser Microphone. Your new mobile recording rig directly connects to any Apple device via a Lightning connector, or via USBC to select *additional devices. The MV88+ has all you need to capture great content right out of the box. The included phone mount is also compatible with your existing set‐up, allowing to connect to any tripod with a ¼”‐20 (or ¼ camera tripod) connector. The free ShurePlus MOTIV audio & video Apps enable recording control, and the ability to save and share your content in multiple formats. Apps include real‐time audio control, including five built‐in DSP preset modes (Speech, Singing, Flat, Acoustic Instrument, Loud), microphone gain, stereo width, and high‐quality 24‐bit /48 kHz recording. The MV88+ Video Kit is the perfect high‐fidelity solution for mobile capture of all variations: live performance, field recording, interviewing, audio for video and vocal and instrument recording. Features: Includes industry leading Manfrotto PIXI mini tripod, phone clamp & shoe-mount, USB-C & lightning cables Includes neoprene roll-up bag to keep all your accessories in one place Built-In Headphone Output for real-time monitoring Pristine audio for multiple set ups (included phone mount is also compatible with your existing set-up, allowing you to connect to any tripod with a connector) All metal construction Detailed stereo capture, five DSP preset modes Shure MOTIV Audio App for pro-level recording Shure MOTIV Video for onscreen control *Allows for phone charging while mic is in use (requires USB-A cable and Apple USB3 camera adapter) - iOS users only *If you are using a USB-3 adaptor, to benefit from the ability to charge your iphone while using the MV88+, we recommend you plug the microphone into your phone first, and adjust settings as required.

One-touch ease-of-use wireless audio set that utilizes a digital transmission to seamlessly link audio sources. Equipped with an XLR transmitter and a 3.5mm (1/8”) receiver, this elegant solution makes capturing interviews with a dynamic handheld microphone easier than ever before while maintaining a reliable connection. Features: One touch ease-of-use 2.4 GHz digital transmission for worldwide operation 75m range (250ft) in optimal conditions Up to 5 hours battery life on a single charge Switch between multiple transmitters linked to one receiver Configure any combination of transmitters and receivers Mute from either transmitter or receiver Specifications:       Dimensions: XSW-D XLR FEMALE TX: approx. 102 x 24 x 28 mm XSW-D MINI JACK TX: approx. 86 x 24 x 28 mm XSW-D INSTRUMENT TX: approx. 122 x 24 x 28 mm XSW-D XLR MALE RX: approx. 109 x 24 x 28 mm XSW-D MINI JACK RX: approx. 86 x 24 x 28 mm XSW-D INSTRUMENT RX: approx. 122 x 24 x 28 mm XSW-D PEDALBOARD RX: approx. 130 x 82 x 51 mm THD, total harmonic distortion: < 0.1 % Charging time: typ. 3 h Audio output: max. 12 dBu Operating temperature: -10 °C to +55 °C (14 °F to 131 °F) Signal-to-noise ratio: ≥ 106 dB Operating time: up to 5 h Modulation: GFSK with TDMA Battery Specification: Li-Ion Capacity: 850 mAh Codecs: aptX® Live Frequency range: 2,400 - 2,483.5MHz Max. Input voltage: typ. 5.0 V Transmission power: max. 10 mW Voltage: 3.7 V Operating relative humidity: 95 % (non-condensing) Latency: < 4 ms Temperature Range: 0 °C - 60 °C (32 °F - 140 °F) Audio frequency response: 3.5 mm Jack/XLR: 80 - 18,000 Hz,6.3 mm Jack: 10 - 18,000 Hz What's in the Box XSW-D XLR Female transmitter XSW-D 3.5mm (1/8”) receiver 3.5mm (1/8") coiled cable Cold shoe mount USB-A to USB-C charging cable

