Shure

Shure SE215 Sound Isolation Earphones - Featuring a newly developed Dynamic MicroDriver and a detachable cable. The Shure SE215 offers detailed sound with enhanced bass, and its design blocks out up to 90% of outside sound with unmatched comfort.The SE215 Earphones are ideal for performing on stage with an in ear monitoring system and also serve as the perfect upgrade for MP3 players.The Shure SE215 Main Features:Single Dynamic MicroDriverKevlar-reinforced Detachable CableDetailed sound with enhanced bassBlocks out up to 90% of outside soundIdeal for performing on stage with an in ear monitoring systemPerfect for MP3 players

 Triple Flange Sleeves These reusable, silicone sleeves form a tighter seal than flex sleeves while holding the earphones firmly in place. The sleeve tube or flange can be trimmed for customization and greater comfort.  Includes 3 pairs of Triple Flange Sleeves. For SE model earphones (except SE102MPA), as well as E3c, E4c, E5c, E500, i3c, and i4c models.

Grey silicon pads in Small,Medium,LargeFor models SE 215-315-425-535  / SE110-115-210-310-420-530  SCL-3-4-5  &  Ε1-Ε3-Ε4-Ε5-E500 

Shure SRH1840, open reference recording and high end HiFi Headphone. Dynamic, Neodym, 65 ohms rated impedance, 1000mW maximum  input, frequency range: 10 - 30.000 Hz, 96dB/V sensitivity, 2,1m removeable jack cable with 3.5mm stereo mini-plug. 1/4" screw-on adapter, weight: 260g (without cable),incl. earpads,case,cable.

Designed for professional audio engineers and in-studio talent, SRH940 Headphones from Shure deliver accurate response across the entire audio spectrum for smooth high-end extension with tight bass.Superior transient response provides minimal distortion. The collapsible, lightweight design with premium padded headband offers superior comfort and portability. Two included detachable cables (straight and coiled) and a replacement set of velour ear pads ensure a long product life.Also includes a hard zippered travel case and a threaded 1/4" (6.3) mm gold-plated adapter

The SRH240A Headphones from Shure provide excellent sound reproduction and comfort.With 40 mm neodymium dynamic drivers optimized for general listening and monitoring, the SRH240A Headphones reproduce deep bass with clear mids and highs.Impedance, power handling and sensitivity are all calibrated for connection to most consumer and professional audio devices. Includes threaded 1/4" (6.3 mm) nickel-plated adapter.NEW:Re-engineered headband & earcup construction provide a more ergonomic, comfortable fit.Transducer typeDynamic neodymium magnet Driver size40 mm Sensitivity (1kHz)107 dB/mW Impedance (1kHz)38 Ω Max. input power (1kHz)500 mW Frequency range20 Hz - 20 kHzNet weight (without cable)0.63 lbs (238 g) Length of cable6.56 ft (2 meters)Type of cableAttached straight oxygen-free copper PlugNickel-plated 1/8" (3.5 mm) stereo mini jack

The versatile M92E fits both of the major types of tone-arm mounts in use today. This high-value model offers faithful sound reproduction at a very attractive price. A natural bi-radial diamond tip teamed with a tubular aluminum alloy stylus cantilever accurately traces the grooves of your records for a difference you can hear.Fits both of the major types of tonearm mounts in use today, making it compatible with over 85% of turntables. Biradial Diamond Tip + Tubular Aluminum Alloy Stylus Cantilever.  Accurately traces the grooves of your records for smooth sound throughout the frequency range.Features:Universal mountBiradial diamond tipTubular aluminum alloy stylus cantileverStandard mount adapterMounting hardwareStylus guardLow Tracking ForceMinimizes wear on your irreplaceable vinyl collection

Neoprene-Belt-bag for all SHURE-Pocket-senders, washable.

Replacement headphone,left or right in the event of damage to transparent color.

Dynamic studio microphone with a cardioid polar pattern, frequency response: 50Hz-20kHz, bass roll-off switch, mid-boost switch, 150ohm, shielded against broadband interference, fixed stand adapter, XLR plug, includes windscreen.

