Parametric Equalizers

BAE 1028 Mic Pre and EQ Pair with PSUThe BAE 1028 is a mic preamp with 3-band EQ inspired by the legendary 1073 with extensive additional frequencies.The BAE 1028 Mic Pre and EQ (Pair) uses the exact same mic and line preamp as the 1073 with Carnhill (St Ives) Transformers to give the true vintage tone associated with this legendary preamp.In addition the 1028 features no less than 28 frequencies including the same Low pass filter found on the 1084 module. The additional frequencies are located in the mid-bell and high shelf bands with frequencies selected to allow for greater flexibility with the mid bell able to play against the low and high shelves for rich, flexible and musical tonal shaping capabilities.FeaturesInspired by the legendary 1073Class A transformer-coupledHand-wired, all-discrete using modular cardsThree-band with HPF28 total frequency points with mid band overlappingExtended selection for high frequency shelvingHigh quality Swiss-made Elma® rotary switches

BAE 1073 Single Channel Mic Pre / EQ W/power supplyThe BAE 1073 is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.The BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.Features of the BAE 1073 Single Channel Mic Pre / EQHigh Frequency: +/-16dB fixed frequency shelving at 12kHzLow Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220HzMid Range: +/-18dB peaking, fixed ‘Q’ with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHzHigh Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz & 300HzIncludes BAE 24V PSU to operate.The power supply can run 2 units simultaneously thats why units are sold separately.

BAE 1073 Mic Pre / EQ Pair with PSUThe BAE 1073 is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.The BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.Features of the BAE 1073 Mic Pre / EQ Pair with PSUHigh Frequency: +/-16dB fixed frequency shelving at 12kHzLow Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220HzMid Range: +/-18dB peaking, fixed ‘Q’ with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHzHigh Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz & 300Hz

Manley’s modern take on the Pultec EQ - in stereo! - with extra frequencies the original never had; a vastly superior power supply and famous Manley line amps complete the package. Magic on drums, killer on guitars.The MANLEY ENHANCED PULTEC EQP-1A is our own interpretation of the historic Pultec Equalizer as originally produced by Pulse Techniques, Inc. We have been building these Manley Pultec EQs since 1990 after we bothered to hunt down Eugene Shenk in New Jersey to ask for his permission and blessings to produce our own version of his classic piece. These Manley Pultec units employ our own simple and clean all-tube make-up gain block to reamplify the signal after the passive EQ circuit. EQ may be set to 'flat' positions or BYPASSED entirely. All BOOST and CUT controls are continuously variable conductive plastic potentiometers for absolutely silent operation and long life. Our single rack unit monoblocks occupy one-third of the space of the 'antique Pultecs', an important consideration for allocation of outboard rack space. And if you notice, we've added a couple extra frequencies too. The rear mounted input switch selects 0 degrees or 180 degrees PHASE INVERT for the balanced gold pin XLR input or the transformerless unbalanced bridging input (1/4" jack) may be selected in that switch's middle position.People often ask us if our Pultec EQ's sound like the old ones to which we reply, "Yes! But better!" The originals had three transformers in the signal path whereas ours can be used completely transformerless. Our Manley Enhanced Pultec has a vastly superior B+ power supply, with regulated and balanced heater supply. Our line amp is known to be killer-sounding. The components we use today just weren't available in the 1960's. So, if you want a project with crackling carbon pots, dirty open frame wafer switches, 5% and 10% tolerance noisy carbon resistors, exposed tubes sticking out the back of the 3U chassis, etc., go pay top dollar for an antique Pultec!The MANLEY PULTEC EQP-1A, available in both single and 2-channel versions, uses 1 x 12AX7WA and 1 x 6414 (or 5965) in our ALL-TUBE single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like our 40dB Mic Preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety. Kick drum? Bring on the Pultecs and all the iron you can muster! You'll soon discover the power and magic of having those individual Low Frequency BOOST and CUT controls in that LF shelf circuit. . . Need a little clarity or extension? Try that middle bell-shaped Boost dialing in the sharpness of the boost on the BANDWIDTH control. Something bugging you? Ease it off with the HF shelf cut. You'll see. There's no substitute for a what a Manley Pultec EQ can do!

Manley’s modern take on the Pultec EQ with extra frequencies the original never had; a vastly superior power supply and famous Manley line amps complete the package. Magic on kick drum, killer on guitars.The MANLEY ENHANCED PULTEC EQP-1A is our own interpretation of the historic Pultec Equalizer as originally produced by Pulse Techniques, Inc. We have been building these Manley Pultec EQs since 1990 after we bothered to hunt down Eugene Shenk in New Jersey to ask for his permission and blessings to produce our own version of his classic piece. These Manley Pultec units employ our own simple and clean all-tube make-up gain block to reamplify the signal after the passive EQ circuit. EQ may be set to 'flat' positions or BYPASSED entirely. All BOOST and CUT controls are continuously variable conductive plastic potentiometers for absolutely silent operation and long life. Our single rack unit monoblocks occupy one-third of the space of the 'antique Pultecs', an important consideration for allocation of outboard rack space. And if you notice, we've added a couple extra frequencies too. The rear mounted input switch selects 0 degrees or 180 degrees PHASE INVERT for the balanced gold pin XLR input or the transformerless unbalanced bridging input (1/4" jack) may be selected in that switch's middle position.People often ask us if our Pultec EQ's sound like the old ones to which we reply, "Yes! But better!" The originals had three transformers in the signal path whereas ours can be used completely transformerless. Our Manley Enhanced Pultec has a vastly superior B+ power supply, with regulated and balanced heater supply. Our line amp is known to be killer-sounding. The components we use today just weren't available in the 1960's. So, if you want a project with crackling carbon pots, dirty open frame wafer switches, 5% and 10% tolerance noisy carbon resistors, exposed tubes sticking out the back of the 3U chassis, etc., go pay top dollar for an antique Pultec!The MANLEY PULTEC EQP-1A, available in both single and 2-channel versions, uses 1 x 12AX7WA and 1 x 6414 (or 5965) in our ALL-TUBE single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like our 40dB Mic Preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety. Kick drum? Bring on the Pultecs and all the iron you can muster! You'll soon discover the power and magic of having those individual Low Frequency BOOST and CUT controls in that LF shelf circuit. . . Need a little clarity or extension? Try that middle bell-shaped Boost dialing in the sharpness of the boost on the BANDWIDTH control. Something bugging you? Ease it off with the HF shelf cut. You'll see. There's no substitute for a what a Manley Pultec EQ can do!

Εισική έκδοση με πρόσοψη Silver. Το TK-lizer 2 είναι ένας τύπος EQ τύπου Baxandall, μπορούμε να επιλέξουμε μεταξύ shelving ή peak, οι high και οι low freq περιοχές, Πολύ χρήσιμο για τον συντονισμό των χαμηλών, μεσαίων και υψηλών περιοχών.Το TK-lizer 2 διαθέτει επίσης ενσωματωμένη λειτουργία M / S, η οποία σας επιτρέπει να επεξεργαστείτε ξεχωριστά τα mid και side σήματα σας. Μπορείτε επίσης να επηρεάσετε το πλάτος της στερεοφωνίας σας, χρησιμοποιώντας τα χειριστήρια στάθμης σε λειτουργία M / S.

Commemorating two and a half decades of world-class tone shaping, the Manley 25th-anniversary Massive Passive delivers natural, organic sonic sculpting via a simple, passive design that's tailor-made for delicate applications. You'll appreciate this Massive Passive's mechanically detented Gain and Bandwidth knobs, ensuring easy repeatability, and its specially tailored filters. This is one of the most transparent-sounding hardware equalizers you'll ever run a mix through; it delivers amazing sound with zero coloration or overprocessing. Limited to 100 units, the Manley 25th-anniversary Massive Passive comes adorned with an eye-grabbing cobalt blue faceplate and custom laser-engraved artwork.

