Sontronics

The Sontronics Podcast Pro is a dynamic microphone designed specifically for podcast, broadcast, radio, gaming and voiceover applications. Specifications: Microphone type: Dynamic Polar pattern: Supercardioid Frequency response: 50Hz – 15kHz Sensitivity: -50dB ±2dB Impedance: =600 Ohms Connector: Three-pin XLR Power: Phantom power NOT required Dimensions: 180 x 82 x 60mm Weight: 308g

The Sontronics Podcast Pro is a dynamic microphone designed specifically for podcast, broadcast, radio, gaming and voiceover applications. Specifications: Microphone type: Dynamic Polar pattern: Supercardioid Frequency response: 50Hz – 15kHz Sensitivity: -50dB ±2dB Impedance: =600 Ohms Connector: Three-pin XLR Power: Phantom power NOT required Dimensions: 180 x 82 x 60mm Weight: 308g

The Sontronics STC-1 pencil-style condenser mic is perfectly suited to recording instruments of any kind: guitars, strings, wind, brass, ethnic, drums or percussion. Thanks to its three-stage filter (0, -10, -20dB) and pad (0, 75, 150Hz) switches, the cardioid-pattern STC-1 is one of the most flexible microphones in its class and gives impressive, professional studio-quality results for an affordabe price.The STC-1 comes in a luxury, velvet-lined wooden box with a mounting clip and windshield, and it is compatible with the Sontronics OMNI and HYPER capsules, available separately. With the OMNI capsule fitted, STC-1 becomes the perfect room mic (whether used solo or in a pair) and with the HYPER capsule, users tell us STC-1 gives great results on hi-hat!Choose either the STC-1 Silver in a brushed nickel finish or the STC-1 Black with a satin finish and gold lettering. Available as a single STC-1 mic or as an STC-1S stereo pair.

The DM-1S is a small pencil condenser designed specifically for snare drum. It is a companion mic to the DM-1T tom microphone, from which it differs only in voicing. Both mics are part of Sontronics application-specific microphone series, which also includes the DM-1B and the DM-1B kick-drum mic. The DM-1T and DM-1S are physically identical. They are compact (length approximately 10cm) to facilitate placement above toms and snare without being in the way of cymbals. The DM-1T tom mic and DM-1S snare mic are both end-address, with a 24mm true condenser capsule. Both produce a Cardioid pickup pattern. Specifications:8 mV/Pa 30 - 20,000 HzPad: -10dB (Via Switch)Self-noise: 14.0 dB(A)Impedance: 200 Ohms (Low) SPL/Noise: Max SPL: 135 dBCapsule diameter: 24mm3-pin XLR male (1)Phantom voltage: 48±4v

The DM-1T is a small pencil condenser designed specifically for use miking toms. It is a part of Sontronics application-specific microphone series, which also includes the DM-1S snare mic and the DM-1B kick-drum mic. Specifications:8 mV/Pa 30 - 20,000 HzPad: -15dB (Via Switch)Self-noise: 14.0 dB(A)Impedance: 200 Ohms (Low) SPL/Noise: Max SPL: 135 dBCapsule diameter: 24mm3-pin XLR male (1)Phantom voltage: 48±4v

New for 2014 is our Sontronics ARIA valve/tube cardioid condenser microphone that has been developed and designed by Sontronics founder and designer Trevor Coley specifically for getting the best from your vocals. The Sontronics ARIA will give you stunning, beautiful results on every recording, thanks to its silky-smooth characteristics, its accurate response and our trademark Sontronics high-frequency roll-off.Housed inside the chromed grille is a large, 1.07-inch, edge-terminated capsule that captures all the detail and subtleties of any male or female vocal (sung or spoken) while the hand-selected European 12AX7/ECC83 tube lends a character that you'd expect to find in a classic vintage valve mic.  For that extra level of control, the accompanying SPS-2 power supply unit boasts pad (0, -10dB) and filter (linear, 75Hz) switches as well as a tube-ready LED, letting you know when the mic is warmed up and at its best to record. Inside the unit is a pro-quality, medical-grade electricity filter to ensure that the power supply is pure and interference-free.During the 12 months of ARIA's development, it has been beta-tested by top artists and musicians including producer/writer Paul Epworth (Adele, Florence & The Machine, Paul McCartney), singer/songwriter PJ Harvey, and also several engineers at Abbey Road Studios, all of whom now admit they can't live without their ARIAs! These and other users have all told us that ARIA's sound and quality is easily matched to mics (both modern and vintage) that cost ten times more.The result is a go-to microphone that's a must-have if you're serious about achieving the best results from vocals but that will also give beautiful results on piano, acoustic guitar, cello and other instruments as well as voiceover and broadcast. Sontronics ARIA really will take your breath away! The ARIA microphone is supplied in its own velvet-lined wooden box, which comes in an aluminium flightcase together with its elastic spider-style shockmount, a ring mount and the SPS-2 power supply, connecting cable and power lead. Like all our mics, Sontronics ARIA is covered by our no-nonsense.