The Shure PS-6 Popper Stopper is widely recognized throughout the recording and post-production communities as the leading tool in pop elimination technology. With a 6 inch (7.62cm) diameter, the highly durable four-layer screen stops plosive consonants such as "p" and "b", while the fully adjustable 14 inch (35.56cm) gooseneck and mic stand clamp ensure flexibility across any number of applications.

The Shure A25D is a break resistant microphone clip that securely mounts the SM58, SM57, SM87A, Beta 87A, Beta 87Cand all other microphones with 3/4-inch and larger handles to a standard microphone stand.

The Shure A57F Microphone Clip is a break resistant microphone clip that securely mounts Shure models KSM137, KSM141, SM63, SM63L, SM63LB, SM81, VP64A, VP64AL, MX412, MX418, MX412S, MX418S, MX412SE, and MX418SE to standard microphone stands. The A57F is the replacement for the discontinued A57D.

The Shure A55M Shock Mount Microphone Clip reduces transmission of mechanical noise and vibration by more than 20 decibels. Securely attaches Shure models SM57, SM58, SM86, Beta57A, Beta58A, Beta87A, Beta87C, and KSM109 to standard microphone stands.

Shure Beta 58 A, 3 meter cable XLR - XLR and a microphone stand !!! The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.         FEATURESUniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound Neodymium magnet for high signal–to–noise output Hardened steel mesh grille that resists wear and abuse Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Minimally effected by varying load impedance Legendary Shure quality and reliability

An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source.KSM32/CG - Charcoal Gray, with swivel mount and carrying case, phantom power requiredKSM32/SL - Champagne, with swivel mount, shock mount, aluminum case, phantom power requiredClass A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.Embossed, high-compliance diaphragm provides extended low-frequency response.Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response15 dB attenuation switch for handling extremely high sound pressure levels (SPL)Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.Integrated three-stage pop protection grille reduces "pop" and other breath noiseInternal shock mount reduces transmission of handling noiseReplacement cartridge:  RK374Performance CharacteristicsExtended frequency responseVery low self-noiseExceptional low-frequency reproductionHigh output levelHigh input SPL capabilityNo cross-over distortionExtremely uniform polar responseSuperior common mode rejection and suppression of radio frequency interferenceApplicationsSome typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.Voice -- solo, background, voice-over, broadcastingAcoustic instruments -- such as piano, guitar, drums, percussion, stringsWind instruments -- brass and woodwindLow frequency instruments -- such as double bass, electric bass, kick drumOverhead miking -- drums or percussionEnsembles -- choral or orchestralRoom ambiance pick-up -- guitar amplifier or drumsBoth the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.

The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. A highly consistent cardioid polar pattern Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs) Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect Performance Characteristics  Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior common mode rejection and suppression of radio frequency interference Applications Some typical applications for the KSM137 are listed below. Microphone use is a matter of personal taste and the KSM137 may be used for a variety of applications other than those listed. Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles -- choral or orchestral Room ambiance pick-up -- guitar amplifier or drums 

An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source. KSM32/CG - Charcoal Gray, with swivel mount and carrying case, phantom power required KSM32/SL - Champagne, with swivel mount, shock mount, aluminum case, phantom power required Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range. Embossed, high-compliance diaphragm provides extended low-frequency response. Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response 15 dB attenuation switch for handling extremely high sound pressure levels (SPL) Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect. Integrated three-stage pop protection grille reduces "pop" and other breath noise Internal shock mount reduces transmission of handling noise Replacement cartridge:  RK374Performance Characteristics Extended frequency response Very low self-noise Exceptional low-frequency reproduction High output level High input SPL capability No cross-over distortion Extremely uniform polar response Superior common mode rejection and suppression of radio frequency interferenceApplicationsSome typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed. Voice -- solo, background, voice-over, broadcasting Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles -- choral or orchestral Room ambiance pick-up -- guitar amplifier or drums Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.