The Chandler Limited EMI TG12413 Zener Limiter is the definitive TG limiter, released in honor of Abbey Road Studios' 75th birthday. The brainchild of Chandler Limited designer Wade Goeke, the Zener Limiter is based on the classic EMI circuits used to record The Beatles and Pink Floyd. This latest EMI limiter carries on the tradition of EMI limiters started in 1956 with the RS114 tube limiter, and continued with 1966's RS168 Zener Limiter (a component of the TG12345 console channel in 1968), and the TG12413 in '74. Start with the essence of the classic RS168, add modern functionality, and you have the Chandler Limited EMI TG12413 Zener Limiter.Chandler Limited EMI TG12413 Zener Limiter at a Glance:Classic compression and limiting, with modern flexibilityExercise iron-fisted control over your dynamicsYou get natural compression, scrumptious-sounding limiting - and a blend of the twoClassic compression and limiting, with modern flexibilityThe original TG Limiter was designed to replace both the Fairchild 660 and the EMI-modified Altec 436/RS124 - two certified classics, revered for their dynamics-shaping prowess. The Altec unit was known for its natural, organic compression, while the Fairchild - with its fast, sub-millisecond onset and extremely soft-knee compression curve - is perhaps the most lusted-after (and imitated) limiter ever made. The Chandler Limited EMI TG12413 Zener Limiter gives you the sonic mojo of these two classics - and goes several steps beyond.Exercise iron-fisted control over your dynamicsThe Chandler Limited EMI TG12413 Zener Limiter gives you the power to impose your will on your dynamics. Starting with the powerful vintage TG limiter circuits, Chandler Limited gives you added features and flexibility in the form of controls such as switchable input impedance (for hard or soft driving of the unit), 11-position attack, 21-position release, and side chain filtering, as well as Comp 1, Comp 2, and Limit settings.You get natural compression, scrumptious-sounding limiting - and a blend of the twoCOMP 1 is a 2:1 ratio with slower time constants than originally designed by EMI engineers to emulate the Altec 436/RS124 EMI-modified Altec compressors. Limit mode is much faster and designed to emulate the response curves of the revered classic Fairchild 660. COMP 2 is a new setting that puts you halfway between the two original settings, essentially giving you the compression curve of Comp 1, with the faster release times characteristic of Limit mode. Whether you use it for tracking or mastering, with its sonic pedigree and effective controls, the Chandler Limited EMI TG12413 Zener Limiter is a must-have for huge, punchy mixes.Chandler Limited EMI TG12413 Zener Limiter Features:Gives you the sonic mojo of two classics: the Fairchild 660 and the Altec 436/RS124COMP 1 mode is a 2:1 ratio with slower time constants reminiscent of the Altec 436/RS124Limit mode is faster and designed to emulate the response curves of the revered classic Fairchild 660COMP 2 is a new setting that puts you halfway between the two original settingsChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.

The Chandler Limited EMI TG12345 Curve Bender EQ is the definitive TG equalizer, released in celebration of Abbey Road Studios' 75th birthday. The brainchild of Chandler Limited designer Wade Goeke and Abbey Road senior engineer Peter Cobbin, the Curve Bender is based on the vintage EMI TG12345 console used on Beatles and Pink Floyd recordings. This latest EMI equalizer carries on the tradition of EMI EQs that began in 1951 with the RS56 (cheekily dubbed "the Curve Bender" by EMI designers), and continued with the 1968's TG12345 and TG12412 in '74. A classic design - the gorgeous-sounding TG12345 - juiced with it with modern features. That's the Chandler Limited EMI TG12345 Curve Bender.Chandler Limited EMI TG12345 Curve Bender EQ at a Glance:A fully featured version of a classic EQPowerful functionality gives your serious sound shaping mojoYou get the best of both worlds: vintage warmth, plus modern featuresA fully featured version of a classic EQThe Chandler Limited EMI TG12345 Curve Bender EQ is the embodiment of a dream. It was during his mixing of numerous Beatles-related projects (Anthology, Yellow Submarine, Imagine, etc.), it occurred to Peter Cobbin that having a fully featured and highly flexible version of the original desk EQ units would be invaluable. After Wade Goeke presented him with a working version of the legendary console equalizer, Peter realized he could "have it all," and set Wade to building the perfect beast.Powerful functionality gives your serious sound shaping mojoPeter had requested four bands, and filters based on the slopes of the original console - but with overlapping and expanded options. In the final production unit, the 9 selections of the original TG12345 had become 51 EQ points. Wade also added a multiply switch that increases boost/cut up to 13.5dB (as well as sharpening the Q), in addition to filters and bell/shelf selections on the high and low bands.You get the best of both worlds: vintage warmth, plus modern featuresThe result is the Chandler Limited EMI TG12345 Curve Bender - a classic equalizer from the glorious history of EMI and Abbey Road that's come full circle, morphing into a modern powerhouse EQ perfect for all your recording, mixing, and mastering needs.Chandler Limited EMI TG12345 Curve Bender EQ Features:A fully featured version of a classic EQThe best of both worlds: vintage warmth, plus modern features51 EQ pointsMultiply switch increases boost/cut up to 13.5dBHigh pass and lowpass filters and bell/shelf selections on high and low bandsChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.

Mastering Equalizer This is a unique equalizer – for several reasons. It has two times five fully parametric filter bands, each of which can be switched between constant Q and proportional Q! And there’s sheer unlimited headroom and a very special kind of EQ sound – thanks to 120V technology. Stepped Potentiometers Recall of all settings is easy thanks to the potentiometers with 41 steps. Cut/Boost & 1/4 Gain Each filter band can be boosted or cut up to 20 dB. If only minimal changes are required, the 1/4 Gain switch can be used to reduce the boost or cut range from +/-20 dB to +/-5 dB. Frequencies We have designed the frequency distribution to overlap widely between the bands, so that problematic frequencies can also be addressed with two bands. Bandwidth Q The bandwidth Q determines the steepness of bell characteristic. A small Q is a wide bandwidth and a high Q a narrow bandwidth. The labeling of the scale is divided into two parts. The values with white background refer to the proportional Q mode and the values without background refer to the constant Q mode. On/Off The orange button is used to switch the individual filter band on and off.  Constant & Proportional Q The blue button is used to toggle the Q mode. In constant Q mode, the amplitude is constant regardless of the selected bandwidth. This is ideal for eliminating interfering frequencies. In proportional Q mode, the amplitude is proportional to the bandwidth. It decreases with increasing bandwidth and vice versa. At the smallest bandwidth setting, the maximum amplitude value is +/- 20 dB, while the maximum amplitude decreases to +/- 2.8 dB at the largest bandwidth setting. This control behavior simplifies sensitive, creative processing and is musically very useful, since high amplitudes become increasingly unusable with increasing bandwidth. Auto Bypass For an objective evaluation of the edited music program, it makes sense not to switch between the original signal and the edited signal yourself, but to leave this to an automatic system. It is also an advantage that, for an optimal evaluation of the processing, one does not have to move from the stereo center and can concentrate fully on the program. With the help of the Interval control the switching time window can be determined. Turning it clockwise extends the time interval. Link The PQ is designed as a completely separate dual-mono, two-channel equalizer and can individually process two mono music programs simultaneously. It is of course also possible to edit a stereo program (left/right). If the Link function is activated, the functions LF, LMF, MF, MHF, HF On/Off and Con. Q/Prop.Q on both sides are switched together by the buttons on one side. This makes it possible to activate or deactivate a filter band or the Q characteristic on both sides of the equalizer with a single button operation. In Link mode, the right side controls the left side as factory preset. However, this can be adapted to individual working habits. If the channel switch of a channel is pressed until it flashes, this channel controls the other side from that moment on. Channel On/Off The orange button switches the entire channel on and off. Specifications: Analog inputs & output: XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (+30 dBu, 1 kHz): 0.0005 % Noise (A-weighted): -94.3 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 3.15 mA Fuse for 115 V: T 6.3 A Power consumption: max. 100 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 177 x 300 mm Unit weight: 15.2 kg Shipping weight (incl. packaging): 18.7 kg

Βασισμένο στα θρυλικά EQ της δεκαετίας του '60 και του '70, ο παθητικός ισσοσταθμιστής Wes Audio LC-EQP θα δώσει ζωή στην μουσική σας. O συνδιασμός του αναλογικού signal path με τους μετασχηματιστές Carnhill διατηρεί την ηχητική ακαιρεότητα του κομματιού σας κατά την ισσοστάθμιση.Χαρακτηριστικά: Τύπος: Υβριδικό Carnhill μετασχηματιστές Αντίσταση εισόδου: > 1.5 kOhm Αντίσταση εξόδου:  150 ohms Μέγιστη ένταση εξόδου: +22dBu Aπόκριση Συχνοτήτων: 5 Hz - 65 kHz (-3 dB) SNR ratio: 90 dB Λειτουργία Bypass Περιοχές: 2 (Dedicated Boost/Cut) Balanced XLR είσοδος και έξοδος Εσωτερική τροφοδοσία 115/230V Format: 19 "2U Διαστάσεις: 483 x 88 x 237 mm Βάρος: 7 kg

Νέα έκδοση S γραφικού equalizer 1/3 της οκτάβας, 2x31 περιοχών constant Q. Επιλεγόμενο εύρος αυξομείωσης 6/12dB, φίλτρο αποκοπής χαμηλών συχνοτήτων στα 40Hz με 12dB ανά οκτάβα. Iσορροπημένες (balanced) είσοδοι και έξοδοι με XLR & TRS jacks, δυναμική περιοχή 108dB, 2U.

