AD-DA Μετατροπείς

AudioFuse X8 INΤο AudioFuse X8 IN είναι ένα απαραίτητο εργαλείο για παραγωγούς ηχογράφησης και μηχανικούς ήχου που αναζητούν πρόσθετες αναλογικές εισόδους υψηλής ποιότητας. Επεκτείνοντας την ψηφιακή συνδεσιμότητα, το AudioFuse X8 IN παρέχει περισσότερα κανάλια για όργανα και εξωτερικές συσκευές. Βελτιώνει την ευελιξία και την επεκτασιμότητα του στούντιο, διατηρώντας παράλληλα την ποιότητα του ήχου, ικανοποιώντας τις απαιτήσεις της σύγχρονης μουσικής παραγωγής και σχεδίασης ήχου.Πιο συγκεκριμένα, μια επέκταση εισόδου 8 Analog-σε-ADAT σάς δίνει τη δυνατότητα να επεκτείνετε τη σειρά synth και οργάνων σας και να έχετε όλες τις συσκευές σας συνδεδεμένες ταυτόχρονα και έτοιμες για εγγραφή στο DAW σας.Αποτελεσματική επέκτασηΤο AudioFuse X8 IN παρέχει 8 πρόσθετες εισόδους αναλογικής γραμμής, βελτιώνοντας τη συνδεσιμότητα της υπάρχουσας διάταξης ήχου χωρίς το περιττό κόστος και την πολυπλοκότητα μιας πλήρως εξοπλισμένης διεπαφής ήχου.Επαγγελματική ποιότητα ήχουΤο AudioFuse X8 IN υποστηρίζει 8 κανάλια premium μετατροπής αναλογικού σε ADAT έως 96 kHz και χρησιμοποιεί τα καλύτερα διαθέσιμα στοιχεία, διασφαλίζοντας ότι οι εγγραφές σας διατηρούν την υψηλότερη πιστότητα.Ευέλικτη εγκατάστασηΣχεδιασμένο ως μονάδα ραφιών μισού μεγέθους (half-sized rack), το X8 IN διαθέτει αφαιρούμενα αυτιά ραφιών για ευέλικτη εγκατάσταση. Αυτό τους επιτρέπει να χρησιμοποιούνται ως επιτραπέζιες μονάδες ή να τοποθετούνται σε μια τυπική ρύθμιση rack, που να εξυπηρετεί έως δύο μονάδες δίπλα-δίπλα για εκτεταμένες ρυθμίσεις.Ευκολία στη χρήσηΤα χειριστήρια του μπροστινού πίνακα προσφέρουν άμεση πρόσβαση στη διαχείριση καναλιών, κάνοντας τις ρυθμίσεις απλές. Οι πολύχρωμοι μετρητές VU παρέχουν σαφή οπτική ανάδραση για τα επίπεδα παρακολούθησης.Λογισμικό που περιλαμβάνεταιAnalog Lab Intro.Pre 1973.Pre V76.Filter Mini.Chorus JUN-6.Comp FET-76.Delay TAPE-201.Rev PLATE-140.Phaser BI-TRON.Pre TridA.Comp DIODE-609.

Mastering D/A Converter Mercury is the first mastering DA-converter in 120V technology. It offers seven digital stereo input sources, all of which can be synchronized with each other or with a word clock. The additional variable output qualifies Mercury as a monitor controller. Seven Digital Sources Mercury provides connections for a total of seven digital stereo input sources.  For each digital source there is a dedicated and illuminated tactile switch for quick selection and quick comparison. The detected sample rate is shown in the display. One USB input and two coaxial, two optical and two AES/EBU inputs are available. AES input 2 also supports Dual-Wire (DW) mode. Sync The display shows the synchronization status and the detected sampling rate. Any source except USB can be synchronized to another source or to an external Word Clock. If the sync “Source” is selected in the display, each source uses its own sync code embedded in the signal. O dBfs Holding the Sync button for more than two seconds Mercury will change to the 0dBfs display. Mercury offers all reference levels in dBu corresponding to a 0 dBfs (full scale) digital signal: +14, +15, +16, +17, +18, +20, +22 and +24 dBu  Fix & Var The FIX OUT is an analog balanced stereo output which can be calibrated to all common reference levels (see 0 dBfs). Mercury offers a variable analog balanced stereo output. This output provides the same signal as the FIX OUT, but the level is continuously adjustable. Thus Mercury can also be used as a state-of-the-art monitor controller. Variable Output This analog potentiometer is used to control the level of the VAR OUT output. We use the ALPS RK27 “Big Blue” potentiometer with a nice “spoon in honey” feel and excellent channel tracking. So not only the auditory but also the haptic experience of volume control is at the highest level. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (Cinch), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optisch SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Mastering D/A Converter Mercury is the first mastering DA-converter in 120V technology. It offers seven digital stereo input sources, all of which can be synchronized with each other or with a word clock. The additional variable output qualifies Mercury as a monitor controller. Seven Digital Sources Mercury provides connections for a total of seven digital stereo input sources.  For each digital source there is a dedicated and illuminated tactile switch for quick selection and quick comparison. The detected sample rate is shown in the display. One USB input and two coaxial, two optical and two AES/EBU inputs are available. AES input 2 also supports Dual-Wire (DW) mode. Sync The display shows the synchronization status and the detected sampling rate. Any source except USB can be synchronized to another source or to an external Word Clock. If the sync “Source” is selected in the display, each source uses its own sync code embedded in the signal. O dBfs Holding the Sync button for more than two seconds Mercury will change to the 0dBfs display. Mercury offers all reference levels in dBu corresponding to a 0 dBfs (full scale) digital signal: +14, +15, +16, +17, +18, +20, +22 and +24 dBu  Fix & Var The FIX OUT is an analog balanced stereo output which can be calibrated to all common reference levels (see 0 dBfs). Mercury offers a variable analog balanced stereo output. This output provides the same signal as the FIX OUT, but the level is continuously adjustable. Thus Mercury can also be used as a state-of-the-art monitor controller. Variable Output This analog potentiometer is used to control the level of the VAR OUT output. We use the ALPS RK27 “Big Blue” potentiometer with a nice “spoon in honey” feel and excellent channel tracking. So not only the auditory but also the haptic experience of volume control is at the highest level. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (Cinch), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optisch SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