One-touch ease-of-use wireless audio set that utilizes a digital transmission to seamlessly link audio sources. Equipped with an ME2-II lavalier microphone, this elegant solution makes capturing dialogue on a DSLR easier than ever before while maintaining a reliable connection. Features: One touch ease-of-use 2.4 GHz digital transmission for worldwide operation 75m range (250ft) in optimal conditions Up to 5 hours battery life on a single charge Switch between multiple transmitters linked to one receiver Configure any combination of transmitters and receivers Mute from either transmitter or receiver Specifications:       Dimensions: XSW-D XLR FEMALE TX: approx. 102 x 24 x 28 mm XSW-D MINI JACK TX: approx. 86 x 24 x 28 mm XSW-D INSTRUMENT TX: approx. 122 x 24 x 28 mm XSW-D XLR MALE RX: approx. 109 x 24 x 28 mm XSW-D MINI JACK RX: approx. 86 x 24 x 28 mm XSW-D INSTRUMENT RX: approx. 122 x 24 x 28 mm XSW-D PEDALBOARD RX: approx. 130 x 82 x 51 mm THD, total harmonic distortion: < 0.1 % Charging time: typ. 3 h Audio output: max. 12 dBu Operating temperature: -10 °C to +55 °C (14 °F to 131 °F) Signal-to-noise ratio: ≥ 106 dB Operating time: up to 5 h Modulation: GFSK with TDMA Battery Specification: Li-Ion Capacity: 850 mAh Codecs: aptX® Live Frequency range: 2,400 - 2,483.5MHz Max. Input voltage: typ. 5.0 V Transmission power: max. 10 mW Voltage: 3.7 V Operating relative humidity: 95 % (non-condensing) Latency: < 4 ms Temperature Range: 0 °C - 60 °C (32 °F - 140 °F) Audio frequency response: 3.5 mm Jack/XLR: 80 - 18,000 Hz,6.3 mm Jack: 10 - 18,000 Hz What's in the Box XSW-D 3.5mm (1/8”) transmitter XSW-D 3.5mm (1/8”) receiver ME2-II clip-on lavalier mic 3.5mm (1/8") coiled cable Cold shoe mount Belt clip USB-A to USB-C charging cable

With its compact and portable design, the System 10 Digital Wireless Camera System is ideal for video production, reporting and all intermediate mobile applications, the receiver offers several mounting options to suit a wide variety of cameras and recording devices.The channel selection, instant timing and configuration to camera models make it extremely easy to use, while its digital wireless operating at 24-bit / 48 kHz brings ultimate sound quality and reliable performance in the band 2.4 Ghz, away from interference of DTV or 4G. The ATW-1702 system includes an ATW-R1700 receiver and an ATW-T1002 handheld dynamic cardioid microphone and transmitter. There is also a complete system (ATW-1701/P) with lavalier microphone or (ATW-1701) with just the bodypack transmitter and no microphone.Specifications:24-bit / 48 kHz Digital wireless system, combining excellent sound quality and reliabilityFrequency range 2.4 GHz, operating outside of DTV or 4G bandsAutomatic Frequency Selection. Plug & Play. Ease of use and reliabilityOffers 3 levels of diversity (frequency, time and space) to ensure communication without interferenceUltra compact and lightweight receiver (105 g) with multiple mounting optionsExtremely easy to use, with channel selection, timing and instant setupOutput jacks balanced and unbalanced with selectable level control for use with most cameras and recording devices (3.5mm stereo mini jack output)Internal rechargeable battery with a life of 12 hoursIndependent headphone jack and volume control for local audio cueingAudio output attenuator on the receiver (0dB / 10dB / 20dB) for adjusting the sensitivity 

With its compact and portable design, the System 10 Digital Wireless Camera System is ideal for video production, reporting and all intermediate mobile applications, the receiver offers several mounting options to suit a wide variety of cameras and recording devices. The channel selection, instant timing and configuration to camera models make it extremely easy to use, while its digital wireless operating at 24-bit / 48 kHz brings ultimate sound quality and reliable performance in the band 2.4 Ghz, away from interference of DTV or 4G.The ATW-1701/P system includes an ATW-R1700 receiver, ATW-T1001 bodypack transmitter and an ATR35cW lapel microphone. There is also a complete handheld microphone system (ATW-1702) or the pocket transmitter without microphone (ATW-1701).Specifications:24-bit / 48 kHz Digital wireless system, combining excellent sound quality and reliabilityFrequency range 2.4 GHz, operating outside of DTV or 4G bandsAutomatic Frequency Selection. Plug & Play. Ease of use and reliabilityOffers 3 levels of diversity (frequency, time and space) to ensure communication without interferenceUltra compact and lightweight receiver (105 g) with multiple mounting optionsExtremely easy to use, with channel selection, timing and instant setupOutput jacks balanced and unbalanced with selectable level control for use with most cameras and recording devices (3.5mm stereo mini jack output)Internal rechargeable battery with a life of 12 hoursIndependent headphone jack and volume control for local audio cueingAudio output attenuator on the receiver (0dB / 10dB / 20dB) for adjusting the sensitivityOmni lavalier microphone 

