Guitar Multieffects

A Complete Pedalboard in One StompboxThe H9 Max Harmonizer® effects pedal is full of Eventide’s iconic reverb, chorus, delay, modulation, pitch-shifting, and distortion effects. With the H9 Max, you can evoke the sonic landscape of legendary albums and open the doors to the creation of new sounds never heard before. Faithfully recreate the iconic sounds used by top artists, engineers, and producers such as Steve Vai, Jimmy Page, Frank Zappa, Eddie Van Halen, Richard Devine, Suzanne Ciani, and many more.The award-winning design of the H9 features a simple, one-knob user interface that allows easy effect editing and preset selection. Two onboard footswitches let you change presets, tap tempo, and bypass with your feet during live performance. The H9 offers studio-quality sound, stereo I/O, and full MIDI compatibility. With the free H9 Control app, you can create setlists, edit and manage presets wirelessly via Bluetooth or USB. The app is available for iOS, Android, Mac, and PC.FeaturesThe H9 Max can run all of the effect algorithms from our TimeFactor (delay), ModFactor (modulation), PitchFactor (pitch shifting), and Space (reverb) pedals as well as some created just for the H9.

Beyond the Effect HorizonDiscover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.New Technology, New EffectsThe H90 Harmonizer features modern ARM-based architecture derived from the world’s most powerful effects processor, Eventide’s flagship H9000 Harmonizer. This paves the way for the ongoing creation of more advanced effects processing techniques. As a result, the pedal not only offers the iconic reverbs, delays, modulation, and pitch-shifting effects of the H9 Max but goes far beyond with ten new powerful algorithms including state-of-the-art, fast-tracking, and warble-free Polyphonic Pitch Shifting. Eventide’s proprietary SIFT (Spectral Instantaneous Frequency Tracking) technology clears the road ahead for next-gen effects both long-imagined and unimaginable.Factory ProgramsThe H90 Harmonizer comes with hundreds of factory Programs that can be loaded using either SELECT or BANK mode. In SELECT mode, you can navigate your Playlist sequentially without ever missing a detail thanks to the OLED display. In BANK mode, you can quickly load from a bank of three Programs, perfect for cueing up the range of sounds for a song. Organizing your favorite sounds has never been easier, simply load a new Playlist and you’re ready for the next gig! Live Performance MachineThe H90 Harmonizer is a live performance powerhouse! The front panel has been reimagined with five push knobs, seven LED buttons, and a hi-res OLED display for greater hands-on control and parameter feedback. In PERFORM mode, you get six programmable footswitches. Map functions like tap tempo, preset and insert bypass with momentary states, and performance parameters like reverb freeze, pitch flex, or delay repeat. Furthermore, you can make multiple instantaneous parameter changes with three HotSwitches.Comprehensive UIThe comprehensive UI allows you to control any parameter with ease. Adjust expression mappings by hand with the PERFORM HotKnob and engage up to six individual assignable parameters with the three push-button Quick Knobs. Get even more control with two inputs for expression pedals or auxiliary switches with up to three buttons. If that’s not enough, take advantage of the pedal’s extensive MIDI control. 

Your Secret SauceSavor the secret sauce simmered into countless hit records with the MicroPitch Delay effects pedal. By utilizing subtle pitch shifts to create a rich stereo spread, MicroPitch Delay makes anything you cook up sonically delectable. This pedal is the key ingredient for serving up flavorful tones: Instantly harness soaring leads that jump out of the mix, add distinct lushness to a compelling clean passage and get your fill of vibey modulation that’s sure to sweeten any pot with the push of a button. Sample a bite of our newly baked up Positive and Negative Envelope modulation sources and you’ll be sure to come back for seconds; and major and minor thirds. MicroPitch Delay adds unparalleled dimension to any source; it’s not just a guitar pedal — Use it to thicken vocals, keyboards, drums, strings, brass, winds and more.What’s the Recipe?What’s the Recipe for the MicroPitch Delay pedal? It’s a unique flavor profile of dual pitch-shifters with fine-resolution de-tuning and modulation combined with delay in a delicious red package. The pedal is the latest incarnation of a legendary effect that originated in the H910 and H949 Harmonizers and later popularized with the H3000. It can be utilized for chorusing and savory repeating delays.Creative Sonic Design ToolMicroPitch Delay is effective whether used subtly as a thickening tone-enhancer or dialed to the extremes for special effects. The simplicity of the pedal’s ability to make things sound bigger is what makes it so tasty! With the MicroPitch Delay pedal, you can easily harness the power of this iconic Eventide effect that helped shape musical history.