16+16 channel AD/DA converter and MADI interface Madison offers what hardly any other manufacturer in this price segment has to offer: 16 AD/DA converters. With SmartMADI and the Madicon this becomes an expandable multi-channel studio interface of the first order. MADI transmission distance up to 2 km MADI I/O latency: 1 sample Optical MADI socket, type SC 56 & 64 channel Hi/Lo modes accepts Varispeed up to +/-12,5% Sync to MADI, Wordclock or Internal Device ID for daisy chaining 16 AD and 16 DA converters 24 bit / up to 192 kHz Level lights per channel in easily readable blocks of four OdBfs: 15, 18, 22 or 24 dBu Fanless and therefore particularly suitable for noise-sensitive environments Optional redundant power supply unit Madison together with the Madicon support SmartMADI MADI becomes more user-friendly, simple and modern SPL’s Madicon and Madisons can now be connected in series (daisy chaining) like Audio-Over-IP devices, and are easier to configure and more reliable. An additional MADI router for more than two MADI devices is not required The sample rate is now transmitted via the MADI stream and Madisons follow automatically – very handy Specifications: Analoge Input & Outputs; DB25 (balanced) Maximum input & output gain: 24 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection (1 kHz): 82 dB Crosstalk (1 kHz, 48 kHz SR): -110 dB Dynamic Range (A-weighted, 48 kHz SR): 115 dB Digital I/O; MADI-Port MADI optical, Type SC: 44.1/48/88.2/96/176.4/192 kHz Varispeed: ±12.5% in 56 CH mode, -12.5% in 64 CH mode Reference Levels: 15dBu, 18dBu, 22dBu, 24 dBu Wordclock input, BNC, terminated impedance: 75 Ω Wordclock Level (Input TTL/CMOS5/CMOS3): 3.3 V S/N (A-bewertet, 48kHz SR): -115 dBFS S/(N+D) (-1 dBfs, 48kHz SR): -102 dBFS Passband response (-0.02dB, 48kHz SR): 22 kHz Passband Ripple (Decimation-LPF, 48kHz SR): +/- 0.005 dB Stopband Attenuation (Decimation-LPF, 48kHz SR): 100 dB Crosstalk (1 kHz, 48kHz SR): -110 dBu Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 17 V Operating voltage for digital audio: +12 V, +5 V BTU (British Thermal Units, typical): 65 BTU/h BTU (British Thermal Units, max): 110 BTU/h Mains Power Supply Mains voltage: 90 – 264 V AC, 50/60 Hz Hz Power consumption: max. 35 W Dimensions & Weight W x H x D (width x height x depth): 482 x 44 x 260 mm Unit weight: 3.05 kg Shipping weight (incl. packaging): 5 kg

USB / MADI Interface Madicon is a MADI digital audio interface that connects up to 64 input and 64 output channels to the computer via USB. USB Audio Interface Maximum 64 input and 64 output channels via MADI Additional optical stereo output (Ch1/2) 24 bit / up to 192 kHz Hi-Speed USB with detector LED USB bus powered Internal/External Clock Switch External Clock Lock LED Windows & Mac Zero-latency monitoring (FPGA Monitoring Mixer) SmartMADI MADI becomes more user-friendly, simple and modern SPL’s Madicon and Madisons can now be connected in series (daisy chaining) like Audio-Over-IP devices, and are easier to configure and more reliable. An additional MADI Router for more than two MADI devices is not necessary The sample rate is now transmitted via the MADI stream and Madisons follow automatically – very handy Monitor Mixer Control Room Mixer and six additional individual headphone mixers Intuitive and fast workflow Talkback 128-channel MADI stream metering MADI splitter – one signal can be distributed to 63 other channels Record without a DAW – directly to the hard disk! Automatic arming Displaying the remaining recording time Automatic naming of the files Solo auditions MADI Train & Device IDs This drawing explains the device ID settings when up to four Madison with SmartMADI are connected to the Madicon and a DAW in a daisy-chain connection at single, double and quadruple sample rates. Specifications: Inputs & outputs; MADI, USB, Toslink Optical MADI port: Standard 64/High Optical Toslink port (F06): Max. 192 kHz USB 2.0 High Speed, Bus-Powered, Power consumption (max): 2.5 W Dimensions & Weight W x H x D (width x height x depth): 100 x 42 x 108 mm Unit weight: 0.2 kg Shipping weight (incl. packaging): 0.45 kg

8-Channel ADAT card 2 x ADAT In and 2 x ADAT Out Supports 8 channels with 24-bit / 44.1 to 96 kHz and 4 channels with 176.4 to 192 kHz For MAC OSX and Windows drivers

  O 8X192 AD/DA είναι ένας οκτακάναλος πολύ υψηλής ποιότητας μετατροπέας της Mytek που προσφέρει  μετατροπείς A/D και  D/A γιά όλα τα sampling rate απο 44.1 έως 192 kHz. Μαζί με τον μετατροπέα διαλέγετε ΔΩΡΕΑΝ το interface σύνδεσης (DIO) ανάμεσα σε ADAT, USB2 και PRO TOOLS και FIREWIRE !   Με την κάρτα σύνδεσης USB 2.0  για παράδειγμα, το Mytek 8X192 προσφέρει 8 κανάλια εγγραφής και 8 κανάλια αναπαραγωγής με drives για Mac και PC και με την υψηλότερη δυνατή απόδοση  σε ποιότητα ήχου. Επιπρόσθετα στην μετατροπή σήματος απο αναλογικό-ψηφιακό-αναλογικό ο 8X192 υποστηρίζει τα ακόλουθα: Μετατροπή ψηφιακού φορμά ανάμεσα σε AES και σε οποιοδήποτε από τις  δύο προαιρετικές DIO κάρτες (Υπάρχουν κάρτες USB 2.0, ADAT , ProTools, και Firewire) Αληθινή ακρίβεια 1dB σε κάθε βήμα attenuator Αναλογικό mix buss μεταβιβάσιμο σε στερεοφωνικά  ή 8 μονοφωνικά κανάλια. Επιπρόσθετα από τις 8 αναλογικές εξόδους, 2 XLR εξόδους  που μπορούν να μεταβιβαστούν σε οποιοδήποτε ζευγάρι καναλιών ή έξοδο mix buss. Υψηλής ακρίβειας (500mA), υψηλής ταχύτητας, χαμηλής παραμόρφωσης, διάφανη ενίσχυση ακουστικών.  Masterclock με 5 εξόδους Word Clock Προαιρετικο DSD firmware παρέχει DSD βασικο (64Χ)   και υψηλης ταχυτητας (128Χ). PCM A/D and D/A conversion for all sampling rates from 44.1 kHz to 192 kHz, 24-Bit Digital format conversion between AES and one of two available, optional DIO cards Analogue mix bus for 4 stereo or 8 mono channels 8 Analogue outputs 2 XLR outputs can be used as channel outputs or mix bus outputs Headphone connector Analogue inputs: +4 dBm balanced or unbalanced Sub D-25 Analogue outputs: +4 dBm balanced or unbalanced Sub D-25 + 2x XLR Digital inputs and outputs: 8 hi-speed AES/EBU or S/PDIF D-25 Word clock input/output (6 separate outputs) Dimensions (W x H x D): 43.1 x 4 x 22.9 cm Format: 19" / 1 RU Weight: 6.3 kg    