With its lightweight yet feature-rich design, the AT8024 Stereo/Mono Camera-Mount Microphone offers a simple, powerful solution for capturing high-resolution audio for video. Selectable line-cardioid mono and internally matrixed mid-side stereo modes provide the flexibility to focus the recording on a single sound source or to widen the field for outstanding sonic realism. In either mode, the AT8024 delivers audio that is dramatically better than that supplied by the camera’s internal microphone. The AT8024 camera-mount microphone also comes equipped with a three-position adjustable attenuator (-20 dB, -10 dB, 0 dB) to capture even soft and very loud sound passages without distortion. A switchable low-frequency roll-off reduces pickup of undesired ambient noise, room reverberation and mechanically coupled vibrations. The microphone is powered by a single AA battery for optimal performance with high max SPL, and features an integral camera shoe mount that attaches quickly to DSLRs and shoe-equipped camcorders.Specifications:Designed for use with DSLR and other video cameras, delivering dramatically better sound quality than the camera’s internal microphoneSelectable line-cardioid mono or mid-side stereo modes provide the flexibility to capture high-resolution audio in any environmentHandles loud sound sources without distortionThree-position adjustable attenuator and switchable low-frequency roll-offIntegral rubber shock mounts isolate the microphone from vibration and mechanical camera noiseCompact, lightweight design with integral shoe mountRed/green LED power indicatorIncludes windscreen, fuzzy windscreen and AA battery

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer.A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

The Audio Technica AT897 is a short shotgun condenser microphone designed for audio capturing in video and broadcast applications. The microphone's unobtrusive length of 11" (279.40mm) ensures that the microphone remains out of the frame when mounted on compact, consumer video cameras.The microphone's narrow pick up pattern enhances signal reproduction when capturing audio at long range. Excellent off-axis sound rejection minimizes noise and ambiance, emphasizing the desired signal. A wide frequency response provides accurate sound reproduction of signals registering at various frequencies. A low-cut frequency switch eliminates noise and hum registering at the low frequency range. The microphone operates on a single 1.5v AA battery or 11V - 52V phantom power.

With directivity equal to mics up to 50% longer, the AT4071a has been specially created to meet the critical long-distance pickup demands of broadcasting, film/TV sound, professional recording, wildlife recording and theater sound reinforcement. It is particularly useful for miking dynamic action in film/TV audio as well as in “spot” miking techniques in the music studio or theater. The mic provides extremely high output and a noise floor that is hardly measurable, much less audible. It may be used with confidence in distant miking applications and even under the stringent demands of modern digital recording systems. Audio-Technica has pioneered a unique interference tube design* in the AT4071a and AT4073a shotgun mics that provides the same directivity as mics up to 50 percent longer.Specifications:Element: Externally polarized (DC bias) condenserPolar Pattern: Line + gradientFrequency Response: 30-20,000 HzLow Frequency Roll-Off: 150 Hz, 12 dB/octaveOpen Circuit Sensitivity: -21 dB (89.1 mV) re 1V at 1 PaImpedance: 100 ohmsMaximum Input Sound Level: 124 dB SPL, 1 kHz at 1% T.H.D.Noise: 12 dB SPLDynamic Range (typical): 112 dB, 1 kHz at Max SPLSignal-To-Noise Ratio: 82 dB, 1 kHz at 1 PaPhantom Power Requirements: 11-52V DC, 3.2 mA typicalSwitch: Flat, roll-offWeight: 5.5 oz (155 g)Dimensions: 15.55" (395.0 mm) long, 0.83" (21.0 mm) diameterOutput Connector: Integral 3-pin XLRM-type

The RØDE NTG3 super cardioid shotgun microphone is designed for professional use on film, television, ENG and wherever high resolution broadcast audio is required.As RØDE's premier directional microphone the NTG3 exhibits superlative audio quality with a rich warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue.Machined from solid brass and available in either anti-glare nickel plated finish or matte black (NTG3B), the NTG3 is incredibly robust while remaining incredibly lightweight. Its precise yet forgiving polar pattern ensures that whether used on-camera or on a boom pole, the NTG3 will capture audio clearly every time. An incredibly durable aluminum storage cylinder is supplied to provide the ultimate protection for the NTG3 while in storage and transport. Tightly sealed at both ends the cylinder is highly weatherproof, adding to the microphone's rugged performance credentials.Specifications:Type: Condenser Shotgun Pick Up Pattern: Super cardioid Frequency response: 40Hz - 20 kHz Sensitivity: -30.0dB re 1 Volt/Pascal (31.60mV  94 dB SPL) +/- 2 dB  1kHz Ιmpedance: 25ΩΤotal harmonic distortion:  1kHz, 1% THD into 1KΩ load Dimensions: 25,5 x 19 x 19 Weight: 163 gr Accessories: -

