Misc.
Digitech FreqOut natural feedback creator σε μορφή πεταλιού, γεννήτρια feedback effect, παράγει φυσικό feedback σε οποιαδήποτε ένταση χωρίς παραμόρφωση, 7 τύποι harmonic feedback, λειτουργία true bypass, ρυθμιστικά onset και gain, διακόπτης 7-way type rotary switch για επιλογή ανάμεσα σε 1η, 2η, 3η, 5η, Nat-Low, nat-hi και τύπους sub feedback, μεταλλική κατασκευή, λειτουργία με τροφοδοτικό (διατίθεται προεραιτικά).
Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA
Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA
Vintage Reverb Effects Beyond Any Other Stompbox.Harnessing more than 20 years of reverb modeling expertise, UAFX Golden Reverberator puts a trio of iconic reverbs right at your feet. The tube-driven spring reverb of classic ’60s guitar amps. The dense and haunting sound of ’50s studio plate reverbs. The endless algorithmic wonder of early digital reverb hardware.Built upon powerful UAFX dual‑engine processing and unprecedented levels of sonic authenticity, Golden Reverberator is a flagship, no‑compromise reverb unit, built to inspire you for decades.Get the unmistakable drip of three "golden unit" spring reverb tanks, pulled from classic '60's American guitar ampsExplore the dense, haunting sound of three German studio plate reverbs sourced from The Plant studioSculpt huge, three-dimensional tones with exact, bit‑for‑bit vintage digital reverb algorithmsQuickly access sounds with Live/Preset modes, and play with silent switching, and true or trails bypass with spillover*Download additional vintage digital Chamber & Plate effect at product registrationBuild your pedalboard around timeless UA design and robust craftsmanship, built to last decadesSpring 65: A Trio of Authentic Vintage Amp ReverbsThe tube-driven spring reverb from classic '60s American guitar amps is a heavenly sound like no other. But no two spring reverb tanks sound alike. So we auditioned over two dozen tanks, ultimately handpicking and modeling three tanks from a trio of vintage amps. Unlike other spring reverb emulations, UA's "whole amp" approach faithfully captures each reverb circuit's unique tube clipping character. The end result is all the drip, clang, whistles, and overtones of real tube‑driven spring reverb.Plate 140: A Classic Palette of Rich Studio PlatesThe dense, haunting sound of late-1950s studio plate reverb is integral to more than 60 years of classic recorded guitar tones. Golden Reverberator's three uniquely voiced plates — sourced from The Plant recording studio in Sausalito, California — frame your tones in hazy ambience as warm as the midday sun. Plus, you can easily add ripples of rich analog modulation to add texture.Hall 224: A World of Late-'70s Vintage Digital AmbienceIntroduced in the late 1970s, digital studio reverb allowed progressive guitarists to venture further into atmospheric exploration — fueling the platinum pop and alt‑rock guitar tones of the ‘80s, ‘90s, and beyond. Golden Reverberator's Hall 224 effect gives you the exact, bit-for-bit algorithms of a studio staple, with all of their lush, grainy trails and mesmerizing modulation textures.Dual Stereo Reverb Engines for Endless CreativityBuilt from the ground up for UAFX, Golden Reverberator's powerful engine runs separate stereo instances of each reverb effect, thanks to its unique dual‑engine processing — giving you uncanny three‑dimensional, immersive soundscapes. This results in a stereo spread of complex, awe‑inspiring spatial textures, and seamless effect transitions with trails.A State-of-the-Art StompboxWith modern, high-powered features like studio‑grade conversion, dual‑processing engines, additional downloadable effects, Live/Preset modes, true/buffered bypass with silent switching, effect trails, and analog dry through, Golden Reverberator radiates pure reverb perfection — in a beautiful stompbox that's built to last decades.