New Manhattan DAC II features include: World's highest performance 130dB Sabre 9038 DAC chipset. 32 bit integer Class 2 USB2 driverless audio interface World class transparent analog preamp attenuators MQA ® hardware decoder  New, easy to navigate menu system Roon Ready optional network card  Improved optional phono preamplifier card The Manhattan DAC II design uses the same chassis, same power supply, and front panel circuits as the original Manhattan. It uses a completely new, redesigned main board. This offers a substantial sound quality upgrade. Significantly better detail and resolution, and state of the art transparent analog preamplifier performance.Existing Manhattan DAC I owners are eligible for Manhattan DAC II upgrade. Original Manhattan owners are encouraged to upgrade to Manhattan DAC II for a very reasonable upgrade fee. Upgrade includes replacement of the motherboard and will be performed in the US by Mytek Brooklyn office, in Europe, by Mytek Warsaw office and overseas by authorized Mytek dealer. Femto Clock TechnologyMytek's new Femto Clock that's incorporated into our C777 Clocking architecture pushes jitter and the noise floor below measurable levels. Highest Resolution SupportModern high resolution audio formats support for PCM 32 bit 384 kHz DXD to Quad DSD256 11.2 MHz. Discrete Analog & Digital Power SuppliesTwo separate isolated power supplies for the analog and digital stages that lower noise and crosstalk while increasing power and consistency. SPECIFICATIONS CONVERSION: PCM up to 384k, 32bit, MQA ®, native DSD up to DSD256, DXD, 130dB Dynamic Range.MQA Hi-Res DECODER: built in certified hardware MQA ® decoderDIGITAL INPUTS: USB2 Class2 (OSX, Linux driverless, all formats), AES/EBU (PCM up to 384k, up to DSD128 DOP), 3x S/PDIF (PCM up to 192k, up to DSD128 DoP), Toslink, SDIF3 DSD up to DSD256ANALOG INPUTS: RCA Line In switchable to Phono with Optional Phono Card insterted, second pair of RCA Line In, third pair XLR Balanced Line In. Analog inputs are router through minimalpath state of the art analog attenuator directly to analog and headphone outputs.ANALOG OUTPUTS: RCA, balanced XLR, simultaneous, 50 Ohm impedanceHEADPHONE OUTPUTS: Reference High Current, High transient Headphone Amp, 500mA, 6 Watts, 0 Ohm out impedance. Dual headphone jacks, designed to drive demanding headphones. Balanced operation w/optional Mytek adapter.BUILT-IN ATTENUATOR: Choice of 1dB step analog attenuator for main out and headphones, 1dB step digital 32bit attenuator or purist relay bypass.CLOCK: “Mytek Femtoclock Generator (tm)” 0.82ps internal jitter, Wordclock Input and Output (allows stacking multiple units for multichannel operation, includes mch DSD)AUDIO RECORDING FUNCTION FOR DIGITAL SOURCES: All digital inputs can be routed into computer via USB2. Allows connection of external digital sources such as CD Players and digitizing ADCs.REMOTE: Included, universal remote capableFIRMWARE: Upgradable via USB Control Panel App (Win and Mac)OPTIONAL PRECISION PHONO ANALOG PREAMP CARDHigh End M/M, M/C Phono Preamplifier with custom nickel core step up transformer , relay switchable and tunable. Input impedances, transformer ratio, RIAA curves and choice of gain can be changed within the menu or using the remote via relay switches. Optional card is sold separately and is user installable.OPTIONAL "ROON READY" NETWORK CARD: Turns the Manhattan II into network streamer with 24/192k and DSD64 maximum throughput. Compatible w/ Roon, DLNA/UpnPPOWER SUPPLY: Switchable 115/230VAC (100V Japanese version available)DIMENSIONS: WxDxH=17"x10.5"x1.95"=432x267x50mmWEIGHT: 16lbs, 8kgWARRANTY: 2 years    

Designed and manufactured in the United Kingdom, CALLIA embodies the Prism Sound uncompromising approach to audio resulting in the most accurate and detailed DAC available. Callia reveals the most minute nuance of any performance and is flexible in the face of a variety of genres. Hear your music the way it was intended. PRISTINE SOUND QUALITY Callia makes no compromises on audio quality, ensuring you’ll experience music at home exactly as it was experienced by those who created it in the studio. Our heritage and unrivaled experience has allowed for the creation of a DAC of unparalleled sonic clarity. HEADPHONE OUTPUT CALLIA’s headphone output boasts a high-current, low impedance design optimized for the best possible performance. Able to power a wide range of high end headphones, CALLIA will adjust and match the impedance of your headphones for an unbeatable listening experience. SIMPLIFIED CONNECTIVITY Callia is compatible with the widest range of computer hardware using a USB2 interface supporting UAC2 audio. Auto input detection and output protection allows for the hot plugging of cables without fear of damaging your speakers. UNSURPASSED CLOCKING AND JITTER REJECTION Prism Sounds long history in developing test and measurement equipment for the audio industry has provided Callia with the pinnacle of ultra-stable clocks, ensuring the most accurate and detailed conversion available. AUDIO FORMATS CALLIA supports linear PCM in 2’s complement binary coding and, using the “DSD over PCM” (DOP) protocol, DSD at the original bit-rate (DSD64) and also at 2 x the original rate (DSD128). DSD Files encoded as “DOP” may be played with both ASIO and WDM drivers. Your computer, tablet or transport will commonly decode formats such as mp3 to PCM prior to transmission to the sound card, so these formats will typically be supported on your device in the same manner as they would be with another sound card. On the S/P-DIF inputs, DOP can also be used, but only at the original DSD bit rate (DSD64) as these connections do not have enough bandwidth for DSD128. The ASIO native DSD format is not currently supported. Specifications: Dimensions: Table-top (including feet): 285 x 242 x 50mm Power: 90VAC – 250VAC, 50 – 60Hz 15W consumption 0.5A(T), 20mm, glass Inputs: 1 x USB Audio Device Class 2.0 1 x TOSLINK for S/PDIF 1 x RCA for AES3-ID Outputs: 2 x XLR (balanced) 2 x RCA (pseudo-balanced)

