SE Electronics

Small in structure, huge in soundFit for any challenges in the studio or on stage, the SE8 is a brand new high-performance handcrafted small-diaphragm condenser, fresh from the labs at SE.Recommended useAcoustic guitar, choir, orchestral + strings, piano, woodwinds, drums, percussion, cymbals / OH.Highlights: Hand-made capsule & all-metal buildBalanced sound & sophisticated backplate designPerfect for sources like high-hats and drum overheadsOne of the quietest small-capsule mics on the planetHighest dynamic range and SPL handling in its classIntegrated attenuation pads and low-cut filters

A compact & classy condenserThe SE7 is a high-quality back-electret small-diaphragm condenser microphone intended for a wide range of studio and live sound applications, from acoustic guitars to pianos to drums and beyond.Recommended useAcoustic guitar, choir, orchestral + strings, piano, woodwinds, drums, percussion, cymbals / OH.Highlights:Optimized acoustic design, discrete class-A circuitry and a transformerless outputClear, natural sound quality at all frequenciesSwitchable -20dB attenuation padHigh sound pressure level (SPL) handling capabilitySwitchable low-cut 80 Hz filterExtremely low-noise components

THE V PACK CLUB The V PACK CLUB consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE7 condensers for your overheads.  All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.

THE V PACK ARENA The V PACK ARENA consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE8 condensers for your overheads.  All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.

When used as intended with the V CLAMP, the V BEAT becomes even more compact and even more flexible.  The V CLAMP adds another axis of vertical movement for even better fine-positioning ability, and keeps the V BEAT securely fastened to your drum rim while adding barely any bulk to the overall footprint. Specifications: Height: 75 mm (3.0 in.)  x  Length: 57 mm (2.2 in.) Weight: 93 g (3.3 oz)

Effortlessly amazing sound for any snare or tom drum, whether on-stage or off. The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as electric guitar speaker cabinets or brass instruments.  Its specialized capsule provides a highly detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to minimize bleed from nearby drums and cymbals. Its ultra-compact design and parallel XLR connector & stand mount give it the smallest footprint in its class, and its rock-solid swivel mount allows its angle to be adjusted with great precision – so it can be aimed at almost any part of the drum head to achieve whatever sound character is required. Compact, flexible, and minimalist design The V BEAT utilizes an extremely low-profile mechanical design, with the XLR connector and stand mount integrated in parallel on the underside of the flexible swivel mount. This minimizes the V BEAT’s footprint, removes any cables from line-of-sight, and negates the need for any right-angle adapters or special cables.  It also means there’s no danger of cables interfering with the drummer’s performance, as they are kept out of the way of cymbals and drum sticks alike. The heart of the V BEAT: the DMC7 X capsule The custom DMC7 X capsule offers the same technologies and features as its sibling within the acclaimed V7, including the innovative, specialized aluminum voice coil. While the V7 is optimized for vocals, the capsule in the V BEAT has been custom-tuned for instrumental use. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with deep and clear lows for stellar performance. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your drums from other sound sources on the stage - efficiently reducing stage bleed and spill from other drums, cymbals and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the drum head. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency. Unique, patented integrated capsule suspension The V BEAT’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount. All-metal housing & spring steel grille with gold XLR connector The V BEAT’s road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V BEAT in any position. Plus, the V BEAT’s gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come. Internal windscreen The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory. Knurled nut for other mounting accessories Some popular drum mic mounting systems (such as the LP® Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V BEAT due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you. In The Box: thread adapter zipper pouch spare black internal windscreen sE logo sticker user manual knurled nut for 3rd part accessories Specifications: Capsule: Dynamic Voice Coil: Aluminum Magnet: Neodymium Directional Pattern: Supercardioid Frequency range: 30 Hz - 19 kHz Impedance: 300 Ohms Sensitivity: 2.0 mV/Pa (-54 dBV) Connectivity: 3-pin male XLR Height: 61 mm (2.4 in.)  x  Length: 110 mm (4.3 in.) Weight: 347 g (12.2 oz)

