Pre-Amplifiers

RC-1572MKIIAffordable high-end begins with Rotel’s RC-1572MKII Preamplifier processing your favorite analog and digital sources in stunning clarity with a natural and enveloping sound stage.As an essential component in a Hi-Fi audio stack the RC-1572MKII’s precision engineering begins with Rotel’s ultra-low noise power supply including a large, in-house manufactured toroidal transformer. The transformer design reduces stray radiated emissions and feeds a bank of slit-foil, low ESR capacitors delivering stable current to all sensitive circuits reducing noise and distortion with an ultra-quiet noise floor.A premium Texas Instruments 32-bit Digital to Analog converter (DAC) renders the digital sources supported by custom tuned, proprietary external output filters ensuring the audio is effortlessly presented with exceptional dynamic detail and musical expression.  Analog, Digital, XLR, aptXTM and AAC Wireless Bluetooth and Moving Magnet Phono Stage inputs ensure connection to your favorite music sources. Digital media files are supported via a 32-bit/384kHz PC-USB connection supporting MQA and is fully certified Roon Tested for graceful access to the near limitless catalog of online music.The RC-1572MKII is easy to operate using the included remote control and front panel display. Automatic power controls, signal sensing, fixed volume settings and tone adjustments optimize customization settings.RCA, XLR and subwoofer outputs are provided for installation flexibility. Ethernet and RS232 ensure simple integration with control systems and software updates.Bring your CD’s, Digital Files and Vinyl allowing the RC-1572MKII to bridge generations of music and music lovers.

RC-1572MKIIAffordable high-end begins with Rotel’s RC-1572MKII Preamplifier processing your favorite analog and digital sources in stunning clarity with a natural and enveloping sound stage.As an essential component in a Hi-Fi audio stack the RC-1572MKII’s precision engineering begins with Rotel’s ultra-low noise power supply including a large, in-house manufactured toroidal transformer. The transformer design reduces stray radiated emissions and feeds a bank of slit-foil, low ESR capacitors delivering stable current to all sensitive circuits reducing noise and distortion with an ultra-quiet noise floor.A premium Texas Instruments 32-bit Digital to Analog converter (DAC) renders the digital sources supported by custom tuned, proprietary external output filters ensuring the audio is effortlessly presented with exceptional dynamic detail and musical expression.  Analog, Digital, XLR, aptXTM and AAC Wireless Bluetooth and Moving Magnet Phono Stage inputs ensure connection to your favorite music sources. Digital media files are supported via a 32-bit/384kHz PC-USB connection supporting MQA and is fully certified Roon Tested for graceful access to the near limitless catalog of online music.The RC-1572MKII is easy to operate using the included remote control and front panel display. Automatic power controls, signal sensing, fixed volume settings and tone adjustments optimize customization settings.RCA, XLR and subwoofer outputs are provided for installation flexibility. Ethernet and RS232 ensure simple integration with control systems and software updates.Bring your CD’s, Digital Files and Vinyl allowing the RC-1572MKII to bridge generations of music and music lovers.

The Masters M66 BluOS Streaming DAC-Preamplifier is a revolutionary hi-fi component that combines an audiophile-grade DAC with a high-resolution multi-room music streamer. Featuring Dirac Live Room Correction and Dirac Live Bass Control, its elegant design and vibrant 7″ touchscreen exudes quality and class. Pair it with NAD’s M23 power amplifier for a stunning system that excels technologically, sonically, and visually. Not only is the Masters M66 BluOS streaming DAC-preamplifier the most advanced preamplifier NAD has ever offered, it represents an entirely new class of hi-fi separate components. In addition to a plethora of inputs, including MM/MC phono and HDMI eARC, the M66 incorporates an audiophile-grade DAC and a high-resolution multi-room music streamer.Along with the full-bandwidth version of Dirac Live Room Correction, the M66 features Dirac Live Bass Control, allowing independent control of each connected subwoofer, for smooth, consistent response throughout your listening room. The combination of Dirac Live Room Correction and Dirac Live Bass Control enables the M66 to deliver more accurate in-room performance than any two-channel component ever offered.With its elegant aluminum casework, super-smooth digital volume control, and vibrant 7″ touchscreen, the M66 exudes class and quality. Visually, sonically, and technologically, it’s an ideal match to NAD’s award-winning Masters M23 power amplifier. Of course, the Masters M66 BluOS Streaming DAC-Preamplifier can be paired with any high-performance amplifier.Music EverywhereFeaturing a high-resolution network streamer based on the acclaimed BluOS multi-room music-management system, the M66 provides access to more than 20 streaming services, including several that offer lossless and high-resolution audio. Using the intuitive BluOS app on a smart device or personal computer, listeners can play music from their favourite streaming service, their personal music libraries, and thousands of Internet radio stations, in resolution up to 24-bit/192kHz. Like all BluOS-enabled components, the M66 has full MQA decoding and rendering capability.With BluOS, you can listen to music in just one room; or share music over your home network with up to 63 additional BluOS-enabled components from NAD and other hardware partners. The M66 integrates easily with home-control systems from Control4, Crestron, ELAN, RTI, URC, and others. Listeners can also control playback by voice using Amazon Alexa or Apple Siri.Perfect ResponseThe M66 integrates Dirac Live Room Correction and Dirac Live Bass Control. Connect the supplied calibrated microphone to the M66’s USB port and then launch the Dirac Live app on a smart device or personal computer. The app will walk you through the calibration process, and then generate correction filters that compensate for acoustic problems like standing waves and unwanted reflections. You’ll enjoy more textured bass, improved tonal accuracy, vastly improved clarity, and more focused imaging.In a first for a stereo component, the M66 features four balanced and four single-ended subwoofer outputs and integrates Dirac Live Bass Control, which allows independent calibration of multiple subwoofers. Dirac Live Bass Control optimizes subwoofer output in both the frequency and time domains, achieving a seamless blend between the subwoofer(s) and main speakers, and delivering smooth, consistent bass response through the entire listening area, not just in the sweet spot.Peak PerformanceAt the heart of the M66’s digital section are ESS Technology’s flagship Sabre DAC and ADC chips. These audiophile-grade designs are known for their exceptionally wide dynamic range, ultra-low noise and distortion, and outstanding time-domain performance.The M66 is the first component to feature NAD’s innovative Dynamic Digital Headroom (DDH) circuitry. When activated in the BluOS app, DDH eliminates digital inter-sample peak clipping distortion, which can occur during digital-to-analogue conversion with sudden high-frequency transients. The benefits are especially noticeable with percussion instruments: rim shots are more impactful but less strident; cymbals are more realistic and less splashy.For volume adjustment, the M66 employs an ultra-precise resistor-ladder control circuit. Compared to traditional analogue circuits, the M66’s digital volume control markedly reduces thermal and related distortions, maximises dynamic range, and more accurately matches left- and right-channel output across the entire volume range.By default, analogue signals are converted to digital so that functions like Dirac Live Room Correction and Bass Control are available with all sources. However, the M66 has a selectable Analogue Direct mode that bypasses all digital processing, and separate signal paths for analogue and digital sources. Internally, the analogue and digital sections are physically separated and shielded from each other with their own separate power supplies sections, so that analogue signals are unaffected by digital interference when Analogue Direct mode is engaged. This results in distinct volume attenuation, superb left and right tracking and very low noise.Connect EverythingWith its full suite of analogue and digital inputs, the M66 can accommodate all your source components. Vinyl fans will appreciate the M66’s ultra-quiet MM/MC phono stage, which features precise RIAA equalization, high overload margins, and an innovative circuit that suppresses the infrasonic noise that is always present with vinyl playback without affecting bass response. For TV and movie viewing, there’s an HDMI eARC port for connection to an HDTV. Other options include two coaxial and two optical S/PDIF inputs, an AES/EBU balanced digital input, two pairs of RCA line-level analogue inputs, and one pair of XLR balanced inputs.In addition to unbalanced RCA and balanced XLR outputs for connection to a power amplifier, the M66 has four unbalanced RCA and four balanced XLR subwoofer outputs. The M66’s dedicated headphone amplifier has very low output impedance and very high maximum output voltage, enabling it to drive demanding high-impedance studio monitor headphones. The M66 also has Bluetooth connectivity, with support for the AAC, LDAC, and aptX HD codecs.Future ForwardThe Masters M66 represents the pinnacle of what is technically achievable in a two-channel preamplifier today, and will maintain its technological leadership for decades to come. On the rear panel are two expansion slots that support MDC2, the latest generation of NAD’s Modular Design Construction future-proofing technology. As technology evolves, this will enable M66 owners to add new capabilities simply by inserting an MDC2 module into one of the slots.Everything about the NAD Masters M66 BluOS streaming DAC-preamp is intended to inspire pride of ownership: the gorgeous 7″ touchscreen, the elegant aluminium casework, and the silky-smooth digital volume control. With its leading-edge technology, unmatched versatility, and superb build quality, the Masters M66 is truly a masterpiece of sound.