THUNDERBOLT™ 3 & USB INTERFACE WITH 12 DISCRETE PREAMPS AND 6DSP + 2FPGA FX PROCESSORS Synergy Core FX free up CPU to improve system stability, letting you reduce buffer size to record & monitor with sub-millisecond latency 2x FPGA units handle all audio mixing, dynamics processing, equalization and reverb with effects modeling legendary studio gear 6x ARM-based DSPs bring a wider variety of creative effects to an efficient, low-latency platform No latency stacking when chaining multiple effects 6x DSP + 2x FPGA The FX Processing Beast The new Orion Studio brings our recently pioneered Synergy Core FX processing platform to its next stage of evolution. With two proprietary Field Programmable Gate Aray (FPGA) chips and a whopping six ARM-based DSP processors on board, the sheer computing power contained in this interface is astounding! Leave CPU upgrades aside and let Synergy Core do the number-crunching. 6x DSP + 2x FPGA chips let the Orion Studio Synergy Core handle up to 32 FX channel strips X 8 FX slots each for a maximum of 256 FX instances, at any sample rate and over AFX2DAW. That's four times the processing power of the Orion Studio Rev. 2017. REAL-TIME LIVE MONITORING Auto-Tune Synergy Built from the ground-up for the Synergy Core platform, Auto-Tune Synergy adds live pitch correction to the Antelope Audio experience. Industry-leading pitch correction anytime you need it – live, during recording, and at mixdown Fully adjustable Retune Speed, Flex-Tune, and Humanize parameters with Auto-Key automatic key and scale detection Real-time, low latency performance with the Edge Go modeling microphone and any Antelope Audio Synergy Core interface ‘Classic’ mode pays homage to the legendary “Auto-Tune 5 sound” heard on countless hit record EXPANDABLE FX LIBRARY 50 Synergy Core FX Included Adding further value to your investment, the Оrion Studio Synergy Core includes a compelling library of 50 real-time studio effects, meticulously modelled after their hardware originals. It’s all happening inside your audio interface with the lowest latency possible thanks to FPGA’s massive parallel computing capabilities, DSP processing, and fast Thunderbolt™ connectivity. The library can be expanded to include any effects you choose from our web store. Thunderbolt 3 Certified & USB Compatible Thunderbolt 3 is the fastest, most versatile data connection available now. Orion Studio Synergy Core underwent a rigorious certification process to ensure operating system compatibility and stability. Not up to speed with Thunderbolt 3? Worry not, the interface is backwards-compatible with Thunderbolt 2, and we also left the USB 2.0 port intact – it’s right where you’d expect it to be. This way, the Orion Studio Synergy Core works with any DAW, on any modern Windows or macOS computer. FULL SPEED AHEAD Forget Latency Record and monitor with maxed-out effects chains at high sample rates and low buffer sizes without taxing your CPU! You can enjoy Latency-Free Direct Monitoring over 4 independent internal mixers with 32 assignable inputs and stereo outputs.   MORE THAN YOU EXPECT 12 Discrete Preamps The outcome of a long, hard look into iconic microphone preamp circuitry, our discrete transistor pres honor the finest audio engineering practices while sounding absolutely exceptional. They also bring out the best in our Edge & Verge modeling condenser microphones, for vocal and instrument recording that truly keeps up with the times. HEAR THE TRUTH Go Direct All Orion Studio Synergy Core analog inputs have the Direct-In feature to let you bypass preamp controls and record line-in signals directly into the converters. Get ready to hear the truth! COMPREHENSIVE I/O Immense Analog & Digital Flexibility There’s no task too big or too small for the Orion Studio Synergy Core. Record high-impedance instruments, such as the electric guitar, through four Hi-Z inputs and reamp DI tracks through the special purpose ReAmp outputs. Take advantage of all 16 line outputs (on DB25 connectors). Handle digital audio via S/PDIF and ADAT. Freely route all incoming and outgoing audio from an intuitive software Routing Matrix. Then hear the result from two pairs of headphones or studio monitors – simultaneously, if you need to. TOTAL CONTROL Any Audio Anywhere The Software Control Panel is the “mediator” between the Orion Studio Synergy Core and your DAW. Handle gain adjustments, signal routing, effects processing, mixing and metering from a single window. Route the resulting audio into your DAW for recording in formats of your choice, such as multi-track, stem, and two-channel stereo. Gone DAW-less? Route any audio to any output and take it to the recording medium of your choice. • IMMEDIATE ACCESS TO ANY PARAMETER • COLOR-CODED ROUTING MATRIX WITH USER LABELS AND UNDO/REDO FUNCTIONS • FOUR 32-CHANNEL, LOW-LATENCY SOFTWARE MIXERS • SAVE AND LOAD CUSTOM PRESETS • SINGLE-WINDOW WORKFLOW BEST-IN-CLASS AD/DA 130 DB Dynamic Range With an array of 12 audiophile-grade DACs, capable of up to 192kHz sample rates and 130dB dynamic range conversion* each, Orion Studio Synergy Core is an AD/DA powerhouse! Capture your voice, instruments or mixing desk outputs exactly as they sound, with immaculate precision that’s as flawless as it’s unforgiving. * Measured at the monitor outputs. D/A CONVERTER DYNAMIC RANGE: 128 DB THD + N: -115 DB D/A MONITOR CONVERTER DYNAMIC RANGE: 130 DB THD + N: -115 DB A/D CONVERTER DYNAMIC RANGE: 124 DB THD + N: -112 DB ACCUSONIC 3D MODELING Mic Modeling Ready The Orion Studio Synergy Core’s Accusonic 3D modeling engine lets you transform the Antelope Audio Edge and Verge modeling microphones into expensive-sounding vintage replicas. Shape the final sound with complete control over proximity effect and change polar patterns during or after recording. Choose from a collection of classic and rare microphones as you monitor and record live, bringing out the musician’s finest performance.   *Available with Antelope Audio Edge & Verge modeling microphones OVEN-CONTROLLED CRYSTAL OSCILLATOR 64-bit Acoustically Focused Clocking The pioneer of atomic clocking in pro audio, Antelope Audio incorporates 20+ years of expertise in its audio interfaces. Our proprietary 64-bit Acoustically Focused Clocking jitter management algorithm helps deliver the kind of artifact-free audio once accessible only to the most prestigious studios. Furthermore, with the Word Clock outputs, you can distribute this highly stable clock signal across the rest of your digital gear to have everything running in smooth sync! Increased width, separation, and detail in musical performances Very low frequency drift due to temperature and other parameter changes Taking advantage of high-speed Thunderbolt, the AFX2DAW * plug-in lets you use Synergy Core effects as inserts inside your chosen DAW. This simplifies workflow and enables easy, immediate effects automation. *Available as a separate purchase for Mac Thunderbolt. HAND-BUILT IN EUROPE Sturdy and Sleek Housed in a machined aluminum chassis, each unit is hand-built in our European facility to strict standards, component choices and quality control. This kind of attention to detail is typically reserved only for boutique-class products. Orion Studio Synergy Core THUNDERBOLT 3 & USB INTERFACE WITH 12 DISCRETE PREAMPS AND SYNERGY CORE FX