The Pinnacle of Classic Chorus, Flanging/Doubling, and Tube Tremolo Effects.Taking you deep down the rabbit hole of classic analog modulation, UAFX Astra Modulation Machine serves up the most sonically authentic bucket-brigade chorus/vibrato, studio flanger/doubler, and tube-driven tremolo effects ever placed into a single stompbox.Built upon our powerful new UAFX dual-engine processing and unmatched levels of quirky analog realism, Astra delivers richly addictive vintage modulation, beautifully crafted to inspire you for decades.Texture your tones with iconic Japanese bucket-brigade chorus/vibrato, circa 1976 Explore the outer limits with legendary rackmount bucket‑brigade studio flanging/doubling Get all the heavenly goodness of 1960's tube-driven tremolo, direct from your favorite American guitar amps Quickly access sounds with Live/Preset modes, and play with silent switching, preamp coloration, and true/buffered bypass*Download additional Phaser X90 and Dharma Trem 61 effects at product registrationBuild your pedalboard around timeless UA design and robust craftsmanship, built to last decadesChorus Brigade: Iconic Japanese ModulationUpon its release in 1976, this legendary gray bucket-brigade stompbox changed the sound of music with its thick, luxuriant chorus and wavy vibrato. Astra's Brigade Chorus mode gives you the most complete circuit emulation of this landmark unit — including its preamp section for authentically thick, saturated sounds — letting you paint with subtle ripples of analog texture and tone, adding chewiness, shimmer, and motion to everything you play.Flanger/Doubler: A Rackmount Studio ClassicPacked with late-'70s bucket-brigade tech, this classic rackmount studio flanger/doubler is famous for stunning whoosh effects, organic thickening, and a parade of wild sounds that go way beyond typical flanger boxes. Astra's Flanger/Dblr effect is the only end‑to‑end circuit emulation of this ultra‑rare unit, capturing its original features to a "T" and putting impossibly dense, complex flanging/doubling right at your feet.Trem 65: Authentic Tube Amp "Shake"Few things compare to the optical tube-driven tremolo of '60s American amplifiers. Deep, undulating, and the very essence of vibe, Trem 65 is a faithful emulation of this classic circuit. From shimmering ripples to choppy mayhem, every dynamic detail is captured in UA style, down to the complex interactions between the light source photoresistor and 12AT7 driver tube. Plus, you can explore further and create your own trem textures with variable sine and square wave settings.Dual Stereo Modulation Engines for Endless CreativityAstra's UAFX engine powers separate stereo instances of each modulation effect, thanks to its unique dual‑engine processing. It's like having two bucket-brigade hardware units running simultaneously — or even dual tremolo circuits — giving you a full stereo spread of complex, jaw‑dropping textures.A State-of-the-Art StompboxWith modern, high‑powered features like studio‑grade conversion, dual‑processing engines, additional downloadable effects at registration, Live/Preset modes, true/buffered bypass,* and silent switching, Astra Modulation Machine has your colors — now go forth, and paint your masterpiece.
A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator: PCM: 2 tones Modeling: 1 tone Tones: PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects: MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory: Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion: 24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion: 24-bit Sampling Frequency: 44.1 kHz Nominal Output Level: OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance: OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player: File Format: WAV, AIFF Display: Graphic LCD 240 x 64 dots Connectors: GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply: DC 9 V Current Draw: 700 mA Accessories: AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately): Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width: 405 mm 16 inches Depth: 244 mm 9-5/8 inches Height: 78 mm 3-1/8 inches Weight: 3.3 kg 7 lbs. 5 oz. Not Including GK-3 pickup and 5m GK cable
A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator: PCM: 2 tones Modeling: 1 tone Tones: PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects: MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory: Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion: 24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion: 24-bit Sampling Frequency: 44.1 kHz Nominal Output Level: OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance: OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player: File Format: WAV, AIFF Display: Graphic LCD 240 x 64 dots Connectors: GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply: DC 9 V Current Draw: 700 mA Accessories: AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately): Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width: 405 mm 16 inches Depth: 244 mm 9-5/8 inches Height: 78 mm 3-1/8 inches Weight: 3.3 kg 7 lbs. 5 oz. Including power adapter, GK-3 pickup and 5m GK cable
XVP-20 keyboard volume pedal provides players with an indispensable tool for wide ranging control of their routing, levels, and feel. Stereo inputs and outputs allow you to rout your signal how you chose. And the minimum volume control adjusts the signal you hear when the pedal is pulled all the way back.