The quality of a hi-fi system depends on its sound source. Compatible with file formats used by top streaming devices and services, NSS 333 is a high-resolution streaming solution that delivers on its promise. The built-in DAC converter improves the performance of other devices in your system. Compatible with the entire Naim range, NSS 333 allows you to control your system easily from the Focal & Naim app. With NSS 333, you can find the most recent streaming platforms (Spotify connect, Apple Music, TIDAL, TIDAL Connect and Qobuz) and listen to your favourite radio stations. Thanks to the integrated AirPlay2, Chromecast, UPnP™, Roon Ready and Bluetooth® AptX technologies, streaming your content from your smartphone or tablet is easy and high quality. For total listening pleasure at home, this streamer is multi-room compatible with many connected Naim products.

NAC 332 is the “analogue centre” of your system, delivering optimal performance to your amplifier and loudspeakers. Naim’s most versatile preamplifier to date, you can connect headphones as well as the NVC TT phono preamplifier for listening to vinyl. Use the included remote control to control the volume and inputs in just one click. Taking several elements from the Statement S1 preamplifier, a benchmark product at Naim, NAC 332 combines performance and versatility thanks to its multiple functions. It allows you to connect many sources, from an amplifier to headphones, as well as a turntable or CD player. Its optimised Naim circuits deliver enhanced musical performance from all your sources and limit internal noise for uncompromising sound quality.

NSC 222 is an easy-to-use streaming preamplifier with multiple functions, offering uncompromising sound quality. With its high-precision engineering and exclusive British design from Naim, this product brings you a world of streamed music and radio, handling vinyl and audio headphones, as well as creating a high-performance analog preamplifier. Combine it with the NAP 250 power amplifier for an exceptional assembly: just add loudspeakers

Cary Audio’s finest preamplifier has been the recipient of many awards and glowing reviews. It consists of one enclosure housing the preamplifier itself, and a second separate power supply to keep noise out of the musical signal path and provide a more stable electrical foundation. Like most Cary Audio products it is fully differential-balanced in construction to further reduce electronic noise, and uses no global feedback for faster response. The SLP-05 features three pairs of RCA inputs plus a tape loop, as well as two pairs of XLR balanced inputs, and includes a Cinema Bypass mode so you can share sources between the music system and a home theater processor without worrying about degrading the signal path or having to readjust volume.A set of hand-matched tubes is provided with your SLP-05, as well as a matched pair that simply power a built-in headphone amplifier. All of this technology simply means that you will be listening to music that is lifelike in its richness and clarity, and full of the tiny details that raise the SLP-05 from simply good to world-class. Cary Audio’s attention to detail in circuit design, parts quality, and a superb finish, makes this truly an investment in musical enjoyment and pride of ownership.

DESCRIPTIONWith its outstanding performance, excellent resolution, superb control and precise musical reproduction, we have made a preamplifier that is true to our slogan, “Closing the gap to the master”. Our new two-channel EC 4.8 MKII preamplifier enhances the predecessor, and is sure to make all good power amplifiers sound even better!BALANCED AUDIOFully balanced discrete analog audio circuitry.SONIC PERFORMANCEThe MKII further enhances the EC 4.8 with new mechanics and sonic enhancements, and an updated design to be in line with the new MKII versions of our products.DUAL MONO DESIGNIt is designed as two separate mono preamplifiers, each with its own independent power supply.

DescriptionThe PreAmp II is a new generation pre-amplifier and a natural addition to Tangent’s stylish and popular range of compact, convenient sized electronics products. Wired or wirelessAs a perfect partner, the PreAmp II provides power amplifiers with multiple sources or simply adds a wireless connection to your active speakers. This versatile pre-amplifier offers two wired input connections via both digital optical and analog AUX inputs, as well as a Bluetooth wireless option enabling you to stream music from your smartphone, tablet or computer.Ideal for turntablesTo cater for the revival and growth in vinyl collections, for this new second generation PreAmpster model, Tangent has included an integrated RIAA / Phono module feature, so it’s now possible to use this PreAmp II pre-amplifier with a turntable.Balanced XLRA new addition to the PreAmp II is the possibility to use a balanced connection (XLR) to power amplifier such as Tangent’s PowerAmpster II. Headphone Tangent PreAmp II also caters for those who wish to bring quality sound to a pair of audiophile headphones via built-in headphone amplifier. The headphone connection is conveniently placed in the front of the preamplifier. Subwoofer or active speakersThe PreAmp II also offers several output options, including an analogue line-out and a XLR balanced connection for connecting an amplifier, or active speakers. Additionally, there is a sub-output for connecting a subwoofer to enhance the bass frequencies of your system.Take controlA comprehensive, fully functional remote control is also included and for added convenience, the PreAmp II can automatically wake up from standby in either the Bluetooth or AUX source used previously… so it’ll turn on as soon as you start playing music from your connected device.

DescriptionOur flagship preamp, ULTIMA, neither adds to or takes away from, the precious incoming signal.Designed to be entirely uncompromising, the ULTIMA preamp is a world-class amplifier with advanced proprietary Chord Electronics technology. A product of three decades of research, design and engineering here in the UK, it benefits from true dual-mono construction with separate ultra-high-frequency power supplies for each channel, giving the best possible separation. With the addition of valuable low-noise circuitry, the noise floor performance is exceptional, at beyond -117dB.Featuring impressive double-height dimensions, the ULTIMA preamp has been created to perfectly complement the flagship ULTIMA mono power amplifier, also the most advanced in the company’s 30-year history. With wide-ranging inputs and outputs, including balanced connectivity, ULTIMA offers complete flexibility for high-performance partnering equipment, enhanced further by the fascia-mounted separate frequency EQ adjust controls for the left and right channels. Headphone outputs offer further flexibility for late-night and personal listening in style.Each ULTIMA preamp is hand-made in the Kent factory, with the various stages of build and production carefully overseen by one highly skilled technician. Sensitive internal circuit features are protected by solid milled aluminium shielding to prevent RF interference and Chord Electronics’ legendary UK-produced aircraft-grade aluminium provides a solid and resonance-eliminating enclosure for the electronics within, complemented by the famous Integra Leg System.ULTIMA is the ultimate expression of the finest high-performance, ultra-fast, ultra-high-power amplifier technology available today.

DescriptionOur flagship preamp, ULTIMA, neither adds to or takes away from, the precious incoming signal.Designed to be entirely uncompromising, the ULTIMA preamp is a world-class amplifier with advanced proprietary Chord Electronics technology. A product of three decades of research, design and engineering here in the UK, it benefits from true dual-mono construction with separate ultra-high-frequency power supplies for each channel, giving the best possible separation. With the addition of valuable low-noise circuitry, the noise floor performance is exceptional, at beyond -117dB.Featuring impressive double-height dimensions, the ULTIMA preamp has been created to perfectly complement the flagship ULTIMA mono power amplifier, also the most advanced in the company’s 30-year history. With wide-ranging inputs and outputs, including balanced connectivity, ULTIMA offers complete flexibility for high-performance partnering equipment, enhanced further by the fascia-mounted separate frequency EQ adjust controls for the left and right channels. Headphone outputs offer further flexibility for late-night and personal listening in style.Each ULTIMA preamp is hand-made in the Kent factory, with the various stages of build and production carefully overseen by one highly skilled technician. Sensitive internal circuit features are protected by solid milled aluminium shielding to prevent RF interference and Chord Electronics’ legendary UK-produced aircraft-grade aluminium provides a solid and resonance-eliminating enclosure for the electronics within, complemented by the famous Integra Leg System.ULTIMA is the ultimate expression of the finest high-performance, ultra-fast, ultra-high-power amplifier technology available today.

