Condenser Microphones

Handheld/Stand Cardioid Condenser Microphone. A price/performance leader, the MB4k cardioid condenser microphone is the Midnight Blues Series' introductory studio-quality microphone. With a condenser design for studio vocal and instrument applications, the microphone features: battery/phantom operation; rugged all-metal construction; soft-touch finish; extended response for smooth, natural sonic characteristics; corrosion-resistant contacts from gold-plated XLRM-type connector; on/off switch. Introductory studio-quality microphone - the clear price/performance leader Condenser design for studio-quality vocal and instrument applications Extended response for smooth, natural sonic characteristics Rugged all-metal construction and on/off switch Soft-touch finish for a secure, comfortable grip and reduced mechanical noise Battery/phantom operation for maximum versatility Corrosion-resistant gold-plated XLRM-type connector

Cardioid Condenser Handheld Microphone With pristine audio quality, ultra-low handling noise, and high-frequency clarity, Audio-Technica's AE3300 gives voice to the subtleties of vocal performance. The quality of the famous At4033 in a stage mic With pristine audio quality, ultra-low handling noise, and high-frequency clarity, Audio-Technica's AE3300 gives voice to the subtleties of vocal performance. This cardioid condenser vocal microphone features the condenser element used in the legendary AT4033 and proven in the world's finest recording studios. The hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam for ultimate protection against vocal plosives without compromising high-frequency clarity. Its superior anti-shock engineering ensures low handling noise and quiet performance. For exceptional performance. For exacting detail. For brilliant clarity: AE3300. it's the new standard in live audio. Exceptional performance for exceptional performers Same element as the classic AT4033 studio microphone Well-tempered polar pattern with outstanding rejection qualities Superior anti-shock engineering ensures low handling noise and quiet performance Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity Robust all-metal design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad Designed and made in Japan, guaranteed for 15 years “Same element as the AT4033” The AE3300 is built with the element of the legendary AT4033 studio microphone. As such, it delivers the same clarity and realism without coloration. Moreover, its very well balanced cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source and& ensuring a high quality rejection. “Multi-stage grille” The grille of the AE3300 is composed of 3 structures: a polyurethane foam layer which guarantees perfect thermal insulation, a hardened steel outer grille, covered with a fine metal mesh. “sound consistency in all situations” Whether you're recording in the studio with your AT4033aSM or performing on stage with the AE3300 or the wireless T3300a AEW-wire system version connected to a 4000 or 5000 Series, you will always find the same sound homogeneity, whatever the situation. Low cut filter and attenuator The AE3300 is equipped with a low-cut filter that removes frequencies below 80 Hz with a gradient of 12dB / octave. Low frequencies are controlled in a very natural way. 3 layer grille The protective head that protects the element is made from a polyurethane foam layer, a hardened steel grille, and covered with a fine metal mesh. Robust and very effective against pops and sibilance. Isolating stand clamp Quiet-Flex® AT8470 stand clamp (included) provides silent, flexible microphone positioning and facilitates the positioning of the AE3300 on any microphone stand. Protective pouch The AE3300 comes with a soft protective pouch for easy storage and transport.

When it comes to premium studio-quality sound, it’s what’s on the inside that counts. The C7 microphone features a custom-tuned supercardioid condenser capsule with hand-selected components, so your voice is reproduced with pristine clarity and sparkling highs. And the C7 handles incredibly high sound pressure levels, for maximum fidelity during your loudest performances.During your performance, the only feedback you want is applause from the audience. The C7’s innovative open-space capsule uses a specially designed inner-capsule holder and three window ports to reduce air turbulence and inner reflections at the backside of the capsule. This creates an extremely consistent supercardioid polar pattern throughout the entire frequency spectrum, for extraordinary feedback and spill rejection.Specifications:Type: 3/4" back electret condenserPolar Patterns: SupercardioidAudio frequency bandwidth: 20 - 20000 HzEquivalent noise level: 21 dB-ASensitivity: 4 mV/PaSignal to Noise: 73 dB-AMax. SPL for 1 % THD: 150 dBElectrical impedance: 600 OhmsRecommended load impedance: 2000 Ohms

Attenuator DZC 10 .Overview ca. 10 dB constant attenuationraises maximum sound pressure level by ca. 10 dBattenuates signal ahead of CMC microphone ampli fiers of the Colette modular systemUnder extreme conditions, even a SCHOEPS Colette series microphone can be overdriven by very high sound pressure levels. Here the limiting factor is not the capsule but the microphone amplifier. The overload point ranges from 128 – 135 dB-SPL, depending on the capsule and the amplifier type (e.g. 5 dB lower with the “+5 dB“ version).In these situations the signal level at the amplifier input may be attenuated by inserting a DZC between the capsule and the microphone amplifier or the Active Ac cessories.The use of two DZC 10 on one microphone will result in an attenuation of only ca. 15 dB due to the capacitive principle of operation. If the level must be attenuated by a full 20 dB, a DZC 20 should be used.