New Manhattan DAC II features include:World's highest performance 130dB Sabre 9038 DAC chipset.32 bit integer Class 2 USB2 driverless audio interfaceWorld class transparent analog preamp attenuatorsRoon Ready optional network cardMQA ® hardware decoder Improved optional phono preamplifier card New, easy to navigate menu system     The Manhattan DAC II design uses the same chassis, same power supply, and front panel circuits as the original Manhattan. It uses a completely new, redesigned main board. This offers a substantial sound quality upgrade. Significantly better detail and resolution, and state of the art transparent analog preamplifier performance.Existing Manhattan DAC I owners are eligible for Manhattan DAC II upgrade.Original Manhattan owners are encouraged to upgrade to Manhattan DAC II for a very reasonable upgrade fee. Upgrade includes replacement of the motherboard and will be performed in the US by Mytek Brooklyn office, in Europe, by Mytek Warsaw office and overseas by authorized Mytek dealer.Femto Clock TechnologyMytek's new Femto Clock that's incorporated into our C777 Clocking architecture pushes jitter and the noise floor below measurable levels.Highest Resolution SupportModern high resolution audio formats support for PCM 32 bit 384 kHz DXD to Quad DSD256 11.2 MHz.Discrete Analog & Digital Power SuppliesTwo separate isolated power supplies for the analog and digital stages that lower noise and crosstalk while increasing power and consistency.SPECIFICATIONSCONVERSION: PCM up to 384k, 32bit, MQA ®, native DSD up to DSD256, DXD, 130dB Dynamic Range.MQA Hi-Res DECODER: built in certified hardware MQA ® decoderDIGITAL INPUTS: USB2 Class2 (OSX, Linux driverless, all formats), AES/EBU (PCM up to 384k, up to DSD128 DOP), 3x S/PDIF (PCM up to 192k, up to DSD128 DoP), Toslink, SDIF3 DSD up to DSD256ANALOG INPUTS: RCA Line In switchable to Phono with Optional Phono Card insterted, second pair of RCA Line In, third pair XLR Balanced Line In. Analog inputs are router through minimalpath state of the art analog attenuator directly to analog and headphone outputs.ANALOG OUTPUTS: RCA, balanced XLR, simultaneous, 50 Ohm impedanceHEADPHONE OUTPUTS: Reference High Current, High transient Headphone Amp, 500mA, 6 Watts, 0 Ohm out impedance. Dual headphone jacks, designed to drive demanding headphones. Balanced operation w/optional Mytek adapter.BUILT-IN ATTENUATOR: Choice of 1dB step analog attenuator for main out and headphones, 1dB step digital 32bit attenuator or purist relay bypass.CLOCK: “Mytek Femtoclock Generator (tm)” 0.82ps internal jitter, Wordclock Input and Output (allows stacking multiple units for multichannel operation, includes mch DSD)AUDIO RECORDING FUNCTION FOR DIGITAL SOURCES: All digital inputs can be routed into computer via USB2. Allows connection of external digital sources such as CD Players and digitizing ADCs.REMOTE: Included, universal remote capableFIRMWARE: Upgradable via USB Control Panel App (Win and Mac)OPTIONAL PRECISION PHONO ANALOG PREAMP CARDHigh End M/M, M/C Phono Preamplifier with custom nickel core step up transformer , relay switchable and tunable. Input impedances, transformer ratio, RIAA curves and choice of gain can be changed within the menu or using the remote via relay switches. Optional card is sold separately and is user installable.OPTIONAL "ROON READY" NETWORK CARD: Turns the Manhattan II into network streamer with 24/192k and DSD64 maximum throughput. Compatible w/ Roon, DLNA/UpnPPOWER SUPPLY: Switchable 115/230VAC (100V Japanese version available)DIMENSIONS: WxDxH=17"x10.5"x1.95"=432x267x50mmWEIGHT: 16lbs, 8kgWARRANTY: 2 years  

 O 8X192 AD/DA είναι ένας οκτακάναλος πολύ υψηλής ποιότητας μετατροπέας της Mytek που προσφέρει  μετατροπείς A/D και  D/A γιά όλα τα sampling rate απο 44.1 έως 192 kHz. Μαζί με τον μετατροπέα διαλέγετε ΔΩΡΕΑΝ το interface σύνδεσης (DIO) ανάμεσα σε ADAT, USB2 και PRO TOOLS και FIREWIRE ! Με την κάρτα σύνδεσης USB 2.0  για παράδειγμα, το Mytek 8X192 προσφέρει 8 κανάλια εγγραφής και 8 κανάλια αναπαραγωγής με drives για Mac και PC και με την υψηλότερη δυνατή απόδοση  σε ποιότητα ήχου.Επιπρόσθετα στην μετατροπή σήματος απο αναλογικό-ψηφιακό-αναλογικό ο 8X192 υποστηρίζει τα ακόλουθα:Μετατροπή ψηφιακού φορμά ανάμεσα σε AES και σε οποιοδήποτε από τις  δύο προαιρετικές DIO κάρτες (Υπάρχουν κάρτες USB 2.0, ADAT , ProTools, και Firewire)Αληθινή ακρίβεια 1dB σε κάθε βήμα attenuatorΑναλογικό mix buss μεταβιβάσιμο σε στερεοφωνικά  ή 8 μονοφωνικά κανάλια.Επιπρόσθετα από τις 8 αναλογικές εξόδους, 2 XLR εξόδους  που μπορούν να μεταβιβαστούν σε οποιοδήποτε ζευγάρι καναλιών ή έξοδο mix buss.Υψηλής ακρίβειας (500mA), υψηλής ταχύτητας, χαμηλής παραμόρφωσης, διάφανη ενίσχυση ακουστικών. Masterclock με 5 εξόδους Word ClockΠροαιρετικο DSD firmware παρέχει DSD βασικο (64Χ)   και υψηλης ταχυτητας (128Χ).  

Dangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor’s onboard digital-to-analog converter (DAC) swiftly became the industry reference. We’ve been asked over the years to build a stand alone DAC, and they’re finally here in the Convert series. Eager to embrace the opportunity to develop a new and better DAC, we designed the Convert series converters from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers our signature sound: open, articulate and powerful from top to bottom. Loaded with innovative and useful features accessed from an intuitive front panel, the Convert-2 tops an elite class of dedicated stereo digital-to-analog converters in both sound and ease of use. The Convert-2 goes beyond transparency – you won't just hear everything, you’ll hear it beautifully.Χαρακτηριστικά:Signal to Noise Ratio A-weighted, 20Hz to 20KHz: < 114dBSignal to Noise Ratio unweighted, 20Hz to 20KHz: < 113dBDynamic Range A-weighted, 20Hz to 20KHz: < 114dBDynamic Range unweighted, 20Hz to 20KHz: < 113dBJitter: 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)Crosstalk rejection: > 114dBu  1kHzReplacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240VTHD+N:THD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: < 94.5dB (0.00188%)THD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: < 106.5dB (0.00048%)Frequency Response  96KHz sample rate:DC to 20KHz: +0, -0.25dBDC to 30KHz: +0, -0.5dBDC to 40KHz: +0, -1.0dB

If you thought analog-to-digital converter innovation had taken a snooze, Dangerous Music is about to wake you up with five game-changing innovations. Packed into a single rack space with our next-generation conversion for the ultimate in musicality and transparency, the CONVERT-AD+ is the most advanced stereo analog-to-digital converter on the market. The CONVERT-AD+ has no fewer than five—five!—features previously never seen on an analog-to-digital converter before. Smart, useful, well-executed innovations put Dangerous Music on the map, and we continue that tradition into the 21st century with the CONVERT-AD+.Simple, elegant, intelligent. With the push of a button, you can switch between any two balanced line input sources. With zero fuss, you can instantly compare different mastering chains, test your mix against a reference, or to switch between recording and mixing mode—or use the inputs in any configuration you dream up. From the largest mix rooms, to elite mastering suites, to your home studio, the switchable inputs on the CONVERT-AD+ is about to make everyone’s life a lot easier.Do you dig pushing the A/D beyond 0 dBFS, into clipping, for specific sonics? Clip Guard will turn off the red light LED at your destination (i.e. DAW). Red indicates clipping on most meters, in actuality, the over indicator in the AD+ turns from green to yellow. Now “Mastered for iTunes” or the CD pressing plant will not reject your opus, since these red light overs will not appear. This is not a limiter. If you can hear clipping and engage clip guard, it will sound identical. It simply disables the clip LED in your DAW or destination device, but you will still be audibly clipping.Previously an oxymoron, musical transparency makes perfect sense now that Dangerous Music has pushed its products to the bleeding edge of today’s technology. We deliver an open, full-bodied sound free of unwanted artifacts (transparency) with a bold and big three-dimensional sound (musicality). The result is sound that you can trust and love.Among those who truly understand this hotly debated area of audio technology, the mantra with digital is implementation, implementation, implementation. How components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan, is what sets a converter apart – for better or worse. The Dangerous Music CONVERT-AD+ has been developed by a team of experts with deep, up-to-the-minute knowledge of the best digital and analog converter technology available today. Our implementation has even managed to get the clock working better than it’s stated specs.JET is a patented clocking technology that Dangerous Music employs in order to reduce jitter to the point where it simply isn’t a factor impacting the sound of our converters. Whenever zeros and ones are flying by at incredible speeds, a solid clock and balanced data stream management system is of the utmost importance to articulate, musical, 3D impact. Do not shy away from using the CONVERT-AD+ as your studio’s master clock, a choice more and more engineers are making since becoming “converts.”Χαρακτηριστικά:Selectable Calibration Level cycles through three calibration levels for compatibility with other devicesToggle between two discrete, selectable stereo inputs with two switchable stereo input pathsClip Guard will turn off the red light LED at your destination (i.e. DAW)Premium custom crafted digital meter with Normal and Peak Hold modes provides precise visual feedbackZoom view lets you view only the top 10dB of your signal level, for a finer, magnified resolutionWord Clock with three Modes: Internal, External and MasterX-FORMER insert button engages some of Chris Muth’s sonic wizardry via a pair of customized HAMMOND™ transformersEMPHASIS shelving EQ/Compressor induces 2nd order harmonic distortion to blend in a bit of mid warmth and sparkleUSB connection for Mac/PC 

Ο απόλυτος high end USB DAC με σχεδιασμό dual mono, για 2 πλήρως απομονωμένα κανάλια (αριστερό / δεξί) με το καθένα να έχει το δικό του γραμμικό τροφοδοτικό, κύκλωμα conversion, clock και αναλογικό κύκλωμα. Με τον τρόπο αυτό, το crosstalk είναι ανύπαρκτο και η τροφοδοσία βέλτιστη. Το δυναμικό εύρος για κάθε κανάλι βελτιστοποιείται χρησιμοποιώντας έναν stereo ADI 1955 D/A σε mono configuration, ενώ το clocking για κάθε κανάλι γίνεται απευθείας στο DAC με μια τεχνική που ονομάζεται DDS (Direct Digital Synthesis). Με την τεχνική αυτή, το jitter είναι σχεδόν ανύπαρκτο.Η ποιότητα κατασκευής είναι κορυφαία, με στιβαρότητα και απόλυτη αντοχή στο χρόνο. Όλα τα μέρη του Μ1, από την πρόσοψη και τα πλαϊνά, μέχρι το κάλυμμα και τη βάση προέρχονται από κομμάτια αλουμινίου, ενώ τα κείμενα είναι χαραγμένα με laser, δίνοντας μια καθαρή, ανθεκτική εικόνα.Το M1 έχει κατασκευαστεί με σκοπό να είναι το κορυφαίο DAC, τόσο από πλευράς σχεδιασμού όσο και υλικών. Το conversion είναι από τα πιο σημαντικά μέρη μιας ηχητικής αλυσίδας και το Μ1 είναι φτιαγμένο για να αποκαλύπτει την αλήθεια.Ψηφιακές είσοδοι:Connectors: XLR: AES/EBU, BNC: SPDIF/Clock, RCA: SPDIFSample Rates AES In: 44.1, 48, 88.2, 96, 176.4, 192 kHzFrequency Response Dig I/O: DC to 24kHz @ 48kHz, DC to 96kHz @ 192kHzBalanced αναλογικές έξοδοι: Connectors: XLR balancedΕμπέδηση: 40 OhmΜέγιστη στάθμη εξόδου: +22dbmΕλάχιστη στάθμη εξόδου: +8dbmD/A: 24 bit delta sigma 8x oversamplingΑπόκριση συχνότητας στα 44.1k: 10Hz - 20kHz +0dB, -.2dBΔυναμικό εύρος: >120dB A-WeightedTHD+N @ 1k: .0006% @ 0dbFS / .0004% @ -30dbFSUnbalanced αναλογικές έξοδοι Connectors: RCAΕμπέδηση: 40 OhmΣτάθμη εξόδου: +8dbm (2V RMS)D/A: 24 bit delta sigma 8x oversamplingΔυναμικό εύρος: >120dB A-WeightedTHD+N @ 1k: .0006% @ 0dbFS / .0004% @ -30dbFS