DescriptionThe ULTIMA PRE 3 is an all-new ground-up-design preamplifier containing the very latest proprietary power supply technology and the latest circuit design. Built from the ground up, the UTLIMA PRE 3 takes advantage of the very latest developments in advanced low-distortion power supplies. These advanced devices offer exceptionally low noise and outstanding amplifier operation. Coupled with our latest design developments, the PRE 3 offers new levels of preamplifier performance.The UTLIMA PRE 3 is equipped with five analogue inputs (two balanced and three unbalanced) all of which benefit from individual buffering and are selectively filtered against potential ingress from radio frequency interference.Externally, the PRE 3 benefits from a completely redesigned aesthetic with a central circular power sphere flanked by a new volume control and balance/AV bypass selector, both of which benefit from a new ergonomic knob design.Additional features include an AV bypass, plus a 5 V charging USB Type-A port.

DescriptionThe ULTIMA PRE 3 is an all-new ground-up-design preamplifier containing the very latest proprietary power supply technology and the latest circuit design. Built from the ground up, the UTLIMA PRE 3 takes advantage of the very latest developments in advanced low-distortion power supplies. These advanced devices offer exceptionally low noise and outstanding amplifier operation. Coupled with our latest design developments, the PRE 3 offers new levels of preamplifier performance.The UTLIMA PRE 3 is equipped with five analogue inputs (two balanced and three unbalanced) all of which benefit from individual buffering and are selectively filtered against potential ingress from radio frequency interference.Externally, the PRE 3 benefits from a completely redesigned aesthetic with a central circular power sphere flanked by a new volume control and balance/AV bypass selector, both of which benefit from a new ergonomic knob design.Additional features include an AV bypass, plus a 5 V charging USB Type-A port.

Description Featuring unrivalled connectivity and minimal colouration, the ULTIMA PRE 2 can be the hub of your Hi-Fi system without taking anything away from the incoming signal.The fully modernised ULTIMA PRE 2 is built to complement stereo systems of the highest order and represents the finest Chord Electronics engineering inside and out.Just as a preamplifier should, the ULTIMA PRE 2 adds nothing to the original waveform and instead preserves it with zero colouration. This is thanks to our latest advances in switch-mode power supply design, developed from aerospace technologies, and our ultra-low-noise proprietary solid-state circuitry which is both carefully shielded and equipped with premium system components. As a result, the ULTIMA PRE 2 is able to achieve unprecedented noise floor performance of -130dB, meaning your source will always sound like your source and nothing else.Where connectivity is concerned, the ULTIMA PRE 2 has hi-fi systems (and more!) covered. Featuring eight inputs, four stereo pairs of XLRs for balanced connections and another four RCA for unbalanced connections, each of these can be gain-matched and individually selected. For outputs, a single stereo pair is available via XLR or RCA, to accommodate a single stereo amplifier such as the ULTIMA 5 or a pair of mono blocks such as the ULTIMA 3s. Naturally, headphone users are catered for, too, for personal and late-night listening with the addition of a high-resolution 6.35mm output on the front fascia.Where system-triggering is important, (allowing the simultaneous start-up of connected equipment from a single button-press), the ULTIMA PRE 2 is equipped with three outputs which should be more than enough for most systems.

Description Featuring unrivalled connectivity and minimal colouration, the ULTIMA PRE 2 can be the hub of your Hi-Fi system without taking anything away from the incoming signal.The fully modernised ULTIMA PRE 2 is built to complement stereo systems of the highest order and represents the finest Chord Electronics engineering inside and out.Just as a preamplifier should, the ULTIMA PRE 2 adds nothing to the original waveform and instead preserves it with zero colouration. This is thanks to our latest advances in switch-mode power supply design, developed from aerospace technologies, and our ultra-low-noise proprietary solid-state circuitry which is both carefully shielded and equipped with premium system components. As a result, the ULTIMA PRE 2 is able to achieve unprecedented noise floor performance of -130dB, meaning your source will always sound like your source and nothing else.Where connectivity is concerned, the ULTIMA PRE 2 has hi-fi systems (and more!) covered. Featuring eight inputs, four stereo pairs of XLRs for balanced connections and another four RCA for unbalanced connections, each of these can be gain-matched and individually selected. For outputs, a single stereo pair is available via XLR or RCA, to accommodate a single stereo amplifier such as the ULTIMA 5 or a pair of mono blocks such as the ULTIMA 3s. Naturally, headphone users are catered for, too, for personal and late-night listening with the addition of a high-resolution 6.35mm output on the front fascia.Where system-triggering is important, (allowing the simultaneous start-up of connected equipment from a single button-press), the ULTIMA PRE 2 is equipped with three outputs which should be more than enough for most systems.

Description Our Prima preamp forms part of the stylish and compact Choral range and has been designed to complement our Etude power amps. Despite its compact dimensions and space-saving footprint, the Prima is every bit a pedigree Chord Electronics amplifier.Precision-machined from solid aircraft-grade aluminium billet, the Prima offers both remote control and front panel operation. Prima’s fascia offers volume and balance controls while its push-button controls atop the unit, offer input selection and tape line selection, the latter enabling its tape outputs to be selected for recording from source components. Further design features include a top panel display, offering input choice and volume information, plus a clever porthole which enables the internal circuit board to be seen.The Prima also benefits from a custom Ultra-High-Frequency power supply, which delivers efficient and fast energy charge/discharge for delivering power to capacitors when required. Prima offers fully balanced circuitry throughout and useful flexibility with five inputs, four unbalanced RCA and one balanced XLR, plus a balanced XLR output and a tape output. For added versatility, Prima’s audio circuit offers six independent input gain adjustments for the five inputs and low impedance outputs.

Description Our Prima preamp forms part of the stylish and compact Choral range and has been designed to complement our Etude power amps. Despite its compact dimensions and space-saving footprint, the Prima is every bit a pedigree Chord Electronics amplifier.Precision-machined from solid aircraft-grade aluminium billet, the Prima offers both remote control and front panel operation. Prima’s fascia offers volume and balance controls while its push-button controls atop the unit, offer input selection and tape line selection, the latter enabling its tape outputs to be selected for recording from source components. Further design features include a top panel display, offering input choice and volume information, plus a clever porthole which enables the internal circuit board to be seen.The Prima also benefits from a custom Ultra-High-Frequency power supply, which delivers efficient and fast energy charge/discharge for delivering power to capacitors when required. Prima offers fully balanced circuitry throughout and useful flexibility with five inputs, four unbalanced RCA and one balanced XLR, plus a balanced XLR output and a tape output. For added versatility, Prima’s audio circuit offers six independent input gain adjustments for the five inputs and low impedance outputs.