Νέα έκδοση S γραφικού equalizer 2/3 της οκτάβας, 2x15 περιοχών constant Q. Επιλεγόμενο εύρος αυξομείωσης 6/12dB, φίλτρο αποκοπής χαμηλών συχνοτήτων στα 50Hz με 12dB ανά οκτάβα. Ισορροπημένες (balanced) είσοδοι και έξοδοι με XLR & TRS jacks, δυναμική περιοχή 108dB, 1U.

70 Χρόνια Μετά τη Δημιουργία  του, Το Baxandall Eq Αναβαθμίζεται Η τοπολογία του Baxandall equalizer, που παρουσιάστηκε στο κοινό από τον Peter Baxandall το 1952, ήταν ένας πολύ έξυπνος τρόπος να έχουμε high και low shelves με επιλογή πρόσθεσης και αφαίρεσης χωρίς τη χρήση ακριβών περιστροφικών διακοπτών. Αυτό το προσιτό κύκλωμα υιοθετήθηκε σύντομα από κατασκευαστές hi-fi και κονσόλων για την απλότητά του, όπου δεν απαιτούνται παραμετρικές επιλογές eq. H Heritage Audio αντικατέστησε επιτυχώς την τοπολογία Baxandall με ένα λειτουργικό ισοδύναμο - πολύ πιο μουσικό, το οποίο υλοποιήθηκε σαν μια μονάδα 1U rack για master bus και mastering. Το Stereo Asymptotic Equalizer, γνωστό ως Symph EQ, παίρνει το όνομά του από το σχήμα που λαμβάνεται από τις καμπύλες των shelf eq, όπου το εύρος ενίσχυσης ή αποκοπής μεγαλώνει έως ότου επιτευχθεί η ασυμπτωτική τιμή, διατηρώντας πάντα τις εξαιρετικά υψηλές και χαμηλές συχνότητες υπό έλεγχο. Ο ήχος του μπορεί να περιγραφεί μόνο ως σφιχτός, γλυκός και φυσικός, και η χρήση της παράλληλου equalizing για τη λήψη των επιθυμητών καμπυλών απόκρισης το κάνει να έχει εξαιρετική απόκλιση χαμηλής φάσης. Shelving Με Χειρουργική , αλλά Μουσική Ακρίβεια. Μια διάταξη έξυπνου κυκλώματος επιτρέπει ρύθμιση + ή - 10,5 dB σε βήματα 0,5 dB. Ο κύριος περιστροφικός διακόπτης θέτει βήματα 1dB ενώ το κουμπί 0,5 προσθέτει μισό dB στην κύρια ένδειξη. Το κουμπί CUT μετατρέπει το ποσό ενίσχυσης σε περικοπή. Διατίθενται έξι στρατηγικά επιλεγμένες, επιλογές συχνότητων ανά μπάντα (8, 10, 12, 15, 20 και 24 Khz στο high shelf και 470, 360, 220, 110, 60 και 20 Hz στο low shelf). 2-PoleHigh Και Low Pass Φίλτρα Προκειμένου να διατηρηθούν οι πολύ χαμηλές και οι εξαιρετικά υψηλές συχνότητες υπό έλεγχο, έχουν προστεθεί επιπλέον φίλτρα υψηλής και χαμηλής διέλευσης σε διπλούς ομόκεντρους περιστροφικούς διακόπτες, στα 12dB / οκτάβα. 5 επιλογές συχνότητας και OFF είναι διαθέσιμες σε κάθε μία (10, 12, 18, 22 και 30 Khz στο low-pass και 160, 82, 47, 20 και 15 Hz στο high-pass). Εδώ Είναι Που η Μαγεία Ζεί. Το Symph EQ θα είναι ένα φοβερό εργαλείο όπως έχει περιγραφεί παραπάνω, αλλά μετατρέπεται σε αριστούργημα με τις ακόλουθες 3 προσθήκες: Διαθέτει τους ίδιους αποκλειστικούς μετασχηματιστές εισόδου Carnhill made in Oxford που υπάρχουν στο Successor. Οι έξοδοι οδηγούνται από ενισχυτές εξόδου Class-A 73 τύπου, κατασκευασμένοι με τους ίδιους μετασχηματιστές εξόδου Carnhill St´Ives όπως η υπόλοιπη οικογένεια προϊόντων μας. Το πιο σημαντικό και, εδώ είναι που το Symph EQ λάμπει πραγματικά, έχει ενσωματωμένες δυνατότητες Mid Side (M / S). Το Ασυναγώνιστο M/S Equalizing. Τίποτα δεν πλησιάζει στο M / S equalizing σε ένα μιξ. Επιτρέπει στον χρήστη να επεξεργάζεται ανεξάρτητα το κέντρο και τις πλευρές. Τα οφέλη μιας τέτοιας επεξεργασίας είναι δύσκολο να τα πιστέψουμε. Μπορείτε να βελτιώσετε τη μίξη σας χωρίς να κάνετε τα φωνητικά σας να ακούγονται σκληρά ή ακόμα και να “σφίξετε” το περιεχόμενο των μπάσων της στερεοφωνικής εικόνας χωρίς να κάνετε τον ήχο μπάσου ή της μπότας αδύναμο! Αυτά είναι μερικά μόνο παραδείγματα της ισχύος του Symph EQ M / S! Η απόκριση του Side high pass φίλτρου έχει γίνει ελλειπτική όπως είναι στους κόπτες δίσκου βινυλίου για ακριβή απόκριση συχνότητας. Με Το Symph Eq Προσαρμοσμένους μετασχηματιστές εισόδου Carnhill Oxford και προσαρμοσμένους μετασχηματιστές εξόδου Carnhill St Ives, και οι δύο αποκλειστικά κατασκευασμένοι για την Heritage Audio. Σταδιο εξόδου high-end, 73-style Class-A. Όλα τα χειριστήρια χρησιμοποιούν περιστροφικούς διακόπτες υψηλής ποιότητας ακριβείας 0,5dB. Η επεξεργασία Mid-side επιτρέπει την ακριβή διαχείριση των κεντρικών μπάσων και τις δυναμικές πηγές υψηλής ενίσχυσης χωρίς να επηρεάζει τις κεντρικές πηγές, όπως φωνητικά, snare κ.λπ. Stereo και M/S εισόδους και εξόδους, όλες balanced και ground free (συμβατές με unbalanced) επιχρυσωμένα XLRs. ON, M/S ή stereo λειτουργία και ξεχωριστό hard BYPASS για κάθε κανάλι. Κατασκευάζεται εξ ολοκλήρου στην Ευρωπαϊκή Ένωση

Η μαγεία πίσω απο το καταπληκτικο αυτό νεό EQ είναι η βασική ιδέα  της χρήσης Baxandall  φίλτρων και η υλοποίηση  του που διήρκεσε πολλά χρόνια. Τα κλασσικά shelving  φίλτρα  Baxandall  ήταν διάσημα ήδη απο την δεκαετία του  60 για την απίστευτη μουσικότητα τους και τον ιδιαίτερο μουσικό ήχο τους. Ο Chris Muth δούλεψε πολλά χρόνια για την δημιουργία ενός σύγχρονου Baxandall  EQ.Το Dangerous Music BAX EQ είναι το νέο  standard  για υψηλού επιπέδου equalization για ηχολήπτες mastering αλλά και ηχολήπτες studio. Προσφέρει απίστευτα μαλακά και μεταξένια υψηλά που πραγματικά δίνουν ζωή στίς μίξεις. Επίσης  οι χαμηλές  συχνότητες αποκτούν  σώμα και γίνονται πιο συμπαγείς. Όλα αυτά  δε χωρίς περίεργους χρωματισμούς.To νέο στερεοφωνικό EQ προσφέρει  ακριβή έλεγχο με ποτενσιόμετρα διακριτά σε στάδια  γεγονός που βελτιώνει ακόμα περισσότερο τον ήχο και δείχνει την σημασία στην λεπτομέρεια της κατασκευής του. Αν θέλεται έναν ακριβό ήχο με  σύγχρονη σχεδίαση αλλά και  vintage χαρακτήρα  ως πρός την γλυκύτητα του ήχου , αυτό είναι το EQ που πάντοτε περιμένατε !Dangerous Music BAX EQ Stereo Mastering and Mix Bus Shelving Equalizer Features:Inspired by the Classic P. J. Baxandall Shelving CurvesStepped controls throughout for repeatability and identical stereo operationBroad Q Shelving7-position High Pass and Low Pass Filters — 2-pole Butterworth configuration (12 dB/oct)8-position High and Low Frequency Select+/- 5dB Cut and Boost controls in 1/2dB steps