The KMR 81 and KMR 82 are shotgun microphones with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.Specifications:Type: Condenser Pick Up Pattern: Supercardioid/lobe Frequency response: 20 Hz-20 kHz Sensitivity: 21 mV/Pa Ιmpedance: 150 ohms Τotal harmonic distortion: 128 dB Dimensions: Diameter:21 mm, Length: 395 mm Weight: 250 gr

The MKH 416 is a shot gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications.Pick-up pattern : super-cardioid/lobarSensitivity in free field, no load : (1kHz) 25 mV/Pa +- 1 dBNominal impedance : 25 Ohm Min.terminating impedance : 800 OhmVoltage Phantom : 48 +- 12 VCurrent consumption : 2 mA Dimensions : d 19 x 250 mmWeight : 165 g

The VideoMic Me-L is compatible with all Apple iOS devices with a Lightning port and running iOS 11 or higherSpecifications:Acoustic Principle Pressure Gradient Electret CondenserActive Electronics n/aPolar Pattern CardioidFrequency Range 20Hz-20kHzSignal to noise Ratio 74.5 dBEquivalent Noise 19.5 dBA SPL (as per IEC651)Maximum SPL 115 dB SPL (1kHz @ 1m)Power Requirements Powered by iOS deviceOutput Connection Lightning, 3.5mm TRSAnalog Outputs 3.5mm TRS Headphone JackComputer Connectivity Lightning ConnectorSimultaneous I/O 1 in, 2 outBit Depth 24-bitSample Rates 44.1 and 48 kHzDirect Monitor YesBus Powered YesOS Requirements iOS 11Equivalent Input Noise @ Maximum Gain n/aMaterial AluminiumColour BlackWeight (g) 28 

The ultra-compact VP83 LensHopper™ is an all-in-one solution for capturing detailed, high-definition audio with full low-end response for professional results every time. For use with DSLR cameras and HD camcorders, the VP83 features a rugged build and true-to-life audio quality, expertly combining form and function. Its easily accessible controls enable quick adjustments for different recording environments.Features:High sensitivity and low self-noise with wide frequency range for natural audio reproductionHighly directional supercardioid / lobar polar pattern that rejects unwanted off-axis audio while clearly capturing the intended sound sourceSuperior RF immunity that avoids unwanted audio artifacts from cellular and RF devicesEasily accessible controls at the back of the microphone:Three-position gain (-10 dB pad, 0, +20 dB boost) to compensate for different recording environmentsLow-cut filter to eliminate background noise and room ambienceDurable and LightweightIntegrated Rycote® Lyre® shock mounting system that provides robust isolation from vibration and mechanical noise (exclusively developed with Rycote for the VP83)Durable, all-metal construction that meets legendary Shure quality standards in an ultra-lightweight design 

Compact directional on-camera microphone powered via Lithium-Ion batteries, 2 x AA Batteries or Micro USB with automatic power function.Specifications:Acoustic Principle: Line GradientActive Electronics: JFET impedance converterCapsule: 0.55"Polar Pattern: SupercardioidFrequency Range: 20Hz-20kHz (selected HPF @75Hz/150Hz)Output Impedance: 200ΩMaximum SPL: 133dBSPLMaximum Output Level: 7.7dBu (@ 1kHz, 1% THD into 1KΩ load)Sensitivity: -33.6dB re 1 Volt/Pascal (21.20mV @ 94 dB SPL) +/- 2 dB @ 1kHzEquivalent Noise Level (A-weighted): 14dBAPower Options: Internal battery, USB bus powered, AA BatteryWeight: 122gDimensions: 111mm x 66mm x 170mmOutput: Minijack Output Includes:VideoMic Pro+ Compact Directional On-camera MicrophoneMicro USB cableLB-1 Lithium-Ion Rechargeable BatteryDetachable 3.5mm TRS Cable