The V860 represents a new standard in guitar volume pedals. It's a reimaging of the classic VOX pedal design exemplified by its well-known wah pedals. The stylish aluminum body features a blasted and anodized finish that is both tough and classy. The pedal mechanism uses gears with a high tooth count, ensuring durability and smooth operation. The components are completely hand-wired, minimizing any change in the tonal character.
SDRUM is the world’s first intelligent drum machine for guitarists and bassists. By simply scratching across your guitar strings, you teach the SDRUM a kick and snare pattern that forms the foundation of the beat you want to hear. Based on this pattern, the SDRUM supplies a professional sounding drum beat with different embellishments and variations to perfectly complement your beat. Gone are the days of having your creative flow disrupted by searching through lists in a frustrating attempt to find the beat you want.The SDRUM stores up to 36 different songs. Beats are played from a choice of 5 different kits covering a wide range of genres. The pedal also supports three different parts (e.g. verse/chorus/bridge) for each song that can be switched on the fly for enhancing live performances and exploring song ideas.Features:BeatScratch™ Technology creates drum patterns by strumming your strings5 kits and studio quality samples for professional sounding drums36 song memoriesVerse/Chorus/Bridge parts12 different hats/rides stylesAlternate instruments/voicingsDedicated Amp and stereo Mixer outputsKick/Snare pads for tapping in a beatExternal FS3X supportJamSync™ connectivity for interfacing with JamMan loopers
The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa's wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness.The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.
The new passive DOD Mini Volume Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size (and price).The Mini Volume features a high-quality 500kΩ potentiometer making it perfect for any volume pedal application. The non-slip rubber pads and a peerless industrial design by DB Instrument Amp ensure a high quality volume pedal that will last the test of time.
The MXR Uni-Vibe Chorus/Vibrato delivers the same lush, chewy textures that players have used since the late '60s. Updated with modern gigging players in mind, this effect now it comes in a standard MXR housing-a fraction of the size and weight of the original-with true bypass switching.With its simple three-knob interface, you can dial in the effect to your taste in short order. First, use the VIBE switch to select either Chorus Mode-dry signal mixed with pitch-shifted signal-or Vibrato Mode-only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity.
AEON is an infinite sustain device that produces powerful, prolonged notes, and swells of spaced-out sounds. Instead of being mounted at your feet like an effects pedal, AEON puts the effect where it matters most – right in the palm of your hand! Providing instant access to an entirely new world of amazingly-expressive guitar tones, AEON lets you tap into soaring bowed arpeggios, vibrantly-bouncing spiccato, volume swells, endless sustain, and sweeping legatos that can easily be mastered using a variety of simple techniques.Features:Handheld infinite sustainer made from high-quality materialsPowerful custom-made transducers for fast string excitementCool and compact build for ease of useCreate inspiring new sounds including drones, fade-ins, bowing and moreIncreased string clearance allows for incredibly expressive and dynamic playing9 V battery is conveniently included with purchaseWorks with guitar, bass and other stringed instrumentsBrushed aluminum enclosure design for style and life on the road3-Year Warranty Program*Designed and engineered in Denmark
FELiX is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX is built into a roadworthy (beer-resistant) floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX is in A/B mode (which simply toggles between the two different channels).FELiX brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. A TRS insert is included for adding effects, and finally, a remote footswitch jack is included if FELiX is going to spend his life in a rack or up off the floor.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing - FELiX is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, he is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.