Push the Power of Audio Control.The revolutionary STR Preamplifier is a new type of audio component that gives you more control and more refinements, including more connection options and more advanced technology, in a single, easy-to-use component.Designed, engineered, and Crafted in Canada, the STR Preamplifier combines the benefits of an advanced preamp with the power of a processor, as well as functions like leading-edge DAC, onboard Anthem Room Correction (ARC®®), customizable bass manager for mono or stereo sub outs, MM and MC phono inputs—far more than the average preamplifier.And it includes new generations of many of Anthem’s award-winning, audiophile-loving, review-praised digital signal processing innovations, delivering a noticeably higher level of audio performance realism.The new STR Preamplifier drives all of your entertainment options today, and tomorrow.Conversion from Digital to AnalogSTR Preamplifier includes a high-resolution preamplifier and a digital section, with support for asynchronous USB up to 32-bit/384 kHz PCM and DSD 2.8/5.6 MHz sources. This high-quality USB audio input transforms digitally stored audio from your Windows or Mac computer into warm, natural analog sound.Two-Channel Nirvana.STR Preamplifier pictured with STR Power Amplifier (sold separately). Both models available in black or silver finishes.Anthem Exclusive InnovationsThe STR Preamplifier includes the newest and most powerful generation of Anthem Room Correction (ARC®), with 50% more processing power than any other version of ARC®. This proprietary calibration tool, with its easy-to-use interface, automatically shapes the acoustic signature of your speakers for the best possible sound quality in your unique listening space.This is especially important for the lower frequencies.Other innovations include a high- resolution preamplifier and digital section, which supports asynchronous USB up to 32-bit/384 kHz PCM and DSD 2.8/5.6 MHz sources, and uses signal processing that employs 64-bit accumulation and feedback to preserve the finest detail in the music and to avoid degradation. The digital to analog conversion section was designed to faithfully duplicate all the sounds in the original source.To help achieve that effect for all input resolutions, a dedicated asynchronous 32-bit / 192 kHz sample rate conversion is used. This way, the DAC stage’s anti- imaging filter is optimized for this sampling rate alone, resulting in an audio frequency range that’s unmatched in purity, regardless of input format. In the process, the data gets reclocked, providing immunity from performance-marring source jitter.Through the rest of the DAC circuitry, thin film high precision resistors and super low noise op-amps are used for lowest distortion, lowest noise, and most transparent sound. Other DAC units may boast about the performance of the DAC chip all by itself, but we view DAC stage design as a whole — there are no crippling bottlenecks anywhere in the DAC stage of the STR Preamplifier.Aside from its cutting-edge technology, one look tells you that the STR Preamplifier is a different animal altogether. The display on the front panel gives you surprisingly easy control through an easy to navigate setup menu, and the luxurious and elegant new contemporary design is available in two beautiful finishes, Black or Silver.More Subwoofer OptionsThe STR Preamplifier gives you more options for subwoofer configuration. Use one subwoofer or two for both channels, or two independent right-and-left channel-specific subwoofers. The bass management in conjunction with ARC® is uniquely engineered for seamless subwoofer blending, achieving incredibly accurate and lifelike performance.Moving Coil and Moving Magnet PhonoAnthem has also taken into consideration the resurgent popularity of vinyl records, and has included separate inputs for moving magnet and moving coil cartridges, with the phono section completely shielded to maintain a clean signal. The transparency and refinement of the STR Preamplifier reveals the hidden magic of classic media.In addition, the phono curve is continuously adjustable for proper playback of any record that predates the RIAA equalization standard.STR Preamplifier - Rear ViewHome Theater BypassThe concept of combining a stereo preamplifier with a home theater system is taken to a whole new level. The STR Preamplifier supports two subwoofer channels in addition to the two fronts. XLR as well as RCA connection is provided for all channels, and HT Bypass mode engages while the preamp is on standby. This way, you don’t have to turn it on when watching movies. To allow the purest signal path, relays are employed to hard-wire the input jacks to the outputs — the STR Preamplifier essentially becomes a straight wire.Premium ComponentsClarity is maintained using carefully selected components, many of them engineered exclusively in-house at Anthem. We believe that two-channel listening demands attention to detail, with flawless signal integrity being the benchmark of stereo performance. To that ultimate end, the Anthem STR Preamplifier is designed with the shortest possible signal paths, and differential analog to digital circuitry to cancel artifacts and keep noise to a minimum.The Crafted in Canada DifferenceThe STR Preamplifier is designed, engineered and manufactured in Canada and is part of premium STR Series by Anthem, the leader in audio power and control.

Push the Power of Audio Control.The revolutionary STR Preamplifier is a new type of audio component that gives you more control and more refinements, including more connection options and more advanced technology, in a single, easy-to-use component.Designed, engineered, and Crafted in Canada, the STR Preamplifier combines the benefits of an advanced preamp with the power of a processor, as well as functions like leading-edge DAC, onboard Anthem Room Correction (ARC®®), customizable bass manager for mono or stereo sub outs, MM and MC phono inputs—far more than the average preamplifier.And it includes new generations of many of Anthem’s award-winning, audiophile-loving, review-praised digital signal processing innovations, delivering a noticeably higher level of audio performance realism.The new STR Preamplifier drives all of your entertainment options today, and tomorrow.Conversion from Digital to AnalogSTR Preamplifier includes a high-resolution preamplifier and a digital section, with support for asynchronous USB up to 32-bit/384 kHz PCM and DSD 2.8/5.6 MHz sources. This high-quality USB audio input transforms digitally stored audio from your Windows or Mac computer into warm, natural analog sound.Two-Channel Nirvana.STR Preamplifier pictured with STR Power Amplifier (sold separately). Both models available in black or silver finishes.Anthem Exclusive InnovationsThe STR Preamplifier includes the newest and most powerful generation of Anthem Room Correction (ARC®), with 50% more processing power than any other version of ARC®. This proprietary calibration tool, with its easy-to-use interface, automatically shapes the acoustic signature of your speakers for the best possible sound quality in your unique listening space.This is especially important for the lower frequencies.Other innovations include a high- resolution preamplifier and digital section, which supports asynchronous USB up to 32-bit/384 kHz PCM and DSD 2.8/5.6 MHz sources, and uses signal processing that employs 64-bit accumulation and feedback to preserve the finest detail in the music and to avoid degradation. The digital to analog conversion section was designed to faithfully duplicate all the sounds in the original source.To help achieve that effect for all input resolutions, a dedicated asynchronous 32-bit / 192 kHz sample rate conversion is used. This way, the DAC stage’s anti- imaging filter is optimized for this sampling rate alone, resulting in an audio frequency range that’s unmatched in purity, regardless of input format. In the process, the data gets reclocked, providing immunity from performance-marring source jitter.Through the rest of the DAC circuitry, thin film high precision resistors and super low noise op-amps are used for lowest distortion, lowest noise, and most transparent sound. Other DAC units may boast about the performance of the DAC chip all by itself, but we view DAC stage design as a whole — there are no crippling bottlenecks anywhere in the DAC stage of the STR Preamplifier.Aside from its cutting-edge technology, one look tells you that the STR Preamplifier is a different animal altogether. The display on the front panel gives you surprisingly easy control through an easy to navigate setup menu, and the luxurious and elegant new contemporary design is available in two beautiful finishes, Black or Silver.More Subwoofer OptionsThe STR Preamplifier gives you more options for subwoofer configuration. Use one subwoofer or two for both channels, or two independent right-and-left channel-specific subwoofers. The bass management in conjunction with ARC® is uniquely engineered for seamless subwoofer blending, achieving incredibly accurate and lifelike performance.Moving Coil and Moving Magnet PhonoAnthem has also taken into consideration the resurgent popularity of vinyl records, and has included separate inputs for moving magnet and moving coil cartridges, with the phono section completely shielded to maintain a clean signal. The transparency and refinement of the STR Preamplifier reveals the hidden magic of classic media.In addition, the phono curve is continuously adjustable for proper playback of any record that predates the RIAA equalization standard.STR Preamplifier - Rear ViewHome Theater BypassThe concept of combining a stereo preamplifier with a home theater system is taken to a whole new level. The STR Preamplifier supports two subwoofer channels in addition to the two fronts. XLR as well as RCA connection is provided for all channels, and HT Bypass mode engages while the preamp is on standby. This way, you don’t have to turn it on when watching movies. To allow the purest signal path, relays are employed to hard-wire the input jacks to the outputs — the STR Preamplifier essentially becomes a straight wire.Premium ComponentsClarity is maintained using carefully selected components, many of them engineered exclusively in-house at Anthem. We believe that two-channel listening demands attention to detail, with flawless signal integrity being the benchmark of stereo performance. To that ultimate end, the Anthem STR Preamplifier is designed with the shortest possible signal paths, and differential analog to digital circuitry to cancel artifacts and keep noise to a minimum.The Crafted in Canada DifferenceThe STR Preamplifier is designed, engineered and manufactured in Canada and is part of premium STR Series by Anthem, the leader in audio power and control.