The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. SM81-LC - With windscreen, no cable. Phantom power required. The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.  0 Hz to 20 kHz frequency response Flat response curve for accurate reproduction of sound sources Low noise and high output clipping level Low distortion over a wide range of load impedances Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds Low RF susceptibility Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff 0 dB/10 dB lockable attenuator switch Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc) Rugged steel construction for durability Field-usable over wide range of temperature and humidity conditions

A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect Performance Characteristics Extended frequency response Low self-noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior common mode rejection and suppression of radio frequency interference  Applications  Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed. Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles -- choral or orchestral Room ambiance pick-up -- guitar amplifier or drums  Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

NEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliabilityNEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliability

Shure's innovative A56D Microphone Drum Mount sets a new standard for versatility. Compact in design, the A56D can be used in a multitude of positions for accurate microphone placement. Live, or in the studio, this universal clamp can be mounted virtually anywhere, including drum rims and racks, microphone stands, and cymbal stands. This reduces the stage clutter that is associated with traditional mic stand set-ups, while promoting greater placement accuracy.

The Shure Beta 91 is specifically designed for kick drums and other bass instruments. The Beta 91 combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain-before-feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. The low profile design of the Beta 91 eliminates the need for external mounting hardware - just throw it in your kick drum and play.        FEATURES Frequency response shaped specifically for kick drums and other instruments Wide dynamic range for use in high SPL environments Low-profile design requires no external mounting hardware Detachable cable for easy storage Legendary Shure quality, ruggedness, and reliability

The Beta 98H/C is a premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.          FEATURES The Beta 98 H/C and WB98 H/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range. The pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments. The Beta98H/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection) The WB98H/C features a 1.6 m (5.3ft) high-flex cable terminating in a 4-pin mini-connector, for use with wireless bodypack transmitters Tailored frequency response for open, natural sound reproduction Compact, lightweight construction provides a low degree of visibility Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning Legendary Shure ruggedness and reliability

Use the Shure A50D to mount a microphone onto a drum. A screw on the mount secures the microphone, and an adaptive brass washer (european insert) is available to accommodate an even wider range of microphone models. The flexible, yet sturdy, rubber construction provides stability and ease of installation.

Vocal microphone provides excellent speech reproduction onstage due to its cardioid pickup pattern. It features a wind and "pop" filter for vocals, a wire-mesh front grille, dual-impedance operation, and a silent magnetic on and off switch.The predecessor to the SM58®, The 565SD Classic Unisphere® Vocal Microphone is a dual-impedance, unidirectional dynamic microphone famous for its spot on the Woodstock stage.It features highly effective wind and "pop" filter for vocals and a durable, wire-mesh front grille. Shipped connected for low-impedance operation, the 565SD provides excellent vocal or speech reproduction onstage, and can also be used with public address systems.Features:Versatile, high-quality microphone with sound characteristics similar to the SM58®Selectable dual-impedance operationSilent magnetic reed on/off switch with lock-on optionCardioid dynamicFrequency response: 50 to 15,000 HzSpecifications:Weight: 298 gHeight: 161.0 mmWidth: 51.0 mmFrequency Response: 50 Hz – 15 kHzFrequency Response: TailoredSensitivity: -56.00 dBV/Pa – 1.60 mV/PaTransducer Type: DynamicPolar Pattern: CardioidSwitchable low cut: NoConnectors: 3 Pin XLRAttenuator: NoInterchangeable Capsule: No

The ultra-compact VP83 LensHopper™ is an all-in-one solution for capturing detailed, high-definition audio with full low-end response for professional results every time. For use with DSLR cameras and HD camcorders, the VP83 features a rugged build and true-to-life audio quality, expertly combining form and function. Its easily accessible controls enable quick adjustments for different recording environments.Features:High sensitivity and low self-noise with wide frequency range for natural audio reproductionHighly directional supercardioid / lobar polar pattern that rejects unwanted off-axis audio while clearly capturing the intended sound sourceSuperior RF immunity that avoids unwanted audio artifacts from cellular and RF devicesEasily accessible controls at the back of the microphone:Three-position gain (-10 dB pad, 0, +20 dB boost) to compensate for different recording environmentsLow-cut filter to eliminate background noise and room ambienceDurable and LightweightIntegrated Rycote® Lyre® shock mounting system that provides robust isolation from vibration and mechanical noise (exclusively developed with Rycote for the VP83)Durable, all-metal construction that meets legendary Shure quality standards in an ultra-lightweight design 

