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Golden Age Comp-554 MKII
SKU: APA2022-10351
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12
Interest FreeInstalments
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2 Years Warranty
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Free Shipping
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12
Interest FreeInstalments
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2 Years Warranty
437 €
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36,42 € / month
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The Neumann U-47 was produced between 1949 and 1965 meaning that the vintage original units are now very old and their performance do differ a lot depending on their condition. The different clones all have their specific sound character too. So, it´s not easy to say which sound is “the right one”. As always, not the least as far as microphones goes, it will ultimately be a matter of taste. Does the world need one more U-47 clone? The GA-47 microphone as the first product in Golden Age Projects new high end line, changing “Project” to “Premier” for this product range, the answer is “Yes!”.The Golden Age Premier GA-47 has been born from a lot of hard work and real world testing. The end result is a microphone with a very sweet character that should appeal to a great number of users and a microphone that can be used for the most demanding recording tasks. It has proved itself to be a great allrounder, this is not a “vocal-only” microphone. The GA-47 is not a product that will be built in huge quantities on a big assembly line. It´s a product that is built by hand, fifty units at a time in a small workshop by a skilled and dedicated staff. It uses very high quality components all the way to achieve the desired goal, allowing me to answer “yes!” to the rephrased question mentioned above. The capsule for the GA-47 is designed to provide the requirements of modern day recordings by mixing the character between a vintage K47 capsule and the one from a K67-style capsule with a wide frequency response and high sensitivity. The result is a truly great sound.
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The TC 1 is one of our top products. It is a warm-sounding, large capsule tube condenser for a very low cost. You get a classic tube mic with high-pass filter, pad and nine different polar patterns for less money than some spend on a pair of jeans.The TC 1 is a very versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications. It΄s sound character is similair to vintage tube microphones and it will sound superb on most instruments and voices. Use it on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a vintage style tube condenser mic.
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Golden Age FC4 ST
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Golden Age's Vintage-style 500 Series Comp Gets Even Better
The COMP-554 MKII is the 500 series rack version of the COMP-54 MKIII with some additional features. The COMP-554 MKII is a one-channel vintage style compressor for the 500-format. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output are transformer balanced and the unit also uses a third interstage transformer. This is the way audio components were built before integrated circuits became available. IC´s are small and cheap and they are widely used in most modern designs. It is clear though that audio components built with modern technology doesn´t always provide the best perceived sound quality or character that the modern user desires.
On the contrary, the subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market. The class-A circuit used in the COMP-554 MKII is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend due to it´s totally unique sound character that is warm, smooth, sweet and musical.
These characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on many sound sources and in many genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.
Specifications
- - Vintage style electronics. No integrated circuits in the signal path.
- - Based on a classic diode bridge design.
- - Transformer balanced input and output.
- - Prepared for a Carnhill transformer upgrade (standard in the Plus version).
- - Flexible control range for threshold, ratio, attack, and recovery.
- - All controls except the gain make-up one are stepped.
- - Three selectable sidechain filter frequencies.
- - Three flexible sidechain options; Internal, Insert, and External.
- - The external sidechain I/O is electronically balanced @ 4dBu and appears on the right slot rack connections.
- - Separate switches for hardwire bypass and compression out.
- - Two insert connectors for inserting the EQ-573 in the main audio and/or sidechain signal path.
- - Meter selectable for output (two reference levels, +4 and +12 dBu) and gain reduction.
- - Possibility to link two units for stereo operation.
- - Three position Air EQ switch, Flat, +3 or +6 dB @ 30 kHz.
- - Two position output termination switch for different tones.
- - A soft start circuit that ramps up the supply voltage slowly (about 10 sec.) to avoid a power-on current surge.
- - A great sound that suits most sound sources and genres.
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Golden Age Comp-554 MKII