This newest version of our C22 Vacuum Tube Preamplifier – the Mk V – is the direct replacement to our highly regarded C70 Limited Edition 70th Anniversary Vacuum Tube Preamplifier, which commemorated our 70th Anniversary that took place in 2019. The new C22 Mk V is the latest McIntosh vacuum tube preamplifier to carry the cherished C22 model number. It has all the performance of the acclaimed C70 but with the hallowed C22 moniker and its signature glass and aluminum front panel design.The C22 Mk V uses one 12AT7 and five 12AX7A vacuum tubes which can be seen through a glass panel located on the top of the preamp. Knobs and rocker switches operate all control functions while modern LED lights indicate input selection and volume level. The C22 Mk V has two balanced inputs, three unbalanced inputs, one Moving Coil and one Moving Magnet phono inputs, for a total of seven inputs. There are two pairs each of balanced and unbalanced output connections; the two outputs allow sending signals to two separate power amplifiers.Bypassable bass and treble tone controls are located on the front panel and can be adjusted in 2dB increments via rotary knobs. Impedance and capacitance for the phono inputs can also be adjusted via separate rotary knobs. In addition to setting the listening level, the volume knob can also be used to adjust the relative volume balance between the left and right audio channels. The ¼” headphone jack is powered by our High Drive headphone amplifier and features our Headphone Crossfeed Director (HXD®) technology. HXD improves the sound localization for headphone listening by restoring the directionality component of the sound stage that's normally only heard from loudspeakers.Our Power Control technology is included with four ports that can automatically turn other connected McIntosh components such as amplifiers, CD players or turntables, on and off. Data ports are also present and can control basic functions of connected McIntosh source components via the included remote control.The C22 Mk V sits atop a stunning polished stainless steel chassis and features the timeless McIntosh illuminated logo, control knobs, and aluminum end caps. With its retro black glass and aluminum front panel design, the C22 Mk V will fit right in with McIntosh home audio systems of any era – from the 1950s to current day. Contact your local dealer to learn more.The MC1502 Vacuum Tube Amplifier and C22 Vacuum Tube Preamplifier Mk V represents McIntosh’s traditional heritage sound and with the added modern McIntosh technology, another masterpiece is born. – HiFi & Home Theater AudioThe MC1502 Vacuum Tube Amplifier and C22 Vacuum Tube Preamplifier Mk V is "outstanding equipment" and "is rich with an uncommon magic and will provide precious pleasure. Moreover it will fit most loudspeakers nicely, even the most demanding ones." C22 Mk V named Winner of Reference Award. - Haute Fidélité

Be prepared for future digital music technologies with the C49 Preamplifier. The C49 features our DA1 Digital Audio Module, which can be replaced by new modules as new digital audio technologies are developed. This will allow you to keep your C49 up to date with digital music formats and viable well into the future.The C49 comes with a multitude of inputs. For analog, it has 2 balanced and 3 unbalanced, along with 2 phono inputs (comprised of 1 Moving Coil and 1 Moving Magnet) for connecting turntables. On the digital side, it has 6 inputs housed in the DA1 module. The inputs are: 2 coaxial, 2 optical, 1 USB and 1 proprietary MCT (for use with our MCT series of SACD/CD Transports). The DA1 is powered by an 8-channel, 32-bit Digital-to-Analog Converter (DAC) that is used in Quad Balanced mode; it supports up to DSD256 and DXD 384kHz for playback of high resolution audio. (NOW AVAILABLE: Optional dealer installed upgrade to the DA2 Digital Audio Module.) In total, the C49 has 13 inputs, and each can be given user-friendly names to simplify system setup and control.For connecting to your amplifier and the rest of your home audio system, the C49 has 2 balanced variable outputs, 2 unbalanced variable outputs, and 1 unbalanced fixed output. The outputs are designed for easy use when bi-amping your speakers so that neither your highs or lows are inadvertently turned off. Your audio sources can be fine tuned via the bass and treble tone controls. The C49 can be seamlessly integrated into your home theater system via Home Theater Pass Through. Power Control ports allow for the easy turn on/turn off of other connected McIntosh components, while the Data Ports can send remote control commands to connected source components. Our High Drive headphone amplifier with Headphone Crossfeed Director (HXD®) is also included.The C49 is one of many McIntosh products to receive Roon Tested designation from Roon Labs. As a Roon Tested partner, McIntosh has provided equipment to Roon for testing with a variety of different operating systems and computers, and shared information about its design and capabilities.The C49 comes complete with classic McIntosh design staples such as a black glass front panel, knobs, an illuminated logo and aluminum end caps. Pair it with a variety of amplifiers, turntables, CD players, tuners, speakers, power controllers and room correction devices to make a complete home audio system."Better detail, better soundstage, better coherence... Whether I was listening to my CD collection or some hi-res, the music sounded much more lush and full of body than my current setup. It was more organic and more real." - Secrets of Home Theater and High Fidelity "Digital was clean, but not harsh, imaging and soundstage were good, and after a download of McIntosh USB drivers the DA1 ran with no issues. You would have to buy a pretty stellar stand alone DAC to outperform the DA1, in my opinion. Maybe you’d even pay prices that would rival the cost of the entire C49 before getting something well above what it can do." Winner of 2021 Editors Choice Award for Preamplifiers. - Part-Time Audiophile

The C53 Preamplifier is ready to serve in your home audio system for many years – even decades – all while delivering unmatched audio quality. Following the digital audio precedent set in our current solid state integrated amplifiers, the C53 stereo preamplifier features an upgradeable digital audio module. But unlike our integrated amplifiers that use our DA1 Digital Audio Module, the C53 is the first to use our new, more advanced DA2 Digital Audio Module.The DA2 builds upon the DA1 with an expanded set of capabilities. In addition to having all the same connections as the DA1 (2 coaxial, 2 optical, 1 USB and 1 proprietary MCT for use with our MCT series of SACD/CD Transports), a new audio-only HDMI Audio Return Channel (ARC)1 connection is included on the DA2. This allows it to be connected to TVs with a compatible HDMI (ARC) output to bring your TV sound to a new level of audio performance by listening to it through your home stereo system. Popular multi-channel audio formats from Dolby® and DTS® are supported and will be expertly converted to 2-channel audio for proper playback through the C53. When CEC communication is enabled in both the C53 and your TV, your TV remote can control the power and volume of the C53.Additionally, the DA2’s USB input can support native playback of up to DSD512, surpassing the DSD256 limit of the DA1. This increased DSD playback support is thanks to the next generation, Quad Balanced, 8-channel, 32-bit Digital-to-Analog Converter (DAC) that powers the DA2. This audiophile-grade DAC is highlighted by both an improved dynamic range and total harmonic distortion compared to the DA1. The USB input also supports DXD up to 384kHz. The coax and optical inputs can decode digital music up to 24-bit/192kHz for high resolution audio playback. Rounding out the DA2 is an MCT input that offers a secure, custom DSD connection for playback of the high definition audio found on SACDs when paired with our MCT series of SACD/CD Transports to produce the best possible sound quality from your SACD collection.In addition to the 7 digital inputs found in the DA2 module, the C53 also has 9 analog inputs, giving it a nearly inexhaustible number of 16 total inputs for connecting all your music sources. The analog inputs consist of 3 balanced and 4 unbalanced connections, plus 1 Moving Coil and 1 Moving Magnet phono inputs for plugging in your trusted turntable. Outputs include 3 variable balanced and unbalanced connections along with 1 fixed unbalanced connection.Tone controls include an 8-band analog equalizer; each band can be adjusted ± 12dB so you can fine tune your music just the way you like. Our High Drive Headphone Amplifier can power virtually any pair of headphones, while Headphone Crossfeed Director (HXD®) can bring an added dimension to your music. Home Theater Pass Through lets the C53 be seamlessly integrated into your home theater system. Power Control ports let you easily turn other connected McIntosh components on and off, while the Data Ports can send remote control commands to connected source components.The C53 is one of many McIntosh products to receive Roon Tested designation from Roon Labs. As a Roon Tested partner, McIntosh has provided equipment to Roon for testing with a variety of different operating systems and computers, and shared information about its design and capabilities.All this audio technology is packaged inside the C53’s classic McIntosh design featuring a black glass front panel backlit by direct LED lighting, blue meters, rotary knobs, an illuminated logo and aluminum end caps. An attractive polished stainless steel chassis finishes the distinguished look. It can be paired with an assortment of amplifiers, CD players, turntables, tuners, media streamers, room correction devices and speakers to complete your home audio system. Contact your local dealer to learn more."Competes with the best I’ve heard despite the complexity of its design… I rate the McIntosh C53 as one of the best preamplifiers I’ve ever heard or used in my system." Named 2020 Best High-End Stereo Preamplifier. - Secrets of Home Theater and High FidelityThe C53 is a "fundamentally well designed, well behaved" preamplifier that offers "fantastic sound quality." Considering price, build quality and service "the C53 simply checks all boxes and then some" while punching "far ahead of its asking price… Highly recommended, A+++!" - Audiophile Style"The C53 replaces a whole shelf-full of components by rolling linestage, phonostages, DAC, equalizer, and headphone amp into a single elegant box that, while not small, is hardly large in view of everything it does. I can’t think of another component that manages to do so much so superlatively well, with no compromises in any ways that matter to me as an audio critic and music lover." - The Absolute Sound"Its sound is natural and universal. As a preamplifier it is a real titan of possibilities and a representative of high-end sound quality." Winner of "Highlight of the Year" award. - Hi-Fi i MuzykaThe C53/MC462 combo sounded "super-smooth and superbly balanced at all times, whilst never letting the smoothness of their delivery interfere with their ability to resolve a level of detail, [which] means you will hear nuances you just will not hear with lesser amplifiers." - Audio Esoterica