The V KICK: Unbeatable punch & impact, with four custom voicings to cover any sonic need. From big band to metalcore, the V KICK has got you covered. The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone. From warm and classic to modern and aggressive, the V KICK gives you any kick drum sound you need. From classic to modern: Four switchable sonic voicings. Two switches on the rear side of the V KICK allow you four different sound settings, great for tailoring the sound for your specific project – and ideal for live shows with multiple bands and short changeovers. And since they’re on the back of the mic, these switches are still accessible even if the V KICK is placed inside a kick drum.  With the V KICK, you can always make the right choice with just a single microphone. The left-hand switch shapes the microphone’s overall voicing. “Classic” provides a more traditional kick drum sound with a familiar low frequency punch and a warmer, more rounded sound. If a more contemporary, aggressive sound is desired, the “Modern” setting emphasizes the low end and high end (a “scooped” sound). The right-hand switch specifically tailors the high-frequency character. “Classic” provides a typical bite in the upper midrange (presence boost) and a more rounded and familiar sound, while “Modern” provides an open, clear and transient-rich top end for a more contemporary, aggressive drum sound - ideal for metal and hard rock. The most compact kick drum mic on the market. The V KICK’s extremely low profile allows for effortless placement outside or inside a kick drum, and its integrated swivel joint allows for easy positioning inside (through the drum head port) or outside the kick drum.  And with the stand mount and the XLR connector mounted side-by-side in parallel on the underside of the mic, your mic cables stay flush with the mic stand – no cable clutter, completely minimal footprint, and easy to place anywhere.  The heart of the V KICK: the DMC7 SB capsule The all-new custom DMC7 SB capsule offers the same technologies and features as its siblings within the acclaimed V7 and V7 X, including the innovative, specialized aluminum voice coil. While the V7 X is optimized for most other instruments, the capsule in the V KICK has been custom-tuned for the very lowest and loudest tones. With aluminum being a much lighter material than the industry standard (copper), it delivers an open and transient-rich sound, with effortless capture of low frequency energy and punch. The midrange is also extremely balanced, supporting the natural resonances of percussive instruments. The excellent off-axis rejection of this sophisticated capsule also helps isolate your kick drum from other sound sources on the stage - efficiently reducing stage bleed and spill from snare, toms, hi-hat and more. The supercardioid pattern also allows you to easily tailor the bottom-end by adjusting the proximity effect – i.e. distance to the sound source. Proven Neodymium magnets, tight production tolerances and high workmanship ensure excellent sensitivity, high-end sound quality and superb consistency.  Unique, patented integrated capsule suspension The V KICK’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks & jolts and eliminating the need for an external shock mount. All-metal housing & spring steel grille with gold XLR connector The V KICK's road-ready chassis is all metal, with no fragile plastic parts. The chassis' high quality, highly durable die-cast zinc alloy is designed to hold up under on-stage stress for years, the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability, and the tightening knob for the swivel mount maintains a rock-solid hold on the V KICK in any position. Plus, the V KICK's gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come. Internal windscreen The red internal windscreen efficiently reduces unwanted popping, plosives and wind noise - and in case you prefer a more visually subtle black windscreen, we have also included one as a standard accessory. Knurled nut for other mounting accessories Some popular drum mic mounting systems (such as the LP®Mic Claw) include a knurled nut to secure the mic in position. However, these third-party nuts may partially block the XLR connector on the V KICK due to its extremely space-efficient design – so we have included a knurled nut with a smaller outer diameter to solve this problem for you. All in all, the V KICK makes it easy to get any kick sound you need. You can always make the right choice - with just a single microphone. In The Box: thread adapter zipper pouch spare black internal windscreen sE logo sticker user manual knurled nut for 3rd part accessories Specifications: Capsule: Dynamic Voice Coil: Aluminum Magnet: Neodymium Directional Pattern: Supercardioid Frequency range: 20 Hz - 19 kHz Impedance: 300 Ohms Sensitivity: 0.2 / 0.4 mV/Pa (-69 / -75 dBV) Connectivity: 3-pin male XLR Height: 60 mm (2.4 in.)  x  Length: 135 mm (5.3 in.) Weight: 468 g (16.5 oz)