Mastering Equalizer This is a unique equalizer – for several reasons. It has two times five fully parametric filter bands, each of which can be switched between constant Q and proportional Q! And there’s sheer unlimited headroom and a very special kind of EQ sound – thanks to 120V technology. Stepped Potentiometers Recall of all settings is easy thanks to the potentiometers with 41 steps. Cut/Boost & 1/4 Gain Each filter band can be boosted or cut up to 20 dB. If only minimal changes are required, the 1/4 Gain switch can be used to reduce the boost or cut range from +/-20 dB to +/-5 dB. Frequencies We have designed the frequency distribution to overlap widely between the bands, so that problematic frequencies can also be addressed with two bands. Bandwidth Q The bandwidth Q determines the steepness of bell characteristic. A small Q is a wide bandwidth and a high Q a narrow bandwidth. The labeling of the scale is divided into two parts. The values with white background refer to the proportional Q mode and the values without background refer to the constant Q mode. On/Off The orange button is used to switch the individual filter band on and off.  Constant & Proportional Q The blue button is used to toggle the Q mode. In constant Q mode, the amplitude is constant regardless of the selected bandwidth. This is ideal for eliminating interfering frequencies. In proportional Q mode, the amplitude is proportional to the bandwidth. It decreases with increasing bandwidth and vice versa. At the smallest bandwidth setting, the maximum amplitude value is +/- 20 dB, while the maximum amplitude decreases to +/- 2.8 dB at the largest bandwidth setting. This control behavior simplifies sensitive, creative processing and is musically very useful, since high amplitudes become increasingly unusable with increasing bandwidth. Auto Bypass For an objective evaluation of the edited music program, it makes sense not to switch between the original signal and the edited signal yourself, but to leave this to an automatic system. It is also an advantage that, for an optimal evaluation of the processing, one does not have to move from the stereo center and can concentrate fully on the program. With the help of the Interval control the switching time window can be determined. Turning it clockwise extends the time interval. Link The PQ is designed as a completely separate dual-mono, two-channel equalizer and can individually process two mono music programs simultaneously. It is of course also possible to edit a stereo program (left/right). If the Link function is activated, the functions LF, LMF, MF, MHF, HF On/Off and Con. Q/Prop.Q on both sides are switched together by the buttons on one side. This makes it possible to activate or deactivate a filter band or the Q characteristic on both sides of the equalizer with a single button operation. In Link mode, the right side controls the left side as factory preset. However, this can be adapted to individual working habits. If the channel switch of a channel is pressed until it flashes, this channel controls the other side from that moment on. Channel On/Off The orange button switches the entire channel on and off. Specifications: Analog inputs & output: XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (+30 dBu, 1 kHz): 0.0005 % Noise (A-weighted): -94.3 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 3.15 mA Fuse for 115 V: T 6.3 A Power consumption: max. 100 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 177 x 300 mm Unit weight: 15.2 kg Shipping weight (incl. packaging): 18.7 kg

Passive Mastering Equalizer In the PASSEQ we have revived the concept of the passive equalizer that was used in the 50’s and 60’s. The charming sound of this vintage technology combined with the modern 120V technology results in a very special equalizer. Only one filter​ All control functions are part of only one passive filter. There are three frequency ranges: Low Freq / Mid Freq / High Freq Each with a cut control on the left and a boost control on the right. In the middle is the output control. Design A passive filter has no amplification stages. It can therefore only be lowered. If one frequency is to be boosted, all the others must be lowered. Behind the filter there is a stage that makes up for the lowered overall level. Since low noise is particularly important here, since up to 20 dB can be made up for, the 120V technology comes into its own. The entire passive filter (variable resistor, capacitor and coil) provides a very nice sound characteristic. Besides the choice of components, the charging behaviour of the capacitors and the saturation behaviour of the coils play a major role in this. The resulting relative inertia compared to potentially very fast active filters is the reason for a pleasant, musically advantageous sound characteristic. We would choose smoothness and transparency as well as strikingly silky highs and pithy basses as a description that suits our perception. During fine-tuning, through component selection, in countless listening sessions, the emphasis was on achieving the most musical sounding curves possible, which, for example, need fear no comparison with a Pultec EQ from the 1950/60s. Only without all the disadvantages of a 60 year old original, such as the very high background noise, but above all the very limited frequency selection. Another highlight of the PASSEQ is the HF+ band, which has been extended by the frequencies 25 kHz and 35 kHz and sounds so incredibly good that you don’t want to switch it off. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -60 dBu Frequency range (-3 dB): 10 Hz – 200 kHz Crosstalk (1 kHz): -108 dBu THD + N (+30 dBu, 1 kHz): 0.0012 % Noise (A-bewertet): -95.2 dBu Dynamic range: 134.5 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 15 VA Dimensions & Weight W x H x T (W x H x D (width x height x depth) x Höhe x Tiefe): 482 x 132 x 300 mm Unit weight: 10.2 kg Shipping weight (incl. packaging): 14 kg

Bettermaker Mastering Equalizer for those who seek outstading EQ quality with the convinience of fast and precise recall and automation. MEQ offers 100% signal path,  Passive as well as parametric filters, Highpass filter with changable slope and resonanse, Stereo/Dual mono/MS operation and a metering section with EQ curve representation. All this with mastering grade sound and patentedrecall with a speed of a native plugin.    Mastering Equalizer:  100% analog audio signal path  USB connectivity with MAC/PC  all parameters are digitally controlled via touchscreen and/or DAW (with dedicated plugin)  399 presets with unique names, total recall, A/B comparison  5-inch capacitive touchscreen with backlight, four encoders with push-button action for ease of control  stereo, dual-mono and mid/side operation modes with focus function  stereo 12 or 24dB/oct high-pass filter with adjustable cutoff frequency (10Hz – 240 Hz; extended to 6Hz with the resonance enabled)  four stereo parametric filters with 15dB boost/cut range, variable Q (0.2 – 7):  EQ1: 22Hz – 470Hz (bell/shelf)  EQ2: 90Hz – 2kHz (bell)  EQ3: 480Hz – 10kHz (bell)  EQ4: 1kHz – 23kHz (bell/shelf)  stereo passive equalizer with extended hi-boost section (air bands: 20 and 28 kHz)  stereo, 12dB/oct low-pass filter with adjustable cutoff frequency (2 – 38 kHz)  adjustable output level (+/- 10dB)  Frequency Search, Gain Lock, Note and Auto-Q functions  on-board measurement of PEAK/RMS levels and RTA analyzer  on-screen live representation of the equalization curve Digital Section: The sound of the Mastering Equalizer is of course based on the quality of its analog filters, precisely matched capacitors and inductors. But all the control and user interactions are performed in the digital domain. This allows us to incorporate options and possibilities not found in any standard analog equalizers: Save and recall presets from on-board memory (400 slots available) Instant reset of all parameters Rapid, precise and repeatable adjustments Precisely linked stereo operation with the ease of a single control DAW automation and recall of all available parameters   The digital section of the Mastering Equalizer is based around high speed, 32-bit micro-controller, with dedicated firmware programmed into its memory (with the possibility of updating the firmware via USB connection). It controls the parameters af all analog filters, watches over the user interface, presets management, audio measurement, USB connectivity and other Mastering Equalizer functions. Front panel and LCD touchscreen: The front panel of the Mastering Equalizer is build around big LCD touchscreen, that allows you to control almost all functions available in the device. It will show you live representation of the EQ curve and allow you to adjust filter gain and frequency with the touch and drag of your finger (check unique Frequency Search function!). Apart from that, you can also monitor input/output levels, access the FFT real time analyzer or store and recall presets using on-screen QWERTY keyboard. DAW integration: The Bettermaker Mastering Equalizer can communicate with your DAW via USB connection. The unit appear as a HID device and can be managed via Bettermaker Mastering Equalizer Plugin. Technical specification (all filters enabled, set flat):  Frequency response 20Hz to 20kHz (+/- 0.2 dB)  Dynamic range: 102dB (+23dBu, 22kHz BW)  THD+N: 0.03% @ +4 dBu, 0.06% @ +18 dBu, 20 kHz BW  CMRR: max 85 dB @ 3 kHz, min 52 dB @ 20Hz, 20 kHz BW  Crosstalk: min -100 dB @ 30Hz, max -65 dB @ 20kHz, +18 dBu, 20 kHz BW  balanced stereo input (XLR), 23dBu max input level (THD < 0.2%)  balanced stereo output (XLR), 23dBu max output level (THD < 0.2%)  Operating Level: +4dBu  Input impedance (differential): 48kΩ (for balanced signal)  Output Impedance: 50Ω + 50Ω (electronically balanced)  2U enclosure, 230mm deep  115/230V switch  advanced linear power supply with toroidal AC mains transformer  Maximum power consumption: 20W  Shipping weight: 5.5 kg

The Thermionic Culture Kite is the highly requested all-valve stereo equalizer with ATTITUDE. The Kite carries attitude, EQ and the big fat sound of the Fat Bustard, but without the summing facility. This version is available fully balanced. Features include: All controls are stereo except O/P TRIM and are indented for easy recall;' HPF (High Pass Filter) operates at 20 & 40Hz with a 12dB/octave curve; BASS BOOST and BASS CUT both have 2 selectable operating frequencies,which can be used together for a Mid Cut effect; TOP SHELF is a broad Mid/Top Lift, a little like a Presence control. Also has 2 frequencies. AIR boosts the higher Top and will give an amazing clear yet warm sound, only available with out valve products; ATTITUDE is our own switch that adds those special 2nd harmonics only possible with valves! ; OUTPUT TRIM - Separate controls to adjust finely the 2 channels, also -6dB switches; XLR connectors, "semi floating" inputs and unbalanced outputs are employed; A transformer balanced version is available to order, in Purple.