A World of SwirlInspired by the classic Tri-Stereo Chorus and stompbox choruses of the 1970s and early 1980s, the TriceraChorus pedal pairs rich Bucket Brigade-style chorusing with Eventide’s legendary MicroPitch detuning for a lushness that rivals the jungles of the late Cretaceous Period. TriceraChorus features three chorus voices and three unique chorus effects which can be used to create a wide stereo spread with pulsing waves of modulation. The innovative “Swirl” footswitch adds psychedelic flanging, phasing, and Univibe-style tones. It has never been easier to dial in syrupy smooth, deep modulation on guitar, bass, synths, strings, vocals, and more.Deep Modulation & Dreamy TexturesTriceraChorus has three chorus voices: Left, Center, and Right, which can be detuned to add even more depth. A three-phase LFO modulates the delay times for these voices, producing a dazzling movement across the stereo field. The combination of the three modulated delays creates a huge wash of chorus reminiscent of that big, dreamy 80s sound. A Trifecta of ToneLike the mighty three-horned Dino, TriceraChorus is a powerhouse of chorus offering three effect types complemented by detuning and Swirl. For a quintessential vintage chorus sound, set TriceraChorus to “Chorus” mode. If you need something with more complexity and movement, “Chorale” produces lush, heavenly choruses inspired by classic rackmount Tri-chorus units. For a more warbly, pulsing effect, try “Vibrato.” Add detune for subtle pitch shifting sweetness. Engage the “Swirl” footswitch to get lost in a whirlpool of kaleidoscopic sound. 

Massive Otherworldly ReverberatorWhat lies beyond a Blackhole’s Event Horizon? Is it a place where time itself freezes or where gravity folds in upon itself? Is it a portal to another dimension? There’s only one way to find out. Escape Earth and create haunting echoes, ethereal landscapes, and otherworldly ambiences with Blackhole – a reverb pedal as big and mysterious as the cosmos.A Place UnknownDiscover what lies beyond mere halls, rooms, plates, and springs; let Blackhole transport you to an alternate dimension of ambience. Pick and choose from five otherworldly presets – create supermassive atmospheres with the ethereal reverb of Blackhole, soar through nimbus clouds with the airy delay of Dark Matter, achieve sonic supernovas with the resounding swirl of Nebula, experience an uncharted galaxy of sound with the warmth of Singularity, and achieve a stellar rotation of sonority with Pulsar – or get creative and create presets of your own. Blackhole can load as many as 127 presets via MIDI and they are also accessible in the preset list on the Eventide Device Manager (EDM). Unlock a universe of sound-sculpting capability! With this magnitude of flexibility, Blackhole will take you on a journey from cathedral-esque spaces to a new frontier of aural experimentation.Through Infinity...Limitless and boundless, Blackhole features two types of infinite reverb. “Infinite mode” continuously layers new sound on top of a suspended reverb while “Freeze mode” holds the effect in stasis, allowing you to play over the reverb tail. The Freeze Footswitch allows instant access to this feature....and Beyond!Unlike other reverbs which may offer pre or post-modulation, Blackhole features modulation built into the very reverb structure itself: this modulation can be used to smooth out the rough edges of the most extreme settings and offers a unique tone-shaping ability.

A Multiverse of ToneUltraTap is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation. It’s the perfect tool for staccato leads, swelling chords, and other evolving effects — everything from reversed reverbs to the sound of ripping it up in the Grand Canyon!Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape heads’ as you want and expressively control their positions and levels.UltraTap's controls make possible new and unexpected effects. The controls that you would expect in a multi-tap delay pedal—Number of Taps, Delay and Feedback—are just the basics. Controls for Spread, Slurm, and Chop open up a new world of possibilities. 

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Not Including GK-3 pickup and 5m GK cable

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Including power adapter, GK-3 pickup and 5m GK cable

Kemper Profiling Amplifier BK Rack, 19" version, the Kemper profiling technology allows you to take a precise sound snapshot of an existing amplifier setup including speaker cabinet & microphone(s). This snapshot can then be modified even far beyond the amps original possibilities by the internal processors such as multiple stomp effect emulations (up to 4 simultaneously), master effects, equalizer, gain, amp definition, power sagging etc. The Kemper Profiling Amplifier is already delivered with several painstaking amp profiles on board so you don't necessarily have to make your own profiles. It is now possible for the first time to take a precise snapshot of your own amplifier sound, modify it (if desired) and use it for practice, in the studio or on stage without carrying heavy equipment. Connections: Mic input, line In, alternative input, direct out, monitor out, master out (jack & XLR), S/PDIF digital input and output, midi in/out/thru, 2 x footswitch (jack), network & USB, dimensions whd: 48x20x14,5 cm, weight: 5,4 kg, colour: black