Now with Remote II, and a ultra low jitter D/A with digital optical input "Avocet" is designed to solve the problems of accurate monitoring and volume control as required by workstation users, studios and mastering rooms alike. It is a stereo controller with three digital inputs, three analog inputs and a headphone system. It's comprised of a rack mounted unit and table top remote control. Avocet has many features including; dim, mute, phase, mono, and 16 bit truncation functions, plus a speaker select switch that sends line level balanced audio to one of three outputs. The six input sources have on the fly gain trim capability and all digital signals are up-sampled and jitter reduced to ensure highest accuracy during D/A conversion. The internal headphone amplifier can be fed from the program source or an external input. Provisions for a talk back function are included. Avocet can operate in surround up to 7.1, with the appropriate number of audio boxes in the system.

To HEDD ακρωνυμία για το  (harmonically enhanced digital device), είναι μια τεχνολογική καινοτομία στήν ψηφιακή επεξεργασία. Το HEDD είναι κατασκευασμένο να είναι διάφανο ενώ ταυτόχρονα δίνει την δυνατότητα να μιμήται με μεγάλη ακρίβεια αναλογικούς ήχους και ήχους λάμπας. Αυτό δίνει την δυνατότητα δουλεύοντας σε ψηφιακό περιβάλλον ο ήχος να αποκτά ένα ζεστό αναλογικό χρώμα.Το  HEDD 192 μπορεί να χρησιμοιποιηθεί σε όλα τα στάδια της μουσικής παραγωγής και ένα πολύ σημαντικό πλεονέκτημα είναι πως η συσκευή έχει ταυτόχρονα  μετατροπείς A/D και D/A  πολύ υψηλής ποιότητας.            ΤΕΧΝΙΚΑ ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ High Quality 24 Bit A/D and D/A Convertors 24 Bit Processing Adjustable Triode, Pentode and Tape sounds Digital I/O, AES and S/PDIF External WC Sync Input and Output

Το ADC2 είναι ο διάδοχος του διάσημου δικάναλου A/D μετατροπέα ADC1-MK2. Το ADC2 χρησιμοποιεί state of the art A/D chip με την αποδεδειγμένη τεχνική συνδεσμολογίας του  Weiss που μειώνει τις ατέλειες των μετατροπέων. Οι αναλογικές είσοδοι παραμένουν balanced από τις εισόδους έως και τα chip μετατροπής. Ένας υψηλής ποιότητας προενισχυτής μικροφώνου ενσωματώνεται σαν στάνταρ . Οι υποστηριζόμενες  συχνότητες δειγματοληψίας είναι 44.1, 48, 88.2, 96, 176.4 και 192 kHz. Οι Έξοδοι είναι AES/EBU, S/PDIF, καθώς και Firewire για άμεση σύνδεση με τον υπολογιστή. Ο συγχρονισμός  (clock) μπορεί να είναι εσωτερικός ή εξωτερικός μέσω AES/EBU ή BNC (Wordclock). Το ενσωματωμένο ψηφιακό peak limiter επιτρέπει τη ρύθμιση ενός «γενναιόδωρου» headroom στις αναλογικές εισόδους και εξακολουθεί ναι παίρνει ακόμα ένα πλήρες σήμα στην έξοδο του μετατροπέα. Τα μεγάλα peak meter παρουσιάζουν την ένταση στην εισοδο A/D, την έξοδο καθώς και την λειτουργία  του Limiter. Το output word length μπορεί να μειωθεί από 24 έως 16 bit με το ενσωματωμένο POW-R dithering. Είναι ακόμα δυνατό να υπάρξει μια έξοδος που να τρέχει στα 24 bit και μια άλλη στα 16 bit. Αυτή η δυνατότητα  είναι ιδιαίτερα πρακτική όταν πρέπει να γίνει ένα αντίγραφο ασφάλειας π.χ. ένα DAT Η ευαισθησία στην αναλογική είσοδο μπορεί να οριστεί ανα 1dB. Ένα πρόσθετο gain control εφαρμόζεται στο τσιπ DSP στην ψηφιακή περιοχή. Και το κανάλι 1 και το κανάλι 2 είναι πλήρως ανεξάρτητα, εκτός από το ποσοστό δειγματοληψίας και για τις ρυθμίσεις dither. Το AES/EBU sync input μπορεί να χρησιμοποιηθεί ως ψηφιακή είσοδος. Το peak hold feature μπορεί να χρησιμοποιηθεί για να ελέγξει μια μεταφορά για τυχόν υπερφορτώσεις που μπορεί να έχουν εμφανιστεί.Ο ADC2  διατίθεται και με firewire. Η επιλογή firewire είναι ένα PCB που συνδέεται με το κύριο τμήμα του ADC2. Υποστηρίζει την αμφίδρομη μετάδοση: - αναλογική ή ψηφιακή είσοδος από το ADC2 στον υπολογιστή - από τον υπολογιστή στον ADC2,έξοδος στο S/PDIF. Όλα τα ποσοστά δειγματοληψίας υποστηρίζονται. Υπάρχουν διαθέσιμοι drivers για Windows και PowerPC MAC.