The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene. Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.Another new addition is the integrated Rycote® Lyre® based shock mounting system, which separates the Stereo VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.The Stereo VideoMic Pro, with its ergonomic form factor, make it perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The newly designed Kevlar reinforced braided cable, as well as the improved foam windscreen, provides excellent acoustic decoupling from the camera and offers significantly lower noise transference and higher sensitivity.The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference.A -10dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events.Like the VideoMic Pro, the Stereo VideoMic Pro features a +20dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording.Features:Rycote® Lyre® shock mounting onboardBroadcast recording quality on-camera microphoneAll new matched pair 1⁄2” condenser capsules in XY stereo configurationImproved foam windscreenUltra lightweight, compact form factorOn mic power and EQ controlsTwo step High Pass Filter (flat, 75Hz)Three position level control (-10dB, 0, +20dB)9V battery powered - over 100 hours use (alkaline)New Kevlar reinforced braided cableBilleted metal camera shoe mount with 3/8” thread for easy boompole mountingSpecifications:Acoustic Principle: Pressure GradientActive Electronics: JFET impedance converterCapsule: 0.50"Address Type: EndFrequency Range: 40Hz - 20kHzOutput Impedance: 200ΩMaximum SPL: 134dB SPL (@ 1kHz, 1% THD into 1KΩ load)Sensitivity: -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHzEquivalent Noise Level (A-weighted): 18dB-AWeight: 116gmDimensions: 134mmH x 80mmW x 115mmD 

The VideoMic Me is a compact and lightweight, high-quality directional microphone with that connects directly to the iPhone TRRS microphone/headphone socket. Its flexible mounting bracket accommodates a wide range of smartphones and allows the microphone to be fitted for primary camera or front camera ('selfie') use. A 3.5mm headphone jack on the rear allows for play-through of audio while recording (app dependent) as well as easy playback of your videos without having to remove the microphone. The VideoMic Me includes a deluxe furry windshield for shooting outdoors or in adverse weather.Specifications:Acoustic Principle: Pressure GradientActive Electronics: JFET impedance converterCapsule: 0.50"Polar Pattern: CardioidAddress Type: EndFrequency Range: 100Hz - 20kHzMaximum SPL: 140dB SPL (@ 1kHz, 1% THD into 1KΩ load)Sensitivity: -33.0dB re 1 Volt/Pascal (22.00mV @ 94 dB SPL) +/- 2 dB @ 1kHzEquivalent Noise Level (A-weighted): 20dB-AWeight: 34gmDimensions: 38mmH x 21mmW x 80mmDOutput: TRRS Output

Rode VideoMic Pro Super Cardioid Condenser Microphone with Rycote OnboardFeatures:All new capsule with lower noise and higher sensitivityCompact form factor (150mm)9V battery powered - over 70 hours use (alkaline)Integrated foam windscreenTwo step High Pass Filter (flat, 80Hz)Camera shoe mount with 3/8" thread for easy boompole mountingRycote Lyre shock mounting onboardBroadcast recording quality condenser microphoneUltra lightweight (85g)Integrated shock mounting3.5mm stereo mini-jack output (dual mono)Three position level control (-10dB, 0, +20dB)10 year warranty with online registration at www.rodemic.com/warranty

Building on the popularity and acceptance of the RODE NTG2, the NTG4+ features an all-new condenser capsule with low noise, high sensitivity and the convenience of on-board equalisation/level control via digital switching. The NTG4+ is the very first microphone to feature an in-built battery that provides 150+ hours of operation with the convenience of USB charging.Features:Broadcast sound qualityLow noise circuitryInternal rechargeable lithium battery, supplying over 150 hours operationFully charged in under two hours via MicroUSBRugged metal constructionConvenient digital switchingHigh Frequency BoostHigh Pass Filter (Flat/75Hz)PAD (-10db)MicroUSB cable included 

The NTG4 builds on the platform created by RODE's award-winning NTG1 shotgun microphone. A broadcast-quality directional condenser microphone designed to provide premium audio recording in a versatile range of applications including on-camera and boom mounted.