Kemper Profiling Amplifier BK Rack, 19" version, the Kemper profiling technology allows you to take a precise sound snapshot of an existing amplifier setup including speaker cabinet & microphone(s). This snapshot can then be modified even far beyond the amps original possibilities by the internal processors such as multiple stomp effect emulations (up to 4 simultaneously), master effects, equalizer, gain, amp definition, power sagging etc. The Kemper Profiling Amplifier is already delivered with several painstaking amp profiles on board so you don't necessarily have to make your own profiles. It is now possible for the first time to take a precise snapshot of your own amplifier sound, modify it (if desired) and use it for practice, in the studio or on stage without carrying heavy equipment. Connections: Mic input, line In, alternative input, direct out, monitor out, master out (jack & XLR), S/PDIF digital input and output, midi in/out/thru, 2 x footswitch (jack), network & USB, dimensions whd: 48x20x14,5 cm, weight: 5,4 kg, colour: black

XVP-20 keyboard volume pedal provides players with an indispensable tool for wide ranging control of their routing, levels, and feel. Stereo inputs and outputs allow you to rout your signal how you chose. And the minimum volume control adjusts the signal you hear when the pedal is pulled all the way back.

Kemper Profiling Amplifier Head BK, the Kemper profiling technology allows you to take a precise sound snapshot of an existing amplifier setup including speaker cabinet & microphone(s). This snapshot can then be modified even far beyond the amps original possibilities by the internal processors such as multiple stomp effect emulations (up to 4 simultaneously), master effects, equalizer, gain, amp definition, power sagging etc.The Kemper Profiling Amplifier is already delivered with several painstaking amp profiles on board so you don't necessarily have to make your own profiles. It is now possible for the first time to take a precise snapshot of your own amplifier sound, modify it (if desired) and use it for practice, in the studio or on stage without carrying heavy equipment. Connections: Mic input, line In, alternative input, direct out, monitor out, master out (jack & XLR), S/PDIF digital input and output, midi in/out/thru, 2 x footswitch (jack), network & USB, dimensions whd: 396 x 214 x 165 mm, weight: 5,4 kg, color: white

The V860 represents a new standard in guitar volume pedals. It's a reimaging of the classic VOX pedal design exemplified by its well-known wah pedals. The stylish aluminum body features a blasted and anodized finish that is both tough and classy. The pedal mechanism uses gears with a high tooth count, ensuring durability and smooth operation. The components are completely hand-wired, minimizing any change in the tonal character. 

The legendary Whammy pedal is the premier pitch-shifting pedal for any guitarist’s board, and it only gets better with time.  In addition to the classic Whammy sound, we’ve added chordal Whammy pitch-shifting and true bypass.  Whammy artists have won over 60 Grammys® using its unique pitch-shifting sound to enhance their music.  Its songs echo the hallways of the Rock & Roll Hall of Fame® and generate acclaim on over 700 million albums around the world.  There is no doubt why Whammy is one of the most common sights on guitarists’ pedalboards.  Features:Next generation pitch shifting algorithmsClassic and Chords shifting modesTrue Bypass10 Whammy settings9 Harmony settings2 Detune settingsRugged metal chassisMIDI input9V DC power adapter included

The new passive DOD Mini Volume Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size (and price).The Mini Volume features a high-quality 500kΩ potentiometer making it perfect for any volume pedal application. The non-slip rubber pads and a peerless industrial design by DB Instrument Amp ensure a high quality volume pedal that will last the test of time.

Featuring the same powerful dual-DSP processing and award-winning HX Modeling technology found in the flagship Helix Floor and Helix Rack guitar processors, its streamlined I/O complement and hardware configuration make it more affordable for budget-conscious guitarists who still want to access the power of Helix. Helix LT also makes an ideal backup processor for Helix Floor and Helix Rack owners, as the presets for all three are compatible.Features:Powerful Dual-DSP HX ModelingLarge 6.2”, 800x480-Pixel LCD Screen62 Amps, 37 Cabs, 16 Microphones, and 104 EffectsCapacitive Footswitches. Touch to Edit, Hold to Assign, Press to EngageUp to 2 Expression Pedals, External Amp Switching, and Deep MIDI Control20.87 x 11.93 x 3.66 inches, 12.5 lbs

Custom pedal unit for FP-30 Digital Piano

The Whammy Ricochet lets you bounce your playing up or down in pitch in controlled or crazy shifts. A momentary switch and customizable independent rise and fall time ballistics, allow you to get the Whammy action you know and love without the use of a treadle. Just hold your foot on the footswitch and let the Ricochet do the rest.Seven pitch selections: 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry, as well as a toggle to select up or down for the selected pitch. The Whammy Ricochet also has latching footswitch mode so you can rise or fall to pitch and stay there, and an LED ladder that shows your shift trajectory at all times. All these controls combine to create classic Whammy pitch-shifting as well as new sounds never heard before

The DigiTech Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.