Not your ordinary pop screen. This unique metal screen is not simply perforated, but implements a slightly convex shape to redirect low-frequency air blasts to the side of the screen. This process does not attenuate high frequencies (as fabric screens can) and leaves the vocal performance completely unaffected, minus any disruptive low frequency "pops". The gooseneck holds its position at any angle, keeping you covered at all times. And since the whole thing is made of metal, it will take a lot more abuse than a traditional fabric shield. This tool is built to last.

The X1 A utilizes a newly-developed acoustic design with a carefully selected condenser capsule, low noise electronics, an integrated windscreen, and a gold-plated XLR connector. Just like the acclaimed X1 condenser, it also includes a switchable attenuation pad & low-cut filter and a robust all-metal chassis. With a newly-developed condenser capsule and an exterior based on the rugged metal chassis of the X1, the X1 A offers first-class sound & specifications at an even better "home studio" cost, featuring an extremely natural frequency response, massive SPL-handling capabilities (150dB!), switchable attenuation and low-cut filters, and a perfectly balanced sensitivity level - so it's at home on absolutely any source.From vocals to acoustic instruments to electric guitars or percussion, the X1 A is the perfect choice for any musician seeking a high-quality microphone with an entry-level price tag. The X1 A comes complete with a rock-solid, newly designed swivel mic clip and thread adapter to fit with any mic stand.If you need additional rumble control, the X1 A integrates perfectly with sE's Isolation Pack, as well as the Reflexion Filter X - recommended for an instant pro vocal recording setup for your home studio.Specifications:Capsule Type: 2/3" Permanently-Biased CondenserDirectional Pattern: CardioidFrequency range: 20 Hz - 20 kHzImpedance: 1K OhmsCurrent Consumption: 4.0 mADiameter: 58 mm (2.28 in.)  x  Length: 169 mm (6.65 in.)Weight: 390 g / 13.8 oz​​

The sE Electronics SPACE mic isolation filter gives you incredible acoustic control, allowing you to minimize sonic reflections in your mic for cleaner, more distinct recordings. Based on their acclaimed Reflexion Filter, SPACE features 10 layers of different materials designed to absorb sound that would normally reflect back into your microphone. The result is tighter bass, more detailed mids, natural highs, and an all around better sound. No matter where or what you're recording, you'll capture a better sound with the sE Electronics SPACE acoustic filter on your mic stand.sE Electronics SPACE Acoustic Isolation Filter at a Glance:You'll spend less time mixing when you get a better sound at the sourceBetter sound thanks to sE's Multi-Layer Air-Gap technologyFlexible mounting hardware is easy to positionYou'll spend less time mixing when you get a better sound at the sourceBy capturing tighter, cleaner audio you'll spend less time problem solving during mixdown. Instead of trying to reduce room rumble, or trying to add definition to a blurry recording, you'll spend your mix time sweetening audio instead of trying to "fix it in the mix". From voiceovers and foley recording to standard music production, anyone who records audio can benefit from the acoustic isolation offered by the sE Electronics SPACE acoustic filter.Better sound thanks to sE's Multi-Layer Air-Gap technologySPACE is sE's thickest acoustic filter to date, with 10 full layers of various materials to absorb and diffuse as much sound as possible. Materials include a punched aluminum diffusor, wool absorbers, tensioned aluminum foil membranes, polyester acoustic fiberboard, and a polycarbonate diffusor, all separated and isolated by asymmetric air gaps. Even if you're recording in a highly reflective room, SPACE gives you the acoustic isolation you need in a convenient design.Flexible mounting hardware is easy to positionSPACE is easy to attach to any standard microphone stand, and its flexible positioning makes it perfect for almost any recording application. It's adjustable both vertically and horizontally, with rugged hardware that holds on tight. Adjustable tilt lets you achieve the perfect angle for recording percussion, guitar amplifiers, piano, and other applications.Features:Acoustic filter for reducing unwanted reflections in your microphoneExceptional acoustic control from 10 thick layers of various materialsRugged mounting clamp is adjustable to help you get the perfect angle with your microphoneImproves bass clarity, midrange detail, high-frequency clarity, and stereo imagingPerfect for voiceover, foley, and music production

