FX-Pedals

Korg Nuvibe | Vibrato Chorus EffectorThe legendary modulation effect unit, reborn under the supervision of the developer of the original model!Reappearing after more than half a century, it's the Nuvibe.Loved by guitarists for decades, it's a Japanese made modulation-type effect unit that made a blazing debut at the Woodstock festival; you already know the one we're talking about. The inimitable sound of this distinctive modulation effect has captivated numerous guitarists and audiences.Yet, because only a very small number of the original units exist, and because the circuit itself was not accurately understood and its components were difficult to obtain, it was rare to have the opportunity to try out the unit that produced these famous sounds. Such factors elevated the original to a semi-divine status. Numerous clone models were produced by major manufacturers and boutique shops alike, but all of these remain facsimiles that are pale imitations of the original model.Now, this legendary classic has been reborn under the ideal circumstances of the original engineer's supervision. Starting with original circuits that simulate hard-to-obtain parts, the distinctive modulation sound has been perfectly reproduced. Not content with a simple reproduction, new WAVE sliders have been added, allowing original waveforms to be generated.This highly sought after pedal with a long history of allure is now unveiled in its new incarnation: the Nuvibe

Classic Studio Compression Recreated For Your PedalboardPedal76 accurately reproduces one of the fastest and most powerful studio compressors of all time, known for having ultra-fast attack and release and adding sweet analog tone to any source. Just like in the studio, Pedal76 has Attack & Release, Ratio, and Input controls, critical for taming unwanted changes in volume on stage. Backed by over 10 years of expertise delivering premium, award-winning studio compression with the Warm Audio WA76, the Pedal76 is capable of bringing out the wide range of legendary compression tones from subtle to hard-limiting as favored by celebrated artists such as Led Zeppelin, Pink Floyd, Periphery, Jack White and many more.Studio-Quality Sound, Stage-Ready ControlTo achieve authentic 76-style FET compression, Pedal76 is built with an all-analog circuit and premium components, including a custom CineMag USA transformer. Spec’d to duplicate the professional performance of the studio units, this transformer adds rich harmonic content, and, in high gain mode, a bit of audible overdrive reminiscent of the most prized studio originals. Pedal76 features gig-ready controls like an external switch for true/buffered bypass, ensuring the compressor plays nice in your rig. Switches for input sensitivity, ground/lift, pad and high/low gain modes (both for DI operation) provide added utility at gigs or in the studio. The separate (DI) out also sends a balanced signal to any mixer or live recording rig.ApplicationsElectric Guitar: Squishy Funk & Chicken Pickin'Electric Guitar: Lead & Solo SustainElectric Bass: Big Studio BassElectric Guitar: Pristine Drive & Rhythm ToneSmash any light playing and make transients stick out without losing low end.

The Original Chorus Tone That Set StandardWA-C1 has all of the vintage tones, functionality, and vibe of the famous original chorus/vibrato pedal with added controls to separate rate and depth and brighten the tone. Like the lauded original, WA-C1 has a dedicated vibrato section, and an always-on 100% analog preamp that adds tons of analog tone and character. The carefully designed circuit helps bring the vintage depth of the modulation when turned all the way up, and also allows the WA-C1 to have variable depth to dial back for subtle tones. True to the original pedal, WA-C1 delivers rich depth and wobbly rate in waves, favored by legendary musicians like The Police, Queen, Stone Temple Pilots, Rush, Red Hot Chili Peppers, and more.Deeper, Richer, Bigger: Chorus & Vibrato ToneThe WA-C1 delivers lush midrange depth and detail associated with proper Bucket Brigade Device analog chorus pedals. On vintage units, “intensity” increased the speed of the LFO with the triangle wave shape, impacting the delay time of the BBD chip and creating a more lush tone and faster rate. With the WA-C1, you can go beyond the limitations of vintage pedals by dialing in more subtle depth and the same varying rates for a larger palette of chorus tones. When engaging the hi-z, the chorus instantly transforms from a 70s color to an 80s color, with added upper-mids and treble. Engaging the “high” input sensitivity setting can be used to add headroom and clarity to the overall pedal tone. WA-C1 adds a flashing LED for effect monitoring on the face showing which setting is engaged along with the rate of the modulation. A true-to-original recreation, WA-C1 is 100% analog, using premium components like the MN3007 Xvive BBD chip.ApplicationsElectric Guitar Dark 70s-Style ChorusElectric Guitar Pristine 80s ChorusElectric Guitar Rotary-Style Subtle VibratoElectric Keys Leslie-Style Chorus

Unapologetically VintageThe Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. The Warm Audio Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the original, legendary box.Legacy At Your FeetWhether you’re after the fabled boost tones, edge-of-breakup overdrive, or you want to push your rhythm channel to true grit - the Centavo has all of the adored tones of the original pedal. The Centavo is comfortable acting as a boost pedal, but the saturation in the higher gain settings provide a platform for true “transparent” overdriven rhythm tones. The addition of the “MOD” switch on the back - famously requested by Jeff Beck on the original pedal- allows players to extend the bass response, impacting the lower strings to get added low end drive tones.Pedal Settings & ControlsThe Centavo has three basic controls on the top - Gain, Treble, & Output. The gain on Centavo breaks up fairly late, with edge-of-breakup hitting after 50% and real clipping occurring late in the gain stage. The treble control is useful for dialing in more top-end for muddier guitars, like dual-humbucker models or all-mahogany instruments. The Centavo is loaded with output and can easily deliver clean boost, or create natural distortion if the tubes on your amplifier are already being pushed. Engaging the MOD switch on the back is a great tool to have at your disposal if the overdrive initially sounds “thin” in the lower register.

The Return of a legendThe new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time - used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…without having to pay crazy vintage prices! Serious Attention to DetailThe specific components used in a pedal circuit are critical to the way that it sounds and reacts to your playing, so each Foxy Tone Box is assembled by hand using premium parts. We searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. It’s true bypass, and it sounds like nothing else on earth! fuzz it upJust like the original, the Foxy Tone Box features controls for Volume, Sustain, and Fuzz (from “Mellow” to “Brite”), along with a switch to engage the pronounced octave effect. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet!To get started, keep the Octave switch off and roll the Fuzz to the “Mellow” side for warm, square-wave distortion. Then engage the Octave effect, crank the Fuzz to “Brite", and increase the Sustain for maxed-out, hyper-compressed tones that are barely hanging on for dear life! Electric guitar is the obvious application, but try it on synthesizers, drum machines, bass, acoustic/electric, and more. If you can plug a cable into it, the Foxy Tone Box can add character you just can’t get anywhere else.Technical Specifications Download Product ManualFaithful recreation of the original “foxy” fuzz circuit with 100% analog, fully discrete signal pathPremium components used throughout, including the NOS 2N3565 Fairchild transistors found in the original circuitUses carbon resistors, germanium 1N34A diodes, and premium film capacitorsTrue bypass operationGold-plated PCB padsVOLUME, SUSTAIN, and FUZZ knobsOCTAVE SUSTAIN switch for engaging the octave-up effect1/4" Input (INST) and Output (AMP) jacks

Reviving An Avant-Garde Pedal For Music’s TrailblazersFrom light Lo-Fi modulation all the way to the piercing sound of infinity ring-modulation, the Warm Audio RingerBringer accurately recreates the ultimate all-analog ring modulation effect used for experimental tones. Like the original, loved by artists like Jeff Beck, Radiohead, Omar Rodríguez-López, Trent Reznor, and many more, RingerBringer delivers the original distinct set of controls, extensive in/out options, and rich sonic textures to inspire boundless sonic experimentation.Don’t Just Play, CreateThe ideal platform for the sonic tinkerer, RingerBringer inspires you to generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar & beyond, and design your own sounds from the ground up. Extensive controls including LFO, MOD, Frequency & RATE open up sonic possibilities that range from subtle overdriven textures all the way to wobbling, warped leads soaked in texture and tone. RingerBringer is 100% analog and sports premium components including hand-selected op-amps and transistors. RingerBringer is no emulation or “patch”, instead it delivers true-to-spec performance of the boutique, analog original.For Original Artists Building Memorable SoundsDelivering tones ranging from nuanced drive to out-of-this world modulation, Ringerbringer helps develop a unique sonic signature for any instrument, on any track.Radical Guitar TonesCombine drive, rate, and frequency for out-of-this-world world guitar tones. Use an external EXP pedal to tame the madness by controlling the rate, amount, mix or frequency manually.A Sandbox For Synths & KeysSend any keyboard or synth through the WA-RB for added harmonic content and endless modulation. Try sending digital synths, keys, and pads from your interface through the WA-RB for added analog vibe and “fattened up” tone on otherwise dry digital signals.Modern, Modded BassAdd drive, wobble, and bite to analog string and digital synth bass. Experiment with low and high mix settings to go from light harmonic content all the way to dense sonic bass texture.