Keyboard stereo volume pedal, with two independent inputs and outputs. The VM14L is used to regulate the output signal of a keyboard or any other instrument with line output. Furthermore, it is equipped with a side positioned potentiometer, which allows the minimum volume adjustment when the pedal is lifted (closed). The VM14L can be used also as a mono pedal with low volume regulation on one channel.

12 Unique Reverb Effects The Space reverb pedal offers a variety of spatial effects that raise the bar for stage and studio. From your standard Halls, Rooms, and Plates to the otherworldly Blackhole®, MangledVerb and Shimmer, Space has got you covered. Fun Fact: The pedal features infinite reverb options plus, the HotSwitch allows for instant parameter change with the press of a button. 

Harmonize & SynchronizeMulti-Voice Intelligent Pitch Shifting from the company that invented it! Ten Pitch and Harmonizer algorithms that cover all the bases. All the way from the original H910 to Quadravox 4-voice harmonizer to Octave and PitchFlex effects. Also included is Harpeggiator which creates arpeggios with selectable rhythm patterns and fuzz effects. Synthonizer for unique synth FX for any instrument. And, of course, MicroPitch and Crystals — go-to sounds for inspiration.Features Up to 4 voices of diatonic pitch shifting and up to 1.5 seconds of stereo delay.

Chorus + Modulation The ultimate chorus and modulation effects pedal. ModFactor utilizes two LFOs create rich expressive modulation effects—with one LFO modulating the effect while a second LFO modulates the modulation. All the standards - Chorus, Flanger, Phaser as well as Rotary, Tremolo, and Vibrato are included. Also features is the unique Undulator effect from the H8000 and a RingMod that lands somewhere between ring modulation and synthesis. The dedicated SLOW/FAST footswitch for ramping the LFO rate comes in handy. LFO rates can also sync to Tap Tempo and MIDI clock.With 10 powerful algorithms to modulate your sound, the only problem is how to explain the magic coming out of that tiny little box.

Powerful Dual Delay + LooperTimeFactor is a comprehensive dual delay pedal featuring 9 delay types with dedicated mix, time, and feedback controls for the two independent A and B lines. Delay types include classic Digital and Vintage, plus MultiTap, Reverse, Mod, Tape, Ducked, and AutoPan. Each effect can operate in stereo or dual-mono or straight mono and each can have its own tempo subdivision for creative rhythmic echoes. TimeFactor also includes a Looper with variable speed and loop head/tail editing.

StompLab IG 103 modeling effects for guitar.  The StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound.In addition to the StompLab IG’s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to come.The StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG’s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to come. 

This low-cost pedal can be used for sustain when connected to the damper input of Korg keyboards. It can also be used for the assignable footswitch jack on Korg products, where it will provide various functions depending on the product's settings. The PS3 features a tough, molded plastic body with a non-slip rubber base.

Sustain pedal .

The FC-300 sets a new standard of power, versatility for MIDI foot control. With features such as bi-directional MIDI data flow to the Roland VG-99 via newly adopted RRC2*, patch memory recall, twin expression and control pedals and more, this advanced control station is a perfect companion for Roland’s new VG-99 V-Guitar System or any other performance-based MIDI instrument or device.*RRC2: Newly developed connection protocol for Roland products that allows bidirectional MIDI data flow and electric power supply by one simple connection with using commercially available LAN (Ethernet) cable (CAT5).- Advanced MIDI foot controller with two assignable expression pedals, two control pedals, nine footswitches and expandability- New Patch Mode stores up to 100 MIDI setups- In addition to standard MIDI connection, newly developed RRC2* protocol adopted for bidirectional data flow between FC-300 and Roland RRC2 equipped products.- 3-way power supply (battery:6xAA, AC adapter, via RRC2) and rock-solid metal construction for stage use- Two Amp Control switches for controlling amp channels or effects- Perfect companion for the new VG-99

BESPECO expression for keyboard with polarity switch.

The VM170 is a “piano style” footswitch made in ABS with a chromed metal “tongue” switch. The base is made of laminated zinc and equipped with anti-slip rubber feet. On the side it has a polarity switch for compatibility with many makes of keyboard. Supplied with a fixed connection cable and mono jack. Particularly suitable for digital pianos and electric keyboards.

Roland DP10 half-damping sustain pedal for portable digital Pianos, stage Pianos and Synthesizers, with non-slip rubber plate, 190 cm cable, stereo-jack

The EV-5 Expression Pedal is designed for use with keyboards or other Expression-compatible instruments and devices, providing a more dynamic performance. You can set the minimum volume to the level of your choice, thereby determining the maximum effect of the pedal.