The Isolation Pack is an essential accessory package for anyone wishing to record vocals and consists of a shock mount and an integrated pop shield. The new quick-release shock mount is designed specifically for the Magneto, X1 Series and sE 2200a II series of microphones.  Along with the shock mount comes an integrated, height adjustable pop shield with a quick release mechanism for instrument mic’ing.The Pop Shield is an essential part of any vocal recording set-up, the pop shield is made from metal as oppose to the usual fabric shield, creating a much more durable product which is built to last. The Isolation Pack is a cost effective and versatile product, crucial for any vocal recording situation.

The sE X1 USB combines the hugely popular sE X1 large-diaphragm condenser microphone with high-quality USB technology to provide a professional studio microphone for use anywhere! The sE X1 USB is fitted with a USB 2.0 connection and is fully USB 3.0 compatible. As with the rest of the sE X1 range, the sE X1 USB has been treated with a Matte Black finish, meaning the microphone can easily blend into the background on stage or during video recordings. The X1 USB is compatible with the sE Isolation Pack.The sE X1 USB offers the same great performance as the original sE X1, but with the added convenience of plugging straight into a USB port on a PC or Mac, negating the need for an audio interface or external power supply. The sE X1 USB features a cardioid polar pattern with a bass cut and a -10dB pad, and it ships with a mic clip as standard.Specifications:Type: CondenserDirectional pattern: Cardioid Frequency range: 20Hz – 20kHzSensitivity: -27dBV (mV/Pa)Rated impedance:-Equivalent noise level: 19.8 dB Dynamic Range: 135dBConnection: USB 2.0

Another first from sE... simple, but highly effective. This is our professional solution to the problem of needing different pop shields to suit vocal performances. The device has a stong goose neck with both a standard fabric membrane and our pro metal pop shield on a hinge mechanism. You can use either separately or both simultaneously depending on the application.

Unwanted audio ambience may be generated if working in ‘untreated’ acoustic environments when recording and this naturally affects the quality of any signal captured via microphone. Six years ago sE Electronics were the first company to develop a solution to this commonplace problem and launched the highly successful Reflexion Filter RF-Pro. We are proud to announce that recently sE Electronics were awarded a US patent for the design standard and this applies to ALL sE Electronics Reflexion Filter products - including the brand new RF-X.