A Rich Rock & Roll HistoryFrom rolled-down wooly tweed tones all the way to riff-worthy growl and grit, the Warm Audio Warm Bender delivers the ultimate Tone Bender-style fuzz experience in one pedal. The Warm Audio Warm Bender features three dedicated, selectable circuits that accurately deliver two of the most iconic Germanium Tone Bender fuzz tones plus a bonus, modern silicon circuit. Many legendary guitar tracks by artists like Jimmy Page, Jeff Beck, Pete Townshend, and more were crafted using the two most popular versions of the iconic British Bender fuzz sound. The debate rages over which Bender fuzz tone is most legendary, but why choose one when you can have both on your board?Two Vintage Benders + A Silicon VersionWhy choose one classic Tone Bender when you can have three? Choose between the NOS 76 (1X OC76 & 1X SFT337 transistors) setting for the “early” Bender tones with cutting highs, clear presence and drive that cleans up beautifully. For legendary riff-worthy fuzz with added bass response, the NOS 75 (3X OC75 transistors) setting delivers that Mark II Professional-style Bender fuzz tone. To hear the Bender sound with a tighter low and top end response, smooth distortion-like tone, use the 3-transistor topology Silicon setting. The added SAG control starves the voltage to create that “dying battery” tone with added touch-sensitivity and compression. Warm Bender is made with 100% through-hole construction using NOS Germanium transistors and every pedal is hand inspected and tested at Warm Audio HQ in Austin Texas by real musicians and engineers with a passion for superior sound.Pedal Settings & ControlsThe Warm Bender pedal has the typical ATTACK (Gain/Fuzz) and LEVEL (Loudness) controls of a Tone Bender-style pedal. The SAG switch starves the voltage from 9V to 6V - perfect for that touch-sensitive compressed tone. The three settings on Warm Bender cover these basic tones:

Digitech FreqOut natural feedback creator σε μορφή πεταλιού, γεννήτρια feedback effect, παράγει φυσικό feedback σε οποιαδήποτε ένταση χωρίς παραμόρφωση, 7 τύποι harmonic feedback, λειτουργία true bypass, ρυθμιστικά onset και gain, διακόπτης 7-way type rotary switch για επιλογή ανάμεσα σε 1η, 2η, 3η, 5η, Nat-Low, nat-hi και τύπους sub feedback, μεταλλική κατασκευή, λειτουργία με τροφοδοτικό (διατίθεται προεραιτικά).

Bathe in eternal reverb sounds.Born out of the award-winning Golden Reverberator, Heavenly Plate Reverb gives you the haunting ambience of the classic 1950’s studio plates heard on countless hit records, in a compact stompbox.Get the most authentic studio plate reverb effects ever placed into a pedalCraft perfect reverbs quickly with simple Mod, Pre-delay, EQ, and Rate controlsCreate subtle warmth to bold ambient effects and more with three distinct vintage platesRely on timeless UA design and robust craftsmanship for years of inspiration on your pedalboardGrace your Pedalboard with Legendary Plate ReverbsBuilt upon the award-winning algorithms found in our flagship Golden Reverberator, Heavenly gives you the rich, immersive textures of 1950’s German-made studio plate reverbs, with a dense and moody sound that outclasses other "plate effect" pedals.Add Three Uniquely Voiced Plate EffectsUse Vintage Bright, Vintage Dark, and Modern Full settings for a rainbow of classic plate reverb sounds. Quickly get perfect ambience, tonality, and dimension with simple Pre-delay, EQ, Mod, and Rate controls.Get a Compact Stompbox Built for the AgesHeavenly is ruggedly constructed for years of solid use onstage and in the studio, with switchable true/trails bypass for divine-sounding plate effects to last a lifetime.

Explore the beyond with the lush ambient sound of vintage digital.Evermore Studio Reverb gives you the grainy ambient tails and mesmerizing modulations of the iconic late-’70s early-digital device, in a compact, elegantly crafted stompbox.Sculpt three-dimensional effects with bit‑for‑bit vintage digital reverb algorithmsExperience iconic Room, Small Hall, and Large Hall programs and lush modulation texturesCraft stunning soundscapes with vintage-correct Bass, Mid, and Treble decay linesCount on timeless UA craftsmanship, built for decades of dependable performanceExplore the Atmosphere with Bit‑for‑Bit AuthenticityBuilt upon the award-winning Hall 224 algorithms found in our flagship Golden Reverberator, Evermore Studio Reverb gives you the stunning ambient effects of the classic hardware used on decades of iconic guitar sounds, right on your pedalboard.Add Three Classic Digital Programs to your PedalboardWith iconic Room, Small Hall, and Large Hall effects, Evermore gives you the exact spaces of the original studio classic. And the simple, "vintage correct" Treble, Mid, Bass decay lines and Mod control ensure perfectly sculpted ambience, from subtle to experimental.Show Out with a Rugged, Simple StompboxBuilt for a lifetime of dependable service, Evermore Studio Reverb's switchable true/trails bypass and short/long Pre-delay switch ensures your journey through the vintage digital beyond is safe and enjoyable.

Travel light years beyond all other tape delays.Emerging from our flagship Starlight Echo Station, Orion Tape Echo gives you the magical hazy delay effects of vintage ’70s Maestro Echoplex EP-III tape delays, in a classy, compact package.Create with a stunning emulation of the iconic vintage tape echo hardwareCraft eccentric effects with authentic wow, flutter, and tape typesFatten your tone with a perfectly captured EP-III analog preampRely on timeless UA craftsmanship, built for decades of rock-solid performanceAdd Authentic Tape Delay to your PedalboardThanks to the same award-winning algorithms from our Starlight Echo Station, Orion gives you the rich, three-dimensional effects of a thoroughly emulated vintage tape echo — for tones that best all other compact tape delay pedals.Enjoy Fat Vintage Preamp TonesPerfect for boosting your echoes and adding punch to your entire sound, Orion's faithful emulation of the EP-III's legendary solid-state preamp gives you all the grit and attitude of the vintage effects unit, with one simple control.Experience Analog Bliss with Tape Type, Wow, and FlutterChoose from three sonically distinct versions of the EP-III with Mint, Worn, and Old machine types for color and vibe, and tweak the Wonk control for subtle-to-eccentric modulated repeats and funky tape splice textures.Hit the Stage with a Rugged, Compact StompboxBuilt for decades of dependable performance, Orion Tape Delay gives you switchable true/trails bypass and Preamp off/on for a trusted companion on your interstellar journey.