Shure MX150B/C-TQG Black Cardioid 5mm Subminiature Lavalier Microphone with TQG connector for Shure Bodypacks.The Shure Microflex® MX150 is a professional electret condenser microphone ideal for applications requiring low-profile placement. Fully compatible with all Shure wireless systems, the discreet MX150 offers uncompromising sound quality and high reliability for television broadcasting, corporate lectures, A / V teleconferencing, houses of worship, and sound reinforcement. Specifications:For voice applicationsChangeable equalisation capsCardioidFrequency Response: 20 - 20,000 HzSPL max. 147.5 dB4-pin. TQG plugDiameter: 5.8 mmLength: 11 mmBlack reinforced cableIncluding tie clip and windshield

Recommended for general purpose sound reinforcement applications requiring good rejection of ambient noise, the WL185 is an cardioid lavalier microphone with a 130 degree pickup angle. It has a 1.2 meter (4 ft.) cable terminated with a miniature 4-pin mini connector. Included tie clip can be rotated in 90 degree intervals for placement flexibility.Use of windscreen highly recommended. Feature CommShield® Technology, which guards against interference from cellular RF devices and digital bodypack transmitters.Specifications:Modular - With exchangeable electret condenser capsuleCharacteristic: CardioidTQG connector for wireless applicationIncludes wind and meeting protectionTwo different pins and bagTransmission range: 50 Hz - 17 kHzOutput impedance: 1.8 kONo-load sensitivity: -45.5 dBV / Pa (10 mV)Maximum sound pressure level: 130.5 dB SPLSelf-noise (equivalent sound pressure level): 28.0 dB (A)Dimensions (L x Ø): 22 x 12 mm Power supply: +5 V (1.5 - 10 V)Temperature range: -18 ° to 57 ° CRelative humidity: 0 to 95%  

Clip-on lavalier condenser microphone in a discreet, miniature form factor ideal for professional presentations. Works with Shure wireless systems.Specifications:Discreet, miniature clip-on lavalier microphone for speeches and presentationsCondenser cartridge with cardioid polar patternWorks with all Shure wireless bodypacks featuring TA4F (TQG) connectorsPolar pattern: CardioidFrequency range: 50 - 20,000 HzMax. SPL: 139 dB-43.5 dBV/PaTQG Connector for Shure wireless systems 

Model WL93 Microphones are economical omnidirectional, subminiature, lavalier, condenser microphones designed for general speech applications where a visually unobtrusive microphone is desirable. All WL93 models are supplied with a mounting block with attached tie bar, a sew-on mounting bracket, and an acoustic windscreen to minimize wind noise in outdoor applications. All WL93 models include a cable terminated with a 4-pin mini connector which connects directly to a Shure wireless body-pack transmitter.Features:Subminiature lavalier design; ideal size for theater, television, broadcasting, video, film, and sound reinforcementSmall, inconspicuous mounting hardwareFull, clear sound comparable to larger microphonesSmooth extended frequency response with presence rise specially tailored for chest-worn microphone operationControlled low-frequency rolloff reduces low-frequency clothing and room noiseLow distortion, wide dynamic rangeUniform omnidirectional polar patternPreamplifier assembly (SM93) can be pocketed, strapped to the body, or clipped to belt or waistbandWide-range phantom powering (SM93) accepts all commonly used voltagesWL93 Black 1.2mWL93T Beige 1.2m  

The PGA56 is designed for clear reproduction of the sound source in close-miking percussion applications. Available with and without a cable. Specifications:PG Alta SeriesFor snare, toms, percussionCardioid50 - 15,000 Hz200 OhmSensitivity t 1 kHz: -57 dBV/Pa (1.45 thomann mV)Metal housingColour: BlackWeight: 287 gIncluded: 4.5 m XLR cable, drum clip and bag

The PGA57 is a professional quality instrument microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments. Mountable microphone for amplified and acoustic instrument performance and recording, including guitar amps and snare drumsTailored, dynamic cartridge (does not require phantom power) with cardioid polar pattern. Specifications:Type Dynamic: (moving coil)Frequency Response: 70 to 15,000 HzPolar Pattern CardioidOutput Impedance 150 ΩSensitivity at 1 kHz, open circuit voltage:  -56.5 dBV/Pa (1.5 mV) 1 Pa=94 dB SPLPolarity Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3Weight 280 g (9.88 oz.)Connector Three-pin professional audio (XLR), maleOperating Temperature -20 to 165 °F (-29 to 74 °C)Operating Humidity 0 to 95%