Ribbon mics have had a fairly high profile in the SE Electronics portfolio over the past few years, not least the Neve RN1R and then SE's two Voodoo models. Ribbons are prized for their ability to deliver a smooth high end, and thanks to modern design innovations, the slightly dull sound of some vintage ribbon models isn't a characteristic shared by their modern counterparts, although their warmth, smoothness and musicality remains. This musical tonality is particularly useful for taming the shrill excesses of guitar cabinets, drum overheads, wind and strings, especially solo bowed strings. There are also broadcast and voice-over applications for this type of mic.The SE X1R ribbon microphone is a passive ribbon design that comes in at a significantly lower price point than the passive Voodoo model. Its ribbon element sits in a neodymium-magnet motor assembly, and the mic incorporates some spin-offs from the Voodoo HF extension technology — although its high end doesn't extend quite as far as those particular models. SE call it a hybrid of old and new ribbon technology, which is probably a fair description.Outwardly, the mic looks very much like its capacitor counterpart, the side-address SE X1 cardioid model, and, like all SE microphones, there's a lot of 'by hand' work involved in its manufacture. The housing is all metal and very rugged, featuring an attractive, non-slip, textured black finish.Like all conventional ribbon mics, the SE X1R has a figure-of-eight polar pattern, which inherently dictates a significant proximity bass boost that may need some EQ compensation when the mic is used very close up. The two-micron-thick aluminium ribbon can handle SPLs up to 135dB, so this is no fragile flower, while the frequency response is within ±1dB from 20Hz to 16kHz. As you'd expect from a passive ribbon, the output is fairly low, with a sensitivity in this case of -55.3dB (±1dB, 1V/Pa), so you either need a decent mic preamp that can offer high gain and low noise or, alternatively, an active in-line gain booster, such as the Cloud Lifter from Cloud Microphones, to get the best performance.Note that passive ribbon mics don't need phantom power, but will tolerate it, providing the mic is plugged in using a conventional balanced cable before the phantom power is applied. Hot plugging or unplugging can stress the ribbon, however. Unpacking the mic reveals that although the outer packaging is a simple cardboard box, the interior contains a high-density foam block with cut-outs for the mic and the included stand clip. This foam block could be left in the box or used as an insert in your mic drawer for storage.Once in front of a sound source, this mic reveals its true colours, and right away I found that what it delivered was actually rather more useful than what I've got out of many other ribbon mics I've tried. The frequency range is not too dissimilar from what you'd expect from a moving-coil dynamic mic, so there's a reasonable amount of high end, but because of the 'uncomplicated' nature of the ribbon diaphragm, there's none of that nasal coloration that so many moving-coil mics impart to the sound.Electric guitar sounded great right away — I got pretty much what I was hearing in the room from the amp even before thinking about adding EQ. The top end had presence and projection but with no trace of added fizz, and lows came across as solid and full of authority, so I award it full marks in this role. On speech, the mic again performed somewhat like a well-mannered moving-coil model, but more open and natural-sounding. It certainly offers a useful alternative to either moving-coil or capacitor models in this application. Even on acoustic guitar, the general tonality came across pretty much as I heard the instrument from my playing position.A big advantage of ribbon mics is that, because of the smooth nature of their sound, you can use quite a lot of HF EQ boost to add more air, as worthwhile output is still produced as as high as 20kHz. While the level may drop away above 15kHz or so, there's still enough there to boost if needed.As I suspected, the output level of the mic was a touch on the low side, so I used my Cloud Lifter plugged into my usual audio interface, as the mic amps in my interface tend to pick up some computer noise when turned up near full. I could get away with plugging directly into the interface for recording a guitar amp, but ideally not for spoken word or acoustic guitar. With the Cloud Lifter in circuit, there was plenty of level and no noise problem, even when adding top-boost EQ.

SE Electronics Project Studio Baby RF- same basic design as the pro version but manufactured from different materials. Portable device for recording live sources with reduced room ambience. The main function is to help obtain a ‘dry’ vocal or instrument recording. This is especially useful in studios without proper acoustic treatment, but can also be used to help record takes in control rooms, where the performer also has to operate the recorder, or in rehearsal studios to reduce ambient noise. Dimensions: 390 x 200 x 320mm 

SE Electronics X1 Vocal Pack. Large diaphragm condenser microphone Bundle. Set includes: sE X1 microphoneShock44 shockmountPop Screen MetalSE mic cable 3m Specifications mic: 1" diaphragm membrane20Hz-20KHz-32dBv/Pa sensitivity (25.1mV/Pa)