The world’s most famous limiter, on your pedalboard.Introduced in 1967, the Universal Audio 1176 remains the king of audio limiting, heard on more classic records than any other compressor. Built on the powerful UAFX engine, the 1176 Studio Compressor delivers the same punchy, expressive tones of the world-renowned hardware, now in a compact stompbox.Put the most authentic emulation of the legendary 1176 studio compressor on your pedalboardFind your sound fast with simple controls faithful to the original hardwareUse Single, Dual, and Sustain modes for iconic compression tones and effectsRely on timeless UA craftsmanship, built for stage and studioGet Three World-Famous SoundsFrom the subtle squeeze of a single 1176 to the endless sustain of two units in parallel à la Lowell George or the compressed crunch of Led Zeppelin IV, you can get the same iconic tones and effects heard on thousands of classic records with a trio of legendary 1176 setups.Punch up and Elevate your Clean TonesFrom slithery ’70s slide to chicking picking and funk, 1176 Studio Compressor gives you iconic squeeze for any genre. With simple Attack and Release controls, plus infinite Ratio settings and infamous “all buttons in” for smashed sounds, you’ll get classic tones, and tons more.Pack Classic Compression from Stage to StudioBuilt for decades of dependable performance on stage and in studio, 1176 Studio Compressor gives you switchable true/buffered bypass and a parallel compression mode in a compact pedalboard-friendly enclosure — so you can elevate your effects chain in a snap.

A 70s LegendThe Warm Audio Mutation Phasor II is an accurate recreation of one of the most desirable,100% analog phaser circuits made famous in the experimental era of the 1970s. Mutation Phasor II has all of the vintage vibes of the original phaser pedal allowing you to add depth, wobble, swirl, or “instant funk” to guitar, keys, bass, or anything you can dream of. This electro-optical phase-shifting pedal is built with a true-to-spec recreation of the 70s circuit using premium components. True to the original pedal, Mutation Phasor II delivers all the rich depth and instant psychedelic tones, favored by innovative musicians and producers like Billy Corgan, Tom Bukovac, Robin Trower, and many more.Swirly, Psychedelic, Rich Analog Tone Adding the Mutation Phasor II to your rig is like adding a new instrument. Fine-tuning the depth of the modulation just right and timing the speed to sync perfectly with the tune takes you back to old-school gigging and recording. For those looking for a truly unique phaser experience, send the phase shifts into overdrive by dialing up the feedback, emphasizing the “wooshes” of the pedal. Altogether, the Mutation Phasor II is not just a pedal, but more of a tone-shaping experience.A true-to-original recreation of the 70s circuit, Mutation Phasor II is built with premium components including classic RC4558P op-amps, vintage-style diodes, carbon resistors, and film caps - Housed in an ultra-tough, vintage-vibe steel case.Pedal Settings & ControlsTo deliver an authentic, experimental experience, the Mutation Phasor II brings back all of the original controls. For ultra-rich swirly phase shifting, the “Depth” control allows you to vary the width of the sweep range - delivering deep modulation expected from a vintage all-analog pedal. Increasing the depth control adds width to the frequency range of the effect, impacting higher highs and lower lows. Easily change the speed (or rate) of the phase-shifting effect to create more or less “wobble” in your tone - from 1/10th sweeps per second (slowest) to 18 sweeps per second (fastest). Increasing the “Feedback” control adds electric feedback to the “wet” phase-shifting signal. Increasing the feedback control creates a more intense phase sound with a particular emphasis on the sweeps, especially noticeable at slower rate settings.

A Must-Have OD Tone Of The 2000s & Beyond The Warm Audio ODD Box V1 (“ODD” for short) is a hard-clipping, op-amp-based overdrive inspired by an iconic pedalboard staple known for having a “cranked amp” tone. Perfect for boosting, adding breakup, or adding high gain to cleans, the ODD has all the tonal versatility of its inspiration. Delivering all of the sounds of a cranked, saturated tube amp, the ODD features classic-inspired controls, including a UK/US Switch, to flip the personality of ODD from a “British” to an “American” tube amp. True to its inspiration, the ODD delivers the sound of massive, live electric guitar that attracted players like Billy Gibbons, Mark Hoppus, Eric Johnson, J Mascis, Paul Gilbert, and many more to that open tube amp sound.Cranked Tone On Any StageThe ODD brings the coveted “amp-in-a-box” tone to any stage or studio. With a high degree of touch sensitivity combined with powerful drive and tone controls - the ODD sounds like a full stack regardless of volume. The added versatility of the UK/US switch ensures that any guitar or amp will deliver a true cranked-amp tone in any setup.To accurately deliver this artist-favorite tone, the ODD is built with through-hole construction using premium components, including a TLO82CP Op-Amp, 2N7000 transistors, & hand-selected capacitors & resistors.Pedal Settings & ControlsThe ODD has three critical OD controls on the front with a special addition. Drive controls the amount of clipping, or “overdrive” tone. The tone control increases treble as you turn it clockwise. The Volume control acts like a master output, increasing volume as you turn it clockwise. The UK/US switch quickly changes the personality of the ODD. The UK setting distorts earlier, bumps the upper mids, and increases volume - giving this setting more of a cranked, "chimey" amplifier tone. The US setting has a little more clean headroom, allowing the ODD to act more like a boost at first, and better aligns with traditional tweed-based "edge of breakup" amplifier tones.

Unapologetically VintageThe Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. The Warm Audio Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the original, legendary box.Legacy At Your FeetWhether you’re after the fabled boost tones, edge-of-breakup overdrive, or you want to push your rhythm channel to true grit - the Centavo has all of the adored tones of the original pedal. The Centavo is comfortable acting as a boost pedal, but the saturation in the higher gain settings provide a platform for true “transparent” overdriven rhythm tones. The addition of the “MOD” switch on the back - famously requested by Jeff Beck on the original pedal- allows players to extend the bass response, impacting the lower strings to get added low end drive tones.Pedal Settings & ControlsThe Centavo has three basic controls on the top - Gain, Treble, & Output. The gain on Centavo breaks up fairly late, with edge-of-breakup hitting after 50% and real clipping occurring late in the gain stage. The treble control is useful for dialing in more top-end for muddier guitars, like dual-humbucker models or all-mahogany instruments. The Centavo is loaded with output and can easily deliver clean boost, or create natural distortion if the tubes on your amplifier are already being pushed. Engaging the MOD switch on the back is a great tool to have at your disposal if the overdrive initially sounds “thin” in the lower register.

PedalboardThe Warm Audio Warmdrive is a true reproduction of the most sought-after "amp-in-a-box" pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have used either the original amplifier or the pedal inspired by it. With an artist roster like that, it’s no wonder that original vintage pedals are talked about amongst the most demanding and discerning chasers of tone. Staying true to the legacy, the Warmdrive delivers all the tones of the original pedal and amplifier that inspired it.True To Legacy, True To SoundWhether you’re driving cleans into breakup, thickening up rhythm tones, or saturating solos, the Warmdrive can transform your amp from a polite and clean pedal platform into a fuzzy monster. While the Warmdrive has plenty of dynamic gain on tap, adding the pedal to your rig does not dramatically alter or diminish your tone. Just like the original, the Warmdrive has the unique Voice/Tone control to go from silky-smooth tones reminiscent of that special overdriven amp at the sweet spot all the way to sustain-rich distortion. It’s like having the best of both worlds, from clean to mean.Pedal Settings & ControlsThe voice/tone control combination on the stomp box gives artists extra versatility compared to the typical overdrive pedal, allowing the player to modify the frequency both before (voice control) and after (tone control) the clipping stages. Playing with the knobs can create dynamic sounds that almost seem like two guitar signals going at once. Warmdrive will also push beyond light overdrive, all the way to a saturated cascading gain tone that makes it easy to get lost in a solo jam. Couple these controls with critical volume and gain knobs and the Warmdrive is a venerable addition to any live or studio rig.