New colours from the masters of analogue.Fusion is an all-analogue 2U stereo outboard processor created for the modern hybrid studio. Fusion introduces five completely new analogue colouration tools designed to bring the perfect combination of added tonal character, weight and space to your mix bus or stereo stems, with the detail, warmth and finesse that only real analogue circuits can provide.The SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of studio consoles; pristine mic pre’s, classic Channel EQ & Dynamics, the legendary Stereo Bus Compressor, the Listen Mic Compressor, and the unique SSL summing bus. Fusion takes SSL into a new era with the introduction of a suite of new analogue processing tools that offer exceptional tonal character and versatility. Fusion expands the processing palette for hybrid studio owners and is a superb partner for the SSL Stereo Bus Compressor.Fusion features five analogue processors that can be used discretely or combined:Vintage DriveVintage Drive - is a unique non-linear harmonic enhancement circuit that brings cohesion and strength to your mix. Drive and Density controls interact to produce harmonic saturation and soft compression derived from overloading an analogue circuit. It can be used lightly for subtle thickening saturation or driven hard for more extreme distortion.The Violet EQThe SSL Violet EQ - an all-new minimum phase-shift, two-band shelving EQ. The first new SSL analogue EQ circuit for more than 25 years draws on the SSL legacy of carefully selected frequencies and response curves to create a musical and intuitive EQ designed to quickly dial in low-end weight and high-end sheen. High and Low frequency circuits each offer four switched frequency points and +/-9dB attenuation.HF CompressorA new High Frequency Compressor delivers the distinctive sound of high frequency rounding in the analogue domain. A compressor that effects high frequencies only, optimised for smooth and transparent harshness reduction and a tape-like high-frequency roll off – great for taming brittle high frequency fizz.Stereo ImageA new Stereo Image enhancer provides a true analogue Mid-Side circuit that manipulates the Side signal, allowing for widening and spatial manipulation of the stereo field.TransformerA switched, custom-designed SSL Transformer circuit introduces subtle low-frequency saturation, alongside a high-frequency phase-shift. The result is a simultaneous thickening of the low-end and an added sparkle to the high-end.Expertly designed for today’s hybrid studioSSL has also always been known for clever connectivity and features that streamline and accelerate production workflow. Fusion fits right in with a collection of workflow enhancing features including: +/-12dB Input and Output Trim controls, an Input overload LED, large peak-hold metering, a front-end 3rd order High Pass Filter with three selectable cut off frequencies, and tri-colour status indicators for the Vintage Drive and HF Comp sections.A set of XLR connections can be used either as a Stereo Insert for stereo mix bus processing or switched to function as a Mid-Side (MS) circuit enabling separate compressors or EQ to be applied to the middle (centre) and sides of a stereo signal. In Stereo Insert mode the insert point can be switched to pre-Violet EQ, when in MS mode the insert can be switched to pre-Stereo Image controls. Input and Output connections are via XLR.Specifications:Includes 5 new circuits for signal processing and tone colouring in one deviceVintage Drive: Saturation for harmonic overtones and subtle compressionViolet EQ: Newly developed 2-band equalizer (shelving characteristic) with 4 selectable frequencies per band and +/- 9 dB strokeHigh Frequency Compressor: Frequency-selective compressor to round off the high-frequency range and control unwanted transientsStereo Image: Analogue M / S matrix for stereo broadeningTransformer: Switchable SSL transformer for subtle emphasis on bass and trebleSwitchable insertInput and output level controlsSwitchable high-pass filter with 3 frequenciesLevel meterBypass switch2 XLR inputs2 XLR outputsDimensions: 19" / 2 HE

Το TK-lizer 2 είναι ένας τύπος EQ τύπου Baxandall, μπορούμε να επιλέξουμε μεταξύ shelving ή peak, οι high και οι low freq περιοχές, Πολύ χρήσιμο για τον συντονισμό των χαμηλών, μεσαίων και υψηλών περιοχών.Το TK-lizer 2 διαθέτει επίσης ενσωματωμένη λειτουργία M / S, η οποία σας επιτρέπει να επεξεργαστείτε ξεχωριστά τα mid και side σήματα σας. Μπορείτε επίσης να επηρεάσετε το πλάτος της στερεοφωνίας σας, χρησιμοποιώντας τα χειριστήρια στάθμης σε λειτουργία M / S.

Μονοκάναλο equalizer εμπνευσμένο από το κλασικό Neve 1073, με ζεστό και μουσικό ήχο σε πολύ προσιτή τιμή.Το EQ-73 αποτελεί ουσιαστικά το eq section του Neve 1073 χωρίς το φίλτρο high-pass, ενώ έχουν προστεθεί περισσότερες συχνότητες οι οποίες λειτουργούν με ρυθμίσεις stepped στα πρότυπα της vintage μονάδας για καλύτερη δυνατότητα ανάκλησης των ρυθμίσεων. Συνολικά, το εύρος των ρυθμίσεων είναι από 20Hz εως 24kHz με κέρδος +/-15dB για τις δύο χαμηλότερες μπάντες και +/-18dB για την υψηλή μπάντα.Συνδυάζοντας το Pre-73 mkIII, το EQ-73 mkII και ένα Unite Rack, έχετε μια αυθεντική μονάδα Neve σε ασυναγώνιστη τιμή!

Το 5500 κατάγεται από το πρώτο 550 equalizer που σχεδιάστηκε από τον Saul Walker, τον ιδρυτή της Automated Processes Inc.  Το 550 σχεδιάστηκε ως equalizer κονσόλας που λόγω της αρχιτεκτονικής της κονσόλας ηχογράφησης, χρησιμοποιεί unbalanced εισόδους. Λόγω του ότι η εργονομία μιας κονσόλας υπαγορεύει ότι τα όργανα ελέγχου πιάνουν πολύ λίγο χώρο, μερικές φορές ο αριθμός λειτουργιών μπορεί να είναι περιορισμένος.  Το 5500 σχεδιάστηκε με σκοπό να απευθυνθεί σε αυτούς τους περιορισμούς. Έχει balanced είσοδο, true straight-wire bypass, ενσωματωμένη παροχή ηλεκτρικού ρεύματος με αθόρυβο muting, και range control που επεκτείνει την μεταβλητότητα του σε mastering εφαρμογές.          ΧΑΡΑΚΤΗΡΙΣΤΙΚΑClassic 550B Equalizer Design 2 Range Switches Individually Alter Gain Steps Useable as a 550B, 550D or 550M Peak/Shelf Switch on HI & Lo bands True Hardwire Bypass Balanced IN and OUT on XLR Unbalanced Input on 1/4" EQ In/Out Switch

Γραφικό EQ, αρχικά δημιουργήθηκε για χρήση στις API κονσόλες της δεκαετίας του '60 και του '70, η επανέκδοση του API 560 είναι μια μοναδική συσκευή με σκοπό να πραγματοποιήσει καθήκοντα που κανένα άλλο EQ δεν μπορεί.Παράγει τον μοναδικό API  ήχο, εύκολο φιλτράρισμα, και high headroom σε μια μικρή συσκευασία. Εξαιρετικά γρήγορο ρύθμισμα και ξερύθμισμα χρησιμοποιώντας ακριβείς zero detents και δεν υπάρχει όμοιο του 560 που να έχει την ίδια δυνατότητα διαμόρφωσης καμπύλης. Αυτή η "νέα-παλαιά" επανέκδοση του 560 έχει βελτιωμένη ανάλυση στην κρίσιμη περιοχή των ±4 db.Ενσωματώνει την αποκλειστική διάταξη κυκλωμάτων και τα εξαρτήματα του API (όπως του θρυλικού API 2520 op-amp), η επανέκδοση του 560 συνδυάζει επιδέξια το παρελθόν με το παρόν και είναι λειτουργικά σχεδιασμένο.Χαρακτηριστικά:10 bands of API proprietary equalizationFamiliar graphics operation on one octave centers12 dB of boost/cut per band"Proportional Q" narrows filter Q at extremesAdditional resolution within the ±4 regionCenter detent for reliable resetTraditional API fully discrete circuit designSilent bypass buttonRe-issue of the 1969 API 560 EQ