The Sontronics STC-3X PACK is a NEW all-in-one mic and accessories package and the ideal solution for achieving professional-quality recordings at home or in the studio. In omni mode, STC-3X is fantastic for room and overhead miking, and also for ensemble recording (vocals, choral, instrumental, orchestral). In figure-of-eight mode, it is perfect for stringed instruments and for stereo miking applications.Our NEW, British-designed STC-3X multi-pattern condenser microphone features the three most commonly used polar patterns – cardioid, omnidirectional and figure-of-eight – selectable using a switch on the rear of the mic. It boasts a dual one-inch, gold-sputtered diaphragm housed in a large, open grille and its filter and pad controls make it a versatile, flexible workhorse in any recording situation.The STC-3X gives stunning results on everything from male and female vocals to acoustic guitar, piano, percussion and other acoustic instruments. It also works extremely well on spoken word, making it a great option for voiceover, broadcast and podcast.The Sontronics STC-3X is available in black or silver and is supplied in one box with the following FREE accessories...  a spider-style shockmount (with spare elastics)  a professional-quality, nylon-mesh popshield  a 5-metre female-to-male XLR cable  a vinyl, leather-look, zip-up microphone pouchLike all of Sontronics mics, the STC-3X mic is protected by our FREE LIFETIME WARRANTY  and also comes with a FREE download of Toontrack’s EZdrummer Lite.

New for 2012 is the Sontronics STC-20 PACK, an all-in-one microphone package that allows you to achieve the same quality recordings as you'd expect to hear in a professional studio, even for those musicians on the tightest of budgets!The Sontronics STC-20 PACK includes our best-selling STC-20 mic along with the following FREE accessories...  spider-style shockmount (with 2 spare elastics)  nylon-mesh popshield that attaches to shockmount  5-metre XLR cable  zip-up, vinyl, leather-look microphone pouchThe STC-20 PACK also comes with a free download of Toontrack's EZdrummer Lite and, like all our microphones, the STC-20 mic is covered by our LIFETIME WARRANTY.The STC-20 is a large-diaphragm condenser mic with a cardioid condenser pattern and it features a large open grille that houses the same one-inch, gold-sputtered capsule as found in our hugely popular STC-20.Despite its incredible affordablity, the Sontronics STC-20 delivers brilliant results on male and female vocals, acoustic guitars, piano and other acoustic instruments. It also gives impressive results on spoken word, making it an ideal mic for podcast, broadcast and voiceover.

Small diaphragm condenser microphone with cardioid polar pattern, frequency response: 30Hz-20kHz, 11mV/pa sensitivity (0dB=Pa 1000Hz),

Sontronics DM-1B, large-diaphragm condenser microphone, designed specifically to capture and reproduce the various characteristics of a kick drum: thomann the beater click, the heavy thump, the boomy decay and so on, switchable -15dB pad, response: 20 - 20000 Hz, polar pattern: Cardioid (end-fire), impedance:

The latest microphone to join the Sontronics family is yet another striking model, this time a dynamic microphone designed for use on guitar amps and cabinets.  The HALO has a dynamic capsule suspended on four spring mounts within a circular frame that protects the microphone from vibrations and rumble on stage or in the studio.HALO is based on the Sontronics STC-80, a handheld dynamic microphone that gives stunning results on vocals, but has also been increasingly used to great effect on guitar amps for live and studio work.  The HALO takes the same capsule, enhances it slightly to capture the exact frequencies of your guitar amp, and the result is all the bite, crunch and presence you could wish for without need to lay a finger on the EQ.

The STC-1S is a laboratory-matched pair of STC-1 cardioid microphones, ideally suited to stereophonic recording, whether  you’re capturing a four-piece band or a full symphony orchestra. The variable filter and pad switches further enhance their versatility, allowing you to record many instrument sources, either acoustic or amplified. The STC-1S comes in a luxury wooden case, with mounting clips, windshields and a stereo mounting bar. It is also compatible with the Sontronics Omni and Hyper capsules. The STC-1S pair comes in classic silver or satin black.

The Sontronics ST-POP is an adjustable pop filter, and is an essential piece of equipment for anyone recording speech or vocals. The dual-layer nylon mesh significantly reduces the ‘popping’ noises associated with plosive consonants, such as ‘p’ and ‘b’. Similarly, the harshness caused by sibilant sounds – ‘s’, ‘z’, ‘sh’, ‘ch’ – is also dramatically reduced, helping you capture the best possible recording from the very beginning. The flexible arm allows simple and accurate positioning when clamped to any microphone stand. Maintenance is easy too: just unscrew the clamp at the bottom of the ring and remove the cartridge. This can be cleaned in warm, soapy water and left to dry naturally. A replacement nylon cartridge is also included, so that your Sontronics pop filter is always there when you need it.

With omni, cardioid and figure-of-eight patterns, as well as a 10dB cut/boost function, the ORPHEUS is the perfect workhorse in practically any studio or live sound application. Its low self-noise and unmistakable presence allow you to record the subtlest of instruments or voices without the need to edit afterwards.The highly sensitive 1.07-inch dual-diaphragm capsule is suspended in its own special mount, almost floating in the large, sppherical basket. The body is cast from zinc alloy, which gives almost zero resonance and helps to keep the signal crystal-clear.The ORPHEUS comes supplied in a luxury wooden case, lined with black velvet, and really does sound as good as it looks.TECHNICAL DATAResponse: 20Hz - 20kHzSensitivity: 20mV/Pa -32dB ±2dB (0dB = 1V/Pa 1,000Hz)Polar pattern: Omni, cardioid, figure-of-eightImpedance: ≤200 OhmsEquivalent noise level: 16dB (A-weighted)Max SPL (for 0.5% THD @ 1,000Hz): 125dBPower source: Phantom power 48V ±4V