Ο DAC1 είναι ένας από τούς ελάχιστα μηχανήματα που ανήκουν στην πολύ μικρή ομάδα των κορυφαίων D/A μετατροπέων.Είναι ένας μετατροπέας D/A   24 bit / 96khz σχεδιασμένος με στόχο τη διατήρηση της απόλυτης ακουστικής πορείας του σήματος. Η ψηφιακή είσοδος σχεδιάστηκε με μεγάλη λεπτομέρεια και σκέψη όπως και η αναλογική έξοδος. Και οι δύο έχουν από κοινού την ιδανικότερη δυνατή προσέγγιση σε τεχνικό σχεδιαστικό επίπεδο, επιδιώκοντας τίποτα λιγότερο από την τελειότητα. Αυτό συνδυάζεται με ένα εργονομικό σχέδιο που δίνει στο χρήστη την άμεση πρόσβαση σε όλες τις απαραίτητες λειτουργίες, κρατώντας έναν τακτοποιημένο και έτσι εύχρηστο περιβάλλον. Αυτός ο συνδυασμός δίνει έναν αληθινά επαγγελματικό μετατροπέα D/A που ικανοποιεί τις υψηλότερες προσδοκίες.  

New Manhattan DAC II features include:World&#39;s highest performance 130dB Sabre 9038 DAC chipset.32 bit integer Class 2 USB2 driverless audio interfaceWorld class transparent analog preamp attenuatorsRoon Ready optional network cardMQA ® hardware decoder Improved optional phono preamplifier card New, easy to navigate menu system     The Manhattan DAC II design uses the same chassis, same power supply, and front panel circuits as the original Manhattan. It uses a completely new, redesigned main board. This offers a substantial sound quality upgrade. Significantly better detail and resolution, and state of the art transparent analog preamplifier performance.Existing Manhattan DAC I owners are eligible for Manhattan DAC II upgrade.Original Manhattan owners are encouraged to upgrade to Manhattan DAC II for a very reasonable upgrade fee. Upgrade includes replacement of the motherboard and will be performed in the US by Mytek Brooklyn office, in Europe, by Mytek Warsaw office and overseas by authorized Mytek dealer.Femto Clock TechnologyMytek&#39;s new Femto Clock that&#39;s incorporated into our C777 Clocking architecture pushes jitter and the noise floor below measurable levels.Highest Resolution SupportModern high resolution audio formats support for PCM 32 bit 384 kHz DXD to Quad DSD256 11.2 MHz.Discrete Analog & Digital Power SuppliesTwo separate isolated power supplies for the analog and digital stages that lower noise and crosstalk while increasing power and consistency.SPECIFICATIONSCONVERSION: PCM up to 384k, 32bit, MQA ®, native DSD up to DSD256, DXD, 130dB Dynamic Range.MQA Hi-Res DECODER: built in certified hardware MQA ® decoderDIGITAL INPUTS: USB2 Class2 (OSX, Linux driverless, all formats), AES/EBU (PCM up to 384k, up to DSD128 DOP), 3x S/PDIF (PCM up to 192k, up to DSD128 DoP), Toslink, SDIF3 DSD up to DSD256ANALOG INPUTS: RCA Line In switchable to Phono with Optional Phono Card insterted, second pair of RCA Line In, third pair XLR Balanced Line In. Analog inputs are router through minimalpath state of the art analog attenuator directly to analog and headphone outputs.ANALOG OUTPUTS: RCA, balanced XLR, simultaneous, 50 Ohm impedanceHEADPHONE OUTPUTS: Reference High Current, High transient Headphone Amp, 500mA, 6 Watts, 0 Ohm out impedance. Dual headphone jacks, designed to drive demanding headphones. Balanced operation w/optional Mytek adapter.BUILT-IN ATTENUATOR: Choice of 1dB step analog attenuator for main out and headphones, 1dB step digital 32bit attenuator or purist relay bypass.CLOCK: “Mytek Femtoclock Generator (tm)” 0.82ps internal jitter, Wordclock Input and Output (allows stacking multiple units for multichannel operation, includes mch DSD)AUDIO RECORDING FUNCTION FOR DIGITAL SOURCES: All digital inputs can be routed into computer via USB2. Allows connection of external digital sources such as CD Players and digitizing ADCs.REMOTE: Included, universal remote capableFIRMWARE: Upgradable via USB Control Panel App (Win and Mac)OPTIONAL PRECISION PHONO ANALOG PREAMP CARDHigh End M/M, M/C Phono Preamplifier with custom nickel core step up transformer , relay switchable and tunable. Input impedances, transformer ratio, RIAA curves and choice of gain can be changed within the menu or using the remote via relay switches. Optional card is sold separately and is user installable.OPTIONAL "ROON READY" NETWORK CARD: Turns the Manhattan II into network streamer with 24/192k and DSD64 maximum throughput. Compatible w/ Roon, DLNA/UpnPPOWER SUPPLY: Switchable 115/230VAC (100V Japanese version available)DIMENSIONS: WxDxH=17"x10.5"x1.95"=432x267x50mmWEIGHT: 16lbs, 8kgWARRANTY: 2 years  

Whether you’re tracking, mixing or mastering, the Convert-8 will deliver powerful low-end, articulate mids and transcendent highs to every channel in your analog rig. Patched into one of our award-winning analog summing units like the 2-BUS+ or the D-BOX – or to your favorite analog console – the Convert-8 will empower you to create the spacious, three-dimensional soundscapes that only real analog summing can deliver.Compatible with all of today’s digital signals (including the ubiquitous ADAT format) the Convert-8 is ready to take on any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don’t need more analog inputs, the Convert-8 brings today’s very best digital-to-analog conversion within reach of any studio.Our design philosophy includes a strict demand that our equipment be elegant and easy to use, and the Convert-8 exemplifies that philosophy. No menus, no cryptic multi-finger combinations to remember – just clearly labeled single-function buttons.With industry-standard reference levels of -14, -16 and -18dBFS, you can recalibrate the Convert-8 with the push of a button. While many professional converters are only aligned at the factory, the Convert lets you move flexibly between different reference levels on the fly. Anyone who’s ever fumbled around behind a rack with a “tweeker tool” while a second person watches an external meter knows the special value of our front-panel calibration buttons, especially when there’s eight channels or more!Χαρακτηριστικά:Signal to Noise Ratio A-weighted, 20Hz to 20KHz: < 114dBSignal to Noise Ratio unweighted, 20Hz to 20KHz: < 113dBDynamic Range A-weighted, 20Hz to 20KHz: < 114dBDynamic Range unweighted, 20Hz to 20KHz: < 113dBJitter: 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)Crosstalk rejection: > 114dBu  1kHzReplacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240VTHD+N:THD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: < 94.5dB (0.00188%)THD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: < 106.5dB (0.00048%)Frequency Response  96KHz sample rate:DC to 20KHz: +0, -0.25dBDC to 30KHz: +0, -0.5dBDC to 40KHz: +0, -1.0dB