The V3's road-ready design is all metal - no plastic parts here. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability.The V3's gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come. Efficiently reduces unwanted wind noise and plosive pops....and just in case you don't like our stylish "sE Red" color, we've included a spare black windscreen in the box for you. The dynamic element in the V3 has been custom-developed for a smooth, natural sound on any voice or instrument - and its cardioid capsule design helps efficiently isolate your voice from other on-stage sounds, ensuring plenty of gain before feedback.Proven Neodymium magnets, tight production tolerances & high-end workmanship ensure excellent sensitivity, superior sound quality and superb consistency. The V3's brand new, patented shockmount efficiently decouples the capsule from mechanical vibration, providing exceptionally low handling noise as compared to other mics in its class. This means you can feel free to move around on stage without fear of rumbles, pops, or anything other than your voice coming through​Specifications:Capsule: DynamicVoice Coil: CopperMagnet: NeodymiumDirectional Pattern: CardioidFrequency range: 50 Hz - 16 kHzImpedance: 600 OhmsSensitivity: 2.5 mV/Pa (-52 dB)Connectivity: 3-pin male XLRDiameter: 52 mm (2.05 in.)  x  Length: 181 mm (7.13 in.)Weight: 295 g / 10.4 oz 

The V7's road-ready design is all metal - no plastic parts here. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability. The V7's gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.Efficiently reduces unwanted wind noise and plosive pops....and just in case you don't like our stylish "sE Red" color, we've included a spare black windscreen in the box for you.The DMC7 dynamic element in the V7 has been custom-developed for a crisp, open sound that perfectly captures your voice and instruments in the most natural way you've ever heard on stage - and its sophisticated supercardioid capsule design helps isolate your voice from other instruments, ensuring vast amounts of gain before feedback.Proven Neodymium magnets, tight production tolerances & high-end workmanship ensure excellent sensitivity, superior sound quality and superb consistency.The V7's brand new, patented shockmount efficiently decouples the capsule from mechanical vibration, providing exceptionally low handling noise as compared to other mics in its class. This means you can feel free to move around on stage without fear of rumbles, pops, or anything other than your voice coming through.​Specifications:Capsule: DynamicVoice Coil: AluminumMagnet: NeodymiumDirectional Pattern: SupercardioidFrequency range: 40 Hz - 19 kHzImpedance: 300 OhmsSensitivity: 2.0 mV/Pa (-54 dB)Connectivity: 3-pin male XLRDiameter: 54 mm (2.12 in.)  x  Length: 184 mm (7.24 in.)Weight: 305 g / 10.8 oz 

The NEOM USB: Plug-and-play, record or go live anywhere, anytime. The only USB microphone for Mac, Windows, iOS and   Android that goes all the way to eleven! Introducing the latest addition to sE's legendary condenser microphones, the NEOM USB! A plug-and-play USB cardioid condenser microphone, compatible across desktop & mobile devices with all the necessary features for professional results. Built for content creators, streamers, podcasters, and musicians alike, the NEOM USB features the lowest latency in its class & vast compatibility with industry-standard recording applications for a seamless workflow across devices. Side Addressed Cardioid Condenser Capsule Based on sE's renowned condenser microphones, the NEOM USB’s tailored 16 mm (2/3”) cardioid capsule ensures high-definition clarity and focused audio capture. Its front-addressed design and tailored cardioid pattern ensure more of you and less unwanted room reflections so you can record or go LIVE anywhere, anytime, and achieve impressive audio quality. Intuitive Control Makes Creating Fun & Easy The NEOM USB’s intuitive monitor and gain controls enable the flexibility needed to produce high-quality works without having to learn the mic or open an app.  Visually manage microphone sensitivity and gain structure with smart input level LEDs integrated into the NEOM’s gain knob for uninterrupted quick adjustments when you’re LIVE or recording. A cleverly placed LED mute button allows immediate on-the-fly control over what’s broadcasted or recorded. Dial In Your Own Monitor Mix Past USB microphones have made headphone level adjustments and monitoring difficult. With separate headphone volume knobs for microphone level and playback volume, the NEOM USB enables complete control of what you hear and how loud each source is independently.  The NEOM USB’s monitoring controls enable on-the-fly headphone adjustments giving you transparency during fast-paced livestreams and recording sEssions. Record Up To 192 kHz And 24-Bit Resolution Thanks to its integrated USB C port, the NEOM USB has seamless compatibility across mobile and desktop devices with 24-bit resolution and up to 192 kHz sampling rate that contends with leading USB interfaces on the market. The NEOM USB is a plug-and-play experience on iOS (with various Apple accessories) and Android (with Android’s On-The-Go adapter) to make capturing your moment effortless. Integrated Usb-C Connector Ensures loss-free, reliable signal connection and future proof compatibility across mobile and desktop devices. As a versatile travel companion, the NEOM USB comes with a sturdy all-metal desktop stand and is readily compatible with professional studio equipment via its universal mic shaft and complimentary mic clip. If you need additional isolation, the NEOM USB integrates perfectly with our Reflexion Filter X - recommended for an instant pro vocal recording setup for your home studio.