The VideoMicro is a compact microphone designed to improve the audio quality of your videos. It incorporates a high-quality cardioid condenser microphone capsule for great quality audio recordings when used with a wide range of cameras. A directional microphone, the VideoMicro reduces distracting peripheral sounds and focusses on the audio in front of the camera. Its pickup is more forgiving than RODE’s other on-camera microphones providing a more natural sound when recording indoors. Perfect for capturing incredible audio to accompany inspiring vision. The microphone body is made from aluminum, giving it a high level of RF rejection, and is finished in RODE’s high-grade ceramic anti-glare black coating. Included with the VideoMicro is a camera shoe mount featuring a Rycote Lyre shock mount. Featuring a suspension structure composed of a hard-wearing thermoplastic, it is far more effective at minimising unwanted vibrations, handling and cable-borne noise than traditional elastic suspensions. Virtually indestructible, the Rycote Lyre will never sag, snap, wear out or require rethreading to maintain its effectiveness. Also included is the WS9 synthetic furry wind shield with foam inner cell, designed for use in outdoor scenarios where wind and environmental noise can inhibit recordings. Optionally available is the RODE SC7, a TRS to TRRS cable that allows the VideoMicro to be used with smartphones, to capture crystal clear, directional sound for video and video applications such as Periscope.Compact size and lightweight - only 80mm (3’) long and 42gm (1.5oz)All-metal microphone bodyNo battery required (powered by camera plug-in power - min 3V)Rycote® Lyre® shock mount includedDeluxe furry windshield includedDesigned and manufactured in AustraliaThe camera of the photograph is not included.

The RODE VideoMic is everything you need to recordcrystal clear audioto match the high definition video of todays cameras. The VideoMic is designed for simplicity of operationso you don't need to be an expert to get professional results. The RΟDE VideoMic is a professional grade shotgun microphone. Based on the latest ‘Film industry’ technology, the VideoMic is designed specifically for use with high quality Digital Video Cameras. The microphone exhibits low noise and an unusually wide bandwidth for its size. It is ultra lightweight, yet rugged due to it’s ABS construction. The VideoMic is powered by a standard 9 V battery and offers a Low Battery LED status indicator and a switchable high pass filter to reduce unwanted low frequency rumble. The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting and utilizes a stereo mini jack for audio output. Frequency response40Hz-20kHz, selectable HPF @ 80Hz/12dB/octaveSensitivity-38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHzΙmpedance200ΩΤotal harmonic distortion134dB SPL (@ 1kHz, 1% THD into 1KΩ load)Dimensions250mm x 65mmx 102mmWeight176gm 

The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries. The NTG-1 provides an electronically balanced output stage and operates on 48 V to the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it ideal for mounting directly to video cameras (with optional accessories) or a Boom pole.The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Optional accessories are available for more demanding applications.

Precision broadcast-grade shotgun microphone, super cardioid, 40Hz-20kHz, 130dB max SPL (@ 1kHz, 1% THD into 1kohm load), requires 48V phantom power. Includes RCNTG3 weather resistant aluminium storage cylinder, ZP2 zip pouch, WSNTG3 wind shield, RM5 stand mount, 10-year Rode warranty.

* Superior gain-before-feedback* Wireless compatible* Flexible and easy one-hand mounting* Holder gentle to the instrument Violin and viola players will appreciate how gently the 4099 Violin adheres to a prized instrument while its elegantly lightweight, unobtrusive design keeps it from getting in the way of a passionate performance. 

The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. 

The NTG-2 comes complete with mount and windshield.The windscreen effectively suppresses wind noise when recording outdoors in moderate conditions.     •    Αcoustic principle: Line plus Gradient.    •    Directional pattern: Super-Cardioid.    •    Frequency range: 20 Hz ~ 20 kHz selectable HPF @ 80 Hz/12 dB octave    •    Output impedance: 250 Ω - phantom power, 350 Ω - battery power    •    Signal noise ratio din iec 651: 76 dB (1 kHz rel. 1 Pa; per IEC651, IEC268-15)    •    Equvalent noise: 18 dB SPL (per IEC651, IEC268-15)    •    Maximum spl: 131 dB (@ 1% THD into 1 kΩ)    •    Sensitivity: -36 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB (at 1 kHz in free field into open circuit)    •    Dynamic range din iec 651: 113 dB (per IEC651, IEC268-15)    •    Power supply voltage: 1.5 V Alkaline Battery or P48 Phantom    •    Current consumption: 2.0 mA    •    Battery life: >400 hours with fresh alkaline battery.    •    Output connection: 3 pin XLR, balanced output between pin 2(+), 3(-) and Pin 1 (ground)    •    Weight with battery: 161 g approx. (5 oz.)    •    Dimensions width: 278 mm    •    Dimensions depth: 22mm    •    Dimensions height: 22mm