A Complete Pedalboard in One StompboxThe H9 Max Harmonizer® effects pedal is full of Eventide’s iconic reverb, chorus, delay, modulation, pitch-shifting, and distortion effects. With the H9 Max, you can evoke the sonic landscape of legendary albums and open the doors to the creation of new sounds never heard before. Faithfully recreate the iconic sounds used by top artists, engineers, and producers such as Steve Vai, Jimmy Page, Frank Zappa, Eddie Van Halen, Richard Devine, Suzanne Ciani, and many more.The award-winning design of the H9 features a simple, one-knob user interface that allows easy effect editing and preset selection. Two onboard footswitches let you change presets, tap tempo, and bypass with your feet during live performance. The H9 offers studio-quality sound, stereo I/O, and full MIDI compatibility. With the free H9 Control app, you can create setlists, edit and manage presets wirelessly via Bluetooth or USB. The app is available for iOS, Android, Mac, and PC.FeaturesThe H9 Max can run all of the effect algorithms from our TimeFactor (delay), ModFactor (modulation), PitchFactor (pitch shifting), and Space (reverb) pedals as well as some created just for the H9.

Beyond the Effect HorizonDiscover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.New Technology, New EffectsThe H90 Harmonizer features modern ARM-based architecture derived from the world’s most powerful effects processor, Eventide’s flagship H9000 Harmonizer. This paves the way for the ongoing creation of more advanced effects processing techniques. As a result, the pedal not only offers the iconic reverbs, delays, modulation, and pitch-shifting effects of the H9 Max but goes far beyond with ten new powerful algorithms including state-of-the-art, fast-tracking, and warble-free Polyphonic Pitch Shifting. Eventide’s proprietary SIFT (Spectral Instantaneous Frequency Tracking) technology clears the road ahead for next-gen effects both long-imagined and unimaginable.Factory ProgramsThe H90 Harmonizer comes with hundreds of factory Programs that can be loaded using either SELECT or BANK mode. In SELECT mode, you can navigate your Playlist sequentially without ever missing a detail thanks to the OLED display. In BANK mode, you can quickly load from a bank of three Programs, perfect for cueing up the range of sounds for a song. Organizing your favorite sounds has never been easier, simply load a new Playlist and you’re ready for the next gig! Live Performance MachineThe H90 Harmonizer is a live performance powerhouse! The front panel has been reimagined with five push knobs, seven LED buttons, and a hi-res OLED display for greater hands-on control and parameter feedback. In PERFORM mode, you get six programmable footswitches. Map functions like tap tempo, preset and insert bypass with momentary states, and performance parameters like reverb freeze, pitch flex, or delay repeat. Furthermore, you can make multiple instantaneous parameter changes with three HotSwitches.Comprehensive UIThe comprehensive UI allows you to control any parameter with ease. Adjust expression mappings by hand with the PERFORM HotKnob and engage up to six individual assignable parameters with the three push-button Quick Knobs. Get even more control with two inputs for expression pedals or auxiliary switches with up to three buttons. If that’s not enough, take advantage of the pedal’s extensive MIDI control. 

Your Secret SauceSavor the secret sauce simmered into countless hit records with the MicroPitch Delay effects pedal. By utilizing subtle pitch shifts to create a rich stereo spread, MicroPitch Delay makes anything you cook up sonically delectable. This pedal is the key ingredient for serving up flavorful tones: Instantly harness soaring leads that jump out of the mix, add distinct lushness to a compelling clean passage and get your fill of vibey modulation that’s sure to sweeten any pot with the push of a button. Sample a bite of our newly baked up Positive and Negative Envelope modulation sources and you’ll be sure to come back for seconds; and major and minor thirds. MicroPitch Delay adds unparalleled dimension to any source; it’s not just a guitar pedal — Use it to thicken vocals, keyboards, drums, strings, brass, winds and more.What’s the Recipe?What’s the Recipe for the MicroPitch Delay pedal? It’s a unique flavor profile of dual pitch-shifters with fine-resolution de-tuning and modulation combined with delay in a delicious red package. The pedal is the latest incarnation of a legendary effect that originated in the H910 and H949 Harmonizers and later popularized with the H3000. It can be utilized for chorusing and savory repeating delays.Creative Sonic Design ToolMicroPitch Delay is effective whether used subtly as a thickening tone-enhancer or dialed to the extremes for special effects. The simplicity of the pedal’s ability to make things sound bigger is what makes it so tasty! With the MicroPitch Delay pedal, you can easily harness the power of this iconic Eventide effect that helped shape musical history.

A World of SwirlInspired by the classic Tri-Stereo Chorus and stompbox choruses of the 1970s and early 1980s, the TriceraChorus pedal pairs rich Bucket Brigade-style chorusing with Eventide’s legendary MicroPitch detuning for a lushness that rivals the jungles of the late Cretaceous Period. TriceraChorus features three chorus voices and three unique chorus effects which can be used to create a wide stereo spread with pulsing waves of modulation. The innovative “Swirl” footswitch adds psychedelic flanging, phasing, and Univibe-style tones. It has never been easier to dial in syrupy smooth, deep modulation on guitar, bass, synths, strings, vocals, and more.Deep Modulation & Dreamy TexturesTriceraChorus has three chorus voices: Left, Center, and Right, which can be detuned to add even more depth. A three-phase LFO modulates the delay times for these voices, producing a dazzling movement across the stereo field. The combination of the three modulated delays creates a huge wash of chorus reminiscent of that big, dreamy 80s sound. A Trifecta of ToneLike the mighty three-horned Dino, TriceraChorus is a powerhouse of chorus offering three effect types complemented by detuning and Swirl. For a quintessential vintage chorus sound, set TriceraChorus to “Chorus” mode. If you need something with more complexity and movement, “Chorale” produces lush, heavenly choruses inspired by classic rackmount Tri-chorus units. For a more warbly, pulsing effect, try “Vibrato.” Add detune for subtle pitch shifting sweetness. Engage the “Swirl” footswitch to get lost in a whirlpool of kaleidoscopic sound. 

Massive Otherworldly ReverberatorWhat lies beyond a Blackhole’s Event Horizon? Is it a place where time itself freezes or where gravity folds in upon itself? Is it a portal to another dimension? There’s only one way to find out. Escape Earth and create haunting echoes, ethereal landscapes, and otherworldly ambiences with Blackhole – a reverb pedal as big and mysterious as the cosmos.A Place UnknownDiscover what lies beyond mere halls, rooms, plates, and springs; let Blackhole transport you to an alternate dimension of ambience. Pick and choose from five otherworldly presets – create supermassive atmospheres with the ethereal reverb of Blackhole, soar through nimbus clouds with the airy delay of Dark Matter, achieve sonic supernovas with the resounding swirl of Nebula, experience an uncharted galaxy of sound with the warmth of Singularity, and achieve a stellar rotation of sonority with Pulsar – or get creative and create presets of your own. Blackhole can load as many as 127 presets via MIDI and they are also accessible in the preset list on the Eventide Device Manager (EDM). Unlock a universe of sound-sculpting capability! With this magnitude of flexibility, Blackhole will take you on a journey from cathedral-esque spaces to a new frontier of aural experimentation.Through Infinity...Limitless and boundless, Blackhole features two types of infinite reverb. “Infinite mode” continuously layers new sound on top of a suspended reverb while “Freeze mode” holds the effect in stasis, allowing you to play over the reverb tail. The Freeze Footswitch allows instant access to this feature....and Beyond!Unlike other reverbs which may offer pre or post-modulation, Blackhole features modulation built into the very reverb structure itself: this modulation can be used to smooth out the rough edges of the most extreme settings and offers a unique tone-shaping ability.

A Multiverse of ToneUltraTap is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation. It’s the perfect tool for staccato leads, swelling chords, and other evolving effects — everything from reversed reverbs to the sound of ripping it up in the Grand Canyon!Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape heads’ as you want and expressively control their positions and levels.UltraTap's controls make possible new and unexpected effects. The controls that you would expect in a multi-tap delay pedal—Number of Taps, Delay and Feedback—are just the basics. Controls for Spread, Slurm, and Chop open up a new world of possibilities. 