Τι θα λέγατε αν μπορούσατε να προσθέσετε καταπληκτικά μπάσσα στα κομμάτια σας, υπέροχα μαλάκά πρίμα και μια ζεστασιά σε ολόκληρο το σήμα χωρίς να ξοδέψετε μια περιουσία ? Λοιπόν τώρα αυτό είναι εφικτό με το Warm Audio EQP-WA.  Το EQP-WA είναι ένα λαμπάτο EQ σαν το κλασσικό Pultec, με την εμφάνιση και την αίσθηση στην χρήση που μόνο ένα πραγματικό αναλογικό EQ μπορεί να προσφέρει. Το  EQP-WA έχει discrete  κύκλωμα με ακριβά υλικά όπως  CineMag transformers και ποιοτικές, λάμπες  δίνοντας  υπέροχες αρμονικές που δίνουν ζωή και ποιότητα στις ηχογραφήσεις σας.Με το  EQP-WA  η Warm Audio προσφέρει ένα εξαιρετικό EQ με χαρακτηριστικά και ήχο πολύ ακριβών μηχανημάτων. Μπορεί να χρησιμοποιηθεί σε φωνές, μπάσα, κιθάρες και σε όλα τα όργανα προσφέροντας τον αληθινό ζεστό λαμπάτο ήχο που όλοι αναζητούν σε μια καταπληκτική τμή ! Χαρακτηριστικά:With gain modification for level adjustments of two devicesCineMag input and output transformer - made in the USAPremium 12AX7 and 12AU7 tubesCineMag inductor EQ sectionThe EQ section can be set to bypass while the signal is still running through the tubes and transformers, thus keeping the "warmth" of the tubeTransformer balanced inputs and outputs (XLR and jack)Linear frequency response from 20 – 50,000 HzBoost and cut can be used simultaneously to allow phase effectsLow frequency boost - 20, 30, 60, 100, 200, 400, 800 Hz - 12 dBLow frequency cut - 20, 30, 60, 100, 200, 400, 800 Hz - 18 dBHigh frequency boost - 3, 4, 5, 8, 10, 12, 16 kHz - 18 dBHigh frequency cut - 3, 4, 5, 10, 20 kHz - 14 dB5 more additional frequency points than the EQP-1 A for greater versatilityIntegrated 115 / 230 V IEC power supply 

The Crane Song a valve-based tube EQ for the 500 format. Using a dual triode circuit with a 12AX7 tube, Dave Hill’s latest creation features three bands and filters. Breaking it down, the EQ has 24 dB/oct high pass and low pass filters, each with seven frequencies: the top and bottom band are shelving, each with eight frequencies; and the mid band is peaking with eight frequencies.According to Crane Song, the three bands work by using buffered RC circuits in the negative feedback path around the tube amplifiers. The result: a fat sounding EQ rich in second harmonic triode tube color. Crane Song Insigna is 3-band valve EQ for the 500-series format with high and low cut filters.Crane Song Insigna features at its core, a dual triode circuit with a 12AX7 tube. All the three bands offer a selection of eight centre frequencies with both the Low and high band being shelving bands. Buffered RC circuits are used in the negative feedback path around the valve amplifiers for an impressively fat sound rich in second harmonic.The High-Pass and Low-Pass filters use steep 24dB/oct filters and offer a choice of 7 frequencies each.Χαρακτηριστικά:1-slot 3-band EQ for 500-series formatHigh and Low shelving bandsPeak Mid band24dB/oct high pass and low pass filtersFat sounding and rich valve sound

IBIS is an analog equalizer that boldly takes equalization to a new level of musicality. Each of its four bands features switch-selectable frequencies centered on and covering musical-step intervals from 32-Hz "C" to 22.35-kHz "F." Its four overlapping bands are labeled with note names and frequency allowing for the first time a "translation" between musician-speak and engineer-jargon. The bandwidth control has similar notation with adjustment from 0.2 octave to 4 octaves per band and a boost / cut range of 12 dB.The low-cut filter is switch selectable from 20-Hz to 150-Hz with slopes of either 12-dB or 24-dB per octave. Like most Crane Song products, IBIS utilizes discrete class-A circuitry and features a truly unique and adjustable "color" function that can be applied to either the entire audio path or to any individual frequency band. A fully stepped mastering version is also available.

The class-AB equalizer circuit used in the EQ-81 MKII is similar to the eq section in the classic 1081 module, without the high and low pass filters. The sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.The EQ-81 MKII has stepped frequency controls that offers a wide selection of frequencies from 33 Hz to 15 kHz. The BASS and TREBLE frequency bands are switchable between shelving and bell and the MID frequency bands is of the bell type with a switchable Hi Q setting. The control range is +/- 18dB. All four bands can be set in an off mode. The EQ-81 MKII can be used either as a standalone EQ or connected to the insert jack of one of the Golden Age Project preamps. Combining one of our PRE-73 preamp´s and an EQ-81 MKII and using a UNITE rack kit to mount them together, one will get a 19-inch 1081-style unit at a low cost and with a great sound!

Τα vintage λαμπάτα ενισχυτικά κυκλώματα και οι custom σχεδιασμένοι μετασχηματιστές είναι συστατικά για την “μεγάλη εικόνα” και το παθητικό equalization δημιουργεί όμορφες και μουσικές καμπύλες ισοστάθμισης.Το RETRO 2A3 είναι ένα δυκάναλο equalizer βασισμένο στο -industry standard-Pultec.Τα ηχιτικά του πλεονεκτήματα φτάνουν πέρα από το equalizing. Industry-standard Passive EQ with authentic feel, controls and equalization curves Additional HF Boost Frequencies for more precise control Easily recallable 100-position knob scales on boost and cut controls A ganged interstage-coupled Subsonic High-Pass Filter provides Peaking LF Boosts with alternate tonal characteristics Transformer Balanced and fully-floating 600 Ohm Input and Output to eliminate ground-induced hum and noise LF Boost Settings of 20, 30, 60 and 100 Hz Complementary LF Cut settings of 20, 30, 60 and 100 Hz HF Boost Settings of 1.5 kHz, 3 kHz, 4 kHz, 5 kHz, 6 kHz, 8 kHz, 10 kHz, 12 kHz, 14 kHz and 16 kHz Complementary HF Cut Settings of 5 kHz, 10 kHz and 20 kHz Vintage Class AB tube amplification for unity-gain make-up Equalization Bypass Switches Size 2U Height: 19" wide x 3.5" tall x 9" deep XLR input and output connections IEC power connector 115/230V 50-60 Hz Switchable AC Mains Uses readily available 12AX7(2) and 12AU7(2) electron tubes Tube substitutions are possible with internal unity gain calibration and jumper selectable 6 or 12 volt tube configuration Design minimizes tube heat generation High stability components used throughout Steel Chassis built to last Manufactured in the USA Full factory support Specifications Signal to noise ratio of greater than 76dB Channel Separation greater than 70 dB Frequency response is flat within 1 dB from 20 Hz-20,000 Hz Harmonic Distortion is less than 1% from 20 Hz-20,000 Hz

4 ταυτόχρονα EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer και τρία dynamic EQs ανά κανάλι). Ευέλικτος Compressor/Expander με Peak Limiter ανά stereo κανάλι καθώς και Stereo Imager και Stereo Delay.Real time analyzer με ξεχωριστή είσοδο μικροφώνου (με phantom power) για αυτόματη ρύθμιση των EQ ανάλογα με το χώρο και τα ηχεία. 64 θέσεις μνήμης για την αποθήκευση όλων των ρυθμίσεων μαζί ή ξεχωριστά. Είσοδος wordclock και MIDI in/out/through για τηλεχειρισμό και μεταφορά δεδομένων (π.χ. αναβαθμιση λειτουργικού, μεταφορα preset). Υψηλής ποιότητας 24bit/96kHz A/D-D/A μετατροπείς (δυναμική περιοχή 113 db). 2 high performance 32/40 bit floating point SHARC digital signal processors for ultimate sonic resolution. Balanced εισόδοι και εξόδοι, stereo aux έξοδος, AES/EBU και S/PDIF in/out (XLR και optical). Πιστοποιητικό ISO9000