P1 is a top of the range preamplifier. An audiophile model capable of sublimating all your music while maintaining an optimal signal-to-noise ratio and a distortion reduced to the strict minimum. The product is not fixed in time, its optional input cards and its modularity allow it to easily follow the market's evolutions. The MPH II and MDAC I modules are provided in the P1 FULL version. Equipped with line inputs in its original configuration, it can in fact be completed by optional slot cards: one for the Phono RIAA MM/MC stages, as well as another module offering three digital inputs with a resolution of up to 32 bits sampled at 384 kHz. This modularity, for both the analogue and digital parts, is supported by internal software that can be upgraded by the user via an easily accessible USB socket. Elipson P1 is thus a device of the present turned towards the future. Elegant and sober at the same time, the P1 is totally transparent thanks to the care taken with its circuits, allowing extremely low noise and distortion. Complete with multiple possibilities, its interface via the front screen offers you a perfect comfort of use, completed by its personalized and elegant remote control. The result is a reproduction of the smallest details, an airy spatialization and a perfect respect of silences. Our range is entirely manufactured in France in our Burgundy factory.

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Crafted for pure musical performance, Statement is the pinnacle of Naim Audio engineering knowledge and artistry. The series comprises the NAC S1 preamplifier and NAP S1 mono power amplifiers.  Origins The idea for an entirely new kind of amplifier was first conceived by our engineers over a decade ago and development began in earnest in 2011. The objective was to set a new reference standard in high-end audio and music reproduction. The result is Statement. Three years of relentless questioning, iterative design and a point blank refusal to accept no as an answer. Performance First Engineering Product engineers often begin with what exists already. They might ask how something can work better, or where improvements can be made. With Statement, we started with a blank sheet of paper and a vision: to create the ultimate amplifier. After the initial concept stage the engineering team set aside practical considerations and began to map out the product in free space. This creative freedom was then backed up by 3D computer models which confirmed the optimum position for each component. To accommodate this new layout Statement pioneers a new vertical structure. It was the best way to minimise electromagnetic and mechanical interference and maximise thermal performance. Duality In Design Statement's radically different aesthetic may seem like a departure from Naim Audio tradition but it's the ultimate expression of everything we represent. The imposing monolithic structure with its stark silhouette is offset by the organic sculptural flow of the heat sink and the beautifully lit volume control and central divide. This duality in the design reflects how our pursuit of technical brilliance is always grounded in the abstract human experience of music. If it's the best amplifier in the world in lab tests we’ve only done half a job - it's in the listening room where it really counts. Technology Everything about Statement is a leap forward in technology and design. It's been engineered from the ground up for pure performance. Isolation Statement perfectly represents our philosophy of providing the highest quality power supply, while isolating individual sections to avoid unwanted interference. The NAC S1 and NAP S1 share the same fundamental layout. The noisy power supply is housed in the base and sensitive electronics are nestled above. Each section is divided by an acrylic centre-piece that blocks interaction. Top section electronics are separated further still, with internal chambers isolating individual stages. Dual Power The Statement NAP S1 features a new bridged dual design with zero global feedback. The two stages are physically separated to optimise the amplifier circuit with the delicate voltage stage at the very top of the power amplifier, away from the current stage at the bottom. Each mono power amplifier uses a huge 4000VA transformer to power speakers with precisely 746W (into 8 ohms). Precision engineering also makes sure every single watt is delivered right to where it's needed, when it's needed. After all, power is nothing without purpose. Craft Every component, curve and connection in Statement demanded new levels of engineering and tolerance. Metallurgy The distinctive ‘wave’ heat sinks begin life as a solid billet of untreated aluminium, which is cut to size and machined to achieve the curved profile. The fins are then cut using a five-axis, temperature-controlled, CNC machine. It takes three hours for the finished shape to emerge. Once each piece is individually machined, it is painstakingly hand-polished and quality inspected. Finishing After the inspection process, the metalwork is submerged in baths of cleansing acid and then into a bath of electrolyte fluid containing black ink. A current is passed through it, bonding the ink to the metalwork and creating Naim Audio's signature black finish. It took several months of collaboration between our engineers and suppliers to achieve the finish Statement demanded. Hand-Crafting Statement has been designed and developed using cutting-edge manufacturing technology. But it takes a human touch to get things just right. For example, every sound-critical component is positioned and soldered by hand by our skilled technicians. As with all Naim Audio products final assembly is carried out by hand in Wiltshire, England. NAC S1 Audio Inputs: Analogue Input: 3 X DIN, 3 X RCA, 2 X Balanced Audio Outputs:  Audio Outputs: 1 X Balanced, 2 X Unbalanced (4 pin DIN sockets) Physical: Weight: 61.5kg Dimensions (HxWxD): 940 x 270 x 412mm (width includes stabiliser)

Upgrade your loudspeakers to active specification with our SNAXO 242 crossover. Suitable for use in biamplified systems, the SNAXO 242 will make the most of your amplifier’s output. Every model we sell is optimised before delivery to suit the specific requirements of your speakers. Features: Suitable for use with two stereo, or four mono amplifiers Powered by FlatCap XS, HiCap or SuperCap power supply Technology & Craft The SNAXO 242 can be used in bi-amplified systems with two stereo amplifiers, or in a four-pack system using four mono amplifiers. Power to the unit is supplied by a FlatCap XS, HiCap or SuperCap audio power supply. When ordering a SNAXO, you should specify which loudspeaker model this will be used with, as we tailor the components within each SNAXO for use with specific loudspeakers. For more information contact your local Naim Audio retailer. Audio Outputs: Line  Outputs Fixed (level): 775mV Analogue: 4 x 4-pin DIN Minimum Load Impedance: 10kΩ Finish: Case: Black powder coated Front: Bead blasted and black anodised Physical: Shipping Dimensions: 210 x 280 x 410 mm Dimensions (HxWxD): 87 x 207 x 314 mm Power: Power Supply Options: FlatCap XS, HiCap, SuperCap Supply Voltage: 24V Supplied with: Supplied with: SNAIC

Our SNAXO 362 crossover suits three-way loudspeakers, and can be used in tri-amped configurations with three stereo power amplifiers. As with its SNAXO 242 sibling, it can be optimised to suit your needs, even allowing for the output level to each loudspeaker drive unit to be adjusted. Features: Suitable for use with three stereo, or six mono amplifiers Powered by FlatCap XS, HiCap or SuperCap power supply Technology & Craft The SNAXO 362 is our three-way, 18dB/octave fixed-frequency crossover. It can be used in tri-amped and six-pack systems, with either three stereo or six mono power amplifiers. The output level to each loudspeaker drive unit can be adjusted by means of the cermet potentiometers mounted inside the unit. As with the 2-way SNAXO 242, power is supplied by a FlatCap XS, HiCap or SuperCap power supply. When ordering a SNAXO, you should specify which loudspeaker model this will be used with, as we tailor the components within each SNAXO for use with specific loudspeakers. For more information contact your local Naim Audio retailer. Audio Outputs: Line Outputs Fixed (level): 775mV Analogue: 6 x 4-pin DIN Minimum Load Impedance: 10kΩ Finish: Case: Black powder coated Front: Bead blasted and black anodised Physical: Shipping Dimensions: 210 x 280 x 410 mm Dimensions (HxWxD): 87 x 207 x 314 mm Power: Power Supply Options: FlatCap XS, HiCap, SuperCap Supply Voltage: 24V Supplied with: Supplied with: SNAIC