Capture the feel of a vacuum tube guitar amp with Nutube!Deliver the responsiveness, the feel, of a vacuum tube guitar ampThe TR-S is an effects unit that features a Nutube, to deliver the responsiveness, the feel, of a vacuum tube guitar amp. With our new technology (patent pending) that makes use of the Nutube, you can achieve unheard-of compression effects, similar to a tube powered amp even when recording or using a transistor amp. Besides great tone, one of the advantages of the Nu:Tekt series is that you assemble them yourself. The TR-S kit doesn’t require soldering, and the necessary tools for assembly are included. This makes the TR-S the easiest and fastest unit to assemble in the entire current Nu:tekt series. With the TR-S, you can enjoy building the kit as a DIY project, and the result is a great sounding compression pedal that gives you the sound and feeling of a vacuum tube amp.Recreate the behavior and sag of a vacuum tube power amp with the NutubeThis unit features a patent-pending circuit design that drives the compression for the vacuum tube itself, only possible with the Nutube. Use the Nutube to recreate sag (the compression feeling), a behavior of vacuum tube power amps that can be used in a variety of situations such as when you’re playing through a transistor amp or recording on a desktop music setup. The TR-S includes three trimmer knobs inside the top cover of the housing, in addition to the four knobs on the panel, which brings you even closer to the sound you want. The TR-S also achieves a natural-sounding compression effect with other instruments besides guitar.Can be assembled easily in the same way as a plastic model kitCan be assembled easily in the same way as a plastic model kit, with no soldering required. All necessary tools are included. A circuit diagram is provided in the included Owner's Manual. The Nutube driven TR-S is ideal for you if you love self-assembled effects units with incredible performance and sound quality and will help you create your own distinct sound.

The next generation effect pedal that surpasses and redefines the distortion pedal.This all new effects unit has been developed by Fumio MiedaThe HD-S effects pedal combines three different distortion circuits to create harmonic modulation that goes beyond the traditional concept of distortion. This all new effects unit has been developed by Fumio Mieda, developer of many famous legendary devices such as the Univibe. This new kind of effects unit differs from the usual “fuzz” or “distortion” pedal in many ways. The HD-S lets you freely combine the three different distortion circuits to produce a wide range of previously undiscovered sounds, from the traditional fuzz to out of this world distorted sounds and more. This wide range of traditional and all new sounds means the HD-S can be used not only with guitars but also with bass guitars, synthesizers and anytime new and unique sounds are required. One of the advantages of the Nu:tekt series is the ability to assemble them yourself. The HD-S kit doesn’t require soldering, and all of the necessary tools for assembly are included in the package. This makes it quick and easy to put the kit together, bringing you the enjoyment and satisfaction of creating your own sound.Create modulation effects by combining the three different distortion circuitsCombine the three different distortion circuits to control filter-like changes, going beyond aggressive distortion effects into a whole new sonic world. The HD-S includes three trimmer knobs inside the top cover of the housing, in addition to the four control knobs on the panel. By using these trimmer knobs to adjust the balance between the three different distortion circuits, you can create a wide range of sounds from orthodox fuzz to a wide variety of distortion all the way to some really wild sounds. Usable with guitar, bass guitar, synths and other instruments, the HD-S is a distortion effects unit that gives you sounds you’ve never heard or used before. When adjusting the distortion trimmer knobs please do it carefully without applying too much strength. The picture on the left shows the center position of these knobs. Trying to forcefully turn the knobs further than their designed range might damage them so please operate them carefully.Can be assembled easily and quickly!One of the many appealing features of the Nu:tekt Series is that these products give you the chance to build the product yourself, and it is easy to do so. The HD-S kit doesn’t require soldering, and all of the necessary tools for assembly are included in the package, for an easily-assembled kit that you can put together quickly and easily. A portrait sticker featuring a caricature motif of Fumio Mieda is also included.

Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin  film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA

Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin  film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA

Vintage Reverb Effects Beyond Any Other Stompbox.Harnessing more than 20 years of reverb modeling expertise, UAFX Golden Reverberator puts a trio of iconic reverbs right at your feet. The tube-driven spring reverb of classic ’60s guitar amps. The dense and haunting sound of ’50s studio plate reverbs. The endless algorithmic wonder of early digital reverb hardware.Built upon powerful UAFX dual‑engine processing and unprecedented levels of sonic authenticity, Golden Reverberator is a flagship, no‑compromise reverb unit, built to inspire you for decades.Get the unmistakable drip of three "golden unit" spring reverb tanks, pulled from classic '60's American guitar ampsExplore the dense, haunting sound of three German studio plate reverbs sourced from The Plant studioSculpt huge, three-dimensional tones with exact, bit‑for‑bit vintage digital reverb algorithmsQuickly access sounds with Live/Preset modes, and play with silent switching, and true or trails bypass with spillover*Download additional vintage digital Chamber & Plate effect at product registrationBuild your pedalboard around timeless UA design and robust craftsmanship, built to last decadesSpring 65: A Trio of Authentic Vintage Amp ReverbsThe tube-driven spring reverb from classic '60s American guitar amps is a heavenly sound like no other. But no two spring reverb tanks sound alike. So we auditioned over two dozen tanks, ultimately handpicking and modeling three tanks from a trio of vintage amps. Unlike other spring reverb emulations, UA's "whole amp" approach faithfully captures each reverb circuit's unique tube clipping character. The end result is all the drip, clang, whistles, and overtones of real tube‑driven spring reverb.Plate 140: A Classic Palette of Rich Studio PlatesThe dense, haunting sound of late-1950s studio plate reverb is integral to more than 60 years of classic recorded guitar tones. Golden Reverberator's three uniquely voiced plates — sourced from The Plant recording studio in Sausalito, California — frame your tones in hazy ambience as warm as the midday sun. Plus, you can easily add ripples of rich analog modulation to add texture.Hall 224: A World of Late-'70s Vintage Digital AmbienceIntroduced in the late 1970s, digital studio reverb allowed progressive guitarists to venture further into atmospheric exploration — fueling the platinum pop and alt‑rock guitar tones of the ‘80s, ‘90s, and beyond. Golden Reverberator's Hall 224 effect gives you the exact, bit-for-bit algorithms of a studio staple, with all of their lush, grainy trails and mesmerizing modulation textures.Dual Stereo Reverb Engines for Endless CreativityBuilt from the ground up for UAFX, Golden Reverberator's powerful engine runs separate stereo instances of each reverb effect, thanks to its unique dual‑engine processing — giving you uncanny three‑dimensional, immersive soundscapes. This results in a stereo spread of complex, awe‑inspiring spatial textures, and seamless effect transitions with trails.A State-of-the-Art StompboxWith modern, high-powered features like studio‑grade conversion, dual‑processing engines, additional downloadable effects, Live/Preset modes, true/buffered bypass with silent switching, effect trails, and analog dry through, Golden Reverberator radiates pure reverb perfection — in a beautiful stompbox that's built to last decades.