Passive Mastering Equalizer In the PASSEQ we have revived the concept of the passive equalizer that was used in the 50’s and 60’s. The charming sound of this vintage technology combined with the modern 120V technology results in a very special equalizer. Only one filter​ All control functions are part of only one passive filter. There are three frequency ranges: Low Freq / Mid Freq / High Freq Each with a cut control on the left and a boost control on the right. In the middle is the output control. Design A passive filter has no amplification stages. It can therefore only be lowered. If one frequency is to be boosted, all the others must be lowered. Behind the filter there is a stage that makes up for the lowered overall level. Since low noise is particularly important here, since up to 20 dB can be made up for, the 120V technology comes into its own. The entire passive filter (variable resistor, capacitor and coil) provides a very nice sound characteristic. Besides the choice of components, the charging behaviour of the capacitors and the saturation behaviour of the coils play a major role in this. The resulting relative inertia compared to potentially very fast active filters is the reason for a pleasant, musically advantageous sound characteristic. We would choose smoothness and transparency as well as strikingly silky highs and pithy basses as a description that suits our perception. During fine-tuning, through component selection, in countless listening sessions, the emphasis was on achieving the most musical sounding curves possible, which, for example, need fear no comparison with a Pultec EQ from the 1950/60s. Only without all the disadvantages of a 60 year old original, such as the very high background noise, but above all the very limited frequency selection. Another highlight of the PASSEQ is the HF+ band, which has been extended by the frequencies 25 kHz and 35 kHz and sounds so incredibly good that you don’t want to switch it off. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -60 dBu Frequency range (-3 dB): 10 Hz – 200 kHz Crosstalk (1 kHz): -108 dBu THD + N (+30 dBu, 1 kHz): 0.0012 % Noise (A-bewertet): -95.2 dBu Dynamic range: 134.5 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 15 VA Dimensions & Weight W x H x T (W x H x D (width x height x depth) x Höhe x Tiefe): 482 x 132 x 300 mm Unit weight: 10.2 kg Shipping weight (incl. packaging): 14 kg

Το Lil FrEQ είναι μια μονάδα Equalizer, σχεδιασμένη με την χαρακτηριστική ποιότητα της Empirical Labs ώστε να καλύψει εξολοκλήρου τις ανάγκες του μηχανικού ήχου. Περιλαμβάνονται φίλτρα High-Pass, High/Low-Shelf και παραμετρικά EQ. Επίσης, το Lil FrEQ έχει και ένα κύκλωμα όμοιο με compressor για έλεγχο της δυναμικής περιοχής (για χρήσεις de-esser). Το High-Pass φίλτρο είναι ιδιαίτερα μεγάλης κλίσης και κόβει όλο το περιεχόμενο κάτω από μία εκ των οκτώ δυνατών επιλογών συχνότητας. Έχει σχεδιαστεί με συγκεκριμένη καμπύλη που «χρωματίζει» τον ήχο και περιλαμβάνει αυτόνομο διακόπτη bypass. Τα φίλτρα shelving λειτουργούν έχουν εκπληκτική απόδοση, ενώ το παραμετρικό EQ λειτουργεί κάτω από 0.0007% THD – πιθανότατα ένα από τα πιο καθαρά equalizers που έχουν σχεδιαστεί ποτέ. Η μονάδα Dynamic EQ συνδυάζει φίλτρα με ένα κύκλωμα παρόμοιο με compressor, βοηθώντας έτσι στον απόλυτο έλεγχο προβληματικών περιοχών. Προβλεπεται ρυθμιζόμενη συνχότητα και threshold. Μπορεί να χρησιμοποιηθεί πολύ εύκολα σαν de-esser με καταπληκτικά φυσικά αποτελέσματα, καθώς και σαν ένας soft-knee compressor που συμπιέζει τις ψηλές συχνότητες. Αποτελεσματικό και ευέλικτο EQ Έλεγχος δυναμικής περιοχής στις ψηλές συχνότητες DC-coupled είσοδοι και έξοδοι Απόκριση: 5Hz-140KHz Δυναμικό εύρος: 120dB

Το Manley MASSIVE PASSIVE είναι ένα κορυφαίο EQ δύο καναλιών, τεσσάρων περιοχών με πρόσθετα   high pass και low pass φίλτρα.  Το  MASSIVE PASSIVE δεν χρησιμοποιεί ενεργό αλλά παθητικό κύκλωμα ήχου για αυξημένη μουσικότητα καθώς και κορυφαία υλικά. Με μεγάλο ήχο, τεράστια δυναμική περιοχή το πλήρως λαμπάτο αυτό EQ  στα χέρια έμπειρων ηχοληπτών γίνεται ένα δημιουργικό εργαλείο.Με το Massive Passive μπορεί να έχεις απο τις πιο απλές μέχρι τις πιο δραστικές επεμβάσεις  πάντα με μεγάλη μουσικότητα.  Οι καμπύλες του είναι συνδιασμός των καλύτερων στοιχείων ενος Pultec με πολλά νέα χαρακτηριστικά  σε ρυθμίσεις  παραμετρικές και self. Είναι ένα ιδιαίτερο εργαλείο που έχει αποτελέσματα που δεν μπορεί κάποιος εύκολα να πετύχει με άλλα EQ η Plug-In. Χαρακτηριστικά:Perhaps the ultimate studio EQ for tracking instruments, mastering and delivering powerful tonal control with characterAll-Passive tone sculpting circuitryUnique Shelf curves use the "bandwidth" controlOverlapping and Interleaved Frequency choicesEvery band switchable to shelf or bellVacuum tube make-up gain and line driversParallel symmetrical topologyPremium components throughoutHP and LP Filters plus gain trimsEach band can be bypassed or set to boost or cut. This provides twice the control resolution over conventional EQs. It also eliminates the problem of a centre detent not guaranteeing flat responseEach band is capable of 20 dB of boost or cut combined with amazing headroom and freedom from clippingSteep LP and HP filters for maximum effectiveness and achieved passively for minimal coloration. The minimum slope is 18 dB/octave and the 18kHz filter was designed for 60 dB/octaveModular design that allows future upgrades and special functionsTransformer balanced floating outputs for ease of installation and a touch of desirable flavourIns and Outs Balanced XLR and 1/4 inch (accepts unbalanced)Level +4 dBm nominal, internal switches for -10 operationBypass Switch bypasses EQ and tube circuits (not hardwire)44 Frequencies (roughly 1/4 octave spacing)Frequency Range: 22 Hz to 27 kHzEQ Boost/Cut Range : 20 dB boost, 20 dB cutNominal Q range: 1.5 to 3 (uniquely active in shelf modesFrequency Response: +/- 2 dB: 8 Hz to 60 kHzMaximum Output @ 1.5% THD +37 dBv; + 26dBv @ 20 HzTHD and Noise (1kHz @ +4 dBm): 0.06%Noise Floor (referred to + 4dBm): -85 dB (A Weight)Dynamic Range: 120 dBTube Complement: 5751 x 2, 6414 x 4Power Consumption 72 wattsSize (3U): 19 x 5.25 x 10 inchesWeight: Unit 21 lbs. Shipping weight: 27 lbs

To Pullet είναι ένα παθητικό ΕQ και μπορεί να χρησιμοποιηθεί είται με το Earlybird 2.2 είτε με οποιοδήποτε άλλο προενισχυτή και να έχει έτσι και διαφορετικούς ήχους.Σχεδιασμένο με την λογική των κλασσικών Pultec δίνει πολύ πιο μουσικό αποτέλεσμα από τα κλασσικά ενεργά EQ και είναι σχεδόν αδύνατον να μην πετύχεις εύκολα πολύ ενδιαφέροντες ήχους.