KSM8 redefines dynamic microphone technology for leading performers and engineers. It virtually eliminates proximity effect and provides unmatched vocal accuracy with minimal EQ and processing and has been designed for use in large, complex sound systems. Providing absolute vocal clarity, KSM8 is suited for production studios, live performance venues and broadcast productions.KSM8 has an extremely wide sweet spot, due to the design of the Dualdyne element and its ability to control proximity effect. Additionally, the neutral mid/high frequency response means that there is little external processing required, resulting in consistent, natural-sounding audio, regardless of the artist’s mic technique and placement.Specifications:Transducer Type : DynamicPolar Pattern: CardioidFrequency Response: 40 Hz - 16 kHzSensitivity (1 kHz): -51,5 dBV/Pa / 1,85 mV/PaWeight: 330 g 

KSM8 redefines dynamic microphone technology for leading performers and engineers. It virtually eliminates proximity effect and provides unmatched vocal accuracy with minimal EQ and processing and has been designed for use in large, complex sound systems. Providing absolute vocal clarity, KSM8 is suited for production studios, live performance venues and broadcast productions.KSM8 has an extremely wide sweet spot, due to the design of the Dualdyne element and its ability to control proximity effect. Additionally, the neutral mid/high frequency response means that there is little external processing required, resulting in consistent, natural-sounding audio, regardless of the artist’s mic technique and placement.Specifications:Transducer Type : DynamicPolar Pattern: CardioidFrequency Response: 40 Hz - 16 kHzSensitivity (1 kHz): -51,5 dBV/Pa / 1,85 mV/PaWeight: 330 g 

A total solution consisting of the necessary microphones for recording drums.Including:1x PGA52 bass drum mic2x PGA56 snare/tom mic1x PGA57 snare microphone2x PGA81 Overhead microhoneincl. case and clamps for PGA56

One of the microphones that Shure is most known for is the SM58, the Ultimate live vocal mic that has been used by some of the best known musicians in the world. The SM58 has had many different versions over the years, and the PGA 58 is the Alta's take on this seminal classic.The PGA 58 is a fantastic mic for both lead singer and backing vocals when onstage. It's super durable, has an included on/off switch and a built in pop shield. The pop shield not only deadens the plosives inherent in vocals to make you sound great, it also protects the precious electronics inside the mic from water vapour from your breath as you sing; this results in an overall longer life without issues!Features:Handheld microphone for lead and backup and performanceDynamic cartridge (does not require phantom power) with cardioid polar patternTailored cartridge design for clear, natural sounding vocal reproductionIncludes PGA48 with On / Off switch, microphone clip, zipper pouch and user guideSpecifications:Frequency Response 50–16,000 HzPhantom power required: NoPolar Pattern CardioidType Dynamic

The Shure MX153 Earset Headworn Microphone is a subminiature, low-profile single ear-loop microphone with high gain before feedback, rich detail and clarity. The MX153 features a TQG terminated connector for use with compatible Shure bodypack transmitters.The sleek single ear-loop frame features a subminiature capsule with an omnidirectional polar pattern for optimal sensitivity and clarity at all times. The MX153 is ideal for corporate presentations, houses of worship, A/V conferencing, and live sound reinforcement applications.Features:Subminiature omnidirectional cartridge offers superior clarity and enhanced plosive protection with no proximity effectTerminated with TQG connector for direct connectivity to Shure wireless bodypack transmittersUltra-lightweight, comfortable, flexible design is stable and easy to place over either earCommShield Technology guards against interference from cellular RF devices and digital bodypack transmittersKevlar-reinforced soft flex cableMatte black, tan, and cocoa color options availableIncludes protective storage pouch, 3 windscreens, and collar clip

The PGA48 delivers excellent sound for spoken word and karaoke performance. Available with various cable options and a discrete On / Off switch.Specifications:Handheld microphone for spoken word and karaoke performanceDynamic cartridge (does not require phantom power) with cardioid polar patternTailored cartridge design for clear reproduction of speechFrequency Response: 70–15,000 HzPolar Pattern: CardioidType: DynamicIncludes PGA48 with On / Off switch, microphone clip, zipper pouch and user guide