Unmatched Authentic Vintage and Modern Delay Effects.Fasten your seatbelts for sonic time travel with UAFX Starlight Echo Station, featuring jaw‑dropping emulations of classic tape echo, bucket-brigade, and digital delay units in a single, uber‑powerful stompbox.Built upon futuristic UAFX dual‑engine processing and unflinching sonic accuracy, Starlight sets a new benchmark in delay effects, beautifully crafted to travel the farthest reaches of your imagination for decades to come.Create with stunning emulations of iconic tape echo hardware, with selectable New, Used, and Worn tape machines Craft legendary bucket-brigade analog delay effects with the color, texture, modulation, and haze of the original hardware Play pristine, studio-grade digital delays with dynamic and inspiring modulation textures Quickly access sounds with Live/Preset modes, and play with silent switching, spillover, optional preamp coloration, tap tempo, and true or buffered/trails bypass*Download additional vintage Cooper Time Cube delay effect at product registrationBuild your pedalboard around timeless UA design and robust craftsmanship, built to last decadesTape EP-III: Perfectly Captured Tape Delay and PreampA glorious system of motors and tape, vintage early‑'70s tape echo units are beyond legend — and Starlight Echo Station's Tape EP‑III is, soup‑to‑nuts, the most complete circuit emulation of the classic hardware. From its wow/flutter randomness to the sound of the tape splice, every eccentric trait of the hardware is here, including its incredibly musical preamp circuit. Plus, you can tweak your repeats with New, Used, and Worn tape machines for tons of color and texture.Analog DMM: Iconic Bucket‑Brigade EffectsSyrupy repeats, thick modulation, and mind-bending sci‑fi effects are calling cards of this vintage American bucket‑brigade delay. Starlight Echo Station captures the best characteristics of multiple handpicked units from the late‑'70s/early‑’80s, modeling the entire circuit — right down to the colorful preamp and unpredictable clock rate dumping — giving you startling "whoosh" effects, astonishing vibrato and chorus textures, and all the hazy zaniness of the original.Precision: Hi-Fi Delays, Inspired ModulationFeaturing pristine, mirror‑image repeats with dynamic, shimmering modulation effects, the Precision effect is a goldmine of modern delays. Easily craft with hi‑fi studio‑grade flange and chorusing textures and pepper your creations with ping‑ponging repeats, adding movement and interest to your parts.Dual Stereo Delay Engines for Endless CreativityStarlight's UAFX engine powers separate stereo instances of each delay effect, thanks to its unique dual‑engine processing. It's like having two tape or bucket-brigade hardware units running simultaneously, giving you a full stereo spread of complex, awe‑inspiring spatial textures, and seamless delay effect transitions with trails.A State-of-the-Art StompboxWith modern, high‑powered features like studio-grade conversion, dual‑processing engines, additional downloadable effects at registration, Live/Preset modes, true/buffered bypass* with silent switching, effect trails/spillover, tap tempo, and analog dry through, Starlight Echo Station is your interstellar delay navigator — from here to the never‑ending beyond.

The Pinnacle of Classic Chorus, Flanging/Doubling, and Tube Tremolo Effects.Taking you deep down the rabbit hole of classic analog modulation, UAFX Astra Modulation Machine serves up the most sonically authentic bucket-brigade chorus/vibrato, studio flanger/doubler, and tube-driven tremolo effects ever placed into a single stompbox.Built upon our powerful new UAFX dual-engine processing and unmatched levels of quirky analog realism, Astra delivers richly addictive vintage modulation, beautifully crafted to inspire you for decades.Texture your tones with iconic Japanese bucket-brigade chorus/vibrato, circa 1976 Explore the outer limits with legendary rackmount bucket‑brigade studio flanging/doubling Get all the heavenly goodness of 1960's tube-driven tremolo, direct from your favorite American guitar amps Quickly access sounds with Live/Preset modes, and play with silent switching, preamp coloration, and true/buffered bypass*Download additional Phaser X90 and Dharma Trem 61 effects at product registrationBuild your pedalboard around timeless UA design and robust craftsmanship, built to last decadesChorus Brigade: Iconic Japanese ModulationUpon its release in 1976, this legendary gray bucket-brigade stompbox changed the sound of music with its thick, luxuriant chorus and wavy vibrato. Astra's Brigade Chorus mode gives you the most complete circuit emulation of this landmark unit — including its preamp section for authentically thick, saturated sounds — letting you paint with subtle ripples of analog texture and tone, adding chewiness, shimmer, and motion to everything you play.Flanger/Doubler: A Rackmount Studio ClassicPacked with late-'70s bucket-brigade tech, this classic rackmount studio flanger/doubler is famous for stunning whoosh effects, organic thickening, and a parade of wild sounds that go way beyond typical flanger boxes. Astra's Flanger/Dblr effect is the only end‑to‑end circuit emulation of this ultra‑rare unit, capturing its original features to a "T" and putting impossibly dense, complex flanging/doubling right at your feet.Trem 65: Authentic Tube Amp "Shake"Few things compare to the optical tube-driven tremolo of '60s American amplifiers. Deep, undulating, and the very essence of vibe, Trem 65 is a faithful emulation of this classic circuit. From shimmering ripples to choppy mayhem, every dynamic detail is captured in UA style, down to the complex interactions between the light source photoresistor and 12AT7 driver tube. Plus, you can explore further and create your own trem textures with variable sine and square wave settings.Dual Stereo Modulation Engines for Endless CreativityAstra's UAFX engine powers separate stereo instances of each modulation effect, thanks to its unique dual‑engine processing. It's like having two bucket-brigade hardware units running simultaneously — or even dual tremolo circuits — giving you a full stereo spread of complex, jaw‑dropping textures.A State-of-the-Art StompboxWith modern, high‑powered features like studio‑grade conversion, dual‑processing engines, additional downloadable effects at registration, Live/Preset modes, true/buffered bypass,* and silent switching, Astra Modulation Machine has your colors — now go forth, and paint your masterpiece.

The UAFX Ruby '63 Top Boost Amplifier pedal gives you the quintessential British valve amp beloved by artists and producers for over 60 years, from Queen to U2 to Radiohead.Built on powerful dual-engine processing and UAD modeling expertise, the Ruby '63 effects pedal delivers choirboy cleans, complex overdrive, and classic vibrato.Get the valve amp that powered the British Invasion, perfectly emulated in a stompbox Stay inspired with rich Top Boost tones and tube-powered vibrato Take ace studio amp tones anywhere, complete with legendary mic/speaker pairings and famous boost effectsDownload artist tones, customize features, explore presets, and more with UAFX mobile appExperience British Tube Amp Tones, Stage and StudioWhether it's replacing your amp rig and going direct to front-of-house on stage, or recording tracks into your DAW — Ruby '63 gives you the inspiring, album‑ready tones of an expertly miked "golden unit" vintage tube combo, within seconds.Explore Normal, Brilliant, and Vibrato ChannelsRuby '63 is the only stompbox that gives you the Normal, Brilliant, and Vibrato channels from the original amp — so you can fly to Ireland, London, or Liverpool with the flip of a switch. From mellow to chime to grind, it's all here.Push the Limit with Classic BoostsRuby '63 packs classic boosts, right onboard. Namely, the legendary '60s Dallas Rangemaster germanium treble booster and the preamp of a '70s Maestro EP-3 tape delay.* Just flip the Boost switch for searing layered tones that put IR-based amp modelers in the bin.Customize your Sound with the UAFX AppRuby '63 really gets cracking with the UAFX Control mobile app. Download custom artist tones, recall and archive your presets, and dive deeper into the amp that ignited the British Invasion.

Get the classic American tube amp sounds that shaped music.The UAFX Dream '65 Reverb Amplifier pedal gives you the essential American tube amp used by artists and producers for 60 years, from Muddy Waters to The Beatles to Elvis Costello.Built on powerful dual-engine processing and UAD audio modeling expertise, the Dream '65 effects pedal delivers bold cleans, sweet breakup, and divine spring reverb and vibrato.Get the most authentic emulation of a mid‑'60s American tube combo ever placed in a stompboxImmerse yourself in classic tube‑powered spring reverb and vibrato effectsTake world-class studio amp sound anywhere, complete with legendary mic/speaker pairings, boosts, and amp modsDownload artist tones, customize features, explore presets, and more with UAFX mobile appExperience Legit Tube Amp Tones, Stage and StudioWhether it's replacing your amp rig and going direct to front‑of‑house on stage, or recording tracks into your DAW — Dream '65 gives you the inspiring, album-ready tones of an expertly miked "golden unit" tube amp, within seconds.Lose Yourself in Authentic Spring Reverb & VibratoDream '65 is the only amp‑in‑a‑box pedal that faithfully captures the immersive sound of real tube‑powered spring reverb and vibrato, making this pedal perfect for soul to surf, funk to punk, blues to bebop.Get the Sound of a Modded Studio AmpTake your vintage tone a step further with custom mods and legendary drive sounds made famous by artists like Stevie Ray Vaughan and Steve Lukather. With two iconic mods and a clean boost built‑in, Dream '65 lays down sounds that put whiz‑bang amp modelers under the bunk bed.Customize your Sound with the UAFX AppDream '65 gets even better with the UAFX Control mobile app. Download custom artist tones, recall and archive your presets, and dive deeper into one of the best American tube amps ever made.