In a few short years, FELiX and AliX have become the preamps of choice for discerning touring and recording musicians. From Banjo to bass players, they enable performers to perfect their stage and studio sound beyond what was previously possible.And now directly from this lineage comes BiX, which shares the exact same DNA of its bigger siblings, but with an intelligently streamlined feature set and a price that puts it in reach of any performer, whether on their way to the local coffee shop or the megadome.Controls are dead simple – input gain, high and low shelving EQ, and a 10dB variable boost circuit, with footswitches for mute and boost. I/O includes the instrument input, separate send and return insert jacks, an unbalanced line output, and a balanced ISO DI output on XLR. For enhanced EQ control, rear panel DIP switches select between two different transition frequencies for both High and Low controls. And BiX is pedalboard friendly, with a 9VDC power input and a compact, rugged low-profile chassis.Sonically, BiX is a carbon copy of its bigger siblings, with crystal clear, ultra-quiet audio performance. A better than 30VDC internal operating voltage provides for incredible headroom. The highs are smooth and open, and the lows are deep and rock solid. The dynamics and tone of the instrument come alive with clarity and realism, which translates to creating a deeper bond between you and your instrument.1/4" high impedance inputSeparate FX send and return1/4" unbalanced line outputBalanced XLR DI transformer iso output10dB variable boostMute and Boost footswitchesHigh and Low shelving EQSelectable EQ transition frequencies9VDC operationOver 30V internal operating voltagePedalboard friendly design5 year transferable warrantyMade in the USA
The Grace Design ALiX instrument preamplifier gives you studio-quality sound at your next gig. The powerful EQ controls on the ALiX allow you to sculpt the sound of any stringed instrument to perfection. Other useful features include a dedicated tuner out, a variable and footswitchable boost function, a ground-isolated DI output, and more. If you want an instrument preamp with Grace Design's stunning audio performance and legendary reliability, then you need the Grace Design ALiX instrument preamplifier.Grace Design ALiX Instrument Preamp at a Glance:Powerful EQ sectionVariable input impedance for optimized toneRugged Grace construction Powerful EQ sectionThe versatile ALiX preamp pedal will carve your signature sound via a powerful equalizer that delivers a natural and musical tone at all frequencies. You'll be able to manipulate the fixed low and high controls, a parametric midrange that covers everything from 65Hz to 6kHz, and a highpass filter that cuts 12dB per octave from 20Hz to 1kHz. The layout is simple and intuitive to use. It doesn't matter if you play guitar, bass, mandolin, fiddle, banjo, or anything else, the Grace Design ALiX instrument preamp will dial in the perfect sound. Variable input impedance for optimized toneThe Grace Design ALiX flawlessly preserves the sound of your stringed instrument with its high impedance input, making it an excellent choice as a DI box. Your live sound will revel in the same resolution and detail as Grace preamplifiers available for DI recording situations. And you'll be able to precisely match your instrument's pickup for the best sound possible by choosing from three input impedance settings. Rugged Grace constructionThe rugged construction allows discerning live performers to achieve studio-quality sound in their live situations with ALiX. The Grace Design ALiX delivers big studio sound, while the anodized aluminum and steel body withstands the rigors of the road. Take it from the Sweetwater crew - the Grace Design ALiX instrument preamp will give you years of great performance and amazing sound. Grace Design ALiX Instrument Preamp Features:Single-channel studio-grade instrument preamp with a detailed and open soundPowerful EQ controls to sculpt your sonic signaturePremium components used throughout for uncompromising soundVariable and footswitchable boost functionDI output with selectable source and output levelUltra-quiet signal path thanks to studio-quality power supply designDedicated tuner output3 input impedance settings for matching your pickup outputFully grounded DI output with high-quality transformers Get detailed and articulate studio sounds live with the single-channel Grace Design ALiX Instrument Preamp.