You need a comfortable and reliable headset microphone like the Shure PGA31 condenser mic for Shure wireless systems. The flexible gooseneck on this headset makes it easy to put the mic capsule in the best possible position for your vocals. And since Shure designed the PGA31 to be comfortable even after hours of use, you'll be able to focus completely on your performance or presentation. With a cardioid polar pattern for excellent off-axis rejection, you can expect clear, focused sound from the Shure PGA31 headset mic.Features:Headset microphone designed for maximum comfortCrisp, clear vocal reproduction from condenser mic elementReduces outside sounds thanks to its cardioid pickup patternCut down on breath sounds, wind noise, and plosives with the included windscreenFor use with Shure wireless systems (TA4F connector)Specifications:Connector: TA4FColor: BlackPolar Pattern: CardioidMicrophone Type: CondenserFrequency Response: 60Hz-20kHzMax SPL: 145dBSignal to Noise Ratio: 66dBSelf Noise: 28dBCable Length: 4.2'Weight: 60g

The rugged and durable SM31FH is a cardioid condenser microphone constructed with hydrophobic materials that make it ideal for true performance in fitness instruction applications. The moisture-repellent cartridge housing ensures a long product life by protecting the microphone from the corrosion damage that causes typical fitness instruction headsets to fail. Available in bundled BLX and GLX-D wireless systems, the SM31FH features TA4F 4-pin (TQG) connectors that make it a viable replacement for any Shure wireless headset system.Features:Wireframe headset fits securely and comfortably for fitness and aerobics instructorsMoisture-repellent hydrophobic fabric protects the microphone cartridge from harmful corrosion that occurs in humid environmentsFlexible gooseneck provides discrete adjustment capabilities to optimize placement for greatest isolationLightweight and low-profile design won’t fatigue instructors during high-impact useTA4F (TQG) connector is compatible with any Shure wireless bodypackIncluded windscreen tames plosive, breath, and wind noise for clean and intelligible soundTailored frequency response ideal for crisp, clear vocal reproductionAvailable with bundled BLX and GLX-D wireless systemsLegendary Shure precision engineering for durability and performanceSpecifications:Type: Electret CondenserFrequency Response: 45–20,000 HzPolar Pattern: Cardioid

The SM35 Performance Headset Condenser Microphone gives multi-instrumentalists the freedom to express themselves without sacrificing sound quality. A tight, unidirectional cardioid polar pattern provides excellent rejection of off-axis sound sources to prevent feedback and signal bleed onstage, whether in use in small clubs, large installations, or arena tours.Available in standard TA4F (TQG) connectivity, the SM35 seamlessly integrates into any Shure wireless headset system. Also available, the SM35-XLR includes an inline RPM626 preamp for use in standard wired (XLR) applications.Features:Wireframe headset fits securely and comfortably for active performers and multi-instrumentalistsTight, unidirectional cardioid polar pattern rejects signal bleed and feedback for use on loud stages and behind floor monitorsFlexible gooseneck design allows for optimized placement that further improves source isolationLightweight and low-profile form enables comfortable, long-wearing useTA4F (TQG) connector is compatible with any Shure wireless bodypackLocking snap-fit windscreens tame plosives, breath, and wind noise for clean and intelligible soundTailored frequency response refined for clear, crisp vocal reproductionIncluded in BLX and GLX-D wireless systems, renowned for their ease of use and reliable performanceLegendary Shure precision engineering for durability and performanceSpecifications:Type: Electret CondenserFrequency Response: 40–20,000 HzPolar Pattern: Cardioid

Shure MX412D/S Desktop Condenser Microphone - with very small gooseneck (30.5cm long), supercardioid, programmable switch, status LED, modular mini capsule system, very good feedback rejection, includes windshield.

Shure R185B, capsule for Shure MX 412, Shure WH30 TQG, cardioid, black

Microflex Multi-Element Boundary MicrophoneThe Microflex® Multi-Element Boundary microphone delivers a unique and versatile tool for conference room installations.Clean and simple in appearance, Multi-Element Boundary mics come in two or three element configurations, combining the coverage of multiple microphones into one small, compact package. Features: End of table (300°), center of table (360°), or cross table (bidirectional) coverage patternsIndividual audio output for each elementBi-color status indicatorProgrammable mute switchLogic input/output for remote LED and mute controlCommShield® Technology