The new hybrid amplifier DynaVox VR-400 is a new product from Dynavox , this model is equipped for HiFi pleasure at a high level at a low price. Thanks to compact dimensions, large equipment package, fine design and of course great sound. In addition to 2 RCA inputs for tuner, CD or DVD , The VR-400 also comes with output for external subwoofer as well as headphones. The BT signal reception as well as the built-in USB audio player (supports MP3, WAV, APE, FLAC) complete the package. There are also the two visible tubes, which process the signal input and give a light tube-like warmth to the sound and a sleek aluminum enclosure. Banana jacks with additional screw / clamp fixing for cable without plug. Specifications: Power: 2 x 25 W RMS (4 ohms) Frequency response: 20 Hz - 20 kHz Input impedance: 47 kOhm Input sensitivity: 150 mV Signal to noise ratio: > 90dB Operating voltage: 230 V / 50 Hz Tube Type: 6F2 BT version: 4.2 Dimensions (LxWxH) approx .: 235 x 155 x 100 mm Weight: 2 kg  

The M8 is a pre-amplifier without limits. From its performance to its connectivity, via quality fit and finish, the M8 makes a superlative centrepiece for almost any system. The M8 has a wide array of inputs including a low noise MM/MC phono stage, 2 balanced inputs (1 with home theatre bypass option), 3 line inputs (one with home theatre bypass option) and a fully configured tape in/out loop.The M8 Pre-amp has very high input overload margins. This means that it has a completely stress free sound. The outputs are very low impedance and high current so that it can drive virtually any power amp in existence through any length cable (balanced or single ended).Technical measurements are testament to the M8’s exceptional engineering: from ultra-low distortion to virtually perfect frequency response, and ultra low noise. The M8’s will drive any power amplifier over any length of cable. Although, obviously, it’s perfect partner is a pair of M8-700m monobloc amplifiers.Listening to the M8 Pre with the M8-700m monobloc is quite an experience. The music is reproduced with no stress, no colouration and sense of relaxation and transparency that are music to the ears and balm to the soul.Features:Genuinely fully balanced preampEight versatile inputs – 1 XLR Balanced, switchable MM/MC Phono, CD, Tuner, Aux 1, Aux 2, TapeSingle ended and balanced outputs as well as a fixed output for tape recordHome theatre bypass available in both single ended and balanced inputsOutstanding cutting edge performanceAmazing load driving ability, will easily drive any power amplifier with any cable of almost any lengthExcellent design, he-man build qualitySpecifications:THD(+ noise) - single ended:

The M8 is a pre-amplifier without limits. From its performance to its connectivity, via quality fit and finish, the M8 makes a superlative centrepiece for almost any system. The M8 has a wide array of inputs including a low noise MM/MC phono stage, 2 balanced inputs (1 with home theatre bypass option), 3 line inputs (one with home theatre bypass option) and a fully configured tape in/out loop.The M8 Pre-amp has very high input overload margins. This means that it has a completely stress free sound. The outputs are very low impedance and high current so that it can drive virtually any power amp in existence through any length cable (balanced or single ended).Technical measurements are testament to the M8’s exceptional engineering: from ultra-low distortion to virtually perfect frequency response, and ultra low noise. The M8’s will drive any power amplifier over any length of cable. Although, obviously, it’s perfect partner is a pair of M8-700m monobloc amplifiers.Listening to the M8 Pre with the M8-700m monobloc is quite an experience. The music is reproduced with no stress, no colouration and sense of relaxation and transparency that are music to the ears and balm to the soul.Features:Genuinely fully balanced preampEight versatile inputs – 1 XLR Balanced, switchable MM/MC Phono, CD, Tuner, Aux 1, Aux 2, TapeSingle ended and balanced outputs as well as a fixed output for tape recordHome theatre bypass available in both single ended and balanced inputsOutstanding cutting edge performanceAmazing load driving ability, will easily drive any power amplifier with any cable of almost any lengthExcellent design, he-man build qualitySpecifications:THD(+ noise) - single ended:

ANALOGUE DESIGN FOR A DIGITAL AGEWith the knowledge in hand to design minimally invasive electronics without needing to be minimalist, we decided that our preamp should be complete. Very complete. The basic Makua is an extremely transparent gain stage and a programmable routing matrix. The chassis has ample room to fit optional extras, most notably a DAC and a phono stage. The 6 preset buttons are programmable via USB or Bluetooth to access any combination of channel, processing and routing. In a system with mainly digital sources, the preset buttons would be programmed to select between them.   Vinl lovers on the other hand might want to use several buttons to select the same turntable but with different EQ settings to suit their large collection of historic LP's. All five inputs are switchable between XLR and floating RCA connections, and all can be assigned as either phono or line. All stages in the Makua use discrete amplifier modules in a little known topology called “single-ended driven differential”. Compared to doubly executed signal paths, this structure prevents noise from propagating all the way through.   The Makua is amazingly immune to influences like mains quality and choice of interlinks. The relay-based volume control directly controls the gain of the output stage. Dynamic range and linearity of this arrangement is much greater than those of stepped attenuators. Operation is smooth and entirely glitch free. I/O5 balanced and 5 unbalanced inputs, all routable through optional processor boards like the phono stage.2 parallel outputs for bi-amping.4 programmable trigger outputs.​ProcessingBalance and input gain offset.Phase invert and mono sum.Full software control of routing and processing​PerformanceMaximum input/output level: 20 dBu (7.75 Vrms)Unweighted noise voltage at unity gain: 1.9 uVInput impedance: 100 kohmOutput impedance: 44 ohmDistortion at maximum signal level (THD, IMD): not measurable, estimated around -150dB.Bandwidth >200 kHzGain range: -70 dB to +15 dB.Gain resolution:

Yes the Shrimp is entirely a single-ended design. The circuitry uses single-ended topology. In order to be able to provide balanced inputs or outputs we would have to convert the signal to balanced using something like some IC's or transformers. Both these options would add more "stuff" to the signal and be certainly audible detracting from the pure sound the Shrimp provides.If you are dealing with balanced source outputs or driving a balanced amplifier with the Shrimp, check to see if you also have unbalanced connections on that gear, change your cables and go with that. You might be pleasantly surprised that they too added extra audible "stuff" in order to provide balanced XLRs and the RCAs that don't have that extra "stuff" in the signal path actually sound better. (Depends on a given unit's specific design.) Or use some RCA to XLR adaptors. Most balanced gear has no problem being driven single ended but check with the manufacturer if they are going to want the negative pin 3 of the XLR grounded or floating. Transformer-coupled XLR jacks always can be driven single-ended by running HOT into Pin 2 and grounding pin 3 to pin 1. Some IC coupled XLR inputs will want pin 3 floating, others will require it to be grounded when running single-ended into it. Check with the manufacturer of your gear to see how to hook it up single-ended. Specifications:ALL-TUBE: Vacuum Tube all-triode designInput Tubes: 2 x 12AT7EH large plate Electro-Harmonix RussianInterstage Follower Tubes: 2 x 5670 GE USA dual triodesOutput Tubes: 2 x 7044 or 5687 GE JAN NOSFive Line Level Inputs: unbalanced RCAMUTE switch and Warm-Up muting delayALPS motorised volume control: Accurate tracking usually within 0.5dB. Smooth operation. (no detents)ALPS balance control: Center detentedRecord Output: (AKA "TAPE OUT") Unbalanced RCA jacks, unbuffered, passive (always ON)Main Outputs: Two sets of unbalanced RCA main outs for bi-amping or driving a powered subwooferGain: 12dBInput Impedance: 250 kOhmInput Sensitivity:Volume Control at MAX: 200mV in yields 0.8V out (12dB GAIN)Volume Control at 3 o'clock: 200mV in yields 0.380V out (5.6dB GAIN)Volume Control at 12 o'clock: 200mV in yields 0.115V out (-4.8dB GAIN)Maximum Input Level: 5V in produces 1.5% THD at outputFrequency Response: 10 Hz - 80 KHz; 20 Hz - 20KHz, -0.3dBNoise Floor: Typically -83 dB 20-20K with volume control fully openNoise Floor: Typically -95 dB A WGT 20-20K with volume control fully openNoise Floor (shorted input): Typically -94 dB 20-20K with volume control fully closedNoise Floor (shorted input): Typically -106 dB A WGT 20-20K with volume control fully closedS/N Ratio: typically 95 dB A WGT 20-20KTHD: 0.02% at 1V rms outputOutput Impedance: 50 OhmsMaximum Output: +23dBu  1.5% THD into 100K load (10.9V rms)Maximum Output: +20dBm  1.5% THD into 600 Ohm loadBadge Lamp: LED illuminationRF Remote Control: commands volume control UP/DOWN; uses 9V batteryPower Consumption: 55 Watts (485mA  120VAC)Operating Mains Voltage: Units are purpose built for original destination country's mains voltage: 100V, 120V, or 220-240VAC as indicated on the serial number badge. Power transformer must be replaced in order to change mains operating voltage. 120VAC units may NOT be rewired to put the primaries of the power transformer in series for 220-240V operation or a large radiated field of hum will develop. If changing locations/voltages, the power transformer must be replaced with the dedicated one for the voltage at which it will operate.Mains Voltage Frequency:Dimensions: W=19", L=11", H=3 1/2"Shipping Weight: 15 Lbs.