Rode M2, Live Performance Cardioid Condenser Microphone - heavy duty metal body, high RF rejection, mute switch, low handling noise, 35Hz-20kHz, 141dB max SPL, requires 24-48V phantom power.

The e 865 is a fully professional super-cardioid vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound. The microphone capsule insorporates special blast/pop protiction plate to shield the diaphragm from excessive sound pressure levels. Pick-up pattern : super cardioid Sensitivity in free field, no load : (1kHz) 3 mV/Pa Max. Sound pressure level (aktiv) : 150 dB Nominal impedance : 200 Ohm Min. terminating impedance : 1000 Ohm Dimensions : d 47 x 193 mm Weight : w/o cable 311 g Frequency response (microphone) : 40.....20000 Hz Phantom powering : 12 - 48 V

The Finger" uses a single medium diaphragm transducer to provide detailed sound with smooth transparent highs, optimal presence and natural low-end response with a unidirectional polar pattern. "The Finger" has a unique body design with an integrated tapered reflector which reduces resonances, removes reflections and optimizes the microphone's cardioid polar pattern. Integrated damping of the transducer reduces stand rumble, outside infrasonic interference and mechanical shocks.The Black Finger, w/ Optional FRR Reflection Ring & PSM Shockmount The optional and unique FRR Reflection Ring (shown here) is a reflector disc which can be positioned at the head or anywhere along the body of the microphone to alter the polar pattern, frequency response and sensitivity. Positioning the FRR at the end point of "The Finger's" reflector alters low-frequency response and adds proximity effect. The FRR can also be used to separate the front and rear sides of the capsule and to reduce reflections and reverberation from reaching the capsule. Positioning the FRR on the capsule head's top produces a polar pattern closer to a half-sphere pattern with less coloration at different angles, less proximity effect and adds sensitivity to all except high frequencies. It is even possible to use 2 FRRs, positioning one on the top of the head and one elsewhere on the body for effect. "I bought Violet's 'Black Finger' and it is now a permanent fixture, set up in my studio to mic an upright Bass." Randy Kohrs Artist/Producer/Engineer "The Finger" is available in 2 styles. "The Black Finger" has polished nickel-plated hardware and a matte black body. "The Gold Finger" has polished gold-plated hardware and a matte black body.Matched stereo pairs can be special ordered. Applications: "The Finger" microphone suits a wide range of studio and stage situations. It is ideal for capturing vocals, speech, choir, and musical instruments as well as orchestral and most other sound sources. It is an excellent choice for broadcast radio and television, film production, sound reinforcement and other professional applications.In the home studio where there are generally fewer microphones available, it offers superb performance giving it outstanding value. Use of a studio pop filter and/or polyurethane open-cell foam windscreen is necessary for close voice applications, to protect the capsule from plosive sounds and breath, pop or wind noise. Matched stereo or surround sets can be special ordered to provide balanced recordings.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).See C 451 B for technical specifications and more details.

Full-range vocal condenser with low handling noise, the MC-1 condenser mic brings you enhanced sensitivity and enhanced resolution. It is more sophisticated than a dynamic mic, giving you studio standard recording on stage. Must be connected to a 48V power supply. The MC-1 condenser mic is specally designed to last - it has its very own patented cartridge suspension.Specifications:Frequency response: 30Hz-20kHzSensitivity: -37±3dBDirectivity Characteristic: cardioidEquivalent Noise Level: ≤ 23dBA(IEC 581-5)Max. Input SPL: ≥ 125dB( at 1 kHz)Output Impedance: 100Ω±30% (at 1 kHz)Power Requirement: 48V DC Phantom Power

KSM8 redefines dynamic microphone technology for leading performers and engineers. It virtually eliminates proximity effect and provides unmatched vocal accuracy with minimal EQ and processing and has been designed for use in large, complex sound systems. Providing absolute vocal clarity, KSM8 is suited for production studios, live performance venues and broadcast productions.KSM8 has an extremely wide sweet spot, due to the design of the Dualdyne element and its ability to control proximity effect. Additionally, the neutral mid/high frequency response means that there is little external processing required, resulting in consistent, natural-sounding audio, regardless of the artist’s mic technique and placement.Specifications:Transducer Type : DynamicPolar Pattern: CardioidFrequency Response: 40 Hz - 16 kHzSensitivity (1 kHz): -51,5 dBV/Pa / 1,85 mV/PaWeight: 330 g 