Organic Tube-Like Distortion with Tight Bottom-End and Natural Sag GRAND MAGUS DISTORTION Overflowing with organic tube amplifier-like distortion, tube compression and tight bottom-end tone, GRAND MAGUS DISTORTION channels the very essence of rock ‘n’ roll. Couple all that tone with the sultry feel of a vintage tube-rectified power supply and endorphin-elevating affordability – and you’ve got a shiny one-way trip to guitar Nirvana! Raw Rock Power Nothing has shaped the musical landscape more than a roaring tube guitar amp set to 11 – that incredible sound remains the heart and soul of rock. GRAND MAGUS DISTORTION distills the heavenly, rich harmonic content and power supply sag that made those early tube amps the “Holy Grail” for scores of guitar-wielding legends. So if your riffs call for tight bottom-end, rich mids and creamy highs, GRAND MAGUS DISTORTION stands ready to deliver. 50+ Shades of Gain GRAND MAGUS DISTORTION isn’t just a one-trick tone pony; its ultra-wide gain range and smooth tonal character, mixed with super-tight low-end response, lets you go from a Hendrix-style crunch to beefy Blackmore distortion – and all the way to super-saturated solo tones in a flash. Whether your gig calls for dark vintage distortion, or an extra-crispy modern high-gain tone, you’ll find it here in the super-versatile GRAND MAGUS DISTORTION. Classic Tone – Modern Features We know that the battle for a place on your pedalboard is fierce, so we equipped  GRAND MAGUS DISTORTION exceptionally well to make the cut. A sturdy metal chassis with dedicated Input, Output and True Bypass means that GRAND MAGUS DISTORTION is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter. Your pedalboard will welcome GRAND MAGUS DISTORTION with open arms! Backstage Pass – All Access Capable of a tremendous range of classic tube amp tones, GRAND MAGUS DISTORTION sports an easy-to-use control layout including: Gain, which controls the amount of overdrive; Volume, controls the output level; and Tone, for setting the sound for anywhere between dark, old-school dirty to crisp and modern distortion. Nothing is easier! Check out GRAND MAGUS DISTORTION at your local TC ELECTRONIC dealer today, or get yours online – and turn your tone up to eleven!

Rebirth Of A Classic The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of David Gilmour, Brian May and Eddie Van Halen to the trail-blazing keyboard stylings of Steely Dan, Herbie Hancock and Paul Simon’s Richard Tee, it seemed like everyone was incorporating phasers into their sound. Of all of the designs available during that time period, one phaser pedal stood apart from the others due to its flexibility, sound quality and addition of fuzz sounds, and it was immediately adopted by funk bass pioneer Larry Graham as the core of his modulated sound with both Sly and The Family Stone and his own Graham Central Station. The Warm Audio Jet Phaser is a hyper-authentic recreation of this famous pedal, accurate from the gooey swirl of the audio circuit to the look and feel of the enclosure, except that it’s true bypass and far more affordable and reliable than vintage units! The Jet Set The Jet Phaser contains six modes, with two labeled "PHASE" and four labeled "JET". The two PHASE modes produce traditional phasing effects, with the first having moderate modulation depth for more subtle sounds, and the second having increased depth for more exaggerated results. However, the similarities to normal phase pedals end there. The four JET modes engage the "jet" (or fuzz) effect, and that's when things get seriously fun! There are four fuzz/phase combinations: Bright fuzz/shallow phase Bright fuzz/deep phase Dark fuzz/shallow phase Dark fuzz/deep phase When the JET modes are active, the pedal's output level is controlled by the JET LEVEL knob. This enables you to set up the JET modes as a boost, if desired—which could be perfect for solos! Creative Control The Jet Phaser also features a RESONANCE control that's available in all six modes, allowing you to dial in varying amounts of filtered sci-fi craziness. Additionally, you get creative control of the modulation rate: the SLOW RATE knob allows you to set the main modulation speed, but hitting the FAST/SLOW foot switch always kicks the rate up to the maximum speed possible. It’s a cool design, because the change from fast to slow ramps up and down gradually like an organ’s rotary speaker. Unlike most phasers, the Jet Phaser can actually get “in-between” speeds by continuously hitting the FAST/SLOW foot switch like organ players do! The Jet Phaser’s true bypass operation makes it easy to incorporate into any rig, and the fact that it runs at 18V gives it high headroom and pristine audio quality (it can be powered with the included 18VDC adapter or two 9V batteries). We already know it'll sound great on guitar, bass, and keys, but don't let that stop you from slapping it on a vocal track or a drum bus - use your imagination! Technical Specifications: FAITHFUL RECREATION OF THE ORIGINAL “JET” PHASE CIRCUIT USES PREMIUM COMPONENTS THROUGHOUT, INCLUDING CARBON FILM RESISTORS AND FILM CAPACITORS TRUE BYPASS OPERATION SIX MODES: JET (1–4), PHASE (1–2) EFFECT/NORMAL AND FAST/SLOW FOOT SWITCHES JET LEVEL, MODE, RESONANCE, AND SLOW RATE KNOBS GRADUAL RATE CHANGE WHEN FAST/SLOW SWITCH IS PRESSED, SIMULATING A ROTARY CAB 1/4" INPUT (INST) AND OUTPUT (AMP) JACKS DC ADAPTER/BATTERY SWITCH RUGGED STEEL CHASSIS WITH ATTRACTIVE WOODEN SIDE PANELS POWERED BY TWO 9V BATTERIES OR 18V DC ADAPTER (INCLUDED) POWER CONSUMPTION: 9MA WIDTH: 10.25" DEPTH: 6.5" HEIGHT: 2.25" WEIGHT: 4.6 LBS

200 Watt Power Soak The Reducer reduces the output power of guitar or bass amplifiers. Enjoy the rich tube sound and full power amp distortion of your favorite amp even at room volume. Reduction The reducer is connected between the amplifier (head) and the loudspeaker. Here it converts the electrical energy of the amplifier into heat and transmits a reduced power to the loudspeaker. The art here is that the power reduction does not affect the sound, so play quietly with the original sound. The desired reduction is first switchable, in steps of 3 dB and then 5 dB. In the last switch position “Variable”, a load potentiometer is used to continuously reduce the level reduction from -7 dB to almost complete fade-out. Impedances The reducer can be connected to amplifiers (heads) with all common impedances. Available are 4 Ω, 8 Ω or 16 Ω. Specifications: Inputs & Outputs; 1/4" (6,35mm) TS-Jack (unbalanced) Load impedances, selectable: 4 Ω, 8 Ω, 16 Ω Maximum input power (4 Ω, RMS): 90 W Maximum input power (4 Ω, Peak): 120 W Maximum input power (8 Ω, RMS):200 W Maximum input power (8 Ω, Peak): 260 W Maximum input power (16 Ω, RMS): 160 W Maximum input power (16 Ω, Peak): 180 W Dimensions & Weight W x H x D (Width x Height w/ feet x Depth): 179 x 85 x 190 mm Unit weight: 1.85 kg Shipping weight (incl. packaging): 2.65 kg

