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Audio Technica AT5040
SKU: APA2018-19728
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36 Instalments
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2 Years Warranty
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Free Shipping
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36 Instalments
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2 Years Warranty
3.045 €
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Warm Audio WA-251
SOUND LIKE A LEGENDThe WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.
DESIGNThe classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire.Designing our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before.SPECIFICATIONS
CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE,
ALL-BRASS VINTAGE CK12-STYLE CAPSULE
CINEMAG USA OUTPUT TRANSFORMER
JJ SLOVAK 12AY7 VACUUM TUBE
GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE
WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS
POLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT
FREQUENCY RANGE: 20 HZ~20 KHZ
OUTPUT IMPEDANCE: 200 OHMS
MAXIMUM SPL: 132DB (
795 €
Warm Audio WA-87 R2
INTRODUCING AN UPDATED AND UPGRADED '87 STYLE FET CONDENSER MICROPHONE
WA-87 R2: Updated And Upgraded
In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.
Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere. It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs.
Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better!
A Faithful Reproduction With Top-Shelf Components
The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history!
The Most Versatile Mic In Your Locker
Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics.
The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker!
Stunning In Sound And Appearance
The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones!
Technical Specifications:
LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT
ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS
CUSTOM CINEMAG USA OUTPUT TRANSFORMER
WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE
NICKEL-PLATED BRASS BODY
THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL
-10DB PAD AND 80HZ HIGH PASS FILTER
FREQUENCY RESPONSE: 20HZ – 20KHZ
SPL: .5% THD @ 125DB (WITHOUT PAD), 132DB
DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM)
NOISE: -117DB
INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT (OPTIONAL FLIGHT CASE AVAILABLE)
WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG
COLOR: AVAILABLE IN NICKEL OR BLACK FINISH
505 €
Warm Audio WA-14
The WA-14 is a '414-style condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path. The WA-14 can be used on an array of sources, such as; punchy/warm intimate lead vocals, acoustic/electric guitars, bass, drums/percussion, strings/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price.All-brass CapsuleThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 backplate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.Specifications:Large diaphragm condenser microphone with variable pad and three polar patternsFeatures custom WA-12-B-60V edge-terminated, dual-backplate, all-brass vintage CK12-style capsuleCustom CineMag USA transformerFrequency range: 20Hz to 20kHz Output pad: 0dB, -10dB, -20dBPolar Patterns: Cardioid, figure of eight and omnidirectionalOutput Impedance: 150 ohms3-pin gold plated XLRRequires +48V phantom powerIncludes shock mount and hard mountColor: black
344 €
Warm Audio WA-47Jr
The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr. The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag. The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone. Quality components make a better mic.The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability. The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag. Specifications:FET transformerless '47 style condenser microphone.Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80v. Capsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film).Fully discrete signal path, Toshiba FET’s, Wima film capacitors, Panasonic electrolytic capacitors.Polar Patterns: Cardioid, figure-of-eight, and omnidirectional.High-pass filter: 70HzPad: -10dbSelf-noise: 9dBADynamic range: 138dBAMaximum SPL: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB)Frequency Range: 20 Hz~20 kHzSensitivity: 10mV/Pa or -40dBOutput Impedance: 100 ohms
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Presonus PX-1
Capture every detail, every time
Designed for musicians and performers who demand outstanding audio quality, the PreSonus PX-1 cardioid condenser microphone is an ideal solution for recording vocals, guitar, podcasts, and much more. A true large-diaphragm condenser microphone, the PX-1 features a 25mm, gold-sputtered capsule designed to provide exceptional clarity throughout its frequency response range. Rugged construction and top-quality performance specifications make the PX-1 large diaphragm microphone an excellent addition for any home recording or streaming studio.
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Prodipe ST-1 MK2 Lanen
The ST-1 MK2 Lanen, designed on the basis of the STC-3D MK2, is one of the only condenser microphones on the market, equipped with a real 34mm large diaphragm capsule, with a gold-plated one-inch diaphragm, in this price range.