KSM8 redefines dynamic microphone technology for leading performers and engineers. It virtually eliminates proximity effect and provides unmatched vocal accuracy with minimal EQ and processing and has been designed for use in large, complex sound systems. Providing absolute vocal clarity, KSM8 is suited for production studios, live performance venues and broadcast productions.KSM8 has an extremely wide sweet spot, due to the design of the Dualdyne element and its ability to control proximity effect. Additionally, the neutral mid/high frequency response means that there is little external processing required, resulting in consistent, natural-sounding audio, regardless of the artist’s mic technique and placement.Specifications:Transducer Type : DynamicPolar Pattern: CardioidFrequency Response: 40 Hz - 16 kHzSensitivity (1 kHz): -51,5 dBV/Pa / 1,85 mV/PaWeight: 330 g 

Every comparison needs a reference – data, specifications, properties that can be measured against. For the vocal microphones of the Touring Gear series, the TG V96c true condenser microphone – the benchmark for live vocals assumes this role.The strength of the TG V96c lies in its absolutely faithful reproduction - even of the finest nuances and on stage every detail counts. The microphone’s exterior stands out for its sophisticated design, with a special coated surface that is pleasant to the touch. But it is what’s inside that makes the TG V96c into a topclass microphone and makes it stand out with vocalists, professional rental companies and sound technicians: this real condenser microphone shines with a captivatingly natural sound. The subtle treble boost provides an open, finely detailed and nobtrusive sound pattern.Further advantages: the TG V96c can be operated with phantom powering down to 11V without affecting the performance. The 5-layer pop protection made from metal gauze of differing mesh sizes and a sintered plate optimally suppresses plosives while significantly improving the rear-attenuation. The TG V96c is rugged enough for the stage and is supplied with an individual frequency response curve print out.

The new AT2010 is designed to bring the studio-quality articulation and intelligibility of Audio-Technica's renowned 20 Series to the stage, for crystal-clear vocal performances. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, the AT2010 excels wherever articulate vocals are needed: in houses of worship, for solo performances, jazz vocalists, singer/songwriters, and more.Specifications:Element: Fixed-charge back plate permanently polarized condenserPolar Pattern: CardioidFrequency Response: 40-20,000 HzOpen Circuit Sensitivity: 48 dB (3.9 mV) re 1V at 1 PaImpedance: 100 ohmsMaximum Input Sound Level: 136 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: 113 dB, 1 kHz at Max SPLSignal to Noise Ratio: 71 dB, 1 kHz at 1 PaPhantom Power Requiremens: 48V DC, 2 mA typicalWeight: 233 g (8.2 oz)Dimensions: 179.1 mm (7.05") long, 50.8 mm (2.00") maximum body diameterOutput Connector: Integral 3-pin XLRM-type

The Audio Technica AT8031 microphone is ideal for close-up interviews, vocals, overheads, piano, and strings. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. The mic's proximity effect provides added warmth when used close up. Features include a large protective screen that reduces "popping" and sibilant distortion. It operates on battery or phantom power.Features:Ideal for close-up vocals, overheads, piano and stringsLow-mass diaphragm ensures minimum distortionCardioid pattern provides added warmth when used close upOperates on battery or phantom powerRoHS compliant free from all substances specified in the EU directive on hazardous substancesSpecifications:Element: Fixed-charge back plate, permanently polarized condenserPolar Pattern: CardioidFrequency Response: 30-20,000 HzLow Frequency Roll-off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity: Phantom —44 dB (11.2 mV) re 1V at 1 Pa, Battery —45 dB (10.0 mV) re 1V at 1 PaImpedance: Phantom 250 ohms; Battery 300 ohmsMaximum Input Sound Level: Phantom 137 dB, 1 kHz at 1% T.H.D., Battery 123 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range (Typical): Phantom 113 dB, 1 kHz at Max SPL, Battery 99 dB, 1 kHz at Max SPLSignal-To-Noise Ratio: 70 dB, 1 kHz at 1 PaPhantom Power Requirements: 11-52V DC, 2 mA typicalBattery Type: 1.5V AA/UM3Battery Current/Life: 0.4 mA / 1200 hours typical (alkaline)Switch: Flat, roll-offWeight: 7.2 oz (205 g)Dimensions: 7.60" (193.0 mm) long, 1.98" (50.3 mm) head diameterOutput Connector: Integral 3-pin XLRM-typeAccessories Furnished: AT8405a stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; AT8114 windscreen; battery; soft protective pouchAudio Technica Case Style: S7