Ο "The Swift" έχει επιρροές απο 2 κλασικά σχέδια της χρυσής εποχης των valve ηχογραφήσεων με πολλές βελτιώσεις για να είναι up-to date για σημερινή χρήση. Επίσης έχει πρόσθετα χαρακτηριστικά δικού μας σχεδιασμού.Τα κύρια ηλεκτρονικά είναι βασισμένα στο 1950 αλλα με διευρυμένη ψηλή περιοχή και απόκριση μπάσου. Κρατήσαμε το ΕQ τύπου Baxandall  και προσθέσαμε Presence διακόπτη για να αναβαθμίσουμε τις μεσαίες/ψηλές συχνότητες. Αυτά, βασισμένα στις εφευρέσεις του Vic Keary το 1963.Βασισμένος στον Pultec, ο παθητικός mid lift control λειτουργεί γρήγορα και οικονομικά, με 4 συχνότητες με 3 "Q" ρυθμίσεις. Kάποια ειδικά χαρακτηριστικά είναι το Hi Pass Filter, Mid Cut και "Air" (όλα παθητικά). Πολύ ενδιαφέρον εφέ τύπου Pultec μπορούν να επιτευχθούν σετάροντας το HP FIlter στην τελευταία ρύθμιση του η οποία συνδιάζει shelving bass cut  με φίλτρο πολύ χαμηλής συχνότητας , χρησιμοποιόντας πολύ bass lift στα 50 ή 100 Hz.To Gain είναι στους διακόπτες, για λόγους σύγκρισης. BYPASS διακόπτης αποσυνδέει τα ηλεκτρονικά έτσι ώστε να μπορείτε να ακούσετε  το καθαρό αρχικό σήμα. Δέν παρέχεται Metering καθώς θεωρήσαμε οτι αποσπάει την προσοχή. Το "Τhe Swift" μπορεί να εξάγει έως και +20 dBu χωρίς αισθητή παραμόρφωση και είναι σχεδόν αθόρυβο.Παρόλο που το "The Swift" είναι βασισμένο σε παλαιά σχέδια, η ηλεκτρονική σχεδίαση του έχει μεγάλες βελτιώσεις σε σχέση με τα παλιά. Υπάρχουν μόνο 2 βαλβίδες ανα κανάλι για αποφυγή χρωματισμού. Χρησιμοποιήσαμε μοντέρνους, ειδικά σχεδιασμένους, Sowter μετασχηματιστές και βαλβίδες που δέν έχουν χρησιμοποιηθεί ποτέ ξανά σε αυτού του τύπου κύκλωμα. Ακούγονται πολύ καλύτερα και τα τεχνικά χαρακτηριστικά είναι εξαιρετικά ΧαρακτηριστικάAll-valve signal path using NOS and new production valves;Combines features of the best USA and UK equalisers with Thermionic magic;Quick and easy to operate, clearly labelled front panelShelving Bass and Treble lift /cut Controls at 2 frequencies each;Mid Cut and Lift at 4 Frequencies each with Three ‘Q’ combinations;Our own Presence and Air Controls;A Switchable High Pass Filter with a Special last position which used in conjunction with the Bass lift can be a very interesting combination;Adjustable gain in .75 dB steps;Frequency response from below to well above human hearing with miniscule phase shift;Virtually no distortion unless driven beyond DAW capability and practically noiseless;Typical Thermionic Culture warm, natural sound;Equally superb as mix buss eq and for individual instruments/tracks;Lovingly hand-made and tested in Harlow, England.

Το απόλυτο ψηφιακό EQ. Διατίθεται σε τέσσερις διαφορετικούς τύπους. Όλοι τους λειτουργούν σε 24/96. Το βασικό μοντέλο είναι το EQ1-MK2, το μοντέλο linear phase είναι το EQ1-LP, το μοντέλο dynamic  είναι το EQ1-DYN. Το EQ1-DYN ενσωματώνει και τις εκδόσεις LP και DYN σε μια μονάδα. Ο τρόπος λειτουργίας (LP ή DYN) μπορεί να επιλεχτεί μετά το άνοιγμα της συσκευής. Όλα τα μοντέλα μπορούν να αναβαθμιστούν από το χρήστη σε οποιαδήποτε απο τις επόμενες εκδόσεις.  Εδώ είναι τα κύρια χαρακτηριστικά γνωρίσματα κοινά και για στα τέσσερα μοντέλα: Επτά πανομοιότυπα παραμετρικά band. Και οι επτά καλύπτουν ολόκληρο το ακουστικό φάσμα συχνότητας. Κάθε band έχει Boost/Cut, Frequency και Q/Slope knobs και λειτουργεί με οποιαδήποτε από τους ακόλουθους τρόπους: High shelving, low shelving, peaking, high cut, low cut, bypass. Επτά σετ ελέγχου για επτά band. H μεγάλη  LCD οθόνη  δείχνει τη συνολική απόκριση συχνότητας και όλες τις χρήσιμες παραμέτρους (που υπολογίζεται σε πραγματικό χρόνο) και τις λεπτομερείς παραμετρικές αξίες σε dB, Hz και Q. Ψηφιακές είσοδοι/ έξοδοι σε AES/EBU και XLR. Dithering σε 16, 20 ή 24 bits. POW-R dithering στα LP, DYN και  DYN-LP μοντέλα.

Το Manley Massive Passive Mastering Version αποτελεί την Mastering έκδοση του κορυφαίου Manley Massive Passive EQ. Τα φίλτρα στην έκδοση Mastering είναι τροποποιημένα ειδικά για mastering, όπου θα χρησιμοποιηθούν για να διορθώσουν τα προβλήματα στις χαμηλές και υψηλές συχνότητες αντί για effects στα μεσαία. Οι καμπύλες έχουν όλες κλήση 18dB ανά οκτάβα με εξαίρεση το υψηλότερο 52kHz Low Pass filter, το οποίο έχει 30 dB / οκτάβα κλίση.High Pass Filters: OFF, 12, 16, 23, 30, 39 HzLow Pass Filters: OFF, 52kHz, 40kHz, 27kHz, 20kHz, 15 kHzΕπιπλέον, τα Master Gain Trim controls στην έκδοση Mastering είναι true 11 position 1/2 dB stepped Grayhill διακόπτες με εύρος μεταξύ -2,5 - 2,5 dB του master gain trim. Αυτό επιτρέπει μεγαλύτερο έλεγχο στο ταίριασμα και στη ρύθμιση του left/right.Χαρακτηριστικά:All-Passive tone sculpting circuitryUnique Shelf curves use the "bandwidth" controlOverlapping and Interleaved Frequency choicesEvery band switchable to shelf or bellVacuum tube make-up gain and line driversParallel symmetrical topologyPremium components throughoutHP and LP Filters plus gain trimsMetal Manley mechanically detented GAIN and BANDWIDTH control knobsΤεχνικά Χαρακτηριστικά:Ins & Outs Balanced XLR & 1/4" (accepts unbalanced)Level +4 dBu nominal, internal switches for -10 operationBypass Switch bypasses EQ & tube circuits (not hardwire)44 Frequencies (roughly 1/4 octave spacing)Frequency Range: 22 Hz to 27 kHzEQ Boost/Cut Range : Maximum 11dB boost or cutNominal Q range: 1.5 to 3 (uniquely active in shelf modes)Frequency Response: ±2 dB: 8 Hz to 60 KHzMaximum Output @ 1.5% THD +37 dBv; +26dBv @ 20 HzTHD & Noise (1KHz @ +4 dBu): 0.06%Noise Floor (referred to +4dBu): -85 dB (A Weight)Dynamic Range: 120 dBTube Complement: 2 x 12AU7, 4 x 6414Power Consumption (120/240VAC): 72 wattsUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage changeable with power transformer changeover switch and fuse value change.Mains Voltage Frequency: 50~ 60HzSize (3U): 19" x 5.25" x 10"Weight: Unit 21 lbs. Shipping Weight: 27 lbs.  

Τι θα λέγατε αν μπορούσατε να προσθέσετε καταπληκτικά μπάσσα στα κομμάτια σας, υπέροχα μαλάκά πρίμα και μια ζεστασιά σε ολόκληρο το σήμα χωρίς να ξοδέψετε μια περιουσία ? Λοιπόν τώρα αυτό είναι εφικτό με το Warm Audio EQP-WA.  Το EQP-WA είναι ένα λαμπάτο EQ σαν το κλασσικό Pultec, με την εμφάνιση και την αίσθηση στην χρήση που μόνο ένα πραγματικό αναλογικό EQ μπορεί να προσφέρει. Το  EQP-WA έχει discrete  κύκλωμα με ακριβά υλικά όπως  CineMag transformers και ποιοτικές, λάμπες  δίνοντας  υπέροχες αρμονικές που δίνουν ζωή και ποιότητα στις ηχογραφήσεις σας.Με το  EQP-WA  η Warm Audio προσφέρει ένα εξαιρετικό EQ με χαρακτηριστικά και ήχο πολύ ακριβών μηχανημάτων. Μπορεί να χρησιμοποιηθεί σε φωνές, μπάσα, κιθάρες και σε όλα τα όργανα προσφέροντας τον αληθινό ζεστό λαμπάτο ήχο που όλοι αναζητούν σε μια καταπληκτική τμή !            ΧΑΡΑΚΤΗΡΙΣΤΙΚΑTube equalizer based on the classic Pultec EQP-1AGenuine CineMag input and output transformersPremium high-voltage 12AX7 and 12AU7 tubesCineMag inductor EQ sectionEQ bypass - signal still passes through tubes and transformers for warming enhancementNo insertion loss - loss restored by tube amplifierXLR and TRS transformer-balanced inputs and outputsFlat frequency response from 20Hz to 50kHzBoost and Cut controls can be used simultaneously for classic "phase" effectLow-frequency boost (up to 12dB) at 20, 30, 60, 100, 200, 400, and 800HzLow-frequency cut (up to 18dB) at 20, 30, 60, 100, 200, 400, and 800HzHigh-frequency boost (up to 18dB) at 3, 4, 5, 8, 10, 12, and 16kHzHigh-frequency cut (up to 14dB) at 3, 4, 5, 10, and 20kHz5 added frequency points for greater flexibilitySwitchable 115-/230-volt IEC power inlet2U rackmount chassis