DynaCaster: Turbo-charged with DYNAMITE for +30dB of eruptive gain at the flick of a switch The all-in-one front-addressed dynamic studio mic with game-changing V SERIES capsule technology, now turbo-charged with DYNAMITE. Built like a Tank. All-Metal. Vastly Compatible. The DynaCaster: Galactic performance with down-to-earth prices. Whether you are hosting a podcast, livestreaming, or gaming with friends, from building a community on your favorite platform to tracking a song in the studio, the DynaCaster’s integrated DYNAMITE preamp and discreet 3-layer pop filter makes the DynaCaster a modern studio companion with an undetectable footprint! Switchable DYNAMITE Preamp With +30 dB Of Transparent Gain At the flick of a switch + phantom power (48V), engage the DynaCaster's integrated DYNAMITE preamp to instantly provide an explosive +30dB of clean and transparent gain. Not only making the DynaCaster much louder than the typical dynamic microphone but also eliminates the need of expensive and bulky inline preamps. Two Recessed Eq Switches & Six Advanced Sonic Equalization Configurations  Shape the foundation of your sound before any processing. Efficiently make your voice fuller and richer or efficiently reduce boominess or sibilance with the peace of mind that recessed switches ensure your setting will remain untouched even when packing up or on-the-go. Obstruction-Free 3-Layer Pop Filtration System & Patented Shockmount Immediate plosive protection against the most powerful of wind blasts thanks to an integrated 3-layer pop filter. Easily disassembled and sanitized with quick-drying components that don’t soak up liquid. Experience a clean, germ-free studio environment and obstruction-free camera angles since there is no need for a bulky external shockmount or pop filter. Innovative DMC8 Front-Addressed Cardioid Aluminum Voice Coil - Based On V Series Technology Based on the proven capsule technology of the acclaimed V SERIES dynamics, the DynaCaster’s DMC8 cardioid capsule captures natural and intimate sound quality in the most epic of environments for singers, podcasters, livestreamers, musicians, engineers and producers alike, galaxy-wide! The innovative, specialized aluminum voice coil technology and front-addressed design isolates your voice from unwanted ambient noise, ensuring lush low end and a transparent, airy treble range for effortless, intimate recordings. Built-In Mic Stand Mount With Wide Swivel Range & Compatibility  The DynaCaster's built-in mic stand mount ensures a wide swivel range and clean aesthetic. Having tested the range of motion on all types of mic booms, there's no question if the DynaCaster will work with "that desk boom." All-Metal Design With Gold-Plated Connectors With all-metal housing and gold-plated XLR connectors, the DynaCaster is heavily shielded to avoid any electrical interference, complete with a black external windscreen and matte black finish. Built for immediate creativity with integrated professional studio essentials, the DynaCaster does the work so you can focus on the process. When you are reaching for the stars, the DynaCaster offers you galactic performance with down-to-earth prices.