The Grace Design ALiX instrument preamplifier gives you studio-quality sound at your next gig. The powerful EQ controls on the ALiX allow you to sculpt the sound of any stringed instrument to perfection. Other useful features include a dedicated tuner out, a variable and footswitchable boost function, a ground-isolated DI output, and more. If you want an instrument preamp with Grace Design's stunning audio performance and legendary reliability, then you need the Grace Design ALiX instrument preamplifier.Grace Design ALiX Instrument Preamp at a Glance:Powerful EQ sectionVariable input impedance for optimized toneRugged Grace construction Powerful EQ sectionThe versatile ALiX preamp pedal will carve your signature sound via a powerful equalizer that delivers a natural and musical tone at all frequencies. You'll be able to manipulate the fixed low and high controls, a parametric midrange that covers everything from 65Hz to 6kHz, and a highpass filter that cuts 12dB per octave from 20Hz to 1kHz. The layout is simple and intuitive to use. It doesn't matter if you play guitar, bass, mandolin, fiddle, banjo, or anything else, the Grace Design ALiX instrument preamp will dial in the perfect sound. Variable input impedance for optimized toneThe Grace Design ALiX flawlessly preserves the sound of your stringed instrument with its high impedance input, making it an excellent choice as a DI box. Your live sound will revel in the same resolution and detail as Grace preamplifiers available for DI recording situations. And you'll be able to precisely match your instrument's pickup for the best sound possible by choosing from three input impedance settings. Rugged Grace constructionThe rugged construction allows discerning live performers to achieve studio-quality sound in their live situations with ALiX. The Grace Design ALiX delivers big studio sound, while the anodized aluminum and steel body withstands the rigors of the road. Take it from the Sweetwater crew - the Grace Design ALiX instrument preamp will give you years of great performance and amazing sound. Grace Design ALiX Instrument Preamp Features:Single-channel studio-grade instrument preamp with a detailed and open soundPowerful EQ controls to sculpt your sonic signaturePremium components used throughout for uncompromising soundVariable and footswitchable boost functionDI output with selectable source and output levelUltra-quiet signal path thanks to studio-quality power supply designDedicated tuner output3 input impedance settings for matching your pickup outputFully grounded DI output with high-quality transformers Get detailed and articulate studio sounds live with the single-channel Grace Design ALiX Instrument Preamp.Tech SpecsTypePreampForm FactorPedalInputs1 x 1/4" (instrument), 1 x 1/4" TRS (insert)Outputs1 x XLR (DI out), 1 x 1/4" (amp out), 1 x 1/4" (tuner)Power SourceIEC AC cable jack, additional 9V 500mA outputManufacturer Part NumberALiX
Custom pedal unit for FP-30 Digital Piano
The Radial Tonebone Mix-Blender™ is a multi-function pedal that lets you mix two instruments or effects together and then send the combined signal through a mixer-style effects loop for processing. Designed to work with guitar, bass and keyboards, the Mix-Blender begins with two high-performance Class-A buffers for maximum fidelity. These lower the impedance to drive the signal further without noise. Individual volume controls on each channel let you mix the two inputs to suit and can be used to blend two pickups on an acoustic guitar, combine two pedals in parallel such as a chorus and a distortion, or to have two different instruments 'live' on stage – each set with the same output for quick changeovers. The signal can then be routed to a true 'mixer-style' effects loop and activated using the on-board footswitch. This features a wet-dry blend control that lets you mix-in effects pedals with precise control to add slight enhancements or extreme coloration to the signal chain. In other words, the Mix-Blender lets you retain the original sound of the instrument and add in as much of the effect as you like. Think of adding a touch of overdrive to a bass guitar without losing the bottom end. How about mixing in some distortion to your acoustic guitar to give it more shimmer? How about adding a chorus or phase shifter to your Hammond synth patch? The Mix-Blender is a unique tool that is designed to bring new tonal textures to your world and enhance your creative inner spark. Features:Mix two instruments or effects together at same timeBlend in effects while retaining the tone of your instrumentClass-A buffered inputs with individual level controlsOpens door to creating subtle or unique effects
FELiX is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX is built into a roadworthy (beer-resistant) floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX is in A/B mode (which simply toggles between the two different channels).FELiX brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. A TRS insert is included for adding effects, and finally, a remote footswitch jack is included if FELiX is going to spend his life in a rack or up off the floor.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing - FELiX is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, he is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.
Keyboard stereo volume pedal, with two independent inputs and outputs. The VM14L is used to regulate the output signal of a keyboard or any other instrument with line output. Furthermore, it is equipped with a side positioned potentiometer, which allows the minimum volume adjustment when the pedal is lifted (closed). The VM14L can be used also as a mono pedal with low volume regulation on one channel.