The new Artist Series vocal condenser microphone is tailored for exacting detail and high-fidelity vocal reproduction. With a condenser design for studio-quality performance, the ATM710 delivers remarkable clarity. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off position that reduces the microphone's sensitivity to popping in close vocal use. The ATM710 is also equipped with a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability. The microphone's cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source.Specifications:Element: Fixed-charge back plate permanently polarized condenserPolar Pattern: CardioidFrequency Response: 40-20,000 HzLow Frequency Roll Off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity: 40 dB (10.0 mV) re 1V at 1 PaImpedance: 200 ohmsMaximum Input Sound Level: 148 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: 127 dB, 1 kHz at Max SPLSignal to Noise Ratio: 73 dB, 1 kHz at 1 PaPhantom Power Requiremens: 11-52V DC, 3.5 mA typicalWeight: 274 g (9.7 oz)Dimensions: 179.0 mm (7.05") long, 50.0 mm (1.97") diameterOutput Connector: Integral 3-pin XLRM-type

Equally at home in sound reinforcement and recording applications, the DPA d:facto is a high quality stage vocal microphone with extraordinary natural sound, high separation from nearby sound sources and extreme sound level handling. Its supercardioid pattern and superb definition gives high separation and true sound color on stage, equally suitable for PA amplification and recording. A robust three-stage pop protection grid built into the microphone removes unwanted noise. The d:facto II provides improved audio performance as it is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly. Adapter systemThe new d:facto II guarantees users exceptional DPA sound with popular existing wireless systems such as Sony, Lectrosonics, Shure, Wisycom and Sennheiser. The flexibility of its adapter system gives the user simple and very affordable possibilities of choosing either a wired DPA handle or the professional wireless system of their choosing, with no loss in the sound quality.

When compared to other handheld vocal microphones, the KMS 105 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated. No foam is used in the basket, thus eliminating any clouding or muffling of the sound. Also, by using a DC-polarized studio condenser capsule, all the nuances of the voice come through with subtlety, power and focus.The K 105 capsule was developed from the K 50, found in the KMS 150, KM 150 and KM 185 microphones. The K 105 features a supercardioid pattern, achieved by specially modifying the response of the K 50 pressure gradient transducer. The frequency response characteristic is developed in the acoustic realm, allowing for accurate representation of transient details found in music and speech, and thus transmitting a very open and detailed capture of the human voice. Due to the tight supercardioid polar pattern and the coloration-free off axis response, a very high level of gain before feedback is achieved. This polar pattern offers the highest degree of isolation while still allowing for a generous sweet spot in front of the microphone. The dynamic range of the KMS 105 is 132 dB, allowing reproduction of the artists full expression, without restraint. The maximum SPL is 150 dB and with a low self noise of 18 dB-A, a greater gain can be used without risk of adding noise to the mix. This way, the artist is able to use the microphone at a greater distance therefore maintaining a wide range of creative freedom during the performance. Because of the superior resolution and linear high frequency response, it is very easy for the artist using in-ear monitors to identify whether or not he or she is on mic with the KMS 105. And by employing a transformerless output circuit, this microphone can incorporate long cable runs with no loss of signal quality or high-frequency response. Most of the available vocalist microphones rely on the attenuating effects of foam layers inside the basket. Although this is certainly a cost-effective procedure, the detrimental effects of this foam layer can be shown quite easily. Treble frequencies are attenuated, and furthermore the polar pattern can be deformed. These drawbacks can be eliminated by selecting open mesh constructions. With careful dimensioning and selection of different mesh sizes, excellent pop and wind attenuation can be delivered. In the KMS 105 a combination of four wire meshes with different mesh sizes is used. The chosen combination yields a very constant polar pattern, while maintaining the capsules acoustic frontal frequency response. Naturally, the outer microphone basket is hardened steel, due to the required ruggedness for on-stage use.Features:Neumann sound on stageExcellent transparency for vocals/ speech and as an AnnouncerΆs mic for broadcasting/dubbingHigh SPL capability at 150 dB and a low self noise of 18 dB-AWithout off-axis colorationTransformerless outputEspecially suited for in-ear-monitoringSupercardioid polar pattern with excellent feedback rejectionEffective pop shielding without any side effectsSet includes SG 105 Stand clamp and Padded nylon bagSpecifications:Acoustical operating principle: Pressure gradient transducerDirectional pattern: supercardioidFrequency range: 20 Hz - 20 kHzSensitivity at 1 kHz into 1 kohm: 4.5 mV/PaRated impedance: 50 ohmsRated load impedance: 1000 ohmsEquivalent SPL CCIR 468-3: 28 dBEquivalent SPL DIN/IEC 651: 18 dB-AS/N ratio CCIR 468-3: 66 dBS/N ratio DIN/IEC 651: 76 dBMaximum SPL for THD 0.5%: 150 dBMaximum output voltage: 12 dBuDyn. range of the mic. amplifier DIN/IEC 651: 132 dBSupply voltage: 48 V ± 4 VCurrent consumption: 3.5 mAMatching connector: XLR 3FWeight: approx. 300 gDiameter: 48 mmLength: 180 mm