The Return of a legend The new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time - used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…without having to pay crazy vintage prices! Serious Attention to Detail The specific components used in a pedal circuit are critical to the way that it sounds and reacts to your playing, so each Foxy Tone Box is assembled by hand using premium parts. We searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. It’s true bypass, and it sounds like nothing else on earth! fuzz it up Just like the original, the Foxy Tone Box features controls for Volume, Sustain, and Fuzz (from “Mellow” to “Brite”), along with a switch to engage the pronounced octave effect. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet! To get started, keep the Octave switch off and roll the Fuzz to the “Mellow” side for warm, square-wave distortion. Then engage the Octave effect, crank the Fuzz to “Brite", and increase the Sustain for maxed-out, hyper-compressed tones that are barely hanging on for dear life! Electric guitar is the obvious application, but try it on synthesizers, drum machines, bass, acoustic/electric, and more. If you can plug a cable into it, the Foxy Tone Box can add character you just can’t get anywhere else. Technical Specifications Download Product Manual Faithful recreation of the original “foxy” fuzz circuit with 100% analog, fully discrete signal path Premium components used throughout, including the NOS 2N3565 Fairchild transistors found in the original circuit Uses carbon resistors, germanium 1N34A diodes, and premium film capacitors True bypass operation Gold-plated PCB pads VOLUME, SUSTAIN, and FUZZ knobs OCTAVE SUSTAIN switch for engaging the octave-up effect 1/4" Input (INST) and Output (AMP) jacks

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Not Including GK-3 pickup and 5m GK cable

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Including power adapter, GK-3 pickup and 5m GK cable

Kemper Profiling Amplifier BK Rack, 19" version, the Kemper profiling technology allows you to take a precise sound snapshot of an existing amplifier setup including speaker cabinet & microphone(s). This snapshot can then be modified even far beyond the amps original possibilities by the internal processors such as multiple stomp effect emulations (up to 4 simultaneously), master effects, equalizer, gain, amp definition, power sagging etc. The Kemper Profiling Amplifier is already delivered with several painstaking amp profiles on board so you don't necessarily have to make your own profiles. It is now possible for the first time to take a precise snapshot of your own amplifier sound, modify it (if desired) and use it for practice, in the studio or on stage without carrying heavy equipment. Connections: Mic input, line In, alternative input, direct out, monitor out, master out (jack & XLR), S/PDIF digital input and output, midi in/out/thru, 2 x footswitch (jack), network & USB, dimensions whd: 48x20x14,5 cm, weight: 5,4 kg, colour: black

Kemper Profiling Amplifier BK Rack, 19" version, the Kemper profiling technology allows you to take a precise sound snapshot of an existing amplifier setup including speaker cabinet & microphone(s). This snapshot can then be modified even far beyond the amps original possibilities by the internal processors such as multiple stomp effect emulations (up to 4 simultaneously), master effects, equalizer, gain, amp definition, power sagging etc. The Kemper Profiling Amplifier is already delivered with several painstaking amp profiles on board so you don't necessarily have to make your own profiles. It is now possible for the first time to take a precise snapshot of your own amplifier sound, modify it (if desired) and use it for practice, in the studio or on stage without carrying heavy equipment. Connections: Mic input, line In, alternative input, direct out, monitor out, master out (jack & XLR), S/PDIF digital input and output, midi in/out/thru, 2 x footswitch (jack), network & USB, dimensions whd: 48x20x14,5 cm, weight: 5,4 kg, colour: black

XVP-20 keyboard volume pedal provides players with an indispensable tool for wide ranging control of their routing, levels, and feel. Stereo inputs and outputs allow you to rout your signal how you chose. And the minimum volume control adjusts the signal you hear when the pedal is pulled all the way back.

Flashback is a modern twist on the know-how and legacy of TC Electronic's legendary 2290 delay, featuring 7 seconds of delay and a cherry-picked selection of the very best delay sounds out there . Seriously, why you're not out buying one right now after reading that is beyond us.Dazzling Delays for DaysFrom amazing reproductions of tape- and analog echoes to a dedicated 2290 setting, Flashback is the complete package. We truly love delay sounds (made TC what we are today) so Flashback Delay is our ode to all that makes delay sounds so great - and on top of all that we even managed to squeeze in a looper!Simply Strum to SyncAudio tapping allows you to set your delay times fast, accurately, on the fly and hassle-free, so you can immediately get back to the fun part: playing. Syncing up with your band, backing track or the tempo in your head is a natural and intuitive thing , just strum the tempo with your guitar and Flashback does the rest.That’s What She PlayedFlashback Delay encourages you to play with yourself and get your most creative looping performances out of your system! 40 full seconds of looping and an easy interface give you all you need to get your loop on! 

Kemper Profiling Amplifier Head BK, the Kemper profiling technology allows you to take a precise sound snapshot of an existing amplifier setup including speaker cabinet & microphone(s). This snapshot can then be modified even far beyond the amps original possibilities by the internal processors such as multiple stomp effect emulations (up to 4 simultaneously), master effects, equalizer, gain, amp definition, power sagging etc.The Kemper Profiling Amplifier is already delivered with several painstaking amp profiles on board so you don't necessarily have to make your own profiles. It is now possible for the first time to take a precise snapshot of your own amplifier sound, modify it (if desired) and use it for practice, in the studio or on stage without carrying heavy equipment. Connections: Mic input, line In, alternative input, direct out, monitor out, master out (jack & XLR), S/PDIF digital input and output, midi in/out/thru, 2 x footswitch (jack), network & USB, dimensions whd: 396 x 214 x 165 mm, weight: 5,4 kg, color: white

The V860 represents a new standard in guitar volume pedals. It's a reimaging of the classic VOX pedal design exemplified by its well-known wah pedals. The stylish aluminum body features a blasted and anodized finish that is both tough and classy. The pedal mechanism uses gears with a high tooth count, ensuring durability and smooth operation. The components are completely hand-wired, minimizing any change in the tonal character. 

If you know how to use an AD9, you know how to use an ADMINI. It’s pretty much that same style of dark analog tone we all know and love in an adorable pink package. The ADMINI reprises the AD9’s knob functions (while losing the AD9’s dry out), so the benefit of choosing this over its predecessor (should you own an AD9 already) is more-or-less the benefit of more room and an updated chip.However, if you don’t own an AD9 or ADMINI, the tone is impeccable despite the loss of the AD9’s stereo functionality. The proportionally massive Delay Time knob in the center implies where the money is and pitch shifts the delay creamily if you turn it while the pedal is generating repeats. The smaller Blend and Repeat knobs are impossible to kick accidentally, which is a huge boon for anyone who packs their ‘board tightly. At its extremes the ADMINI will self-oscillate into chaotic, pitch-shiftable banshee wails; at its most gentle, you’re rewarded with a gritty ambient delay that dies out warm and dark like a freshly extinguished log of Specifications:Repeat, Delay time and Blend controlsTrue BypassDelay Time: 20ms - 600msPower Supply: External AC adapter (Use only DC 9V (Negative center pin) 

SDRUM is the world’s first intelligent drum machine for guitarists and bassists. By simply scratching across your guitar strings, you teach the SDRUM a kick and snare pattern that forms the foundation of the beat you want to hear. Based on this pattern, the SDRUM supplies a professional sounding drum beat with different embellishments and variations to perfectly complement your beat. Gone are the days of having your creative flow disrupted by searching through lists in a frustrating attempt to find the beat you want.The SDRUM stores up to 36 different songs. Beats are played from a choice of 5 different kits covering a wide range of genres. The pedal also supports three different parts (e.g. verse/chorus/bridge) for each song that can be switched on the fly for enhancing live performances and exploring song ideas.Features:BeatScratch™ Technology creates drum patterns by strumming your strings5 kits and studio quality samples for professional sounding drums36 song memoriesVerse/Chorus/Bridge parts12 different hats/rides stylesAlternate instruments/voicingsDedicated Amp and stereo Mixer outputsKick/Snare pads for tapping in a beatExternal FS3X supportJamSync™ connectivity for interfacing with JamMan loopers​​