Almost all of the other brands speak of a large membrane, for capsules from 16 to 19mm and the difference is significant!
Unlike "entry-level" products, which are often too cold and too bright, with less full sound in the bass and lower midrange, the ST-1 MK2 Lanen perfectly reproduces the definition and warmth of the recorded source.
129 €
Neumann TLM-102 Studio Set Nickel
With the TLM 102, the Berlin microphone manufacturer Neumann is defining a new generation of studio microphones. This applies not only to the design of the microphone but also to the price.The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB which permits the recording of percussion, drums, amps and other very loud sound sources, for example. However the most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix.Specifications:Type: Condenser Pick Up Pattern: Cardioid Frequency response: 20 Hz-20 kHz Sensitivity: 11 mV/Pa Ιmpedance: 50 ohms Τotal harmonic distortion: 144 dB Dimensions: Diameter: 52 mm, Length:116 mm Weight: 210 gr
757
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Neumann U-87-Ai Studio Set Nickel
Το πιο δημοφιλές μικρόφωνο στην ιστορία των ηχογραφήσεων bundle μαζί με την αράχνη του. To U87 είναι ενα πυκνωτικό μικρόφωνο μεγάλου διαφράγματος για ηχογραφήσεις φωνής και οργάνων. ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ:Acoustical operating principle Pressure gradient transducerDirectional pattern Omnidirectional, cardioid, figure-8 plusFrequency range 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa*Rated impedance 200 ohmsRated load impedance 1000 ohmsEquivalent SPL CCIR 468-3 26/23/25 dB*Equivalent SPL DIN/IEC 651 15/12/14 dB-A*S/N ratio CCIR 468-3 68/71/69 dB*S/N ratio DIN/IEC 651 79/82/80 dB*Maximum SPL for THD 0.5% 117 dB (cardioid)Maximum SPL for THD 0.5% with preattenuation 127 dBMaximum output voltage 390 mVDynamic range of the microphone amplifier cardioid DIN/IEC 651 105 dBSupply voltage 48 V ± 4 VCurrent consumption 0.8 mAMatching connectors XLR 3FWeight 500 gDiameter 56 mmLength 200 mm
3.078
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The AT5040 Studio Vocal Microphone by Audio-Technica marks the debut of their flagship 50 Series of microphones. In addition to vocals, its fast transient response make it ideal for acoustic instruments. Each AT5040 is hand-assembled and individually inspected to ensure the finest quality audio capture.
The AT5040 employs a four-part rectangular element to provide purity of sound. Each of the four parts function together and get proprietarily summed to output. This provides a surface area twice the size of a standard one-inch circular diaphragm. Additionally, the AT5040 features an advanced internal shockmounting system, effectively decoupling the capsule from the housing for vibration-free performance.
The Audio-Technica AT5040's frequency response chart reflects the company's claim of an "extremely smooth top end with controlled sibilance." A dip of approximately 3dB occurs between 4.5kHz and 8.5kHz, a prime "s" location. The microphone's reactivity slowly tapers after the 10kHz mark. An approximate 2 to 3dB boost in response below 80Hz could create a pleasant promiximity effect on a male vocalist, then rolled off to taste in mixing.
Specifications:
Element Type: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Cardioid
Frequency Response: 20 to 20,000 Hz
Open Circuit Sensitivity: -25 dB (56.2 mV) re 1V at 1 Pa
Impedance: 50Ω
Maximum Input Level: 142 dB SPL, 1 kHz at 1% T.H.D.
Noise: 5 dB SPL (typical, A-weighted)
Dynamic Range (Typical): 137 dB, 1 kHz at max SPL
Signal-to-Noise Ratio: 89 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 48V DC, 3.8 mA typical
Output Connector: Integral 3-pin XLRM-type
Case Form Factor: Audio-Technica R10
Dimensions (Ø x L): 2.24 x 6.51" (57 x 165.3 mm)
Weight: 20.5 oz (582 g)
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Audio Technica AT5040