The e 965 is a hand-held vocal microphone with true condenser capsule in large-diaphragm technology. It combines the best available features of a stage microphone with Sennheiser’s pioneering experience in the field of acoustics. Able to cut through high on-stage levels the e 965 is the top model of the award-winning evolution 900 Series.Features Switchable pick-up pattern (cardioid/super-cardioid)Low cut switchSwitchable preattenuation (-10 dB)Highly effective, integral acoustic pop and windshieldEffective protection against moistureShock-mounted capsule provides excellentsuppression of handling noiseDelivery Includes 1 e 965MZQ 800 microphone clampPouchUser manualDocument of WarrantyTechnical Data : Transducer principle (Microphone)externally polarized dual diaphragm AF condenser microphoneDiameter of diaphragm25.4 mm/1'Frequency response40 - 20.000 HzPick-up patterncardioid/super-cardioid, switchableSensitivity in free field, no load (1kHz)7 mV/Pa (2,3 mV/Pa) (with preattenuation)Nominal impedance50 OhmMin. terminating impedance1 kOhmMaximum sound pressure level (passiv)142 dB (152 dB) (with preattenuation)Equivalent noise level21 dBPhantom powering48 V/ 3,5 mAConnector MicrophonesXLR-3Operating temperature0°C - +40°CWeight396 gDiameter48 mmOverall depth199 mm 

The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance.  Engineered to exacting standards, the KSM9 reveals nuance and subtlety in a microphone optimized for the most demanding live environments. With its dual diaphragm design and switchable polar patterns, the KSM9 is the choice for the world's most accomplished vocal performances. Supercardioid and Cardioid, Condenser.KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, while decreasing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R® Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to exacting Shure endurance standards, renowned worldwide and proven night after night, center stage.Dual gold layered, low-mass Mylar® diaphragm designSwitchable polar patterns (supercardioid and cardioid)Advanced suspension shock mountPremium electronic components including Class A transformerless preamplifier circuitryGold-plated internal and external connectors, including XLR Output Durable aluminum housingChampagne or charcoal grey finishFull-range frequency response (50Hz to 20kHz)Aluminum carrying case

The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production. The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.         FEATURESSmooth frequency response with gradual presence riseHighly consistent supercardioid polar pattern provides superior gain-before-feedbackElectronic low-frequency roll-off compensates for proximity effectWide dynamic range (117 dB) and low distortion characteristicsVery low susceptibility to RFI and electromagnetic humAdvanced cartridge shock-mount system absorbs mechanical shocks and reduces handling noiseBuilt-in pop filter reduces undesirable wind and breath soundsLegendary Shure quality and reliability

The Beta 87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design. The microphone adds warmth to the frequency response and creates an ideal environment for in ear personal monitoring. And its highly consistent cardioid pattern offers excellent rear rejection.         FEATURESSmooth, wide frequency response with slight presence riseUniform cardioid polar pattern for maximum isolationMinimum off-axis tone colorationLow-frequency roll-off compensates for proximity effectThree-stage pop filter minimizes breath pop and noiseBreak-resistant stand adapterFrequency response: 50 - 20,000 Hz

The Shure SM86 is a unidirectional (cardioid) condenser vocal microphone for professional use in live performance. An extremely rugged microphone, the SM86 withstands the rigors of touring while delivering studio-quality sound. The tailored frequency response of the SM86 reproduces vocals with clarity. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The built-in three-point shock mount minimizes handling noise, and a two-stage pop filter reduces wind and breath "pop" noise.         FEATURESCondenser cartridge for studio quality soundTailored frequency response for a clear reproduction of vocalsRugged construction withstands the rigors of touring soundCardioid polar pattern minimizes unwanted background noiseExcellent choice for stage monitors and personal monitorsBuilt-in three-point shock mount minimizes handling noiseTwo-stage "pop" filter reduces wind and breath noise

Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self noise and uncolored off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique 4-layer acoustic filter, the KMS 105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear frequency response, it is very easy for the artist using the KMS 105 to identify whether he or she is 'on mic'.