The Radial Bassbone is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance making it the ideal front end for both live and studio recording.Designed as a bass command center, the Bassbone lets you connect two basses and seamlessly toggle between them using a footswitch. Each channel is equipped with a separate level control to balance the two instruments. This is augmented with a unique EQ that enables you to adjust the tone for each instrument to match with your bass amp. In fact, the EQ is so powerful that you can toggle between channels to emulate switching from a P-Bass to a Rickey using the same bass! For added stage control, a second footswitch engages a power booster for soloing. This works double duty to turn on an effects loop.The Bassbone's highly acclaimed audio circuit features full sized discrete electronics for optimal signal flow to deliver the sound of your bass to your amp with minimal distortion or artefact. Outputs include a ¼" instrument output for the stage amp, separate always-on tuner out, and a built-in Radial direct box to feed the PA or recording system. The Bassbone ... finally a pedal that gives you control and great tone in one.Features:Two-channel bass preamp for 1 or 2 bassesBuilt-in Radial direct box with low-Z balanced outCombination power boost and effects loopPowerful EQ and contour control for each bass
Universal phantom power supply for any condenser microphone. Selectable +12 / +48 V power supply. Ultra-low noise audio performance. DC 12 V adapter included.
This low-cost pedal can be used for sustain when connected to the damper input of Korg keyboards. It can also be used for the assignable footswitch jack on Korg products, where it will provide various functions depending on the product's settings. The PS3 features a tough, molded plastic body with a non-slip rubber base.
The FC-300 sets a new standard of power, versatility for MIDI foot control. With features such as bi-directional MIDI data flow to the Roland VG-99 via newly adopted RRC2*, patch memory recall, twin expression and control pedals and more, this advanced control station is a perfect companion for Roland’s new VG-99 V-Guitar System or any other performance-based MIDI instrument or device.*RRC2: Newly developed connection protocol for Roland products that allows bidirectional MIDI data flow and electric power supply by one simple connection with using commercially available LAN (Ethernet) cable (CAT5).- Advanced MIDI foot controller with two assignable expression pedals, two control pedals, nine footswitches and expandability- New Patch Mode stores up to 100 MIDI setups- In addition to standard MIDI connection, newly developed RRC2* protocol adopted for bidirectional data flow between FC-300 and Roland RRC2 equipped products.- 3-way power supply (battery:6xAA, AC adapter, via RRC2) and rock-solid metal construction for stage use- Two Amp Control switches for controlling amp channels or effects- Perfect companion for the new VG-99
BESPECO expression for keyboard with polarity switch.
The VM170 is a “piano style” footswitch made in ABS with a chromed metal “tongue” switch. The base is made of laminated zinc and equipped with anti-slip rubber feet. On the side it has a polarity switch for compatibility with many makes of keyboard. Supplied with a fixed connection cable and mono jack. Particularly suitable for digital pianos and electric keyboards.
Roland DP10 half-damping sustain pedal for portable digital Pianos, stage Pianos and Synthesizers, with non-slip rubber plate, 190 cm cable, stereo-jack
The EV-5 Expression Pedal is designed for use with keyboards or other Expression-compatible instruments and devices, providing a more dynamic performance. You can set the minimum volume to the level of your choice, thereby determining the maximum effect of the pedal.
PACER boosts your creativity by providing hands-free control of your DAW, MIDI guitar soft- or hardware as well as channel and FX switching on your trusted analog amp. All integrated into one rugged and stage-ready foot pedal with 10 programmable LED foot switches, 4 switching relays and connections for up to 4 external foot switches and 2 expression pedals. That's a lot of switching power right at your feet: With just one press of a button, you can send up to 16 MIDI and relay messages to reconfigure a setup instantly. Step up your pace with this powerful MIDI DAW Footswitch Controller!Features:MIDI foot controller for DAWs and guitar processors10 programmable buttons, with LED indicators for control assignments24 available presets (Banks A-D, 6 presets each)Support for 4 programmable external foot switchesSupport for 2 programmable external expression pedals4 programmable relays for switching channels or effects on amplifiers1 programmable encoderFootswitches can send up to 6 messages when activatedMIDI Out port for external hardware controlUSB class compliant, powered via USB or USB power supply (not included