Digital Live Mixers

Designed in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixersUse a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixers have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink.New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claimWhen you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.Not just effects. KORG effectsInstead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range.Rack-mount studio-grade DSP you can reach easilyDigital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle.A mixer should not only sound good. It should be very easy to use.Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition — paired with the power of high-quality digital where it counts.The massively powerful processing allows for running up to 10 effects at a time for total mixing control. Korg's amazing 32-bit effects and signal processing combine with the premium analog mixer components and design for a truly flexible hybrid analog and digital mixer. The 16 channels and 8-bus system make the SoundLink 1608 the most versatile mixer its size.16 channel hybrid analog/digital mixerPowerful digital processing for up to 10 effects at a timeKorg's renowned high-quality 32 bit effects, as found in KronosTrue 8-bus configuration with group outputsPremium analog components and designDesigned with Greg Mackie and Peter Watts

A mixer should not only sound good. It should be very easy to use.Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition — paired with the power of high-quality digital where it counts.True hybrid design developed with mixer design legends Greg Mackie and Peter Watts24 x 8 x 2 or 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novicesPeter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixerUnique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mixOnly mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church serviceTrue 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater productionPeter Watts’ refined, studio-grade, one-knob Compressor on all mic channelsSuper-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parametersPremium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controlsDesigned in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixersUse a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixers have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink.New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claimWhen you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.You can tell SoundLink was designed by practical musiciansIt’s is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.Have it their waySome musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink’s Musician’s Phone feature provides one-knob boost of the complete left/right mix into the musician’s individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two Musician’s monitor mixes. A SoundLink exclusive!Not just effects. KORG effectsInstead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range.Rack-mount studio-grade DSP you can reach easilyDigital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle.

DL16Digital mixing has revolutionized virtually everything in the live entertainment production work flow, and now that same cutting-edge technology brings live production signal distribution into the modern age. The DL16 Stage Box provides 16 of our award-winning microphone preamplifiers with switchable +48 V phantom power; 8 balanced analogue XLR returns at the stage end; an integrated ULTRANET output for connecting to Behringer P16-M personal monitor mixers; plus connectivity for your ADAT-compatible outboard equipment.If your application calls for more inputs, or just want to keep your cable runs short and tidy, putting a DL16 at stage front and another behind the drum riser provides an additional 16 inputs for drum and guitar/bass amp mic’ing. The best part – all it takes is a single CAT5 cable per stage box.

Rackmount kit RK19/X for the Allen & Heath CQ18T digital console.

Rackmount kit RK19/X for the Allen & Heath CQ12T digital console.

Allen & Heath CQ-20B RK19/X Rackmount Kit for Digital Console.

Allen & Heath CQ-12T, compact digital console with 7" inch screen, light weight and plenty of connections and functions, designed to be used everywhere and where high quality sound processing is required. Ideal for producers, bands and stages who want flexibility in sound.With a processing engine at 96kHz, the CQ-12T offers wireless connection options (Bluetooth, WiFi) as well as USB and SD ports for recording and playing music files. Focused on providing speed and ease of use, it brings new features such as:Quick Channels: The ability to edit instruments and applications specifically. Editing channel selection is done at the touch of a button which offers even more settings.Gain Assistant: Setting and maintaining the gain is done automatically giving the console user the opportunity to deal with other parameters.Feedback Assistant: Function to remove the feedback effect by continuously monitoring the outputs throughout the duration of a performance.FX Assist Engines: The reverb and delay FX processing engine has a dynamic response to the signal and offers an even application of the effects on the mix.AMM: On each microphone output the AMM function ensures clarity and background noise reduction without the need for further adjustments.Remote Apps: The CQ-12T can be controlled remotely through the CQ-MixPad app available for Windows, Mac, Android and iOS.

Allen & Heath CQ-20B, digital console small in size, light in weight and with many connections and functions, designed to be used everywhere and where high quality sound processing is required. The console is controlled exclusively through the CQ-MixPad app for Windows/MacOS/iOS/Android. Ideal for producers, bands and stages that want flexibility in sound.With a processing engine at 96kHz, the CQ-20B offers wired/wireless connection options (Bluetooth, WiFi) as well as USB and SD ports for recording and playing music files. Focused on providing speed and ease of use, it brings new features such as:Quick Channels: The ability to edit instruments and applications specifically. Editing channel selection is done at the touch of a button which offers even more settings.Gain Assistant: Setting and maintaining the gain is done automatically giving the console user the opportunity to deal with other parameters.Feedback Assistant: Function to remove the feedback effect by continuously monitoring the outputs throughout the duration of a performance.FX Assist Engines: The reverb and delay FX processing engine has a dynamic response to the signal and offers an even application of the effects on the mix.AMM: On each microphone output the AMM function ensures clarity and background noise reduction without the need for further adjustments.Remote Apps: The CQ-20B can be controlled remotely through the CQ-MixPad app available for Windows, Mac, Android and iOS.

Allen & Heath CQ-18T, compact digital console with 7" inch screen, light weight and many connections and functions, designed to be used everywhere and where high quality sound processing is required. Ideal for producers, bands and stages who want flexibility in sound.With a processing engine at 96kHz, the CQ-18T offers wired/wireless connection options (Bluetooth, WiFi) as well as USB and SD ports for recording and playing music files. Focused on providing speed and ease of use, it brings new features such as:Quick Channels: The ability to edit instruments and applications specifically. Editing channel selection is done at the touch of a button which offers even more settings.Gain Assistant: Setting and maintaining the gain is done automatically giving the console user the opportunity to deal with other parameters.Feedback Assistant: Function to remove the feedback effect by continuously monitoring the outputs throughout the duration of a performance.FX Assist Engines: The reverb and delay FX processing engine has a dynamic response to the signal and offers an even application of the effects on the mix.AMM: On each microphone output the AMM function ensures clarity and background noise reduction without the need for further adjustments.Remote Apps: The CQ-18T can be controlled remotely through the CQ-MixPad app available for Windows, Mac, Android and iOS.

Mackie DLZ | Creator 8+4 channel digital console designed for content creation, podcasts and streaming. The DLZ | Creator comes with Mix Agent™, the first digital audio assistant, which helps the user in the initial setup of the console. Mackie's new console is suitable for both the new user who wants to enter the world of content creation and the experienced user who is looking for professional level recording and functions.The impressive high-resolution 10.1/" touch screen is the control center with direct access to all the functions of the console. Recording levels, levels, monitoring, FX, microphone settings and countless other functions are clearly displayed, greatly facilitating the recording process.The DLZ | Creator features 9 professional-style 100mm faders with instant response and sensitivity, 7 multi-function pads that can store samples for use in jingles, a dedicated record button for instant recording, and rotary knobs for setting parameters such as headphone volumes, EQ and more.With plenty of inputs and outputs on the back, the DLZ | Creator covers all the needs of a podcast or stream. A total of 10 inputs can be used to connect microphones or other devices. In particular, 4 combo jacks feature the new Onyx80 microphone preamplifier, giving enough gain for any microphone, whether used 2 L/R 1/4/", 1 stereo input 1/8/" and digital inputs and Bluetooth for connection to mobile phones, computers or tablets. Also, 4 jacks for headphone connections are available with separate level control for each user directly from the console, 1 USB-C port for connection to Mac/PC and SD and USB ports for recording per channel.

Intuitive Operation at Your FingertipsThe Tascam Sonicview 24 offers motorised channel faders in three banks of eight, plus a motorised fader for the main stereo bus. Above each bank of channel faders is a colour touch panel that allows you to view entire mixer channels, or get down to details, controlling each parameter with your fingertip. Save fader settings and instantly recall them later to continue where you left off. Check levels in a mix or submix at a glance and adjust them during mixdown with either the physical faders or the touchscreen. Your changes will be instantly updated in both.The Amazing VIEWTruly the next generation in mixer user interfaces for recording and live, the powerful intuitive Tascam Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure Sonicview’s touchscreens. Thanks to the VIEW user interface, there are three different ways to view your settings. Each touchscreen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix or keeping an eye on the output bus level and compression curve on screen 2.Channel Strip ViewMonitor and control eight adjacent channels and view them as virtual channel strips like on an analogue mixer.Module ViewMonitor and control any three sets of parameters simultaneously for one single channel.Individual ViewMonitor and control a custom selection of functions for any channel or group of channels.High-End Audio QualityThanks to a 54-bit floating-point FPGA mixing engine, Tascam Sonicview delivers the finest audio performance in its class with continuous, high-definition 32-bit/96-kHz sampling and 32-bit analogue-to-digital converters. The mixing engine’s float-point processing makes it possible to flexibly change levels without compromising resolution, while ensuring ultra-low latency, even in analogue-to-analogue connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems, for pristine tracking, mixing, and playback.Input ChannelsSonicview 24 offers an array of versatile inputs for recording and mixing. 16 channels with XLR mic/line inputs and 8 channels with both XLR mic inputs and balanced 6.3-mm TRS line inputs allow maximum flexibility. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback microphone.Channel Control and ProcessingThere’s much more to Sonicview than meets the eye. Internally, these recording consoles have a generous 40 mono channels and two stereo channels so you can fly-in backing tracks to make a small vocal band sound huge. You can also accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. Programmable layer keys select which custom combination of channels and output buses are controlled by the motorised faders. Start working on a mix, save your fader settings, and continue mixing later – thanks to the motor faders, you’ll pick up exactly where you left off.Top-of-the-Line Sound With Class 1 HDIA Mic PreampsEach microphone input feeds a Tascam Class 1 HDIA (High Definition Instrumentation Architecture) preamp – the finest mic preamplifier we’ve ever made. Thanks to an instrumentation amplifier with extraordinary good noise characteristics in the first stage, these microphone preamps exhibit excellent equivalent input noise (EIN), signal-to-noise ratio, distortion ratio and frequency response. The ultra-definition mic preamps used in Sonicview will pick up and record the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The microphone inputs can handle signal levels up to +32 dBu, providing plenty of headroom for sudden level increases.The combination of Class 1 HDIA preamps, 32-bit/96-kHz ADCs and our 54-bit FPGA mixing engine is impressive but Tascam didn’t stop there: We conducted extensive internal and external evaluations to tune the Sonicview consoles for optimal performance. The result is best-in-class sound that will never disappoint for mixing and recording both live or in the studio.Built-In USB Audio Interface and Stereo RecordingThe built-in 32-in/32-out USB audio interface makes Sonicview a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses and the L/R main bus to your favourite DAW at up to 96 kHz with the same 32-bit precision used throughout the console.You can simultaneously capture the main mix directly to the onboard stereo SD recorder – handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.Built-In 32-Track Audio Recorder as an OptionTascam Sonicview offers multiple ways to record. In addition to the integrated audio interface and stereo recorder, a multi-track recording card (IF-MTR32) can be installed as an option, enabling you to capture 32 audio tracks directly to an SDXC card. The SD recorder supports punch-in/punch-out for all 32 tracks simultaneously as well as pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss. So you can let the recorder do it’s job worry-free while you focus on mixing.Flexible Output Buses, Advanced ProcessingYou get a wealth of output buses with powerful signal processing and flexible routing options. In addition to the main stereo bus, Sonicview provides 22 flexible output buses, each of which is configurable as a subgroup, aux or matrix. Provide multiple stereo in-ear monitor submixes without running short of buses and send to the analogue outputs. Create matrix mixes for multiple loudspeaker zones and send them over the Dante network to record mixes, deliver sound to theatres and concert halls, and more. All output buses are equipped with 31-band graphic EQ, real-time analyzer functions, 4-band parametric EQ, compressor/ducker, delay, plus Solo, Pan, and Mute.Each individual input channel can be looped through four additional effects, including a high-quality reverb.Dante-Enabled for Superior NetworkingDante® audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, city halls, and much more. Tascam Sonicview consoles can serve as the audio center of these systems usimg their built-in 64-in/64-out Dante interface that supports AES67 mode, SMPTE 2110 mode and Dante Domain Manager. Two Dante ports enable redundant streams. Thanks to the combination of Dante and the recording capabilities built into Sonicview, you can mix and record concerts, panel discussions, lectures, worship services and more from any network location, including a remote recording or broadcast studio.Physical Outputs and Expansion CapabilityAs you’d expect, Sonicview offers plenty of physical outputs, with 16 XLR line outputs, and two XLR monitor outputs. If that’s not enough, you can add more analogue, MADI, or AES/EBU I/O with an optional expansion card. To further expand the system, add one or more optional 16-in/16-out Dante-networked stage boxes (SB-16D). Microphone gain for all 16 inputs can be remotely controlled from Sonicview, and the SB-16D can be used as a floor box or rack-mounted. The combination of Dante networking and multiple stage boxes makes Sonicview a great recording and mixing solution for multi-room studios and capturing large ensembles.Remote Control and Offline EditingWhether in the recording studio, onstage, backstage, in a control room or at the rear of a concert hall, you’re always in full control of your Tascam Sonicview mixer. Just connect a Wi-Fi router to the Ethernet port and use our free control software for Windows, macOS and iPadOS to manage your your Sonicview from virtually anywhere in the venue. Edit settings offline in advance so you’re ready to go when a session or show begins, then make adjustments from the console or from the software.Work Quickly With Function KeysSonicview offers intuitive, analogue-like operation while providing a variety of convenient digital functions that can be customised as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. An optional footswitch allows delay times to be set by tapping.Clear, Mistake-Free NavigationWhen you’re recording and mixing a show, broadcast, or crucial recording session, you can’t afford to hit the wrong button or grab the wrong control. The Sonicview control surface makes it easy to see at a glance what you’re controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-colour LED. The User keys also feature full-colour LEDs, so you can group each input source and function by colour and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customisable touch panels, you always know where you are and what you’re controlling.External Control and ClockingIn addition to audio inputs and outputs, Dante and USB ports, Sonicview is equipped with a GPIO interface (on a DB25 connector) with eight inputs and eight outputs for external control, making it suitable for events and relay applications. BNC wordclock In and Out/Thru enable digital audio synchronisation, and an Ethernet port can connect to a Wi-Fi router for wireless control. Sonicview also has two Tascam expansion slots that accept a selection of expansion cards.The Music Never StopsYour business depends on reliable equipment that will stay in service with minimal interruptions, and we designed Sonicview consoles accordingly. Sonicview’s recording and mixing engine and real-time operating system are completely separated from the physical mixing surface, greatly improving stability. In the unlikely event that the mixing surface becomes inoperable, the sound won’t stop, and operation can be restored by restarting the control surface operating system. Meanwhile, the show will go on.

Intuitive Operation at Your FingertipsThe Tascam Sonicview 16 offers motorised channel faders in two banks of eight, plus a motorised fader for the main stereo bus. Above each bank of channel faders is a colour touch panel that allows you to view entire mixer channels, or get down to details, controlling each parameter with your fingertip. Save fader settings and instantly recall them later to continue where you left off. Check levels in a mix or submix at a glance and adjust them during mixdown with either the physical faders or the touchscreen. Your changes will be instantly updated in both.The Amazing VIEWTruly the next generation in mixer user interfaces for recording and live, the powerful intuitive Tascam Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure Sonicview’s touchscreens. Thanks to the VIEW user interface, there are three different ways to view your settings. Each touchscreen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix or keeping an eye on the output bus level and compression curve on screen 2.Channel Strip ViewMonitor and control eight adjacent channels and view them as virtual channel strips like on an analogue mixer.Module ViewMonitor and control any two sets of parameters simultaneously for one single channel.Individual ViewMonitor and control a custom selection of functions for any channel or group of channels.High-End Audio QualityThanks to a 54-bit floating-point FPGA mixing engine, Tascam Sonicview delivers the finest audio performance in its class with continuous, high-definition 32-bit/96-kHz sampling and 32-bit analogue-to-digital converters. The mixing engine’s float-point processing makes it possible to flexibly change levels without compromising resolution, while ensuring ultra-low latency, even in analogue-to-analogue connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems, for pristine tracking, mixing, and playback.Input ChannelsSonicview 16 offers an array of versatile inputs for recording and mixing. 8 channels with XLR mic/line inputs and 8 channels with both XLR mic inputs and balanced 6.3-mm TRS line inputs allow maximum flexibility. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback microphone.Channel Control and ProcessingThere’s much more to Sonicview than meets the eye. Internally, these recording consoles have a generous 40 mono channels and two stereo channels so you can fly-in backing tracks to make a small vocal band sound huge. You can also accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. Programmable layer keys select which custom combination of channels and output buses are controlled by the motorised faders. Start working on a mix, save your fader settings, and continue mixing later – thanks to the motor faders, you’ll pick up exactly where you left off.Top-of-the-Line Sound With Class 1 HDIA Mic PreampsEach microphone input feeds a Tascam Class 1 HDIA (High Definition Instrumentation Architecture) preamp – the finest mic preamplifier we’ve ever made. Thanks to an instrumentation amplifier with extraordinary good noise characteristics in the first stage, these microphone preamps exhibit excellent equivalent input noise (EIN), signal-to-noise ratio, distortion ratio and frequency response. The ultra-definition mic preamps used in Sonicview will pick up and record the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The microphone inputs can handle signal levels up to +32 dBu, providing plenty of headroom for sudden level increases.The combination of Class 1 HDIA preamps, 32-bit/96-kHz ADCs and our 54-bit FPGA mixing engine is impressive but Tascam didn’t stop there: We conducted extensive internal and external evaluations to tune the Sonicview consoles for optimal performance. The result is best-in-class sound that will never disappoint for mixing and recording both live or in the studio.Built-In USB Audio Interface and Stereo RecordingThe built-in 32-in/32-out USB audio interface makes Sonicview a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses and the L/R main bus to your favourite DAW at up to 96 kHz with the same 32-bit precision used throughout the console.You can simultaneously capture the main mix directly to the onboard stereo SD recorder – handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.Built-In 32-Track Audio Recorder as an OptionTascam Sonicview offers multiple ways to record. In addition to the integrated audio interface and stereo recorder, a multi-track recording card (IF-MTR32) can be installed as an option, enabling you to capture 32 audio tracks directly to an SDXC card. The SD recorder supports punch-in/punch-out for all 32 tracks simultaneously as well as pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss. So you can let the recorder do it’s job worry-free while you focus on mixing.Flexible Output Buses, Advanced ProcessingYou get a wealth of output buses with powerful signal processing and flexible routing options. In addition to the main stereo bus, Sonicview provides 22 flexible output buses, each of which is configurable as a subgroup, aux or matrix. Provide multiple stereo in-ear monitor submixes without running short of buses and send to the analogue outputs. Create matrix mixes for multiple loudspeaker zones and send them over the Dante network to record mixes, deliver sound to theatres and concert halls, and more. All output buses are equipped with 31-band graphic EQ, real-time analyzer functions, 4-band parametric EQ, compressor/ducker, delay, plus Solo, Pan, and Mute.Each individual input channel can be looped through four additional effects, including a high-quality reverb.Dante-Enabled for Superior NetworkingDante® audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, city halls, and much more. Tascam Sonicview consoles can serve as the audio center of these systems usimg their built-in 64-in/64-out Dante interface that supports AES67 mode, SMPTE 2110 mode and Dante Domain Manager. Two Dante ports enable redundant streams. Thanks to the combination of Dante and the recording capabilities built into Sonicview, you can mix and record concerts, panel discussions, lectures, worship services and more from any network location, including a remote recording or broadcast studio.Physical Outputs and Expansion CapabilityAs you’d expect, Sonicview offers plenty of physical outputs, with 16 XLR line outputs, and two XLR monitor outputs. If that’s not enough, you can add more analogue, MADI, or AES/EBU I/O with an optional expansion card. To further expand the system, add one or more optional 16-in/16-out Dante-networked stage boxes (SB-16D). Microphone gain for all 16 inputs can be remotely controlled from Sonicview, and the SB-16D can be used as a floor box or rack-mounted. The combination of Dante networking and multiple stage boxes makes Sonicview a great recording and mixing solution for multi-room studios and capturing large ensembles.Remote Control and Offline EditingWhether in the recording studio, onstage, backstage, in a control room or at the rear of a concert hall, you’re always in full control of your Tascam Sonicview mixer. Just connect a Wi-Fi router to the Ethernet port and use our free control software for Windows, macOS and iPadOS to manage your your Sonicview from virtually anywhere in the venue. Edit settings offline in advance so you’re ready to go when a session or show begins, then make adjustments from the console or from the software.Work Quickly With Function KeysSonicview offers intuitive, analogue-like operation while providing a variety of convenient digital functions that can be customised as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. An optional footswitch allows delay times to be set by tapping.Clear, Mistake-Free NavigationWhen you’re recording and mixing a show, broadcast, or crucial recording session, you can’t afford to hit the wrong button or grab the wrong control. The Sonicview control surface makes it easy to see at a glance what you’re controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-colour LED. The User keys also feature full-colour LEDs, so you can group each input source and function by colour and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customisable touch panels, you always know where you are and what you’re controlling.External Control and ClockingIn addition to audio inputs and outputs, Dante and USB ports, Sonicview is equipped with a GPIO interface (on a DB25 connector) with eight inputs and eight outputs for external control, making it suitable for events and relay applications. BNC wordclock In and Out/Thru enable digital audio synchronisation, and an Ethernet port can connect to a Wi-Fi router for wireless control. Sonicview also has two Tascam expansion slots that accept a selection of expansion cards.The Music Never StopsYour business depends on reliable equipment that will stay in service with minimal interruptions, and we designed Sonicview consoles accordingly. Sonicview’s recording and mixing engine and real-time operating system are completely separated from the physical mixing surface, greatly improving stability. In the unlikely event that the mixing surface becomes inoperable, the sound won’t stop, and operation can be restored by restarting the control surface operating system. Meanwhile, the show will go on.

Description48-Channel, 28-Bus Full Stereo Digital Mixing Console with 24-Fader Control Surface and 10\ Touch Screen”.The Personal Mixing ConsoleThe WING control surface utilizes a large capacitive touchscreen interface with touch-sensitive rotary controls for a new ease of operation. Three separate fader sections and a Custom Controls section can be tailored easily and intuitively to meet your personal requirements. No matter if you need a specific bus send fader next to the corresponding channel fader, or a dedicated “money” channel always at your fingertip, or even sharing the surface with two engineers - WING can be configured to elevate your production to a new level. You can even replace and customize the massive wooden armrest with something funkier if you like. The technical drawing can be found in the Downloads section of the product page.Why Sources?What is the purpose of mixing in the first place? While considering the signal path of audio production for live or studio applications, we were stunned to find that much of the terminology is still driven by historical technical implementation, rather than its actual purpose. Normally, consoles focus on input numbers assigned to channels and auxes. WING is offering a substantially different perspective by focusing on the Source as the reason for any mixing, say a bass drum signal or the lead vocal. Inputs are therefore given more properties than just a number. Sources can be in mono, stereo or mid-side mode, own headamp parameters like gain and phantom power, with specific source mute and metering. They can also be given a color, icon, name and several tags for grouping and filtering purposes. All of this describes the actual Source first, before channels are used for processing or mixing.The beauty of this is that you can label Sources using our WING Co-Pilot app while patching on stage and no matter if the signal is patched to a channel, to SD recording or to any other output, you will always see and refer to that Source.Mono/StereoAll 48 input channels and 28 bus mixes can be used for mono, stereo or mid-side sources. Assigning a stereo source to any channel automatically renders the channel stereo, and its stereo imager stage provides control over width from 150% stereo down to mono. The console does not need a reboot to apply any mode changes. Their channel, bus and subgroup configuration can be changed any time on the fly. See why it is a WING?Legacy Built In Every ChannelAlternatively to the excellent WING EQs and dynamics, all channels and buses feature plug-ins for gates, compressors and equalizers, including high-end simulations modeled after the most famous hardware such as Pultec EQ, SSL Bus Compressor and Gate/Expander, SPL Transient Designer, Neve EQ, Compressor and Gate, Focusrite ISA and D3, DBX160, LA-2A, 1176, Elysia mPressor, and Empirical Labs Distressor.*EvidentWING's innovative channel editing section is designed from the ground-up for immediate channel status overview and flow of operation. It allows working on the selected channel processing even when the main display is used for something completely unrelated. Touch-sensitive rotary controls allow the most relevant information to be displayed at your fingertips.Even More Custom ControlsA central section offers user-assignable controls, i.e. 4 rotary encoders and 20 buttons with 2 LCDs. You decide whatever functions you'd like to have within your reach, always. A big rotary wheel offers fine-adjustments of up to 8 user parameters or can be used for DAW remote control via USB MIDI. The control configuration also includes pre-defined functionality for USB and SD card recorder transport, show control and mute groups.Perfect Balance and Ultimate Tone ShapingWING Input channels feature lo-cut and hi-cut filters, tilt-EQ, all-pass or Sound Maxer, in addition to the 6-band parametric EQ. All buses, matrices and mains even feature an 8-band parametric EQ. Alternatively, WING offers 8 meticulous emulations of famous hardware equalizers for use in each and every channel, whenever you need that special vibe on your signals.Premium EffectsThe WING Premium FX rack boasts 8 true-stereo processors including spectacular emulations of some of the industry's most revered reverbs, original TC VSS3 algorithms, along with Lexicon, Quantec and EMT emulations. Fantastic delays, voice doubling, chromatic pitch correction, tape saturation and there is way more to it…Effects UnleashedAnother set of 8 true-stereo processors provides a wide array of modulation, equalization, dynamics and non-linear effects, and even four iconic guitar amplifiers with cabinet simulations. If push comes to shove, a guitarist can just DI his guitar or pedals straight into the stage box, which is especially useful on quiet stages and house of worship applications.ConnectedWith 374 inputs and 374 outputs, a lot of digital connectivity is required. WING provides 3 AES50 SuperMAC audio networking ports for connecting digital stageboxes or sharing up to 144 input and 144 output streams with other mixing consoles. There are 48x48 channels of USB audio and another 64x64 channels of Audio over IP (AoIP module optional), plus AES/EBU stereo I/O. The WING expansion card slot, featuring the LIVE SD recording card or accommodating option cards for various standards, such as ADAT, MADI, DANTE, and WSG, offers another 64x64 channels of audio in/out.The brand new Klark Teknik StageConnect interface allows transmission of 32 channels 24-bit audio with sub-millisecond latency, together with control data and 18 W of power over a single standard XLR cable. Given its flexibility and ease of use, this may well become the future of XLR. For optimum performance and long cable runs 110 Ohm DMX-Cable is required.Pristine SpringsWhile we have limited the number of local analog I/O, we have not allowed for any compromise on their quality. Behringer is proud to incorporate 8 original Midas PRO-Series microphone pre amps and 8 XLR outputs with towering audio quality for both live and studio environments. Find out more about Midas’ amazing legacy by visiting their extensive website. 8x8 TRS line auxiliary ins and outs help bring in signals from media players or computers. If that's not enough local analog I/O, the new StageConnect interface allows connection of breakout boxes with up to 32 channels of input and output, e.g. connecting the console to the side rack via a single XLR or DMX cable.Auto PilotAutomixing with 2 groups of gain sharing is available on any 16 input channels. The dependable and fast algorithm automatically tracks which microphone is receiving the highest levels, increases its channel gain, while reducing the sum of gain for all other channels in the same group. The ambient noise level will remain constantly low, while intelligibility and gain before feedback are increased considerably. It is the ideal tool for corporate events, panel discussions, house of worship or broadcast applications with several speakers.TriggerMIDI In/Out plus additional 2x2 GPIO provide an interface for console event triggers and external show control.Accurate40-bit floating point processing at 48 or 44.1 kHz, with 1 ms round-trip latency.Double SoloDual solo/monitor buses per channel for monitoring over phones/IEM and/or floor wedges and studio monitor speakers.RC and OSCNetworked remote control supports binary and OSC communication and allows console control from a distance. This is open to 3rd party application development in addition to Behringer's cross-platform app, WING CO-PILOT.

Accelerated creativity, intelligent production UF8 is SSL’s latest studio controller, designed for today’s DAW-based production workflows and ultrafast turn-around times. An expandable 8-channel advanced DAW controller, UF8 connects engineers, producers and artists directly to the creative process, offering absolute command of their workflow and significantly accelerating the speed of audio production and content creation.UF8 is the culmination of SSL’s 40+ year legacy of mastering production workflows and studio ergonomics built into generations of classic SSL consoles. This depth of understanding of studio production, combined with decades of engineering excellence, delivers a premium finish tactile USB controller that distills SSL workflow and quality.Music Creation & ProductionWith UF8 at the heart of your studio setup, you can effortlessly navigate through large sessions and focus on the music, instead of the mouse. Hi-res displays with constant visual feedback and intuitive layout of controls allow you to stay creative for longer.Content Creation & Webcasting Whether you need to solo tracks quickly or access your most used editing functions from the touch of a button, UF8 will help you create more engaging content for your audiences, faster and more efficiently.Post-ProductionUF8 is perfect for finessing your dialogue automation rides and assigning all your essential session shortcuts to the user-keys for enhanced productivity, tailored to suit your post workflow.Music MixingPut some feel back into your mixing with UF8's 100 mm high-quality motorised faders, perfect for balancing multiple tracks at once or riding your reverb sends. Scale your system up to 32 faders (4 UF8s), for the full SSL mix experience.

8-Input Digital Mixer with Bluetooth Audio and App Control, 60 mm Channel Faders, 2 FX Processors and USB/Audio InterfaceDigital Mixing with EaseDigital mixers offer studio quality processing, the highest fidelity, the ability to recall all settings and even remote operation. Those are hugely attractive features, but they all come at a cost - with bigger physical size and more complex operation requiring at least some degree of technical audio education.The millions of analog small format mixers that Behringer has built over the years clearly tell us that there are many users who need a mixer that is compact, affordable, dependable and easy to operate.Typical applications very often just need to balance the level of a handful of sources. So, why make things more complicated than they need to be? It is time for something genuinely new, providing modern features and workflows to everyone in a simple and compact form – it is time for FLOW 8 digital mixing.EZ-GAIN Assisted Gain StagingHave you ever heard someone say, “you need to pay attention to your gain staging?” Do you know what the “gain structure” is about? When you are interested in clean and healthy signals, with low noise and low harmonic distortion then adjusting the right amount of preamp gain is paramount. It is defining the amount of amplification a signal gets when entering the mixer. Since source signals can be anything from a strong hit on the snare drum, to the subtle hum of bees, there is not one gain that fits all possible purposes. Gain staging is always a compromise and finding the right one requires either experience and technical knowledge, or the new FLOW 8 EZ-GAIN feature. The function can monitor signals on one or all channels at the same time, until you think the loudest sounds have been put to it. EZ-GAIN will then automatically adjust the channel gain to the optimum headroom. Oh, by the way, EZ-GAIN will automatically engage the 48 V phantom power on mic inputs 1 or 2 when no signal is detected, just in case you forgot to do that. Full App Remote ControlLet’s face it, small mixers are more often placed where cables end, rather than in a position where it would be most useful for controlling the mix. You may have to stretch out for controlling levels or walk away from the mixer to judge if your adjustment has the desired effect. No longer! FLOW 8 mixers offer full remote control from basically any Android or iOS device, giving you the freedom to go exactly where the sound is ideal for making any sort of adjustment. Tweak the 9-band EQ for the main PA speakers, set the compressor on the bass guitar or adjust the mix for the talents on stage.  Assisted Setup for BeginnersAre you new to the world of audio and not sure which signal to put on different inputs? Don’t know how to use the EQ or compressor for dedicated signals? No problem. The FLOW 8 app provides you with a unique setup wizard that takes you step by step to make your music shine. After selecting the type of input, the assistant will offer you presets and tell you where to plug the cables in. Thanks to this innovative feature you can add your instruments and microphones no matter your skill level.Total Recall of All SettingsRecording a podcast one day and some vocals the next? Are you mixing multiple artists on the same gig? FLOW 8 is your permanent companion for various audio applications where you need a perfectly tweaked preset available on your fingertips within seconds. The integrated snapshot library and the possibility to store unlimited snapshots per FLOW 8 app gives you instant, unlimited power. STORE, EDIT and LOAD mixer settings via the hardware or app instantaneously. You can even trigger snapshot loading with a connected footswitch to bring your performance to life. The FLOW Mix app even provides a recall-scope to load FX, Channel, Main, Monitor or Routing-Options separately (requires firmware 11739 or above). While the hardware provides 15 internal storage-slots for snapshot presets, the app can store an unlimited library of snapshots sorted by name, date and time.Outstanding Audio Quality (on the Go)With two Midas microphone preamps and internal 32 VFP-Processing, FLOW 8 joins the X32, X-AIR and WING Series of digital mixing consoles. Even though the form factor and number of I/O is specifically tailored to smaller setups, each individual channel offers crystal clear audio and keeps up with its ancestors’ sound quality. All channels offer 4-band parametric EQ, compression, as well as 2 FX and 2 monitor sends. All the monitor and main buses feature 9-band parametric EQ and a limiter for preventing unexpected volume peaks on your speakers.Looking for that Big Sound?There is reverb and then there is REVERB. FLOW 8 features two independent studio-grade effects engines, each with 16 presets for refining your instruments and vocals with breathtaking effects sounds and depth. 12 Reverb programs span from a very short yet lively Ambience to very long and smooth Temple or Stadium simulations. All of them come in two flavors and their decay time can be adjusted continuously. In addition to that you will get various delay and modulation effects for all styles and applications. Built-in Bluetooth StreamingSince compact loudspeakers are dominating the consumer market, Bluetooth has established itself as a standard for audio-connections in the consumer world. Mini-jack sockets are being replaced more and more and many smartphones and tablets require special adapters to output analogue audio signals. Therefore, FLOW 8 offers an integrated Bluetooth receiver, that enables you to comfortably play music in between performances without annoying adapters and the need of being close to the mixing console all the time.The BT audio connection for playing audio back can be connected independently from the FLOW 8 remote application. While using BT Audio for playback on one mobile device, BT LE can be used separately on another device for the control application, if you wish.FLOW 8 CLAMP Option - Simple and SolidThe optional FLOW 8 CLAMP is based on the original TC Helicon PERFORM Series side cap design, which uses a special material that combines extreme longevity and a dependable, firm connection with the mic stand. It consists of a metal bracket that is screwed to the mixer and a proprietary plastic part that clips on to the mic-stand without any screws. You can choose to mount the clamp to the bracket in 3 angles (0°, 15°, 30°) depending on your preferred mixer orientation. The FLOW 8 CLAMP is designed to bring your FLOW 8 mixer within reach during your performance. On stage for a small club gig or in a recording setup, the best place will often be right at your microphone stand. It avoids unnecessary cable clutter and keeps the control surface of your FLOW 8 mixer permanently accessible. The clamp is designed for standard 5/8” microphone stands diameter (not exceeding 16.5 mm). USB Multi-Channel InterfaceThe internal USB interface offers separate modes for streaming and recording applications, providing up to 10 recording tracks and 4 playback channels. Either the main mix or all input signals can be streamed or recorded individually. This makes FLOW 8 the ideal partner for DAW home recording with zero-latency monitoring, streaming and podcasting. No additional USB audio interface required. All Input signals and the Main stereo mix can be sent to audio applications on a Mac-, Windows- or Linux-based system for recording, editing or streaming. Whether you’re a singer, songwriter, small ensemble, teacher or presenter, gamer, podcaster or video blogger, producing at home or playing live in bars, café houses or in the streets, when practicing or performing… FLOW 8 will ensure impeccable audio quality and help you create amazing sound with ease. Best of all – FLOW 8 Digital Mixers are available in our partner stores around the globe as of today! 

Advanced hybrid production BiG SiX combines production tools from iconic SSL studio consoles with the latest in hybrid workflow. G-Series Bus Compressor with renowned ‘Auto’ release, E-Series EQ, glorious sounding mic pres with channel processing, and advanced monitoring and routing, all designed on a SuperAnalogueTM foundation and brought together with full USB integration. BiG SiX is the essential SSL studio. BiG SiX is the natural evolution of the modern-day studio classic, SiX. Incorporating feedback from a wide range of artist, producers and engineers, BiG SiX increases its capacity in almost all areas with four SuperAnalogueTM mic pres, four SuperAnalogueTM stereo inputs with dual mono switching, 3 band E-Series EQ on every channel, dual independent headphone outs with source matrix and much more. Whether you’re wanting to take your content creation or post-production to the next level with SSL analogue processing or require advanced hybrid workflow for multitrack recording or stem mixing, BiG SiX offers absolute flexibility and creative agility for any production scenario. Bus Compressor Strapped across the mix bus of  BiG SiX is the legendary G Series Bus Compressor, ready to add drive, energy and that all important 'finished' sound to your productions. Using exactly the same circuit topology as the original design found on the SL 4000 G-Series console, the Bus Compressor within BiG SiX has fixed 4:1 ratio, 30 ms attack and 100 ms release. These 'set and forget' settings are the go-to for many SSL large format console users, who will often engage the Bus Compressor very early in a session and build the mix into it. The BiG SiX Bus Compressor features the renowned ‘Auto’ release setting, adding further flexibility to this essential version of the legendary glue and punch maker. USB interface BiG SiX contains a class compliant USB 96 Khz / 24 bit interface to connect to a PC or MAC. The interface is paired with 16 high quality A/D and D/A converters that are connected to the SuperAnalogueTM signal chain in BiG SiX. The first 12 channels are split across the first 12 inputs/outputs and can be switched pre/post fader. USB channels 13-16 route to/from External inputs and Master buses. Alternatively, sends 9/10 and 11/12 can be fed from the stereo cue buses. Perfect for additional ITB processing. Preamps Fast, detailed and very, very punchy. BiG SiX’s SuperAnalogueTM preamps are capable of comfortably handling a wide variety of microphones (including ribbon) thanks to their super wide gain range. They feature a dedicated line input with Hi-Z, 48V, high pass filter and polarity switch, and will get the absolute best out of your new and vintage instruments and line level sources. Channel compressor Smooth, refine and add character with classic SSL channel compression. The compressors program dependent attack time (8ms – 30ms), release time around 300ms and the gentle 2:1 ratio allow the compressor to work across a wide variety of content and makes up one of the three compression flavours BiG SiX offers. 3 band SSL EQ The channel EQ on BiG SiX has its roots in SSL’s classic E series, matching its  EQ curves on the broadest setting. It is a broad stroke three-band design with high and low shelving filters at 3.5 kHz and 60 Hz, adjustable from +15 dB to -15 dB of gain and a fixed Mid Frequency control at 700 Hz. The HF and LF bands can be independently switched between shelving and bell curves, and can be found on every channel of BiG SiX. SuperAnalogue design Initially developed for the SL 9000 Series consoles to take analogue performance to the next level, SuperAnalogueTM technology is at the heart of BiG SiX and is fundamental to what sets it (and SiX) apart from other desk-top mixers. SuperAnalogueTM technology is the sum of an applied design philosophy, constant invention, and dedication to optimizing every detail of our precision audio products. There are many contributing aspects, including our bespoke circuits, ground-breaking low-noise gain control, servo-coupled amplifier stages, and many more. 

Ψηφιακή κονσόλα σε μορφή rack 12 IN (4 Midas pro Mic/Line-8 Line) & 4 Out (2 Aux Out - 2 L/R). Πλήρης έλεγχος της λειτουργίας μέσω υπολογιστή ή μέσω tablet IOS & Android. Ενσωματωμένο WiFi router. Eξοδος ακουστικών με ρύθμιση έντασης. MIDI In/Out. Σύνδεση USB για εγγραφή stereo σε USB Stick. Κατασκευαστής MIDAS Application Portable PA Δυνατότητα Rack Mount Ναι Κανάλια (ch) 12 Τύπος Κονσόλας Ψηφιακή Είσοδοι (Mic) 4 Μονάδα Effect Ναι Διάταξη Κονσόλας Κάθετη Aux 2 USB Flash Ναι Equalizer Ναι Μοντέλο MR12 Part Number 000-C8G Εγγύηση 10 Χρόνια Εγγύηση

The StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.Specifications : Type: Rackmount Digital MixerChannels: 40 x 40 (USB), 55 x 55 (AVB networking)Inputs - Mic Preamps: 32 x XLR-1/4" combo (mic/line)Phantom Power: YesInputs - Other: 1 x Dual RCA StereoOutputs - Main: 2 x XLROutputs - Direct: 16 x 1/4" (mix out)Data I/O: 1 x EtherCon (AVB), 1 x RJ-45 (network control)USB: 1 x Type BComputer Connectivity: USB (40 x 40), Ethernet (AVB, 55 x 55)Headphones: 1 x 1/4" TRSEQ Bands: 4-band/6-band Parametric EQ, 31-band Graphic EQEffects: Studio Magic Plug-in SuiteSignal Processing: Gate, Compressor, LimiterFeatures: Onboard stereo SD recorderSoftware: Studio One Artist, UC Surface Touch, Capture, QMix-UCOS Requirements - Mac: OS X 10.8.5 64-bit or later, Intel Core i3 or higherOS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higherRackmountable: YesPower Source: Standard IEC AC cable

Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32SX is a Series III S 32-channel digital console, recorder, and audio interface in a low-profile, space-saving frame. The mixer features an integrated hardware and software system with a full-color touchscreen, 25 touch-sensitive, motorized faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound check, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music. The StudioLive 32SX boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analog FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand to hookup a house music source and a separate stereo recorder. Record 32 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the StudioLive 32SX's built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more. At a Glance 40 mixing channels 26 buses 32 recallable XMAX preamps via 16 XLR inputs and 16 XLR-1/4" combo inputs 25 touch-sensitive motorized faders Fixed input layer Fat Channel Dual-core FLEX DSP mix engine 286 processors in various form factors Low-profile, space-saving frame Powerful Mixing Features Expandable plug-in processing with ten vintage EQ and classic compression options on every input channel and bus Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band EQ per input channel High-pass filter, compressor, limiter, output delay, and parametric 6-band EQ per bus FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses 16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks Four static subgroup buses with 1/4" outputs Four designated effects buses 24 DCAs to control groups of channels True virtual soundcheck simplifies mix configuration Enhanced scene management with scenes organized into projects, scene lock, and channel safe Password-protected user profiles enable restricting access to specific features Channel scribble strips and input metering Audio Networking Built-in AVB networking allows the creation of a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and the SW5E AVB switch (all available separately) Connect NSB-series stage boxes to add remote analog inputs and outputs wherever required Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes Network multiple StudioLive Series III mixers Route audio to and from any device on the AVB network, thanks to the flexibility of digital patching Multichannel Recording Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0 Record to SD card, via USB, or to both simultaneously for safe, redundant live recording Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic Pro HUI emulation mode optimized for Pro Tools Complete Software Bundle UC Surface touch-control for Mac, Windows, and iPad Capture recording app with virtual soundcheck for Mac and Windows Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows QMix-UC personal monitor mix control for iPhone, iPod touch, and Android

The Most Formidable StudioLive Yet The StudioLive 64S is a powerhouse — it’s PreSonus’s most formidable offering yet. This 64-channel digital mixer boasts a quad-core FLEX DSP engine with enough muscle to drive 526 simultaneous processors, and then some. What’s more, its FLEX FX multi-effects processor vaunts eight slots of reverb emulations and delays with eight dedicated effects buses. Benefit from easy expandability thanks to built-in AVB networking. Enjoy versatile operation by virtue of the 64S’s 32 Flex Mixes. Shape and polish each channel to perfection courtesy of PreSonus’s lauded Fat Channel processing. The PreSonus StudioLive 64S includes a comprehensive software suite, which enables you to make top-flight recordings right from the get-go. Quad-core FLEX DSP engine boasts impressive processing muscle The StudioLive 64S is packed with serious power. Its quad-core FLEX DSP engine possesses enough processing muscle to run 526 simultaneous processors, 43 mix buses, and 76 mixing channels. And its FLEX FX multi-effects processor includes eight slots of reverb emulations and delays with eight dedicated effects buses. At Sweetwater, we’re impressed by the sheer amount of raw power that’s lurking under the 64S’s hood. Three options for multitrack recording The PreSonus StudioLive 64S gives you three efficient options for multitrack recording. A built-in SD card recorder allows you to record all inputs simultaneously, and you can also play back from the SD card to do virtual soundchecks without a computer. You can also connect to a computer via USB for 64 channels of recording and playback — almost twice that of previous generations. And the StudioLive 64S supports AVB over Ethernet too, enabling you to interface directly with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and SW5E AVB switches. Pristine XMAX preamps for sound reinforcement and recording Simply put, the 32 Class A XMAX preamps onboard the StudioLive 64S sound like they belong in the studio. Their high headroom and low noise floor deliver extremely clean and clear sound you simply wouldn’t expect from a live console. And mic preamp settings are fully recallable, which is a huge time saver when you mix or record the same band or show on a regular basis. Flex Mixes offer a ton of freedom for any mixing application It can be frustrating trying to use the same mixer for many different tasks. Thanks to Flex Mixes, that’s not the case with the PreSonus StudioLive 64S. Flex Mixes can be set up as aux mixes, subgroups, or matrix mixes, depending on what your show demands. Need a ton of different monitor mixes for a large group of musicians? No problem, you can create up to 32 aux sends if you need to. Same with subgroups and matrix mixes — perfect for theater productions and multi-zone venues, respectively. Basically, the 64S’s Flex Mixes allow you to adapt your mixer to the mixing task at hand, instead of adapting your workflow to the limitations of your mixer. Advanced processing for EQ, compression, and effects The StudioLive series of consoles has always been known for outstanding effects and processing capabilities, and the StudioLive 64S takes it even further. Its FLEX FX multi-effects processor supplies you with eight internal effects buses that are loaded with a combination of reverbs, delays, and other effects that you can route any channel through. On top of that, Fat Channel processing offers vintage EQ and compressor models on every channel. And if you crave even more plug-in processing power, you can bolster your 64S with PreSonus’s Fat Channel Collection (sold separately). Includes a plethora of useful software The PreSonus StudioLive 64S is a complete solution. It includes UC Surface mix control software, which enables you to access virtually any aspect of your mix, and with support for up to four screens, you could hardly ask for more comprehensive feedback. Capture live recording software records all 64 channels plus a stereo mix of your choosing via USB, to an SD card, or both for a redundant live recording rig. You also get Studio One Artist — a powerful DAW with smart features aimed at making you a total creative beast. What’s more, the 64S is compatible with the free QMix-UC app, which allows artists to control their own monitor mixes. PreSonus StudioLive 64S Digital Mixer Features: 64-channel digital mixing console with built-in SD card recorder Quad-core FLEX DSP engine possesses enough processing muscle to run 526 simultaneous processors, 43 mix buses, and 76 mixing channels Record and play back up to 64 channels via USB — almost twice that of previous generations Supports AVB over Ethernet for use with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and SW5E AVB switches Built-in SD card support for multitrack recording and virtual soundchecks Main Left, Right, and Mono/Center buses with per-channel mono send level and center divergence control Fully recallable XMAX preamps with ultra-low noise floor 33 touch-sensitive motorized faders allow you to mix with precision 24 DCA groups help you manage complex productions with high channel counts FLEX FX multi-effects processor vaunts 8 slots of reverb emulations and delays with 8 dedicated effects buses Fat Channel processing provides vintage EQ and compression options for each channel Better visual feedback than ever, with full-color touchscreen and channel scribble strips Advanced scene management helps you manage complex mixing tasks more efficiently 32 Flex Mixes can be used as aux mixes, subgroups, or matrix mixes DAW control with advanced Studio One integration, MCU emulation for Logic, and HUI emulation for Pro Tools Software package includes UC Surface 2 touch-control software (Mac/PC/Android/iOS), Capture recording software (Mac/PC), Studio One Artist DAW software (Mac/PC), QMix personal monitoring app (iOS/Android) Compatible with the Fat Channel Collection (sold separately)

Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32S is a Series III S 40-channel digital mixing console, recorder, and audio interface in a single enclosure. The mixer features an integrated hardware and software system with a full-color touchscreen, 33 touch-sensitive, motorized faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound check, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music. The StudioLive 32S boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analog FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand for hooking up a house music source and a separate stereo recorder. Alternatively, you can wirelessly stream music from a mobile device to the mixer's built-in Bluetooth receiver. Record 40 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more. At a Glance 40 mixing channels 26 buses 32 recallable XMAX preamps via 16 XLR inputs and 16 XLR-1/4" combo inputs 33 touch-sensitive motorized faders Dynamic Fat Channel layout allows access to every Fat Channel parameter and aux send via eight Fat Channel encoders with scribble strips Dual-core FLEX DSP mix engine 286 processors in various form factors Built-in Bluetooth receiver for wireless music streaming Powerful Mixing Features Expandable plug-in processing with ten vintage EQ and classic compression options on every input channel and bus Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band EQ per input channel High-pass filter, compressor, limiter, output delay, and parametric 6-band EQ per bus FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses 16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks Four static subgroup buses with 1/4" outputs Four designated effects buses 24 DCAs to control groups of channels True virtual soundcheck simplifies mix configuration Enhanced scene management with scenes organized into projects, scene lock, and channel safe Password-protected user profiles enable restricting access to specific features Channel scribble strips and input metering Audio Networking Built-in AVB networking allows the creation of a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and the SW5E AVB switch (all available separately) Connect NSB-series stage boxes to add remote analog inputs and outputs wherever required Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes Network multiple StudioLive Series III mixers Route audio to and from any device on the AVB network, thanks to the flexibility of digital patching Multichannel Recording Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0 Record to SD card, via USB, or both simultaneously for safe, redundant live recording Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic Pro HUI emulation mode optimized for Pro Tools Complete Software Bundle UC Surface touch-control for Mac, Windows, and iPad Capture recording app with virtual soundcheck for Mac and Windows Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows QMix-UC personal monitor mix control for iPhone, iPod touch, and Android

Small digital mixer. Big power. The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don't let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording and AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig. The scalable digital mixer. The StudioLive 32SC digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxesto add remote analog inputs and outputs wherever they’re required and complete your 32-channel, 16-bus StudioLive 32SC. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching on your StudioLive 32SC digital mixer and in UC Surface remote mixer software. Superior sound. We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SC digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SC mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SC mixer scene, the mic preamp trim values can also be recalled along with the other settings. The mobile music recording studio. PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SC digital mixer or on your Mac or Windows computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show. Features: Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 17 touch-sensitive motorized faders 16 local digitally controlled XMAX mic/line inputs 16 digital channels (AVB, USB, or SD) 2 balanced stereo aux inputs 1 stereo tape input (RCA, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays

L16S brings all the powerful DSP, renowned Onyx+ mic preamps, and Built-Like-A-Tank reliability that the DL Series is known for, in an all-new stagebox form factor with built-in WiFi. Mount it in a rack, set it on a desk, or put it right on the stage. Mix your way.The Mackie DL32S delivers proven mixing power with legendary Onyx+ mic preamps in an all-new Built-Like-A-Tank™, stage-friendly design made to withstand real-world abuse. Get mixing quickly with built-in Wi-Fi and the industry-leading, multi-platform Master Fader™ app. Create stunning multi-track recordings and get playback for a virtual soundcheck via USB I/O. Loaded with channel/output DSP plus 4 FX processors, DL16S gives you the mixing power you need for your best mix ever.Specifications:16 Onyx+™ recallable mic preamps8 fully-assignable XLR outputs plus headphone outputIndustry-leading Master Fader control app16x16 USB recordingDitch the snake – Place it anywhere on stage or in a rackWireless mixingComplete control via iOS, Android, Mac, or PCNo set FOH position – mix from anywhereSupports up to 20 separate devices at onceMultiple engineers can work from a single mixerPowerful processing and signal processing16 input channels with 4-band PEQ + HPF, gate, compression and RTA/Spectrograph16 stereo-linkable input channels13 output busses with 4-band PEQ + HPF/LPF, 31-band GEQ, comp/limiter, alignment delay and RTA/Spectrograph6 stereo-linkable aux sends6 stereo-linkable subgroupsMain L/R bus6 VCAs and 6 mute groups4 stereo FX processors featuring great built-in FX like reverbs, delays, choruses, flangers, and many more with dedicated sends and returnsFull I/O routing with A/B sources per channelAssignable oscillator including pink/white noise and sine wavesModern and Vintage options for comp/gate and EQMulti-track recording & playback16x16 USB 2.0 audio interface for Mac or PCRecord the show for later mixdownPlay intermission music, backing tracks and more directly into a dedicated stereo return channelPerform a virtual sound checkAmazing low-cost, high channel count studio recording solutionUtilize Mac or PC audio plug-ins in a live environmentMaster fader control appIntuitive and easy to masterFast navigation with view groups and overviewQuick setup with tons of factory and user-definable presetsAccess Limiting allows flexible customization of the user interface and prevents unwanted adjustments from other usersQuickly access channel processing, signal routing, and a massive suite of great sounding effects with presets to get you startedExport presets, shows and complete system backups via Dropbox, email and moreComplete offline operationEasy and frequent updatesAvailable on iOS, Android, macOS, and Windows

Your AVB Stage-to-Console SolutionA perfect partner for StudioLive Series III consoles.Designed to work seamlessly with PreSonus® StudioLive® Series III console/recorders the PreSonus NSB 16.8 is an 16-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network.With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 16.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software.Making connections—lots of them.A stage box is all about analog connectivity, and the NSB 16.8 gives you all the I/O you need and then some. You get 16 locking combo mic/line inputs equipped with our famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios.All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software. All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations.What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.Tough enough for the most demanding tours.Even if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So we built the NSB 16.8 into a rugged steel chassis designed to survive the rigors of the road, and we equipped it with sturdy handles.Its classic stage box form factor allows the NSB 16.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 16.8 also is compatible with stage pockets from Ace Backstage.Everything you need...and then some.“StudioLive” doesn’t just mean “digital mixers.” StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.With Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning.Stay in the PocketThe ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8, NSB 16.8) for portable onstage use and passive storage.One PreSonus NSB slides easily in and out of the ACE Stage Pocket Nesting Frame. The NSB is secure while resting inside the Stage Pocket, allowing I/O cables to egress neatly through Hinged Cable Exits in the Lid, and onto the stage floor. Additional room for a single space rack panel inside the Stage Pocket makes it possible to add additional connectivity at the stage floor.Features :For StudioLive Series III mixing consoles16 Mic / line inputs (combo jacks, XLR / jack)16 Remote-controllable XMAX Class A mic preamps48 Volt phantom power with 16 status LEDsGain compensation for shared use8 Line outputs (XLR)Mute All button2 AVB Ethernet ports with locking RJ45 socketsConnection to the console via a CAT5e or CAT6 cableCascadable via AVB (daisy chain)Can also be operated via control software "UC Surface"Interlocking IEC power socketRobust steel housing 

Your AVB Stage-to-Console SolutionA perfect partner for StudioLive Series III consoles.Designed to work seamlessly with PreSonus® StudioLive® Series III console/recorders, the PreSonus NSB 8.8 is an 8-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network.With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 8.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software. Making connections—lots of them.A stage box is all about analog connectivity, and the NSB 8.8 gives you plenty. You get eight locking combo mic/line inputs equipped with our famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios. All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software.All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations. What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie.These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB. Tough enough for the most demanding tours.Even if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So we built the NSB 8.8 into a rugged steel chassis designed to survive the rigors of the road, and we equipped it with sturdy handles.Its classic stage box form factor allows the NSB 8.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 8.8 also is compatible with stage pockets from Ace Backstage Everything you need...and then some.“StudioLive” doesn’t just mean “digital mixers.” StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.With Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning. Stay in the PocketThe ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8, NSB 16.8) for portable onstage use and passive storage.One PreSonus NSB slides easily in and out of the ACE Stage Pocket Nesting Frame. The NSB is secure while resting inside the Stage Pocket, allowing I/O cables to egress neatly through Hinged Cable Exits in the Lid, and onto the stage floor. Additional room for a single space rack panel inside the Stage Pocket makes it possible to add additional connectivity at the stage floor. Features :For StudioLive Series III mixing consoles8 Mic / line inputs (combo jacks, XLR / jack)8 Remote-controllable XMAX Class A mic preamps48 Volt phantom power with 8 status LEDsGain compensation for shared use8 Line outputs (XLR)Mute All button2 AVB Ethernet ports with locking RJ45 socketsConnection to the console via a CAT5e or CAT6 cableCascadable via AVB (daisy chain)Can also be operated via control software "UC Surface"Interlocking IEC power socketRobust steel housing

Professional, networked personal monitoring.Designed to work seamlessly with the PreSonus® StudioLive® Series III family of mixers, yet compatible with other AVB-enabled systems, the PreSonus EarMix® 16M personal monitor mixer provides a high-quality, expandable, networked monitoring solution for stage, installed sound systems, and studio recording.We gave EarMix 16M fully professional sound quality, build quality, and features, including a high-performance headphone amplifier, to ensure you have the monitoring you need for any situation. Each EarMix 16M accepts 16 mono channels of input via AVB networking—and you can network multiple units with a StudioLive Series III mixer. Loud, clear, customizable mixes.High-quality monitoring is crucial for artists to deliver their best performance, so we’ve given the EarMix 16M a loud, clear headphone amplifier that can drive low-impedance devices such as professional-caliber in-ear-monitors. We started with a top of the line digital-to-analog converter for the best dynamic range and signal-to-noise ratio.We took special care in the amplifier design to deliver excellent sound with a wide range of in-ear monitors and headphones with different impedances. Controls and inputs can be customized on each unit to allow each musician to create a mix that works best for them. Once you’ve perfected a set of monitor mixes, save the whole scene to internal memory; you can store and recall up to 16 mix scenes locally. What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB. PoE: Remote power for networked devices.The EarMix 16M can be powered with its included external power supply but in many cases—such as when it’s difficult to provide power across multiple onstage locations—it’s better to use Power over Ethernet (PoE). PoE is a technology that enables network cables to carry electrical power to compatible devices.With PoE, a single cable delivers both network data, such as digital audio, and electrical power. You can locate a PoE-enabled device anywhere you can run an Ethernet cable because you don’t need a local power source. Moreover, PreSonus’ SW5E five-port AVB switchenables you to connect multiple EarMix 16Ms to the AVB network and provides PoE. A system that can grow with your needs.One EarMix 16M is a beautiful thing but the system really shines when you need monitoring for the whole band. A pair of AVB jacks enable you to chain multiple EarMix 16Ms while also connecting to a StudioLive Series III mixer.You can expand even further by chaining EarMix 16Ms from multiple PreSonus SW5E AVB switches. Once you’ve created your AVB network, setting up EarMix 16M routings from a networked StudioLive Series III console or using free PreSonus UC Surface control software for Mac, Windows, iPad, and Android is fast and easy. ​ Your ears—and bands—will thank you.EarMix 16M’s connectivity, AVB networking with PoE, and PreSonus’ famed hardware/software integration give you all the tools you need to create a truly professional personal monitoring system that can serve even the largest ensembles.We remembered the little things, too, like an optional microphone stand mount. Best of all, thanks to loud, clear headphone amps, high-end converters, and top-quality signal processing, EarMix 16M delivers exceptional sound quality that will further enhance your hard-earned reputation as an audio professional.   Features:Analog Input/Output1/8-inch stereo aux input2 Balanced ¼-inch TRS line outputs¼-inch TRS stereo headphone output with loud, clear headphone amp that can drive low-impedance in-ear monitorsMeters, Controls, and Processing3-band EQ with sweepable mid frequency on all channels and main mixLimiter on all channels and main mixStereo channel linkingChannel groupingSolo and MuteMix scene Store and Recall; store up to 16 mix scenes locally16 Signal present and clip LEDs (one for each input)8-segment stereo output meterChannel Level rotary control with 8-segment level indicatorAux Input level controlIndependent Monitor (line out) and Phones level controlsRouting setup from StudioLive Series III consoles and UC SurfaceDigital16 mono channels of input via AVB networking2 AVB Ethernet ports24 bit, up to 48 kHz operation 

The perfect partner for a StudioLive Series III console.The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs.You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U). The most powerful rack mixer in its class.When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps.Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors.Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio. A third-generation Fat Channel.StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs.In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system. Technical Specifications Digital Audio and Control ADC Dynamic Range115 dB (A-wtd, 48 kHz)DAC Dynamic Range115 dB (A-wtd, 48 kHz)USB Recording PortUSB 2.0, Type-BNetwork Control PortRJ-45AVB Audio Network PortLocking XLR EthernetInternal Processing32-bit, floating pointSampling Rate48 kHz (44.1 kHz coming soon)A/D/A Bit Depth24Reference Level for 0 dBFS+18 dBuTotal System Latency1.9 ms (local routing, analog in-analog out, all processing active) Mi​crophone Preamplifier Input TypeCombo locking XLR mic-¼” TRS lineFrequency Response to Main Output (at unity gain)20-20 kHz, ±0.5 dBuInput Impedance1 kΩTHD to Main Output

8 XLR outputs plus 6 additional line in/outputs, a phones connector and a talkback section with XLR mic input. 32 x 32 channel USB 2.0 audio interface, with DAW remote control emulating HUI and Mackie Control. iPad* and iPhone apps for professional remote operation available free of charge—no host PC required. 40-input channel, 25-bus rack-mountable digital mixing console for Studio and Live application. 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality. 17 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control. High-resolution 5" day-viewable Color TFT for easy viewing of workflow components and parameters. Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA groups and 6 mute groups. Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250 and Quantec QRS etc.

Our StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we’ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package. In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.) But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.  8 mono mic/line channel inputs:High-headroom Class A XMAX™ mic preamplifierXLR mic and balanced ¼' line inputs60 mm precision fader4 stereo line channel inputs:High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)XLR mic inputs (Ch. 9, 11, 13, and 15)Balanced ¼' line inputs (Ch. 9-16)Unbalanced RCA line inputs (Ch. 13-16)60 mm precision fader (4 stereo)4 Auxiliary buses (pre/post-fader send)2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presets Fat Channel signal processing on all channels and buses:3-band semi-parametric EQ (individual band on/off)Full-featured compressorStandard downward expanderLimiterPhase reverse (12 mic preamplifiers only)Pan with dedicated 15-LED displayStereo link for input channels and aux busesHigh-pass filter  Computer system requirements:WindowsWindows XP, Vista, Windows 7 (32- and 64-bit)Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)1 GB RAM (2 GB or more recommended)MacintoshMac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)1 GB RAM (2 GB or more recommended) Windows and Macintosh SystemsInternet connection recommendedDVD-ROM driveInternal or external 7200 RPM storage drive highly recommended

DL32S brings all the powerful DSP, renowned Onyx+ mic preamps, and Built-Like-A-Tank reliability that the DL Series is known for, in an all-new stagebox form factor with built-in WiFi. Mount it in a rack, set it on a desk, or put it right on the stage. Mix your way. The Mackie DL32S delivers proven mixing power with legendary Onyx+ mic preamps in an all-new Built-Like-A-Tank™, stage-friendly design made to withstand real-world abuse. Get mixing quickly with built-in Wi-Fi and the industry-leading, multi-platform Master Fader™ app. Create stunning multi-track recordings and get playback for a virtual soundcheck via USB I/O. Loaded with channel/output DSP plus 4 FX processors, DL32S gives you the mixing power you need for your best mix ever.Features: 32 Onyx+™ recallable mic preamps10 fully-assignable XLR outputs plus headphone outputIndustry-leading Master Fader control app32x32 USB recordingDitch the snake – Place it anywhere on stage or in a rackComplete control via iOS, Android, Mac, or PCNo set FOH position – mix from anywhereSupports up to 20 separate devices at onceMultiple engineers can work from a single mixerFull I/O routing with A/B sources per channelAssignable oscillator including pink/white noise and sine wavesModern and Vintage options for comp/gate and EQFast navigation with view groups and overviewQuick setup with tons of factory and user-definable presetsAccess Limiting allows flexible customization of the user interface and prevents unwanted adjustments from other usersQuickly access channel processing, signal routing, and a massive suite of great sounding effects with presets to get you startedExport presets, shows and complete system backups via Dropbox, email and moreSpecifications:32 input channels with 4-band PEQ + HPF, gate, compression and RTA/Spectrograph32 stereo-linkable input channels15 output busses with 4-band PEQ + HPF/LPF, 31-band GEQ, comp/limiter, alignment delay and RTA/Spectrograph8 stereo-linkable aux sends6 stereo-linkable subgroupsMain L/R bus6 VCAs and 6 mute groups4 stereo FX processors featuring great built-in FX like reverbs, delays, choruses, flangers, and many more with dedicated sends and returns

18-Input Digital Mixer for iPad/Android Tablets with 16 MIDAS PRO Preamps, Integrated Wifi Module and Multi-Channel USB Audio Interface. The MIDAS M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music.Χαρακτηριστικά:iPad*/Android* tablet controlled 18-input digital mixer for studio and live application16 award-winning MIDAS PRO microphone preamplifiersBuilt-In Tri-Mode Wifi router for direct operation—no need for external routers18 x 18 channel, bidirectional USB2.0 interfaceDugan*-style Auto-Mixing automatically manages microphone gain sharing4 digital signal processing effects enginesULTRANET connectivity for P-16 Personal Monitoring System*Rack ears and protection bumpers included for flexible rack and onstage applications6 aux and main LR buses with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ6 XLR aux outputs and 2 XLR main outputs plus phones connector40 bit floating point digital signal processingFree iOS, Android and PC/Mac*/Linux* apps available for remote operation via Ethernet, LAN or WiFiMIDI In/Out allows controlling the mixer via MIDI equipment or for use as a USB MIDI interfaceFuture firmware updates, incl. new FX “Plug Ins”, downloadable from midasconsoles.com free of chargeAuto-ranging universal switch-mode power supply 

The DX168 is a rugged, portable expander for adding remote I/O to a dLive S Class or dLive C Class system.Each DX168 features 16 mic preamps with independent Phantom Power LED indicators, plus 8 XLR line outs. Up to 6 DX168 units can be connected to a dLive system – 4 via the MixRack and 2 via the Surface – allowing up to 96 remote inputs and 48 remote outputs in addition to those provided by the MixRack and Surface.The DX168 connects via a single Cat5e cable to the dLive Surface, MixRack or upstream DX168 via a secure EtherCon port. A second locking EtherCon port is provided for redundant connection to compatible hardware, or for daisy-chaining to a downstream DX168 for additional remote I/O.Features:16 Mic Preamps on XLR with Phantom Power status LEDs8 XLR Line OutsCompatible with dLive S Class and dLive C Class hardwareUp to 6 DX168 units can be added to a dLive system for 96 inputs / 48 outputsCascade mode allows daisy-chaining of 2 DX168 Expanders for additional I/O (requires firmware 1.60 or higher)Redundant DX connection to dLive S Class hardwareOptional 19-inch rack mount kit availablePlug and Play – no IP addressing requiredCompatible with CAT5e (or higher) cables of up to 100mRubber bumpersCarry handle

In the past decade, the technological revolution has transformed audio into a medium that is produced and delivered in the digital domain. Powerful Digital Audio Workstations have transferred the entire recording studio into a virtual environment where all elements of the studio appear conveniently on a computer screen.But what has been lacking with the modern digital studio, is the same powerful workflow as what was accomplished on tactile mixing consoles. So back in 2012, Slate Media Technology came up with a solution. If the entire production studio was on a computer screen, why not turn the actual computer screen INTO a world class control surface? And the RAVEN series of Multi-Touch consoles was born. Soon the RAVEN would be the preferred control surfaces of major studios, engineers, producers, artists, and educational institutions like Mark Needham, Terry Lewis, Will.i.am, Jimmy Douglass, Snoop Dogg, Steve Aoki, Full Sail University, and SAE.Raven 3.0Raven 3.0 now adds customized multi-touch control of Ableton Live, Cubase/Nuendo, Digital Performer, Logic Pro X, Pro Tools 10-12, and Studio One V3 on Mac as well as Windows compatibility for Pro Tools 10-12, Cubase 8 & 9 and Nuendo 7.Faders 3.0Faders 3.0 are our newest multi-touch faders that allow the most precise control of your DAW faders. By integrating multi-touch 100mm virtual faders directly into each DAW, the engineer has seamless control over mix levels and automation. The new 3.0 algorithm gives the faders a virtual ‘feel’ that allows an intuitive feeling action that is comfortable and even fun to use. And for the most critical automation, FINE FADER mode can quadruple the resolution of the faders so you can get even the most minute moves down in the first pass with ease and perfection.Raven GesturesWe’re proud to announce the next evolution of the RAVEN Control software called GESTURES. As its name implies, GESTURES allows classic multi touch gestures to control important elements of the DAW such as opening and closing plugins, muting and unmuting tracks, zooming in and out, and more.Features:8 Stereo inputs3 Speaker Sources with LFE Enable per speaker pair.2 Stereo Cue Outputs to feed Headphone Amps.Talk Back system with built in mic and “Talkback Presets” to independently send talkback to specified outputs.CAL Mode to pre-set a reference monitoring level.LFE Output with LPF & Crossover Point, Phase and Level.DB25 Connections for Inputs and OutputsDB9 Connections for VU Aux and Talkback AuxPowered USB 2.0 inputs x2 

The Soundcraft Vi1000 digital mixing console represents the culmination of the groundbreaking achievements and rich feature set offered by Soundcraft's acclaimed Vi Series—now in a more compact form factor.The reduced footprint of the Vi1000 makes it ideal for smaller touring projects, rental companies, corporate AV applications, as well as music venue, theater and HOW installations in search of a versatile digital mixer. Among its many features, the Vi1000 incorporates Vistonics II 'knobs-on-glass' functionality, making it easy to see and access the power and versatility of the mixing environment; along with Soundcraft Faderglow™ colour coding, which illuminates the fader slots according to function using clearly defined colours.Offering pristine audio quality, a wealth of functionality, an intuitive user interface for streamlined operation, and the roadworthy reliability that Soundcraft's Vi Series consoles are known for, the new Vi1000 delivers space saving, world-class audio mixing capability.Features:96 input channels with 24 mono/stereo mix busses, plus LRC master bussesVistonics II proprietary ‘knobs-on-glass’ functionality; key to the console’s streamlined, intuitiveoperational interface and widely praised as the easiest-to-use digital console on the marketSpiderCore™ integrated DSP engine ensures superior audio performanceSoundcraft Faderglow color coding illuminates the fader slots according to functionIntegrated Dante™ interface facilitates instant connection to industry standard Dante audionetworksTwo double-slot expansion slots for Stagebox connection or option card installationBuilt-in Lexicon world-class reverb, delay, and pitch effects from the industry’s leading brandOnboard BSS DPR901ii dynamic EQ digitally modelled after the original, industry-standard BSSanalog unitIntegrated microphone monitoring for AKG, Shure®, and Sennheiser wireless systemsIncluded vMIX automatic microphone mixing for two groups of up to 16 mics in conference ortheatrical applicationsProven electronic and mechanical design delivers the performance and reliability Vi Seriesconsoles are known for 

The revolutionary X18 is a powerhouse 18 input/12 bus digital mixer that also serves as the launch pad for your favorite computer tablet – including iPad and Android tablets. It is ideally suited for both live and studio applications, thanks to its 16 award-winning MIDAS-designed mic preamps, convenient integrated Wifi module for wireless control – and a lightning-fast, bidirectional USB Audio Interface. Features:iPad*/Android* tablet controlled 18-input digital mixer for studio and live applications16 award-winning MIDAS-designed, fully programmable mic preamps for audiophile sound qualityBuilt-In Tri-Mode Wifi router for direct operation—no need for external routers18 x 18 channel, bidirectional USB interface for direct recording on iPad etc.Revolutionary Dugan*-style Auto-Mixing automatically manages microphone gain sharingAward-winning X32 effects rack featuring 4 stereo FX slots including high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.100-band Real Time Analyzer (RTA) for all channel and bus EQ'sULTRANET connectivity for BEHRINGER's P-16 Personal Monitoring System*Ultra-wide tray suitable for almost all tablets, iPads and even mini notebooks6 aux and main LR buses with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ6 TRS aux outputs and 2 XLR main outputs plus stereo RCA output and phones connectors40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latencyFree iOS, Android and PC/Mac*/Linux* apps available for remote operation via Ethernet, LAN or WiFiMIDI In/Out allows controlling the mixer via MIDI equipment (incl. Mackie Control* protocol) or for use as a USB MIDI interface (future firmware)Future firmware updates, incl. new FX “Plug Ins”, downloadable from behringer.com free of chargeInternal switch-mode power supply for noise-free audio and low power consumptionDesigned and engineered in Germany

The S32 provides 32 MIDAS-designed remote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end – and all it takes is a single Cat 5e cable (up to 328 ft / 100 m). While KLARK TEKNIK, the industry-leader in high-end digital audio processing, invented the AES50 SuperMAC technology that made it all possible – our superb scale of production makes the S32 so very affordable.Features:32 MIDAS-designed, fully programmable mic preamps for audiophile sound quality16 analog, servo-balanced XLR outputsAES50 network ports featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latencyULTRANET Connectivity for BEHRINGER's P16 personal monitoring system for in-ear applicationsDigital audio and control connectivity for TURBOSOUND speaker systems with ULTRANET networking capabilityAutomatic AES50 stage-split mode when connected between BEHRINGER X32 Series FOH and monitor consolesDual AES50 ports for cascading additional S16, SD16 or SD8 stageboxes—no merger or router required2 AES-3 ports (AES/EBU), for directly connecting PA system controllers with digital inputsDual ADAT outputs providing 16-channel digital output on two optical TOSLINK* connectorsMute All function for quietly patching any inputs on stageMIDI In/Out for bi-directional communication between BEHRINGER X32 Series console and on-stage MIDI devicesRemote operation via shielded CAT5e cable up to 330 ft / 100 m lengthUSB connector for system updates via PC"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving"Built like a tank" yet compact, all-steel 3U rack-mount chassisDesigned and engineered in Germany

Digital mixing has revolutionized virtually everything in the live- entertainment production workflow. Now we’ve come up with the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world – the ultra-cool and ultra- affordable SD16 Stage Box! The SD16 provides 16 MIDAS-designed remote- controllable mic preamps, 8 balanced analog XLR returns at the stage end, plus an integrated 4-port ULTRANET distribution hub for direct connection to our P16-M personal monitor mixers – without any additional hardware required.Plus, the SD16 is extremely compact and comes with rugged protective bumpers, so you can toss them directly on stage wherever you need them. The best part – all it takes is a single shielded CAT5e cable per stage box (up to 330 ft / 100 m length). And If you need more inputs, or just want to keep your cable runs short and tidy, putting an SD16 at stage front and another behind the drum riser gives you an additional 16 inputs for drum and guitar/bass amp mic’ing. When used as part of a complete X32 system, as many as three SD16 Stage Boxes can be cascaded via the built-in AES50 ports to provide up to 48 bidirectional inputs and 24 balanced XLR outputs. An onboard ULTRANET distribution hub provides power and 16 channels of audio to 4 BEHRINGER POWERPLAY P16-M personal monitor mixers per SD16, all via inexpensive shielded CAT5e cabling – and without any additional hardware. Two of the programmable inputs are also compatible with Hi-Z sources, so you can connect keyboards, acoustic and bass guitars, etc., with no DI box required. The SD16 also features a USB port for fast and easy system updates via your PC.Features:16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality8 analog, servo-balanced XLR outputsAES50 network ports featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latency4-port ULTRANET distribution hub for powered connection of 4 BEHRINGER P16-M personal monitoring mixersDigital audio and control connectivity for TURBOSOUND speaker systems with ULTRANET networking capabilityRack ears and protection bumpers included for installed and mobile applicationsDual AES50 ports for cascading multiple units—no merger or router requiredRemote operation via shielded CAT5e cable up to 330 ft / 100 m lengthUSB connector for system updates via PCUltra-compact and roadworthy, all-steel chassisDesigned and engineered in Germany

Digital mixing has revolutionized virtually everything in the live-entertainment production workflow. Now we’ve come up with the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world – the ultra-cool and ultra-affordable SD8 Stage Box! The SD8 provides 8 MIDAS -designed remote-controllable mic preamps, 8 balanced analog XLR returns at the stage end, plus an integrated 2-port ULTRANET distribution hub for direct connection to our P16-M personal monitor mixers – without any additional hardware required.Plus the SD8 is extremely compact and comes with rugged protective bumpers, so you can toss them directly on stage wherever you need them. The best part – all it takes is a single shielded CAT5e cable per stage box (up to 330 ft / 100 m length). And If you need more inputs, or just want to keep your cable runs short and tidy, putting an SD8 at stage front and another behind the drum riser gives you an additional 8 inputs for drum and guitar/ bass amp mic’ing.Features:8 MIDAS-designed, fully programmable mic preamps for audiophile sound quality8 analog, servo-balanced XLR outputsAES50 network ports featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latency2-port ULTRANET distribution hub for powered connection of 2 BEHRINGER P16-M personal monitoring mixersDigital audio and control connectivity for TURBOSOUND speaker systems with ULTRANET networking capabilityRack ears and protection bumpers included for installed and mobile applicationsDual AES50 ports for cascading multiple units—no merger or router requiredRemote operation via shielded CAT5e cable up to 330 ft / 100 m lengthUSB connector for system updates via PCUltra-compact and roadworthy, all-steel chassisDesigned and engineered in German​

The POWERPLAY P16 system is the easy, affordable way to give live or recording musicians/vocalists what they really want – “more me!” When used in conjunction with your X32 Digital Mixing Console, P16-I Input Module or S16 Digital Snake, the P16-D distributor can provide 8 additional ULTRANET RJ-45 outputs, giving you the power to expand your existing P16-M system (up to 48 stations). In addition to sending 16 channels of digital audio to the P16-Mmixers, the P16-D also supplies operating power, totally eliminating the need for power adapters – and creating a much more streamlined stage or studio environment.Fast and easy to set up, a basic system can be installed and configured in a matter of minutes – and the system can be expanded to adapt to changing needs. The POWERPLAY P16 Personal Monitoring System puts total control of the monitor mix into the artist’s hands, and when they can hear exactly what they want and need to hear – their best performance is unleashed!Features:Distribution Hub for P16-I for system expansion1 ULTRANET input feeds 8 ULTRANET outputs (RJ-45)Provides bus-power and 16-channel signal transmission for all 8 outputsUp to six P16-D ULTRANET Distributors can be combined for a total of forty-eight P16-M Personal MixersStatus LED indicators for RJ-45 input and 8 RJ-45 outputsInternal autorange power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy savingDesigned and engineered in Germany​

The Soundcraft Ui24R is a complete, rack-mountable, digital mixing and multi-track recording system that delivers flexible I/O, pristine sound quality, intuitive wireless control, and roadworthy reliability—all in a streamlined design. The system can double as a stagebox and can be controlled by up to 10 devices via Ethernet or built-in dual-band Wi-Fi, making it possible to control mixing and multi-track recording wirelessly from anywhere in the venue. Renowned Lexicon, dbx and DigiTech signal processing ensures pristine sound, while 20 Studer-designed microphone preamps deliver more professional inputs than any other mixer in its class. The compact, rack-mounted Ui24R is also compatible with the new HARMAN Connected PA system, and offers unprecedented control, versatility and power at an incredible value. From the stage to the studio, Soundcraft Ui24R is the ultimate system for artists, venues and engineers who need to save space and deliver superior sound. Ui24R brings together industry-leading HARMAN technologies to deliver unprecedented power and mission-critical stability. Renowned Studer preamps deliver rich sound for live performance and multi-track recording, while iconic Lexicon reverbs, choruses, delays, and dbx compression offer polished results for vocals, acoustic guitar and more. dbx AFS2 automatic feedback suppression is available on all monitor outputs, providing an excellent live experience. Plus, DigiTech guitar amp modeling brings a host of effects to any performance, particularly when low stage volume is desired.Features:Renowned Soundcraft quality and performanceBuilt-in dual-band Wi-Fi eliminates the need for a router to provides a reliable connection to up to 10 mobile devices in mission critical situationsControl Ui24R from iOS, Android, Windows, Mac OS and Linux browsers without installing additional appsRecord and mix with the warmth of 20 professional-quality Studer-designed preampsdbx compression and iconic Lexicon reverb and delay processing2 channels of DigiTech guitar amp modelingDual-path, redundant multi-track recording of all 24 inputs to USB drive and connected Mac/PC24 simultaneous inputs (10 combo ¼” TRS/XLR, 10 XLR, 2 line level, 2 digital)4-band parametric EQ, high-pass filter, compressor, de-esser, and noise gate on input channels31-band graphic EQ, noise gate, compressor, and dbx® AFS2 Automatic Feedback Suppression on all outputsReal-time frequency analyzer (RTA) on inputs and outputsCompatible with Mac/PC DAWs and other music softwareCompatible with Harman Connected PA application and system for easier setup and control4U rackmount design

A remarkable new standard for performance in a compact digital mixer, the TouchMix-30 Pro has the features and functionality that will satisfy the most demanding professional while also providing an intuitive workflow that delivers great results, quickly and easily, to users at every level of experience. Perfect for production professionals, musicians and bands as well as live performance venues, its 32 mixing channels (24 Mic/Line, 6 Line, Stereo USB) and 16 outputs offer tremendous signal management flexibility for a wide range of applications.Features:Large (10-inch) multi-touch touchscreen offers more on-screen information while also providing greater hands-on controlAnti-Feedback and Room Tuning Wizards simplify complex equalization tasksTwo real-time analyzers (RTA) provide instantaneous analysis of channel tonal balance and room responseFunction easily duplicates mixes, channels, EQ, dynamics and more.Touch-and-route patch matrix for easy “multing” and rearrangement of inputsEight sub-groups with 6-band full parametric EQ, variable high-pass and low-pass filters and limiter may be linked for stereo32-channel direct-to-hard drive record/playback - capture and recall performances without the need for an external computer32-Channel DAW interface with Apple® computers allows for bidirectional I/O with popular workstation softwareMP3 playback direct from USB24 class-A microphone preamps deliver pristine, studio-quality audioOver 120 live instrument, microphone and other audio source presets created in live environments provide mix-ready channel settingsAll outputs feature 1/3 octave graphic equalization and 6-band parametric EQ plus limiters, delay and 12-band notch filters14 mono mixes may be paired for stereo while two pairs of Auxes can drive wired in-ear monitors (IEM) directlySix stereo effects processors plus pitch-correct offer studio-grade signal enhancements, without sacrificing Auxes or additional channels​​

Qu-SB is an ultra-compact digital mixer which frees you to mix from anywhere in the venue and provides a smart, portable solution for performing bands and artists.Qu-SB is portable enough to carry under one arm and comes loaded with our highly acclaimed suite of FX emulations and dynamics, making it a smart replacement for an old analogue mixer and a rack full of outboard FX.The companion Qu-Pad app is a slick, intuitive interface for setting up the show and mixing live from your iPad, and there’s also a customisable Qu-Control app that lets you choose just a few essential controls that you really need in front of you for easy access during the show.Couple these with the Qu-You personal monitoring app for Android / iOS and Qu-SB is a fantastic choice if you’re mixing your own monitors and want to get the same great sound wherever you play.With all of your settings saved and ready, plus multi-track recording and playback of previous shows for virtual soundchecks, you’ll be all set to play in record time.On top of the 18 on board inputs and 14 outputs, Qu-SB has you future-proofed with plug n’ play expansion up to 38 inputs / 24 outputs via a family of remote AudioRacks.Features:16 local Mono Mic/Line Inputs (TRS + XLR)Recallable AnaLOGIQTM Preamps1 Stereo Input (TRS)12 local Mix Outputs (XLR)1 Stereo Output (TRS)Expandable up to 32 input, 24 out using dSNAKE AudioRackUp to 11 Monitor Mixes (4 mono + 7 stereo)4 Stereo Groups (switchable to Mix mode)4 FX Engines4 dedicated FX Sends / Returns4 Mute Groups4 DCA GroupsAES Digital Out32×32 USB Audio InterfaceQu-Drive Multitrack Recording / Playback direct to USB device 

Allen & Heath has launched new Chrome Editions of its Qu series compact digital mixers to mark the launch of Qu v1.8 Chrome firmware in mid-October, which adds major new features including Automatic Mic Mixing, a Spectrogram and additional monitor mixes.Chrome Edition Qu-24 mixers all feature the same high contrast metallic finish rotary controls and fader caps as the premium GLD Chrome series, providing optimal visibility in low lighting scenarios and enhanced tactile control.A new Spectrogram tool provides a fast, visual means of hunting down and dealing with problem frequencies, helping to eliminate feedback and tame difficult room acoustics.The Qu-Pad app receives further enhancements with the inclusion of new controls, views and functions, such as remote control over AMM settings. Qu-Pad is one of a series of control apps which also includes Qu-You for personal monitoring.Features:5″ colour touchscreen24 Mono Inputs (TRS + XLR)25 Motor Faders3 Stereo Inputs (TRS)4 Stereo FX with dedicated Sends and Returns20 Mix Outputs (XLR)2 Stereo Groups2 Stereo Matrix Outs10 SoftKeysAutomatic Mic Mixer 

Allen & Heath has launched new Chrome Editions of its Qu series compact digital mixers to mark the launch of Qu v1.8 Chrome firmware in mid-October, which adds major new features including Automatic Mic Mixing, a Spectrogram and additional monitor mixes.Chrome Edition Qu-16 mixers all feature the same high contrast metallic finish rotary controls and fader caps as the premium GLD Chrome series, providing optimal visibility in low lighting scenarios and enhanced tactile control.A new Spectrogram tool provides a fast, visual means of hunting down and dealing with problem frequencies, helping to eliminate feedback and tame difficult room acoustics.The Qu-Pad app receives further enhancements with the inclusion of new controls, views and functions, such as remote control over AMM settings. Qu-Pad is one of a series of control apps which also includes Qu-You for personal monitoring.Features:19” Rack Mountable16 Mono Mic/Line Inputs (TRS + XLR)Recallable AnaLOGIQTM Preamps3 Stereo Inputs (TRS)12 Mix Outputs (XLR)7 Monitor Mixes (4 mono + 3 stereo)4 FX Engines2 dedicated FX Sends / Returns4 Mute Groups4 DCA GroupsAES Digital Out24×22 USB Audio InterfacedSNAKETM Remote Audio Port17 Motor Faders800×480 Touchscreen4 Soft Keys

AB168 is a portable AudioRack, providing 16 XLR inputs and 8 XLR outputs when connected to a GLD-80 or GLD-112 mixer, or to an AR2412 AudioRack.Featuring 16 mic preamps with Phantom Power indicators and 8 XLR line outs, AB168 runs on Allen & Heath’s proprietary dSNAKE protocol.The AB168 unit connects over a single Cat5 cable to the GLD mixer or to an AR2412 AudioRack via a secure dSNAKE EtherCon port. A second EtherCon port is provided for daisy-chaining to another AB168 box or connection of a ME personal mixing system. AB168 auto updates its firmware to synchronise with the GLD system.The rack’s rugged design, including rubber bumpers, renders it highly roadworthy and allows it to be placed on the stage floor during performances. Weighing in at just 4.8kg and featuring a sturdy carry handle, AB168 is also designed for maximum convenience and portability.Features:16 Mic Preamps on XLRPhantom Power LED per Input8 XLR Line OutsdSNAKE Connection with locking Ethercon portAdditional locking Ethercon port for daisy chaining / ME personal mixing systemRubber bumpersCarry handleOptional rack mount kit available