Our most esoteric product is THE 300B PREAMPLlFIER. This is the first and only preamp to feature these classic tubes. We had been designing the 300B into small power amps for many years and have always had great respect for the smooth natural sound of this tube. However, a single 300B provides truly appropriate power and voltage swing for headphones and makes a remarkable line driver. Here is where the impedances are not too low and the power requirements are not too high: ideal for this kind of tube in a single-ended configuration. This was the genesis of a new preamp. Specifications:Inputs: 5 stereo pair unbalanced RCA jacksOutputs: 2 stereo pairs MAIN out same as SUB out unbalanced RCA jacksRECORD output: 1 stereo pair pre-volume control unbalanced RCA jacksHEADPHONE Outs: 2 front panel 1/4" headphone jacksOptimized headphone impedance switching: 30-400 Ohms to 300-4000 OhmsMUTE: Selecting HEADPHONE operation mutes LlNE outputsOutput Vacuum Tubes: 2 x 300B Electro-HarmonixInput Tubes: 2 x 6SL7GT Russian (Electro-Harmonix or SOVTEK)Rectifier Tubes: 2 x 5U4GBEH Electro-Harmonix or 5AR4C by RubyRegulator Tubes: 2 x OD3 NOS JAN USAGain: factory set at 12 dB at max VolumeInternal Variable Feedback: 8.5 dB of global NFB is used  12 dB of gain, adjustable trim -1.7dB to +1dBNoise Floor: typically -70 dB (1 Hz - 100 KHz)S/N Ratio: typically 105 dB (A WGT, 20 Hz - 20 KHz)Frequency Response: 5 Hz to 50 KHz 1dBChannel-to-Channel Separation (L to R): 1KHz 48 dB - 10KHz 35 dB - 20KHz 34 dBChannel-to-Channel Separation (R to L): 1KHz 50 dB - 10KHz 40 dB - 20KHz 37 dBTHD: 0.08 %  1KHz at 1V rms outDistortion THD+N: -80 dB (.01 %) zero "crossover" distortion, mostly 2nd harmonicInput Sensitivity: 250mV (-9.8dBu) yields 1V outInput Impedance: 100 kOhm Noble volume controlMaximum Input Level: 5.5dBu or 1.459 Vrms  1KHz, volume control at maximumOutput Impedance (LINE STAGE): 100 OhmsMaximum Output Level: 17.2dBu or 5.636 Vrms  1KHz, volume control at maximumOutput Power (100 Ohm Headphones): 1W (10 V RMS) (28 V P-P)Output Power (600 Ohm Headphones): 1W( 25 V RMS) (70 V P-P)Power Consumption: 170 Watts (1.4 A  120VAC)Operating Mains Voltage: Factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage: changeable with power transformer re-wiring and fuse value change.Mains Voltage Frequency: 50~ 60HzDimensions: W=19" x L=13"Top Deck Height: 4"Transformer Height: 3 1/2"Suggested shelf height minimum: 10" (depending on height of 300B tube)Shipping Weight: 28 Ibs.

The SCA2 is ATC’s highest performance preamplifier and has been in continuous production since 1996, testament to its exceptional performance and timeless styling.  It is the ideal partner to ATC’s high-end active loudspeakers and also power amplifiers, such as the ATC P2.  Balanced and unbalanced inputs and outputs provide flexible connectivity to a very wide range of partnering equipment. The optional phono stage is fully configurable for both gain, resistive and capacitive loading and its low-noise design makes it well suited to even the lowest output moving coil cartridges. Features:Discrete class-A low-noise circuitry throughout. High-current output stages ensure exceptionally low distortion into any load & when driving long cables. 500kHz bandwidth eliminates phase shift and contributes to the outstanding reproduction of fine musical detail.  Optional SPH2 MC/MM RIAA precision phono stage with extensive gain/loading options. 2 x stereo balanced XLR line inputs & 6 x stereo RCA/Phono line inputs. 1 x stereo balanced XLR & 1 x stereo single-ended RCA/Phono preamp output. Billet Aluminium IR Remote Control. Hand built in the UK & covered by a 6-year warranty. 

The Naim NAC 202 combines first-class sound quality with flexibility, style and excellent value. Significant improvements in technology led to an entirely new range using new high quality star-earthed circuit boards, combining the classic Naim values of musicality and power with flexibility and value. The Naim NAC 202 may either be powered by a NAP 155 XS or NAP 200 amplifier or significantly upgraded by adding Naim power supplies to independently feed the analogue audio and digital control circuits.Specifications:AUDIO INPUTSAnalogue Inputs4 x DIN, 2 x DIN, RCAInput Sensitivity75mVInput Impedance47kΩOther InputsAV input configurable for unity gainAUDIO OUTPUTSAnalogue Outputs2 x variable (DIN), 1 x fixed (RCA)Line Outputs Fixed (level)75mV, 600ΩLine Outputs Variable (level)775mVOutput Impedance

Προενισχυτής λυχνίας με είσοδο phono MM/MC.Ξεχωριστό τροφοδοτικό.

Προενισχυτής λυχνίας με είσοδο phono MM/MC και 4 εισόδους line.

Προενισχυτής λυχνίας με 3x6N3 Προδιαγραφές:Απόκριση συχνότητας: 10Hz-50kHzΕισόδοι line: 4Rec outΔιαστάσεις: 300x220x150mmΒάρος: 7kg 

The M6PRE fully balanced preamp is genuinely fully balanced; from beginning to end. Many preamps claim to be balanced but in fact are single ended preamps with balanced inputs and balanced outputs. Unlike them, the M6PRE is the real deal. Its pure Class A circuitry produces very low distortion, minimal phase shift, low noise and excellent linearity. The low impedance output stages (both single ended and full balanced) will drive any power amp through any conceivable length of cable.The M6PRE fully balanced preamp has a wide range of inputs; two balanced inputs, phono MM/MC, four line inputs (one with HT bypass) and digital USB2. The M6PRE fully balanced preamp is the epitome of Musical Fidelity design; superlative technical performance, great flexibility, excellent build quality, beautiful visuals and excellent value for money.A perfect match for the Musical Fidelity M6PRX power amplifier. TECHNICAL SPECIFICATIONS:Pre-Amplifier:THD(+ noise) - single ended:

The NAC 552 is by some distance the most advanced Naim preamplifier ever and has some claim, therefore, to being the best preamplifier, period. The introduction of the NAP 500 in 2000 brought with it a new level of technical and musical performance. A Naim design project group began reviewing the existing preamplifier designs exploring possibilities for major design improvement over the then existing reference preamplifier: the Naim NAC 52. Specifications:Audio InputsAnalogue Inputs: 7 x DIN, 2 x RCAInput Sensitivity: 75mVInput Impedance: 47kΩOther Inputs: Two inputs configurable for unity gainAudio OutputsAnalogue Outputs: 1 x variable, 3 x fixed (DIN)Line Outputs Fixed (level): 75mV, 600ΩLine Outputs Variable (level): 775mVOutput Impedance: