Stereo Microphones

The SF-24V ribbon microphone is the pinnacle of our stereo ribbon microphone designs. With the inclusion of vacuum tube circuitry derived from our TEC Award winning R-122V, the SF-24V provides unmatched clarity, detail, midrange reach, and an airiness previously unknown to ribbon microphones. For orchestra, acoustic instruments and all critical stereo applications, the SF-24V is perfection.

The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1/3 milligram and producing superb transient response. The two ribbon transducers are magnet/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled "Upper" and "Lower," for the upper and lower capsules of the microphone (when held vertically).         FEATURES True stereophonic (Blumlein and M-S) recording from one microphone. High SPL capabilities. No internal active electronics to overload or produce distortion up to maximum SPL rating. Extremely low residual noise. Ribbon element not affected by heat or humidity. Absence of high frequency phase distortion. Equal sensitivity from front or back of elements. Consistent frequency response regardless of distance. High efficiency, matching toroidal transformers. Very low magnetic leakage.

The SF-24 has all of the outstanding stereophonic capability and sonic performance of our award winning SF-12 stereo ribbon microphone, with the addition of condenser-level output and impedance matching circuitry. Designed to work with phantom power, the SF-24 makes preamplifier mismatches and gain-related noise a thing of the past.

Designed for broadcast and professional recording, Audio-Technica's BP4025 stereo condenser offers large-diaphragm capsules in an innovative coincident capsule configuration. This allows for a smaller housing while producing an X/Y stereo image with the spatial impact and realism of a live sound field. Ideal for use with professional audio and video equipment, the microphone is fully RoHS-compliant - free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).Specifications:Element: Fixed-charge back plate permanently polarized condenserPolar Pattern: X/Y StereoFrequency Response: 20-17,000 HzLow Frequency Roll Off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity: -32 dB (25.1 mV) re 1V at 1 PaChannel Balance:

The Audio-Technica AT8022 is a stereo microphone that is ideal for use mounted on a video camera. Now get true stereo field recording at interviews and when recording at home. Audio-Technica's versatile AT8022 stereo condenser offers a compact housing and the pristine sound quality of a live sound field. Its coincident capsule configuration produces an X/Y stereo image in a small housing. The microphone is supplied with two cables for use with either pro or consumer gear. It offers switchable low-frequency roll-off and the convenience of battery or phantom power. The Audio-Technica AT8022 Stereo Microphone is fully RoHS-compliant—free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).Features:Innovative capsule configuration produces accurate stereo image in smaller housingCompact, lightweight design is perfect for video camera-mount use as well as for stereo field recording, interviews and home recordingIdeal for use with handheld digital recording devicesOperates on battery or phantom power—for use with pro or consumer equipmentSwitchable low-frequency roll-offIncludes two cables: one balanced (two 3-pin XLRM-type connectors at output); one unbalanced (3.5 mm TRS at output)RoHS-compliant — free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)Specifications:Element: Fixed-charge Back Plate Permanently Polarized CondenserPolar Pattern: X/Y StereoFrequency Response: 20-15,000 HzLow Frequency Roll-Off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity:Phantom: -34 dB (19.9 mV) re 1V at 1 PaBattery: -34 dB (19.9 mV) re 1V at 1 PaImpedance:Phantom: 250 ohmsBattery: 300 ohmsMaximum Input Sound Level:Phantom: 128 dB SPL, 1 kHz at 1% T.H.D.Battery: 120 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range (Typical):Phantom: 109 dB, 1 kHz at Max SPLBattery: 101 dB, 1 kHz at Max SPLSignal-To-Noise Ratio: 75 dB, 1 kHz at 1 PaPhantom Power Requirements: 11-52V DC, 2 mA typicalBattery: 1.5V AA/UM3Battery Current/Life: 0.7mA / 700 Hours TypicalSwitch: Battery On/Off; Flat, Roll-offWeight: 247 g (8.7 oz)Dimensions: 186.0 mm (7.32") long, 47.6 mm (1.87") head diameter, 21.0 mm (0.83") maximum body diameterOutput Connector: Integral 5-pin XLRM-typeCables:Balanced: 2.0 m (6.5') long, 8 conductor, shielded, vinyl-jacketed stereo cable with 5-pin XLRF-type connector at microphone end and two 3-pin XLRM-type connectors at output end;Unbalanced: 0.6 m (2.0') long stereo cable with 5-pin XLRF-type connector at microphone end and 3.5 mm TRS connector at output endAccessories Furnished: AT8405a stand clamp for 5/8"-27 threaded stands; windscreen; battery; soft protective pouchAudio-Technica Case Style: S12

Capture the realism of live sound with two mics in one. The ATR6250 provides extremely affordable, high-quality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use. Specifications:Element: Stereo CondenserPolar Pattern: Dual cardioidFrequency Response: 70 – 18,000 HzOpen Circuit Sensitivity: -50 dBImpedance: 600 ohmsWeight: 79 g (2.8 oz) without cableOutput Connector: Screw-in 3.5 mm (1/8") stereo (female)Cable: Camera Cable: 0.2 m (8") long, 3.5 mm (1/8") stereo to 3.5 mm (1/8") stereo, Recording Cable: 3 m (9.8') long, 3.5 mm (1/8") stereo to two 3.5 mm (1/8") mono plugs

The PRO24-CMF camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with a windjammer, accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO24-CM is rugged; it's built to endure the rigors of field production. Specifications:Polar Pattern: X/Y StereoFrequency Response: 100-17,000 HzOpen Circuit Sensitivity: -50 dB (3.1 mV) re 1V at 1 PaImpedance: 600 ohmsMaximum Input Sound Level: 119 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: 82 dB, 1 kHz at Max SPLSignal to Noise Ratio: 57 dB, 1 kHz at 1 PaBattery Type: 1.5V LR44Battery Current Life: 0.6 mA / 200 hours typicalSwitch: On/offWeight: 3.9 oz (111 g)Dimensions: 4.59"" (116.5 mm) long, 0.83" (21.0 mm) maximum body diameterOutput Connector: 3.5 mm stereo mini plug on cableCable: Permanently attached 152.4 mm - 304.8 mm (6""-12"") coiled cable with right-angle molded 3.5 mm stereo mini-plug at output end

DPA ST2006A, stereo microphone set containing 2x modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, dynamic range thomann 114 dB, 48 V Phantom Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA 4006, incl. case

DPA ST 2006C, stereo microphone set containing 2x compact modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, thomann dynamic range 114 dB, 48 V Phantom Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA thomann 4006, dimensions 19 x 58 mm, weight 60g

All-round workhorse – blends clarity, richness and dynamicsTwin-Diaphragm capsule and interference tube technologiesSuperb stage separation and level controlModular flexibility   All-round workhorseThe new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities.2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology.While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control.

ST4006A Stereo Pair with 4006A Omniscarefully matched microphoneshigh sensitivity, low noise-floor and extremely linear frequencyPeliTM case transportation and protectionThe DPA ST4006A is a complete DPA 4006A Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°.The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes the ST4006A the perfect choice for all AB Stereo recordings. The design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory foam inlays.Included in this kitTwo carefully matched 4006A omni microphones, sturdy PeliTM case, holders, grids and windscreens.

The Stereo wonder. The new NT4, a visually striking microphone that solves the age-old problem of stereo recording by eliminating the need to purchase matched pairs and the associated complex set-up bars and adaptors to get professional results. With a fixed 90 Deg. X/Y configuration and perfectly matched stereo condenser capsules, the NT4 lets you record any source with immaculate stereo detail.

The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering selectable battery or phantom power operation with power indicator light, the NT4 is ideally suited to both studio and location recording.

The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack and dual XLR cables for portable DAT or professional balanced input connection.    •    Directional pattern: Cardioid per capsule    •    Frequency range: 20Hz - 20kHz    •    Output impedance: 200Ohm per side    •    Signal noise ratio din iec 651: 78dB    •    Equvalent noise: 128 dB    •    Power supply voltage: P48 (38V–52V), P24 (20V-26V), P12 (10.8V-13.2V), 9V battery    •    Current consumption: 4 mA, 2 mA, 2.8 mA, 2.4mA    •    Weight without battery: 480g    •    Weight with battery: 2.3kg

The SMK4061 Stereo Microphone Kit is a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. The SMK4061 combines two DPA 4061s omnidirectional miniature microphones, Lo-Sens, with a variety of mounting accessories. These include the BLM6000 Boundary Layer Mount, which can be used in conjunction with a 4061 (or any of DPA’s miniature mics) to place the mic on a reflective boundary such as a floor, wall, ceiling, piano lid etc, enabling them to capture the ambient sound of the area. The sound captured from this “pressure zone” has higher sensitivity, clarity and intelligibility compared to the sound captured from the "free air" and serves as a kind of acoustical zoom. Also included in the kit is among others the DMM0007 soft rubber holder. This allows all kinds of instruments, from acoustic guitar through grand piano to drums, to be mounted in the best-sounding position, using special non-marking adhesive discsThe kit contains : 2X DPA 4061 omni microphones 2X DAD 6001-BC phantom XLR adapters 2X BLM 6000 boundary layer mounts 5Χ DMM0007 Universal surface mount 5Χ DUA0560 Windscreens